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You searched for subject:(Literary Copyright). Showing records 1 – 15 of 15 total matches.

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1. Souza, Cíntia Medina de. Entre a proteção da propriedade e a manutenção do monopólio: o debate sobre a regulamentação do mercado de livros na Inglaterra de 1662 a 1774.

Degree: Mestrado, História Social, 2013, University of São Paulo

O debate sobre a regulamentação do mercado livreiro inglês, no final do século 17 e ao longo do século 18, criou um direito de publicação… (more)

Subjects/Keywords: Copyright; Copyright; Estatuto da rainha Ana; Literary property; Monopólio; Monopoly; Priviledge; Privilégio; Propriedade literária; Statute of Anne

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APA (6th Edition):

Souza, C. M. d. (2013). Entre a proteção da propriedade e a manutenção do monopólio: o debate sobre a regulamentação do mercado de livros na Inglaterra de 1662 a 1774. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13032014-122327/ ;

Chicago Manual of Style (16th Edition):

Souza, Cíntia Medina de. “Entre a proteção da propriedade e a manutenção do monopólio: o debate sobre a regulamentação do mercado de livros na Inglaterra de 1662 a 1774.” 2013. Masters Thesis, University of São Paulo. Accessed November 21, 2019. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13032014-122327/ ;.

MLA Handbook (7th Edition):

Souza, Cíntia Medina de. “Entre a proteção da propriedade e a manutenção do monopólio: o debate sobre a regulamentação do mercado de livros na Inglaterra de 1662 a 1774.” 2013. Web. 21 Nov 2019.

Vancouver:

Souza CMd. Entre a proteção da propriedade e a manutenção do monopólio: o debate sobre a regulamentação do mercado de livros na Inglaterra de 1662 a 1774. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2019 Nov 21]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13032014-122327/ ;.

Council of Science Editors:

Souza CMd. Entre a proteção da propriedade e a manutenção do monopólio: o debate sobre a regulamentação do mercado de livros na Inglaterra de 1662 a 1774. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13032014-122327/ ;


University of Exeter

2. Micaković, Elizabeth Joan. T.S. Eliot's voice : a cultural history.

Degree: PhD, 2015, University of Exeter

 This thesis is a diachronic account of T. S. Eliot’s speaking voice, which, over fifty years, developed into the meticulously crafted tool of the twentieth-century… (more)

Subjects/Keywords: 821; T. S. Eliot; Modernism; Voice; Recordings; Literary Copyright; Broadcasting; Pubic Intellectual

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APA (6th Edition):

Micaković, E. J. (2015). T.S. Eliot's voice : a cultural history. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/18902

Chicago Manual of Style (16th Edition):

Micaković, Elizabeth Joan. “T.S. Eliot's voice : a cultural history.” 2015. Doctoral Dissertation, University of Exeter. Accessed November 21, 2019. http://hdl.handle.net/10871/18902.

MLA Handbook (7th Edition):

Micaković, Elizabeth Joan. “T.S. Eliot's voice : a cultural history.” 2015. Web. 21 Nov 2019.

Vancouver:

Micaković EJ. T.S. Eliot's voice : a cultural history. [Internet] [Doctoral dissertation]. University of Exeter; 2015. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/10871/18902.

Council of Science Editors:

Micaković EJ. T.S. Eliot's voice : a cultural history. [Doctoral Dissertation]. University of Exeter; 2015. Available from: http://hdl.handle.net/10871/18902


University of Colorado

3. McAndrew, Quentin Story. Frontier Travel Narratives: The Making of Authorship and Culture in the Nineteenth-Century United States.

Degree: PhD, English, 2015, University of Colorado

  This project enacts a recovery of travel writing's vital importance not only to the institution of American literature and authorship in the early nineteenth… (more)

Subjects/Keywords: Copyright; Democracy; Literary History; Manifest Destiny; Print Culture; Travel; American Literature; American Studies; United States History

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APA (6th Edition):

McAndrew, Q. S. (2015). Frontier Travel Narratives: The Making of Authorship and Culture in the Nineteenth-Century United States. (Doctoral Dissertation). University of Colorado. Retrieved from http://scholar.colorado.edu/engl_gradetds/71

Chicago Manual of Style (16th Edition):

McAndrew, Quentin Story. “Frontier Travel Narratives: The Making of Authorship and Culture in the Nineteenth-Century United States.” 2015. Doctoral Dissertation, University of Colorado. Accessed November 21, 2019. http://scholar.colorado.edu/engl_gradetds/71.

