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You searched for subject:(Live Performance). Showing records 1 – 30 of 100 total matches.

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1. Piironen, Olli. Modern live recording.

Degree: 2019, Theseus

 Recording equipment have evolved drastically from acoustical and electrical recording to computer based digital audio. This thesis focuses on how digital live audio equipment has… (more)

Subjects/Keywords: live music; live performance; live recording; sound technicians; digital audio

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Piironen, O. (2019). Modern live recording. (Thesis). Theseus. Retrieved from http://www.theseus.fi/handle/10024/169743

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Piironen, Olli. “Modern live recording.” 2019. Thesis, Theseus. Accessed January 15, 2021. http://www.theseus.fi/handle/10024/169743.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Piironen, Olli. “Modern live recording.” 2019. Web. 15 Jan 2021.

Vancouver:

Piironen O. Modern live recording. [Internet] [Thesis]. Theseus; 2019. [cited 2021 Jan 15]. Available from: http://www.theseus.fi/handle/10024/169743.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piironen O. Modern live recording. [Thesis]. Theseus; 2019. Available from: http://www.theseus.fi/handle/10024/169743

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Bunyakitanon, Monchai. Performance Measurement of Live Migration Algorithms.

Degree: 2014, , Department of Communication Systems

  This thesis involves the area of virtualization. We have studied about improving load balancing in data center by using automated live migration techniques. The… (more)

Subjects/Keywords: Cost; Live migration; Performance model; Virtualization

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APA (6th Edition):

Bunyakitanon, M. (2014). Performance Measurement of Live Migration Algorithms. (Thesis). , Department of Communication Systems. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3631

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bunyakitanon, Monchai. “Performance Measurement of Live Migration Algorithms.” 2014. Thesis, , Department of Communication Systems. Accessed January 15, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3631.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bunyakitanon, Monchai. “Performance Measurement of Live Migration Algorithms.” 2014. Web. 15 Jan 2021.

Vancouver:

Bunyakitanon M. Performance Measurement of Live Migration Algorithms. [Internet] [Thesis]. , Department of Communication Systems; 2014. [cited 2021 Jan 15]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3631.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bunyakitanon M. Performance Measurement of Live Migration Algorithms. [Thesis]. , Department of Communication Systems; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3631

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Technology, Sydney

3. Sinclair, N. From revelry to alchemy : six lenses for interpreting theatre for young Australian audiences.

Degree: 2013, University of Technology, Sydney

 This thesis analyses theatre for young audiences as an aesthetic artform in and of itself. Focusing specifically on the moment of live performance, it proposes… (more)

Subjects/Keywords: Children's theatre.; Aesthetics.; Live performance.; Poetics.

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APA (6th Edition):

Sinclair, N. (2013). From revelry to alchemy : six lenses for interpreting theatre for young Australian audiences. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/23548

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sinclair, N. “From revelry to alchemy : six lenses for interpreting theatre for young Australian audiences.” 2013. Thesis, University of Technology, Sydney. Accessed January 15, 2021. http://hdl.handle.net/10453/23548.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sinclair, N. “From revelry to alchemy : six lenses for interpreting theatre for young Australian audiences.” 2013. Web. 15 Jan 2021.

Vancouver:

Sinclair N. From revelry to alchemy : six lenses for interpreting theatre for young Australian audiences. [Internet] [Thesis]. University of Technology, Sydney; 2013. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/10453/23548.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sinclair N. From revelry to alchemy : six lenses for interpreting theatre for young Australian audiences. [Thesis]. University of Technology, Sydney; 2013. Available from: http://hdl.handle.net/10453/23548

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

4. Olivieri, Jessica Ann. A Conversational Assemblage: New Ways of Framing Contemporary Art .

Degree: 2017, University of Sydney

 The creation of artwork that has multiple outcomes is not a new phenomenon. This mode of presenting projects or bodies of work that include live,… (more)

Subjects/Keywords: Performance; documentation; live; theatre; dance; visual art

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APA (6th Edition):

Olivieri, J. A. (2017). A Conversational Assemblage: New Ways of Framing Contemporary Art . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/18615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Olivieri, Jessica Ann. “A Conversational Assemblage: New Ways of Framing Contemporary Art .” 2017. Thesis, University of Sydney. Accessed January 15, 2021. http://hdl.handle.net/2123/18615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Olivieri, Jessica Ann. “A Conversational Assemblage: New Ways of Framing Contemporary Art .” 2017. Web. 15 Jan 2021.

Vancouver:

Olivieri JA. A Conversational Assemblage: New Ways of Framing Contemporary Art . [Internet] [Thesis]. University of Sydney; 2017. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/2123/18615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Olivieri JA. A Conversational Assemblage: New Ways of Framing Contemporary Art . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/18615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

5. Bacon, Sean. The live camera in performance : the Bland Project, this kind of ruckus and measure for measure.

Degree: Media Arts, 2013, University of New South Wales

 This exegesis details the development and execution of three pieces of work that incorporate the use of live camera in performance / theatre. Each work… (more)

Subjects/Keywords: Theatre; Performance; Live camera; Video art; Performance video art; Live art; Interactive installation; Interactive

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bacon, S. (2013). The live camera in performance : the Bland Project, this kind of ruckus and measure for measure. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53313 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12008/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Bacon, Sean. “The live camera in performance : the Bland Project, this kind of ruckus and measure for measure.” 2013. Masters Thesis, University of New South Wales. Accessed January 15, 2021. http://handle.unsw.edu.au/1959.4/53313 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12008/SOURCE02?view=true.

