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You searched for subject:(Japanese animation). Showing records 1 – 21 of 21 total matches.

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University of Georgia

1. Zhang, Jingyi. Chinese references in Japanese animation.

Degree: 2018, University of Georgia

Japanese animation, also known as anime, is very popular in Japan, and it is also exported to many countries. Anime can be considered as a… (more)

Subjects/Keywords: Anime; Japanese animation; Chinese culture; Intertextuality

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APA (6th Edition):

Zhang, J. (2018). Chinese references in Japanese animation. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/37245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhang, Jingyi. “Chinese references in Japanese animation.” 2018. Thesis, University of Georgia. Accessed January 26, 2021. http://hdl.handle.net/10724/37245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhang, Jingyi. “Chinese references in Japanese animation.” 2018. Web. 26 Jan 2021.

Vancouver:

Zhang J. Chinese references in Japanese animation. [Internet] [Thesis]. University of Georgia; 2018. [cited 2021 Jan 26]. Available from: http://hdl.handle.net/10724/37245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhang J. Chinese references in Japanese animation. [Thesis]. University of Georgia; 2018. Available from: http://hdl.handle.net/10724/37245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

2. Zhang, Jingyi. Chinese references in Japanese animation.

Degree: 2018, University of Georgia

Japanese animation, also known as anime, is very popular in Japan, and it is also exported to many countries. Anime can be considered as a… (more)

Subjects/Keywords: Anime; Japanese animation; Chinese culture; Intertextuality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, J. (2018). Chinese references in Japanese animation. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/37088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhang, Jingyi. “Chinese references in Japanese animation.” 2018. Thesis, University of Georgia. Accessed January 26, 2021. http://hdl.handle.net/10724/37088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhang, Jingyi. “Chinese references in Japanese animation.” 2018. Web. 26 Jan 2021.

Vancouver:

Zhang J. Chinese references in Japanese animation. [Internet] [Thesis]. University of Georgia; 2018. [cited 2021 Jan 26]. Available from: http://hdl.handle.net/10724/37088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhang J. Chinese references in Japanese animation. [Thesis]. University of Georgia; 2018. Available from: http://hdl.handle.net/10724/37088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

3. Papp, Zilia. Investigating the influence of Edo and Meiji period monster art on contemporary Japanese visual media.

Degree: English, Media, & Performing Arts, 2008, University of New South Wales

 AbstractJapanese anime being an important part of modern and contemporary popular visual culture, its aesthetic merits, its roots in Japanese visual arts as well as… (more)

Subjects/Keywords: media; Japanese; animation

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APA (6th Edition):

Papp, Z. (2008). Investigating the influence of Edo and Meiji period monster art on contemporary Japanese visual media. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/41276 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3742/SOURCE2?view=true

Chicago Manual of Style (16th Edition):

Papp, Zilia. “Investigating the influence of Edo and Meiji period monster art on contemporary Japanese visual media.” 2008. Doctoral Dissertation, University of New South Wales. Accessed January 26, 2021. http://handle.unsw.edu.au/1959.4/41276 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3742/SOURCE2?view=true.

MLA Handbook (7th Edition):

Papp, Zilia. “Investigating the influence of Edo and Meiji period monster art on contemporary Japanese visual media.” 2008. Web. 26 Jan 2021.

Vancouver:

Papp Z. Investigating the influence of Edo and Meiji period monster art on contemporary Japanese visual media. [Internet] [Doctoral dissertation]. University of New South Wales; 2008. [cited 2021 Jan 26]. Available from: http://handle.unsw.edu.au/1959.4/41276 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3742/SOURCE2?view=true.

Council of Science Editors:

Papp Z. Investigating the influence of Edo and Meiji period monster art on contemporary Japanese visual media. [Doctoral Dissertation]. University of New South Wales; 2008. Available from: http://handle.unsw.edu.au/1959.4/41276 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3742/SOURCE2?view=true


University of Colorado

4. Saint-Oyant, Melanie. Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon.

Degree: MA, 2017, University of Colorado

Animation has been regarded as a marginalized medium, one that can carry nonnormative messages. The queerness of animation can be found in its form,… (more)

Subjects/Keywords: animation; Japanese animation; queer aesthetics; queer animation; queer strategies; Satoshi Kon; Film and Media Studies

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APA (6th Edition):

Saint-Oyant, M. (2017). Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/arth_gradetds/38

Chicago Manual of Style (16th Edition):

Saint-Oyant, Melanie. “Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon.” 2017. Masters Thesis, University of Colorado. Accessed January 26, 2021. https://scholar.colorado.edu/arth_gradetds/38.