MLA Handbook (7th Edition):

McAndrew, Quentin Story. “Frontier Travel Narratives: The Making of Authorship and Culture in the Nineteenth-Century United States.” 2015. Web. 21 Nov 2019.

Vancouver:

McAndrew QS. Frontier Travel Narratives: The Making of Authorship and Culture in the Nineteenth-Century United States. [Internet] [Doctoral dissertation]. University of Colorado; 2015. [cited 2019 Nov 21]. Available from: http://scholar.colorado.edu/engl_gradetds/71.

Council of Science Editors:

McAndrew QS. Frontier Travel Narratives: The Making of Authorship and Culture in the Nineteenth-Century United States. [Doctoral Dissertation]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/engl_gradetds/71


Michigan State University

4. Rife, Martine Courant. Rhetorical invention in copyright imbued environments.

Degree: PhD, Rhetoric and Writing, 2008, Michigan State University

Subjects/Keywords: Copyright; Creation (Literary, artistic, etc.); Human-computer interaction; Report writing – Data processing; Fair use (Copyright)

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APA (6th Edition):

Rife, M. C. (2008). Rhetorical invention in copyright imbued environments. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:40827

Chicago Manual of Style (16th Edition):

Rife, Martine Courant. “Rhetorical invention in copyright imbued environments.” 2008. Doctoral Dissertation, Michigan State University. Accessed November 21, 2019. http://etd.lib.msu.edu/islandora/object/etd:40827.

MLA Handbook (7th Edition):

Rife, Martine Courant. “Rhetorical invention in copyright imbued environments.” 2008. Web. 21 Nov 2019.

Vancouver:

Rife MC. Rhetorical invention in copyright imbued environments. [Internet] [Doctoral dissertation]. Michigan State University; 2008. [cited 2019 Nov 21]. Available from: http://etd.lib.msu.edu/islandora/object/etd:40827.

Council of Science Editors:

Rife MC. Rhetorical invention in copyright imbued environments. [Doctoral Dissertation]. Michigan State University; 2008. Available from: http://etd.lib.msu.edu/islandora/object/etd:40827


Universidade do Estado do Rio de Janeiro

5. Carolina Tinoco Ramos. Contributo mínimo em direito de autor: o mínimo grau criativo necessário para que uma obra seja protegida; contornos e tratamento jurídico no direito internacional e no direito brasileiro.

Degree: Master, 2010, Universidade do Estado do Rio de Janeiro

O presente trabalho faz uma análise, sob o aspecto do direito internacional e do direito brasileiro, do instituto do contributo mínimo em direito de autor,… (more)

Subjects/Keywords: Direitos autorais; Propriedade intelectual; Autoria; Intellectual Property; Copyright; Authors Rights; Artistic work; Literary work; Protection; Minimum contribute; Originality; Creativity; DIREITO INTERNACIONAL PUBLICO

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APA (6th Edition):

Ramos, C. T. (2010). Contributo mínimo em direito de autor: o mínimo grau criativo necessário para que uma obra seja protegida; contornos e tratamento jurídico no direito internacional e no direito brasileiro. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2005 ;

Chicago Manual of Style (16th Edition):

Ramos, Carolina Tinoco. “Contributo mínimo em direito de autor: o mínimo grau criativo necessário para que uma obra seja protegida; contornos e tratamento jurídico no direito internacional e no direito brasileiro.” 2010. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed November 21, 2019. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2005 ;.

MLA Handbook (7th Edition):

Ramos, Carolina Tinoco. “Contributo mínimo em direito de autor: o mínimo grau criativo necessário para que uma obra seja protegida; contornos e tratamento jurídico no direito internacional e no direito brasileiro.” 2010. Web. 21 Nov 2019.

Vancouver:

Ramos CT. Contributo mínimo em direito de autor: o mínimo grau criativo necessário para que uma obra seja protegida; contornos e tratamento jurídico no direito internacional e no direito brasileiro. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2010. [cited 2019 Nov 21]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2005 ;.

