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You searched for subject:(Integration of japanese art Ukiyo E). Showing records 1 – 30 of 369525 total matches.

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University of Otago

1. Bell, David. Explaining Ukiyo-e .

Degree: 2011, University of Otago

 The term ukiyo-e refers to a distinctive phenomenon in Japanese art. Ukiyo-e can be defined temporally, geographically and socially; most importantly, it developed its own… (more)

Subjects/Keywords: ukiyo-e; japanese art

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APA (6th Edition):

Bell, D. (2011). Explaining Ukiyo-e . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/598

Chicago Manual of Style (16th Edition):

Bell, David. “Explaining Ukiyo-e .” 2011. Doctoral Dissertation, University of Otago. Accessed July 14, 2020. http://hdl.handle.net/10523/598.

MLA Handbook (7th Edition):

Bell, David. “Explaining Ukiyo-e .” 2011. Web. 14 Jul 2020.

Vancouver:

Bell D. Explaining Ukiyo-e . [Internet] [Doctoral dissertation]. University of Otago; 2011. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/10523/598.

Council of Science Editors:

Bell D. Explaining Ukiyo-e . [Doctoral Dissertation]. University of Otago; 2011. Available from: http://hdl.handle.net/10523/598


George Mason University

2. Longbottom, Kerry. From Mountain to Mountain: Mount Fuji as International Icon .

Degree: 2015, George Mason University

 Mount Fuji has long been one of the most recognizable mountains in the world, its image signifying Japan much in the same way that the… (more)

Subjects/Keywords: Mount Fuji; Ukiyo-e; Japanese art; Meiji Period; Edo Period; Japonisme

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APA (6th Edition):

Longbottom, K. (2015). From Mountain to Mountain: Mount Fuji as International Icon . (Thesis). George Mason University. Retrieved from http://hdl.handle.net/1920/9772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Longbottom, Kerry. “From Mountain to Mountain: Mount Fuji as International Icon .” 2015. Thesis, George Mason University. Accessed July 14, 2020. http://hdl.handle.net/1920/9772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Longbottom, Kerry. “From Mountain to Mountain: Mount Fuji as International Icon .” 2015. Web. 14 Jul 2020.

Vancouver:

Longbottom K. From Mountain to Mountain: Mount Fuji as International Icon . [Internet] [Thesis]. George Mason University; 2015. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/1920/9772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Longbottom K. From Mountain to Mountain: Mount Fuji as International Icon . [Thesis]. George Mason University; 2015. Available from: http://hdl.handle.net/1920/9772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

3. Knox, Christa A. Ukiyo-e, Madame Chrysanthéme and Babel: The Persistent Stereotype of Japanese Women 1885-2007.

Degree: MA, Design, Architecture, Art and Planning : Art History, 2008, University of Cincinnati

 In this thesis I explore the ways in which Japanese women are viewed in twenty first century western culture in conjunction with <i>ukiyo-e</i> prints. Critical… (more)

Subjects/Keywords: Art History; ukiyo-e; madame chrysantheme; babel; racial and sexual stereotype; japanese women

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APA (6th Edition):

Knox, C. A. (2008). Ukiyo-e, Madame Chrysanthéme and Babel: The Persistent Stereotype of Japanese Women 1885-2007. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212158465

Chicago Manual of Style (16th Edition):

Knox, Christa A. “Ukiyo-e, Madame Chrysanthéme and Babel: The Persistent Stereotype of Japanese Women 1885-2007.” 2008. Masters Thesis, University of Cincinnati. Accessed July 14, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212158465.

MLA Handbook (7th Edition):

Knox, Christa A. “Ukiyo-e, Madame Chrysanthéme and Babel: The Persistent Stereotype of Japanese Women 1885-2007.” 2008. Web. 14 Jul 2020.

Vancouver:

Knox CA. Ukiyo-e, Madame Chrysanthéme and Babel: The Persistent Stereotype of Japanese Women 1885-2007. [Internet] [Masters thesis]. University of Cincinnati; 2008. [cited 2020 Jul 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212158465.

Council of Science Editors:

Knox CA. Ukiyo-e, Madame Chrysanthéme and Babel: The Persistent Stereotype of Japanese Women 1885-2007. [Masters Thesis]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212158465

4. Τσότσου, Αναστασία. Γραφιστική και καινοτομία: η συνεισφορά των αφισών του Henri de Toulouse Lautrec (1864-1901) στην έντυπη επικοινωνία.

Degree: 2013, Institutes outside Greece; Ιδρύματα Εξωτερικού

The present research aims at unveiling the elements and influences that compose the profile of Henri de Toulouse Lautrec’s work in the field of lithography:… (more)

Subjects/Keywords: Επαναπροσδιορισμός των βασικών αρχών της γραφιστικής, ιδιαίτερα του τομέα της αφίσας; Ιαπωνική αισθητική; Ξυλογραφίες της τέχνης Ukiyo-E; Καινοτόμα γραφιστική προσέγγιση στις θεματογραφία, δομή-σελιδοποίηση, τεχνική; Προκλητική θεματογραφία; Νέα διάσταση στην κίνηση; Στενογραφία ύφους-στυλιζάρισμα; Υπαινιγμός - συμβολισμός; Δημιουργία νέου οπτικού βάθους; Redefinition of basic principles in poster artworks; Integration of japanese art Ukiyo-E; Innovate graphic approaches; Provocation; New dimansion of movement; Styling compactness; Creation of new visual depth; Characters psychography

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APA (6th Edition):

Τσότσου, . . (2013). Γραφιστική και καινοτομία: η συνεισφορά των αφισών του Henri de Toulouse Lautrec (1864-1901) στην έντυπη επικοινωνία. (Thesis). Institutes outside Greece; Ιδρύματα Εξωτερικού. Retrieved from http://hdl.handle.net/10442/hedi/33136

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Τσότσου, Αναστασία. “Γραφιστική και καινοτομία: η συνεισφορά των αφισών του Henri de Toulouse Lautrec (1864-1901) στην έντυπη επικοινωνία.” 2013. Thesis, Institutes outside Greece; Ιδρύματα Εξωτερικού. Accessed July 14, 2020. http://hdl.handle.net/10442/hedi/33136.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Τσότσου, Αναστασία. “Γραφιστική και καινοτομία: η συνεισφορά των αφισών του Henri de Toulouse Lautrec (1864-1901) στην έντυπη επικοινωνία.” 2013. Web. 14 Jul 2020.

