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You searched for subject:(Libretto). Showing records 1 – 30 of 44 total matches.

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University of Oregon

1. Daly, Daniel. The Banshee: A Chamber Opera in One Act.

Degree: M.M., School of Music and Dance, 2017, University of Oregon

 This opera is the composer’s fanciful speculation on the origin of the banshee, a character out of Irish legend whose keening is a herald of… (more)

Subjects/Keywords: Interdisciplinary; Libretto; Myth

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APA (6th Edition):

Daly, D. (2017). The Banshee: A Chamber Opera in One Act. (Masters Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/22647

Chicago Manual of Style (16th Edition):

Daly, Daniel. “The Banshee: A Chamber Opera in One Act.” 2017. Masters Thesis, University of Oregon. Accessed July 14, 2020. http://hdl.handle.net/1794/22647.

MLA Handbook (7th Edition):

Daly, Daniel. “The Banshee: A Chamber Opera in One Act.” 2017. Web. 14 Jul 2020.

Vancouver:

Daly D. The Banshee: A Chamber Opera in One Act. [Internet] [Masters thesis]. University of Oregon; 2017. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/1794/22647.

Council of Science Editors:

Daly D. The Banshee: A Chamber Opera in One Act. [Masters Thesis]. University of Oregon; 2017. Available from: http://hdl.handle.net/1794/22647


Uniwersytet im. Adama Mickiewicza w Poznaniu

2. Kochanowska, Agata. Gdy słowo musi być posłuszne dźwiękowi. Librecista Ryszard Wagner i jego Pierścień Nibelunga .

Degree: 2016, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Praca podejmuje zagadnienie relacji słowa i dźwięku jako tworzywa artystycznego oper Ryszarda Wagnera. Próbuje wypełnić lukę w bogatym dorob¬ku badań wagnerologicz¬nych, w których kwestia stosunku… (more)

Subjects/Keywords: słowo; word; dźwięk; sound; literatura; literature; muzyka; music; libretto; libretto; Wort; Ton; Literatur; Musik; Libretto

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APA (6th Edition):

Kochanowska, A. (2016). Gdy słowo musi być posłuszne dźwiękowi. Librecista Ryszard Wagner i jego Pierścień Nibelunga . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/14891

Chicago Manual of Style (16th Edition):

Kochanowska, Agata. “Gdy słowo musi być posłuszne dźwiękowi. Librecista Ryszard Wagner i jego Pierścień Nibelunga .” 2016. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed July 14, 2020. http://hdl.handle.net/10593/14891.

MLA Handbook (7th Edition):

Kochanowska, Agata. “Gdy słowo musi być posłuszne dźwiękowi. Librecista Ryszard Wagner i jego Pierścień Nibelunga .” 2016. Web. 14 Jul 2020.

Vancouver:

Kochanowska A. Gdy słowo musi być posłuszne dźwiękowi. Librecista Ryszard Wagner i jego Pierścień Nibelunga . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2016. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/10593/14891.

Council of Science Editors:

Kochanowska A. Gdy słowo musi być posłuszne dźwiękowi. Librecista Ryszard Wagner i jego Pierścień Nibelunga . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2016. Available from: http://hdl.handle.net/10593/14891


Uniwersytet im. Adama Mickiewicza w Poznaniu

3. Kowalski, Tomasz. Wystan Hugh Auden – szekspirolog i librecista .

Degree: 2013, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Celem pracy jest przedstawienie dwóch obszarów aktywności twórczej Audena, które nie funkcjonują zazwyczaj w powszechnym odbiorze: jego krytyki szekspirowskiej oraz librecistyki. Istotne jest również prześledzenie… (more)

Subjects/Keywords: Auden W.H.; Szekspir; Shakespeare; Libretto

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APA (6th Edition):

Kowalski, T. (2013). Wystan Hugh Auden – szekspirolog i librecista . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/6306

Chicago Manual of Style (16th Edition):

Kowalski, Tomasz. “Wystan Hugh Auden – szekspirolog i librecista .” 2013. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed July 14, 2020. http://hdl.handle.net/10593/6306.

MLA Handbook (7th Edition):

Kowalski, Tomasz. “Wystan Hugh Auden – szekspirolog i librecista .” 2013. Web. 14 Jul 2020.

Vancouver:

Kowalski T. Wystan Hugh Auden – szekspirolog i librecista . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2013. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/10593/6306.

Council of Science Editors:

Kowalski T. Wystan Hugh Auden – szekspirolog i librecista . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2013. Available from: http://hdl.handle.net/10593/6306


Uniwersytet im. Adama Mickiewicza w Poznaniu

4. Kosmecka, Agnieszka. Opera czasów rozpaczy. Libretto wobec mitu utraconego .

Degree: 2019, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Dysertacja składa się z dwóch części. Pierwsza z nich Czas rozpaczy – rozpoznania referuje filozoficzne konteksty diagnozujące upadek mitu oraz pozwalające uchwycić tożsamościową istotę „czasów… (more)

Subjects/Keywords: libretto; mit; kryzys; myth; crisis

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APA (6th Edition):

Kosmecka, A. (2019). Opera czasów rozpaczy. Libretto wobec mitu utraconego . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/24965

Chicago Manual of Style (16th Edition):

Kosmecka, Agnieszka. “Opera czasów rozpaczy. Libretto wobec mitu utraconego .” 2019. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed July 14, 2020. http://hdl.handle.net/10593/24965.

MLA Handbook (7th Edition):

Kosmecka, Agnieszka. “Opera czasów rozpaczy. Libretto wobec mitu utraconego .” 2019. Web. 14 Jul 2020.

Vancouver:

Kosmecka A. Opera czasów rozpaczy. Libretto wobec mitu utraconego . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/10593/24965.

Council of Science Editors:

Kosmecka A. Opera czasów rozpaczy. Libretto wobec mitu utraconego . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. Available from: http://hdl.handle.net/10593/24965


University of Alberta

5. Rheubottom, Nicholas D. Telling Tales: The Israelite Oratorios of George Frideric Handel as a Platform for Social Thought in Early Eighteenth-Century Britain.