Council of Science Editors:

Ramos CT. Contributo mínimo em direito de autor: o mínimo grau criativo necessário para que uma obra seja protegida; contornos e tratamento jurídico no direito internacional e no direito brasileiro. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2010. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2005 ;


University of South Africa

6. Verhoef, Gerardus. The fair dealing doctrine in respect of digital books .

Degree: 2017, University of South Africa

Copyright is essentially the right of the rightsholder of an original work to prohibit others from making or distributing unauthorised copies of his or her… (more)

Subjects/Keywords: Copyright; Digital book; Digital rights management (DRM); E-book; E-learning; Exception; Fair dealing; Fair use; Limitation; Literary work; Reproduction right; Rightsholder; Technological protection measure (TPM)

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APA (6th Edition):

Verhoef, G. (2017). The fair dealing doctrine in respect of digital books . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/25302

Chicago Manual of Style (16th Edition):

Verhoef, Gerardus. “The fair dealing doctrine in respect of digital books .” 2017. Masters Thesis, University of South Africa. Accessed November 21, 2019. http://hdl.handle.net/10500/25302.

MLA Handbook (7th Edition):

Verhoef, Gerardus. “The fair dealing doctrine in respect of digital books .” 2017. Web. 21 Nov 2019.

Vancouver:

Verhoef G. The fair dealing doctrine in respect of digital books . [Internet] [Masters thesis]. University of South Africa; 2017. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/10500/25302.

Council of Science Editors:

Verhoef G. The fair dealing doctrine in respect of digital books . [Masters Thesis]. University of South Africa; 2017. Available from: http://hdl.handle.net/10500/25302


University of Pretoria

7. Geyer, Sunelle. Determining originality in creative literary works.

Degree: Private Law, 2007, University of Pretoria

 Originality is the most basic requirement for the copyrighting of a work and may be viewed as the mirror image of copyright infringement. In terms… (more)

Subjects/Keywords: Copyright; Originality; Literary works; Skill and labour; Meritorious distinctiveness; Copyright infringement; Plagiarism; Post modernism; Literary originality; Crucial distance; Idea protection; Hypertext; Chaos theory; UCTD

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APA (6th Edition):

Geyer, S. (2007). Determining originality in creative literary works. (Doctoral Dissertation). University of Pretoria. Retrieved from http://hdl.handle.net/2263/25527

Chicago Manual of Style (16th Edition):

Geyer, Sunelle. “Determining originality in creative literary works.” 2007. Doctoral Dissertation, University of Pretoria. Accessed November 21, 2019. http://hdl.handle.net/2263/25527.

MLA Handbook (7th Edition):

Geyer, Sunelle. “Determining originality in creative literary works.” 2007. Web. 21 Nov 2019.

Vancouver:

Geyer S. Determining originality in creative literary works. [Internet] [Doctoral dissertation]. University of Pretoria; 2007. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/2263/25527.

Council of Science Editors:

Geyer S. Determining originality in creative literary works. [Doctoral Dissertation]. University of Pretoria; 2007. Available from: http://hdl.handle.net/2263/25527


University of Pretoria

8. [No author]. Determining originality in creative literary works .

Degree: 2007, University of Pretoria

 Originality is the most basic requirement for the copyrighting of a work and may be viewed as the mirror image of copyright infringement. In terms… (more)

Subjects/Keywords: Copyright; Originality; Literary works; Skill and labour; Meritorious distinctiveness; Copyright infringement; Plagiarism; Post modernism; Literary originality; Crucial distance; Idea protection; Hypertext; Chaos theory; UCTD

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APA (6th Edition):

author], [. (2007). Determining originality in creative literary works . (Doctoral Dissertation). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-06142006-122413/

Chicago Manual of Style (16th Edition):

author], [No. “Determining originality in creative literary works .” 2007. Doctoral Dissertation, University of Pretoria. Accessed November 21, 2019. http://upetd.up.ac.za/thesis/available/etd-06142006-122413/.

MLA Handbook (7th Edition):

author], [No. “Determining originality in creative literary works .” 2007. Web. 21 Nov 2019.

Vancouver:

author] [. Determining originality in creative literary works . [Internet] [Doctoral dissertation]. University of Pretoria; 2007. [cited 2019 Nov 21]. Available from: http://upetd.up.ac.za/thesis/available/etd-06142006-122413/.