MLA Handbook (7th Edition):

Saint-Oyant, Melanie. “Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon.” 2017. Web. 26 Jan 2021.

Vancouver:

Saint-Oyant M. Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon. [Internet] [Masters thesis]. University of Colorado; 2017. [cited 2021 Jan 26]. Available from: https://scholar.colorado.edu/arth_gradetds/38.

Council of Science Editors:

Saint-Oyant M. Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon. [Masters Thesis]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/arth_gradetds/38


Drexel University

5. Liang, Du. Japanese Cultural Gestures in Animation analysis of how social status and Japanese seniority system are illustrated in Japanese animation.

Degree: 2014, Drexel University

Through the analysis of Japanese animation, the research question of this project is: How are seniority systems represented in Japanese animation? Examples will be documented… (more)

Subjects/Keywords: Digital Media; Japanese – Ethnic identity – Animation (Cinematography); Animation (Cinematography) – Japan; Gestures – Japan

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APA (6th Edition):

Liang, D. (2014). Japanese Cultural Gestures in Animation analysis of how social status and Japanese seniority system are illustrated in Japanese animation. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/4477

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liang, Du. “Japanese Cultural Gestures in Animation analysis of how social status and Japanese seniority system are illustrated in Japanese animation.” 2014. Thesis, Drexel University. Accessed January 26, 2021. http://hdl.handle.net/1860/4477.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liang, Du. “Japanese Cultural Gestures in Animation analysis of how social status and Japanese seniority system are illustrated in Japanese animation.” 2014. Web. 26 Jan 2021.

Vancouver:

Liang D. Japanese Cultural Gestures in Animation analysis of how social status and Japanese seniority system are illustrated in Japanese animation. [Internet] [Thesis]. Drexel University; 2014. [cited 2021 Jan 26]. Available from: http://hdl.handle.net/1860/4477.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liang D. Japanese Cultural Gestures in Animation analysis of how social status and Japanese seniority system are illustrated in Japanese animation. [Thesis]. Drexel University; 2014. Available from: http://hdl.handle.net/1860/4477

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vytautas Magnus University

6. Banaitienė, Agnė. Animacinių filmukų poveikis mirties sampratos kaitai 6 - 8 vaiko gyvenimo metais.

Degree: Master, Psichology, 2009, Vytautas Magnus University

Tyrimo tikslas. Atskleisti animacinių filmukų poveikį 6 – 8 metų vaikų mirties sampratos kaitai. Tyrime dalyvavo 101 pirmų, antrų klasių mokinys iš Domeikavos gimnazijos (Kauno… (more)

Subjects/Keywords: Mirties samprata; Rusų animacija; Japonų animacija; Death concept; Russian animation; Japanese animation

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APA (6th Edition):

Banaitienė, Agnė. (2009). Animacinių filmukų poveikis mirties sampratos kaitai 6 - 8 vaiko gyvenimo metais. (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090618_152350-11550 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Banaitienė, Agnė. “Animacinių filmukų poveikis mirties sampratos kaitai 6 - 8 vaiko gyvenimo metais.” 2009. Masters Thesis, Vytautas Magnus University. Accessed January 26, 2021. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090618_152350-11550 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Banaitienė, Agnė. “Animacinių filmukų poveikis mirties sampratos kaitai 6 - 8 vaiko gyvenimo metais.” 2009. Web. 26 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Banaitienė, Agnė. Animacinių filmukų poveikis mirties sampratos kaitai 6 - 8 vaiko gyvenimo metais. [Internet] [Masters thesis]. Vytautas Magnus University; 2009. [cited 2021 Jan 26]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090618_152350-11550 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Banaitienė, Agnė. Animacinių filmukų poveikis mirties sampratos kaitai 6 - 8 vaiko gyvenimo metais. [Masters Thesis]. Vytautas Magnus University; 2009. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090618_152350-11550 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

7. Pruvost-Delaspre, Marie. Pour une histoire esthétique et technique de la production animée : le cas de la Tôei Dôga (1956 - 1972) : For an aesthetic and technological history of animation production : the case of Tôei Dôga (1956-1972).