Degree: MA, Department of Music, 2016, University of Alberta

 "Identity is built on the ideologies of a collective nation"; there is no statement that rings clearer in the case of eighteenth-century Britain. This thesis… (more)

Subjects/Keywords: Music; Handel; Eighteenth-Century Britain; Oratorio; Narrative; Identity; Libretto

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APA (6th Edition):

Rheubottom, N. D. (2016). Telling Tales: The Israelite Oratorios of George Frideric Handel as a Platform for Social Thought in Early Eighteenth-Century Britain. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/ckh04dp88s

Chicago Manual of Style (16th Edition):

Rheubottom, Nicholas D. “Telling Tales: The Israelite Oratorios of George Frideric Handel as a Platform for Social Thought in Early Eighteenth-Century Britain.” 2016. Masters Thesis, University of Alberta. Accessed July 14, 2020. https://era.library.ualberta.ca/files/ckh04dp88s.

MLA Handbook (7th Edition):

Rheubottom, Nicholas D. “Telling Tales: The Israelite Oratorios of George Frideric Handel as a Platform for Social Thought in Early Eighteenth-Century Britain.” 2016. Web. 14 Jul 2020.

Vancouver:

Rheubottom ND. Telling Tales: The Israelite Oratorios of George Frideric Handel as a Platform for Social Thought in Early Eighteenth-Century Britain. [Internet] [Masters thesis]. University of Alberta; 2016. [cited 2020 Jul 14]. Available from: https://era.library.ualberta.ca/files/ckh04dp88s.

Council of Science Editors:

Rheubottom ND. Telling Tales: The Israelite Oratorios of George Frideric Handel as a Platform for Social Thought in Early Eighteenth-Century Britain. [Masters Thesis]. University of Alberta; 2016. Available from: https://era.library.ualberta.ca/files/ckh04dp88s


University of Aberdeen

6. Turnbull, Jennifer. 'Instruments of darkness' : a comparative critical analysis of the operatic versions of Macbeth by Verdi and Bloch.

Degree: PhD, 2000, University of Aberdeen

 This thesis is a critical comparison of the <I>Macbeth</I> operas of Verdi and Bloch, with an examination of how the challenges posed by the play… (more)

Subjects/Keywords: 800; Operatic; Characterisation; Music; Libretto

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APA (6th Edition):

Turnbull, J. (2000). 'Instruments of darkness' : a comparative critical analysis of the operatic versions of Macbeth by Verdi and Bloch. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=229627 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311192

Chicago Manual of Style (16th Edition):

Turnbull, Jennifer. “'Instruments of darkness' : a comparative critical analysis of the operatic versions of Macbeth by Verdi and Bloch.” 2000. Doctoral Dissertation, University of Aberdeen. Accessed July 14, 2020. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=229627 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311192.

MLA Handbook (7th Edition):

Turnbull, Jennifer. “'Instruments of darkness' : a comparative critical analysis of the operatic versions of Macbeth by Verdi and Bloch.” 2000. Web. 14 Jul 2020.

Vancouver:

Turnbull J. 'Instruments of darkness' : a comparative critical analysis of the operatic versions of Macbeth by Verdi and Bloch. [Internet] [Doctoral dissertation]. University of Aberdeen; 2000. [cited 2020 Jul 14]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=229627 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311192.

Council of Science Editors:

Turnbull J. 'Instruments of darkness' : a comparative critical analysis of the operatic versions of Macbeth by Verdi and Bloch. [Doctoral Dissertation]. University of Aberdeen; 2000. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=229627 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311192

7. Bird, Deidre. Inventions of Truth.

Degree: MA, 2015, City University of New York

Subjects/Keywords: Opera; Libretto; Adptation; Comparative Literature

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APA (6th Edition):

Bird, D. (2015). Inventions of Truth. (Masters Thesis). City University of New York. Retrieved from https://academicworks.cuny.edu/cc_etds_theses/563

Chicago Manual of Style (16th Edition):

Bird, Deidre. “Inventions of Truth.” 2015. Masters Thesis, City University of New York. Accessed July 14, 2020. https://academicworks.cuny.edu/cc_etds_theses/563.

MLA Handbook (7th Edition):

Bird, Deidre. “Inventions of Truth.” 2015. Web. 14 Jul 2020.

Vancouver:

Bird D. Inventions of Truth. [Internet] [Masters thesis]. City University of New York; 2015. [cited 2020 Jul 14]. Available from: https://academicworks.cuny.edu/cc_etds_theses/563.

Council of Science Editors:

Bird D. Inventions of Truth. [Masters Thesis]. City University of New York; 2015. Available from: https://academicworks.cuny.edu/cc_etds_theses/563


University of Arizona

8. Moody, Philip. A New English Libretto for Haydn's "The Creation" .

Degree: 2012, University of Arizona

 This document was created to provide a new English translation to Franz Joseph Haydn's (1732-1809) oratorioThe Creationthat both respects Hadyn's original musical content and employs… (more)

Subjects/Keywords: H. XXI:2; Libretto; Oratorio; The Creation; Music; Franz Haydn

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APA (6th Edition):

Moody, P. (2012). A New English Libretto for Haydn's "The Creation" . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/242384

Chicago Manual of Style (16th Edition):

Moody, Philip. “A New English Libretto for Haydn's "The Creation" .” 2012. Doctoral Dissertation, University of Arizona. Accessed July 14, 2020. http://hdl.handle.net/10150/242384.

MLA Handbook (7th Edition):

Moody, Philip. “A New English Libretto for Haydn's "The Creation" .” 2012. Web. 14 Jul 2020.

Vancouver:

Moody P. A New English Libretto for Haydn's "The Creation" . [Internet] [Doctoral dissertation]. University of Arizona; 2012. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/10150/242384.

Council of Science Editors:

Moody P. A New English Libretto for Haydn's "The Creation" . [Doctoral Dissertation]. University of Arizona; 2012. Available from: http://hdl.handle.net/10150/242384


Lehigh University

9. Bruno, Sarah Elizabeth. Sleeping Volcanoes: The Production (and Productivity) of Violence in Joan Anim-Addo's Imoinda, Or She Who Will Lose Her Name.

