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You searched for subject:(Instrumentation AND orchestration ). Showing records 1 – 29 of 29 total matches.

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University of Oklahoma

1. Levey, Joseph A. Seven contemporary etudes for band :.

Degree: D.Mus.A., School of Music, 1969, University of Oklahoma

Subjects/Keywords: Music.; Instrumentation and orchestration (Band)

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APA (6th Edition):

Levey, J. A. (1969). Seven contemporary etudes for band :. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/2589

Chicago Manual of Style (16th Edition):

Levey, Joseph A. “Seven contemporary etudes for band :.” 1969. Doctoral Dissertation, University of Oklahoma. Accessed December 18, 2017. http://hdl.handle.net/11244/2589.

MLA Handbook (7th Edition):

Levey, Joseph A. “Seven contemporary etudes for band :.” 1969. Web. 18 Dec 2017.

Vancouver:

Levey JA. Seven contemporary etudes for band :. [Internet] [Doctoral dissertation]. University of Oklahoma; 1969. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/11244/2589.

Council of Science Editors:

Levey JA. Seven contemporary etudes for band :. [Doctoral Dissertation]. University of Oklahoma; 1969. Available from: http://hdl.handle.net/11244/2589


The Ohio State University

2. Davis, Joyce Francine. The cornet à pistons in French and French-influenced orchestration from 1830 to 1936.

Degree: PhD, Graduate School, 1990, The Ohio State University

Subjects/Keywords: Music; Cornet; Instrumentation and orchestration

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APA (6th Edition):

Davis, J. F. (1990). The cornet à pistons in French and French-influenced orchestration from 1830 to 1936. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu14876817882554

Chicago Manual of Style (16th Edition):

Davis, Joyce Francine. “The cornet à pistons in French and French-influenced orchestration from 1830 to 1936.” 1990. Doctoral Dissertation, The Ohio State University. Accessed December 18, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu14876817882554.

MLA Handbook (7th Edition):

Davis, Joyce Francine. “The cornet à pistons in French and French-influenced orchestration from 1830 to 1936.” 1990. Web. 18 Dec 2017.

Vancouver:

Davis JF. The cornet à pistons in French and French-influenced orchestration from 1830 to 1936. [Internet] [Doctoral dissertation]. The Ohio State University; 1990. [cited 2017 Dec 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu14876817882554.

Council of Science Editors:

Davis JF. The cornet à pistons in French and French-influenced orchestration from 1830 to 1936. [Doctoral Dissertation]. The Ohio State University; 1990. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu14876817882554


University of North Carolina – Greensboro

3. Hollis, Deborah Lee. Orchestral color in Richard Strauss’s Lieder: enhancing performance choices of all of Strauss’s Lieder through a study of his orchestrated Lieder.

Degree: 2009, University of North Carolina – Greensboro

 Strauss was a major composer of <italics>Lieder<italics>, with more than 200 published songs composed between 1870 and 1948, many of which belong to the standard… (more)

Subjects/Keywords: Strauss, Richard, – 1864-1949.; Instrumentation and orchestration.; Lieder.

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APA (6th Edition):

Hollis, D. L. (2009). Orchestral color in Richard Strauss’s Lieder: enhancing performance choices of all of Strauss’s Lieder through a study of his orchestrated Lieder. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=2318

Chicago Manual of Style (16th Edition):

Hollis, Deborah Lee. “Orchestral color in Richard Strauss’s Lieder: enhancing performance choices of all of Strauss’s Lieder through a study of his orchestrated Lieder.” 2009. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed December 18, 2017. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=2318.

MLA Handbook (7th Edition):

Hollis, Deborah Lee. “Orchestral color in Richard Strauss’s Lieder: enhancing performance choices of all of Strauss’s Lieder through a study of his orchestrated Lieder.” 2009. Web. 18 Dec 2017.

Vancouver:

Hollis DL. Orchestral color in Richard Strauss’s Lieder: enhancing performance choices of all of Strauss’s Lieder through a study of his orchestrated Lieder. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2009. [cited 2017 Dec 18]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=2318.

Council of Science Editors:

Hollis DL. Orchestral color in Richard Strauss’s Lieder: enhancing performance choices of all of Strauss’s Lieder through a study of his orchestrated Lieder. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2009. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=2318


University of Wisconsin – Madison

4. Brusen, Raymond Francis. The orchestration of Hector Berlioz, with special reference to the Symphonie Fantastique.

Degree: 1952, University of Wisconsin – Madison

133, [8] leaves : ill. (fold.), music ; 28 cm. + 1 miniature score (231 p. ; 19 cm.)