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2014, Université Sorbonne Nouvelle – Paris III

Le studio de la Tôei Dôga, fondé en 1956, est dans le Japon d’après-guerre tout à la fois le creuset d’une certaine conception de l’animation,… (more)

Subjects/Keywords: Animation; Cinéma japonais; Histoire de la production; Techniques cinématographiques; Industries culturelles; Animation; Japanese cinema; Production history; Film techniques; Cultural industries

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pruvost-Delaspre, M. (2014). Pour une histoire esthétique et technique de la production animée : le cas de la Tôei Dôga (1956 - 1972) : For an aesthetic and technological history of animation production : the case of Tôei Dôga (1956-1972). (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2014PA030117

Chicago Manual of Style (16th Edition):

Pruvost-Delaspre, Marie. “Pour une histoire esthétique et technique de la production animée : le cas de la Tôei Dôga (1956 - 1972) : For an aesthetic and technological history of animation production : the case of Tôei Dôga (1956-1972).” 2014. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed January 26, 2021. http://www.theses.fr/2014PA030117.

MLA Handbook (7th Edition):

Pruvost-Delaspre, Marie. “Pour une histoire esthétique et technique de la production animée : le cas de la Tôei Dôga (1956 - 1972) : For an aesthetic and technological history of animation production : the case of Tôei Dôga (1956-1972).” 2014. Web. 26 Jan 2021.

Vancouver:

Pruvost-Delaspre M. Pour une histoire esthétique et technique de la production animée : le cas de la Tôei Dôga (1956 - 1972) : For an aesthetic and technological history of animation production : the case of Tôei Dôga (1956-1972). [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. [cited 2021 Jan 26]. Available from: http://www.theses.fr/2014PA030117.

Council of Science Editors:

Pruvost-Delaspre M. Pour une histoire esthétique et technique de la production animée : le cas de la Tôei Dôga (1956 - 1972) : For an aesthetic and technological history of animation production : the case of Tôei Dôga (1956-1972). [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. Available from: http://www.theses.fr/2014PA030117


Université Toulouse II – Le Mirail

8. Kaczorowski, Samuel. L'œuvre filmique d'Osamu Tezuka et son incidence sur le cinéma d'animation : Osamu Tezuka's film work and its impact on animation.

Degree: Docteur es, Arts appliqués, 2014, Université Toulouse II – Le Mirail

En 1963, le mangaka Osamu Tezuka crée la première série d'animation télévisée de l'histoire. Pour y parvenir, l'équipe du studio Mushi production a tenté de… (more)

Subjects/Keywords: Cinéma d'animation; Japanimation; Manga; Dessin animé; Série télévisée; Animation movies; Japanese animation; Manga; Cartoons; Television series; 791.4

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APA (6th Edition):

Kaczorowski, S. (2014). L'œuvre filmique d'Osamu Tezuka et son incidence sur le cinéma d'animation : Osamu Tezuka's film work and its impact on animation. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2014TOU20080

Chicago Manual of Style (16th Edition):

Kaczorowski, Samuel. “L'œuvre filmique d'Osamu Tezuka et son incidence sur le cinéma d'animation : Osamu Tezuka's film work and its impact on animation.” 2014. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed January 26, 2021. http://www.theses.fr/2014TOU20080.

MLA Handbook (7th Edition):

Kaczorowski, Samuel. “L'œuvre filmique d'Osamu Tezuka et son incidence sur le cinéma d'animation : Osamu Tezuka's film work and its impact on animation.” 2014. Web. 26 Jan 2021.

Vancouver:

Kaczorowski S. L'œuvre filmique d'Osamu Tezuka et son incidence sur le cinéma d'animation : Osamu Tezuka's film work and its impact on animation. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2014. [cited 2021 Jan 26]. Available from: http://www.theses.fr/2014TOU20080.