Council of Science Editors:

author] [. Determining originality in creative literary works . [Doctoral Dissertation]. University of Pretoria; 2007. Available from: http://upetd.up.ac.za/thesis/available/etd-06142006-122413/

9. Beaudoin, Guillaume. Pratiques anticoncurrentielles et droit d'auteur : Anti-competitive practices and copyright.

Degree: Docteur es, Droit privé, 2012, Université Paris X – Nanterre

De tous les droits de propriété intellectuelle, le droit d’auteur était celui qui semblait le plus éloigné des préoccupations économiques des autorités de concurrence. Conçu… (more)

Subjects/Keywords: Droit de la concurrence; Propriété littéraire et artistique; Ententes; Abus de position dominante; Licences exclusives; Pratiques anticoncurrentielles; Antitrust law; Literary and artistic property; Abuse of a dominant position; Essential facilities; Competition law; Copyright-related rights

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APA (6th Edition):

Beaudoin, G. (2012). Pratiques anticoncurrentielles et droit d'auteur : Anti-competitive practices and copyright. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2012PA100040

Chicago Manual of Style (16th Edition):

Beaudoin, Guillaume. “Pratiques anticoncurrentielles et droit d'auteur : Anti-competitive practices and copyright.” 2012. Doctoral Dissertation, Université Paris X – Nanterre. Accessed November 21, 2019. http://www.theses.fr/2012PA100040.

MLA Handbook (7th Edition):

Beaudoin, Guillaume. “Pratiques anticoncurrentielles et droit d'auteur : Anti-competitive practices and copyright.” 2012. Web. 21 Nov 2019.

Vancouver:

Beaudoin G. Pratiques anticoncurrentielles et droit d'auteur : Anti-competitive practices and copyright. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2012. [cited 2019 Nov 21]. Available from: http://www.theses.fr/2012PA100040.

Council of Science Editors:

Beaudoin G. Pratiques anticoncurrentielles et droit d'auteur : Anti-competitive practices and copyright. [Doctoral Dissertation]. Université Paris X – Nanterre; 2012. Available from: http://www.theses.fr/2012PA100040

10. Mouron, Philippe. Le droit d'exposition des oeuvres graphiques et plastiques : The digital evidence in the criminal trial.

Degree: Docteur es, Sciences juridiques, 2011, Aix-Marseille 3

Le droit d’exposition des oeuvres graphiques et plastiques est un élément nouveau du droit d’auteur, dégagé par la Cour de cassation en 2002. Il permet… (more)

Subjects/Keywords: Droit d'auteur; Propriété; Propriété littéraire et artistique; Droit patrimonial; Droit de représentation; Droit moral; Bien; Personnalité; Droit de l'art; Copyright; Property; Literary and artistic property; Economic rights; Display right; Moral right; Possession; Personality; Art Law

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APA (6th Edition):

Mouron, P. (2011). Le droit d'exposition des oeuvres graphiques et plastiques : The digital evidence in the criminal trial. (Doctoral Dissertation). Aix-Marseille 3. Retrieved from http://www.theses.fr/2011AIX32062

Chicago Manual of Style (16th Edition):

Mouron, Philippe. “Le droit d'exposition des oeuvres graphiques et plastiques : The digital evidence in the criminal trial.” 2011. Doctoral Dissertation, Aix-Marseille 3. Accessed November 21, 2019. http://www.theses.fr/2011AIX32062.

MLA Handbook (7th Edition):

Mouron, Philippe. “Le droit d'exposition des oeuvres graphiques et plastiques : The digital evidence in the criminal trial.” 2011. Web. 21 Nov 2019.

Vancouver:

Mouron P. Le droit d'exposition des oeuvres graphiques et plastiques : The digital evidence in the criminal trial. [Internet] [Doctoral dissertation]. Aix-Marseille 3; 2011. [cited 2019 Nov 21]. Available from: http://www.theses.fr/2011AIX32062.

Council of Science Editors:

Mouron P. Le droit d'exposition des oeuvres graphiques et plastiques : The digital evidence in the criminal trial. [Doctoral Dissertation]. Aix-Marseille 3; 2011. Available from: http://www.theses.fr/2011AIX32062

11. Ndiaye, Elhadji Oumar. La protection des bases de données par le droit d'auteur : approche comparative entre le droit français et le droit sénégalais : The legal protection of databases by intellectual property : comparative approach Senegalese law and French law.