Vancouver:

Τσότσου . Γραφιστική και καινοτομία: η συνεισφορά των αφισών του Henri de Toulouse Lautrec (1864-1901) στην έντυπη επικοινωνία. [Internet] [Thesis]. Institutes outside Greece; Ιδρύματα Εξωτερικού; 2013. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/10442/hedi/33136.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Τσότσου . Γραφιστική και καινοτομία: η συνεισφορά των αφισών του Henri de Toulouse Lautrec (1864-1901) στην έντυπη επικοινωνία. [Thesis]. Institutes outside Greece; Ιδρύματα Εξωτερικού; 2013. Available from: http://hdl.handle.net/10442/hedi/33136

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

5. Fijalkovich, Bryan. The Rise of Rustic Genji in Edo and Its Intertextuality.

Degree: MA, Design, Architecture, Art and Planning: Art History, 2011, University of Cincinnati

 During the Edo Period (1600-1867), a fresh conception of the Tale of Genji, a novel by Lady Murasaki (c. 1000), arose in the realm of… (more)

Subjects/Keywords: Art History; Rustic Genji; Edo; The Tale of Genji; Intertextuality; ukiyo-e; Utagawa Kunisada

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fijalkovich, B. (2011). The Rise of Rustic Genji in Edo and Its Intertextuality. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1314044811

Chicago Manual of Style (16th Edition):

Fijalkovich, Bryan. “The Rise of Rustic Genji in Edo and Its Intertextuality.” 2011. Masters Thesis, University of Cincinnati. Accessed July 14, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1314044811.

MLA Handbook (7th Edition):

Fijalkovich, Bryan. “The Rise of Rustic Genji in Edo and Its Intertextuality.” 2011. Web. 14 Jul 2020.

Vancouver:

Fijalkovich B. The Rise of Rustic Genji in Edo and Its Intertextuality. [Internet] [Masters thesis]. University of Cincinnati; 2011. [cited 2020 Jul 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1314044811.

Council of Science Editors:

Fijalkovich B. The Rise of Rustic Genji in Edo and Its Intertextuality. [Masters Thesis]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1314044811


University of Pennsylvania

6. Heathman, Quintana Roo Irigon. Beyond Landscape: Imagining Place In Later Edo Print Culture.

Degree: 2018, University of Pennsylvania

 Ever since European and American collectors first saw Katsushika Hokusai’s print Under The Great Wave off Kanagawa in the late nineteenth century, Japanese landscape prints… (more)

Subjects/Keywords: Edo; illustrated books; landscape; maps; prints; ukiyo-e; Asian History; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Heathman, Q. R. I. (2018). Beyond Landscape: Imagining Place In Later Edo Print Culture. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/3080

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heathman, Quintana Roo Irigon. “Beyond Landscape: Imagining Place In Later Edo Print Culture.” 2018. Thesis, University of Pennsylvania. Accessed July 14, 2020. https://repository.upenn.edu/edissertations/3080.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heathman, Quintana Roo Irigon. “Beyond Landscape: Imagining Place In Later Edo Print Culture.” 2018. Web. 14 Jul 2020.

Vancouver:

Heathman QRI. Beyond Landscape: Imagining Place In Later Edo Print Culture. [Internet] [Thesis]. University of Pennsylvania; 2018. [cited 2020 Jul 14]. Available from: https://repository.upenn.edu/edissertations/3080.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heathman QRI. Beyond Landscape: Imagining Place In Later Edo Print Culture. [Thesis]. University of Pennsylvania; 2018. Available from: https://repository.upenn.edu/edissertations/3080

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

7. Groot, Benjamin de. A Novel Way of Seeing:The appropriation and adaption of Western vanishing point perspective in Japanese woodblock prints; 1740 – 1855.

Degree: 2016, Leiden University

 This thesis deals with the appropriation and adaption of western style vanishing point perspective in Japanese woodblock printing culture. The thesis combines literary research and… (more)

Subjects/Keywords: ukiyo-e; woodblock; perspective; Edo; interculturalisation; art history; uki-e; Western

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APA (6th Edition):

Groot, B. d. (2016). A Novel Way of Seeing:The appropriation and adaption of Western vanishing point perspective in Japanese woodblock prints; 1740 – 1855. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42330

Chicago Manual of Style (16th Edition):

Groot, Benjamin de. “A Novel Way of Seeing:The appropriation and adaption of Western vanishing point perspective in Japanese woodblock prints; 1740 – 1855.” 2016. Masters Thesis, Leiden University. Accessed July 14, 2020. http://hdl.handle.net/1887/42330.

MLA Handbook (7th Edition):

Groot, Benjamin de. “A Novel Way of Seeing:The appropriation and adaption of Western vanishing point perspective in Japanese woodblock prints; 1740 – 1855.” 2016. Web. 14 Jul 2020.

Vancouver:

Groot Bd. A Novel Way of Seeing:The appropriation and adaption of Western vanishing point perspective in Japanese woodblock prints; 1740 – 1855. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/1887/42330.

Council of Science Editors:

Groot Bd. A Novel Way of Seeing:The appropriation and adaption of Western vanishing point perspective in Japanese woodblock prints; 1740 – 1855. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42330


University of Pennsylvania

8. Kenmotsu, Jeannie M. The Color Revolution: Printed Books In Eighteenth-Century Japan.

Degree: 2016, University of Pennsylvania

 Beginning in the mid-1760s, images printed in more than five colors in early modern Japan were known as nishiki-e 錦絵, or “brocade pictures,” an appellation… (more)

Subjects/Keywords: book history; Early modern Japan; Edo period; print culture; ukiyo-e; visual culture; Asian Studies; History; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Kenmotsu, J. M. (2016). The Color Revolution: Printed Books In Eighteenth-Century Japan. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2383

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kenmotsu, Jeannie M. “The Color Revolution: Printed Books In Eighteenth-Century Japan.” 2016. Thesis, University of Pennsylvania. Accessed July 14, 2020. https://repository.upenn.edu/edissertations/2383.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kenmotsu, Jeannie M. “The Color Revolution: Printed Books In Eighteenth-Century Japan.” 2016. Web. 14 Jul 2020.