MLA Handbook (7th Edition):

Bacon, Sean. “The live camera in performance : the Bland Project, this kind of ruckus and measure for measure.” 2013. Web. 15 Jan 2021.

Vancouver:

Bacon S. The live camera in performance : the Bland Project, this kind of ruckus and measure for measure. [Internet] [Masters thesis]. University of New South Wales; 2013. [cited 2021 Jan 15]. Available from: http://handle.unsw.edu.au/1959.4/53313 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12008/SOURCE02?view=true.

Council of Science Editors:

Bacon S. The live camera in performance : the Bland Project, this kind of ruckus and measure for measure. [Masters Thesis]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/53313 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12008/SOURCE02?view=true

6. Nunes, Gabriel Brito. f l æ s h - corpo e/é imagem.

Degree: Mestrado, Poéticas Visuais, 2012, University of São Paulo

Considerando o corpo o elemento central da performance arte, o texto a seguir procura compreender que tipo de espaço se reserva nesse campo artístico para… (more)

Subjects/Keywords: Arte contemporânea; artes visuais; body art; body art; contemporary art; live art; live art; performance; performance; visual arts

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APA (6th Edition):

Nunes, G. B. (2012). f l æ s h - corpo e/é imagem. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;

Chicago Manual of Style (16th Edition):

Nunes, Gabriel Brito. “f l æ s h - corpo e/é imagem.” 2012. Masters Thesis, University of São Paulo. Accessed January 15, 2021. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;.

MLA Handbook (7th Edition):

Nunes, Gabriel Brito. “f l æ s h - corpo e/é imagem.” 2012. Web. 15 Jan 2021.

Vancouver:

Nunes GB. f l æ s h - corpo e/é imagem. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2021 Jan 15]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;.

Council of Science Editors:

Nunes GB. f l æ s h - corpo e/é imagem. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;


Queensland University of Technology

7. O'Neill, Carly M. Exit Stage Left: Mid-career transitions of female stage managers in Australia.

Degree: 2017, Queensland University of Technology

 Stage managers are critical participants in the Australian live performance industry that generated almost $1.5 billion in revenue in 2015 (Live Performance Australia 2015) and… (more)

Subjects/Keywords: stage management; career; career development; career transition; protean career; mid-career; live performance; live performance production

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

O'Neill, C. M. (2017). Exit Stage Left: Mid-career transitions of female stage managers in Australia. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/108026/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Neill, Carly M. “Exit Stage Left: Mid-career transitions of female stage managers in Australia.” 2017. Thesis, Queensland University of Technology. Accessed January 15, 2021. https://eprints.qut.edu.au/108026/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Neill, Carly M. “Exit Stage Left: Mid-career transitions of female stage managers in Australia.” 2017. Web. 15 Jan 2021.

Vancouver:

O'Neill CM. Exit Stage Left: Mid-career transitions of female stage managers in Australia. [Internet] [Thesis]. Queensland University of Technology; 2017. [cited 2021 Jan 15]. Available from: https://eprints.qut.edu.au/108026/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Neill CM. Exit Stage Left: Mid-career transitions of female stage managers in Australia. [Thesis]. Queensland University of Technology; 2017. Available from: https://eprints.qut.edu.au/108026/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brunel University

8. Sanchez-Camus, Roberto. Applied live art : co-authorship in socially engaged and site-responsive performance practice.

Degree: PhD, 2011, Brunel University

 This thesis looks at the ways in which performance can integrate participants and local context into the development of new devised work. This practice-led research… (more)

Subjects/Keywords: 708; Live art; Applied drama; Performance; Site-specific; Community engagement

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APA (6th Edition):

Sanchez-Camus, R. (2011). Applied live art : co-authorship in socially engaged and site-responsive performance practice. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/6027 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542864

Chicago Manual of Style (16th Edition):

Sanchez-Camus, Roberto. “Applied live art : co-authorship in socially engaged and site-responsive performance practice.” 2011. Doctoral Dissertation, Brunel University. Accessed January 15, 2021. http://bura.brunel.ac.uk/handle/2438/6027 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542864.

MLA Handbook (7th Edition):

Sanchez-Camus, Roberto. “Applied live art : co-authorship in socially engaged and site-responsive performance practice.” 2011. Web. 15 Jan 2021.

Vancouver:

Sanchez-Camus R. Applied live art : co-authorship in socially engaged and site-responsive performance practice. [Internet] [Doctoral dissertation]. Brunel University; 2011. [cited 2021 Jan 15]. Available from: http://bura.brunel.ac.uk/handle/2438/6027 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542864.