Council of Science Editors:

Kaczorowski S. L'œuvre filmique d'Osamu Tezuka et son incidence sur le cinéma d'animation : Osamu Tezuka's film work and its impact on animation. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2014. Available from: http://www.theses.fr/2014TOU20080


University of Melbourne

9. SUZUKI, TAKUYA. Time sense: cultural difference and the creation, construction and reception of animated film.

Degree: 2012, University of Melbourne

 This dissertation explores cultural differences in animated film production, investigating the influence of the filmmaker and viewer in the creation, the construction and the sensibility… (more)

Subjects/Keywords: animation; anime; time; culture; animation history; animation installation; animation method; animation practice; animation process; film structure; Japanese culture; cultural difference in animation; cultural difference in time; time philosophy; time sense; time theory; perception of time; temporal space in animation; ma; Hatsune Miku; Puella Magi Madoka Magica; Spirited Away; The Sky Crawlers; Nico Nico Dôga

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APA (6th Edition):

SUZUKI, T. (2012). Time sense: cultural difference and the creation, construction and reception of animated film. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38100

Chicago Manual of Style (16th Edition):

SUZUKI, TAKUYA. “Time sense: cultural difference and the creation, construction and reception of animated film.” 2012. Doctoral Dissertation, University of Melbourne. Accessed January 26, 2021. http://hdl.handle.net/11343/38100.

MLA Handbook (7th Edition):

SUZUKI, TAKUYA. “Time sense: cultural difference and the creation, construction and reception of animated film.” 2012. Web. 26 Jan 2021.

Vancouver:

SUZUKI T. Time sense: cultural difference and the creation, construction and reception of animated film. [Internet] [Doctoral dissertation]. University of Melbourne; 2012. [cited 2021 Jan 26]. Available from: http://hdl.handle.net/11343/38100.

Council of Science Editors:

SUZUKI T. Time sense: cultural difference and the creation, construction and reception of animated film. [Doctoral Dissertation]. University of Melbourne; 2012. Available from: http://hdl.handle.net/11343/38100

10. Pan, You. Adapt or Die! The Social and Economic Dynamics of Japan’s Animation Industry.

Degree: MAPS, 2018, University of San Francisco

  This research explored and discussed about Japanese animation industry, past, present, and possibilities to a better future. While there is existing literature on Japanese(more)

Subjects/Keywords: Japan; Japanese animation; anime industry; globalization; Economics; Entertainment, Arts, and Sports Law; Japanese Studies; Near Eastern Languages and Societies; Other Film and Media Studies; Science and Technology Studies; Television

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APA (6th Edition):

Pan, Y. (2018). Adapt or Die! The Social and Economic Dynamics of Japan’s Animation Industry. (Thesis). University of San Francisco. Retrieved from https://repository.usfca.edu/capstone/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pan, You. “Adapt or Die! The Social and Economic Dynamics of Japan’s Animation Industry.” 2018. Thesis, University of San Francisco. Accessed January 26, 2021. https://repository.usfca.edu/capstone/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pan, You. “Adapt or Die! The Social and Economic Dynamics of Japan’s Animation Industry.” 2018. Web. 26 Jan 2021.

Vancouver:

Pan Y. Adapt or Die! The Social and Economic Dynamics of Japan’s Animation Industry. [Internet] [Thesis]. University of San Francisco; 2018. [cited 2021 Jan 26]. Available from: https://repository.usfca.edu/capstone/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pan Y. Adapt or Die! The Social and Economic Dynamics of Japan’s Animation Industry. [Thesis]. University of San Francisco; 2018. Available from: https://repository.usfca.edu/capstone/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

11. André Noro dos Santos. A relação homem-máquina na cultura japonesa: a hibridação entre o corpo tecnológico e humano através da animação Neon Genesis Evangelion.

