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You searched for subject:(Kurt Weill). Showing records 1 – 10 of 10 total matches.

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University of Arizona

1. Amonson, Christina. Kurt Weill: Lieder to Legend, An Examination of Ofrah's Lieder & Frauentanz, Op. 10 .

Degree: 2012, University of Arizona

Kurt Weill (1900-1950) began his compositional career in Berlin and left his legacy on the American Broadway stage. This study includes an overview of the… (more)

Subjects/Keywords: Ofrah's Lieder; Music; Frauentanz; Kurt Weill

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APA (6th Edition):

Amonson, C. (2012). Kurt Weill: Lieder to Legend, An Examination of Ofrah's Lieder & Frauentanz, Op. 10 . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/265333

Chicago Manual of Style (16th Edition):

Amonson, Christina. “Kurt Weill: Lieder to Legend, An Examination of Ofrah's Lieder & Frauentanz, Op. 10 .” 2012. Doctoral Dissertation, University of Arizona. Accessed July 16, 2019. http://hdl.handle.net/10150/265333.

MLA Handbook (7th Edition):

Amonson, Christina. “Kurt Weill: Lieder to Legend, An Examination of Ofrah's Lieder & Frauentanz, Op. 10 .” 2012. Web. 16 Jul 2019.

Vancouver:

Amonson C. Kurt Weill: Lieder to Legend, An Examination of Ofrah's Lieder & Frauentanz, Op. 10 . [Internet] [Doctoral dissertation]. University of Arizona; 2012. [cited 2019 Jul 16]. Available from: http://hdl.handle.net/10150/265333.

Council of Science Editors:

Amonson C. Kurt Weill: Lieder to Legend, An Examination of Ofrah's Lieder & Frauentanz, Op. 10 . [Doctoral Dissertation]. University of Arizona; 2012. Available from: http://hdl.handle.net/10150/265333


University of Georgia

2. Fischer Quinn, Susanne. Vom Gebrauch der Gebrauchsmusik: Bertolt Brechts Kollaboration mit Paul Hindemith und Kurt Weill im Lehrstück und im Jasager.

Degree: MA, German, 2009, University of Georgia

 Diese Arbeit verfolgt die Bedeutung der Rolle der Musik in Bertolt Brechts Stücken Lehrstück und Jasager unter spezieller Berücksichtigung der Idee der Gebrauchsmusik. Dabei wird… (more)

Subjects/Keywords: Bertolt Brecht; Paul Hindemith; Kurt Weill; Weimarer Republik; Gebrauchsmusik; Lehrstück; Jasager

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APA (6th Edition):

Fischer Quinn, S. (2009). Vom Gebrauch der Gebrauchsmusik: Bertolt Brechts Kollaboration mit Paul Hindemith und Kurt Weill im Lehrstück und im Jasager. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/fischer_quinn_susanne_200905_ma

Chicago Manual of Style (16th Edition):

Fischer Quinn, Susanne. “Vom Gebrauch der Gebrauchsmusik: Bertolt Brechts Kollaboration mit Paul Hindemith und Kurt Weill im Lehrstück und im Jasager.” 2009. Masters Thesis, University of Georgia. Accessed July 16, 2019. http://purl.galileo.usg.edu/uga_etd/fischer_quinn_susanne_200905_ma.

MLA Handbook (7th Edition):

Fischer Quinn, Susanne. “Vom Gebrauch der Gebrauchsmusik: Bertolt Brechts Kollaboration mit Paul Hindemith und Kurt Weill im Lehrstück und im Jasager.” 2009. Web. 16 Jul 2019.

Vancouver:

Fischer Quinn S. Vom Gebrauch der Gebrauchsmusik: Bertolt Brechts Kollaboration mit Paul Hindemith und Kurt Weill im Lehrstück und im Jasager. [Internet] [Masters thesis]. University of Georgia; 2009. [cited 2019 Jul 16]. Available from: http://purl.galileo.usg.edu/uga_etd/fischer_quinn_susanne_200905_ma.