Degree: MA, English, 2013, Lehigh University

 This thesis foregrounds the significance of gender and violence in the creolization process within the Caribbean slave system, as depicted in Joan Anim-Addo's libretto, Imoinda,… (more)

Subjects/Keywords: creolization; Imoinda; libretto; Oroonoko; sexual violence; violence; Arts and Humanities; English Language and Literature

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APA (6th Edition):

Bruno, S. E. (2013). Sleeping Volcanoes: The Production (and Productivity) of Violence in Joan Anim-Addo's Imoinda, Or She Who Will Lose Her Name. (Thesis). Lehigh University. Retrieved from https://preserve.lehigh.edu/etd/1441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bruno, Sarah Elizabeth. “Sleeping Volcanoes: The Production (and Productivity) of Violence in Joan Anim-Addo's Imoinda, Or She Who Will Lose Her Name.” 2013. Thesis, Lehigh University. Accessed July 14, 2020. https://preserve.lehigh.edu/etd/1441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bruno, Sarah Elizabeth. “Sleeping Volcanoes: The Production (and Productivity) of Violence in Joan Anim-Addo's Imoinda, Or She Who Will Lose Her Name.” 2013. Web. 14 Jul 2020.

Vancouver:

Bruno SE. Sleeping Volcanoes: The Production (and Productivity) of Violence in Joan Anim-Addo's Imoinda, Or She Who Will Lose Her Name. [Internet] [Thesis]. Lehigh University; 2013. [cited 2020 Jul 14]. Available from: https://preserve.lehigh.edu/etd/1441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bruno SE. Sleeping Volcanoes: The Production (and Productivity) of Violence in Joan Anim-Addo's Imoinda, Or She Who Will Lose Her Name. [Thesis]. Lehigh University; 2013. Available from: https://preserve.lehigh.edu/etd/1441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

10. Jayakumar, Emma Michelle. Beyond the Wall An opera for children in 2 acts –and– Toward a more engaging operatic genre for children An exegesis.

Degree: 2018, Edith Cowan University

 Toward a more engaging operatic genre for children is a practice-led PhD research project which aimed to create a more engaging opera for children aged… (more)

Subjects/Keywords: Practice-led; opera; children’s opera; composition; libretto; orchestration; conceptual and theoretical framework

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APA (6th Edition):

Jayakumar, E. M. (2018). Beyond the Wall An opera for children in 2 acts –and– Toward a more engaging operatic genre for children An exegesis. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/2149

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jayakumar, Emma Michelle. “Beyond the Wall An opera for children in 2 acts –and– Toward a more engaging operatic genre for children An exegesis.” 2018. Thesis, Edith Cowan University. Accessed July 14, 2020. https://ro.ecu.edu.au/theses/2149.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jayakumar, Emma Michelle. “Beyond the Wall An opera for children in 2 acts –and– Toward a more engaging operatic genre for children An exegesis.” 2018. Web. 14 Jul 2020.

Vancouver:

Jayakumar EM. Beyond the Wall An opera for children in 2 acts –and– Toward a more engaging operatic genre for children An exegesis. [Internet] [Thesis]. Edith Cowan University; 2018. [cited 2020 Jul 14]. Available from: https://ro.ecu.edu.au/theses/2149.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jayakumar EM. Beyond the Wall An opera for children in 2 acts –and– Toward a more engaging operatic genre for children An exegesis. [Thesis]. Edith Cowan University; 2018. Available from: https://ro.ecu.edu.au/theses/2149

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Ménesse, Aline. Mythe et prosodie dans l’histoire de l’opéra du XVIIème siècle à nos jours : Myth and prosody in the history of the opera from the 17th century to the present day.

Degree: Docteur es, Musique et musicologie, 2018, Sorbonne université

Notre travail porte sur l’histoire de l’opéra vue à travers le double prisme du mythe et de la prosodie. Dans une première partie, nous définissons… (more)

Subjects/Keywords: Accent; Langues; Livret; Mythe / Mythologie; Opéra; Poésie; Prosodie; Voix; Accent; Languages; Libretto; Myth / Mythology; Opera; Poetry; Prosody; Voice

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APA (6th Edition):

Ménesse, A. (2018). Mythe et prosodie dans l’histoire de l’opéra du XVIIème siècle à nos jours : Myth and prosody in the history of the opera from the 17th century to the present day. (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL117

Chicago Manual of Style (16th Edition):

Ménesse, Aline. “Mythe et prosodie dans l’histoire de l’opéra du XVIIème siècle à nos jours : Myth and prosody in the history of the opera from the 17th century to the present day.” 2018. Doctoral Dissertation, Sorbonne université. Accessed July 14, 2020. http://www.theses.fr/2018SORUL117.

MLA Handbook (7th Edition):

Ménesse, Aline. “Mythe et prosodie dans l’histoire de l’opéra du XVIIème siècle à nos jours : Myth and prosody in the history of the opera from the 17th century to the present day.” 2018. Web. 14 Jul 2020.

Vancouver:

Ménesse A. Mythe et prosodie dans l’histoire de l’opéra du XVIIème siècle à nos jours : Myth and prosody in the history of the opera from the 17th century to the present day. [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2018SORUL117.

Council of Science Editors:

Ménesse A. Mythe et prosodie dans l’histoire de l’opéra du XVIIème siècle à nos jours : Myth and prosody in the history of the opera from the 17th century to the present day. [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL117


Université Paris-Sorbonne – Paris IV

12. Vernozy, Delphine. Le livre de ballet, un objet littéraire ? : écrivains et chorégraphes en France des années 1910 aux années 1960 : The ballet libretto, a literary object ? : Writers and choreographers in France, 1910s - 1960s.