Degree: 2013, Pontifícia Universidade Católica de São Paulo

O tema desta dissertação é a relação homem-máquina na cultura japonesa. Por tratar-se de um tema muito amplo, o objetivo principal da pesquisa foi analisar… (more)

Subjects/Keywords: Hybrid body; COMUNICACAO; Animação japonesa; Homem-máquina; Corpo híbrido; Japanese animation; Man-machine; Post-human; Pós-humano

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APA (6th Edition):

Santos, A. N. d. (2013). A relação homem-máquina na cultura japonesa: a hibridação entre o corpo tecnológico e humano através da animação Neon Genesis Evangelion. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santos, André Noro dos. “A relação homem-máquina na cultura japonesa: a hibridação entre o corpo tecnológico e humano através da animação Neon Genesis Evangelion.” 2013. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed January 26, 2021. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santos, André Noro dos. “A relação homem-máquina na cultura japonesa: a hibridação entre o corpo tecnológico e humano através da animação Neon Genesis Evangelion.” 2013. Web. 26 Jan 2021.

Vancouver:

Santos ANd. A relação homem-máquina na cultura japonesa: a hibridação entre o corpo tecnológico e humano através da animação Neon Genesis Evangelion. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2013. [cited 2021 Jan 26]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santos ANd. A relação homem-máquina na cultura japonesa: a hibridação entre o corpo tecnológico e humano através da animação Neon Genesis Evangelion. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2013. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

12. Nakamura, M. Emancipation in postmodernity: political thought in Japanese science fiction animation.

Degree: 2017, Leiden University

Animation has long been overlooked as source for political thought. The aim of this thesis is to rectify this, and it will do so in… (more)

Subjects/Keywords: Anime; Animation; Emancipation; Political thought; Science fiction; Utopia; Japanese media; Anime; Animation; Emancipation; Political thought; Science fiction; Utopia; Japanese media

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APA (6th Edition):

Nakamura, M. (2017). Emancipation in postmodernity: political thought in Japanese science fiction animation. (Doctoral Dissertation). Leiden University. Retrieved from http://hdl.handle.net/1887/46672

Chicago Manual of Style (16th Edition):

Nakamura, M. “Emancipation in postmodernity: political thought in Japanese science fiction animation.” 2017. Doctoral Dissertation, Leiden University. Accessed January 26, 2021. http://hdl.handle.net/1887/46672.

MLA Handbook (7th Edition):

Nakamura, M. “Emancipation in postmodernity: political thought in Japanese science fiction animation.” 2017. Web. 26 Jan 2021.

Vancouver:

Nakamura M. Emancipation in postmodernity: political thought in Japanese science fiction animation. [Internet] [Doctoral dissertation]. Leiden University; 2017. [cited 2021 Jan 26]. Available from: http://hdl.handle.net/1887/46672.

Council of Science Editors:

Nakamura M. Emancipation in postmodernity: political thought in Japanese science fiction animation. [Doctoral Dissertation]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/46672


Queens University

13. O'Halloran, Michelle. Only Yesterday and the Transnational Power of Anime .

Degree: Cultural Studies, Queens University

 Though the medium of animation has existed since at least the 1900s, scholarship in the field of animation has been largely neglected in favour of… (more)

Subjects/Keywords: Animation Studies ; Animation ; Anime ; Women in Film ; Transnationalism ; Only Yesterday ; Japanese Animation ; Japanese Cinema ; Film Studies ; Isao Takahata ; Studio Ghibli ; Hayao Miyazaki

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APA (6th Edition):

O'Halloran, M. (n.d.). Only Yesterday and the Transnational Power of Anime . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/23639

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Halloran, Michelle. “Only Yesterday and the Transnational Power of Anime .” Thesis, Queens University. Accessed January 26, 2021. http://hdl.handle.net/1974/23639.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Halloran, Michelle. “Only Yesterday and the Transnational Power of Anime .” Web. 26 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

O'Halloran M. Only Yesterday and the Transnational Power of Anime . [Internet] [Thesis]. Queens University; [cited 2021 Jan 26]. Available from: http://hdl.handle.net/1974/23639.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

O'Halloran M. Only Yesterday and the Transnational Power of Anime . [Thesis]. Queens University; Available from: http://hdl.handle.net/1974/23639

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Southern California

14. Kim, Sahangsoon. Short-term project organizations for corporate entrepreneurship: evidence from the Japanese animation industry (2000–2008).