Council of Science Editors:

Fischer Quinn S. Vom Gebrauch der Gebrauchsmusik: Bertolt Brechts Kollaboration mit Paul Hindemith und Kurt Weill im Lehrstück und im Jasager. [Masters Thesis]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/fischer_quinn_susanne_200905_ma


Louisiana State University

3. Harrington, Alexander G. Directing The Threepenny Opera.

Degree: MFA, Theatre and Performance Studies, 2002, Louisiana State University

 This production thesis on directing Bertolt Brecht and Kurt Weill’s The Threepenny Opera is divided into two sections. The first section consists of four research/critical… (more)

Subjects/Keywords: die dreigroschenoper; kurt weill; bertolt brecht

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APA (6th Edition):

Harrington, A. G. (2002). Directing The Threepenny Opera. (Masters Thesis). Louisiana State University. Retrieved from etd-0320102-151248 ; https://digitalcommons.lsu.edu/gradschool_theses/4191

Chicago Manual of Style (16th Edition):

Harrington, Alexander G. “Directing The Threepenny Opera.” 2002. Masters Thesis, Louisiana State University. Accessed July 16, 2019. etd-0320102-151248 ; https://digitalcommons.lsu.edu/gradschool_theses/4191.

MLA Handbook (7th Edition):

Harrington, Alexander G. “Directing The Threepenny Opera.” 2002. Web. 16 Jul 2019.

Vancouver:

Harrington AG. Directing The Threepenny Opera. [Internet] [Masters thesis]. Louisiana State University; 2002. [cited 2019 Jul 16]. Available from: etd-0320102-151248 ; https://digitalcommons.lsu.edu/gradschool_theses/4191.

Council of Science Editors:

Harrington AG. Directing The Threepenny Opera. [Masters Thesis]. Louisiana State University; 2002. Available from: etd-0320102-151248 ; https://digitalcommons.lsu.edu/gradschool_theses/4191


University of North Texas

4. Wyatt, Susan Beth Masters. Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others.

Degree: 1993, University of North Texas

 During World War II the composer Kurt Weill was in America writing for the Broadway stage. On August 27, 1943, he became an American citizen… (more)

Subjects/Keywords: Kurt Weill; World War II; propaganda; songs; Weill, Kurt, 1900-1950. Walt Whitman songs. Selections.; Weill, Kurt, 1900-1950. Propaganda songs. Selections.

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APA (6th Edition):

Wyatt, S. B. M. (1993). Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277791/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wyatt, Susan Beth Masters. “Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others.” 1993. Thesis, University of North Texas. Accessed July 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc277791/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wyatt, Susan Beth Masters. “Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others.” 1993. Web. 16 Jul 2019.

Vancouver:

Wyatt SBM. Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Jul 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277791/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wyatt SBM. Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc277791/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Luleå University of Technology

5. Mannberg, Mikael. Kurt Weill och gitarren : En reflektion över användningen av knäppinstrument i verk av Kurt Weill skrivna under perioden 1927 - 1933.

Degree: 2013, Luleå University of Technology

Validerat; 20130829 (global_studentproject_submitter)

Subjects/Keywords: Fine Art; Konstnärligt arbete; Kurt Weill; Gitarr; Arrangemang; Komposition

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APA (6th Edition):

Mannberg, M. (2013). Kurt Weill och gitarren : En reflektion över användningen av knäppinstrument i verk av Kurt Weill skrivna under perioden 1927 - 1933. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-55268

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mannberg, Mikael. “Kurt Weill och gitarren : En reflektion över användningen av knäppinstrument i verk av Kurt Weill skrivna under perioden 1927 - 1933.” 2013. Thesis, Luleå University of Technology. Accessed July 16, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-55268.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mannberg, Mikael. “Kurt Weill och gitarren : En reflektion över användningen av knäppinstrument i verk av Kurt Weill skrivna under perioden 1927 - 1933.” 2013. Web. 16 Jul 2019.

Vancouver:

Mannberg M. Kurt Weill och gitarren : En reflektion över användningen av knäppinstrument i verk av Kurt Weill skrivna under perioden 1927 - 1933. [Internet] [Thesis]. Luleå University of Technology; 2013. [cited 2019 Jul 16]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-55268.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mannberg M. Kurt Weill och gitarren : En reflektion över användningen av knäppinstrument i verk av Kurt Weill skrivna under perioden 1927 - 1933. [Thesis]. Luleå University of Technology; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-55268

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Pastorelli, Vinícius Marques. Da irresistível peleja entre piratas e tubarões - um estudo sobre a parceria Brecht/Weill.

