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You searched for subject:(M thodes semi Lagrangiennes). Showing records 1 – 30 of 863 total matches.

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1. Horsin, Romain. Comportement en temps long d'équations de type Vlasov : études mathématiques et numériques : Long time behavior of certain Vlasov equations : mathematics and numerics.

Degree: Docteur es, Mathématiques et Applications, 2017, Rennes 1

Cette thèse porte sur le comportement en temps long de solutions d’équations de type Vlasov, principalement le modèle Vlasov-HMF. On s’intéresse en particulier au phénomène… (more)

Subjects/Keywords: Équations de type Vlasov; Équations d’Euler; Équations de transport; Amortissement Landau; État stationnaire; Méthodes de splitting; Méthodes semi-Lagrangiennes; Intégrateur symplectique; Intégrateur de Crouch-Grossman; Analyse d’erreur rétrograde; Systèmes hamiltoniens; Coordonnées action-angle; Vlasov equations; Euler equations; Transport equations; Landau damping; Stationary state; Splitting methods; Semi-Lagrangian methods; Symplectic integrator; Crouch-Grossman integrator; Backward error analysis; Hamiltonian systems; Angle-action variables

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Horsin, R. (2017). Comportement en temps long d'équations de type Vlasov : études mathématiques et numériques : Long time behavior of certain Vlasov equations : mathematics and numerics. (Doctoral Dissertation). Rennes 1. Retrieved from http://www.theses.fr/2017REN1S062

Chicago Manual of Style (16th Edition):

Horsin, Romain. “Comportement en temps long d'équations de type Vlasov : études mathématiques et numériques : Long time behavior of certain Vlasov equations : mathematics and numerics.” 2017. Doctoral Dissertation, Rennes 1. Accessed October 14, 2019. http://www.theses.fr/2017REN1S062.

MLA Handbook (7th Edition):

Horsin, Romain. “Comportement en temps long d'équations de type Vlasov : études mathématiques et numériques : Long time behavior of certain Vlasov equations : mathematics and numerics.” 2017. Web. 14 Oct 2019.

Vancouver:

Horsin R. Comportement en temps long d'équations de type Vlasov : études mathématiques et numériques : Long time behavior of certain Vlasov equations : mathematics and numerics. [Internet] [Doctoral dissertation]. Rennes 1; 2017. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2017REN1S062.

Council of Science Editors:

Horsin R. Comportement en temps long d'équations de type Vlasov : études mathématiques et numériques : Long time behavior of certain Vlasov equations : mathematics and numerics. [Doctoral Dissertation]. Rennes 1; 2017. Available from: http://www.theses.fr/2017REN1S062


University of Huddersfield

2. Peabody, Anthony. Joe Morley, banjo player, his life, works, and his music.

Degree: 2018, University of Huddersfield

 This thesis examines the life, works and music of Joe Morley, who was one of the most wellknown and respected players of the banjo, and… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Peabody, A. (2018). Joe Morley, banjo player, his life, works, and his music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Peabody, Anthony. “Joe Morley, banjo player, his life, works, and his music.” 2018. Masters Thesis, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Peabody, Anthony. “Joe Morley, banjo player, his life, works, and his music.” 2018. Web. 14 Oct 2019.

Vancouver:

Peabody A. Joe Morley, banjo player, his life, works, and his music. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF.

Council of Science Editors:

Peabody A. Joe Morley, banjo player, his life, works, and his music. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF


University of Huddersfield

3. Green-Mateu, Susan. The Tesseract: using the body’s movement to shape my compositional practice.

Degree: 2018, University of Huddersfield

 The aim of this research project is to challenge my practice as a popular music songwriter and producer. To achieve this, I have developed a… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Green-Mateu, S. (2018). The Tesseract: using the body’s movement to shape my compositional practice. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Green-Mateu, Susan. “The Tesseract: using the body’s movement to shape my compositional practice.” 2018. Masters Thesis, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Green-Mateu, Susan. “The Tesseract: using the body’s movement to shape my compositional practice.” 2018. Web. 14 Oct 2019.

Vancouver:

Green-Mateu S. The Tesseract: using the body’s movement to shape my compositional practice. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF.

