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Degree: m_ph ❌

You searched for subject:(Litt rature m di vale). Showing records 1 – 11 of 11 total matches.

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1. Kendall White, Cecilia. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/5335/ 

► This thesis is an examination of the subject of music in original practices productions of Shakespeare at the Globe from the viewpoint of practical musicianship… (more)

Subjects/Keywords: M Music; PN2000 Dramatic representation. The Theater; PR English literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kendall White, C. (2014). 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kendall White, Cecilia. “'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.” 2014. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/5335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kendall White, Cecilia. “'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.” 2014. Web. 07 Dec 2019.

Vancouver:

Kendall White C. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/5335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kendall White C. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Ho, Sze-Hwei Grace. Changing Chopin: posthumous variants and performance approaches.

Degree: m_ph, College of Arts & Law, 2013, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/4352/ 

► This thesis aims to examine Chopin’s own style of playing and to trace some of the approaches taken by 19th and 20th century pianists in… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ho, S. G. (2013). Changing Chopin: posthumous variants and performance approaches. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4352/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ho, Sze-Hwei Grace. “Changing Chopin: posthumous variants and performance approaches.” 2013. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/4352/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ho, Sze-Hwei Grace. “Changing Chopin: posthumous variants and performance approaches.” 2013. Web. 07 Dec 2019.

Vancouver:

Ho SG. Changing Chopin: posthumous variants and performance approaches. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/4352/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ho SG. Changing Chopin: posthumous variants and performance approaches. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4352/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Grigoropoulos, Grigorios. Identity spaces music space as a medium for sound.

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store 

► The work completed for this thesis starts with my initial interest in spatial music and concludes by placing space at the forefront of compositional thought.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grigoropoulos, G. (2016). Identity spaces music space as a medium for sound. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Web. 07 Dec 2019.

Vancouver:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Ward, Martin John. Analysis of five works by Herbert Howells, with reference to features of the composer’s style.

Degree: m_ph, School of Humanities, 2006, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/236/ 

► As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ward, M. J. (2006). Analysis of five works by Herbert Howells, with reference to features of the composer’s style. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/236/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ward, Martin John. “Analysis of five works by Herbert Howells, with reference to features of the composer’s style.” 2006. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/236/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ward, Martin John. “Analysis of five works by Herbert Howells, with reference to features of the composer’s style.” 2006. Web. 07 Dec 2019.

Vancouver:

Ward MJ. Analysis of five works by Herbert Howells, with reference to features of the composer’s style. [Internet] [Thesis]. University of Birmingham; 2006. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/236/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ward MJ. Analysis of five works by Herbert Howells, with reference to features of the composer’s style. [Thesis]. University of Birmingham; 2006. Available from: http://etheses.bham.ac.uk//id/eprint/236/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Grammatopoulos, Ektor. A study of the effects of playing a wind instrument on the occlusion.

Degree: m_ph, College of Medical & Dental Sciences, 2010, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/606/ 

► Objectives: To investigate the effects of playing a wind instrument on the occlusion. Subjects and method: One hundred and seventy professional musicians were selected from… (more)

Subjects/Keywords: RK Dentistry; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grammatopoulos, E. (2010). A study of the effects of playing a wind instrument on the occlusion. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/606/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grammatopoulos, Ektor. “A study of the effects of playing a wind instrument on the occlusion.” 2010. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/606/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grammatopoulos, Ektor. “A study of the effects of playing a wind instrument on the occlusion.” 2010. Web. 07 Dec 2019.

Vancouver:

Grammatopoulos E. A study of the effects of playing a wind instrument on the occlusion. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/606/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grammatopoulos E. A study of the effects of playing a wind instrument on the occlusion. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/606/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Chaddock, Edward James Michael. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/1430/ 

► The music of John Alcock (1715-1806) is not familiar to most musicians. However, he did produce some attractive works and is a significant figure in… (more)

Subjects/Keywords: M Music; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chaddock, E. J. M. (2011). Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chaddock, Edward James Michael. “Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.” 2011. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/1430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chaddock, Edward James Michael. “Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.” 2011. Web. 07 Dec 2019.