Vancouver:

Kenmotsu JM. The Color Revolution: Printed Books In Eighteenth-Century Japan. [Internet] [Thesis]. University of Pennsylvania; 2016. [cited 2020 Jul 14]. Available from: https://repository.upenn.edu/edissertations/2383.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kenmotsu JM. The Color Revolution: Printed Books In Eighteenth-Century Japan. [Thesis]. University of Pennsylvania; 2016. Available from: https://repository.upenn.edu/edissertations/2383

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

9. Schilling, Christiaan. The Representation of the Hokusai Style in Ehon Saishiki Tsū.

Degree: 2016, Leiden University

 Katsushika Hokusai (1760–1849) or 'Hokusai' for short, ukiyo-e or Japanese woodblock artist renowned for the print 'The Great Wave' (1830-32), published a year before his… (more)

Subjects/Keywords: Hokusai; Ukiyo-e; Style; Painting Manuals; Ehon Saishiki Tsū; Painting; Drawing; Use of Line

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schilling, C. (2016). The Representation of the Hokusai Style in Ehon Saishiki Tsū. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42570

Chicago Manual of Style (16th Edition):

Schilling, Christiaan. “The Representation of the Hokusai Style in Ehon Saishiki Tsū.” 2016. Masters Thesis, Leiden University. Accessed July 14, 2020. http://hdl.handle.net/1887/42570.

MLA Handbook (7th Edition):

Schilling, Christiaan. “The Representation of the Hokusai Style in Ehon Saishiki Tsū.” 2016. Web. 14 Jul 2020.

Vancouver:

Schilling C. The Representation of the Hokusai Style in Ehon Saishiki Tsū. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/1887/42570.

Council of Science Editors:

Schilling C. The Representation of the Hokusai Style in Ehon Saishiki Tsū. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42570


University of Cincinnati

10. Kohlburn, Joseph Robert. A History of Dissent: Utagawa Kuniyoshi (1797-1861) as Agent of the Edokko Chonin.

Degree: MA, Design, Architecture, Art and Planning : Art History, 2009, University of Cincinnati

 In this thesis, I examine the <i>oeuvre</i> of Utagawa Kuniyoshi (1797-1861), a prolific woodblock print artist, in terms of its socio-political content. Primarily, I explore… (more)

Subjects/Keywords: Art History; Utagawa Kuniyoshi; dissent; ukiyo-e; Ansei Earthquake; yose-e; woodblock print; Tokugawa; Edo; chonin

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APA (6th Edition):

Kohlburn, J. R. (2009). A History of Dissent: Utagawa Kuniyoshi (1797-1861) as Agent of the Edokko Chonin. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242853913

Chicago Manual of Style (16th Edition):

Kohlburn, Joseph Robert. “A History of Dissent: Utagawa Kuniyoshi (1797-1861) as Agent of the Edokko Chonin.” 2009. Masters Thesis, University of Cincinnati. Accessed July 14, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242853913.

MLA Handbook (7th Edition):

Kohlburn, Joseph Robert. “A History of Dissent: Utagawa Kuniyoshi (1797-1861) as Agent of the Edokko Chonin.” 2009. Web. 14 Jul 2020.

Vancouver:

Kohlburn JR. A History of Dissent: Utagawa Kuniyoshi (1797-1861) as Agent of the Edokko Chonin. [Internet] [Masters thesis]. University of Cincinnati; 2009. [cited 2020 Jul 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242853913.

Council of Science Editors:

Kohlburn JR. A History of Dissent: Utagawa Kuniyoshi (1797-1861) as Agent of the Edokko Chonin. [Masters Thesis]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242853913

11. Meurer, Jade. Women in Ukiyo-e.

Degree: 2020, Regis University

  Kitagawa Utamaro’s Edo period prints (approx. 1770-1800) frequently feature prostitutes from Edo's officially licensed entertainment and pleasure ward. These prints were by no means… (more)

Subjects/Keywords: Asian Art and Architecture; Asian History; Other Feminist, Gender, and Sexuality Studies; Visual Studies; Utamaro; ukiyo-e; bijin-ga

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Meurer, J. (2020). Women in Ukiyo-e. (Thesis). Regis University. Retrieved from https://epublications.regis.edu/theses/950

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Meurer, Jade. “Women in Ukiyo-e.” 2020. Thesis, Regis University. Accessed July 14, 2020. https://epublications.regis.edu/theses/950.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Meurer, Jade. “Women in Ukiyo-e.” 2020. Web. 14 Jul 2020.

Vancouver:

Meurer J. Women in Ukiyo-e. [Internet] [Thesis]. Regis University; 2020. [cited 2020 Jul 14]. Available from: https://epublications.regis.edu/theses/950.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Meurer J. Women in Ukiyo-e. [Thesis]. Regis University; 2020. Available from: https://epublications.regis.edu/theses/950

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cornell University

12. McKee, Daniel. Leaves of Words: The Art of Surimono as a Poetic Practice .

Degree: 2007, Cornell University

 This dissertation challenges the conventional treatment of surimono as pictorial greeting/announcement cards comprising a subcategory of ukiyo-e, a definition based on shortsighted understanding of the… (more)

Subjects/Keywords: surimono; ukiyo-e

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APA (6th Edition):

McKee, D. (2007). Leaves of Words: The Art of Surimono as a Poetic Practice . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/8330

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McKee, Daniel. “Leaves of Words: The Art of Surimono as a Poetic Practice .” 2007. Thesis, Cornell University. Accessed July 14, 2020. http://hdl.handle.net/1813/8330.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McKee, Daniel. “Leaves of Words: The Art of Surimono as a Poetic Practice .” 2007. Web. 14 Jul 2020.

Vancouver:

McKee D. Leaves of Words: The Art of Surimono as a Poetic Practice . [Internet] [Thesis]. Cornell University; 2007. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/1813/8330.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKee D. Leaves of Words: The Art of Surimono as a Poetic Practice . [Thesis]. Cornell University; 2007. Available from: http://hdl.handle.net/1813/8330

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

13. Chan, Amy Beth. Trembling Earth.

Degree: MFA, Painting and Printmaking, 2008, Virginia Commonwealth University

  This thesis details the literary and visual influences in my work, the definition of American Gothic, and its connection it to my work. Literary… (more)

Subjects/Keywords: Richmond architecture; Hollywood Cemetery; York River; James River; folly architecture; Poe; Southern Gothic; American Gothic; Japanese woodblock prints; ukiyo-e; wallpaper; Tidewater; Great Dismal Swamp; Richmond ecology; mourning pictures; Art and Design; Arts and Humanities

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APA (6th Edition):

Chan, A. B. (2008). Trembling Earth. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/HZ01-N762 ; https://scholarscompass.vcu.edu/etd/1248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chan, Amy Beth. “Trembling Earth.” 2008. Thesis, Virginia Commonwealth University. Accessed July 14, 2020. https://doi.org/10.25772/HZ01-N762 ; https://scholarscompass.vcu.edu/etd/1248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chan, Amy Beth. “Trembling Earth.” 2008. Web. 14 Jul 2020.