Council of Science Editors:

Sanchez-Camus R. Applied live art : co-authorship in socially engaged and site-responsive performance practice. [Doctoral Dissertation]. Brunel University; 2011. Available from: http://bura.brunel.ac.uk/handle/2438/6027 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542864


University of Gothenburg / Göteborgs Universitet

9. Nikolaeva, Olga. Audiovisual Constructions: Material Interrelations in Live Rock Performances.

Degree: 2019, University of Gothenburg / Göteborgs Universitet

 This dissertation examines and analyzes the material interrelations in audiovisual constructions of live rock performances. It explores the interrelations that take place among four key… (more)

Subjects/Keywords: live performance; audiovisual; materiality; scenography; screen; screen visuals; sound; body

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APA (6th Edition):

Nikolaeva, O. (2019). Audiovisual Constructions: Material Interrelations in Live Rock Performances. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/59910

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nikolaeva, Olga. “Audiovisual Constructions: Material Interrelations in Live Rock Performances.” 2019. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed January 15, 2021. http://hdl.handle.net/2077/59910.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nikolaeva, Olga. “Audiovisual Constructions: Material Interrelations in Live Rock Performances.” 2019. Web. 15 Jan 2021.

Vancouver:

Nikolaeva O. Audiovisual Constructions: Material Interrelations in Live Rock Performances. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2019. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/2077/59910.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nikolaeva O. Audiovisual Constructions: Material Interrelations in Live Rock Performances. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2019. Available from: http://hdl.handle.net/2077/59910

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

10. Mallin, Robert Randall. Video games as live performance.

Degree: MFA, Theatre, 2018, University of Texas – Austin

 Over the last 45 years, what started as small gatherings of video game players competing against each other, has grown into a 1.5 billion dollar… (more)

Subjects/Keywords: Video games; Esports; Theatre; Theater; Design; Live performance; Scenographic design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mallin, R. R. (2018). Video games as live performance. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/67681

Chicago Manual of Style (16th Edition):

Mallin, Robert Randall. “Video games as live performance.” 2018. Masters Thesis, University of Texas – Austin. Accessed January 15, 2021. http://hdl.handle.net/2152/67681.

MLA Handbook (7th Edition):

Mallin, Robert Randall. “Video games as live performance.” 2018. Web. 15 Jan 2021.

Vancouver:

Mallin RR. Video games as live performance. [Internet] [Masters thesis]. University of Texas – Austin; 2018. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/2152/67681.

Council of Science Editors:

Mallin RR. Video games as live performance. [Masters Thesis]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/67681


University of Adelaide

11. Curkpatrick, Surekha. Tertiary flute students’ listening habits regarding live performances and commercial recordings : the influence of listening on students’ attitudes towards study, practice, performance and further listening.

Degree: 2012, University of Adelaide

 This thesis investigates the listening habits of tertiary flute students, with a particular focus on listening to commercial recordings and live performances, examining possible influences… (more)

Subjects/Keywords: flute; tertiary students; listening habits; live performance; commercial recordings; study; practice; performance; listening

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Curkpatrick, S. (2012). Tertiary flute students’ listening habits regarding live performances and commercial recordings : the influence of listening on students’ attitudes towards study, practice, performance and further listening. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/78731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Curkpatrick, Surekha. “Tertiary flute students’ listening habits regarding live performances and commercial recordings : the influence of listening on students’ attitudes towards study, practice, performance and further listening.” 2012. Thesis, University of Adelaide. Accessed January 15, 2021. http://hdl.handle.net/2440/78731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Curkpatrick, Surekha. “Tertiary flute students’ listening habits regarding live performances and commercial recordings : the influence of listening on students’ attitudes towards study, practice, performance and further listening.” 2012. Web. 15 Jan 2021.

Vancouver:

Curkpatrick S. Tertiary flute students’ listening habits regarding live performances and commercial recordings : the influence of listening on students’ attitudes towards study, practice, performance and further listening. [Internet] [Thesis]. University of Adelaide; 2012. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/2440/78731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Curkpatrick S. Tertiary flute students’ listening habits regarding live performances and commercial recordings : the influence of listening on students’ attitudes towards study, practice, performance and further listening. [Thesis]. University of Adelaide; 2012. Available from: http://hdl.handle.net/2440/78731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

12. Kerr, Thorin. Performing composition : developing a computer assisted composition system through live coding performance.

Degree: 2009, Queensland University of Technology

 This thesis maps the author's journey from a music composition practice to a composition and performance practice. The work involves the development of a software… (more)

Subjects/Keywords: music; composition; performance; live coding; live programming; computer music; computer assisted composition; algorithmic music; generative art; Impromptu; Csound

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kerr, T. (2009). Performing composition : developing a computer assisted composition system through live coding performance. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Thesis, Queensland University of Technology. Accessed January 15, 2021. https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Web. 15 Jan 2021.

Vancouver:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2021 Jan 15]. Available from: https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

13. Chandler, Dannielle. Double movement: an exploration of the interaction between live and digital dancer, sharing the physical space .

Degree: 2013, AUT University

 Exploring the interaction between live and digital dancer I ask: how can digital technologies such as motion capture (mocap) and video projection be employed to… (more)

Subjects/Keywords: Dance; Motion capture; Dance and motion capture; Liminal space; Live performance; Live and digital dancer; Dramaturgy; Practice as research

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APA (6th Edition):

Chandler, D. (2013). Double movement: an exploration of the interaction between live and digital dancer, sharing the physical space . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/5386

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chandler, Dannielle. “Double movement: an exploration of the interaction between live and digital dancer, sharing the physical space .” 2013. Thesis, AUT University. Accessed January 15, 2021. http://hdl.handle.net/10292/5386.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chandler, Dannielle. “Double movement: an exploration of the interaction between live and digital dancer, sharing the physical space .” 2013. Web. 15 Jan 2021.

