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You searched for subject:(Keyboard concerto). Showing records 1 – 3 of 3 total matches.

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NSYSU

1. Chiang, Chia-jung. The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement.

Degree: Master, Music, 2015, NSYSU

The first movement of Johann Sebastian Bach's keyboard concertos was applied the ritornello form in 1720s. The first movement of Carl Philipp Emanuel Bach's keyboard concertos in 1738 had already showed the concept of sonata form on harmonie usage and materials in the solo sections. Up to 1784, the first movement of Mozart's keyboard concertos clearly had the coexistence of two forms. Theorist called it as "concerto-sonata form". This thesis mainly discuses Haydn's D Major Keyboard Concerto composed in 1784. In this concerto, the use of harmonies and the relationship between the orchestra and soloist is closed to Emanuel Bach's writing, but the using of the materials and themes are closed to Mozart's. In addition to the introduction and conclusion, this thesis includes three parts. Part one is explored the development of the first movement form of keyboard concertos before 1784. The second part describes Haydn's D Major Keyboard Concerto compositional background and related information. It also gives the evidence how Emanuel Bach and Mozart influenced Haydn's writhing. The third part analyses Haydn's D Major Keyboard Concerto first movement's form and function; the contents include the using of orchestration, harmonies, themes, motives; the relationship between the orchestra and soloist; and the cadenzas. Hopefully, through this research, we can find out the inheritance and innovation of Haydn's keyboard concertos. Advisors/Committee Members: Mei-Wen Lee (committee member), Chia-Hui Ko (chair), Kheng-Keow Koay (chair).

Subjects/Keywords: Concerto-Sonata Form; Ritornello Form; D Major Keyboard Concerto; C. P. E. Bach; Haydn

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chiang, C. (2015). The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0112115-014851

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chiang, Chia-jung. “The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement.” 2015. Thesis, NSYSU. Accessed October 18, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0112115-014851.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chiang, Chia-jung. “The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement.” 2015. Web. 18 Oct 2019.

Vancouver:

Chiang C. The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement. [Internet] [Thesis]. NSYSU; 2015. [cited 2019 Oct 18]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0112115-014851.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chiang C. The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0112115-014851

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

2. Peng, Mei-Jung. The London Music Society and the Keyboard Concerto of Johann Christian Bach.

Degree: Master, Music, 2000, NSYSU

The compositional periods of Johann Christian Bach, the youngest son of J. S. Bach, include Berlin, Italy, and London, and the keyboard concertos were written in Berlin and London. The works written in Berlin period were influenced by his brother, C. P. E. Bach, and the styles of those concertos written in London were created under the musical atmosphere of London society. The thesis is a study of the relationship between the London musical society and keyboard concertos of J. C. Bach. The discussion includes three chapters, in addition to the introduction and conclusion. Chapter one is the general discussions about the composer, the development of solo concerto, and historical background of the keyboard concerto in London. The second chapter focuses on the musical society in London in the second half of the eighteenth century. The third chapter contains detailed discussions of the style differences of the keyboard concertos composed by J. C. Bach between the Berlin and London periods. J. C. Bach was the private music tutor of Queen Charlotte, while traveling in London during 1762 to 1782. At the same time, he also participated in teaching, composing, performing, and organizing public concerts very actively. He wrote three sets of keyboard concertos, opus 1, 7, and 13. Each set includes six concertos, and each of which mainly contains two movements. The style of keyboard works of J. C. Bach are characterized by the pre-classical styles of symmetry and balance of the phrases. The concertos were written mostly for amateurs, and in order to satisfy the necessity of the musical market and teaching, the skill of the solo part was not technical demanding, they were simple. The concertos were composed for both harpsichord and piano, but more intended for the piano instrument, especially opus 7 and 13. The wealth economy, the improvement of manufacture techniques of the keyboard instrument, the prevailing public concerts, and the musical needs for Royal family and amateur musicians in London were the important reasons that effected the stylistic changing of J. C. Bachâs writing of keyboard concertos. Advisors/Committee Members: Tzyy-Sheng Lee (chair), Shun-Mei Tsai (committee member), (chair).

Subjects/Keywords: Johann Christian Bach; Keyboard concerto; London

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peng, M. (2000). The London Music Society and the Keyboard Concerto of Johann Christian Bach. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0626100-182740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peng, Mei-Jung. “The London Music Society and the Keyboard Concerto of Johann Christian Bach.” 2000. Thesis, NSYSU. Accessed October 18, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0626100-182740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peng, Mei-Jung. “The London Music Society and the Keyboard Concerto of Johann Christian Bach.” 2000. Web. 18 Oct 2019.

Vancouver:

Peng M. The London Music Society and the Keyboard Concerto of Johann Christian Bach. [Internet] [Thesis]. NSYSU; 2000. [cited 2019 Oct 18]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0626100-182740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peng M. The London Music Society and the Keyboard Concerto of Johann Christian Bach. [Thesis]. NSYSU; 2000. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0626100-182740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

3. Galeano, Elisa Braga. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.

Degree: DMA, Music, 2016, Louisiana State University

This document and the accompanying lecture/recital performance aim to call more attention to this intense and deeply emotional work. Focus will be placed on the technical challenges in the piano part while making recommendations for the performer when appropriate. As background, an overview of Rachmaninoff’s early life and work is presented in order to provide a clearer understanding of what led him to compose this trio. Of particular importance in the writing of this piece was the direct influence of Peter Tchaikovsky’s Trio, Op 50, which will also figure prominently in the background discussion.

Subjects/Keywords: considerations for the pianist; circular hand and arm movements; D minor trio; chamber music; technical challenges for pianist; concerto passages; a la memoire d’un grand artiste; heavy chordal sonorities; elevated wrist and arm; high thumb positions; keyboard cadenzas

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Galeano, E. B. (2016). Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125

Chicago Manual of Style (16th Edition):

Galeano, Elisa Braga. “Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.” 2016. Doctoral Dissertation, Louisiana State University. Accessed October 18, 2019. etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125.

MLA Handbook (7th Edition):

Galeano, Elisa Braga. “Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.” 2016. Web. 18 Oct 2019.

Vancouver:

Galeano EB. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. [Internet] [Doctoral dissertation]. Louisiana State University; 2016. [cited 2019 Oct 18]. Available from: etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125.

Council of Science Editors:

Galeano EB. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. [Doctoral Dissertation]. Louisiana State University; 2016. Available from: etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125

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