subject:(M tabolisme nerg tique)

Universiteit Utrecht

1. Verhappen, L. 'Bloody pink battle!' Communication et Image, lors de la "crise" du vin rosé en Europe.

Degree: 2010, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/191654

► En fin janvier 2009, la Commission Européenne dépose un projet de règlement concernant la suppression de l'interdiction du coupage (le mélange du vin blanc avec… (more)

Subjects/Keywords: vin rosé; coupage; communication; image; sémio(linguis)tique; Europe; Commission Européenne; France; Provence

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Verhappen, L. (2010). 'Bloody pink battle!' Communication et Image, lors de la "crise" du vin rosé en Europe. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/191654

Chicago Manual of Style (16^th Edition):

Verhappen, L. “'Bloody pink battle!' Communication et Image, lors de la "crise" du vin rosé en Europe.” 2010. Masters Thesis, Universiteit Utrecht. Accessed January 15, 2021. http://dspace.library.uu.nl:8080/handle/1874/191654.

MLA Handbook (7^th Edition):

Verhappen, L. “'Bloody pink battle!' Communication et Image, lors de la "crise" du vin rosé en Europe.” 2010. Web. 15 Jan 2021.

Vancouver:

Verhappen L. 'Bloody pink battle!' Communication et Image, lors de la "crise" du vin rosé en Europe. [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2021 Jan 15]. Available from: http://dspace.library.uu.nl:8080/handle/1874/191654.

Council of Science Editors:

Verhappen L. 'Bloody pink battle!' Communication et Image, lors de la "crise" du vin rosé en Europe. [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/191654

2. Debora Marques de Miranda. Estudo de associação entre Síndrome de Tourette e genes da via Slit-Robo.

Degree: 2006, Universidade Federal de Minas Gerais

URL: http://hdl.handle.net/1843/SMOC-6ZCHQX

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Tourette syndrome (TS) is a neuropsichyatric disorder characterized by tics and familiar inheritance. Several research groups are investigating the genetic aspects of TS, however, frequently… (more)

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Tourette syndrome (TS) is a neuropsichyatric disorder characterized by tics and familiar inheritance. Several research groups are investigating the genetic aspects of TS, however, frequently the findings are not replicated in subsequent studies. Study of gene Slit and trk-like family member 1 (SLITRK1) has shown correlation with TS in three non-related patients. The family of SLIT proteins and their receptors, the robo family, are involved in axonal guidance in the crossing over at the spinal cord. The objective of our study was to further elucidate the putative role of Slit-Robo pathway in TS. The role of SLITRK1 gene in TS remains uncertain, since only 0.6% of patients in only one study were presented with changes in this gene. We have chosen genes that are related to the Slit-Robo pathway and present in regions pointed as suspicious in linkage association studies. Among the genes selected for our study were SLIT2, SLITRK1, ROBO3 and ROBO4. Our study is based in families with one or more affected individuals. All patients were evaluated by an experienced neuropsychiatrist. To replicate Abelson et al. (2005) findings, we used DHPLC to investigate the codifing region of SLITRK1 and subsequent sequencing of altered samples. Other genes were studied with tagSNPs. All data was analized with common statistical programs, as TRANSMIT and TDT-UNPHASED. We have found mutation in the SLITRK1 gene in one TS patient. We failed to find association among ROBO3 and ROBO4 genes and TS. Our study found association among SLIT2 gene polimorfisms and TS. In conclusion, some Slit-robo pathway genes are associated with TS, reinforcing the importance of proteins and genes involved in the neurodevelopment process for future investigation

A Síndrome de Gilles de la Tourette (ST) é uma entidade neuropsiquiátrica caracterizada pela presença de tiques e com importante componente hereditário. Muitos grupos vêm estudando os aspectos genéticos da ST, mas frequentemente os dados não se sustentam em estudos posteriores. Recentemente, foi descrita a presença de mutação do gene Slit and Trk-like family member 1 (SLITRK1) como gene correlacionado com a ST em três pacientes não-relacionados. A família das proteínas SLIT e seus receptores, os ROBO, aparentemente estão envolvidos no direcionamento axonal em relação ao cruzamento da linha média na medula vertebral. O objetivo do nosso estudo foi esclarecer se a via slit/robo está geneticamente associada à Síndrome de Tourette. Considerando que a participação nessa doença ainda é incerta, visto que apenas 0,6% dos pacientes de um único estudo apresentam alterações no gene SLITRK1, inicialmente procuramos estabelecer o papel do gene da SLITRK1 na nossa amostra de crianças com diagnóstico de Síndrome de Tourette, e posteriormente selecionamos outros genes correlacionados com SLITRK1 e que são codificados em regiões cromossômicas que apresentam linkage com a Síndrome de Tourette. Foram escolhidos para estudo os genes SLIT2, SLITRK1, ROBO 3 e ROBO4. Nossa amostragem é constituída por famílias de trios e…

Advisors/Committee Members: LEONARDO FRANKLIN DA COSTA FONTENELLE, Luiz Armando Cunha De Marco, Luiz Armando Cunha De Marco, Antonio Lucio Teixeira Junior, Francisco Eduardo Costa Cardoso, Rodrigo Nicolato, JOÃO LUCIANO DE QUEVEDO.

Subjects/Keywords: Gilles de la Tourette, Síndrome de Aspectos genéticos Teses.; Distúrbios psicomotores Teses.; Tique Teses.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Miranda, D. M. d. (2006). Estudo de associação entre Síndrome de Tourette e genes da via Slit-Robo. (Thesis). Universidade Federal de Minas Gerais. Retrieved from http://hdl.handle.net/1843/SMOC-6ZCHQX

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Miranda, Debora Marques de. “Estudo de associação entre Síndrome de Tourette e genes da via Slit-Robo.” 2006. Thesis, Universidade Federal de Minas Gerais. Accessed January 15, 2021. http://hdl.handle.net/1843/SMOC-6ZCHQX.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Miranda, Debora Marques de. “Estudo de associação entre Síndrome de Tourette e genes da via Slit-Robo.” 2006. Web. 15 Jan 2021.

Vancouver:

Miranda DMd. Estudo de associação entre Síndrome de Tourette e genes da via Slit-Robo. [Internet] [Thesis]. Universidade Federal de Minas Gerais; 2006. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/1843/SMOC-6ZCHQX.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miranda DMd. Estudo de associação entre Síndrome de Tourette e genes da via Slit-Robo. [Thesis]. Universidade Federal de Minas Gerais; 2006. Available from: http://hdl.handle.net/1843/SMOC-6ZCHQX

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Université du Québec à Montréal

3. Sagurova, Irina. Modélisation de l'aire de distribution actuelle et future de la tique étoilée d'Amérique (Amblyomma americanum).

