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You searched for subject:(Katharine Hepburn). Showing records 1 – 2 of 2 total matches.

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University of Iceland

1. Díana Ellen Hamilton 1990. Strákastelpan og félagslegar formgerðir. Katharine Hepburn.

Degree: 2016, University of Iceland

Í þessari ritgerð verður fjallað um hvernig í samfélaginu leynast ólíkar formgerðir manna og hvernig út frá þeim geta myndast staðalímyndir. Upphaf stjörnukerfisins verður skoðað stuttlega og litið til tengsla þess við upphafsdaga stúdíókerfisins í Hollywood. Þá verður skoðað hvað það er sem á þátt í að móta ímynd stjörnunnar og hver áhrif hennar eru á aðdáendur. Kenningar Orrin E. Klapp verða skoðaðar en hann þróaði hugtakið um félagslegar formgerðir og nefnir þrjár sem hann telur ráðandi, þær eru góði gæinn, töffarinn og skvísan. Katharine Hepburn verður tekin sem dæmi um kvenstjörnu sem ekki þótti passa inn í ráðandi formgerðir í samfélaginu en hún hafði þá ímynd að vera strákastelpa. Strákastelpa er hugtak sem verður skoðað með bókina Tomboys eftir Michelle Ann Abate til stuðnings. Farið verður stuttlega í æsku og feril Hepburn með hjálp ævisagna sem skrifaðar hafa verið um hana. Talið er að uppeldi hennar hafi átt stóran þátt í mótun hennar sem einstaklings og átti hún að hafa tekið oft að sér hlutverk í kvikmyndum sem voru keimlík hennar eigin persónuleika sem átti að útskýra hversvegna hún fékk meira lof fyrir frammistöðu sína í þeim kvikmyndum en öðrum.

Subjects/Keywords: Kvikmyndafræði; Hepburn, Katharine, 1907-2003; Staðalímyndir; Formgerðir

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

1990, D. E. H. (2016). Strákastelpan og félagslegar formgerðir. Katharine Hepburn. (Thesis). University of Iceland. Retrieved from http://hdl.handle.net/1946/24492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

1990, Díana Ellen Hamilton. “Strákastelpan og félagslegar formgerðir. Katharine Hepburn.” 2016. Thesis, University of Iceland. Accessed October 20, 2019. http://hdl.handle.net/1946/24492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

1990, Díana Ellen Hamilton. “Strákastelpan og félagslegar formgerðir. Katharine Hepburn.” 2016. Web. 20 Oct 2019.

Vancouver:

1990 DEH. Strákastelpan og félagslegar formgerðir. Katharine Hepburn. [Internet] [Thesis]. University of Iceland; 2016. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/1946/24492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1990 DEH. Strákastelpan og félagslegar formgerðir. Katharine Hepburn. [Thesis]. University of Iceland; 2016. Available from: http://hdl.handle.net/1946/24492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

2. Navarro, Heather Leeann. Two-faced: the image of the female political journalist in American film.

Degree: MA, Journalism, 2014, University of Southern California

While the image of the female journalist in popular culture has been explored, female journalists specifically in the political sphere have not. This body of work aims to define the traits, quirks, and ethics of the female political journalist in American film. The existing documentation shows that the female journalist certainly starts out tough, even abrasive, smart, resilient, and proud to be called a “newspaperman.” Inevitably, though, by the end of the film she melts like butter—all too willing to give up the excitement of a fulfilling career to be a housewife—to bring slippers and a sandwich to a man. This work will show how similar and how different this image is to the one digging around in the political world. This work aims to define the female political journalist in American film from the 1940s to current day. ❧ The image of the female political journalist in film is one of someone who imparts knowledge to the general public while embodying stereotypes. If the public believes in the image of the female political journalist based on films alone, the female political journalist is a walking cliché—a smart but lonely spinster. A harpy. An intelligent woman who encompasses masculine traits because to be smart is to be in power—and to be in power is masculine. ❧ A male political journalist is often seen as intelligent, and is respected, according to He Wrote, She Wrote: Journalist Gender, Political Office, and Campaign News. In the films explored, the image of the male political journalist is often portrayed as intelligent and respected, falling in line with this description. If the average person were to view only these images, he or she would believe that regardless of how intelligent and strong a female political journalist is, she will ultimately yield to a stronger and smarter man. Advisors/Committee Members: Saltzman, Joseph (Committee Chair), Hollihan, Thomas (Committee Member), Leonard, John (Committee Member).

Subjects/Keywords: film; American film; politics; female reporter; female journalist; female; journalism; gender; gender gap; broadcast journalism; image of the female journalist; image of the journalist; Joe Saltzman; Howard Good; girl reporter; sob sisters; sob sister; spinster; journalism ethics; sex; Frank Capra; Washington story; The ides of March; Thank you for smoking; Woman of the year; State of play; Madison Avenue; The senator was indiscreet; Nothing but the truth; Lions for lambs; Katharine Hepburn; Ida Horowicz; Tess Harding; Alice Kingsley; Heather Holloway; Della Frye; Rachel Armstrong; Poppy McNaughton; Peggy Shannon; Janine Roth; movies; girl journalist; woman journalist; women in movies; women in film; IJPC; Judy Muller; Seema Mehta; Robin Abcarian; Abby Sewell; gender relations; women in journalism; American media; female journalists in film

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Navarro, H. L. (2014). Two-faced: the image of the female political journalist in American film. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/382795/rec/7631

Chicago Manual of Style (16th Edition):

Navarro, Heather Leeann. “Two-faced: the image of the female political journalist in American film.” 2014. Masters Thesis, University of Southern California. Accessed October 20, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/382795/rec/7631.

MLA Handbook (7th Edition):

Navarro, Heather Leeann. “Two-faced: the image of the female political journalist in American film.” 2014. Web. 20 Oct 2019.

Vancouver:

Navarro HL. Two-faced: the image of the female political journalist in American film. [Internet] [Masters thesis]. University of Southern California; 2014. [cited 2019 Oct 20]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/382795/rec/7631.

Council of Science Editors:

Navarro HL. Two-faced: the image of the female political journalist in American film. [Masters Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/382795/rec/7631

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