Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Keaton). Showing records 1 – 10 of 10 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


University of South Carolina

1. Womack, Damion. The Choral Music of Keaton Lee Scott With A Conductor’s Analysis Of Requiem.

Degree: DMA, School of Music, 2016, University of South Carolina

  In addition to the analysis of Requiem by K. Lee Scott, this document provides biographical information and compositional style characteristics. The study was informed… (more)

Subjects/Keywords: Arts and Humanities; Music; Other Music; Choral Music; Keaton Lee Scott; Conductor’s Analysis; Requiem

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Womack, D. (2016). The Choral Music of Keaton Lee Scott With A Conductor’s Analysis Of Requiem. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/3904

Chicago Manual of Style (16th Edition):

Womack, Damion. “The Choral Music of Keaton Lee Scott With A Conductor’s Analysis Of Requiem.” 2016. Doctoral Dissertation, University of South Carolina. Accessed January 26, 2020. https://scholarcommons.sc.edu/etd/3904.

MLA Handbook (7th Edition):

Womack, Damion. “The Choral Music of Keaton Lee Scott With A Conductor’s Analysis Of Requiem.” 2016. Web. 26 Jan 2020.

Vancouver:

Womack D. The Choral Music of Keaton Lee Scott With A Conductor’s Analysis Of Requiem. [Internet] [Doctoral dissertation]. University of South Carolina; 2016. [cited 2020 Jan 26]. Available from: https://scholarcommons.sc.edu/etd/3904.

Council of Science Editors:

Womack D. The Choral Music of Keaton Lee Scott With A Conductor’s Analysis Of Requiem. [Doctoral Dissertation]. University of South Carolina; 2016. Available from: https://scholarcommons.sc.edu/etd/3904


University of Pennsylvania

2. Schmenner, William Driscoll. How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash.

Degree: 2017, University of Pennsylvania

 How to Hit the Ground: Motion and Measurement in Moving Pictures before The Great Crash Will Schmenner Karen Redrobe, Advisor On December 21, 1914, the… (more)

Subjects/Keywords: Cinematic Motion; Keaton; Slapstick; Visual Habits; Film and Media Studies; History of Art, Architecture, and Archaeology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schmenner, W. D. (2017). How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schmenner, William Driscoll. “How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash.” 2017. Thesis, University of Pennsylvania. Accessed January 26, 2020. https://repository.upenn.edu/edissertations/2571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schmenner, William Driscoll. “How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash.” 2017. Web. 26 Jan 2020.

Vancouver:

Schmenner WD. How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash. [Internet] [Thesis]. University of Pennsylvania; 2017. [cited 2020 Jan 26]. Available from: https://repository.upenn.edu/edissertations/2571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schmenner WD. How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash. [Thesis]. University of Pennsylvania; 2017. Available from: https://repository.upenn.edu/edissertations/2571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

3. Barata, Ricardo Gouveia da Costa. O real sublimado: elementos surrealistas nos filmes de Buster Keaton.

Degree: 2010, Universidade de Lisboa

Tese de mestrado, Estudos Anglísticos, Universidade de Lisboa, Faculdade de Letras, 2010

Os filmes de Buster Keaton são comédias mudas, que, antes de mais, se… (more)

Subjects/Keywords: Keaton, Buster, 1895-1966; Cinema - Estados Unidos da América - séc.20; Estética; Surrealismo; Teses de mestrado - 2010

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barata, R. G. d. C. (2010). O real sublimado: elementos surrealistas nos filmes de Buster Keaton. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/2621

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barata, Ricardo Gouveia da Costa. “O real sublimado: elementos surrealistas nos filmes de Buster Keaton.” 2010. Thesis, Universidade de Lisboa. Accessed January 26, 2020. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/2621.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barata, Ricardo Gouveia da Costa. “O real sublimado: elementos surrealistas nos filmes de Buster Keaton.” 2010. Web. 26 Jan 2020.

Vancouver:

Barata RGdC. O real sublimado: elementos surrealistas nos filmes de Buster Keaton. [Internet] [Thesis]. Universidade de Lisboa; 2010. [cited 2020 Jan 26]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/2621.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barata RGdC. O real sublimado: elementos surrealistas nos filmes de Buster Keaton. [Thesis]. Universidade de Lisboa; 2010. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/2621

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Moreira de Almeida Nazareth, Antonio. Cops.