Degree: Docteur es, Littérature française, 2015, Université Paris-Sorbonne – Paris IV

Destiné à se métamorphoser en danse, le livret serait un texte transitoire, et par là même privé de valeur littéraire. Pourtant, des Ballets russes aux… (more)

Subjects/Keywords: Ballet; Livret; Danse; Scène; Littérature; XXe siècle; Collaboration; Théâtre; Ballet; Libretto; Dance; Stage; Literary genres; XXth century; Collaboration; Theater

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APA (6th Edition):

Vernozy, D. (2015). Le livre de ballet, un objet littéraire ? : écrivains et chorégraphes en France des années 1910 aux années 1960 : The ballet libretto, a literary object ? : Writers and choreographers in France, 1910s - 1960s. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040214

Chicago Manual of Style (16th Edition):

Vernozy, Delphine. “Le livre de ballet, un objet littéraire ? : écrivains et chorégraphes en France des années 1910 aux années 1960 : The ballet libretto, a literary object ? : Writers and choreographers in France, 1910s - 1960s.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed July 14, 2020. http://www.theses.fr/2015PA040214.

MLA Handbook (7th Edition):

Vernozy, Delphine. “Le livre de ballet, un objet littéraire ? : écrivains et chorégraphes en France des années 1910 aux années 1960 : The ballet libretto, a literary object ? : Writers and choreographers in France, 1910s - 1960s.” 2015. Web. 14 Jul 2020.

Vancouver:

Vernozy D. Le livre de ballet, un objet littéraire ? : écrivains et chorégraphes en France des années 1910 aux années 1960 : The ballet libretto, a literary object ? : Writers and choreographers in France, 1910s - 1960s. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2015PA040214.

Council of Science Editors:

Vernozy D. Le livre de ballet, un objet littéraire ? : écrivains et chorégraphes en France des années 1910 aux années 1960 : The ballet libretto, a literary object ? : Writers and choreographers in France, 1910s - 1960s. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040214


University of North Texas

13. Miller, Robin A. (Robin Annette). The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters.

Degree: 1998, University of North Texas

 The Italian seicento has been considered a dead century by many literary scholars. As this study demonstrates, such a conclusion ignores important literary developments in… (more)

Subjects/Keywords: operas; libretto; literature; Opera  – Italy  – Venice  – 17th century.

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APA (6th Edition):

Miller, R. A. (. A. (1998). The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277705/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Robin A (Robin Annette). “The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters.” 1998. Thesis, University of North Texas. Accessed July 14, 2020. https://digital.library.unt.edu/ark:/67531/metadc277705/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Robin A (Robin Annette). “The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters.” 1998. Web. 14 Jul 2020.

Vancouver:

Miller RA(A. The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters. [Internet] [Thesis]. University of North Texas; 1998. [cited 2020 Jul 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277705/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller RA(A. The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc277705/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Patino, Julio. Matador.

Degree: 1998, University of North Texas

 Matador is an opera scored for orchestra, mixed chorus and soloists (mezzosoprano, 3 tenors, 2 baritones). The work is in one act divided into two… (more)

Subjects/Keywords: Operas  – Scores.; Open form music.; opera; libretto

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Patino, J. (1998). Matador. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279182/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patino, Julio. “Matador.” 1998. Thesis, University of North Texas. Accessed July 14, 2020. https://digital.library.unt.edu/ark:/67531/metadc279182/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patino, Julio. “Matador.” 1998. Web. 14 Jul 2020.

Vancouver:

Patino J. Matador. [Internet] [Thesis]. University of North Texas; 1998. [cited 2020 Jul 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279182/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patino J. Matador. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc279182/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Zore, Eva. Operatic adaptation of Shakespeare`s Romeo and Juliet.

Degree: 2018, Univerza v Mariboru

This Master’s Thesis analyses Charles Gounod’s operatic adaptation of William Shakespeare’s Romeo and Juliet. The theoretical part introduces the theory of adaptation with a particular… (more)

Subjects/Keywords: play; opera; libretto; music; adaptation; microstructural analysis; drama; opera; libreto; glasba; adaptacija; mikrostrukturna analiza; info:eu-repo/classification/udc/821.111:782.1(043.2)

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APA (6th Edition):

Zore, E. (2018). Operatic adaptation of Shakespeare`s Romeo and Juliet. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=72098 ; https://dk.um.si/Dokument.php?id=129151&dn= ; https://plus.si.cobiss.net/opac7/bib/24079368?lang=sl

Chicago Manual of Style (16th Edition):

Zore, Eva. “Operatic adaptation of Shakespeare`s Romeo and Juliet.” 2018. Masters Thesis, Univerza v Mariboru. Accessed July 14, 2020. https://dk.um.si/IzpisGradiva.php?id=72098 ; https://dk.um.si/Dokument.php?id=129151&dn= ; https://plus.si.cobiss.net/opac7/bib/24079368?lang=sl.

MLA Handbook (7th Edition):

Zore, Eva. “Operatic adaptation of Shakespeare`s Romeo and Juliet.” 2018. Web. 14 Jul 2020.

Vancouver:

Zore E. Operatic adaptation of Shakespeare`s Romeo and Juliet. [Internet] [Masters thesis]. Univerza v Mariboru; 2018. [cited 2020 Jul 14]. Available from: https://dk.um.si/IzpisGradiva.php?id=72098 ; https://dk.um.si/Dokument.php?id=129151&dn= ; https://plus.si.cobiss.net/opac7/bib/24079368?lang=sl.

Council of Science Editors:

Zore E. Operatic adaptation of Shakespeare`s Romeo and Juliet. [Masters Thesis]. Univerza v Mariboru; 2018. Available from: https://dk.um.si/IzpisGradiva.php?id=72098 ; https://dk.um.si/Dokument.php?id=129151&dn= ; https://plus.si.cobiss.net/opac7/bib/24079368?lang=sl


University of Lund

16. Forssell, Jonas. Textens Transfigurationer.

Degree: 2015, University of Lund

 This thesis focuses on the opera text enlightened from four different perspectives: the translator, the librettist, the composer and finally the singer, based on the… (more)

Subjects/Keywords: Arts; ”think aloud”-studies; hermeneutics; artistic research; script; opera; musical dramaturgy; libretto; translation; composing; screen writing

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APA (6th Edition):

Forssell, J. (2015). Textens Transfigurationer. (Doctoral Dissertation). University of Lund. Retrieved from https://lup.lub.lu.se/record/7870395 ; https://portal.research.lu.se/ws/files/5930028/7964771.pdf

Chicago Manual of Style (16th Edition):

Forssell, Jonas. “Textens Transfigurationer.” 2015. Doctoral Dissertation, University of Lund. Accessed July 14, 2020. https://lup.lub.lu.se/record/7870395 ; https://portal.research.lu.se/ws/files/5930028/7964771.pdf.