Vancouver:

Chan AB. Trembling Earth. [Internet] [Thesis]. Virginia Commonwealth University; 2008. [cited 2020 Jul 14]. Available from: https://doi.org/10.25772/HZ01-N762 ; https://scholarscompass.vcu.edu/etd/1248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chan AB. Trembling Earth. [Thesis]. Virginia Commonwealth University; 2008. Available from: https://doi.org/10.25772/HZ01-N762 ; https://scholarscompass.vcu.edu/etd/1248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Kiss, Cintia. Imagining Place: How Do Katsushika Hokusai’s Landscape Prints Combine Local and Transcultural Elements? A Consideration of Cultural Appropriation.

Degree: 2018, Leiden University

 Katsushika Hokusai, one of the most influential reformers of Japanese popular art, contributed towards the formation of landscape genre within the ukiyo-e aesthetic. Hokusai’s vision… (more)

Subjects/Keywords: Katsushika Hokusai; Cultural Appropriation; Japanese Landscape Prints; Thirty-Six Views of Mt Fuji; Under the Wave off Kanagawa; Mt Fuji; Japonisme; Transcultural Appropriation; Ukiyo-e Prints

…standard re-introduced in the era: ukiyo. Prints of ukiyo (ukiyo-e) were images of the… …places (meisho). Hokusai’s print aesthetic also belong to the genre of ukiyo-e… …stance for the empowering growth and broadening consciousness of the plebeian class.6 Ukiyo-e… …distinguishable cultural identity as Edo-e (pictures of Edo), ukiyo-e prints became… …circulated prints of the ukiyo-e aesthetic that was primarily intended for bourgeoisie audiences… 

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APA (6th Edition):

Kiss, C. (2018). Imagining Place: How Do Katsushika Hokusai’s Landscape Prints Combine Local and Transcultural Elements? A Consideration of Cultural Appropriation. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/64351

Chicago Manual of Style (16th Edition):

Kiss, Cintia. “Imagining Place: How Do Katsushika Hokusai’s Landscape Prints Combine Local and Transcultural Elements? A Consideration of Cultural Appropriation.” 2018. Masters Thesis, Leiden University. Accessed July 14, 2020. http://hdl.handle.net/1887/64351.

MLA Handbook (7th Edition):

Kiss, Cintia. “Imagining Place: How Do Katsushika Hokusai’s Landscape Prints Combine Local and Transcultural Elements? A Consideration of Cultural Appropriation.” 2018. Web. 14 Jul 2020.

Vancouver:

Kiss C. Imagining Place: How Do Katsushika Hokusai’s Landscape Prints Combine Local and Transcultural Elements? A Consideration of Cultural Appropriation. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/1887/64351.

Council of Science Editors:

Kiss C. Imagining Place: How Do Katsushika Hokusai’s Landscape Prints Combine Local and Transcultural Elements? A Consideration of Cultural Appropriation. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/64351


Universidade Estadual de Campinas

15. Maués, Juliana Pinheiro, 1987-. Bravos citadinos : estudo das representações da tatuagem em estampas de ator do kabuki de Utagawa Kunisada   .

Degree: 2019, Universidade Estadual de Campinas

 Resumo: Esta pesquisa tem como proposta o estudo da tatuagem tradicional japonesa (horimono) e suas representações em estampas xilográficas do século XIX, com especial atenção… (more)

Subjects/Keywords: Tatuagem; Ukiyo-e; Kabuki; Arte japonesa; Utagawa, Kunisada, 1786-1865

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APA (6th Edition):

Maués, Juliana Pinheiro, 1. (2019). Bravos citadinos : estudo das representações da tatuagem em estampas de ator do kabuki de Utagawa Kunisada   . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/335858

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maués, Juliana Pinheiro, 1987-. “Bravos citadinos : estudo das representações da tatuagem em estampas de ator do kabuki de Utagawa Kunisada   .” 2019. Thesis, Universidade Estadual de Campinas. Accessed July 14, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/335858.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maués, Juliana Pinheiro, 1987-. “Bravos citadinos : estudo das representações da tatuagem em estampas de ator do kabuki de Utagawa Kunisada   .” 2019. Web. 14 Jul 2020.

Vancouver:

Maués, Juliana Pinheiro 1. Bravos citadinos : estudo das representações da tatuagem em estampas de ator do kabuki de Utagawa Kunisada   . [Internet] [Thesis]. Universidade Estadual de Campinas; 2019. [cited 2020 Jul 14]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/335858.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maués, Juliana Pinheiro 1. Bravos citadinos : estudo das representações da tatuagem em estampas de ator do kabuki de Utagawa Kunisada   . [Thesis]. Universidade Estadual de Campinas; 2019. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/335858

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

16. Adams, Denise Ingrid. Beyond Sumi-e: A practice-led investigation into the influences of an ancient art form on contemporary artists,with reference to the artworks of Hiroshi Senju and Yoshio Ikezaki.

Degree: 2019, University of KwaZulu-Natal

 This study investigates the influence of traditional ink painting from Japan, Sumi-e, on the artworks of two contemporary artists, Yoshio Ikezaki and Hiroshi Senju. It… (more)

Subjects/Keywords: Sumi-e.; Japanese Art.; Natural Materials.; Holistic Art Practice.; Practice-related research.