Degree: 2019, Université du Québec à Montréal

URL: http://archipel.uqam.ca/12630/1/M16063.pdf

► Amblyomma americanum (A. americanum), ou tique étoilée d'Amérique, est une espèce de tiques présente à l'origine au sud-est des États-Unis (Bishopp et Trembley, 1945). Elle… (more)

▼ Amblyomma americanum (A. americanum), ou tique étoilée d'Amérique, est une espèce de tiques présente à l'origine au sud-est des États-Unis (Bishopp et Trembley, 1945). Elle est un vecteur de plusieurs pathogènes qui provoquent, entre autres, certaines ehrlichioses, la tularémie et la maladie à éruptions cutanées associée aux tiques du Sud (STAR!) (Goddard et Varela-Stokes, 2008). Depuis le milieu du 20e siècle, son aire de distribution a progressé vers le nord et l'ouest de l'Amérique du Nord (Monzon et al., 2016), et la poursuite de cette migration est de plus en plus plausible dans le contexte du réchauffement climatique (Springer et al., 2015). Ce projet vise à déterminer le seuil de température minimal requis (degrés-jours cumulés annuels) pour la survie de l'espèce, et à estimer son évolution potentielle d'ici la fin du siècle selon les scénarios d'émission de gaz à effet de serre disponibles (RCP4.5 et RCP8.5). Le modèle de cycle de vie de Ludwig et al. (2016) a été utilisé pour simuler la taille des populations d 'A. americanum dans 3 6 sites à l'est de l'Amérique du Nord. Les résultats ont démontré que les populations d 'A. americanum peuvent s'installer au sud du Québec et au sud-est de l'Ontario dans les conditions climatiques actuelles (1981-2010). Le nombre minimal de degrés-jours cumulés annuels (base 0°C, DJ>0°C) qui permet la croissance et la stabilisation des populations d'A. americanum est de 3285.2 (observé à Ottawa). Au cours du 21 e siècle, le réchauffement de l'atmosphère au-dessus du continent nord-américain provoquera une augmentation du nombre de DJ>0°C, et, par conséquent, une extension de la zone géographique possédant les conditions climatiques favorables à la présence de la tique vers le nord. Notre travail démontre que dans les prochaines décennies les territoires méridionaux des provinces canadiennes, telles que le Québec, l'Ontario, la Manitoba et la Saskatchewan, seraient probablement colonisés par A. americanum. _____________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : changement climatique, aire de distribution, modélisation, tique, Amblyomma americanum, Amérique du Nord

Subjects/Keywords: Tique étoilée d'Amérique; Distribution géographique; Modèles mathématiques; Changements climatiques; Santé; Amérique du Nord (Est)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sagurova, I. (2019). Modélisation de l'aire de distribution actuelle et future de la tique étoilée d'Amérique (Amblyomma americanum). (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/12630/1/M16063.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sagurova, Irina. “Modélisation de l'aire de distribution actuelle et future de la tique étoilée d'Amérique (Amblyomma americanum).” 2019. Thesis, Université du Québec à Montréal. Accessed January 15, 2021. http://archipel.uqam.ca/12630/1/M16063.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sagurova, Irina. “Modélisation de l'aire de distribution actuelle et future de la tique étoilée d'Amérique (Amblyomma americanum).” 2019. Web. 15 Jan 2021.

Vancouver:

Sagurova I. Modélisation de l'aire de distribution actuelle et future de la tique étoilée d'Amérique (Amblyomma americanum). [Internet] [Thesis]. Université du Québec à Montréal; 2019. [cited 2021 Jan 15]. Available from: http://archipel.uqam.ca/12630/1/M16063.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sagurova I. Modélisation de l'aire de distribution actuelle et future de la tique étoilée d'Amérique (Amblyomma americanum). [Thesis]. Université du Québec à Montréal; 2019. Available from: http://archipel.uqam.ca/12630/1/M16063.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Scebba, Salvatore. Contributo dell'attività motoria a secco e dell'idrokinesi nella diabesità.

Degree: 2013, Università degli Studi di Catania

URL: http://hdl.handle.net/10761/1289

► CONTRIBUTO DELL¡¯IDROKINESI Attivit¨¤ motoria in acqua; non solo nuoto. In un ambiente accogliente, facilitando gli accessi alla vasca, utilizzando una temperatura oscillante fra i 30… (more)

Subjects/Keywords: Area 06 - Scienze mediche; diabetes, obesity, hydrokinesis, diab¨¨te, ob¨¦sit¨¦, hydro-cin¨¦tique

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Scebba, S. (2013). Contributo dell'attività motoria a secco e dell'idrokinesi nella diabesità. (Thesis). Università degli Studi di Catania. Retrieved from http://hdl.handle.net/10761/1289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Scebba, Salvatore. “Contributo dell'attività motoria a secco e dell'idrokinesi nella diabesità.” 2013. Thesis, Università degli Studi di Catania. Accessed January 15, 2021. http://hdl.handle.net/10761/1289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Scebba, Salvatore. “Contributo dell'attività motoria a secco e dell'idrokinesi nella diabesità.” 2013. Web. 15 Jan 2021.

Vancouver:

Scebba S. Contributo dell'attività motoria a secco e dell'idrokinesi nella diabesità. [Internet] [Thesis]. Università degli Studi di Catania; 2013. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/10761/1289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scebba S. Contributo dell'attività motoria a secco e dell'idrokinesi nella diabesità. [Thesis]. Università degli Studi di Catania; 2013. Available from: http://hdl.handle.net/10761/1289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Leckman, James Frederick. Fenomenologia e história natural da síndrome de Tourette: breve resumo da pesquisa.

Degree: PhD, Psiquiatria, 2014, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/5/5142/tde-05052014-105233/ ;

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A fenomenologia da síndrome de Tourette (ST) é complexa. Apesar de tiques motores e vocais serem as características definidoras da síndrome, muitas pessoas relatam ter… (more)

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A fenomenologia da síndrome de Tourette (ST) é complexa. Apesar de tiques motores e vocais serem as características definidoras da síndrome, muitas pessoas relatam ter urgências premonitórias (fenômenos sensoriais) de difícil descrição. A história natural da ST também é variável, com alguns indivíduos que experimentam uma redução acentuada nos tiques até o final da segunda década de vida, enquanto outros permanecem com sintomas ao longo de toda a vida adulta. Os objetivos principais desta tese são três: (1) desenvolver um instrumento de avaliação clínica com boa validade e confiabilidade para ST; (2) investigar os fenômenos sensoriais (FS) associados a ST; e (3) documentar o curso da gravidade dos tiques durante as duas primeiras décadas de vida. Para atingir esses objetivos incluíram-se grupos de pacientes clinicamente bem caracterizados e de artigos científicos publicados em periódicos internacionais de alto impacto. A Escala de Gravidade Global de tiques de Yale (YGTSS) apresentou excelentes propriedades psicométricas, o que foi replicado em estudos independentes. Também emergiu como a escala de gravidade mais utilizada em ensaios clínicos randomizados para ST em todo o mundo. Os FS, particularmente urgências premonitórias, são comumente relatados entre os indivíduos com ST com a partir da idade de 10 anos. Há uma sobreposição considerável com os FS descritos por indivíduos com Transtorno Obsessivo- Compulsivo (TOC). Os tiques costumam ter seu início na primeira década de vida e, então, seguem um curso flutuante com mudança do seu repertório. Conforme documentado no terceiro estudo, para a maioria dos pacientes, o período de pior gravidade dos tiques ocorre geralmente entre 7 e 15 anos de idade, após o qual a gravidade declina gradualmente. Esta queda dos sintomas de tiques é consistente com os dados epidemiológicos disponíveis que indicam uma prevalência muito menor de ST entre adultos do que crianças. Em resumo, há um esforço para incremento da caracterização fenomenológica e da história natural da ST. Revisões da YGTSS devem ser consideradas. Avanços significativos foram feitos para caracterizar e mensurar os FS associados a ST. Estudos acerca das bases neurobiológicas, da fenomenologia e da história natural da ST estão em andamento no sentido de identificar os indicadores prognósticos

The phenomenology of Tourette syndrome is complex. Although overt motor and vocal tics are the defining features of Tourette syndrome, many individuals report experiencing sensory ürges,ẅhich are often difficult to describe. The natural history of this condition is also variable, with some individuals experiencing a marked reduction in tics by the end of the second decade of life while others go on to have a lifelong condition. The aim of this thesis was three-fold: (1) to develop a valid and reliable clinical rating instrument; (2) to investigate the sensory phenomena associated with Tourette syndrome; and (3) to document the course of tic severity over the course of the first two decades of life. Each of these three…

Advisors/Committee Members: Miguel Filho, Euripedes Constantino.

