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Degree: m_ph

You searched for subject:(Litt rature m di vale). Showing records 1 – 11 of 11 total matches.

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University of Birmingham

1. Grigoropoulos, Grigorios. Identity spaces music space as a medium for sound.

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

 The work completed for this thesis starts with my initial interest in spatial music and concludes by placing space at the forefront of compositional thought.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grigoropoulos, G. (2016). Identity spaces music space as a medium for sound. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Web. 19 Nov 2019.

Vancouver:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Ryall, Nicholas J. MPhil musical composition: commentaries.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 My interest in musical composition covers a broad range of styles and genres and this MPhil Submission is designed to reflect that range by a… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ryall, N. J. (2014). MPhil musical composition: commentaries. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Web. 19 Nov 2019.

Vancouver:

Ryall NJ. MPhil musical composition: commentaries. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryall NJ. MPhil musical composition: commentaries. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Ward, Martin John. Analysis of five works by Herbert Howells, with reference to features of the composer’s style.

Degree: m_ph, School of Humanities, 2006, University of Birmingham

 As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ward, M. J. (2006). Analysis of five works by Herbert Howells, with reference to features of the composer’s style. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/236/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ward, Martin John. “Analysis of five works by Herbert Howells, with reference to features of the composer’s style.” 2006. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/236/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ward, Martin John. “Analysis of five works by Herbert Howells, with reference to features of the composer’s style.” 2006. Web. 19 Nov 2019.

Vancouver:

Ward MJ. Analysis of five works by Herbert Howells, with reference to features of the composer’s style. [Internet] [Thesis]. University of Birmingham; 2006. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/236/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ward MJ. Analysis of five works by Herbert Howells, with reference to features of the composer’s style. [Thesis]. University of Birmingham; 2006. Available from: http://etheses.bham.ac.uk//id/eprint/236/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Grammatopoulos, Ektor. A study of the effects of playing a wind instrument on the occlusion.

Degree: m_ph, College of Medical & Dental Sciences, 2010, University of Birmingham

 Objectives: To investigate the effects of playing a wind instrument on the occlusion. Subjects and method: One hundred and seventy professional musicians were selected from… (more)

Subjects/Keywords: RK Dentistry; M Music

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APA (6th Edition):

Grammatopoulos, E. (2010). A study of the effects of playing a wind instrument on the occlusion. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/606/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grammatopoulos, Ektor. “A study of the effects of playing a wind instrument on the occlusion.” 2010. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/606/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grammatopoulos, Ektor. “A study of the effects of playing a wind instrument on the occlusion.” 2010. Web. 19 Nov 2019.

Vancouver:

Grammatopoulos E. A study of the effects of playing a wind instrument on the occlusion. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/606/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grammatopoulos E. A study of the effects of playing a wind instrument on the occlusion. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/606/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Ho, Sze-Hwei Grace. Changing Chopin: posthumous variants and performance approaches.

Degree: m_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis aims to examine Chopin’s own style of playing and to trace some of the approaches taken by 19th and 20th century pianists in… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ho, S. G. (2013). Changing Chopin: posthumous variants and performance approaches. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4352/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ho, Sze-Hwei Grace. “Changing Chopin: posthumous variants and performance approaches.” 2013. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/4352/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ho, Sze-Hwei Grace. “Changing Chopin: posthumous variants and performance approaches.” 2013. Web. 19 Nov 2019.

Vancouver:

Ho SG. Changing Chopin: posthumous variants and performance approaches. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/4352/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ho SG. Changing Chopin: posthumous variants and performance approaches. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4352/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Chaddock, Edward James Michael. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 The music of John Alcock (1715-1806) is not familiar to most musicians. However, he did produce some attractive works and is a significant figure in… (more)

Subjects/Keywords: M Music; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chaddock, E. J. M. (2011). Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chaddock, Edward James Michael. “Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.” 2011. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/1430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chaddock, Edward James Michael. “Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.” 2011. Web. 19 Nov 2019.

Vancouver:

Chaddock EJM. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/1430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chaddock EJM. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Borin, Alessandro. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.