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APA (6th Edition):

Adams, D. I. (2019). Beyond Sumi-e: A practice-led investigation into the influences of an ancient art form on contemporary artists,with reference to the artworks of Hiroshi Senju and Yoshio Ikezaki. (Thesis). University of KwaZulu-Natal. Retrieved from https://researchspace.ukzn.ac.za/handle/10413/17236

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adams, Denise Ingrid. “Beyond Sumi-e: A practice-led investigation into the influences of an ancient art form on contemporary artists,with reference to the artworks of Hiroshi Senju and Yoshio Ikezaki.” 2019. Thesis, University of KwaZulu-Natal. Accessed July 14, 2020. https://researchspace.ukzn.ac.za/handle/10413/17236.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adams, Denise Ingrid. “Beyond Sumi-e: A practice-led investigation into the influences of an ancient art form on contemporary artists,with reference to the artworks of Hiroshi Senju and Yoshio Ikezaki.” 2019. Web. 14 Jul 2020.

Vancouver:

Adams DI. Beyond Sumi-e: A practice-led investigation into the influences of an ancient art form on contemporary artists,with reference to the artworks of Hiroshi Senju and Yoshio Ikezaki. [Internet] [Thesis]. University of KwaZulu-Natal; 2019. [cited 2020 Jul 14]. Available from: https://researchspace.ukzn.ac.za/handle/10413/17236.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adams DI. Beyond Sumi-e: A practice-led investigation into the influences of an ancient art form on contemporary artists,with reference to the artworks of Hiroshi Senju and Yoshio Ikezaki. [Thesis]. University of KwaZulu-Natal; 2019. Available from: https://researchspace.ukzn.ac.za/handle/10413/17236

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Kowalczyk, Beata Maria. "Transnational" art world : career patterns of japanese musicians in the European world of classical music : Monde artistique « transnational » : les trajectoires des musicien-ne-s japonais-e-s dans le monde européen de la musique classique.

Degree: Docteur es, Sociologie, 2018, Paris 1; Instytut Socjologii Uniwersytetu Warszawskiego

Toujours plus visibles sur les scènes occidentales de la musique classique, les musicien-ne-s japonais-e-s évoluant en Europe constituent un phénomène social intéressant. Adoptant deux perspectives… (more)

Subjects/Keywords: Interprètes japonais-e-s; Monde d'art; Sociologie des professions; Mobilités géographiques au travail; Genre; Japanese classical musicians; Art world; Sociology of work, professions; Labor migration; Gender; 304.8

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APA (6th Edition):

Kowalczyk, B. M. (2018). "Transnational" art world : career patterns of japanese musicians in the European world of classical music : Monde artistique « transnational » : les trajectoires des musicien-ne-s japonais-e-s dans le monde européen de la musique classique. (Doctoral Dissertation). Paris 1; Instytut Socjologii Uniwersytetu Warszawskiego. Retrieved from http://www.theses.fr/2018PA01E003

Chicago Manual of Style (16th Edition):

Kowalczyk, Beata Maria. “"Transnational" art world : career patterns of japanese musicians in the European world of classical music : Monde artistique « transnational » : les trajectoires des musicien-ne-s japonais-e-s dans le monde européen de la musique classique.” 2018. Doctoral Dissertation, Paris 1; Instytut Socjologii Uniwersytetu Warszawskiego. Accessed July 14, 2020. http://www.theses.fr/2018PA01E003.

MLA Handbook (7th Edition):

Kowalczyk, Beata Maria. “"Transnational" art world : career patterns of japanese musicians in the European world of classical music : Monde artistique « transnational » : les trajectoires des musicien-ne-s japonais-e-s dans le monde européen de la musique classique.” 2018. Web. 14 Jul 2020.

Vancouver:

Kowalczyk BM. "Transnational" art world : career patterns of japanese musicians in the European world of classical music : Monde artistique « transnational » : les trajectoires des musicien-ne-s japonais-e-s dans le monde européen de la musique classique. [Internet] [Doctoral dissertation]. Paris 1; Instytut Socjologii Uniwersytetu Warszawskiego; 2018. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2018PA01E003.

Council of Science Editors:

Kowalczyk BM. "Transnational" art world : career patterns of japanese musicians in the European world of classical music : Monde artistique « transnational » : les trajectoires des musicien-ne-s japonais-e-s dans le monde européen de la musique classique. [Doctoral Dissertation]. Paris 1; Instytut Socjologii Uniwersytetu Warszawskiego; 2018. Available from: http://www.theses.fr/2018PA01E003


University of Wisconsin – Milwaukee

18. Dahlin, Kenneth Charles. The Aesthetics of Frank Lloyd Wright’s Organic Architecture: Hegel, Japanese Art, and Modernism.

Degree: PhD, Architecture, 2018, University of Wisconsin – Milwaukee

  ABSTRACT THE AESTHETICS OF FRANK LLOYD WRIGHT’S ORGANIC ARCHITECTURE: HEGEL, JAPANESE ART, AND MODERNISM by Kenneth C Dahlin The University of Wisconsin-Milwaukee, 2018 Under… (more)

Subjects/Keywords: aesthetics; architecture; Hegel; Japanese art; organic; Wright; Architecture; Esthetics; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Dahlin, K. C. (2018). The Aesthetics of Frank Lloyd Wright’s Organic Architecture: Hegel, Japanese Art, and Modernism. (Doctoral Dissertation). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/1983

Chicago Manual of Style (16th Edition):

Dahlin, Kenneth Charles. “The Aesthetics of Frank Lloyd Wright’s Organic Architecture: Hegel, Japanese Art, and Modernism.” 2018. Doctoral Dissertation, University of Wisconsin – Milwaukee. Accessed July 14, 2020. https://dc.uwm.edu/etd/1983.

MLA Handbook (7th Edition):

Dahlin, Kenneth Charles. “The Aesthetics of Frank Lloyd Wright’s Organic Architecture: Hegel, Japanese Art, and Modernism.” 2018. Web. 14 Jul 2020.

Vancouver:

Dahlin KC. The Aesthetics of Frank Lloyd Wright’s Organic Architecture: Hegel, Japanese Art, and Modernism. [Internet] [Doctoral dissertation]. University of Wisconsin – Milwaukee; 2018. [cited 2020 Jul 14]. Available from: https://dc.uwm.edu/etd/1983.