Vancouver:

Chandler D. Double movement: an exploration of the interaction between live and digital dancer, sharing the physical space . [Internet] [Thesis]. AUT University; 2013. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/10292/5386.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chandler D. Double movement: an exploration of the interaction between live and digital dancer, sharing the physical space . [Thesis]. AUT University; 2013. Available from: http://hdl.handle.net/10292/5386

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Harris, Matthew Tobias. Liveness : an interactional account.

Degree: PhD, 2017, Queen Mary, University of London

Live performances involve complex interactions between a large number of co-present people. Performance has been defined in terms of these performer-audience dynamics, but little is… (more)

Subjects/Keywords: Drama; Live performance; live events interaction

…percentage Happiness during point gesture . . . . . . . . . 83 5.1 Live performance: happiness… …5.3 Live performance: movement . . . . . . . . . . . . . . . . . . . . . . . . . . 105… …something to being there live. Something that transcends the performance genre. Something that is… …programme. Chapter four presents the first, establishing Comedy Lab. A live performance experiment… …audience, and establishes the viability of live performance experiments. The two main Comedy Lab… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harris, M. T. (2017). Liveness : an interactional account. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/30624 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766021

Chicago Manual of Style (16th Edition):

Harris, Matthew Tobias. “Liveness : an interactional account.” 2017. Doctoral Dissertation, Queen Mary, University of London. Accessed January 15, 2021. http://qmro.qmul.ac.uk/xmlui/handle/123456789/30624 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766021.

MLA Handbook (7th Edition):

Harris, Matthew Tobias. “Liveness : an interactional account.” 2017. Web. 15 Jan 2021.

Vancouver:

Harris MT. Liveness : an interactional account. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2017. [cited 2021 Jan 15]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/30624 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766021.

Council of Science Editors:

Harris MT. Liveness : an interactional account. [Doctoral Dissertation]. Queen Mary, University of London; 2017. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/30624 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766021


University of Texas – Austin

15. -1668-529X. Engaging audiences : smartphone use in live performance.

Degree: MFA, Theatre, 2019, University of Texas – Austin

 Smartphones have become integral to modern society and culture. We use them daily for communication, research, and recreation. In live theatre, smartphones become disruptive when… (more)

Subjects/Keywords: Live performance; Engaging theatre; Smartphones; Narrative; Choose your own adventure; Engaging audiences; Live theatre; Audience agency

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

-1668-529X. (2019). Engaging audiences : smartphone use in live performance. (Masters Thesis). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/5638

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-1668-529X. “Engaging audiences : smartphone use in live performance.” 2019. Masters Thesis, University of Texas – Austin. Accessed January 15, 2021. http://dx.doi.org/10.26153/tsw/5638.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-1668-529X. “Engaging audiences : smartphone use in live performance.” 2019. Web. 15 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-1668-529X. Engaging audiences : smartphone use in live performance. [Internet] [Masters thesis]. University of Texas – Austin; 2019. [cited 2021 Jan 15]. Available from: http://dx.doi.org/10.26153/tsw/5638.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-1668-529X. Engaging audiences : smartphone use in live performance. [Masters Thesis]. University of Texas – Austin; 2019. Available from: http://dx.doi.org/10.26153/tsw/5638

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Montana

16. Hassinger, Kurtis Layne, Mr. DIGITIZING THE CORPOREAL: THE AFFECT OF MEDIATIZED ELEMENTS IN THEATRICAL PERFORMANCE.

Degree: MA, 2020, University of Montana

  This paper explores the affect of digital media in live performance. The research is generated from work with integrated digital media in Carol Ann… (more)

Subjects/Keywords: Live Performance; Digital Media; Everyman; MIDI; Embodiment; Cascando; Arts and Humanities; Performance Studies; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hassinger, Kurtis Layne, M. (2020). DIGITIZING THE CORPOREAL: THE AFFECT OF MEDIATIZED ELEMENTS IN THEATRICAL PERFORMANCE. (Masters Thesis). University of Montana. Retrieved from https://scholarworks.umt.edu/etd/11510

Chicago Manual of Style (16th Edition):

Hassinger, Kurtis Layne, Mr. “DIGITIZING THE CORPOREAL: THE AFFECT OF MEDIATIZED ELEMENTS IN THEATRICAL PERFORMANCE.” 2020. Masters Thesis, University of Montana. Accessed January 15, 2021. https://scholarworks.umt.edu/etd/11510.

MLA Handbook (7th Edition):

Hassinger, Kurtis Layne, Mr. “DIGITIZING THE CORPOREAL: THE AFFECT OF MEDIATIZED ELEMENTS IN THEATRICAL PERFORMANCE.” 2020. Web. 15 Jan 2021.

Vancouver:

Hassinger, Kurtis Layne M. DIGITIZING THE CORPOREAL: THE AFFECT OF MEDIATIZED ELEMENTS IN THEATRICAL PERFORMANCE. [Internet] [Masters thesis]. University of Montana; 2020. [cited 2021 Jan 15]. Available from: https://scholarworks.umt.edu/etd/11510.