Council of Science Editors:

Green-Mateu S. The Tesseract: using the body’s movement to shape my compositional practice. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF

4. Prescott, Tom. Sound design, composition and performance with interactive genetic algorithms.

Degree: PhD, 2018, Keele University

 A variety of work has been carried out investigating the suitability of interactive genetic algorithms (IGAs) for musical composition. There have been some promising results… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Prescott, T. (2018). Sound design, composition and performance with interactive genetic algorithms. (Doctoral Dissertation). Keele University. Retrieved from http://eprints.keele.ac.uk/5030/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.745343

Chicago Manual of Style (16th Edition):

Prescott, Tom. “Sound design, composition and performance with interactive genetic algorithms.” 2018. Doctoral Dissertation, Keele University. Accessed October 14, 2019. http://eprints.keele.ac.uk/5030/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.745343.

MLA Handbook (7th Edition):

Prescott, Tom. “Sound design, composition and performance with interactive genetic algorithms.” 2018. Web. 14 Oct 2019.

Vancouver:

Prescott T. Sound design, composition and performance with interactive genetic algorithms. [Internet] [Doctoral dissertation]. Keele University; 2018. [cited 2019 Oct 14]. Available from: http://eprints.keele.ac.uk/5030/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.745343.

Council of Science Editors:

Prescott T. Sound design, composition and performance with interactive genetic algorithms. [Doctoral Dissertation]. Keele University; 2018. Available from: http://eprints.keele.ac.uk/5030/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.745343


Cardiff University

5. Pace, Ian. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).

Degree: PhD, 2018, Cardiff University

 This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945,… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Pace, I. (2018). The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887

Chicago Manual of Style (16th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/111692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887.

MLA Handbook (7th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Web. 14 Oct 2019.

Vancouver:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/111692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887.

Council of Science Editors:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/111692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887


Cardiff University

6. McReynolds, Richard. An exploration of the influence of technology upon the composer’s process.

Degree: PhD, 2019, Cardiff University

 This thesis focuses upon how the use of aleatoricism can be used in electro-acoustic music to increase the perceived connection between the electronic and acoustic… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McReynolds, R. (2019). An exploration of the influence of technology upon the composer’s process. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/119307/

Chicago Manual of Style (16th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer’s process.” 2019. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/119307/.

MLA Handbook (7th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer’s process.” 2019. Web. 14 Oct 2019.

Vancouver:

McReynolds R. An exploration of the influence of technology upon the composer’s process. [Internet] [Doctoral dissertation]. Cardiff University; 2019. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/119307/.

Council of Science Editors:

McReynolds R. An exploration of the influence of technology upon the composer’s process. [Doctoral Dissertation]. Cardiff University; 2019. Available from: http://orca.cf.ac.uk/119307/


University of Birmingham

7. Leavy, Peter. Models, language, and fabricated histories : a portfolio of musical compositions with commentary.

Degree: PhD, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories : a portfolio of musical compositions with commentary. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories : a portfolio of musical compositions with commentary.” 2018. Doctoral Dissertation, University of Birmingham. Accessed October 14, 2019. http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302.

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories : a portfolio of musical compositions with commentary.” 2018. Web. 14 Oct 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories : a portfolio of musical compositions with commentary. [Internet] [Doctoral dissertation]. University of Birmingham; 2018. [cited 2019 Oct 14]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302.

Council of Science Editors:

Leavy P. Models, language, and fabricated histories : a portfolio of musical compositions with commentary. [Doctoral Dissertation]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302


Cardiff University

8. McReynolds, Richard. An exploration of the influence of technology upon the composer's process.

Degree: PhD, 2019, Cardiff University

 This thesis focuses upon how the use of aleatoricism can be used in electro-acoustic music to increase the perceived connection between the electronic and acoustic… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McReynolds, R. (2019). An exploration of the influence of technology upon the composer's process. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/119307/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768103

Chicago Manual of Style (16th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer's process.” 2019. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/119307/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768103.

MLA Handbook (7th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer's process.” 2019. Web. 14 Oct 2019.