Council of Science Editors:

Dahlin KC. The Aesthetics of Frank Lloyd Wright’s Organic Architecture: Hegel, Japanese Art, and Modernism. [Doctoral Dissertation]. University of Wisconsin – Milwaukee; 2018. Available from: https://dc.uwm.edu/etd/1983


Kristianstad University

19. Maki, Noriko. Integrationsprocesser bland 6 invandrade japanska personer i Sverige.

Degree: Health and Society, 2015, Kristianstad University

  This research outlines studies about the relationship between social integration process of Japanese immigrants in Sweden and how social media assists in this process.… (more)

Subjects/Keywords: Integration; social media; Japanese immigrant

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APA (6th Edition):

Maki, N. (2015). Integrationsprocesser bland 6 invandrade japanska personer i Sverige. (Thesis). Kristianstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-13519

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maki, Noriko. “Integrationsprocesser bland 6 invandrade japanska personer i Sverige.” 2015. Thesis, Kristianstad University. Accessed July 14, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-13519.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maki, Noriko. “Integrationsprocesser bland 6 invandrade japanska personer i Sverige.” 2015. Web. 14 Jul 2020.

Vancouver:

Maki N. Integrationsprocesser bland 6 invandrade japanska personer i Sverige. [Internet] [Thesis]. Kristianstad University; 2015. [cited 2020 Jul 14]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-13519.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maki N. Integrationsprocesser bland 6 invandrade japanska personer i Sverige. [Thesis]. Kristianstad University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-13519

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Daniel, Leah. Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic.

Degree: MA, Design, Architecture, Art and Planning: Art History, 2015, University of Cincinnati

 In the postscript of Kitagawa Utamaro’s (1753-1868) first illustrated picture book in woodblock, entitled Picture Book of Crawling Creatures (Ehon mushi erami, 1788), artist Toriyama… (more)

Subjects/Keywords: Art History; ukiyo-e; rangaku; scientific gaze; kitagawa utamaro; utamaro; ehon mushi erami

…woodblock print (ukiyo-e) illustrations of insects, shells, and birds that accompany the… …images and historical research of the effect of rangaku on Japanese art will support this… …biography of Utamaro himself as well as the milieu of ukiyo-e in which he was situated. The second… …Ukiyo-e Prints: The Representation of Kitagawa Utamaro to the Edo Public” in The Artist as… …will discuss the milieu of Utamaro and ukiyo-e, while also noting the importance of the… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Daniel, L. (2015). Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065911

Chicago Manual of Style (16th Edition):

Daniel, Leah. “Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic.” 2015. Masters Thesis, University of Cincinnati. Accessed July 14, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065911.

MLA Handbook (7th Edition):

Daniel, Leah. “Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic.” 2015. Web. 14 Jul 2020.

Vancouver:

Daniel L. Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic. [Internet] [Masters thesis]. University of Cincinnati; 2015. [cited 2020 Jul 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065911.

Council of Science Editors:

Daniel L. Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic. [Masters Thesis]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065911


Arizona State University

21. McMurtrey, Shiloh. Helen Hyde and Her "Children": Influences, Techniques and Business Savvy of an American Japoniste Printmaker.

Degree: Art History, 2016, Arizona State University

Subjects/Keywords: Art history; Biographies; Fine arts; America; Helen Hyde; Japonisme; Printmaking; Ukiyo-e; woodblock prints

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APA (6th Edition):

McMurtrey, S. (2016). Helen Hyde and Her "Children": Influences, Techniques and Business Savvy of an American Japoniste Printmaker. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/41261

Chicago Manual of Style (16th Edition):

McMurtrey, Shiloh. “Helen Hyde and Her "Children": Influences, Techniques and Business Savvy of an American Japoniste Printmaker.” 2016. Doctoral Dissertation, Arizona State University. Accessed July 14, 2020. http://repository.asu.edu/items/41261.

MLA Handbook (7th Edition):

McMurtrey, Shiloh. “Helen Hyde and Her "Children": Influences, Techniques and Business Savvy of an American Japoniste Printmaker.” 2016. Web. 14 Jul 2020.

Vancouver:

McMurtrey S. Helen Hyde and Her "Children": Influences, Techniques and Business Savvy of an American Japoniste Printmaker. [Internet] [Doctoral dissertation]. Arizona State University; 2016. [cited 2020 Jul 14]. Available from: http://repository.asu.edu/items/41261.

Council of Science Editors:

McMurtrey S. Helen Hyde and Her "Children": Influences, Techniques and Business Savvy of an American Japoniste Printmaker. [Doctoral Dissertation]. Arizona State University; 2016. Available from: http://repository.asu.edu/items/41261

22. Biron, Carole. Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge : Pigments and dyes used in the Japanese prints ukiyo-e (18th – 19th centuries) : Contribution of hyperspectral imaging and infrared spectroscopy.

Degree: Docteur es, Sciences Archéologiques, 2019, Université Michel de Montaigne – Bordeaux III

Les ukiyo-e désignent les estampes produites au Japon entre le XVIIe et le XIXe siècle. Elles sont le reflet des changements sociaux et économiques de… (more)

Subjects/Keywords: Pigments; Estampes; Ukiyo-e; Spectroscopie infrarouge; Imagerie hyperspectrale; Histoire des techniques; Méthodes non invasives; Pigments; Prints; Ukiyo-e; Infrared spectroscopy; Hyperspectral imaging; Archaeometry; Technique history; Non-invasive methods

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APA (6th Edition):

Biron, C. (2019). Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge : Pigments and dyes used in the Japanese prints ukiyo-e (18th – 19th centuries) : Contribution of hyperspectral imaging and infrared spectroscopy. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2019BOR30032

Chicago Manual of Style (16th Edition):

Biron, Carole. “Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge : Pigments and dyes used in the Japanese prints ukiyo-e (18th – 19th centuries) : Contribution of hyperspectral imaging and infrared spectroscopy.” 2019. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed July 14, 2020. http://www.theses.fr/2019BOR30032.

MLA Handbook (7th Edition):

Biron, Carole. “Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge : Pigments and dyes used in the Japanese prints ukiyo-e (18th – 19th centuries) : Contribution of hyperspectral imaging and infrared spectroscopy.” 2019. Web. 14 Jul 2020.

Vancouver:

Biron C. Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge : Pigments and dyes used in the Japanese prints ukiyo-e (18th – 19th centuries) : Contribution of hyperspectral imaging and infrared spectroscopy. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2019. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2019BOR30032.

Council of Science Editors:

Biron C. Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge : Pigments and dyes used in the Japanese prints ukiyo-e (18th – 19th centuries) : Contribution of hyperspectral imaging and infrared spectroscopy. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2019. Available from: http://www.theses.fr/2019BOR30032

23. Wheeler, Steve. A Proliferation of Monsters in Prints: Expressions of Anxiety in the Changing Worlds of Early Industrial Britain and Japan.