Degree: PhD, Business Administration, 2010, University of Southern California

 Corporate entrepreneurship has been and will continue to be the most important means of ensuring firm survival and prosperity. To cope with a dynamically competitive… (more)

Subjects/Keywords: corporate entrepreneurship; Japanese animation; mobility; non-local search; short-term project organization

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APA (6th Edition):

Kim, S. (2010). Short-term project organizations for corporate entrepreneurship: evidence from the Japanese animation industry (2000–2008). (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/421163/rec/5841

Chicago Manual of Style (16th Edition):

Kim, Sahangsoon. “Short-term project organizations for corporate entrepreneurship: evidence from the Japanese animation industry (2000–2008).” 2010. Doctoral Dissertation, University of Southern California. Accessed January 26, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/421163/rec/5841.

MLA Handbook (7th Edition):

Kim, Sahangsoon. “Short-term project organizations for corporate entrepreneurship: evidence from the Japanese animation industry (2000–2008).” 2010. Web. 26 Jan 2021.

Vancouver:

Kim S. Short-term project organizations for corporate entrepreneurship: evidence from the Japanese animation industry (2000–2008). [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2021 Jan 26]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/421163/rec/5841.

Council of Science Editors:

Kim S. Short-term project organizations for corporate entrepreneurship: evidence from the Japanese animation industry (2000–2008). [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/421163/rec/5841


The Ohio State University

15. Shen, Lien Fan. The pleasure and politics of viewing Japanese anime.

Degree: PhD, Art Education, 2007, The Ohio State University

  My dissertation, situated in a Foucauldian framework, begins with a view of visual culture as a discourse where knowledge, pleasure, and power of images… (more)

Subjects/Keywords: Education, Art; Anime; Japanese animation; Visual Culture Art Education; Foucault; Pleasure

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APA (6th Edition):

Shen, L. F. (2007). The pleasure and politics of viewing Japanese anime. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1196179343

Chicago Manual of Style (16th Edition):

Shen, Lien Fan. “The pleasure and politics of viewing Japanese anime.” 2007. Doctoral Dissertation, The Ohio State University. Accessed January 26, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1196179343.

MLA Handbook (7th Edition):

Shen, Lien Fan. “The pleasure and politics of viewing Japanese anime.” 2007. Web. 26 Jan 2021.

Vancouver:

Shen LF. The pleasure and politics of viewing Japanese anime. [Internet] [Doctoral dissertation]. The Ohio State University; 2007. [cited 2021 Jan 26]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1196179343.

Council of Science Editors:

Shen LF. The pleasure and politics of viewing Japanese anime. [Doctoral Dissertation]. The Ohio State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1196179343

16. Russell, N'Donna Rashi. Make-up!: the mythic narrative and transformation as a mechanism for personal and spiritual growth in magical girl (mahō shōjo) anime.

Degree: Department of Pacific and Asian Studies, 2017, University of Victoria

 The mahō shōjo or “magical girl”, genre of Japanese animation and manga has maintained a steady, prolific presence for nearly fifty years. Magical Girl series… (more)

Subjects/Keywords: textual analysis; manga; magical girls; mahō shōjo; comics; Japan; anime; Japanese animation

Japanese animation was still under the radar in 1995 – only those in the know knew about it… …of Girls in Japanese Magical Girl TV Animation Programmes from 1966 to 2003 and Japanese… …Representations of Girls in Japanese Magical Girl TV Animation Programmes”, 214. 29 Hemmann, “Short… …All Japanese names are written in Japanese order – that is last name – first name. However… …Japanese names of various manga series and they are transliterated into the Hepburn form of… 

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APA (6th Edition):

Russell, N. R. (2017). Make-up!: the mythic narrative and transformation as a mechanism for personal and spiritual growth in magical girl (mahō shōjo) anime. (Masters Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/8496

Chicago Manual of Style (16th Edition):

Russell, N'Donna Rashi. “Make-up!: the mythic narrative and transformation as a mechanism for personal and spiritual growth in magical girl (mahō shōjo) anime.” 2017. Masters Thesis, University of Victoria. Accessed January 26, 2021. https://dspace.library.uvic.ca//handle/1828/8496.

MLA Handbook (7th Edition):

Russell, N'Donna Rashi. “Make-up!: the mythic narrative and transformation as a mechanism for personal and spiritual growth in magical girl (mahō shōjo) anime.” 2017. Web. 26 Jan 2021.