Subjects/Keywords: Age factors; Fatores etários; História natural; Natural history of diseases; Síndrome de Tourette/complicações; Síndrome de Tourette/diagnóstico; Síndrome de Tourette/fisiopatologia; Síndrome de Tourette/psicologia; Síndrome de Tourette/terapia; Tic disorders/complications; Tic disorders/diagnosis; Tic disorders/physiopathology; Tic disorders/therapy; Tourette syndrome/complications; Tourette syndrome/physiopathology; Tourette syndrome/diagnosis; Tourette syndrome/psychology; Tourette syndrome/therapy; Transtornos de tique/complicações; Transtornos de tique/diagnóstico; Transtornos de tique/fisiopatologia; Transtornos de tique/terapia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Leckman, J. F. (2014). Fenomenologia e história natural da síndrome de Tourette: breve resumo da pesquisa. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/5/5142/tde-05052014-105233/ ;

Chicago Manual of Style (16^th Edition):

Leckman, James Frederick. “Fenomenologia e história natural da síndrome de Tourette: breve resumo da pesquisa.” 2014. Doctoral Dissertation, University of São Paulo. Accessed January 15, 2021. http://www.teses.usp.br/teses/disponiveis/5/5142/tde-05052014-105233/ ;.

MLA Handbook (7^th Edition):

Leckman, James Frederick. “Fenomenologia e história natural da síndrome de Tourette: breve resumo da pesquisa.” 2014. Web. 15 Jan 2021.

Vancouver:

Leckman JF. Fenomenologia e história natural da síndrome de Tourette: breve resumo da pesquisa. [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2021 Jan 15]. Available from: http://www.teses.usp.br/teses/disponiveis/5/5142/tde-05052014-105233/ ;.

Council of Science Editors:

Leckman JF. Fenomenologia e história natural da síndrome de Tourette: breve resumo da pesquisa. [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/5/5142/tde-05052014-105233/ ;

6. René, Magalie. Étude du rôle vecteur de Rhipicephalus sanguineus s.l. dans la transmission des babésioses canines en France : prévalence parasitaire, diversité génétique des vecteurs et épidémiologie : Study on Rhipicephalus sanguineus sensu lato ticks and their potential role in the transmission of canine babesiosis in France : prevalence of parasite infections, vector genetic diversity and epidemiology.

Degree: Docteur es, Biologie, 2013, Université Claude Bernard – Lyon I

URL: http://www.theses.fr/2013LYO10044

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La babésiose canine est une maladie parfois mortelle due a des protozoaires des genres Babesia et Theileria transmis par des tiques dont Rhipicephalus sanguineus. Malgré… (more)

▼

La babésiose canine est une maladie parfois mortelle due a des protozoaires des genres Babesia et Theileria transmis par des tiques dont Rhipicephalus sanguineus. Malgré la présence soutenue de R. sanguineus dans le Sud de la France, son rôle dans la transmission de la maladie dans cette région reste incertain. D'autre part, le statut taxonomique de R. sanguineus reste confus et mérite d'être clarifié. Les objectifs de ce travail ont été de caractériser (i) les tiques R. sanguineus s.l. parasitant les chiens dans différentes régions du Sud de la France, (ii) les espèces des genres Babesia/Theileria potentiellement transmises par ces tiques et (iii) l'impact des variations génétiques et/ou des co-infections sur la compétence vectorielle. Au total 140 sangs de chien et 242 tiques R. sanguineus s.l. ont été récoltées et analysées entre 2010 et 2012 par PCR, PCR-RFLP et séquençage. De l'ADN de B. vogeli et B. canis a été détecté dans 13,6% et 12,9% des chiens et dans 10,7% et 1,7% des tiques respectivement avec, parfois, des prévalences significativement différentes entre les régions. Un seul chien a été détecté porteur d'ADN de T. annae. Des comparaisons phylogénétiques et phylogéographiques de séquences de R. sanguineus (ADNr-mt 12S et 16S) et B. vogeli (ARNr 18S) à l'échelle mondiale ont confirmé l'affiliation des tiques de France aux R. sanguineus des régions « tempérées » et suggèrent l'existence d'une coévolution entre le protozoaire et son vecteur. Ce travail apporte de nouvelles connaissances sur la babésiose canine en France et supporte l'existence d'au moins deux populations au sein du groupe sanguineus pouvant présenter des compétences vectorielles différentes

Study on Rhipicephalus sanguineus sensu lato ticks and their potential role in the transmission of canine babesiosis in France: prevalence of parasite infections, vector genetic diversity and epidemiology. Canine babesiosis is a potentially fatal disease caused by protozoa of the genera Babesia and Theileria transmitted by ticks including Rhipicephalus sanguineus. Although R. sanguineus is a major tick species in southern France, its role in the transmission of the disease in this area remain unknown. Moreover, the taxonomic status of R. sanguineus is controversial and needs to be clarified. The aims of this work were to characterize (i) the ticks R. sanguineus s.l. that parasitize dogs in different areas of southern France, (ii) the Babesia/Theileria species potentially transmitted by these ticks in this area and (iii) the impact of genetic variations and/or co-infections on vector competence. A total of 140 dog bloods and 588 R. sanguineus s.l. were collected from 2010 to 2012 from which all dogs bloods and 242 ticks were screened using specific PCR, PCRRFLP and sequencing. B. vogeli and B. canis DNA were evidenced in 13.6% and 12.9% of dogs and in 10.7% and 1.7% of R. sanguineus ticks respectively with sometimes significant prevalence differences between areas. A single case of T. annae infection was detected in a dog. Phylogenetic and…

Advisors/Committee Members: Chabanne, Luc (thesis director), Mavingui, Patrick (thesis director).

Subjects/Keywords: Tique; Babésiose; Chien; Rhipicephalus sanguineus; Babesia; Épidemiologie; Phylogénie; PCR; Tick; Babesiosis; Dog; Rhipicephalus sanguineus; Babesia; Epidemiology; Phylogeny; PCR; 616

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

René, M. (2013). Étude du rôle vecteur de Rhipicephalus sanguineus s.l. dans la transmission des babésioses canines en France : prévalence parasitaire, diversité génétique des vecteurs et épidémiologie : Study on Rhipicephalus sanguineus sensu lato ticks and their potential role in the transmission of canine babesiosis in France : prevalence of parasite infections, vector genetic diversity and epidemiology. (Doctoral Dissertation). Université Claude Bernard – Lyon I. Retrieved from http://www.theses.fr/2013LYO10044

Chicago Manual of Style (16^th Edition):

René, Magalie. “Étude du rôle vecteur de Rhipicephalus sanguineus s.l. dans la transmission des babésioses canines en France : prévalence parasitaire, diversité génétique des vecteurs et épidémiologie : Study on Rhipicephalus sanguineus sensu lato ticks and their potential role in the transmission of canine babesiosis in France : prevalence of parasite infections, vector genetic diversity and epidemiology.” 2013. Doctoral Dissertation, Université Claude Bernard – Lyon I. Accessed January 15, 2021. http://www.theses.fr/2013LYO10044.

MLA Handbook (7^th Edition):

René, Magalie. “Étude du rôle vecteur de Rhipicephalus sanguineus s.l. dans la transmission des babésioses canines en France : prévalence parasitaire, diversité génétique des vecteurs et épidémiologie : Study on Rhipicephalus sanguineus sensu lato ticks and their potential role in the transmission of canine babesiosis in France : prevalence of parasite infections, vector genetic diversity and epidemiology.” 2013. Web. 15 Jan 2021.