Subjects/Keywords: Berlioz, Hector; Instrumentation and orchestration

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APA (6th Edition):

Brusen, R. F. (1952). The orchestration of Hector Berlioz, with special reference to the Symphonie Fantastique. (Thesis). University of Wisconsin – Madison. Retrieved from http://digital.library.wisc.edu/1793/11412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brusen, Raymond Francis. “The orchestration of Hector Berlioz, with special reference to the Symphonie Fantastique.” 1952. Thesis, University of Wisconsin – Madison. Accessed December 18, 2017. http://digital.library.wisc.edu/1793/11412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brusen, Raymond Francis. “The orchestration of Hector Berlioz, with special reference to the Symphonie Fantastique.” 1952. Web. 18 Dec 2017.

Vancouver:

Brusen RF. The orchestration of Hector Berlioz, with special reference to the Symphonie Fantastique. [Internet] [Thesis]. University of Wisconsin – Madison; 1952. [cited 2017 Dec 18]. Available from: http://digital.library.wisc.edu/1793/11412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brusen RF. The orchestration of Hector Berlioz, with special reference to the Symphonie Fantastique. [Thesis]. University of Wisconsin – Madison; 1952. Available from: http://digital.library.wisc.edu/1793/11412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

5. Bevan, Andrew. From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist.

Degree: 2006, University of Adelaide

 This submission investigates the creative music-making process from its conception as an idea or musical image to its realisation in the form of a CD… (more)

Subjects/Keywords: jazz; instrumentation and orchestration

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APA (6th Edition):

Bevan, A. (2006). From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/37892

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bevan, Andrew. “From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist.” 2006. Thesis, University of Adelaide. Accessed December 18, 2017. http://hdl.handle.net/2440/37892.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bevan, Andrew. “From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist.” 2006. Web. 18 Dec 2017.

Vancouver:

Bevan A. From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist. [Internet] [Thesis]. University of Adelaide; 2006. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/2440/37892.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bevan A. From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist. [Thesis]. University of Adelaide; 2006. Available from: http://hdl.handle.net/2440/37892

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

6. Feder, Arthur John. An Orchestration for Wind Band of Peter Klatzow’s From the Poets: Exploring a systematic approach to orchestration.

Degree: MMus, Music, 2015, Stellenbosch University

The wind band is a far underused composition medium in South Africa. Partially, this is due to the stereotypical view towards the ensemble and unfamiliarity… (more)

Subjects/Keywords: Instrumentation and orchestration (Band); Klatzow, Peter. From the Poets

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APA (6th Edition):

Feder, A. J. (2015). An Orchestration for Wind Band of Peter Klatzow’s From the Poets: Exploring a systematic approach to orchestration. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/96999

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feder, Arthur John. “An Orchestration for Wind Band of Peter Klatzow’s From the Poets: Exploring a systematic approach to orchestration.” 2015. Thesis, Stellenbosch University. Accessed December 18, 2017. http://hdl.handle.net/10019.1/96999.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feder, Arthur John. “An Orchestration for Wind Band of Peter Klatzow’s From the Poets: Exploring a systematic approach to orchestration.” 2015. Web. 18 Dec 2017.

Vancouver:

Feder AJ. An Orchestration for Wind Band of Peter Klatzow’s From the Poets: Exploring a systematic approach to orchestration. [Internet] [Thesis]. Stellenbosch University; 2015. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/10019.1/96999.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feder AJ. An Orchestration for Wind Band of Peter Klatzow’s From the Poets: Exploring a systematic approach to orchestration. [Thesis]. Stellenbosch University; 2015. Available from: http://hdl.handle.net/10019.1/96999

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

7. Wilson, Brian Scott. Orchestrational archetypes in Percy Grainger's wind band music.

Degree: 1992, University of Arizona

 This study closely examines the orchestrational techniques in four of Percy Grainger's wind band compositions; Colonial Song, Irish Tune From County Perry, Molly On The… (more)

Subjects/Keywords: Instrumentation and orchestration (Band)

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APA (6th Edition):

Wilson, B. S. (1992). Orchestrational archetypes in Percy Grainger's wind band music. (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/185861

Chicago Manual of Style (16th Edition):

Wilson, Brian Scott. “Orchestrational archetypes in Percy Grainger's wind band music. ” 1992. Doctoral Dissertation, University of Arizona. Accessed December 18, 2017. http://hdl.handle.net/10150/185861.

MLA Handbook (7th Edition):

Wilson, Brian Scott. “Orchestrational archetypes in Percy Grainger's wind band music. ” 1992. Web. 18 Dec 2017.