Degree: Mestrado, Teoria Literária e Literatura Comparada, 2014, University of São Paulo

Sob a perspectiva de um reexame do momento de formação do teatro épico contemporâneo, esta dissertação consiste num estudo sobre o trabalho colaborativo de Bertolt… (more)

Subjects/Keywords: Anti-capitalism; Anticapitalismo; Bertolt Brecht; Bertolt Brecht; Epic theater; Frank Wedekind; Frank Wedekind; Gebrauschmusik; Gebrauschmusik; Kurt Weill; Kurt Weill; Neue Musik; Neue Musik; Novembergruppe; Novembergruppe; Opera; Ópera; República de Weimar; Teatro épico; Weimar Republic

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APA (6th Edition):

Pastorelli, V. M. (2014). Da irresistível peleja entre piratas e tubarões - um estudo sobre a parceria Brecht/Weill. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8151/tde-12052015-100649/ ;

Chicago Manual of Style (16th Edition):

Pastorelli, Vinícius Marques. “Da irresistível peleja entre piratas e tubarões - um estudo sobre a parceria Brecht/Weill.” 2014. Masters Thesis, University of São Paulo. Accessed July 16, 2019. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-12052015-100649/ ;.

MLA Handbook (7th Edition):

Pastorelli, Vinícius Marques. “Da irresistível peleja entre piratas e tubarões - um estudo sobre a parceria Brecht/Weill.” 2014. Web. 16 Jul 2019.

Vancouver:

Pastorelli VM. Da irresistível peleja entre piratas e tubarões - um estudo sobre a parceria Brecht/Weill. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2019 Jul 16]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-12052015-100649/ ;.

Council of Science Editors:

Pastorelli VM. Da irresistível peleja entre piratas e tubarões - um estudo sobre a parceria Brecht/Weill. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-12052015-100649/ ;


Université de Montréal

7. Manitt, Russ. Winterreise et Die sieben Todsünden : un regard sur l’aliénation du sujet moderne .

Degree: 2013, Université de Montréal

 Cause principale du malaise moderne, l’aliénation désigne l’état de l’être humain qui est pris entre ce qu’il est et ce qu’il devrait être. Ma thèse… (more)

Subjects/Keywords: Aliénation; Alienation; Franz Schubert; Franz Schubert; Kurt Weill; Kurt Weill; Winterreise; Winterreise; Die sieben Todsünden; Die sieben Todsünden; Herméneutique; Hermeneutics; Esthétique; Aesthetics; Subjectivité; Subjectivity; Objectivité; Objectivity; Effet de distanciation; Distanciation effect

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APA (6th Edition):

Manitt, R. (2013). Winterreise et Die sieben Todsünden : un regard sur l’aliénation du sujet moderne . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/9724

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Manitt, Russ. “Winterreise et Die sieben Todsünden : un regard sur l’aliénation du sujet moderne .” 2013. Thesis, Université de Montréal. Accessed July 16, 2019. http://hdl.handle.net/1866/9724.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Manitt, Russ. “Winterreise et Die sieben Todsünden : un regard sur l’aliénation du sujet moderne .” 2013. Web. 16 Jul 2019.

Vancouver:

Manitt R. Winterreise et Die sieben Todsünden : un regard sur l’aliénation du sujet moderne . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Jul 16]. Available from: http://hdl.handle.net/1866/9724.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Manitt R. Winterreise et Die sieben Todsünden : un regard sur l’aliénation du sujet moderne . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/9724

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Badue, Alexandre. Comedy Tomorrow, Tragedy Tonight: Defining the Aesthetics of Tragedy on Broadway.

Degree: MM, College-Conservatory of Music: Music History, 2012, University of Cincinnati

  This study defines the aesthetics of tragedy in five Broadway musicals: Street Scene, West Side Story, Sweeny Todd, Miss Saigon, and Passion. By examining… (more)

Subjects/Keywords: Music; Musical Theater; Tragedy; Kurt Weill; Leonard Bernstein; Stephen Sondheim; Claude-Michel Schoenberg

Kurt Weill subtitled Street Scene a “dramatic musical in 1947, but changed it to “American… …study is Elmer Rice, Kurt Weill, and Langston Hughes’s Street Scene (1947)… …did not acquiesce until 1946, when Kurt Weill proposed such an adaptation. Rice himself… …ensembles, and some real songs too.”30 In my discussion I refer to Street Scene’s 29 Kurt Weill… …Scene: A Sourcebook, ed. Joanna Lee, Edward Harsh, and Kim Kowalke (New York: Kurt Weill… 

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APA (6th Edition):

Badue, A. (2012). Comedy Tomorrow, Tragedy Tonight: Defining the Aesthetics of Tragedy on Broadway. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342103090

Chicago Manual of Style (16th Edition):

Badue, Alexandre. “Comedy Tomorrow, Tragedy Tonight: Defining the Aesthetics of Tragedy on Broadway.” 2012. Masters Thesis, University of Cincinnati. Accessed July 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342103090.