Degree: 2017, Leiden University

 The human fascination with fear of the unknown has been documented in art and literature across civilisations for centuries. In every culture, this has manifested… (more)

Subjects/Keywords: william blake; utagawa kuniyoshi; sea monster; leviathan; dragon; tenpo era; yokai; romantic period; ukiyo-e

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APA (6th Edition):

Wheeler, S. (2017). A Proliferation of Monsters in Prints: Expressions of Anxiety in the Changing Worlds of Early Industrial Britain and Japan. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52358

Chicago Manual of Style (16th Edition):

Wheeler, Steve. “A Proliferation of Monsters in Prints: Expressions of Anxiety in the Changing Worlds of Early Industrial Britain and Japan.” 2017. Masters Thesis, Leiden University. Accessed July 14, 2020. http://hdl.handle.net/1887/52358.

MLA Handbook (7th Edition):

Wheeler, Steve. “A Proliferation of Monsters in Prints: Expressions of Anxiety in the Changing Worlds of Early Industrial Britain and Japan.” 2017. Web. 14 Jul 2020.

Vancouver:

Wheeler S. A Proliferation of Monsters in Prints: Expressions of Anxiety in the Changing Worlds of Early Industrial Britain and Japan. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/1887/52358.

Council of Science Editors:

Wheeler S. A Proliferation of Monsters in Prints: Expressions of Anxiety in the Changing Worlds of Early Industrial Britain and Japan. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52358


Leiden University

24. Witkam, Frank. Virtuous Heroines and Exotic Outlaws: The Transculturation of Shuihu zhuan in Late Edo Japan.

Degree: 2018, Leiden University

Subjects/Keywords: Water Margin; ukiyo-e; Edo Japan

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APA (6th Edition):

Witkam, F. (2018). Virtuous Heroines and Exotic Outlaws: The Transculturation of Shuihu zhuan in Late Edo Japan. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/64768

Chicago Manual of Style (16th Edition):

Witkam, Frank. “Virtuous Heroines and Exotic Outlaws: The Transculturation of Shuihu zhuan in Late Edo Japan.” 2018. Masters Thesis, Leiden University. Accessed July 14, 2020. http://hdl.handle.net/1887/64768.

MLA Handbook (7th Edition):

Witkam, Frank. “Virtuous Heroines and Exotic Outlaws: The Transculturation of Shuihu zhuan in Late Edo Japan.” 2018. Web. 14 Jul 2020.

Vancouver:

Witkam F. Virtuous Heroines and Exotic Outlaws: The Transculturation of Shuihu zhuan in Late Edo Japan. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/1887/64768.

Council of Science Editors:

Witkam F. Virtuous Heroines and Exotic Outlaws: The Transculturation of Shuihu zhuan in Late Edo Japan. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/64768


University of Nairobi

25. Gitau, Joseph K. Service Oriented Architecture Model For Integration Of E-Government Systems In Kenya.

Degree: 2016, University of Nairobi

 During the last decade, organisations in Kenya have worked to automate processes and digitize information and services using various systems. These systems have however become… (more)

Subjects/Keywords: Integration Of E-Government Systems In Kenya

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APA (6th Edition):

Gitau, J. K. (2016). Service Oriented Architecture Model For Integration Of E-Government Systems In Kenya. (Thesis). University of Nairobi. Retrieved from http://hdl.handle.net/11295/99444

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gitau, Joseph K. “Service Oriented Architecture Model For Integration Of E-Government Systems In Kenya. ” 2016. Thesis, University of Nairobi. Accessed July 14, 2020. http://hdl.handle.net/11295/99444.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gitau, Joseph K. “Service Oriented Architecture Model For Integration Of E-Government Systems In Kenya. ” 2016. Web. 14 Jul 2020.

Vancouver:

Gitau JK. Service Oriented Architecture Model For Integration Of E-Government Systems In Kenya. [Internet] [Thesis]. University of Nairobi; 2016. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/11295/99444.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gitau JK. Service Oriented Architecture Model For Integration Of E-Government Systems In Kenya. [Thesis]. University of Nairobi; 2016. Available from: http://hdl.handle.net/11295/99444

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

26. Songkaeo, Thammika. Reverse Japonisme : transpositions of Zola, Cézanne, and van Gogh in twentieth-century Japan.

Degree: MA, Comparative Literature, 2013, University of Texas – Austin

 This report examines how twentieth-century Japanese “artists” – Kafū Nagai, Ryūnosuke Akutagawa, and Kurosawa Akira – applied characters and/or principles of nineteenth-century artists active in… (more)

Subjects/Keywords: Japonisme; French art; Japanese film

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APA (6th Edition):

Songkaeo, T. (2013). Reverse Japonisme : transpositions of Zola, Cézanne, and van Gogh in twentieth-century Japan. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/22464

Chicago Manual of Style (16th Edition):

Songkaeo, Thammika. “Reverse Japonisme : transpositions of Zola, Cézanne, and van Gogh in twentieth-century Japan.” 2013. Masters Thesis, University of Texas – Austin. Accessed July 14, 2020. http://hdl.handle.net/2152/22464.

MLA Handbook (7th Edition):

Songkaeo, Thammika. “Reverse Japonisme : transpositions of Zola, Cézanne, and van Gogh in twentieth-century Japan.” 2013. Web. 14 Jul 2020.

Vancouver:

Songkaeo T. Reverse Japonisme : transpositions of Zola, Cézanne, and van Gogh in twentieth-century Japan. [Internet] [Masters thesis]. University of Texas – Austin; 2013. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/2152/22464.

Council of Science Editors:

Songkaeo T. Reverse Japonisme : transpositions of Zola, Cézanne, and van Gogh in twentieth-century Japan. [Masters Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/22464


Boston University

27. Jones, Meghen. Tomimoto Kenkichi and the discourse of modern Japanese ceramics.

Degree: PhD, History of Art & Architecture, 2014, Boston University

 In Japan, ceramics has long been considered a medium associated with elevated aesthetic expression and high cultural capital. However, the late nineteenth and twentieth centuries… (more)

Subjects/Keywords: Art history; Ceramics; Craft; Japanese art; Japanese ceramics; Modern ceramics; Modernism

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APA (6th Edition):

Jones, M. (2014). Tomimoto Kenkichi and the discourse of modern Japanese ceramics. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/14288

Chicago Manual of Style (16th Edition):

Jones, Meghen. “Tomimoto Kenkichi and the discourse of modern Japanese ceramics.” 2014. Doctoral Dissertation, Boston University. Accessed July 14, 2020. http://hdl.handle.net/2144/14288.

