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You searched for subject:(J horror). Showing records 1 – 7 of 7 total matches.

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Karlstad University

1. Damm, Andreas. Japansk skräckfilm – en kontemplativ succé?.

Degree: Faculty of Arts and Education, 2007, Karlstad University

  Japanese horror film has since the late 1990: ies been extremely successful. The success could probably, at least partly, be due to the Japanese… (more)

Subjects/Keywords: japansk; skräckfilm; j-horror; horror; Film; Filmvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Damm, A. (2007). Japansk skräckfilm – en kontemplativ succé?. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-806

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Damm, Andreas. “Japansk skräckfilm – en kontemplativ succé?.” 2007. Thesis, Karlstad University. Accessed November 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-806.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Damm, Andreas. “Japansk skräckfilm – en kontemplativ succé?.” 2007. Web. 17 Nov 2019.

Vancouver:

Damm A. Japansk skräckfilm – en kontemplativ succé?. [Internet] [Thesis]. Karlstad University; 2007. [cited 2019 Nov 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-806.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Damm A. Japansk skräckfilm – en kontemplativ succé?. [Thesis]. Karlstad University; 2007. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-806

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

2. Parrish, Jordan G. The Undead Subject of Lost Decade Japanese Horror Cinema.

Degree: MA, Film Studies (Fine Arts), 2017, Ohio University

 This thesis argues that Japanese Horror films released around the turn of the twenty-first century define a new mode of subjectivity: “undead subjectivity.” Exploring the… (more)

Subjects/Keywords: Film Studies; Big Other; Death Drive; Gaze; J-Horror; Japanese Cinema; Lost Decade; Psychoanalysis

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APA (6th Edition):

Parrish, J. G. (2017). The Undead Subject of Lost Decade Japanese Horror Cinema. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062

Chicago Manual of Style (16th Edition):

Parrish, Jordan G. “The Undead Subject of Lost Decade Japanese Horror Cinema.” 2017. Masters Thesis, Ohio University. Accessed November 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.

MLA Handbook (7th Edition):

Parrish, Jordan G. “The Undead Subject of Lost Decade Japanese Horror Cinema.” 2017. Web. 17 Nov 2019.

Vancouver:

Parrish JG. The Undead Subject of Lost Decade Japanese Horror Cinema. [Internet] [Masters thesis]. Ohio University; 2017. [cited 2019 Nov 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.

Council of Science Editors:

Parrish JG. The Undead Subject of Lost Decade Japanese Horror Cinema. [Masters Thesis]. Ohio University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062


New Jersey Institute of Technology

3. Quillen, MaryLou. J-Horror : A discourse in cross-cultural communication and cinematic hybridity.

Degree: MSin Professional and Technical Communication - (M.S.), Humanities, 2006, New Jersey Institute of Technology

  Film visually communicates the idea of culture, leaving interpretation open to an impressionable audience. Though a genre's recognizable iconography can transcend boundaries, understanding a… (more)

Subjects/Keywords: J-horror; Cross-cultural communication; Horror films; Technical and Professional Writing

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APA (6th Edition):

Quillen, M. (2006). J-Horror : A discourse in cross-cultural communication and cinematic hybridity. (Thesis). New Jersey Institute of Technology. Retrieved from https://digitalcommons.njit.edu/theses/399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quillen, MaryLou. “J-Horror : A discourse in cross-cultural communication and cinematic hybridity.” 2006. Thesis, New Jersey Institute of Technology. Accessed November 17, 2019. https://digitalcommons.njit.edu/theses/399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quillen, MaryLou. “J-Horror : A discourse in cross-cultural communication and cinematic hybridity.” 2006. Web. 17 Nov 2019.

Vancouver:

Quillen M. J-Horror : A discourse in cross-cultural communication and cinematic hybridity. [Internet] [Thesis]. New Jersey Institute of Technology; 2006. [cited 2019 Nov 17]. Available from: https://digitalcommons.njit.edu/theses/399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quillen M. J-Horror : A discourse in cross-cultural communication and cinematic hybridity. [Thesis]. New Jersey Institute of Technology; 2006. Available from: https://digitalcommons.njit.edu/theses/399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

4. Yue, Genevieve. Medusan optics: film, feminism, and the forbidden image.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation uses the Greek mythological figure of Medusa, the snake-haired gorgon who possesses the power of turning anyone who looks upon her into stone,… (more)

Subjects/Keywords: avant-garde film; feminist film theory; Medusa; Medusan optics; China girl; J-horror; visuality; violence; decapitation; sexuality; hair

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APA (6th Edition):

Yue, G. (2012). Medusan optics: film, feminism, and the forbidden image. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031

Chicago Manual of Style (16th Edition):

Yue, Genevieve. “Medusan optics: film, feminism, and the forbidden image.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031.

MLA Handbook (7th Edition):

Yue, Genevieve. “Medusan optics: film, feminism, and the forbidden image.” 2012. Web. 17 Nov 2019.

Vancouver:

Yue G. Medusan optics: film, feminism, and the forbidden image. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031.