Degree: Docteur es, Droit privé et sciences criminelles, 2017, Montpellier; Université de Saint-Louis (Sénégal)

Dans un contexte mondial marqué par l’essor d’une société de l’information, des savoirs partagés et de l’économie numérique, cette étude propose une évaluation de la… (more)

Subjects/Keywords: Bases de données; Droit d’auteur; Propriété littéraire et artistique; Société de l’information; Droit sui generis; Accès à l’information; Data bases; Copyright; Literary and artistic property; Information Society; Sui generis right; Access to information

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APA (6th Edition):

Ndiaye, E. O. (2017). La protection des bases de données par le droit d'auteur : approche comparative entre le droit français et le droit sénégalais : The legal protection of databases by intellectual property : comparative approach Senegalese law and French law. (Doctoral Dissertation). Montpellier; Université de Saint-Louis (Sénégal). Retrieved from http://www.theses.fr/2017MONTD060

Chicago Manual of Style (16th Edition):

Ndiaye, Elhadji Oumar. “La protection des bases de données par le droit d'auteur : approche comparative entre le droit français et le droit sénégalais : The legal protection of databases by intellectual property : comparative approach Senegalese law and French law.” 2017. Doctoral Dissertation, Montpellier; Université de Saint-Louis (Sénégal). Accessed November 21, 2019. http://www.theses.fr/2017MONTD060.

MLA Handbook (7th Edition):

Ndiaye, Elhadji Oumar. “La protection des bases de données par le droit d'auteur : approche comparative entre le droit français et le droit sénégalais : The legal protection of databases by intellectual property : comparative approach Senegalese law and French law.” 2017. Web. 21 Nov 2019.

Vancouver:

Ndiaye EO. La protection des bases de données par le droit d'auteur : approche comparative entre le droit français et le droit sénégalais : The legal protection of databases by intellectual property : comparative approach Senegalese law and French law. [Internet] [Doctoral dissertation]. Montpellier; Université de Saint-Louis (Sénégal); 2017. [cited 2019 Nov 21]. Available from: http://www.theses.fr/2017MONTD060.

Council of Science Editors:

Ndiaye EO. La protection des bases de données par le droit d'auteur : approche comparative entre le droit français et le droit sénégalais : The legal protection of databases by intellectual property : comparative approach Senegalese law and French law. [Doctoral Dissertation]. Montpellier; Université de Saint-Louis (Sénégal); 2017. Available from: http://www.theses.fr/2017MONTD060

12. Phillips, Michael. The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist .

Degree: 2012, University of Ottawa

 With new technology come new possibilities for the creation of artistic works. The invention of sound recording at end of the nineteenth century enabled musical… (more)

Subjects/Keywords: turntablism; sound recording; hip hop; intertextuality; quotation; literary theory; copyright; author theory

…recording industry and the copyright regime. These challenges – which, as will be shown, often… …sound recordings echoes earlier debates regarding copyright at the inception of the printing… …sampled texts, these two performances can be analyzed like any other, more traditional literary… …of hip hop as a musical genre and the literary tradition of intertextuality will also… …body of this study, particularly as it relates to ideas of literary intertextuality that have… 

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APA (6th Edition):

Phillips, M. (2012). The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/23289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Phillips, Michael. “The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist .” 2012. Thesis, University of Ottawa. Accessed November 21, 2019. http://hdl.handle.net/10393/23289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Phillips, Michael. “The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist .” 2012. Web. 21 Nov 2019.

Vancouver:

Phillips M. The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist . [Internet] [Thesis]. University of Ottawa; 2012. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/10393/23289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Phillips M. The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist . [Thesis]. University of Ottawa; 2012. Available from: http://hdl.handle.net/10393/23289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Bacouelle, Johanna. La condition juridique de l'artiste-interprète : The legal position of performer.

Degree: Docteur es, Sciences juridiques. Droit privé, 2015, Paris 1

La condition juridique de l'artiste-interprète se caractérise par une imbrication étroite du droit du travail et du droit de la propriété intellectuelle. Chaque source de… (more)

Subjects/Keywords: Artiste-interprète; Droit voisin du droit d'auteur; Droit de la propriété littéraire et artistique; Droit du travail; Présomption de salariat; Contrat à durée déterminée; Présomption de cession; Cession de droits; Performer; Rights related to copyright; Literary or artistic property rights; Labour law; Presumption of employment; Fixed-term employment contract; Presumption of transfer; Transfer of rights; 340

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APA (6th Edition):

Bacouelle, J. (2015). La condition juridique de l'artiste-interprète : The legal position of performer. (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2015PA010301

Chicago Manual of Style (16th Edition):

Bacouelle, Johanna. “La condition juridique de l'artiste-interprète : The legal position of performer.” 2015. Doctoral Dissertation, Paris 1. Accessed November 21, 2019. http://www.theses.fr/2015PA010301.