MLA Handbook (7th Edition):

Jones, Meghen. “Tomimoto Kenkichi and the discourse of modern Japanese ceramics.” 2014. Web. 14 Jul 2020.

Vancouver:

Jones M. Tomimoto Kenkichi and the discourse of modern Japanese ceramics. [Internet] [Doctoral dissertation]. Boston University; 2014. [cited 2020 Jul 14]. Available from: http://hdl.handle.net/2144/14288.

Council of Science Editors:

Jones M. Tomimoto Kenkichi and the discourse of modern Japanese ceramics. [Doctoral Dissertation]. Boston University; 2014. Available from: http://hdl.handle.net/2144/14288

28. Levy, Deborah. Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art : Mitate and quotation in the Morimura Yasumasa’s artwork : Self-portrait of art history.

Degree: Docteur es, Arts plastiques et photographie, 2017, Paris 8; Université métropolitaine de Tokyo (Tokyo, Japon)

La citation et le mitate sont des procédés mimétiques proches au regard des autoportraits photographiques de Morimura Yasumasa. En citant directement les tableaux et le… (more)

Subjects/Keywords: Histoire de l’art; Occident; Europe; Japon; Japonais; Asie; Photographie; Peinture; History of art; The West; Europe; Japan; Japanese; Asia; Photography; Painting

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APA (6th Edition):

Levy, D. (2017). Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art : Mitate and quotation in the Morimura Yasumasa’s artwork : Self-portrait of art history. (Doctoral Dissertation). Paris 8; Université métropolitaine de Tokyo (Tokyo, Japon). Retrieved from http://www.theses.fr/2017PA080025

Chicago Manual of Style (16th Edition):

Levy, Deborah. “Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art : Mitate and quotation in the Morimura Yasumasa’s artwork : Self-portrait of art history.” 2017. Doctoral Dissertation, Paris 8; Université métropolitaine de Tokyo (Tokyo, Japon). Accessed July 14, 2020. http://www.theses.fr/2017PA080025.

MLA Handbook (7th Edition):

Levy, Deborah. “Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art : Mitate and quotation in the Morimura Yasumasa’s artwork : Self-portrait of art history.” 2017. Web. 14 Jul 2020.

Vancouver:

Levy D. Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art : Mitate and quotation in the Morimura Yasumasa’s artwork : Self-portrait of art history. [Internet] [Doctoral dissertation]. Paris 8; Université métropolitaine de Tokyo (Tokyo, Japon); 2017. [cited 2020 Jul 14]. Available from: http://www.theses.fr/2017PA080025.

Council of Science Editors:

Levy D. Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art : Mitate and quotation in the Morimura Yasumasa’s artwork : Self-portrait of art history. [Doctoral Dissertation]. Paris 8; Université métropolitaine de Tokyo (Tokyo, Japon); 2017. Available from: http://www.theses.fr/2017PA080025


University of the Arts London

29. Sutcliffe, Paul J.C. Contemporary Art in Japan and Cuteness in Japanese Popular Culture.

Degree: 2005, University of the Arts London

 This thesis is an art historical study focussing on contemporary Japan, and in particular the artists Murakami TakashL Mori Mariko, Aida Makoto, and Nara Yoshitomo.… (more)

Subjects/Keywords: Japanese Society and Culture studies; History of Art

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APA (6th Edition):

Sutcliffe, P. J. C. (2005). Contemporary Art in Japan and Cuteness in Japanese Popular Culture. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sutcliffe, Paul J C. “Contemporary Art in Japan and Cuteness in Japanese Popular Culture.” 2005. Thesis, University of the Arts London. Accessed July 14, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sutcliffe, Paul J C. “Contemporary Art in Japan and Cuteness in Japanese Popular Culture.” 2005. Web. 14 Jul 2020.

Vancouver:

Sutcliffe PJC. Contemporary Art in Japan and Cuteness in Japanese Popular Culture. [Internet] [Thesis]. University of the Arts London; 2005. [cited 2020 Jul 14]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sutcliffe PJC. Contemporary Art in Japan and Cuteness in Japanese Popular Culture. [Thesis]. University of the Arts London; 2005. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida Atlantic University

30. Osborne, Sterling Anderson. Linking masks with Majora: The legend of Zelda: Majora’s mask and NOH theater.

Degree: MA, 2014, Florida Atlantic University

Summary: The field of video game studies is young and requires innovation in its approach to its object of study. Despite the large number of… (more)

Subjects/Keywords: Aesthetics, Japanese; Legend of Zelda (Game); ; Theater  – Japan; Video games  – Philosophy; Video games in art

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APA (6th Edition):

Osborne, S. A. (2014). Linking masks with Majora: The legend of Zelda: Majora’s mask and NOH theater. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/fau/fd/FA00004311 ; (URL) http://purl.flvc.org/fau/fd/FA00004311

Chicago Manual of Style (16th Edition):

Osborne, Sterling Anderson. “Linking masks with Majora: The legend of Zelda: Majora’s mask and NOH theater.” 2014. Masters Thesis, Florida Atlantic University. Accessed July 14, 2020. http://purl.flvc.org/fau/fd/FA00004311 ; (URL) http://purl.flvc.org/fau/fd/FA00004311.

MLA Handbook (7th Edition):

Osborne, Sterling Anderson. “Linking masks with Majora: The legend of Zelda: Majora’s mask and NOH theater.” 2014. Web. 14 Jul 2020.

Vancouver:

Osborne SA. Linking masks with Majora: The legend of Zelda: Majora’s mask and NOH theater. [Internet] [Masters thesis]. Florida Atlantic University; 2014. [cited 2020 Jul 14]. Available from: http://purl.flvc.org/fau/fd/FA00004311 ; (URL) http://purl.flvc.org/fau/fd/FA00004311.

Council of Science Editors:

Osborne SA. Linking masks with Majora: The legend of Zelda: Majora’s mask and NOH theater. [Masters Thesis]. Florida Atlantic University; 2014. Available from: http://purl.flvc.org/fau/fd/FA00004311 ; (URL) http://purl.flvc.org/fau/fd/FA00004311

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