Vancouver:

McReynolds R. An exploration of the influence of technology upon the composer's process. [Internet] [Doctoral dissertation]. Cardiff University; 2019. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/119307/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768103.

Council of Science Editors:

McReynolds R. An exploration of the influence of technology upon the composer's process. [Doctoral Dissertation]. Cardiff University; 2019. Available from: http://orca.cf.ac.uk/119307/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768103


Cardiff University

9. Price, Gareth Idwal John. Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals.

Degree: PhD, 2018, Cardiff University

 Historically informed performance of French organ music from the late nineteenth- and early twentieth-centuries can be a difficult thing to achieve on a non-French instrument.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Price, G. I. J. (2018). Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/118456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768031

Chicago Manual of Style (16th Edition):

Price, Gareth Idwal John. “Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals.” 2018. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/118456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768031.

MLA Handbook (7th Edition):

Price, Gareth Idwal John. “Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals.” 2018. Web. 14 Oct 2019.

Vancouver:

Price GIJ. Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/118456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768031.

Council of Science Editors:

Price GIJ. Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/118456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768031


Cardiff University

10. Stark, Alicia. Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid.

Degree: PhD, 2018, Cardiff University

 Virtual bands have been present in popular culture for decades, and they have become the topic of increased scholarly interest over the past few years.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Stark, A. (2018). Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/110112/

Chicago Manual of Style (16th Edition):

Stark, Alicia. “Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid.” 2018. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/110112/.

MLA Handbook (7th Edition):

Stark, Alicia. “Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid.” 2018. Web. 14 Oct 2019.

Vancouver:

Stark A. Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/110112/.

Council of Science Editors:

Stark A. Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/110112/


Cardiff University

11. Murray, Samuel. An ethnography of the music scene in Portland, Oregon.

Degree: PhD, 2018, Cardiff University

 The northwest city of Portland, Oregon is a beacon for independent music making in the United States. Portland is not musically defined by a single… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Murray, S. (2018). An ethnography of the music scene in Portland, Oregon. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/121247/

Chicago Manual of Style (16th Edition):

Murray, Samuel. “An ethnography of the music scene in Portland, Oregon.” 2018. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/121247/.

MLA Handbook (7th Edition):

Murray, Samuel. “An ethnography of the music scene in Portland, Oregon.” 2018. Web. 14 Oct 2019.

Vancouver:

Murray S. An ethnography of the music scene in Portland, Oregon. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/121247/.

Council of Science Editors:

Murray S. An ethnography of the music scene in Portland, Oregon. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/121247/


University of Huddersfield

12. Vergara Valdés, Juan. Composing Lines.

Degree: 2018, University of Huddersfield

 My work as a composer over the course of my PhD studies has focused on developing novel approaches to the notion of ‘line’ in music.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Vergara Valdés, J. (2018). Composing Lines. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34685/1/Vergara%20Valdes%20FINAL%20THESIS.pdf

Chicago Manual of Style (16th Edition):

Vergara Valdés, Juan. “Composing Lines.” 2018. Doctoral Dissertation, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34685/1/Vergara%20Valdes%20FINAL%20THESIS.pdf.

MLA Handbook (7th Edition):

Vergara Valdés, Juan. “Composing Lines.” 2018. Web. 14 Oct 2019.

Vancouver:

Vergara Valdés J. Composing Lines. [Internet] [Doctoral dissertation]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34685/1/Vergara%20Valdes%20FINAL%20THESIS.pdf.

Council of Science Editors:

Vergara Valdés J. Composing Lines. [Doctoral Dissertation]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34685/1/Vergara%20Valdes%20FINAL%20THESIS.pdf


University of Huddersfield

13. Healy, Kristine. Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance.

Degree: 2018, University of Huddersfield

 To play an instrument in a way that is considered “vocal” has been an emblem of artistry for instrumental musicians in the Western classical tradition… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Healy, K. (2018). Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34692/1/HEALY%2C%20KRISTINE%20Final%20Thesis.pdf

Chicago Manual of Style (16th Edition):

Healy, Kristine. “Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance.” 2018. Doctoral Dissertation, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34692/1/HEALY%2C%20KRISTINE%20Final%20Thesis.pdf.