Vancouver:

René M. Étude du rôle vecteur de Rhipicephalus sanguineus s.l. dans la transmission des babésioses canines en France : prévalence parasitaire, diversité génétique des vecteurs et épidémiologie : Study on Rhipicephalus sanguineus sensu lato ticks and their potential role in the transmission of canine babesiosis in France : prevalence of parasite infections, vector genetic diversity and epidemiology. [Internet] [Doctoral dissertation]. Université Claude Bernard – Lyon I; 2013. [cited 2021 Jan 15]. Available from: http://www.theses.fr/2013LYO10044.

Council of Science Editors:

René M. Étude du rôle vecteur de Rhipicephalus sanguineus s.l. dans la transmission des babésioses canines en France : prévalence parasitaire, diversité génétique des vecteurs et épidémiologie : Study on Rhipicephalus sanguineus sensu lato ticks and their potential role in the transmission of canine babesiosis in France : prevalence of parasite infections, vector genetic diversity and epidemiology. [Doctoral Dissertation]. Université Claude Bernard – Lyon I; 2013. Available from: http://www.theses.fr/2013LYO10044

7. Massart, Clemence. Les processus d’écologisation entre santé et environnement : le cas de la maladie de Lyme : "Ecologization", between health end environment : the case of Lyme disease.

Degree: Docteur es, Sociologie, démographie, 2013, Grenoble; Université de Liège

URL: http://www.theses.fr/2013GRENH012

► La thèse vise à comprendre comment une diversité de définitions d'une maladie émergente et complexe, la Borréliose de Lyme, se construisent aujourd'hui dans un grand… (more)

▼ La thèse vise à comprendre comment une diversité de définitions d'une maladie émergente et complexe, la Borréliose de Lyme, se construisent aujourd'hui dans un grand nombre de lieux. Ces définitions sont parfois concurrentes, parfois étrangères l'une à l'autre ; parfois médiatisées, parfois confinées dans des espaces discrets. Pour comprendre cette diversité, je mobilise le concept de pratique développé par Stengers (2006). J'ai accédé aux processus de connaissance mis en œuvre par les praticiens à travers les deux versants qui définissent une pratique : les obligations, qui renvoient à leur manière spécifique d'interroger l'objet ou l'être dont ils cherchent à apprendre quelque chose ; les exigences qui opèrent des exclusions et tracent des frontières entre pratiques. Cette grille d'analyse s'applique à des groupes de taille variable, professionnels ou non, mandatés ou pas par le politique, de même qu'aux vivants non-humains. La première partie situe la maladie de Lyme dans le champ des maladies et définit sa spécificité en regard des « maladies environnementales » qui ont pour cause les pollutions industrielles. En tant que maladie infectieuse ayant pour vecteur une tique et pour réservoir la faune sauvage, la maladie de Lyme présente davantage les traits d'une « maladie écologique » qui renouvelle l'attribution des responsabilités, les modes de gestion, la nature des entités incriminées ainsi que l'identité des praticiens impliqués. À partir de ce constat, j'ai fait l'hypothèse d'une « écologisation des problèmes sanitaires » : les problématiques environnementales s'immiscent dans d'autres secteurs. J'ai interrogé cette écologisation thématique à la lumière de « l'écologisation des pratiques » que Stengers définit comme un mode de relation entre pratiques qui remplace les exclusions par des coordinations pour produire des savoirs nouveaux, dynamiques et irréductibles à chaque pratique. La deuxième partie expose les pratiques de quatre groupes de praticiens : les malades chroniques qui échangent sur Internet, les infectiologues, les ticologues et les écologues généticiens des populations. L'analyse révèle l'existence de deux espaces de discussions marqués par des relations distinctes : dans le premier, médical, diagnostic et curatif, les définitions de la maladie s'opposent tandis qu'elles se chevauchent dans le second, environnemental, épidémiologique et préventif. Ces deux espaces entretiennent peu de relations entre eux. La troisième partie s'intéresse aux interractions entre praticiens. À travers un groupe de travail, un lieu, un concept et des techniques diagnostiques, j'interroge la rencontre effective entre pratiques environnementales et médicales. L'essentiel des collaborations entre acteurs environnementaux et médicaux portent sur la prévention de la maladie. Les savoirs écologiques, comme ceux des malades, ont pourtant un potentiel pour une autre élaboration du diagnostic de ces maladies. Cette analyse montre que des frictions apparaissent lorsque des praticiens interrogent un même vivant sur des modes… Advisors/Committee Members: Mauz, Isabelle (thesis director), Mormont, Marc (thesis director).

Subjects/Keywords: Maladie de Lyme; Écologisation; Pratique; Politiques publiques; Maladie écologique; Tique; Lyme disease; Ecologization; Practice; Public policy; Ecological disease; Tick

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Massart, C. (2013). Les processus d’écologisation entre santé et environnement : le cas de la maladie de Lyme : "Ecologization", between health end environment : the case of Lyme disease. (Doctoral Dissertation). Grenoble; Université de Liège. Retrieved from http://www.theses.fr/2013GRENH012

Chicago Manual of Style (16^th Edition):

Massart, Clemence. “Les processus d’écologisation entre santé et environnement : le cas de la maladie de Lyme : "Ecologization", between health end environment : the case of Lyme disease.” 2013. Doctoral Dissertation, Grenoble; Université de Liège. Accessed January 15, 2021. http://www.theses.fr/2013GRENH012.

MLA Handbook (7^th Edition):

Massart, Clemence. “Les processus d’écologisation entre santé et environnement : le cas de la maladie de Lyme : "Ecologization", between health end environment : the case of Lyme disease.” 2013. Web. 15 Jan 2021.

Vancouver:

Massart C. Les processus d’écologisation entre santé et environnement : le cas de la maladie de Lyme : "Ecologization", between health end environment : the case of Lyme disease. [Internet] [Doctoral dissertation]. Grenoble; Université de Liège; 2013. [cited 2021 Jan 15]. Available from: http://www.theses.fr/2013GRENH012.

Council of Science Editors:

Massart C. Les processus d’écologisation entre santé et environnement : le cas de la maladie de Lyme : "Ecologization", between health end environment : the case of Lyme disease. [Doctoral Dissertation]. Grenoble; Université de Liège; 2013. Available from: http://www.theses.fr/2013GRENH012

University of Huddersfield

8. McLaughlin, Scott. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.

Degree: 2009, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf

► This commentary reflects on how indeterminacy has been used in the music I have written over the period of my doctoral studies, 2005-2008. Non-musical ideas… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

McLaughlin, S. (2009). Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf

Chicago Manual of Style (16^th Edition):

McLaughlin, Scott. “Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.” 2009. Doctoral Dissertation, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf.

MLA Handbook (7^th Edition):

McLaughlin, Scott. “Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.” 2009. Web. 15 Jan 2021.

Vancouver:

McLaughlin S. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. [Internet] [Doctoral dissertation]. University of Huddersfield; 2009. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf.

Council of Science Editors:

McLaughlin S. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. [Doctoral Dissertation]. University of Huddersfield; 2009. Available from: http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf

University of Huddersfield

9. Karman, Gregorio. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.

Degree: 2014, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf

► This research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

Karman, G. (2014). Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Karman, Gregorio. “Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.” 2014. Doctoral Dissertation, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf.

MLA Handbook (7^th Edition):

Karman, Gregorio. “Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.” 2014. Web. 15 Jan 2021.

Vancouver:

Karman G. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. [Internet] [Doctoral dissertation]. University of Huddersfield; 2014. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf.