MLA Handbook (7th Edition):

Forssell, Jonas. “Textens Transfigurationer.” 2015. Web. 14 Jul 2020.

Vancouver:

Forssell J. Textens Transfigurationer. [Internet] [Doctoral dissertation]. University of Lund; 2015. [cited 2020 Jul 14]. Available from: https://lup.lub.lu.se/record/7870395 ; https://portal.research.lu.se/ws/files/5930028/7964771.pdf.

Council of Science Editors:

Forssell J. Textens Transfigurationer. [Doctoral Dissertation]. University of Lund; 2015. Available from: https://lup.lub.lu.se/record/7870395 ; https://portal.research.lu.se/ws/files/5930028/7964771.pdf

17. Paci, Ilenia. Il teatro di Pietro Trinchera.

Degree: 2012, Università degli Studi di Catania

 La tesi di dottorato, dal titolo "Il teatro di Pietro Trinchera", ha avuto l obbiettivo di analizzare la produzione drammaturgica del notaio Pietro Trinchera, una… (more)

Subjects/Keywords: Area 10 - Scienze dell'antichita', filologico-letterarie e storico artistiche; Trinchera, teatro, commedia, libretto, Settecento, Napoli, theater, irony, co

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Paci, I. (2012). Il teatro di Pietro Trinchera. (Thesis). Università degli Studi di Catania. Retrieved from http://hdl.handle.net/10761/951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Paci, Ilenia. “Il teatro di Pietro Trinchera.” 2012. Thesis, Università degli Studi di Catania. Accessed July 14, 2020. http://hdl.handle.net/10761/951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Paci, Ilenia. “Il teatro di Pietro Trinchera.” 2012. Web. 14 Jul 2020.

Vancouver:

Paci I. Il teatro di Pietro Trinchera. [Internet] [Thesis]. Università degli Studi di Catania; 2012. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/10761/951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paci I. Il teatro di Pietro Trinchera. [Thesis]. Università degli Studi di Catania; 2012. Available from: http://hdl.handle.net/10761/951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

18. Prynda, Maya. Licht (1977-2003) de Karlheinz Stockhausen : aspects autobiographiques et intertextualité : Licht, Die sieben Tage der Woche (1977-2003) from Karlheinz Stockhausen : autobiographical aspects and intertextuality.

Degree: Docteur es, Musique et musicologie, 2015, Université Paris-Sorbonne – Paris IV

Licht. Die sieben Tage der Woche (1977-2003) est un cycle constitué de sept opéras composés par Karlheinz Stockhausen (1928-2007) qui en a également conçu le… (more)

Subjects/Keywords: Karlheinz Stockhausen; Licht. Die sieben Tage der Woche; Autobiographie; Intertextualité; Livret; Karlheinz Stockhausen; Licht. Die sieben Tage der Woche; Autobiography; Intertextuality; Libretto

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APA (6th Edition):

Prynda, M. (2015). Licht (1977-2003) de Karlheinz Stockhausen : aspects autobiographiques et intertextualité : Licht, Die sieben Tage der Woche (1977-2003) from Karlheinz Stockhausen : autobiographical aspects and intertextuality. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040194

Chicago Manual of Style (16th Edition):

Prynda, Maya. “Licht (1977-2003) de Karlheinz Stockhausen : aspects autobiographiques et intertextualité : Licht, Die sieben Tage der Woche (1977-2003) from Karlheinz Stockhausen : autobiographical aspects and intertextuality.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed July 14, 2020. http://www.theses.fr/2015PA040194.

MLA Handbook (7th Edition):

Prynda, Maya. “Licht (1977-2003) de Karlheinz Stockhausen : aspects autobiographiques et intertextualité : Licht, Die sieben Tage der Woche (1977-2003) from Karlheinz Stockhausen : autobiographical aspects and intertextuality.” 2015. Web. 14 Jul 2020.

Vancouver:

Prynda M. Licht (1977-2003) de Karlheinz Stockhausen : aspects autobiographiques et intertextualité : Licht, Die sieben Tage der Woche (1977-2003) from Karlheinz Stockhausen : autobiographical aspects and intertextuality. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2015PA040194.

Council of Science Editors:

Prynda M. Licht (1977-2003) de Karlheinz Stockhausen : aspects autobiographiques et intertextualité : Licht, Die sieben Tage der Woche (1977-2003) from Karlheinz Stockhausen : autobiographical aspects and intertextuality. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040194

19. Vos, A.S. Opera in vertaling: een studie naar de problemen en mogelijkheden met Dido and Aeneas als case-study.

Degree: 2015, Universiteit Utrecht

 In this master thesis, Lette Vos approaches the thema of 'opera in (Dutch) translation' within four different frameworks: first historical, then theoretical, sociocultural and lastly… (more)

Subjects/Keywords: literary translation; translation; opera; literair vertalen; vertaalwetenschap; libretto

libretto - een puur tekstuele vertaling die gepresenteerd wordt op papier. De bron- en doeltekst… …hem overigens niet alleen in het verhaal. Ook het libretto is absurd. Eindeloos repeterende… …operaliefhebber het Italiaans, Duits of Russisch toch niet goed genoeg om het libretto woordelijk te… …verschil tussen producties waarbij de muziek is geschreven op een Nederlands libretto en… …through it. To meet such criteria, translators have to take liberties with the original libretto… 

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APA (6th Edition):

Vos, A. S. (2015). Opera in vertaling: een studie naar de problemen en mogelijkheden met Dido and Aeneas als case-study. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/317715

Chicago Manual of Style (16th Edition):

Vos, A S. “Opera in vertaling: een studie naar de problemen en mogelijkheden met Dido and Aeneas als case-study.” 2015. Masters Thesis, Universiteit Utrecht. Accessed July 14, 2020. http://dspace.library.uu.nl:8080/handle/1874/317715.