MLA Handbook (7th Edition):

Healy, Kristine. “Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance.” 2018. Web. 14 Oct 2019.

Vancouver:

Healy K. Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance. [Internet] [Doctoral dissertation]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34692/1/HEALY%2C%20KRISTINE%20Final%20Thesis.pdf.

Council of Science Editors:

Healy K. Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance. [Doctoral Dissertation]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34692/1/HEALY%2C%20KRISTINE%20Final%20Thesis.pdf


University of Birmingham

14. Leavy, Peter. Models, language, and fabricated histories: a portfolio of musical compositions with commentary.

Degree: d_ph, College of Arts & Law, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories: a portfolio of musical compositions with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Thesis, University of Birmingham. Accessed October 14, 2019. http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Web. 14 Oct 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Oct 14]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Kuoppala, Visa Tapani. Composition in no-mind’s land: a portfolio of electroacoustic music.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This PhD thesis comprises a portfolio of electroacoustic music and a written commentary. The portfolio consists of ten acousmatic compositions, two of which are collaborative… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kuoppala, V. T. (2017). Composition in no-mind’s land: a portfolio of electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Thesis, University of Birmingham. Accessed October 14, 2019. http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Web. 14 Oct 2019.

Vancouver:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 14]. Available from: http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Welch, Alison Margaret. The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum.

Degree: m_ma, College of Arts & Law, 2017, University of Birmingham

 This dissertation considers the eights settings of the respond Dum Transisset Sabbatum from The Baldwin Part Books. The set of parts books is one of… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Welch, A. M. (2017). The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7982/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Welch, Alison Margaret. “The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum.” 2017. Thesis, University of Birmingham. Accessed October 14, 2019. http://etheses.bham.ac.uk//id/eprint/7982/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Welch, Alison Margaret. “The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum.” 2017. Web. 14 Oct 2019.

Vancouver:

Welch AM. The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 14]. Available from: http://etheses.bham.ac.uk//id/eprint/7982/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welch AM. The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7982/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Huddersfield

17. Millington, Richard. Black Metal: Within the Sounds of Nature.

Degree: 2018, University of Huddersfield

 This project explores musical composition within the black metal music subgenre. Nature and animal life form a very important aesthetic of this style, but one… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Millington, R. (2018). Black Metal: Within the Sounds of Nature. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34736/1/Millington%20THESIS.pdf

Chicago Manual of Style (16th Edition):

Millington, Richard. “Black Metal: Within the Sounds of Nature.” 2018. Masters Thesis, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34736/1/Millington%20THESIS.pdf.

MLA Handbook (7th Edition):

Millington, Richard. “Black Metal: Within the Sounds of Nature.” 2018. Web. 14 Oct 2019.

Vancouver:

Millington R. Black Metal: Within the Sounds of Nature. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34736/1/Millington%20THESIS.pdf.

Council of Science Editors:

Millington R. Black Metal: Within the Sounds of Nature. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34736/1/Millington%20THESIS.pdf


University of Huddersfield

18. Healy, Kristine. Imagined vocalities : exploring voice in the practice of instrumental music performance.

Degree: PhD, 2018, University of Huddersfield

 To play an instrument in a way that is considered “vocal” has been an emblem of artistry for instrumental musicians in the Western classical tradition… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Healy, K. (2018). Imagined vocalities : exploring voice in the practice of instrumental music performance. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754575

Chicago Manual of Style (16th Edition):

Healy, Kristine. “Imagined vocalities : exploring voice in the practice of instrumental music performance.” 2018. Doctoral Dissertation, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754575.

MLA Handbook (7th Edition):

Healy, Kristine. “Imagined vocalities : exploring voice in the practice of instrumental music performance.” 2018. Web. 14 Oct 2019.

Vancouver:

Healy K. Imagined vocalities : exploring voice in the practice of instrumental music performance. [Internet] [Doctoral dissertation]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754575.