Degree: DMA, Music, 2016, University of Kansas

 This work is a musical score for Buster Keaton's 1922 short film "Cops."1 The music revisits the great 'Cop Show' soundtracks of the 1960s and… (more)

Subjects/Keywords: Music; Buster Keaton; Cops; Film; Sound design; Tony Moreira

…x29; 3.!Keaton’!Blues!(music)! 4.!Calling!the!Moving!Company!(intertitle)… …Smith’s!Office!(incidental)! 16.!Mr.!Keaton!Retrieves!His!Hat!(incidental)… …19.!Chasing!Mr.!Keaton!(music)! 20.!Farewell!(incidental)! 21.!Closing… …U̇ ˙˙˙ ww w ww * 14 3. Keaton's Blues Swing! ŒÂ = Œ lj q = 130 00:01:35.000 4… …Keaton arrives with the wagon ! b 3 &bb 4 6 Vln. I ! ¿ Violin II 6 Pno. 00:04:51.000… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moreira de Almeida Nazareth, A. (2016). Cops. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24153

Chicago Manual of Style (16th Edition):

Moreira de Almeida Nazareth, Antonio. “Cops.” 2016. Doctoral Dissertation, University of Kansas. Accessed January 26, 2020. http://hdl.handle.net/1808/24153.

MLA Handbook (7th Edition):

Moreira de Almeida Nazareth, Antonio. “Cops.” 2016. Web. 26 Jan 2020.

Vancouver:

Moreira de Almeida Nazareth A. Cops. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/1808/24153.

Council of Science Editors:

Moreira de Almeida Nazareth A. Cops. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24153


University of Newcastle

5. Johnston, Phillip. The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

The medium of contemporary scores for silent film offers extraordinary opportunities for innovative relationships between music and film.… (more)

Subjects/Keywords: silent film music; silent film scores; Clubfoot Orchestra; Alloy Orchestra; Gary Lucas; Black Francis; F.W. Murnau; Buster Keaton; Phillip Johnston; film music; film scoring; polysynchronous; polysynchronicity; asynchronous film music; jazz in film music; Georges Méliès; Einhorn

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johnston, P. (2015). The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1306492

Chicago Manual of Style (16th Edition):

Johnston, Phillip. “The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film.” 2015. Doctoral Dissertation, University of Newcastle. Accessed January 26, 2020. http://hdl.handle.net/1959.13/1306492.

MLA Handbook (7th Edition):

Johnston, Phillip. “The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film.” 2015. Web. 26 Jan 2020.

Vancouver:

Johnston P. The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/1959.13/1306492.

Council of Science Editors:

Johnston P. The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1306492


McGill University

6. Saint-Pierre, Leopold George Henry. Buster Keaton and things : an analysis of Keaton as a uniquely Twentieth-century artist.

Degree: MA, Department of English, 1976, McGill University

Subjects/Keywords: Keaton, Buster, 1895-1966.; Silent films  – History and criticism.; Comedy films  – History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saint-Pierre, L. G. H. (1976). Buster Keaton and things : an analysis of Keaton as a uniquely Twentieth-century artist. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile52016.pdf

Chicago Manual of Style (16th Edition):

Saint-Pierre, Leopold George Henry. “Buster Keaton and things : an analysis of Keaton as a uniquely Twentieth-century artist.” 1976. Masters Thesis, McGill University. Accessed January 26, 2020. http://digitool.library.mcgill.ca/thesisfile52016.pdf.

MLA Handbook (7th Edition):

Saint-Pierre, Leopold George Henry. “Buster Keaton and things : an analysis of Keaton as a uniquely Twentieth-century artist.” 1976. Web. 26 Jan 2020.

Vancouver:

Saint-Pierre LGH. Buster Keaton and things : an analysis of Keaton as a uniquely Twentieth-century artist. [Internet] [Masters thesis]. McGill University; 1976. [cited 2020 Jan 26]. Available from: http://digitool.library.mcgill.ca/thesisfile52016.pdf.