Vancouver:

Wilson BS. Orchestrational archetypes in Percy Grainger's wind band music. [Internet] [Doctoral dissertation]. University of Arizona; 1992. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/10150/185861.

Council of Science Editors:

Wilson BS. Orchestrational archetypes in Percy Grainger's wind band music. [Doctoral Dissertation]. University of Arizona; 1992. Available from: http://hdl.handle.net/10150/185861


West Virginia University

8. Cloutier, Daniel R., 1963-. Ludwig van Beethoven's orchestration of the trombone.

Degree: 2009, West Virginia University

 Ludwig Van Beethoven is considered one of the first composers to fully realize the wide-ranging performance potential of the trombone. Although the instrument had already… (more)

Subjects/Keywords: Beethoven, Ludwig van, 1770-1827 – Criticism and interpretation.; Trombone with orchestra.; Instrumentation and orchestration.

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APA (6th Edition):

Cloutier, Daniel R., 1. (2009). Ludwig van Beethoven's orchestration of the trombone. (Thesis). West Virginia University. Retrieved from http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=23105

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cloutier, Daniel R., 1963-. “Ludwig van Beethoven's orchestration of the trombone.” 2009. Thesis, West Virginia University. Accessed December 18, 2017. http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=23105.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cloutier, Daniel R., 1963-. “Ludwig van Beethoven's orchestration of the trombone.” 2009. Web. 18 Dec 2017.

Vancouver:

Cloutier, Daniel R. 1. Ludwig van Beethoven's orchestration of the trombone. [Internet] [Thesis]. West Virginia University; 2009. [cited 2017 Dec 18]. Available from: http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=23105.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cloutier, Daniel R. 1. Ludwig van Beethoven's orchestration of the trombone. [Thesis]. West Virginia University; 2009. Available from: http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=23105

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana State University

9. Simpson, Donald MacDonald. Montana high school bands : a problem of instrumentation.

Degree: 1975, Montana State University

Subjects/Keywords: Bands (Music).; Instrumentation and orchestration (Band)

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APA (6th Edition):

Simpson, D. M. (1975). Montana high school bands : a problem of instrumentation. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/10912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Simpson, Donald MacDonald. “Montana high school bands : a problem of instrumentation.” 1975. Thesis, Montana State University. Accessed December 18, 2017. https://scholarworks.montana.edu/xmlui/handle/1/10912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Simpson, Donald MacDonald. “Montana high school bands : a problem of instrumentation.” 1975. Web. 18 Dec 2017.

Vancouver:

Simpson DM. Montana high school bands : a problem of instrumentation. [Internet] [Thesis]. Montana State University; 1975. [cited 2017 Dec 18]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/10912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Simpson DM. Montana high school bands : a problem of instrumentation. [Thesis]. Montana State University; 1975. Available from: https://scholarworks.montana.edu/xmlui/handle/1/10912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

10. McKenzie, D. Arranging and orchestration methods: a model text for post secondary courses.

Degree: 2008, RMIT University

 Through the researcher's experience and informal discussions with other pedagogues working in tertiary music environments, the researcher was of the opinion that there is currently… (more)

Subjects/Keywords: Fields of Research; Arrangement (Music)  – Study and teaching; Instrumentation and orchestration  – Study and teaching

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APA (6th Edition):

McKenzie, D. (2008). Arranging and orchestration methods: a model text for post secondary courses. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:7852

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McKenzie, D. “Arranging and orchestration methods: a model text for post secondary courses.” 2008. Thesis, RMIT University. Accessed December 18, 2017. http://researchbank.rmit.edu.au/view/rmit:7852.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McKenzie, D. “Arranging and orchestration methods: a model text for post secondary courses.” 2008. Web. 18 Dec 2017.

Vancouver:

McKenzie D. Arranging and orchestration methods: a model text for post secondary courses. [Internet] [Thesis]. RMIT University; 2008. [cited 2017 Dec 18]. Available from: http://researchbank.rmit.edu.au/view/rmit:7852.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKenzie D. Arranging and orchestration methods: a model text for post secondary courses. [Thesis]. RMIT University; 2008. Available from: http://researchbank.rmit.edu.au/view/rmit:7852

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

11. De Castro Martins Amaro, Olga Maria. An orchestration of the Sonata no. 3 in F-sharp minor, Op. 23 by Alexander Scriabin.

Degree: Music, 2009, Stellenbosch University

Thesis (MMus (Music)) – University of Stellenbosch, 2009.