Council of Science Editors:

Healy K. Imagined vocalities : exploring voice in the practice of instrumental music performance. [Doctoral Dissertation]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754575


University of Huddersfield

19. Vergara Valdés, Juan. Composing lines.

Degree: PhD, 2018, University of Huddersfield

 My work as a composer over the course of my PhD studies has focused on developing novel approaches to the notion of ‘line’ in music.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vergara Valdés, J. (2018). Composing lines. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34685/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754570

Chicago Manual of Style (16th Edition):

Vergara Valdés, Juan. “Composing lines.” 2018. Doctoral Dissertation, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34685/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754570.

MLA Handbook (7th Edition):

Vergara Valdés, Juan. “Composing lines.” 2018. Web. 14 Oct 2019.

Vancouver:

Vergara Valdés J. Composing lines. [Internet] [Doctoral dissertation]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34685/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754570.

Council of Science Editors:

Vergara Valdés J. Composing lines. [Doctoral Dissertation]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34685/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754570


Cardiff University

20. Price, Gareth Idwal John. Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals.

Degree: PhD, 2018, Cardiff University

 Historically informed performance of French organ music from the late nineteenth- and early twentieth-centuries can be a difficult thing to achieve on a non-French instrument.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Price, G. I. J. (2018). Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/118456/

Chicago Manual of Style (16th Edition):

Price, Gareth Idwal John. “Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals.” 2018. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/118456/.

MLA Handbook (7th Edition):

Price, Gareth Idwal John. “Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals.” 2018. Web. 14 Oct 2019.

Vancouver:

Price GIJ. Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/118456/.

Council of Science Editors:

Price GIJ. Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/118456/


University of Birmingham

21. Minchella, Damon. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.

Degree: d_ph, College of Arts & Law, 2019, University of Birmingham

 Popular music is one of the United Kingdom’s most readily engaged with and exported cultural forms. Commensurate with such a positioning, there exists a wealth… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Minchella, D. (2019). Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Thesis, University of Birmingham. Accessed October 14, 2019. http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Web. 14 Oct 2019.

Vancouver:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Internet] [Thesis]. University of Birmingham; 2019. [cited 2019 Oct 14]. Available from: http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Thesis]. University of Birmingham; 2019. Available from: http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Huddersfield

22. Hatton Baldwin, Lydia. Interdisciplinary Modernism: Ezra Pound’s Le Testament de Villon and his approach to opera.

Degree: 2018, University of Huddersfield

 Best known for his contributions to poetry, Ezra Pound has been long-hailed as a pioneer of modernism. His Cantos have been widely studied for their… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hatton Baldwin, L. (2018). Interdisciplinary Modernism: Ezra Pound’s Le Testament de Villon and his approach to opera. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34863/1/Hatton%20Baldwin%20THESIS.pdf

Chicago Manual of Style (16th Edition):

Hatton Baldwin, Lydia. “Interdisciplinary Modernism: Ezra Pound’s Le Testament de Villon and his approach to opera.” 2018. Masters Thesis, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34863/1/Hatton%20Baldwin%20THESIS.pdf.

MLA Handbook (7th Edition):

Hatton Baldwin, Lydia. “Interdisciplinary Modernism: Ezra Pound’s Le Testament de Villon and his approach to opera.” 2018. Web. 14 Oct 2019.

Vancouver:

Hatton Baldwin L. Interdisciplinary Modernism: Ezra Pound’s Le Testament de Villon and his approach to opera. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34863/1/Hatton%20Baldwin%20THESIS.pdf.

Council of Science Editors:

Hatton Baldwin L. Interdisciplinary Modernism: Ezra Pound’s Le Testament de Villon and his approach to opera. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34863/1/Hatton%20Baldwin%20THESIS.pdf

23. Neale, Elizabeth Katherine Ruth. Cornish carols: Heritage in California and South Australia.

Degree: PhD, 2018, Cardiff University, University of Exeter

 This thesis examines Christmas carols as heritage in the Cornish diaspora. Emerging from the same carolling tradition in Cornwall, labour migration during the 19th century… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neale, E. K. R. (2018). Cornish carols: Heritage in California and South Australia. (Doctoral Dissertation). Cardiff University, University of Exeter. Retrieved from http://orca.cf.ac.uk/122868/

Chicago Manual of Style (16th Edition):

Neale, Elizabeth Katherine Ruth. “Cornish carols: Heritage in California and South Australia.” 2018. Doctoral Dissertation, Cardiff University, University of Exeter. Accessed October 14, 2019. http://orca.cf.ac.uk/122868/.