Council of Science Editors:

Saint-Pierre LGH. Buster Keaton and things : an analysis of Keaton as a uniquely Twentieth-century artist. [Masters Thesis]. McGill University; 1976. Available from: http://digitool.library.mcgill.ca/thesisfile52016.pdf

7. Hwang, Chan Hee. “Hieroglyphic Civilization”: The Text On Screen In Early Twentieth Century American Silent Films.

Degree: PhD, English, 2016, Texas A&M University

 This dissertation investigates the significance of onscreen textual elements— intertitles, and inserts and props with text on them—during the silent film era by defining them… (more)

Subjects/Keywords: Cecil B. DeMille; D. W. Griffith; Buster Keaton; Hieroglyph; Silent Film; Intertitle

…W. Griffith, and Buster Keaton, I demonstrate that this contrast of visual and literary… …simultaneously explores how film directors 6 DeMille, Griffith, and Keaton utilize and, at the same… …Griffith and Keaton are examined as two extremes concerning the presence of text on screen… …Griffith actively uses intertitles to establish authorship, while Keaton overtly criticizes… …and Keaton. The third chapter, A Right Conceded to the Art of the Written Word’: D. W… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hwang, C. H. (2016). “Hieroglyphic Civilization”: The Text On Screen In Early Twentieth Century American Silent Films. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/158067

Chicago Manual of Style (16th Edition):

Hwang, Chan Hee. ““Hieroglyphic Civilization”: The Text On Screen In Early Twentieth Century American Silent Films.” 2016. Doctoral Dissertation, Texas A&M University. Accessed January 26, 2020. http://hdl.handle.net/1969.1/158067.

MLA Handbook (7th Edition):

Hwang, Chan Hee. ““Hieroglyphic Civilization”: The Text On Screen In Early Twentieth Century American Silent Films.” 2016. Web. 26 Jan 2020.

Vancouver:

Hwang CH. “Hieroglyphic Civilization”: The Text On Screen In Early Twentieth Century American Silent Films. [Internet] [Doctoral dissertation]. Texas A&M University; 2016. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/1969.1/158067.

Council of Science Editors:

Hwang CH. “Hieroglyphic Civilization”: The Text On Screen In Early Twentieth Century American Silent Films. [Doctoral Dissertation]. Texas A&M University; 2016. Available from: http://hdl.handle.net/1969.1/158067


Georgia State University

8. Cossar, John Harper. Snakes and Funerals: Aesthetics and American Widescreen Films.

Degree: PhD, Communication, 2007, Georgia State University

 The study of widescreen cinema historically has been under analyzed with regard to aesthetics. This project examines the visual poetics of the wide frame from… (more)

Subjects/Keywords: Widescreen; HDTV; Letterbox; CinemaScope; Auteur; Genre; Preminger; Tashlin; Ray; Sirk; Fleischer; Griffith; Gance; Keaton; Aesthetics; Aspect ratio; Communication

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cossar, J. H. (2007). Snakes and Funerals: Aesthetics and American Widescreen Films. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/12

Chicago Manual of Style (16th Edition):

Cossar, John Harper. “Snakes and Funerals: Aesthetics and American Widescreen Films.” 2007. Doctoral Dissertation, Georgia State University. Accessed January 26, 2020. https://scholarworks.gsu.edu/communication_diss/12.

MLA Handbook (7th Edition):

Cossar, John Harper. “Snakes and Funerals: Aesthetics and American Widescreen Films.” 2007. Web. 26 Jan 2020.

Vancouver:

Cossar JH. Snakes and Funerals: Aesthetics and American Widescreen Films. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2020 Jan 26]. Available from: https://scholarworks.gsu.edu/communication_diss/12.

Council of Science Editors:

Cossar JH. Snakes and Funerals: Aesthetics and American Widescreen Films. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_diss/12

9. Roche, Carles. La Sombra del coloso: figura y fondo en el género de monstruos gigantes.

Degree: Departament de Comunicació, 2016, Universitat Pompeu Fabra

 Taking as a starting point the Figure/Background division as established in art theory, this work tries first to reframe it within the cinematographic studies, and… (more)

Subjects/Keywords: Godzilla; Monstruo gigante; Estética; Fantasía; Cine; Figura y fondo; Espacio; Perspectiva; Cloverfield; Ishirō Honda; Buster Keaton; Lacan; Orden simbólico; Pierre Schneider; Grund; Abgrund; Extimité; Perspectiva invertida; Miniatura; Warped Space; Nachleben; Didi-Huberman; Alien; Masculino; Femenino; Andreas Gursky; Matt Reeves; Hitoshi Matsumoto; Gareth Edwards; Michael Yevzlin; Mito; Cosmogonía; Giant Monster; Aesthetics; Fantasy; Cinema; Figure and Background; Space; Perspective; Symbolic Order; Inverted Perspective; Miniature; Warped space; Masculine; Feminine; Myth; Cosmogony; 316

…personajes 40 Keaton o el fondo intercambiable 43 La desmesura como eje de la relación figura-fondo… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Roche, C. (2016). La Sombra del coloso: figura y fondo en el género de monstruos gigantes. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/385362

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roche, Carles. “La Sombra del coloso: figura y fondo en el género de monstruos gigantes.” 2016. Thesis, Universitat Pompeu Fabra. Accessed January 26, 2020. http://hdl.handle.net/10803/385362.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roche, Carles. “La Sombra del coloso: figura y fondo en el género de monstruos gigantes.” 2016. Web. 26 Jan 2020.