MLA Handbook (7th Edition):

Vos, A S. “Opera in vertaling: een studie naar de problemen en mogelijkheden met Dido and Aeneas als case-study.” 2015. Web. 14 Jul 2020.

Vancouver:

Vos AS. Opera in vertaling: een studie naar de problemen en mogelijkheden met Dido and Aeneas als case-study. [Internet] [Masters thesis]. Universiteit Utrecht; 2015. [cited 2020 Jul 14]. Available from: http://dspace.library.uu.nl:8080/handle/1874/317715.

Council of Science Editors:

Vos AS. Opera in vertaling: een studie naar de problemen en mogelijkheden met Dido and Aeneas als case-study. [Masters Thesis]. Universiteit Utrecht; 2015. Available from: http://dspace.library.uu.nl:8080/handle/1874/317715


University of Cambridge

20. Varka, Natassa Elizabeth. Charles Jennens's collection of Handel's sacred oratorios from 'Saul' to 'Jephtha': sources, contexts, and revisions.

Degree: PhD, 2019, University of Cambridge

 Charles Jennens (1700-1773), the librettist of 'Saul', 'Messiah', 'Belshazzar', the final part of 'L’Allegro, il Penseroso ed il Moderato', and probably 'Israel in Egypt', amassed… (more)

Subjects/Keywords: Handel; Jennens; oratorio; libretto; Saul; Israel in Egypt; L'Allegro; Samson; Newburgh Hamilton; Joseph and his Brethren; James Miller; Belshazzar; copyists; S1; S2

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APA (6th Edition):

Varka, N. E. (2019). Charles Jennens's collection of Handel's sacred oratorios from 'Saul' to 'Jephtha': sources, contexts, and revisions. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/285703

Chicago Manual of Style (16th Edition):

Varka, Natassa Elizabeth. “Charles Jennens's collection of Handel's sacred oratorios from 'Saul' to 'Jephtha': sources, contexts, and revisions.” 2019. Doctoral Dissertation, University of Cambridge. Accessed July 14, 2020. https://www.repository.cam.ac.uk/handle/1810/285703.

MLA Handbook (7th Edition):

Varka, Natassa Elizabeth. “Charles Jennens's collection of Handel's sacred oratorios from 'Saul' to 'Jephtha': sources, contexts, and revisions.” 2019. Web. 14 Jul 2020.

Vancouver:

Varka NE. Charles Jennens's collection of Handel's sacred oratorios from 'Saul' to 'Jephtha': sources, contexts, and revisions. [Internet] [Doctoral dissertation]. University of Cambridge; 2019. [cited 2020 Jul 14]. Available from: https://www.repository.cam.ac.uk/handle/1810/285703.

Council of Science Editors:

Varka NE. Charles Jennens's collection of Handel's sacred oratorios from 'Saul' to 'Jephtha': sources, contexts, and revisions. [Doctoral Dissertation]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/285703


University of New South Wales

21. McGill, Virginia. 'L'Orfeo' by Aureli and Sartorio, 1672-1706.

Degree: Education, 2001, University of New South Wales

Subjects/Keywords: Opera; L'Orfeo; Orpheus; Libretto; Music; Europe; History; 1672-1706; Thesis Digitisation Program

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APA (6th Edition):

McGill, V. (2001). 'L'Orfeo' by Aureli and Sartorio, 1672-1706. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54658 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35525/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

McGill, Virginia. “'L'Orfeo' by Aureli and Sartorio, 1672-1706.” 2001. Doctoral Dissertation, University of New South Wales. Accessed July 14, 2020. http://handle.unsw.edu.au/1959.4/54658 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35525/SOURCE01?view=true.

MLA Handbook (7th Edition):

McGill, Virginia. “'L'Orfeo' by Aureli and Sartorio, 1672-1706.” 2001. Web. 14 Jul 2020.

Vancouver:

McGill V. 'L'Orfeo' by Aureli and Sartorio, 1672-1706. [Internet] [Doctoral dissertation]. University of New South Wales; 2001. [cited 2020 Jul 14]. Available from: http://handle.unsw.edu.au/1959.4/54658 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35525/SOURCE01?view=true.

Council of Science Editors:

McGill V. 'L'Orfeo' by Aureli and Sartorio, 1672-1706. [Doctoral Dissertation]. University of New South Wales; 2001. Available from: http://handle.unsw.edu.au/1959.4/54658 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35525/SOURCE01?view=true

22. Dubruque, Julien. Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau.

Degree: Docteur es, Musicologie, 2014, Université François-Rabelais de Tours

Le Temple de la Gloire fut commandé par la cour à Voltaire et à Rameau pour célébrer le retour du roi, victorieux à Fontenoy. Créé… (more)

Subjects/Keywords: Temple de la Gloire; Rameau; Voltaire; Opéra; Ballet; Livret; Histoire de la musique; Critique génétique; Esthétique; Temple de la Gloire; Rameau; Voltaire; Opera; Ballet; Libretto; Musicology; Genetic criticism; Aesthetics

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APA (6th Edition):

Dubruque, J. (2014). Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau. (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2014TOUR2024

Chicago Manual of Style (16th Edition):

Dubruque, Julien. “Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau.” 2014. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed July 14, 2020. http://www.theses.fr/2014TOUR2024.

MLA Handbook (7th Edition):

Dubruque, Julien. “Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau.” 2014. Web. 14 Jul 2020.

Vancouver:

Dubruque J. Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau. [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2014. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2014TOUR2024.