MLA Handbook (7th Edition):

Neale, Elizabeth Katherine Ruth. “Cornish carols: Heritage in California and South Australia.” 2018. Web. 14 Oct 2019.

Vancouver:

Neale EKR. Cornish carols: Heritage in California and South Australia. [Internet] [Doctoral dissertation]. Cardiff University, University of Exeter; 2018. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/122868/.

Council of Science Editors:

Neale EKR. Cornish carols: Heritage in California and South Australia. [Doctoral Dissertation]. Cardiff University, University of Exeter; 2018. Available from: http://orca.cf.ac.uk/122868/


University of Glasgow

24. Twynholm, Scott. Portfolio of Compositions.

Degree: 2019, University of Glasgow

 This commentary is concerned with a portfolio of compositional practice. With a background in contemporary electronic music, and with a current career in writing music… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Twynholm, S. (2019). Portfolio of Compositions. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/41184/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Twynholm, Scott. “Portfolio of Compositions.” 2019. Thesis, University of Glasgow. Accessed October 14, 2019. http://theses.gla.ac.uk/41184/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Twynholm, Scott. “Portfolio of Compositions.” 2019. Web. 14 Oct 2019.

Vancouver:

Twynholm S. Portfolio of Compositions. [Internet] [Thesis]. University of Glasgow; 2019. [cited 2019 Oct 14]. Available from: http://theses.gla.ac.uk/41184/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Twynholm S. Portfolio of Compositions. [Thesis]. University of Glasgow; 2019. Available from: http://theses.gla.ac.uk/41184/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Glasgow

25. Beattie, Alison Margaret. Portfolio of compositions.

Degree: 2019, University of Glasgow

 This portfolio contains two works. The first, arising from equations describing chaotic systems, is a four-movement composition entitled Bifurcation of Nature. This is written for… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beattie, A. M. (2019). Portfolio of compositions. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/70944/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beattie, Alison Margaret. “Portfolio of compositions.” 2019. Thesis, University of Glasgow. Accessed October 14, 2019. http://theses.gla.ac.uk/70944/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beattie, Alison Margaret. “Portfolio of compositions.” 2019. Web. 14 Oct 2019.

Vancouver:

Beattie AM. Portfolio of compositions. [Internet] [Thesis]. University of Glasgow; 2019. [cited 2019 Oct 14]. Available from: http://theses.gla.ac.uk/70944/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beattie AM. Portfolio of compositions. [Thesis]. University of Glasgow; 2019. Available from: http://theses.gla.ac.uk/70944/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cardiff University

26. Febrer Coll, Eulalia. ‘Evolved’ traditions: The role of music in contemporary spiritual practices.

Degree: PhD, 2018, Cardiff University

 The role of music in the pursuit of spirituality is linked to sound’s affective, socialising, and structuring affordances. However, with the progressive decline of traditional… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Febrer Coll, E. (2018). ‘Evolved’ traditions: The role of music in contemporary spiritual practices. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/122346/

Chicago Manual of Style (16th Edition):

Febrer Coll, Eulalia. “‘Evolved’ traditions: The role of music in contemporary spiritual practices.” 2018. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/122346/.

MLA Handbook (7th Edition):

Febrer Coll, Eulalia. “‘Evolved’ traditions: The role of music in contemporary spiritual practices.” 2018. Web. 14 Oct 2019.

Vancouver:

Febrer Coll E. ‘Evolved’ traditions: The role of music in contemporary spiritual practices. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/122346/.