Council of Science Editors:

Karman G. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. [Doctoral Dissertation]. University of Huddersfield; 2014. Available from: http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf

University of Huddersfield

10. Richardson, Harriet. Approaching the Performance of Experimental Music on the Flute.

Degree: 2015, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf

► This dissertation serves as a commentary to two recitals: a recital of chamber music which took place in July 2014, and a solo recital in… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

Richardson, H. (2015). Approaching the Performance of Experimental Music on the Flute. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf

Chicago Manual of Style (16^th Edition):

Richardson, Harriet. “Approaching the Performance of Experimental Music on the Flute.” 2015. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf.

MLA Handbook (7^th Edition):

Richardson, Harriet. “Approaching the Performance of Experimental Music on the Flute.” 2015. Web. 15 Jan 2021.

Vancouver:

Richardson H. Approaching the Performance of Experimental Music on the Flute. [Internet] [Masters thesis]. University of Huddersfield; 2015. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf.

Council of Science Editors:

Richardson H. Approaching the Performance of Experimental Music on the Flute. [Masters Thesis]. University of Huddersfield; 2015. Available from: http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf

University of Huddersfield

11. Flatt, Nicholas. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.

Degree: 2014, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf

► Elicitation methods have been explored extensively in social science research, and in business contexts, to uncover unarticulated informant knowledge. This qualitative study investigates the use… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

Flatt, N. (2014). Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Flatt, Nicholas. “Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.” 2014. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf.

MLA Handbook (7^th Edition):

Flatt, Nicholas. “Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.” 2014. Web. 15 Jan 2021.

Vancouver:

Flatt N. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. [Internet] [Masters thesis]. University of Huddersfield; 2014. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf.

Council of Science Editors:

Flatt N. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. [Masters Thesis]. University of Huddersfield; 2014. Available from: http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf

University of Huddersfield

12. Flanagan, Beavan. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.

Degree: 2017, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf

► The following commentary details aspects of my recent compositions attempting to bring about intersections between subjects and objects. I demonstrate how my compositions highlight an… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Flanagan, B. (2017). Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf

Chicago Manual of Style (16^th Edition):

Flanagan, Beavan. “Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf.

MLA Handbook (7^th Edition):

Flanagan, Beavan. “Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.” 2017. Web. 15 Jan 2021.

Vancouver:

Flanagan B. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf.

Council of Science Editors:

Flanagan B. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf

University of Huddersfield

13. Daly, Andrew. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.

Degree: 2017, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf

► The purpose of this study is to find out the limitations of style and genre fusion. It asks how effectively can a composer achieve this… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

Daly, A. (2017). A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf

Chicago Manual of Style (16^th Edition):

Daly, Andrew. “A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.” 2017. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf.

MLA Handbook (7^th Edition):

Daly, Andrew. “A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.” 2017. Web. 15 Jan 2021.

Vancouver:

Daly A. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf.

Council of Science Editors:

Daly A. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf

University of Huddersfield

14. Martin, Darren. Within Worlds: Immersion and Subjectivity in Film Music.

Degree: 2017, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf

► Music and visuals have coexisted together in film for years, with millions of viewers and listeners attending film showings in a way of escaping their… (more)

▼ Music and visuals have coexisted together in film for years, with millions of viewers and listeners attending film showings in a way of escaping their normal lives. This aim of escapism gives the viewer a chance to surround themselves in another world, apart from their own, and in doing so they can become immersed. To allow themselves the act of disbelief for a short period in order to find enjoyment and experience enhanced emotional involvement, where this could not be possible in day to day life. So what makes this combination of visuals and sound so appealing to the masses? What is it about the relationship between these two medias that culminates to create something truly captivating? When music and film connect in a perfect way it can make a masterpiece of audio-visual content, though there is a lot at play to make this happen. This dissertation delves into what it is that makes film so immersive to its audience, discovering multiple ways of composing music to film and how using similar formulas to those used in successful film, similar results can be yielded in terms of the ability to become immersed. However, an individual's personal opinion and experience can often be the deciding factor in that person becoming immersed. With this in mind this dissertation investigates the role of subjectivity in conjunction with immersion and film, exploring how subjectivity can affect how immersive a film can be to the viewer. The following films are analysed in detail: Birdman , dir. by Alejandro G. Iñárritu (Fox Searchlight Pictures, 2014), Fight Club , dir. by David Fincher (20th Century Fox, 1999), and Inception , dir. by Christopher Nolan (Warner Bros. Pictures, 2010). These three films have been chosen for analysis because they share similar narrative themes, that being the idea that the mind can influence the world, and in some cases create new worlds. These three films show their main characters interacting with parts of their mind, and in some cases being transported into their own minds.

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Martin, D. (2017). Within Worlds: Immersion and Subjectivity in Film Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf

Chicago Manual of Style (16^th Edition):

Martin, Darren. “Within Worlds: Immersion and Subjectivity in Film Music.” 2017. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf.

MLA Handbook (7^th Edition):

Martin, Darren. “Within Worlds: Immersion and Subjectivity in Film Music.” 2017. Web. 15 Jan 2021.

Vancouver:

Martin D. Within Worlds: Immersion and Subjectivity in Film Music. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf.

Council of Science Editors:

Martin D. Within Worlds: Immersion and Subjectivity in Film Music. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf

University of Huddersfield

15. Paúl, Abel. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.

Degree: 2017, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf

► The submitted portfolio and accompanying thesis focus on the subject of doubles and duplication and their application as musical materials and compositional devices in my… (more)

▼ The submitted portfolio and accompanying thesis focus on the subject of doubles and duplication and their application as musical materials and compositional devices in my own work and, to a lesser extent, throughout the history of music and other artistic disciplines. In this study I look at the acoustic, structural, perceptual and aesthetic implications derived from the duplication of sonic materials, instruments, objects, setups, gestures and performers. From a general perspective, the use of duplication raises a number of issues of identical sounds by two or more sonic sources, the importance of synchronicity or asynchronicity in the suggestion of aural and visual analogies, the role of distance in the establishment of auditory correspondences, the degree of similarity required by specific materials to be identified as doubles, the role of the performer in creating a sense of gestural and performative duplication, the relationship between acoustic and acousmatic sources in the delineation of sonic parallels, etc. In this thesis, the subject of duplication is chiefly regarded from spatial, performative and sonic perspectives. The sections focusing on spatial issues examine the function of duplicated setups of objects and instruments in the space of performance. The analysis of performative elements addresses the role of gestural duplication and doppelgangers as musical and scenic resources. Finally, the sections on sound investigate the perceptual and aesthetic effects of duplicated sonic sources, echoic interactions and sonic displacements. This thesis is structured into two main parts. The first part (chapters 1 & 2) examines the different possible categories and models of duplication and their usage throughout music history. The second part (chapters 3 & 4) focuses on the application and different roles of duplication in my own music. The issue of duplication has been explored in the works composed throughout the research process. A total of six pieces (approximately 105 minutes of music) have been written over the course of this PhD. The issues present in these compositions have been thoroughly examined in my thesis, becoming the main object of study. Each of these works approaches duplication in a different manner, highlighting the versatility and potential compositional applications of this phenomenon.

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Paúl, A. (2017). Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf

Chicago Manual of Style (16^th Edition):

Paúl, Abel. “Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf.

MLA Handbook (7^th Edition):

Paúl, Abel. “Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.” 2017. Web. 15 Jan 2021.

Vancouver:

Paúl A. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf.