Council of Science Editors:

Yue G. Medusan optics: film, feminism, and the forbidden image. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031


University of North Texas

5. Petty, John E. Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan's Cinema of the Fantastic.

Degree: 2011, University of North Texas

 Although widely viewed in the West, Japanese films are often misunderstood, as they are built on cultural, theatrical, and aesthetic traditions entirely foreign to Western… (more)

Subjects/Keywords: Noh; Ju-on; Japan; Daimajin; Kwaidan; Kaidan; Godzilla; Gojira; Onibaba; J-horror; Tetsuo; bunraku; kabuki; butoh; Dia Kaiju Eiga

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APA (6th Edition):

Petty, J. E. (2011). Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan's Cinema of the Fantastic. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68031/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Petty, John E. “Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan's Cinema of the Fantastic.” 2011. Thesis, University of North Texas. Accessed November 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc68031/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Petty, John E. “Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan's Cinema of the Fantastic.” 2011. Web. 17 Nov 2019.

Vancouver:

Petty JE. Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan's Cinema of the Fantastic. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68031/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Petty JE. Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan's Cinema of the Fantastic. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68031/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Montaño Muñoz, José A. La reescritura del cine japonés contemporáneo en la crítica española: observaciones desde los márgenes del polisistema cinematográfico.

Degree: Departament d'Humanitats, 2016, Universitat Pompeu Fabra

 Using the Polysystem Theory as a framework and with the notion of Rewriting as a central concept, this thesis studies the reception of contemporary Japanese… (more)

Subjects/Keywords: Cine japonés; Cine contemporáneo; Crítica cinematográfica; Reescritura; Recepción; Género; Autoría; Jidaigeki; J-horror; Anime; Comedia; Japanese cinema; Contemporary cinema; Film criticism; Rewriting; Reception; Gender; Authorship; Comedy; 8

…6.2 J-horror: del entusiasmo al menosprecio… 

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APA (6th Edition):

Montaño Muñoz, J. A. (2016). La reescritura del cine japonés contemporáneo en la crítica española: observaciones desde los márgenes del polisistema cinematográfico. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/392627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Montaño Muñoz, José A. “La reescritura del cine japonés contemporáneo en la crítica española: observaciones desde los márgenes del polisistema cinematográfico.” 2016. Thesis, Universitat Pompeu Fabra. Accessed November 17, 2019. http://hdl.handle.net/10803/392627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Montaño Muñoz, José A. “La reescritura del cine japonés contemporáneo en la crítica española: observaciones desde los márgenes del polisistema cinematográfico.” 2016. Web. 17 Nov 2019.

Vancouver:

Montaño Muñoz JA. La reescritura del cine japonés contemporáneo en la crítica española: observaciones desde los márgenes del polisistema cinematográfico. [Internet] [Thesis]. Universitat Pompeu Fabra; 2016. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/10803/392627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Montaño Muñoz JA. La reescritura del cine japonés contemporáneo en la crítica española: observaciones desde los márgenes del polisistema cinematográfico. [Thesis]. Universitat Pompeu Fabra; 2016. Available from: http://hdl.handle.net/10803/392627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

7. Montalvan, Penny. Striking Fear in the Circuits: The Electric Feminine Body in Cyborg Films.

Degree: MA, Literature, 2017, Texas State University – San Marcos

No abstract prepared. Advisors/Committee Members: Bell-Metereau , Rebecca (advisor), McClancy, Kathleen (committee member), McKinney , Audrey (committee member).

Subjects/Keywords: Science fiction films; Cyberpunk films; Ecocriticism; Cyborg Manifesto; Haraway, Donna; Dirtypunk; Mulvey, Laura; Male gaze; Feminism; Cinema; Women's Studies; Gender Studies; Gender Performance; Bulter, Judith; The Feminine Mystique; Artificial Intelligence in Film; Hard bodies; Jeffords, Susan; Clover, Carol J.; The Stepford Wives; Demon Seed; Blade Runner; Eve of Destruction; Hardware; Ex Machina; Mad Mad: Fury Road; Pygmalion myth; The Philosophy of Horror; Silver Screen Ceiling; Women in motion pictures; Motion pictures – Political aspects; Motion pictures – Social aspects; Feminism; Cyborgs

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Montalvan, P. (2017). Striking Fear in the Circuits: The Electric Feminine Body in Cyborg Films. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/6925

Chicago Manual of Style (16th Edition):

Montalvan, Penny. “Striking Fear in the Circuits: The Electric Feminine Body in Cyborg Films.” 2017. Masters Thesis, Texas State University – San Marcos. Accessed November 17, 2019. https://digital.library.txstate.edu/handle/10877/6925.

MLA Handbook (7th Edition):

Montalvan, Penny. “Striking Fear in the Circuits: The Electric Feminine Body in Cyborg Films.” 2017. Web. 17 Nov 2019.

Vancouver:

Montalvan P. Striking Fear in the Circuits: The Electric Feminine Body in Cyborg Films. [Internet] [Masters thesis]. Texas State University – San Marcos; 2017. [cited 2019 Nov 17]. Available from: https://digital.library.txstate.edu/handle/10877/6925.

Council of Science Editors:

Montalvan P. Striking Fear in the Circuits: The Electric Feminine Body in Cyborg Films. [Masters Thesis]. Texas State University – San Marcos; 2017. Available from: https://digital.library.txstate.edu/handle/10877/6925

.