The work presented herewith is an orchestration of one of the most idiomatic piano pieces composed by Alexander… (more)

Subjects/Keywords: Music; Instrumentation and orchestration; Scriabin, Aleksandr Nikolayevich  – 1872-1915  – Sonatas  – piano  – no. 3, op. 23  – F♯ minor

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APA (6th Edition):

De Castro Martins Amaro, O. M. (2009). An orchestration of the Sonata no. 3 in F-sharp minor, Op. 23 by Alexander Scriabin. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2705

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

De Castro Martins Amaro, Olga Maria. “An orchestration of the Sonata no. 3 in F-sharp minor, Op. 23 by Alexander Scriabin.” 2009. Thesis, Stellenbosch University. Accessed December 18, 2017. http://hdl.handle.net/10019.1/2705.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

De Castro Martins Amaro, Olga Maria. “An orchestration of the Sonata no. 3 in F-sharp minor, Op. 23 by Alexander Scriabin.” 2009. Web. 18 Dec 2017.

Vancouver:

De Castro Martins Amaro OM. An orchestration of the Sonata no. 3 in F-sharp minor, Op. 23 by Alexander Scriabin. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/10019.1/2705.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

De Castro Martins Amaro OM. An orchestration of the Sonata no. 3 in F-sharp minor, Op. 23 by Alexander Scriabin. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2705

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

12. Doucet, Jeanne. Le timbre comme élément signifiant dans la musique de jeu vidéo : le cas de World of Warcraft de Blizzard Entertainment .

Degree: 2017, Université de Montréal

 La musique du jeu MMORPG (« Massively Multiplayer Online Role-Playing Game ») World of Warcraft de la compagnie Blizzard Entertainment est prise comme modèle pour… (more)

Subjects/Keywords: Timbre; Psychoacoustique; Psychoacoustics; Jeux vidéo; Video games; Signification musicale; Musical meaning; Instrumentation; Orchestration; Immersion; Imaginaire; Imagination

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APA (6th Edition):

Doucet, J. (2017). Le timbre comme élément signifiant dans la musique de jeu vidéo : le cas de World of Warcraft de Blizzard Entertainment . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/19205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Doucet, Jeanne. “Le timbre comme élément signifiant dans la musique de jeu vidéo : le cas de World of Warcraft de Blizzard Entertainment .” 2017. Thesis, Université de Montréal. Accessed December 18, 2017. http://hdl.handle.net/1866/19205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Doucet, Jeanne. “Le timbre comme élément signifiant dans la musique de jeu vidéo : le cas de World of Warcraft de Blizzard Entertainment .” 2017. Web. 18 Dec 2017.

Vancouver:

Doucet J. Le timbre comme élément signifiant dans la musique de jeu vidéo : le cas de World of Warcraft de Blizzard Entertainment . [Internet] [Thesis]. Université de Montréal; 2017. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/1866/19205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doucet J. Le timbre comme élément signifiant dans la musique de jeu vidéo : le cas de World of Warcraft de Blizzard Entertainment . [Thesis]. Université de Montréal; 2017. Available from: http://hdl.handle.net/1866/19205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas Tech University

13. Rauscher, James F. Treatment of the piano in the orchestral works of Igor Stravinsky.

Degree: Fine Arts, 1991, Texas Tech University

 Igor Stravinsky was one of the first composers to use the pianoforte as an integral member of the symphonic orchestra. The inclusion of piano within… (more)

Subjects/Keywords: Piano; Instrumentation and orchestration; Igor Stravinsky  – 1882-1971

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APA (6th Edition):

Rauscher, J. F. (1991). Treatment of the piano in the orchestral works of Igor Stravinsky. (Masters Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/8854

Chicago Manual of Style (16th Edition):

Rauscher, James F. “Treatment of the piano in the orchestral works of Igor Stravinsky.” 1991. Masters Thesis, Texas Tech University. Accessed December 18, 2017. http://hdl.handle.net/2346/8854.

MLA Handbook (7th Edition):

Rauscher, James F. “Treatment of the piano in the orchestral works of Igor Stravinsky.” 1991. Web. 18 Dec 2017.

Vancouver:

Rauscher JF. Treatment of the piano in the orchestral works of Igor Stravinsky. [Internet] [Masters thesis]. Texas Tech University; 1991. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/2346/8854.

Council of Science Editors:

Rauscher JF. Treatment of the piano in the orchestral works of Igor Stravinsky. [Masters Thesis]. Texas Tech University; 1991. Available from: http://hdl.handle.net/2346/8854


University of Arizona

14. Hoy, Patricia Jean. A comparison of selected performing editions of the Robert Schumann symphonies.

Degree: 1991, University of Arizona

 This study has attempted to observe and understand the reorchestrations of the four Robert Schumann symphonies through the analysis of revisions found in the edited… (more)

Subjects/Keywords: Schumann, Robert, 1810-1856. Symphonies; Instrumentation and orchestration.