Vancouver:

Russell NR. Make-up!: the mythic narrative and transformation as a mechanism for personal and spiritual growth in magical girl (mahō shōjo) anime. [Internet] [Masters thesis]. University of Victoria; 2017. [cited 2021 Jan 26]. Available from: https://dspace.library.uvic.ca//handle/1828/8496.

Council of Science Editors:

Russell NR. Make-up!: the mythic narrative and transformation as a mechanism for personal and spiritual growth in magical girl (mahō shōjo) anime. [Masters Thesis]. University of Victoria; 2017. Available from: https://dspace.library.uvic.ca//handle/1828/8496

17. Stey, George Andrew. Elements of Realism in Japanese Animation.

Degree: MA, East Asian Studies, 2009, The Ohio State University

 Certain works of Japanese animation appear to strive to approach reality, showing elements of realism in the visuals as well as the narrative, yet theories… (more)

Subjects/Keywords: Realism; Japanese Animation; Anime; Film; Kon Satoshi; Oshii Mamoru; Miyazaki Hayao

…Elements of Realism in Japanese Animation Thesis Presented in Partial Fulfillment of… …Certain works of Japanese animation appear to strive to approach reality, showing elements of… …elements of realism in Japanese animation. This is pursued by focusing on the effect that film… …elements of realism found in the art of Japanese animation. ii Dedication Dedicated to the… …result. Noticing elements of realism in Japanese animation and the need for further research in… 

Page 1 Page 2 Page 3 Page 4 Page 5

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APA (6th Edition):

Stey, G. A. (2009). Elements of Realism in Japanese Animation. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1250700496

Chicago Manual of Style (16th Edition):

Stey, George Andrew. “Elements of Realism in Japanese Animation.” 2009. Masters Thesis, The Ohio State University. Accessed January 26, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250700496.

MLA Handbook (7th Edition):

Stey, George Andrew. “Elements of Realism in Japanese Animation.” 2009. Web. 26 Jan 2021.

Vancouver:

Stey GA. Elements of Realism in Japanese Animation. [Internet] [Masters thesis]. The Ohio State University; 2009. [cited 2021 Jan 26]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1250700496.

Council of Science Editors:

Stey GA. Elements of Realism in Japanese Animation. [Masters Thesis]. The Ohio State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1250700496


Université de Montréal

18. Scott, Gabrielle. Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi.

Degree: 2010, Université de Montréal

Subjects/Keywords: Satoshi Kon; Perfect Blue; Paprika; Anime; Animation japonaise; Japanese animation; Théories féministes du cinéma; Feminist film theory; Femmes; Japon; Women; Japan; Violence; Double; Sexuality; Sexualité; Communications and the Arts - Cinema / Communications et les arts - Cinéma (UMI : 0900)

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APA (6th Edition):

Scott, G. (2010). Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott, Gabrielle. “Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi.” 2010. Thesis, Université de Montréal. Accessed January 26, 2021. http://hdl.handle.net/1866/4404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott, Gabrielle. “Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi.” 2010. Web. 26 Jan 2021.

Vancouver:

Scott G. Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi. [Internet] [Thesis]. Université de Montréal; 2010. [cited 2021 Jan 26]. Available from: http://hdl.handle.net/1866/4404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott G. Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi. [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/4404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

19. Williams, Kara Lenore. The impact of popular culture fandom on perceptions of Japanese language and culture learning: the case of student anime fans.

Degree: PhD, Foreign Language Education, 2006, University of Texas – Austin

Subjects/Keywords: Japanese language – Study and teaching – Foreign speakers – Case studies; Japan – Civilization – Study and teaching – Case studies; Motivation in education; Animation (Cinematography) – Japan; Popular culture – Japan; Fans (Persons) – Case studies

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APA (6th Edition):

Williams, K. L. (2006). The impact of popular culture fandom on perceptions of Japanese language and culture learning: the case of student anime fans. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/2657

Chicago Manual of Style (16th Edition):

Williams, Kara Lenore. “The impact of popular culture fandom on perceptions of Japanese language and culture learning: the case of student anime fans.” 2006. Doctoral Dissertation, University of Texas – Austin. Accessed January 26, 2021. http://hdl.handle.net/2152/2657.