Council of Science Editors:

Paúl A. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf

University of Huddersfield

16. Rawbone, Trevor Mark. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.

Degree: 2017, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf

► Diverging explanations of local multiparametric schemata are found in music of the common practice period (c. 1600–c. 1900). Associative statistical theories describe schemata as situated… (more)

▼ Diverging explanations of local multiparametric schemata are found in music of the common practice period (c. 1600–c. 1900). Associative statistical theories describe schemata as situated structures in particular times and places, whereas generative theories present these constructions as features formed through stability in universal and general rule systems. Associative-statistical theories of schemata elucidate the culturally conditioned relationships between features (distinctive attributes commonly used in grammars and schemata), but do not show the influence of universal psychological constraints; generative theories reveal the implicit structure of music, but do not formalise particular grammatical features and contexts. A synthesis of generative and associative-statistical approaches is necessary to model the interaction between universal and particular constraints of grammars and schemata. This dissertation focuses on a novel localised schema formed in the Classical instrumental grammar, termed the butterfly schema. It is posited that the butterfly schema is generated by a tendency for congruence that is manifest in and between the particular features of this grammar. Computational musicology and psychology provide interdisciplinary insight on the formal possibilities and limitations of grammatical structure. Computational models of schemata and grammars show how the congruent features of musical structure can be represented and formalised. However, they also highlight the difficulties found in the automatic analyses of multiparametric relationships, and may be limited on account of their inductive frameworks. Psychological approaches are important for establishing universal laws of cognition, but are limited in their potential to account for the diversity of musical structuring in grammars. The synthesis of associative-statistical and generative approaches in the present dissertation permits modelling the combination of the universal and particular attributes of butterfly schemata. Butterfly schemata are dependent on the particular grammars of periods of history, but are constrained by the tendency for congruence, which is proposed to be a cognitive universal. The features of the butterfly schema and the Classical instrumental grammar are examined and compared against the features of the Baroque and Romantic grammars, showing how they are formed from diverse types of congruent structuring. The butterfly schema is a congruent grammatical category of the Classical instrumental grammar that comprises: chords that are close to the tonic in pitch space (with a chiastic tension curve starting and ending on the tonic); a textural and metrical structure that is regular and forms a regular duple hierarchy at the level of regular functional harmonic change and at two immediately higher levels; and simple harmonic-rhythm ratios (1:1 and 3:1). A survey conducted using arbitrary corpora in European instrumental music, c. 1750–c.1850, shows the distribution of butterfly schemata. Butterfly schemata are more common…

Subjects/Keywords: M Music

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APA (6^th Edition):

Rawbone, T. M. (2017). The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf

Chicago Manual of Style (16^th Edition):

Rawbone, Trevor Mark. “The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf.

MLA Handbook (7^th Edition):

Rawbone, Trevor Mark. “The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.” 2017. Web. 15 Jan 2021.

Vancouver:

Rawbone TM. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf.

Council of Science Editors:

Rawbone TM. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf

University of Huddersfield

17. Fell, Simon. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.

Degree: 2017, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF

► This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that… (more)

▼ This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that of a group of British composers and performers contemporaneously exploring experimental possibilities within composed music; it investigates how these practices overlapped and interpenetrated for a period. The thesis identifies those characteristics of improvisation and experimentalism which favour a relationship between the two fields, but which ultimately underline the different expectations and objectives underlying each activity. The historical material is explored through a combination of archive research and interviews with musicians who were actively involved in the developments under examination. In addition the author draws upon his extensive personal experience as an improvising musician and composer, and as a performing associate of several of the key improvising musicians of the period. The first section of the thesis identifies the historical and social background, outlining the two key groups of participants working in the unmapped area between existing idiomatic improvisation and experimental composition practice, including brief studies of important figures who initiated or facilitated the exploration of shared activity during the period. A second section seeks to introduce further precision into discussion of improvised music by seeking to clarify the definition of taxonomic terms currently in use, and to extend these by identifying key characteristics of the wide range of approaches to playing improvised music. Section three explores the practical implications of the differing objectives of improvising musicians and composers. A series of archive case studies examining composing for improvising musicians during the 1960s and 1970s are discussed, along with an investigation of issues raised by the restoration of Derek Bailey’s Ping (prob. 1967/8) for contemporary performance by improvising musicians. The final section identifies fundamental differences of aspiration and approach within improvisation and composition, and examines the consequent implications for joint practice. It establishes why such differences are inevitable, and the insights they provide into the nature of artistic practice.

Subjects/Keywords: M Music

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APA (6^th Edition):

Fell, S. (2017). A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF

Chicago Manual of Style (16^th Edition):

Fell, Simon. “A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF.

MLA Handbook (7^th Edition):

Fell, Simon. “A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.” 2017. Web. 15 Jan 2021.

Vancouver:

Fell S. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF.

Council of Science Editors:

Fell S. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF

University of Huddersfield

18. Peabody, Anthony. Joe Morley, banjo player, his life, works, and his music.

Degree: 2018, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF

► This thesis examines the life, works and music of Joe Morley, who was one of the most wellknown and respected players of the banjo, and… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

Peabody, A. (2018). Joe Morley, banjo player, his life, works, and his music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF

Chicago Manual of Style (16^th Edition):

Peabody, Anthony. “Joe Morley, banjo player, his life, works, and his music.” 2018. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF.

MLA Handbook (7^th Edition):

Peabody, Anthony. “Joe Morley, banjo player, his life, works, and his music.” 2018. Web. 15 Jan 2021.

Vancouver:

Peabody A. Joe Morley, banjo player, his life, works, and his music. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF.

Council of Science Editors:

Peabody A. Joe Morley, banjo player, his life, works, and his music. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF

University of Huddersfield

19. Green-Mateu, Susan. The Tesseract: using the body’s movement to shape my compositional practice.

Degree: 2018, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF

► The aim of this research project is to challenge my practice as a popular music songwriter and producer. To achieve this, I have developed a… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

Green-Mateu, S. (2018). The Tesseract: using the body’s movement to shape my compositional practice. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF

Chicago Manual of Style (16^th Edition):

Green-Mateu, Susan. “The Tesseract: using the body’s movement to shape my compositional practice.” 2018. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF.

MLA Handbook (7^th Edition):

Green-Mateu, Susan. “The Tesseract: using the body’s movement to shape my compositional practice.” 2018. Web. 15 Jan 2021.

Vancouver:

Green-Mateu S. The Tesseract: using the body’s movement to shape my compositional practice. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF.

Council of Science Editors:

Green-Mateu S. The Tesseract: using the body’s movement to shape my compositional practice. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF

University of Huddersfield

20. Sundin, Paulina E. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.

Degree: 2010, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf

► Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based material in my music written between 1999 and 2010. The selected works illustrates the… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

Sundin, P. E. (2010). Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Sundin, Paulina E. “Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.” 2010. Doctoral Dissertation, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf.

MLA Handbook (7^th Edition):

Sundin, Paulina E. “Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.” 2010. Web. 15 Jan 2021.

Vancouver:

Sundin PE. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. [Internet] [Doctoral dissertation]. University of Huddersfield; 2010. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf.

Council of Science Editors:

Sundin PE. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. [Doctoral Dissertation]. University of Huddersfield; 2010. Available from: http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf

University of Huddersfield

21. McCormack, Timothy. Instrumental mechanism and physicality as compositional resources.

Degree: 2010, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf

► This thesis discusses my engagement with and investigation into the aesthetic and expressive possibilities of instrumental mechanism and performerinstrument physicality, while proposing an aesthetic frame… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

McCormack, T. (2010). Instrumental mechanism and physicality as compositional resources. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

McCormack, Timothy. “Instrumental mechanism and physicality as compositional resources.” 2010. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf.

MLA Handbook (7^th Edition):

McCormack, Timothy. “Instrumental mechanism and physicality as compositional resources.” 2010. Web. 15 Jan 2021.