Council of Science Editors:

Dubruque J. Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau. [Doctoral Dissertation]. Université François-Rabelais de Tours; 2014. Available from: http://www.theses.fr/2014TOUR2024


Luleå University of Technology

23. Jimenez, Alfred. Historien >Scenen>Kompositionen : Ett försök att sätta fart på dramaturgin i ett operakomponerande.

Degree: 2013, Luleå University of Technology

Validerat; 20130513 (global_studentproject_submitter)

Subjects/Keywords: Fine Art; Konstnärligt arbete; opera; operakompositionsprocess; libretto; scenanvisningar; improvisatorisk teater; handling

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APA (6th Edition):

Jimenez, A. (2013). Historien >Scenen>Kompositionen : Ett försök att sätta fart på dramaturgin i ett operakomponerande. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-57009

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jimenez, Alfred. “Historien >Scenen>Kompositionen : Ett försök att sätta fart på dramaturgin i ett operakomponerande.” 2013. Thesis, Luleå University of Technology. Accessed July 14, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-57009.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jimenez, Alfred. “Historien >Scenen>Kompositionen : Ett försök att sätta fart på dramaturgin i ett operakomponerande.” 2013. Web. 14 Jul 2020.

Vancouver:

Jimenez A. Historien >Scenen>Kompositionen : Ett försök att sätta fart på dramaturgin i ett operakomponerande. [Internet] [Thesis]. Luleå University of Technology; 2013. [cited 2020 Jul 14]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-57009.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jimenez A. Historien >Scenen>Kompositionen : Ett försök att sätta fart på dramaturgin i ett operakomponerande. [Thesis]. Luleå University of Technology; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-57009

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

24. Margareth Ramos Teixeira Miyamoto. A máscara da ópera em Dom Casmurro.

Degree: 2006, Pontifícia Universidade Católica de São Paulo

Este estudo tem por objetivo investigar a representação da ópera no discurso de D.Casmurro, como máscara de um eu, que se desdobra em três personas:… (more)

Subjects/Keywords: libretto; Machado de Assis; ópera; opera; musician; author-narrator; músico; LITERATURA COMPARADA; dramaturgo; playwriter; Opera; Machado de Assis; libreto; autor-narrador; Assis, Machado de  – 1839-1908  – Dom Casmurro  – Critica e interpretacao

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miyamoto, M. R. T. (2006). A máscara da ópera em Dom Casmurro. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miyamoto, Margareth Ramos Teixeira. “A máscara da ópera em Dom Casmurro.” 2006. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed July 14, 2020. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miyamoto, Margareth Ramos Teixeira. “A máscara da ópera em Dom Casmurro.” 2006. Web. 14 Jul 2020.

Vancouver:

Miyamoto MRT. A máscara da ópera em Dom Casmurro. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2006. [cited 2020 Jul 14]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miyamoto MRT. A máscara da ópera em Dom Casmurro. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2006. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

25. Ee, J.H. van. An Uneasy Slumber - Trauma, Dialogism and David Mitchell's Libretto for 'Wake' (Klaas de Vries, 2010).

Degree: 2011, Universiteit Utrecht

 In May 2010, Nationale Reisopera staged a production of 'Wake', an opera commissioned to commemorate the ten-year anniversary of a series of explosions (the "fireworks… (more)

Subjects/Keywords: David Mitchell; Klaas de Vries; Enschede; Wake; Nationale Reisopera; opera; music theatre; libretto; Mikhail Bakhtin; dialogism; heteroglossia; novelness; novel; trauma; vuurwerkramp; narrative; narrative memory; memory; William Wordsworth; A slumber did my spirit seal; Astrid Bussink; documentary; Mijn Enschede

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APA (6th Edition):

Ee, J. H. v. (2011). An Uneasy Slumber - Trauma, Dialogism and David Mitchell's Libretto for 'Wake' (Klaas de Vries, 2010). (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/210473

Chicago Manual of Style (16th Edition):

Ee, J H van. “An Uneasy Slumber - Trauma, Dialogism and David Mitchell's Libretto for 'Wake' (Klaas de Vries, 2010).” 2011. Masters Thesis, Universiteit Utrecht. Accessed July 14, 2020. http://dspace.library.uu.nl:8080/handle/1874/210473.

MLA Handbook (7th Edition):

Ee, J H van. “An Uneasy Slumber - Trauma, Dialogism and David Mitchell's Libretto for 'Wake' (Klaas de Vries, 2010).” 2011. Web. 14 Jul 2020.

Vancouver:

Ee JHv. An Uneasy Slumber - Trauma, Dialogism and David Mitchell's Libretto for 'Wake' (Klaas de Vries, 2010). [Internet] [Masters thesis]. Universiteit Utrecht; 2011. [cited 2020 Jul 14]. Available from: http://dspace.library.uu.nl:8080/handle/1874/210473.

Council of Science Editors:

Ee JHv. An Uneasy Slumber - Trauma, Dialogism and David Mitchell's Libretto for 'Wake' (Klaas de Vries, 2010). [Masters Thesis]. Universiteit Utrecht; 2011. Available from: http://dspace.library.uu.nl:8080/handle/1874/210473


University of Vienna

26. Ingensand, Svenja. Russische Opern nach Vorlagen von A.S. Puškin.

Degree: 2010, University of Vienna

 Die Arbeit befasst sich mit der Frage, wie Puškins Werke von russischen Librettisten und Komponisten für die Oper bearbeitet und umgesetzt wurden, und ob bzw.… (more)

Subjects/Keywords: 17.10 Sprache in Beziehung zu anderen Bereichen der Wissenschaft und Kultur; 18.53 Russische Literatur; 17.92 Vergleichende Literaturwissenschaft: Allgemeines; 17.94 Literarische Einflüsse und Beziehungen, Rezeption; 17.96 Vergleichende Literaturwissenschaft: Sonstiges; 17.93 Literarische Stoffe, literarische Motive, literarische Themen; Oper / Puskin / Libretto

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ingensand, S. (2010). Russische Opern nach Vorlagen von A.S. Puškin. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/10155/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ingensand, Svenja. “Russische Opern nach Vorlagen von A.S. Puškin.” 2010. Thesis, University of Vienna. Accessed July 14, 2020. http://othes.univie.ac.at/10155/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ingensand, Svenja. “Russische Opern nach Vorlagen von A.S. Puškin.” 2010. Web. 14 Jul 2020.