Council of Science Editors:

Hassinger, Kurtis Layne M. DIGITIZING THE CORPOREAL: THE AFFECT OF MEDIATIZED ELEMENTS IN THEATRICAL PERFORMANCE. [Masters Thesis]. University of Montana; 2020. Available from: https://scholarworks.umt.edu/etd/11510


RMIT University

17. Croft, G. The human body as an instrument: an investigation into its music.

Degree: 2015, RMIT University

 This project has involved investigating how the history and practice of music which incorporates the sounds of the internal body can be used as a… (more)

Subjects/Keywords: Fields of Research; Sound Art; Improvised Performance; Soundscape Composition; Body sounds; Live art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Croft, G. (2015). The human body as an instrument: an investigation into its music. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161278

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Croft, G. “The human body as an instrument: an investigation into its music.” 2015. Thesis, RMIT University. Accessed January 15, 2021. http://researchbank.rmit.edu.au/view/rmit:161278.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Croft, G. “The human body as an instrument: an investigation into its music.” 2015. Web. 15 Jan 2021.

Vancouver:

Croft G. The human body as an instrument: an investigation into its music. [Internet] [Thesis]. RMIT University; 2015. [cited 2021 Jan 15]. Available from: http://researchbank.rmit.edu.au/view/rmit:161278.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Croft G. The human body as an instrument: an investigation into its music. [Thesis]. RMIT University; 2015. Available from: http://researchbank.rmit.edu.au/view/rmit:161278

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

18. Gu, Xinwei. A Study on Market Competitiveness of Cross-Strait Independent Music.

Degree: Master, Business Management, 2013, NSYSU

Live performance is key for independent artists and bands to gain performance experience, which includes live house and music festivals. Taiwan possesses mature music industry… (more)

Subjects/Keywords: Live House; Music Performance; Diamond Model; Coopetition Strategy; Competitiveness; Cross-strait Independent Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gu, X. (2013). A Study on Market Competitiveness of Cross-Strait Independent Music. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0514113-232527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gu, Xinwei. “A Study on Market Competitiveness of Cross-Strait Independent Music.” 2013. Thesis, NSYSU. Accessed January 15, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0514113-232527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gu, Xinwei. “A Study on Market Competitiveness of Cross-Strait Independent Music.” 2013. Web. 15 Jan 2021.

Vancouver:

Gu X. A Study on Market Competitiveness of Cross-Strait Independent Music. [Internet] [Thesis]. NSYSU; 2013. [cited 2021 Jan 15]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0514113-232527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gu X. A Study on Market Competitiveness of Cross-Strait Independent Music. [Thesis]. NSYSU; 2013. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0514113-232527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

19. Peng, Yi-ying. A preliminary investigation on genre preferences of popular music in different states in the U.S.: A application of Pollstar box office data.

Degree: Master, Business Management, 2018, NSYSU

 This thesis discusses the relationship between the genre attribute of each performer and the change of average ticket price in each state of US. The… (more)

Subjects/Keywords: live music performance; concert venue selection; music genre; concert theory model; box office in US

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peng, Y. (2018). A preliminary investigation on genre preferences of popular music in different states in the U.S.: A application of Pollstar box office data. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701118-110602

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peng, Yi-ying. “A preliminary investigation on genre preferences of popular music in different states in the U.S.: A application of Pollstar box office data.” 2018. Thesis, NSYSU. Accessed January 15, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701118-110602.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peng, Yi-ying. “A preliminary investigation on genre preferences of popular music in different states in the U.S.: A application of Pollstar box office data.” 2018. Web. 15 Jan 2021.

Vancouver:

Peng Y. A preliminary investigation on genre preferences of popular music in different states in the U.S.: A application of Pollstar box office data. [Internet] [Thesis]. NSYSU; 2018. [cited 2021 Jan 15]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701118-110602.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peng Y. A preliminary investigation on genre preferences of popular music in different states in the U.S.: A application of Pollstar box office data. [Thesis]. NSYSU; 2018. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701118-110602

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lund

20. Einarsson, Anna. Singing the body electric : Understanding the role of embodiment in performing and composing interactive music.

Degree: 2017, University of Lund

 Almost since the birth of electronic music, composers have been fascinated by the prospect of integrating the human voice with its expressiveness and complexity into… (more)

Subjects/Keywords: Music; music composition; embodiment; singing; interactive music; live electronics; affordances; performance technologies,; computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Einarsson, A. (2017). Singing the body electric : Understanding the role of embodiment in performing and composing interactive music. (Doctoral Dissertation). University of Lund. Retrieved from https://lup.lub.lu.se/record/b5d21536-08d9-42a4-a79f-4321999e371a ; https://portal.research.lu.se/ws/files/32233372/spikblad_A5_Einarsson.pdf

Chicago Manual of Style (16th Edition):

Einarsson, Anna. “Singing the body electric : Understanding the role of embodiment in performing and composing interactive music.” 2017. Doctoral Dissertation, University of Lund. Accessed January 15, 2021. https://lup.lub.lu.se/record/b5d21536-08d9-42a4-a79f-4321999e371a ; https://portal.research.lu.se/ws/files/32233372/spikblad_A5_Einarsson.pdf.

MLA Handbook (7th Edition):

Einarsson, Anna. “Singing the body electric : Understanding the role of embodiment in performing and composing interactive music.” 2017. Web. 15 Jan 2021.