MLA Handbook (7th Edition):

Williams, Kara Lenore. “The impact of popular culture fandom on perceptions of Japanese language and culture learning: the case of student anime fans.” 2006. Web. 26 Jan 2021.

Vancouver:

Williams KL. The impact of popular culture fandom on perceptions of Japanese language and culture learning: the case of student anime fans. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2006. [cited 2021 Jan 26]. Available from: http://hdl.handle.net/2152/2657.

Council of Science Editors:

Williams KL. The impact of popular culture fandom on perceptions of Japanese language and culture learning: the case of student anime fans. [Doctoral Dissertation]. University of Texas – Austin; 2006. Available from: http://hdl.handle.net/2152/2657

20. Gibney, Michele. A Study of Japanese Animation.

Degree: 2001, University of Puget-Sound

  This paper takes a sociological approach to the question of popular culture’s ability in Japan – specifically that of Japanese animation – to be reflective of… (more)

Subjects/Keywords: Japanese animation; anime; film theory; film criticism; sociology; Arts and Humanities; Asian History; Asian Studies; Cultural History; East Asian Languages and Societies; Film and Media Studies; History; International and Area Studies; Sociology; Sociology of Culture; Television; Visual Studies

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APA (6th Edition):

Gibney, M. (2001). A Study of Japanese Animation. (Thesis). University of Puget-Sound. Retrieved from http://soundideas.pugetsound.edu/honors_program_theses/5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gibney, Michele. “A Study of Japanese Animation.” 2001. Thesis, University of Puget-Sound. Accessed January 26, 2021. http://soundideas.pugetsound.edu/honors_program_theses/5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gibney, Michele. “A Study of Japanese Animation.” 2001. Web. 26 Jan 2021.

Vancouver:

Gibney M. A Study of Japanese Animation. [Internet] [Thesis]. University of Puget-Sound; 2001. [cited 2021 Jan 26]. Available from: http://soundideas.pugetsound.edu/honors_program_theses/5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gibney M. A Study of Japanese Animation. [Thesis]. University of Puget-Sound; 2001. Available from: http://soundideas.pugetsound.edu/honors_program_theses/5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Jones, Stephanie. "The Chinese Animation Industry: from the Mao Era to the Digital Age".

Degree: MAPS, Asia Pacific Studies, 2019, University of San Francisco

  Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s… (more)

Subjects/Keywords: Chinese Animation; Cultural Revolution; Social Realism; National Style; Communist Party; Asia; Asian Art and Architecture; Asian History; Asian Studies; Chinese Studies; Communication; Contemporary Art; Cultural History; East Asian Languages and Societies; Ethnic Studies; Film and Media Studies; Film Production; History; International and Area Studies; International and Intercultural Communication; Japanese Studies; Language Interpretation and Translation; Mass Communication; Other Arts and Humanities; Other Film and Media Studies; Other History of Art, Architecture, and Archaeology; Other Political Science; Political Science; Social and Behavioral Sciences; Social Influence and Political Communication; Sociology; Sociology of Culture; Television; Theatre and Performance Studies

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APA (6th Edition):

Jones, S. (2019). "The Chinese Animation Industry: from the Mao Era to the Digital Age". (Thesis). University of San Francisco. Retrieved from https://repository.usfca.edu/capstone/907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jones, Stephanie. “"The Chinese Animation Industry: from the Mao Era to the Digital Age".” 2019. Thesis, University of San Francisco. Accessed January 26, 2021. https://repository.usfca.edu/capstone/907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jones, Stephanie. “"The Chinese Animation Industry: from the Mao Era to the Digital Age".” 2019. Web. 26 Jan 2021.

Vancouver:

Jones S. "The Chinese Animation Industry: from the Mao Era to the Digital Age". [Internet] [Thesis]. University of San Francisco; 2019. [cited 2021 Jan 26]. Available from: https://repository.usfca.edu/capstone/907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones S. "The Chinese Animation Industry: from the Mao Era to the Digital Age". [Thesis]. University of San Francisco; 2019. Available from: https://repository.usfca.edu/capstone/907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.