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You searched for subject:(Intimate landscape). Showing records 1 – 2 of 2 total matches.

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1. Fourmanoir, Jerome. Apparition et développement du paysage septentrional dans la peinture française au XIXe siècle : Appearance and development of the northern landscape in French painting in the 19th century.

Degree: Docteur es, Histoire de l'art, 2016, Lille 3

S’inscrivant dans la continuité des études menées sur le Nord-Pas-de-Calais, cette thèse vise à mettre en avant l’apparition et le développement du paysage septentrional dans la peinture française au XIXe siècle. Si des études de ce genre ont déjà été réalisées pour la Normandie et la Bretagne, il n’en est pas de même pour le Nord-Pas-de-Calais. Ce travail inédit, mis en relation avec un contexte historique -visant pour l’essentiel à étudier et cerner les déplacements des artistes au sein de la région-, culturel et artistique dense, permettra de comprendre dans quelles circonstances et de quelles manières se développent ces réalisations. L’étude vise également à cerner et définir les motifs emblématiques de la région tels les beffrois, les moulins, les espaces dunaires, les marais … L’étude reposera un corpus d’œuvres, formant un catalogue, représentatif du paysage septentrional au XIXe siècle.

In addition to the many studies of the Nord-Pas-de-Calais, this thesis aims to highlight the emergence and development of the northern landscape in French paintings of the nineteenth century. Even though there have already been some studies done regarding the Normandy and Brittany regions, it is not the case for the Nord-Pas-de-Calais. This never published before research combined with the historical context aims to study and identify the movement of artists within the region whose artistic culture is dense. This will help us understand when and how were developed these achievements. The study also aims to identify and define the emblematic patterns of the region such as belfries, mills, dune areas, marshes ... The study will use a collection of works, forming a catalogue representative of the northern landscape in the nineteenth century.

Advisors/Committee Members: Robichon, François (thesis director).

Subjects/Keywords: Paysage; Paysage septentrional; Nord; Fortification; Moulin; Beffroi; Marine; Marais; Paysage intimiste; Critique artistique; Salon; Landscape; Northern landscape; North; Fortification; Mill; Belfry; Marine; Marsh; Intimate landscape; Art criticism; Salon

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fourmanoir, J. (2016). Apparition et développement du paysage septentrional dans la peinture française au XIXe siècle : Appearance and development of the northern landscape in French painting in the 19th century. (Doctoral Dissertation). Lille 3. Retrieved from http://www.theses.fr/2016LIL30056

Chicago Manual of Style (16th Edition):

Fourmanoir, Jerome. “Apparition et développement du paysage septentrional dans la peinture française au XIXe siècle : Appearance and development of the northern landscape in French painting in the 19th century.” 2016. Doctoral Dissertation, Lille 3. Accessed August 19, 2018. http://www.theses.fr/2016LIL30056.

MLA Handbook (7th Edition):

Fourmanoir, Jerome. “Apparition et développement du paysage septentrional dans la peinture française au XIXe siècle : Appearance and development of the northern landscape in French painting in the 19th century.” 2016. Web. 19 Aug 2018.

Vancouver:

Fourmanoir J. Apparition et développement du paysage septentrional dans la peinture française au XIXe siècle : Appearance and development of the northern landscape in French painting in the 19th century. [Internet] [Doctoral dissertation]. Lille 3; 2016. [cited 2018 Aug 19]. Available from: http://www.theses.fr/2016LIL30056.

Council of Science Editors:

Fourmanoir J. Apparition et développement du paysage septentrional dans la peinture française au XIXe siècle : Appearance and development of the northern landscape in French painting in the 19th century. [Doctoral Dissertation]. Lille 3; 2016. Available from: http://www.theses.fr/2016LIL30056


RMIT University

2. Reisner-Cook, Y. The troubled relationship between architecture and aesthetic: exploring the self and emotional beauty in design.

Degree: 2009, RMIT University

As its title informs us, this research has a double agenda: investigating the troubled relationship between architecture and its generated aesthetic since the early 1940s when the Self was repressed - the Eye and the ‘I’ - as well as exploring, through my test-bed project, a design process where feelings and emotions are an integral part. My research is an investigation into what seems to be a great paradox within architectural discourse. While good architecture or brilliant buildings tend to be judged by their capacity to produce an aesthetic experience, many architects claim they generate architecture in response to rational utilitarian issues, often insisting on removing themselves as personalities from the design process. This down-plays the direct relationship between personal judgement and visual discrimination, a position which has broader cultural implications. After a short decade (1977-88) of free imagination, lateral thinking and celebrating the Self, from the late 1980s the intellectualisation and further rationalisation of the architectural design process came again to the fore and became an authorial voice substituting the Self by introducing either philosophy, math or both to the design process. Investigating this troubled relationship took place alongside exploring the creation of an emotional environment within the architectural context; ways in which space becomes emotionally charged. G. Bachelard’s exposition of issues contained within poetry teaches us that like poetry, visual poetic images might release people into reverie, the state of mind in which the eidetic memory is accessed. The wonder and beauty of nature is a constant reminder of wonderful possibilities - with great relevance to architecture. My intention is not to depict or describe nature, but to evoke human emotions (as nature does) through the architectural spaces that I design. Using and evoking poetic images in the design process forming the preludes to emotive architecture. Spatial-Depth or Depth–Scape were two equivalent terms I coined for a new architectural spatial pursuit; it is the spatial-depth quality and effect that I explored which I believe is the aspect of my research that is a contribution to the field of architectural design. A new spatial concept and a new architectural language that substitutes the ubiquitous and already old Modern planar architecture. Opposed to the prevalent topological surface, with continuous and consistent skins, an exuberant ‘inside-out’, complex three dimensionally with an enhanced depth to be inhabited or involved with at close distance. A new spatial quality engulfed with emotional triggers such as the manifold silhouettes in the interactive time-cycled Light and Acoustic Installation - an emotional beauty. For architecture, aesthetics has the power to synthesise poetic and emotional values and at the same time give coherence to the design itself.

Subjects/Keywords: Fields of Research; Architecture; Aesthetic; The Self; Emotional Beauty; Feelings; Emotions; Emotive architecture; Individualism; Self-expression; subjectivity; Intimate landscape; Cultural Identity; Non-determinism; Architectural Appearance; Spatial-Depth; Depth-Scape; poetic image; Nature; Wonder; Beauty; light and acoustics Installation; digital architecture; Deconstructivist Architecture; Modernism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reisner-Cook, Y. (2009). The troubled relationship between architecture and aesthetic: exploring the self and emotional beauty in design. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Reisner-Cook, Y. “The troubled relationship between architecture and aesthetic: exploring the self and emotional beauty in design.” 2009. Thesis, RMIT University. Accessed August 19, 2018. http://researchbank.rmit.edu.au/view/rmit:160248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Reisner-Cook, Y. “The troubled relationship between architecture and aesthetic: exploring the self and emotional beauty in design.” 2009. Web. 19 Aug 2018.

Vancouver:

Reisner-Cook Y. The troubled relationship between architecture and aesthetic: exploring the self and emotional beauty in design. [Internet] [Thesis]. RMIT University; 2009. [cited 2018 Aug 19]. Available from: http://researchbank.rmit.edu.au/view/rmit:160248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reisner-Cook Y. The troubled relationship between architecture and aesthetic: exploring the self and emotional beauty in design. [Thesis]. RMIT University; 2009. Available from: http://researchbank.rmit.edu.au/view/rmit:160248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.