Degree: m_ph, College of Arts & Law, 2012, University of Birmingham

 Vivaldi’s Op. 6 concertos first appeared in 1719 under the imprint of Jeanne Roger. Though the engraved parts contain an unusually large number of errors… (more)

Subjects/Keywords: M Music; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Borin, A. (2012). Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Borin, Alessandro. “Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.” 2012. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/3494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Borin, Alessandro. “Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.” 2012. Web. 19 Nov 2019.

Vancouver:

Borin A. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/3494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Borin A. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Lucas, Flora May. Franz Keyper: Concerto No. 1 for double bass .

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

 Franz Keyper (c. 1756 – 1815), a double bassist in the Danish court orchestra, composed seven concertos for double bass. This thesis presents a critical… (more)

Subjects/Keywords: M Music; MT Musical instruction and study

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APA (6th Edition):

Lucas, F. M. (2016). Franz Keyper: Concerto No. 1 for double bass . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6444/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lucas, Flora May. “Franz Keyper: Concerto No. 1 for double bass .” 2016. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/6444/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lucas, Flora May. “Franz Keyper: Concerto No. 1 for double bass .” 2016. Web. 19 Nov 2019.

Vancouver:

Lucas FM. Franz Keyper: Concerto No. 1 for double bass . [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/6444/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lucas FM. Franz Keyper: Concerto No. 1 for double bass . [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6444/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Cleobury, Sophie. The style and development of Herbert Howells' Evening Canticle settings.

Degree: m_ph, School of Humanities, 2007, University of Birmingham

 It is the aim of this dissertation to look at the style and development in style of Howells' evening canticles from the first set, written… (more)

Subjects/Keywords: BR Christianity; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cleobury, S. (2007). The style and development of Herbert Howells' Evening Canticle settings. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5735/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cleobury, Sophie. “The style and development of Herbert Howells' Evening Canticle settings.” 2007. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/5735/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cleobury, Sophie. “The style and development of Herbert Howells' Evening Canticle settings.” 2007. Web. 19 Nov 2019.

Vancouver:

Cleobury S. The style and development of Herbert Howells' Evening Canticle settings. [Internet] [Thesis]. University of Birmingham; 2007. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/5735/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cleobury S. The style and development of Herbert Howells' Evening Canticle settings. [Thesis]. University of Birmingham; 2007. Available from: http://etheses.bham.ac.uk//id/eprint/5735/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Miles, Natasha Frances. The baroque guitar as an accompaniment instrument for song, dance and theatre.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 The five-course ‘baroque’ guitar was regularly employed in the accompaniment of song and dance, and did so predominantly in the rasgueado style, a strummed practice… (more)

Subjects/Keywords: HT Communities. Classes. Races; M Music; MT Musical instruction and study; PN2000 Dramatic representation. The Theater

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APA (6th Edition):

Miles, N. F. (2011). The baroque guitar as an accompaniment instrument for song, dance and theatre. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miles, Natasha Frances. “The baroque guitar as an accompaniment instrument for song, dance and theatre.” 2011. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/1600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miles, Natasha Frances. “The baroque guitar as an accompaniment instrument for song, dance and theatre.” 2011. Web. 19 Nov 2019.

Vancouver:

Miles NF. The baroque guitar as an accompaniment instrument for song, dance and theatre. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/1600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miles NF. The baroque guitar as an accompaniment instrument for song, dance and theatre. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Kendall White, Cecilia. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 This thesis is an examination of the subject of music in original practices productions of Shakespeare at the Globe from the viewpoint of practical musicianship… (more)

Subjects/Keywords: M Music; PN2000 Dramatic representation. The Theater; PR English literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kendall White, C. (2014). 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kendall White, Cecilia. “'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.” 2014. Thesis, University of Birmingham. Accessed November 19, 2019. http://etheses.bham.ac.uk//id/eprint/5335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kendall White, Cecilia. “'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.” 2014. Web. 19 Nov 2019.

Vancouver:

Kendall White C. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Nov 19]. Available from: http://etheses.bham.ac.uk//id/eprint/5335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kendall White C. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.