Council of Science Editors:

Febrer Coll E. ‘Evolved’ traditions: The role of music in contemporary spiritual practices. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/122346/


University of Huddersfield

27. Lee, Chie Tsang Isaiah. ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice.

Degree: 2018, University of Huddersfield

 This thesis explores the notion of ‘in-betweenness’ through transcultural thinking in my compositional practice as a commentary to my portfolio of compositions. My thinking has… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, C. T. I. (2018). ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34636/1/Chie%20Lee%20FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Lee, Chie Tsang Isaiah. “‘Inbetweenness’: Transcultural Thinking in My Compositional Practice.” 2018. Doctoral Dissertation, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34636/1/Chie%20Lee%20FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Lee, Chie Tsang Isaiah. “‘Inbetweenness’: Transcultural Thinking in My Compositional Practice.” 2018. Web. 14 Oct 2019.

Vancouver:

Lee CTI. ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. [Internet] [Doctoral dissertation]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34636/1/Chie%20Lee%20FINAL%20THESIS.PDF.

Council of Science Editors:

Lee CTI. ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. [Doctoral Dissertation]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34636/1/Chie%20Lee%20FINAL%20THESIS.PDF

28. Papadatos, Ioannis. The paréa : participatory musical performances in the island of Crete.

Degree: PhD, 2019, University of Kent

 This study is concerned with participatory musical performances of Cretan traditional music in the island of Crete, a practice that is commonly referred to as… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Papadatos, I. (2019). The paréa : participatory musical performances in the island of Crete. (Doctoral Dissertation). University of Kent. Retrieved from https://kar.kent.ac.uk/73113/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.769876

Chicago Manual of Style (16th Edition):

Papadatos, Ioannis. “The paréa : participatory musical performances in the island of Crete.” 2019. Doctoral Dissertation, University of Kent. Accessed October 14, 2019. https://kar.kent.ac.uk/73113/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.769876.

MLA Handbook (7th Edition):

Papadatos, Ioannis. “The paréa : participatory musical performances in the island of Crete.” 2019. Web. 14 Oct 2019.

Vancouver:

Papadatos I. The paréa : participatory musical performances in the island of Crete. [Internet] [Doctoral dissertation]. University of Kent; 2019. [cited 2019 Oct 14]. Available from: https://kar.kent.ac.uk/73113/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.769876.

Council of Science Editors:

Papadatos I. The paréa : participatory musical performances in the island of Crete. [Doctoral Dissertation]. University of Kent; 2019. Available from: https://kar.kent.ac.uk/73113/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.769876


Cardiff University

29. Pace, Ian. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).

Degree: PhD, 2018, Cardiff University

 This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945,… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pace, I. (2018). The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111692/

Chicago Manual of Style (16th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Doctoral Dissertation, Cardiff University. Accessed October 14, 2019. http://orca.cf.ac.uk/111692/.

MLA Handbook (7th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Web. 14 Oct 2019.

Vancouver:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Oct 14]. Available from: http://orca.cf.ac.uk/111692/.

Council of Science Editors:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/111692/


University of Huddersfield

30. Lee, Chie Tsang Isaiah. 'Inbetweenness' : transcultural thinking in my compositional practice.

Degree: PhD, 2018, University of Huddersfield

 This thesis explores the notion of ‘in-betweenness’ through transcultural thinking in my compositional practice as a commentary to my portfolio of compositions. My thinking has… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Lee, C. T. I. (2018). 'Inbetweenness' : transcultural thinking in my compositional practice. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34636/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754555

Chicago Manual of Style (16th Edition):

Lee, Chie Tsang Isaiah. “'Inbetweenness' : transcultural thinking in my compositional practice.” 2018. Doctoral Dissertation, University of Huddersfield. Accessed October 14, 2019. http://eprints.hud.ac.uk/id/eprint/34636/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754555.

MLA Handbook (7th Edition):

Lee, Chie Tsang Isaiah. “'Inbetweenness' : transcultural thinking in my compositional practice.” 2018. Web. 14 Oct 2019.

Vancouver:

Lee CTI. 'Inbetweenness' : transcultural thinking in my compositional practice. [Internet] [Doctoral dissertation]. University of Huddersfield; 2018. [cited 2019 Oct 14]. Available from: http://eprints.hud.ac.uk/id/eprint/34636/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754555.

Council of Science Editors:

Lee CTI. 'Inbetweenness' : transcultural thinking in my compositional practice. [Doctoral Dissertation]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34636/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754555

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