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You searched for subject:(John Zorn). Showing records 1 – 4 of 4 total matches.

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University of North Texas

1. Campbell, Andrew. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .

Degree: 2016, University of North Texas

 This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore… (more)

Subjects/Keywords: Music; Composition; Collage; Super Tempo; John Zorn; George Rochberg; Charles Ives; For Your Eyes Only; Cat O' Nine Tails; Tempered Confetti; Venni, Viddi,  –; Music

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APA (6th Edition):

Campbell, A. (2016). Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campbell, Andrew. “Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .” 2016. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc862786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campbell, Andrew. “Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .” 2016. Web. 15 Nov 2019.

Vancouver:

Campbell A. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell A. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Kolek, Adam John. "Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn.

Degree: PhD, Music, 2013, U of Massachusetts : PhD

  This dissertation examines the linear sequence of segments in musical collages composed by John Zorn between 1988 and 1993. In addition to the use… (more)

Subjects/Keywords: Collage; John Zorn; Paradigmatic Analysis; Postmodernism; Semiotics; Music; Music Theory

…155 xiii INTRODUCTION This dissertation examines collage music composed by John Zorn… …musical unity in his pieces. John Brackett notes that Zorn employs various unifying strategies… …CONSTRUCTION OF AN ALBUM .................................114 Zorn and Musical Games… …unprecedented level of heterogeneity in the musical language” (2009, 57). 2 John Brackett… …x28;1995, 22). John Brackett challenges this view of Zorn’s music (2008, xvii)… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kolek, A. J. (2013). "Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn. (Doctoral Dissertation). U of Massachusetts : PhD. Retrieved from https://scholarworks.umass.edu/open_access_dissertations/733

Chicago Manual of Style (16th Edition):

Kolek, Adam John. “"Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn.” 2013. Doctoral Dissertation, U of Massachusetts : PhD. Accessed November 15, 2019. https://scholarworks.umass.edu/open_access_dissertations/733.

MLA Handbook (7th Edition):

Kolek, Adam John. “"Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn.” 2013. Web. 15 Nov 2019.

Vancouver:

Kolek AJ. "Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn. [Internet] [Doctoral dissertation]. U of Massachusetts : PhD; 2013. [cited 2019 Nov 15]. Available from: https://scholarworks.umass.edu/open_access_dissertations/733.

Council of Science Editors:

Kolek AJ. "Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn. [Doctoral Dissertation]. U of Massachusetts : PhD; 2013. Available from: https://scholarworks.umass.edu/open_access_dissertations/733


Queensland University of Technology

3. Vickery, Lindsay Ross. Exploring new and emerging models for nonlinear performative works.

Degree: 2011, Queensland University of Technology

 This dissertation seeks to define and classify potential forms of Nonlinear structure and explore the possibilities they afford for the creation of new musical works.… (more)

Subjects/Keywords: nonlinear music, parametrical discontinuity, discrete, non-contingent, noncompressible, sequential structure, multilinear structure, nonlinear narrative, referential structure, spectrogram, parametrical disjunction, Charles Ives, Igor Stravinsky; Arnold Schoenberg, Olivier Messiaen, Karlheinz Stockhausen, Pierre Boulez, Pierre Schaeffer, Iannis Xenakis, Luciano Berio and Earle Brown, James tenney, John Zorn

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vickery, L. R. (2011). Exploring new and emerging models for nonlinear performative works. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/63499/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vickery, Lindsay Ross. “Exploring new and emerging models for nonlinear performative works.” 2011. Thesis, Queensland University of Technology. Accessed November 15, 2019. https://eprints.qut.edu.au/63499/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vickery, Lindsay Ross. “Exploring new and emerging models for nonlinear performative works.” 2011. Web. 15 Nov 2019.

Vancouver:

Vickery LR. Exploring new and emerging models for nonlinear performative works. [Internet] [Thesis]. Queensland University of Technology; 2011. [cited 2019 Nov 15]. Available from: https://eprints.qut.edu.au/63499/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vickery LR. Exploring new and emerging models for nonlinear performative works. [Thesis]. Queensland University of Technology; 2011. Available from: https://eprints.qut.edu.au/63499/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Wilson, Steven. The radical music of John Zorn, Diamanda Galás, and Merzbow: a hermeneutic approach to expressive noise.

Degree: PhD, 1481, 2014, University of Illinois – Urbana-Champaign

 Music at the turn of the twenty-first century has expanded in new, previously inconceivable directions, many of which espouse a newfound freedom from dominant models… (more)

Subjects/Keywords: Hermeneutics; Experimental Music; John Zorn; Diamanda Galas; Merzbow; Jacques Lacan; Paul Ricoeur

…three such streams of radical music by John Zorn, Diamanda Galás, and Merzbow. I define… …John Zorn demonstrates the limitations of divisions between musical hiererachies of value, as… …with Zorn include: John Brackett, John Zorn: Tradition and Transgression (Bloomington… …Works,” in John Zorn: Tradition and Transgression (Bloomington: Indiana University Press… …Make: The Music of John Mellencamp, David Bowie, and John Zorn,” Popular Music 12, no. 2… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, S. (2014). The radical music of John Zorn, Diamanda Galás, and Merzbow: a hermeneutic approach to expressive noise. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/50554

Chicago Manual of Style (16th Edition):

Wilson, Steven. “The radical music of John Zorn, Diamanda Galás, and Merzbow: a hermeneutic approach to expressive noise.” 2014. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed November 15, 2019. http://hdl.handle.net/2142/50554.

MLA Handbook (7th Edition):

Wilson, Steven. “The radical music of John Zorn, Diamanda Galás, and Merzbow: a hermeneutic approach to expressive noise.” 2014. Web. 15 Nov 2019.

Vancouver:

Wilson S. The radical music of John Zorn, Diamanda Galás, and Merzbow: a hermeneutic approach to expressive noise. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2014. [cited 2019 Nov 15]. Available from: http://hdl.handle.net/2142/50554.

Council of Science Editors:

Wilson S. The radical music of John Zorn, Diamanda Galás, and Merzbow: a hermeneutic approach to expressive noise. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/50554

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