Vancouver:

Einarsson A. Singing the body electric : Understanding the role of embodiment in performing and composing interactive music. [Internet] [Doctoral dissertation]. University of Lund; 2017. [cited 2021 Jan 15]. Available from: https://lup.lub.lu.se/record/b5d21536-08d9-42a4-a79f-4321999e371a ; https://portal.research.lu.se/ws/files/32233372/spikblad_A5_Einarsson.pdf.

Council of Science Editors:

Einarsson A. Singing the body electric : Understanding the role of embodiment in performing and composing interactive music. [Doctoral Dissertation]. University of Lund; 2017. Available from: https://lup.lub.lu.se/record/b5d21536-08d9-42a4-a79f-4321999e371a ; https://portal.research.lu.se/ws/files/32233372/spikblad_A5_Einarsson.pdf


University of Southern California

21. Gregg, Samantha. The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967).

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2015, University of Southern California

 By identifying three key developmental shifts in the early performances (1955-1967) of American artist James Lee Byars this paper argues for the significance of this… (more)

Subjects/Keywords: James Lee Byars; performance art; 1960s; conceptual art; fluxus; live art; documentation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gregg, S. (2015). The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967). (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/568039/rec/7091

Chicago Manual of Style (16th Edition):

Gregg, Samantha. “The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967).” 2015. Masters Thesis, University of Southern California. Accessed January 15, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/568039/rec/7091.

MLA Handbook (7th Edition):

Gregg, Samantha. “The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967).” 2015. Web. 15 Jan 2021.

Vancouver:

Gregg S. The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967). [Internet] [Masters thesis]. University of Southern California; 2015. [cited 2021 Jan 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/568039/rec/7091.

Council of Science Editors:

Gregg S. The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967). [Masters Thesis]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/568039/rec/7091


University of Lethbridge

22. University of Lethbridge. Faculty of Fine Arts. Mars ain't the kinda place to raise your kids : a performance installation .

Degree: 2016, University of Lethbridge

 This paper is in support of my MFA thesis Mars ain’t the kinda place to raise your kids, a performance installation that explores the intersection… (more)

Subjects/Keywords: conceptual art installation; gallery experience; live performance; Mars colonization; postdramatic theatre; theatre experience

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arts, U. o. L. F. o. F. (2016). Mars ain't the kinda place to raise your kids : a performance installation . (Thesis). University of Lethbridge. Retrieved from http://hdl.handle.net/10133/4563

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arts, University of Lethbridge. Faculty of Fine. “Mars ain't the kinda place to raise your kids : a performance installation .” 2016. Thesis, University of Lethbridge. Accessed January 15, 2021. http://hdl.handle.net/10133/4563.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arts, University of Lethbridge. Faculty of Fine. “Mars ain't the kinda place to raise your kids : a performance installation .” 2016. Web. 15 Jan 2021.

Vancouver:

Arts UoLFoF. Mars ain't the kinda place to raise your kids : a performance installation . [Internet] [Thesis]. University of Lethbridge; 2016. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/10133/4563.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arts UoLFoF. Mars ain't the kinda place to raise your kids : a performance installation . [Thesis]. University of Lethbridge; 2016. Available from: http://hdl.handle.net/10133/4563

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

23. May, Elise C. Shifting lenses: Investigating interdisciplinary approaches to the use of the moving image and digital media in live performance.

Degree: 2016, Queensland University of Technology

 The use of digital technologies is becoming ubiquitous in contemporary dance performance practice, however rigorous questioning of the theatrical cohesion of live bodies, visual projections… (more)

Subjects/Keywords: choreography; moving image; contemporary dance; digital image; visual projection; the mediated body; live performance; interactivity; animation; performance design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

May, E. C. (2016). Shifting lenses: Investigating interdisciplinary approaches to the use of the moving image and digital media in live performance. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/95089/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

May, Elise C. “Shifting lenses: Investigating interdisciplinary approaches to the use of the moving image and digital media in live performance.” 2016. Thesis, Queensland University of Technology. Accessed January 15, 2021. http://eprints.qut.edu.au/95089/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

May, Elise C. “Shifting lenses: Investigating interdisciplinary approaches to the use of the moving image and digital media in live performance.” 2016. Web. 15 Jan 2021.

Vancouver:

May EC. Shifting lenses: Investigating interdisciplinary approaches to the use of the moving image and digital media in live performance. [Internet] [Thesis]. Queensland University of Technology; 2016. [cited 2021 Jan 15]. Available from: http://eprints.qut.edu.au/95089/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

May EC. Shifting lenses: Investigating interdisciplinary approaches to the use of the moving image and digital media in live performance. [Thesis]. Queensland University of Technology; 2016. Available from: http://eprints.qut.edu.au/95089/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wollongong

24. Heywood, Nicola. Undoing Discomfort: being real/becoming other in an embodied performance practice.

Degree: Doctor of Creative Arts, Department of Creative Arts, 2016, University of Wollongong

  Undoing Discomfort: being real/ becoming other in an embodied performance practice contextualises new creative research within an interdisciplinary field crossing performance, live art and… (more)

Subjects/Keywords: Somatics; performance; live art; dance theatre; embodiment; sublime; feminist performance; animal studies; Grotowski; Body Weather; BMC; authentic movement; discomfort; becoming

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Heywood, N. (2016). Undoing Discomfort: being real/becoming other in an embodied performance practice. (Doctoral Dissertation). University of Wollongong. Retrieved from 0904 CHEMICAL ENGINEERING, 0905 CIVIL ENGINEERING ; https://ro.uow.edu.au/theses/4816

Chicago Manual of Style (16th Edition):

Heywood, Nicola. “Undoing Discomfort: being real/becoming other in an embodied performance practice.” 2016. Doctoral Dissertation, University of Wollongong. Accessed January 15, 2021. 0904 CHEMICAL ENGINEERING, 0905 CIVIL ENGINEERING ; https://ro.uow.edu.au/theses/4816.