Vancouver:

McCormack T. Instrumental mechanism and physicality as compositional resources. [Internet] [Masters thesis]. University of Huddersfield; 2010. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf.

Council of Science Editors:

McCormack T. Instrumental mechanism and physicality as compositional resources. [Masters Thesis]. University of Huddersfield; 2010. Available from: http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf

University of Huddersfield

22. Tucker, Colin. Character, Ground, And Contradiction In My Recent Music.

Degree: 2011, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf

► This thesis discusses contradictory foreground-background relationships within my MPhil portfolio of compositions. Part I elaborates a constellation of concepts. Foreground organization is considered as “character,”… (more)

Subjects/Keywords: M Music

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APA (6^th Edition):

Tucker, C. (2011). Character, Ground, And Contradiction In My Recent Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf

Chicago Manual of Style (16^th Edition):

Tucker, Colin. “Character, Ground, And Contradiction In My Recent Music.” 2011. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf.

MLA Handbook (7^th Edition):

Tucker, Colin. “Character, Ground, And Contradiction In My Recent Music.” 2011. Web. 15 Jan 2021.

Vancouver:

Tucker C. Character, Ground, And Contradiction In My Recent Music. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf.

Council of Science Editors:

Tucker C. Character, Ground, And Contradiction In My Recent Music. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf

University of Huddersfield

23. Sweeton, Michael. Development of Compositional Tools in Max/MSP.

Degree: 2011, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf

► The aim of the research is to build a suite of software tools that use a unique combination of techniques to generate specific audio material.… (more)

▼ The aim of the research is to build a suite of software tools that use a unique combination of techniques to generate specific audio material. Emphasis will be put on the methods used to create the desired sounds, how to achieve sophisticated control over relevant parameters quickly and easily, and how to provide functionality that cannot be replicated with existing software. The driving force behind the creation of each piece of software is the type of sound created and how this can be used within my own compositions. The development of application will begin with a specific sound or compositional method in mind, which will be worked towards through a process of refining various audio and control processes. I have become increasingly interested in drone music and two of the three applications will be ideally suited to creating audio material for this genre. The final application stems from my interest in the cut up style compositions of Akufen and is designed to simplify the creation of samples in this style. An important part of the research is the development of the graphical user interfaces for each piece of software. I want to create not just Max/MSP patches, but standalone applications that I find enjoyable and easy to use. I feel it is important to have continuity throughout the suite and will demonstrate this by using a similar design aesthetic in each application. Through my research of other applications created in Max, I recognise that the design of the user interface has a large impact on whether I enjoy using the software. With this in mind I intend to organise the interfaces in a logical way, and to keep them as clear as possible. Another main research aim is using the computer to cut down the time it takes to achieve my compositional goals. Through actively using the applications as they are being developed, I will be able to identify areas that I can refine, which will save time when composing. One area I will investigate is the application of random number procedures and how they can be used to provide interesting variation of the sound within bounded parameters. Each of the final applications will demonstrate their role in my compositional process. I will use Max/MSP as the development environment as I have had extensive experience with it during my undergraduate degree, and also for independent projects. As a prototyping environment it has an advantage over traditional code based programming because any changes are instantly usable, giving the environment a ‘live’ feel. The diagrammatical nature of the patching window also lends itself to experimentation and quick changes, which are not as feasible in text based programming languages. When working towards a specific sound, this ease of experimentation is a vital characteristic of the software and will undoubtedly save time during the development process.

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sweeton, M. (2011). Development of Compositional Tools in Max/MSP. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Sweeton, Michael. “Development of Compositional Tools in Max/MSP.” 2011. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf.

MLA Handbook (7^th Edition):

Sweeton, Michael. “Development of Compositional Tools in Max/MSP.” 2011. Web. 15 Jan 2021.

Vancouver:

Sweeton M. Development of Compositional Tools in Max/MSP. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf.

Council of Science Editors:

Sweeton M. Development of Compositional Tools in Max/MSP. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf

University of Huddersfield

24. Rich, Jonathan. Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture.

Degree: 2010, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf

► This practice-based research project will examine the link between the contemporary genre of Musique Concrète and the visual medium, through a portfolio of audiovisual pieces.… (more)

▼ This practice-based research project will examine the link between the contemporary genre of Musique Concrète and the visual medium, through a portfolio of audiovisual pieces. By undertaking in-depth research into audiovisual principles demonstrated by Michel Chion and Walter Murch, I will first outline the various relationships that audio has with vision, and viceversa, drawing on ideas from theorists like Denis Smalley, Rick Altman and Paul Rudy. Then, by subsequently analysing the definitions and interpretations of Musique Concrète by musicologists such as Pierre Schaeffer and Pierre Henry, I will look at the issues and debates surrounding acousmatic sounds, as well as the way the listening audience receives and perceives sound. Finally, I will amalgamate these ideas and concepts into a theoretical framework, and strive to answer the question of how Musique Concrète could potentially manifest itself visually. As vision is generally seen as the most dominant of the senses1, the importance of having aesthetic compatibility between the audio and visual elements of a piece of work is imperative. Therefore, study into this area will help to develop a specific integrated framework for effectively analysing or creating audiovisual work involving concrete music. Drawing inspiration from various video artists such as Rob Chiu and Chris Cunningham, the portfolio comprises three audiovisual pieces, each with the common goal of demonstrating a marriage of concrete music and its accompanying visual stimuli. However, each piece explores a different approach to achieving its unified objective, by adopting various methods of realisation through utilising an assortment of visual production techniques, based on conceptualising the creative process. This will be accomplished by looking at the schematisation of Musique Concrète, and the parallels that run between its concrete to abstract compositional process and that of video editing. Interpreting these concepts visually will help to develop the foundation for an enhanced, sympathetic audiovisual relationship. The soundtrack will also be extrapolated into varying degrees of abstracted syntax, as well as explored for aural and mimetic discourse, revealing how it evokes imagery and metaphoric messages through environmental context, and the impact this has on the video. The popular culture element of the research project will look to consolidate these ideas of a concrete sound and video hybrid, and present it in a modern-day popular context. By studying modern Musique Concrète artists such as Matthew Herbert, whose seamless blend of Jazz and concrete samples produces a unique and popular soundworld, to more traditional artists like Michel Chion, Pierre Henry and Luc Ferrari, the portfolio accompanying this project will consist of sounds from everyday objects, integrated with samples of electric guitar and bass, and manipulated through the use of software plug-ins and granular synthesis. The result is an industrial soundworld contextualised within various genres…

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rich, J. (2010). Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Rich, Jonathan. “Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture.” 2010. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf.

MLA Handbook (7^th Edition):

Rich, Jonathan. “Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture.” 2010. Web. 15 Jan 2021.

Vancouver:

Rich J. Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture. [Internet] [Masters thesis]. University of Huddersfield; 2010. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf.

Council of Science Editors:

Rich J. Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture. [Masters Thesis]. University of Huddersfield; 2010. Available from: http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf

University of Huddersfield

25. Dashwood, Richard. Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music.

Degree: 2011, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf

► The two aims of this thesis are the theoretical understanding, and the practical exploration, of the issues faced by Western art music composers when they… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Dashwood, R. (2011). Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Dashwood, Richard. “Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music.” 2011. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf.

MLA Handbook (7^th Edition):

Dashwood, Richard. “Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music.” 2011. Web. 15 Jan 2021.

Vancouver:

Dashwood R. Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf.