Vancouver:

Roche C. La Sombra del coloso: figura y fondo en el género de monstruos gigantes. [Internet] [Thesis]. Universitat Pompeu Fabra; 2016. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10803/385362.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roche C. La Sombra del coloso: figura y fondo en el género de monstruos gigantes. [Thesis]. Universitat Pompeu Fabra; 2016. Available from: http://hdl.handle.net/10803/385362

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

10. Goldsmith, Melissa Ursula Dawn. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.

Degree: PhD, Music, 2001, Louisiana State University

 The music composed to accompany the film in Berg’s Opera Lulu – the “Film Music Interlude” (FMI) – is the subject of this study. Although this is… (more)

Subjects/Keywords: phenomenology; auteur; sir adrian boult; genre criticism; david headlam; charles gounod; commodity music; listening; kitsch; glückliche hand; begleitungsmusik; von heute auf morgen; benjamin fondane; double agents; vienna; body missing; cinema lighting; scenarist-composer; film editing; die weltbühne; audience; camera angle; film directing; sociological studies; georges altman; other condition; culture industry; festivals; magic lantern shows; immediate apprehension; exhibitions; roman clemens; ostinato; musical form; le boeuf sur le toit; george perle; semiotics; willi reich; fragment; louis giannetti; patricia hall; music analysis; dave headlam; edward cone; cinematography; filmography; fermata; midpoint; curtain music; dr. schön; symmetry; vivace; central axis; countess geschwitz; alwa; sempre agitato; calmando; tumultuoso; cinema spectatorship; ernst krenek; opera spectatorship; agitato; zurich stadtarchiv; berlin; sempre vivace; igor stravinsky; béla bartók; stadtarchiv zürich; tartuffe; maurice ravel; erik satie; christoph colomb; wozzeck; film content; alfred rosenzweig; hans haug; madeleine milhaud; figaro (serial publication); karl heinrich david; time (serial publication); paul stefan; wipes; news-week (serial publication); g. w. pabst; karl kraus; musical frames; rhythmic match; umberto eco; pandora's box; eüchse der pandora; frame; louise brooks; expressionism; lulu suite; narratology; frans mansreel; symphonic pieces from the opera lulu; otto falkenberg; filmmaking; erdgeist; continuity; cinema; aesthetics; 20th-century; the blue angel; jackie coogan; cinema music; oliver hardy; buster keaton; theodore storm; anton webern; erwin stein; winfried zillig; double roles; laurel and hardy; der blaue angel; the white horserider; film editing techniques; film spectatorship; establishing shots; stan laurel; silent film; musical performance; frames; camera shots; silent cinema; othmar schoeck; classicism; screen image; extreme; realism; film sequence; tempo (film production company); heinz rückert; hans rudolf meyer; formalism; bahrija nuri-hadzic; trumpet fanfare; peter baxevanos; dramaturgy; herbert blumer; asger stig; hanns eisler; der schimmelreiter; heinrich jalowetz; palindrome; motion picture; motion picture music; character representation; fade; zurich; fades; normal condition; immediacy; camera techniques; scenarist-director; documentary; murder; serial killer; philip m. hauser; women's studies; feminism; lesbianism; film noir; femme fatale; emotional possession; emotional detachment; b-grade film; universal edition; emil hertzka; alfred einstein; lantern slides; film projections; painting filmstrips; richard strauss; max horkheimer; shop girl

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goldsmith, M. U. D. (2001). Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351

Chicago Manual of Style (16th Edition):

Goldsmith, Melissa Ursula Dawn. “Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.” 2001. Doctoral Dissertation, Louisiana State University. Accessed January 26, 2020. etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351.

MLA Handbook (7th Edition):

Goldsmith, Melissa Ursula Dawn. “Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.” 2001. Web. 26 Jan 2020.

Vancouver:

Goldsmith MUD. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. [Internet] [Doctoral dissertation]. Louisiana State University; 2001. [cited 2020 Jan 26]. Available from: etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351.

Council of Science Editors:

Goldsmith MUD. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. [Doctoral Dissertation]. Louisiana State University; 2001. Available from: etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351

.