MLA Handbook (7th Edition):

Heywood, Nicola. “Undoing Discomfort: being real/becoming other in an embodied performance practice.” 2016. Web. 15 Jan 2021.

Vancouver:

Heywood N. Undoing Discomfort: being real/becoming other in an embodied performance practice. [Internet] [Doctoral dissertation]. University of Wollongong; 2016. [cited 2021 Jan 15]. Available from: 0904 CHEMICAL ENGINEERING, 0905 CIVIL ENGINEERING ; https://ro.uow.edu.au/theses/4816.

Council of Science Editors:

Heywood N. Undoing Discomfort: being real/becoming other in an embodied performance practice. [Doctoral Dissertation]. University of Wollongong; 2016. Available from: 0904 CHEMICAL ENGINEERING, 0905 CIVIL ENGINEERING ; https://ro.uow.edu.au/theses/4816


Queensland University of Technology

25. Mercer, Leah Gwenyth. Complementarity and the uncertainty principle as aesthetic principles : the practice and performance of The Physics Project.

Degree: 2009, Queensland University of Technology

 Using the generative processes developed over two stages of creative development and the performance of The Physics Project at the Loft at the Creative Industries… (more)

Subjects/Keywords: complementarity; contemporary performance; live and mediated performance; metanarrative; metaphor; prosthesis; quantum mechanics; synchronicity; transcendence; the uncertainty principle and zeitgeist

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mercer, L. G. (2009). Complementarity and the uncertainty principle as aesthetic principles : the practice and performance of The Physics Project. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/29938/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mercer, Leah Gwenyth. “Complementarity and the uncertainty principle as aesthetic principles : the practice and performance of The Physics Project.” 2009. Thesis, Queensland University of Technology. Accessed January 15, 2021. https://eprints.qut.edu.au/29938/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mercer, Leah Gwenyth. “Complementarity and the uncertainty principle as aesthetic principles : the practice and performance of The Physics Project.” 2009. Web. 15 Jan 2021.

Vancouver:

Mercer LG. Complementarity and the uncertainty principle as aesthetic principles : the practice and performance of The Physics Project. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2021 Jan 15]. Available from: https://eprints.qut.edu.au/29938/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mercer LG. Complementarity and the uncertainty principle as aesthetic principles : the practice and performance of The Physics Project. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/29938/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

26. Haag, John Christopher. A brush with the real world : the future of inertial motion capture in live performance.

Degree: 2009, Queensland University of Technology

 3D Motion capture is a medium that plots motion, typically human motion, converting it into a form that can be represented digitally. It is a… (more)

Subjects/Keywords: motion capture; performance animation; performance capture; real-time; inertial; live; liveness; spectacle; virtual reality; paralanguage; improvisation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haag, J. C. (2009). A brush with the real world : the future of inertial motion capture in live performance. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/30213/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haag, John Christopher. “A brush with the real world : the future of inertial motion capture in live performance.” 2009. Thesis, Queensland University of Technology. Accessed January 15, 2021. https://eprints.qut.edu.au/30213/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haag, John Christopher. “A brush with the real world : the future of inertial motion capture in live performance.” 2009. Web. 15 Jan 2021.

Vancouver:

Haag JC. A brush with the real world : the future of inertial motion capture in live performance. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2021 Jan 15]. Available from: https://eprints.qut.edu.au/30213/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haag JC. A brush with the real world : the future of inertial motion capture in live performance. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/30213/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Southern Cross University

27. Cashman, David W. Musicology and cruisicology : formal musical performance on cruise ships 2003-2011.

Degree: 2012, Southern Cross University

 The burgeoning cruise industry staged live musical performances daily for the nearly 15 million tourists who undertook a cruise in 2010. These performances play important… (more)

Subjects/Keywords: Cruise ship; live musical performance; popular music; tourism; music; Arts Management; Business Administration, Management, and Operations; Music Performance; Tourism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cashman, D. W. (2012). Musicology and cruisicology : formal musical performance on cruise ships 2003-2011. (Thesis). Southern Cross University. Retrieved from https://epubs.scu.edu.au/theses/298

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cashman, David W. “Musicology and cruisicology : formal musical performance on cruise ships 2003-2011.” 2012. Thesis, Southern Cross University. Accessed January 15, 2021. https://epubs.scu.edu.au/theses/298.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cashman, David W. “Musicology and cruisicology : formal musical performance on cruise ships 2003-2011.” 2012. Web. 15 Jan 2021.