Vancouver:

Chaddock EJM. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/1430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chaddock EJM. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Miles, Natasha Frances. The baroque guitar as an accompaniment instrument for song, dance and theatre.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/1600/ 

► The five-course ‘baroque’ guitar was regularly employed in the accompaniment of song and dance, and did so predominantly in the rasgueado style, a strummed practice… (more)

Subjects/Keywords: HT Communities. Classes. Races; M Music; MT Musical instruction and study; PN2000 Dramatic representation. The Theater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miles, N. F. (2011). The baroque guitar as an accompaniment instrument for song, dance and theatre. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miles, Natasha Frances. “The baroque guitar as an accompaniment instrument for song, dance and theatre.” 2011. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/1600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miles, Natasha Frances. “The baroque guitar as an accompaniment instrument for song, dance and theatre.” 2011. Web. 07 Dec 2019.

Vancouver:

Miles NF. The baroque guitar as an accompaniment instrument for song, dance and theatre. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/1600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miles NF. The baroque guitar as an accompaniment instrument for song, dance and theatre. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Borin, Alessandro. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.

Degree: m_ph, College of Arts & Law, 2012, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/3494/ 

► Vivaldi’s Op. 6 concertos first appeared in 1719 under the imprint of Jeanne Roger. Though the engraved parts contain an unusually large number of errors… (more)

Subjects/Keywords: M Music; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Borin, A. (2012). Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Borin, Alessandro. “Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.” 2012. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/3494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Borin, Alessandro. “Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.” 2012. Web. 07 Dec 2019.

Vancouver:

Borin A. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/3494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Borin A. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Ryall, Nicholas J. MPhil musical composition: commentaries.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3 

► My interest in musical composition covers a broad range of styles and genres and this MPhil Submission is designed to reflect that range by a… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ryall, N. J. (2014). MPhil musical composition: commentaries. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Web. 07 Dec 2019.

Vancouver:

Ryall NJ. MPhil musical composition: commentaries. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryall NJ. MPhil musical composition: commentaries. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Cleobury, Sophie. The style and development of Herbert Howells' Evening Canticle settings.

Degree: m_ph, School of Humanities, 2007, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/5735/ 

► It is the aim of this dissertation to look at the style and development in style of Howells' evening canticles from the first set, written… (more)

Subjects/Keywords: BR Christianity; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cleobury, S. (2007). The style and development of Herbert Howells' Evening Canticle settings. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5735/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cleobury, Sophie. “The style and development of Herbert Howells' Evening Canticle settings.” 2007. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/5735/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cleobury, Sophie. “The style and development of Herbert Howells' Evening Canticle settings.” 2007. Web. 07 Dec 2019.

Vancouver:

Cleobury S. The style and development of Herbert Howells' Evening Canticle settings. [Internet] [Thesis]. University of Birmingham; 2007. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/5735/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cleobury S. The style and development of Herbert Howells' Evening Canticle settings. [Thesis]. University of Birmingham; 2007. Available from: http://etheses.bham.ac.uk//id/eprint/5735/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Lucas, Flora May. Franz Keyper: Concerto No. 1 for double bass .

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/6444/ 

► Franz Keyper (c. 1756 – 1815), a double bassist in the Danish court orchestra, composed seven concertos for double bass. This thesis presents a critical… (more)

Subjects/Keywords: M Music; MT Musical instruction and study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lucas, F. M. (2016). Franz Keyper: Concerto No. 1 for double bass . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6444/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lucas, Flora May. “Franz Keyper: Concerto No. 1 for double bass .” 2016. Thesis, University of Birmingham. Accessed December 07, 2019. http://etheses.bham.ac.uk//id/eprint/6444/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lucas, Flora May. “Franz Keyper: Concerto No. 1 for double bass .” 2016. Web. 07 Dec 2019.

Vancouver:

Lucas FM. Franz Keyper: Concerto No. 1 for double bass . [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Dec 07]. Available from: http://etheses.bham.ac.uk//id/eprint/6444/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lucas FM. Franz Keyper: Concerto No. 1 for double bass . [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6444/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.