MLA Handbook (7th Edition):

Bacouelle, Johanna. “La condition juridique de l'artiste-interprète : The legal position of performer.” 2015. Web. 21 Nov 2019.

Vancouver:

Bacouelle J. La condition juridique de l'artiste-interprète : The legal position of performer. [Internet] [Doctoral dissertation]. Paris 1; 2015. [cited 2019 Nov 21]. Available from: http://www.theses.fr/2015PA010301.

Council of Science Editors:

Bacouelle J. La condition juridique de l'artiste-interprète : The legal position of performer. [Doctoral Dissertation]. Paris 1; 2015. Available from: http://www.theses.fr/2015PA010301


Université de Montréal

14. Roy, Véronyque. Le droit d'auteur sur la mise en scène .

Degree: 2006, Université de Montréal

 À la lecture de la Loi sur le droit d'auteur, il n'est pas clair que la mise en scène y soit protégée. C'est pourquoi nous… (more)

Subjects/Keywords: Metteur en scène; Théâtre; Artiste-interprète; Oeuvre littéraire; Oeuvre dramatique; Oeuvre artistique; Oeuvre dérivée; Fixation; Originalité; Copyright; Stage director; Theatre; Performer; Literary work; Dramatic work; Artistic work; Derivative work; Fixation; Originality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Roy, V. (2006). Le droit d'auteur sur la mise en scène . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/3169

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roy, Véronyque. “Le droit d'auteur sur la mise en scène .” 2006. Thesis, Université de Montréal. Accessed November 21, 2019. http://hdl.handle.net/1866/3169.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roy, Véronyque. “Le droit d'auteur sur la mise en scène .” 2006. Web. 21 Nov 2019.

Vancouver:

Roy V. Le droit d'auteur sur la mise en scène . [Internet] [Thesis]. Université de Montréal; 2006. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/1866/3169.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roy V. Le droit d'auteur sur la mise en scène . [Thesis]. Université de Montréal; 2006. Available from: http://hdl.handle.net/1866/3169

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


ETH Zürich

15. Maynard Darling, Katherine Irene. Copyright and new technologies: theoretical and empirical analysis of copyright transfers and content production incentives.

Degree: 2014, ETH Zürich

Subjects/Keywords: COPYRIGHT FOR ARTISTIC, LITERARY, AND SCIENTIFIC WORKS, AUTHOR'S RIGHTS; INDUSTRIAL PROPERTY LAW, PATENT LAW, TRADEMARK LAW (SPECIAL BRANCHES OF LAW); INFLUENCING THE MARKET; TECHNICAL PROGRESS; KÜNSTLERISCHES, LITERARISCHES UND WISSENSCHAFTLICHES URHEBERRECHT, AUTORENRECHTE; INDUSTRIELLES EIGENTUMS-, PATENT-, MARKENRECHT (SPEZIELLE RECHTSZWEIGE); MARKTBEEINFLUSSUNG; TECHNISCHER FORTSCHRITT; info:eu-repo/classification/ddc/340; Law

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maynard Darling, K. I. (2014). Copyright and new technologies: theoretical and empirical analysis of copyright transfers and content production incentives. (Doctoral Dissertation). ETH Zürich. Retrieved from http://hdl.handle.net/20.500.11850/154479

Chicago Manual of Style (16th Edition):

Maynard Darling, Katherine Irene. “Copyright and new technologies: theoretical and empirical analysis of copyright transfers and content production incentives.” 2014. Doctoral Dissertation, ETH Zürich. Accessed November 21, 2019. http://hdl.handle.net/20.500.11850/154479.

MLA Handbook (7th Edition):

Maynard Darling, Katherine Irene. “Copyright and new technologies: theoretical and empirical analysis of copyright transfers and content production incentives.” 2014. Web. 21 Nov 2019.

Vancouver:

Maynard Darling KI. Copyright and new technologies: theoretical and empirical analysis of copyright transfers and content production incentives. [Internet] [Doctoral dissertation]. ETH Zürich; 2014. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/20.500.11850/154479.

Council of Science Editors:

Maynard Darling KI. Copyright and new technologies: theoretical and empirical analysis of copyright transfers and content production incentives. [Doctoral Dissertation]. ETH Zürich; 2014. Available from: http://hdl.handle.net/20.500.11850/154479

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