Vancouver:

Cashman DW. Musicology and cruisicology : formal musical performance on cruise ships 2003-2011. [Internet] [Thesis]. Southern Cross University; 2012. [cited 2021 Jan 15]. Available from: https://epubs.scu.edu.au/theses/298.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cashman DW. Musicology and cruisicology : formal musical performance on cruise ships 2003-2011. [Thesis]. Southern Cross University; 2012. Available from: https://epubs.scu.edu.au/theses/298

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Miller, Charles. OUT OF SYNC: Live Visual Performance Design.

Degree: MFA, School of Design (CIAS), 2015, Rochester Institute of Technology

Live visual performances are often combined with and serve as enhancement to musical performances. As a result, visual content is informed by, and responds… (more)

Subjects/Keywords: Animation; Live cinema; Live design; Video design; Visual performance; VJ

…OUT OF SYNC: LIVE VISUAL PERFORMANCE DESIGN 6 00 Abstract “Abstract art enables the… …control of performance parameters? Keywords: Live design, visual performance, VJ, live cinema… …OUT OF SYNC: LIVE VISUAL PERFORMANCE DESIGN 7 OUT OF SYNC: LIVE VISUAL PERFORMANCE DESIGN… …electronic music performance go back to the 90’s, I first chose to explore live visual performance… …develop a live visual performance - something I had always wanted to work on. Again, without too… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miller, C. (2015). OUT OF SYNC: Live Visual Performance Design. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/8912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Charles. “OUT OF SYNC: Live Visual Performance Design.” 2015. Thesis, Rochester Institute of Technology. Accessed January 15, 2021. https://scholarworks.rit.edu/theses/8912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Charles. “OUT OF SYNC: Live Visual Performance Design.” 2015. Web. 15 Jan 2021.

Vancouver:

Miller C. OUT OF SYNC: Live Visual Performance Design. [Internet] [Thesis]. Rochester Institute of Technology; 2015. [cited 2021 Jan 15]. Available from: https://scholarworks.rit.edu/theses/8912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller C. OUT OF SYNC: Live Visual Performance Design. [Thesis]. Rochester Institute of Technology; 2015. Available from: https://scholarworks.rit.edu/theses/8912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

29. Vollmer, Phillip. LIVE ART: A Positive Change in this World.

Degree: MFA, Theatre, 2013, Virginia Commonwealth University

LIVE ART is a program for students with special needs and students who are typically developed. They work collaboratively, with integrated forms of performance and… (more)

Subjects/Keywords: Live Art; LIVE ART; Vollmer; SPARC; Special Education; Performing Arts Education; Arts Education; Cross disciplinary; Cross disciplinary Education; Arts and Humanities; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vollmer, P. (2013). LIVE ART: A Positive Change in this World. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/SRE9-0666 ; https://scholarscompass.vcu.edu/etd/3026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vollmer, Phillip. “LIVE ART: A Positive Change in this World.” 2013. Thesis, Virginia Commonwealth University. Accessed January 15, 2021. https://doi.org/10.25772/SRE9-0666 ; https://scholarscompass.vcu.edu/etd/3026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vollmer, Phillip. “LIVE ART: A Positive Change in this World.” 2013. Web. 15 Jan 2021.

Vancouver:

Vollmer P. LIVE ART: A Positive Change in this World. [Internet] [Thesis]. Virginia Commonwealth University; 2013. [cited 2021 Jan 15]. Available from: https://doi.org/10.25772/SRE9-0666 ; https://scholarscompass.vcu.edu/etd/3026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vollmer P. LIVE ART: A Positive Change in this World. [Thesis]. Virginia Commonwealth University; 2013. Available from: https://doi.org/10.25772/SRE9-0666 ; https://scholarscompass.vcu.edu/etd/3026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Kiraly, Thom. An Angel Passes By : Posthuman and Acousmatic Voices in Digitally Mediated Contemporary Live Poetry.

Degree: 2012, , School of Planning and Media Design

  This paper is a comparative analysis between two digitally mediated live poetry performances: Frikativ by Jörg Piringer and This Loud by Amy X Neuburg.… (more)

Subjects/Keywords: Posthumanism; voice; live-looping; performance; live poetry; sound poetry; acousmatics; Specific Languages; Studier av enskilda språk; General Literature Studies; Litteraturvetenskap; Media and Communications; Medie- och kommunikationsvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kiraly, T. (2012). An Angel Passes By : Posthuman and Acousmatic Voices in Digitally Mediated Contemporary Live Poetry. (Thesis). , School of Planning and Media Design. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:bth-4738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kiraly, Thom. “An Angel Passes By : Posthuman and Acousmatic Voices in Digitally Mediated Contemporary Live Poetry.” 2012. Thesis, , School of Planning and Media Design. Accessed January 15, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-4738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kiraly, Thom. “An Angel Passes By : Posthuman and Acousmatic Voices in Digitally Mediated Contemporary Live Poetry.” 2012. Web. 15 Jan 2021.

Vancouver:

Kiraly T. An Angel Passes By : Posthuman and Acousmatic Voices in Digitally Mediated Contemporary Live Poetry. [Internet] [Thesis]. , School of Planning and Media Design; 2012. [cited 2021 Jan 15]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:bth-4738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kiraly T. An Angel Passes By : Posthuman and Acousmatic Voices in Digitally Mediated Contemporary Live Poetry. [Thesis]. , School of Planning and Media Design; 2012. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:bth-4738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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