Council of Science Editors:

Dashwood R. Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf

University of Huddersfield

26. Hobman, Jason. Instrumentality in Electronic Music.

Degree: 2011, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf

► There is nothing intrinsically musical about a laptop computer, but there has in the past two decades been a rise in popularity of using portable… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hobman, J. (2011). Instrumentality in Electronic Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Hobman, Jason. “Instrumentality in Electronic Music.” 2011. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf.

MLA Handbook (7^th Edition):

Hobman, Jason. “Instrumentality in Electronic Music.” 2011. Web. 15 Jan 2021.

Vancouver:

Hobman J. Instrumentality in Electronic Music. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf.

Council of Science Editors:

Hobman J. Instrumentality in Electronic Music. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf

University of Huddersfield

27. Dickson, Brian. Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music.

Degree: 2011, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf

► This thesis details my approaches to composition, focusing on methods of using development processes and techniques to benefit the structure of the work, with the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Dickson, B. (2011). Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Dickson, Brian. “Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music.” 2011. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf.

MLA Handbook (7^th Edition):

Dickson, Brian. “Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music.” 2011. Web. 15 Jan 2021.

Vancouver:

Dickson B. Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf.

Council of Science Editors:

Dickson B. Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf

University of Huddersfield

28. Jansch, Adam. Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity.

Degree: 2011, University of Huddersfield

► The advent of sound recording in the late nineteenth-century has altered fundamentally how music is made, distributed and experienced. The technology around the record has… (more)

▼ The advent of sound recording in the late nineteenth-century has altered fundamentally how music is made, distributed and experienced. The technology around the record has advanced considerably since then, be it through improvements in sound quality, spatial presentation or listener convenience. The form of the sound-structure contained on the record, however, has seen very little change; it remains a fixed sound-structure encapsulated within a containing physical or virtual format. Presented here is a body of works that looks toward a next-generation record medium, one which embraces new currents of mobile digital technology and encompasses a change in how sonic content is presented to the listener: instead of containing a single predetermined and fixed sound-structure, this medium would have the capacity to vary the sound-structures it outputs, thereby offering new listening experiences on each playback. If developed correctly, this medium, which I call the open outcome record, might put into place the conditions necessary for a revolution in the creation and experiencing of recorded music. The submitted works are accompanied by this commentary, which begins with consideration of the effects on the musical experience of the fixity privilege, a characteristic common to all fixed media records. The discussion then turns towards the submitted works, with which I chart a path through strategies aimed at freeing the record from its inherent fixity: I start with the reanimation of commercial records by processes extrinsic to them; this is followed by an investigation into the union of recorded materials with live broadcast radio, through low-intervention, record-like interfaces; finally I present Futures EP, an open outcome record designed for the iOS platform, featuring variance-inducing processes that are invoked on playback. I conclude this research by defining the place of the open outcome record amongst other 'post-record' media, and how it might go on to affect our experience of music.

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Jansch, A. (2011). Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/16730/1/ajanschfinalthesis.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/4/1.1_One_man_band_x_n_manual.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/7/One_man_band_x_n_-_cycle_1.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/8/One_man_band_x_n_-_cycle_2.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/9/2.1_Human_jukebox_x_n_artistic_guidelines.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/10/2.2_Human_jukebox_x_n_highlights.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/11/3.4_dieTunes_usage_note.rtf ; http://eprints.hud.ac.uk/id/eprint/16730/13/__MACOSX/dieTunes/._DieTunesVolumeSliderCell.m ; http://eprints.hud.ac.uk/id/eprint/16730/14/dieTunes%20Read%20Me.pdf

Chicago Manual of Style (16^th Edition):

Jansch, Adam. “Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity.” 2011. Doctoral Dissertation, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/16730/1/ajanschfinalthesis.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/4/1.1_One_man_band_x_n_manual.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/7/One_man_band_x_n_-_cycle_1.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/8/One_man_band_x_n_-_cycle_2.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/9/2.1_Human_jukebox_x_n_artistic_guidelines.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/10/2.2_Human_jukebox_x_n_highlights.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/11/3.4_dieTunes_usage_note.rtf ; http://eprints.hud.ac.uk/id/eprint/16730/13/__MACOSX/dieTunes/._DieTunesVolumeSliderCell.m ; http://eprints.hud.ac.uk/id/eprint/16730/14/dieTunes%20Read%20Me.pdf.

MLA Handbook (7^th Edition):

Jansch, Adam. “Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity.” 2011. Web. 15 Jan 2021.

Vancouver:

Jansch A. Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity. [Internet] [Doctoral dissertation]. University of Huddersfield; 2011. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/16730/1/ajanschfinalthesis.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/4/1.1_One_man_band_x_n_manual.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/7/One_man_band_x_n_-_cycle_1.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/8/One_man_band_x_n_-_cycle_2.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/9/2.1_Human_jukebox_x_n_artistic_guidelines.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/10/2.2_Human_jukebox_x_n_highlights.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/11/3.4_dieTunes_usage_note.rtf ; http://eprints.hud.ac.uk/id/eprint/16730/13/__MACOSX/dieTunes/._DieTunesVolumeSliderCell.m ; http://eprints.hud.ac.uk/id/eprint/16730/14/dieTunes%20Read%20Me.pdf.

Council of Science Editors:

Jansch A. Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity. [Doctoral Dissertation]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/16730/1/ajanschfinalthesis.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/4/1.1_One_man_band_x_n_manual.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/7/One_man_band_x_n_-_cycle_1.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/8/One_man_band_x_n_-_cycle_2.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/9/2.1_Human_jukebox_x_n_artistic_guidelines.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/10/2.2_Human_jukebox_x_n_highlights.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/11/3.4_dieTunes_usage_note.rtf ; http://eprints.hud.ac.uk/id/eprint/16730/13/__MACOSX/dieTunes/._DieTunesVolumeSliderCell.m ; http://eprints.hud.ac.uk/id/eprint/16730/14/dieTunes%20Read%20Me.pdf

University of Huddersfield

29. Sahota, Hardeep. The Search for the ‘Essence’ of Bhangra through Panjabi heritage.

Degree: 2011, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf

► This research examines the concept of Bhangra from my perspective as a practitioner and supported by ethnographic research. The thesis explores the foundational elements that… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sahota, H. (2011). The Search for the ‘Essence’ of Bhangra through Panjabi heritage. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Sahota, Hardeep. “The Search for the ‘Essence’ of Bhangra through Panjabi heritage.” 2011. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf.

MLA Handbook (7^th Edition):

Sahota, Hardeep. “The Search for the ‘Essence’ of Bhangra through Panjabi heritage.” 2011. Web. 15 Jan 2021.

Vancouver:

Sahota H. The Search for the ‘Essence’ of Bhangra through Panjabi heritage. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf.

Council of Science Editors:

Sahota H. The Search for the ‘Essence’ of Bhangra through Panjabi heritage. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf

University of Huddersfield

30. Mistry, Jaydev. The Mistry-Hyper Guitar.

Degree: 2012, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf

► This research project describes the research and building of an ergonomically designed electric guitar that extends the capabilities for composition and performance on guitar by… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mistry, J. (2012). The Mistry-Hyper Guitar. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf

Chicago Manual of Style (16^th Edition):

Mistry, Jaydev. “The Mistry-Hyper Guitar.” 2012. Masters Thesis, University of Huddersfield. Accessed January 15, 2021. http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf.

MLA Handbook (7^th Edition):

Mistry, Jaydev. “The Mistry-Hyper Guitar.” 2012. Web. 15 Jan 2021.

Vancouver:

Mistry J. The Mistry-Hyper Guitar. [Internet] [Masters thesis]. University of Huddersfield; 2012. [cited 2021 Jan 15]. Available from: http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf.

Council of Science Editors:

Mistry J. The Mistry-Hyper Guitar. [Masters Thesis]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf

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