MLA Handbook (7th Edition):

Badue, Alexandre. “Comedy Tomorrow, Tragedy Tonight: Defining the Aesthetics of Tragedy on Broadway.” 2012. Web. 16 Jul 2019.

Vancouver:

Badue A. Comedy Tomorrow, Tragedy Tonight: Defining the Aesthetics of Tragedy on Broadway. [Internet] [Masters thesis]. University of Cincinnati; 2012. [cited 2019 Jul 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342103090.

Council of Science Editors:

Badue A. Comedy Tomorrow, Tragedy Tonight: Defining the Aesthetics of Tragedy on Broadway. [Masters Thesis]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342103090


Arizona State University

9. Kimball, Abigail S. Kurt Weill's Little Masterpieces.

Degree: Performance, 2016, Arizona State University

Subjects/Keywords: Music; Fine arts; Knickerbocker Holiday; Kurt Weill; Lost in the Stars; One Touch of Venus; September Song; Speak Low

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APA (6th Edition):

Kimball, A. S. (2016). Kurt Weill's Little Masterpieces. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/38650

Chicago Manual of Style (16th Edition):

Kimball, Abigail S. “Kurt Weill's Little Masterpieces.” 2016. Doctoral Dissertation, Arizona State University. Accessed July 16, 2019. http://repository.asu.edu/items/38650.

MLA Handbook (7th Edition):

Kimball, Abigail S. “Kurt Weill's Little Masterpieces.” 2016. Web. 16 Jul 2019.

Vancouver:

Kimball AS. Kurt Weill's Little Masterpieces. [Internet] [Doctoral dissertation]. Arizona State University; 2016. [cited 2019 Jul 16]. Available from: http://repository.asu.edu/items/38650.

Council of Science Editors:

Kimball AS. Kurt Weill's Little Masterpieces. [Doctoral Dissertation]. Arizona State University; 2016. Available from: http://repository.asu.edu/items/38650

10. Babcock, Renee Elizabeth, 1963-. The operas of Hindemith, Krenek, and Weill : cultural trends in the Weimar Republic, 1918-1933.

Degree: Music, 1996, University of Texas – Austin

Subjects/Keywords: Hindemith, Paul, 1895-1963 – Operas; Krenek, Ernst, 1900-1991 – Operas; Weill, Kurt, 1900-1950 – Operas; Operas – Germany – 20th century; Music – Social aspects

…study, including Kurt Weill, Paul Hindemith, and Ernst Krenek, but much of that work has been… …Douglas Jarman, Kurt Weill : An Illustrated Biography (Bloomington: Indiana University… …collaborative efforts of Kurt Weill and Bertolt Brecht, especially The Threepenny Opera, arguably… …of Kurt Weill (New York: Holt, Rinehart and Winston, 1980). 3 Susan C. Cook… …Krenek, and Kurt Weill composed and produced during the entirety of the Weimar Republic, and… 

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APA (6th Edition):

Babcock, Renee Elizabeth, 1. (1996). The operas of Hindemith, Krenek, and Weill : cultural trends in the Weimar Republic, 1918-1933. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24415

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Babcock, Renee Elizabeth, 1963-. “The operas of Hindemith, Krenek, and Weill : cultural trends in the Weimar Republic, 1918-1933.” 1996. Thesis, University of Texas – Austin. Accessed July 16, 2019. http://hdl.handle.net/2152/24415.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Babcock, Renee Elizabeth, 1963-. “The operas of Hindemith, Krenek, and Weill : cultural trends in the Weimar Republic, 1918-1933.” 1996. Web. 16 Jul 2019.

Vancouver:

Babcock, Renee Elizabeth 1. The operas of Hindemith, Krenek, and Weill : cultural trends in the Weimar Republic, 1918-1933. [Internet] [Thesis]. University of Texas – Austin; 1996. [cited 2019 Jul 16]. Available from: http://hdl.handle.net/2152/24415.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Babcock, Renee Elizabeth 1. The operas of Hindemith, Krenek, and Weill : cultural trends in the Weimar Republic, 1918-1933. [Thesis]. University of Texas – Austin; 1996. Available from: http://hdl.handle.net/2152/24415

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.