Vancouver:

Ingensand S. Russische Opern nach Vorlagen von A.S. Puškin. [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Jul 14]. Available from: http://othes.univie.ac.at/10155/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ingensand S. Russische Opern nach Vorlagen von A.S. Puškin. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/10155/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

27. Pockberger, Elisabeth. Un re in ascolto - die Entstehung eines Librettos.

Degree: 2008, University of Vienna

 TITELBLATT: nur in PRINTAUSGABE  – Ziel dieser Arbeit war es, die Gemeinsamkeiten und Unterschiede der vorliegenden Textsorten anhand der Entstehungsgeschichte des Librettos von Un re… (more)

Subjects/Keywords: 17.95 Literarische Übersetzung; 17.93 Literarische Stoffe, literarische Motive, literarische Themen; Italo Calvino / Luciano Berio / Libretto / Un re in ascolto

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APA (6th Edition):

Pockberger, E. (2008). Un re in ascolto - die Entstehung eines Librettos. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/1775/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pockberger, Elisabeth. “Un re in ascolto - die Entstehung eines Librettos.” 2008. Thesis, University of Vienna. Accessed July 14, 2020. http://othes.univie.ac.at/1775/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pockberger, Elisabeth. “Un re in ascolto - die Entstehung eines Librettos.” 2008. Web. 14 Jul 2020.

Vancouver:

Pockberger E. Un re in ascolto - die Entstehung eines Librettos. [Internet] [Thesis]. University of Vienna; 2008. [cited 2020 Jul 14]. Available from: http://othes.univie.ac.at/1775/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pockberger E. Un re in ascolto - die Entstehung eines Librettos. [Thesis]. University of Vienna; 2008. Available from: http://othes.univie.ac.at/1775/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Wood, Callie. Creating both text and music for oratorios: portfolio of compositions and exegesis.

Degree: 2013, University of Adelaide

 This composition portfolio and exegesis submitted for the degree of Doctor of Philosophy, at the Elder Conservatorium of Music, contains original creative works supported by… (more)

Subjects/Keywords: oratorio; composing; composition; creating text and music; libretto; bushfire; choral; hero's journey; Joseph Campbell; Callie Wood

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Wood, C. (2013). Creating both text and music for oratorios: portfolio of compositions and exegesis. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/82035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wood, Callie. “Creating both text and music for oratorios: portfolio of compositions and exegesis.” 2013. Thesis, University of Adelaide. Accessed July 14, 2020. http://hdl.handle.net/2440/82035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wood, Callie. “Creating both text and music for oratorios: portfolio of compositions and exegesis.” 2013. Web. 14 Jul 2020.

Vancouver:

Wood C. Creating both text and music for oratorios: portfolio of compositions and exegesis. [Internet] [Thesis]. University of Adelaide; 2013. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/2440/82035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wood C. Creating both text and music for oratorios: portfolio of compositions and exegesis. [Thesis]. University of Adelaide; 2013. Available from: http://hdl.handle.net/2440/82035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Nikitina, Tatiana. Le « ballet russe » de Marius Petipa : un exemple d'hybridation culturelle : The «Russian ballet» of Marius Petipa : an example of cultural hybridization.

Degree: Docteur es, Études slaves, 2018, Université Michel de Montaigne – Bordeaux III

Le chorégraphe français Marius Petipa (1818-1910), qui a effectué la majeure partie d’une très longue carrière au service des Théâtres impériaux, est considéré comme l’inventeur… (more)

Subjects/Keywords: Ballet russe; Ballet français; Marius Petipa; Histoire de la danse; Histoire culturelle; Transfert culturel; Livret de ballet; Russian ballet; French ballet; Marius Petipas; Dance history; Cultural histoire; Cultural transfer; Ballet libretto

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nikitina, T. (2018). Le « ballet russe » de Marius Petipa : un exemple d'hybridation culturelle : The «Russian ballet» of Marius Petipa : an example of cultural hybridization. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2018BOR30060

Chicago Manual of Style (16th Edition):

Nikitina, Tatiana. “Le « ballet russe » de Marius Petipa : un exemple d'hybridation culturelle : The «Russian ballet» of Marius Petipa : an example of cultural hybridization.” 2018. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed July 14, 2020. http://www.theses.fr/2018BOR30060.

MLA Handbook (7th Edition):

Nikitina, Tatiana. “Le « ballet russe » de Marius Petipa : un exemple d'hybridation culturelle : The «Russian ballet» of Marius Petipa : an example of cultural hybridization.” 2018. Web. 14 Jul 2020.

Vancouver:

Nikitina T. Le « ballet russe » de Marius Petipa : un exemple d'hybridation culturelle : The «Russian ballet» of Marius Petipa : an example of cultural hybridization. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2018. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2018BOR30060.

Council of Science Editors:

Nikitina T. Le « ballet russe » de Marius Petipa : un exemple d'hybridation culturelle : The «Russian ballet» of Marius Petipa : an example of cultural hybridization. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2018. Available from: http://www.theses.fr/2018BOR30060

30. Piffaut, Ludovic. L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730).

Degree: Docteur es, Musicologie, 2012, Université François-Rabelais de Tours

L’univers médiéval tient une place importante dans la culture poétique italienne du XVème au XVIIIème siècle. Emblèmes de cet univers, les poèmes épiques de l’Arioste… (more)

Subjects/Keywords: Italie; Opéra; Moyen Âge; Dramma per musica; Représentation; Figures; Livret; Gerusalemme Liberata; Orlando Furioso; Venise; Naples; Air; Décor; Musicologie; Italia; Opera; Middle Ages; Dramma per musica; Representation; Figures; Libretto; Gerusalemme Liberata; Orlando Furioso; Venice; Naples; Air; Scenery; Musicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Piffaut, L. (2012). L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730). (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2012TOUR2006

Chicago Manual of Style (16th Edition):

Piffaut, Ludovic. “L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730).” 2012. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed July 14, 2020. http://www.theses.fr/2012TOUR2006.

MLA Handbook (7th Edition):

Piffaut, Ludovic. “L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730).” 2012. Web. 14 Jul 2020.

Vancouver:

Piffaut L. L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730). [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2012. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2012TOUR2006.

Council of Science Editors:

Piffaut L. L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730). [Doctoral Dissertation]. Université François-Rabelais de Tours; 2012. Available from: http://www.theses.fr/2012TOUR2006

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