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APA (6th Edition):

Hoy, P. J. (1991). A comparison of selected performing editions of the Robert Schumann symphonies. (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/185430

Chicago Manual of Style (16th Edition):

Hoy, Patricia Jean. “A comparison of selected performing editions of the Robert Schumann symphonies. ” 1991. Doctoral Dissertation, University of Arizona. Accessed December 18, 2017. http://hdl.handle.net/10150/185430.

MLA Handbook (7th Edition):

Hoy, Patricia Jean. “A comparison of selected performing editions of the Robert Schumann symphonies. ” 1991. Web. 18 Dec 2017.

Vancouver:

Hoy PJ. A comparison of selected performing editions of the Robert Schumann symphonies. [Internet] [Doctoral dissertation]. University of Arizona; 1991. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/10150/185430.

Council of Science Editors:

Hoy PJ. A comparison of selected performing editions of the Robert Schumann symphonies. [Doctoral Dissertation]. University of Arizona; 1991. Available from: http://hdl.handle.net/10150/185430


University of North Texas

15. White, Marc M. Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham.

Degree: 2001, University of North Texas

 While many composers of wind ensemble literature have utilized percussion extensively in their compositions, Jared Spears and David Gillingham are renowned wind ensemble composers who… (more)

Subjects/Keywords: Spears, Jared. Instrumental music.; Gillingham, David. Instrumental music.; Instrumentation and orchestration (Band); Percussion; Spears; Gillingham; scoring practices.; orchestration techniques

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APA (6th Edition):

White, M. M. (2001). Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2860/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

White, Marc M. “Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham.” 2001. Thesis, University of North Texas. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc2860/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

White, Marc M. “Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham.” 2001. Web. 18 Dec 2017.

Vancouver:

White MM. Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham. [Internet] [Thesis]. University of North Texas; 2001. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2860/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

White MM. Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2860/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Woodward, Patricia Jovanna. Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary.

Degree: 2003, University of North Texas

 Georges Kastner's (b Strasbourg 9 March 1810; d Paris 19 December 1867) Traite général d'instrumentation (1837), an important contribution to instrumentation study, is often overlooked… (more)

Subjects/Keywords: Kastner, Georges, 1810-1867. Traité général d'instrumentation.; Instrumentaion and orchestration.; Kastner; instrumentation; orchestration; Traité; Berlioz

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APA (6th Edition):

Woodward, P. J. (2003). Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woodward, Patricia Jovanna. “Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary.” 2003. Thesis, University of North Texas. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc4165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woodward, Patricia Jovanna. “Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary.” 2003. Web. 18 Dec 2017.

Vancouver:

Woodward PJ. Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary. [Internet] [Thesis]. University of North Texas; 2003. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woodward PJ. Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Allman, Murray Augustus. An Analysis of Maurice Ravel's Technique of Orchestration.

Degree: 1958, North Texas State College

 It is interesting to note that several of Ravel's compositions for the piano were successful only after he had orchestrated them. Ravel, a pianist, had… (more)

Subjects/Keywords: orchestration analysis; piano music; musical styles; Maurice Ravel's compositions; Ravel, Maurice,  – - 1875-1937.  – Orchestra music.; Instrumentation and orchestration.

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APA (6th Edition):

Allman, M. A. (1958). An Analysis of Maurice Ravel's Technique of Orchestration. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663464/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allman, Murray Augustus. “An Analysis of Maurice Ravel's Technique of Orchestration.” 1958. Thesis, North Texas State College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc663464/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allman, Murray Augustus. “An Analysis of Maurice Ravel's Technique of Orchestration.” 1958. Web. 18 Dec 2017.

Vancouver:

Allman MA. An Analysis of Maurice Ravel's Technique of Orchestration. [Internet] [Thesis]. North Texas State College; 1958. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663464/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allman MA. An Analysis of Maurice Ravel's Technique of Orchestration. [Thesis]. North Texas State College; 1958. Available from: https://digital.library.unt.edu/ark:/67531/metadc663464/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Butler, Hugh Benjamin. The Construction and Orchestration of a Composition.

Degree: 1946, North Texas State Teachers College

 The problems arising in the conception, composing and perfecting of a composition may be divided into two types (1) Those connected with the composition itself;… (more)

Subjects/Keywords: music composition; orchestra music; Composition (Music); Instrumentation and orchestration.; Orchestral music  – Scores.

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APA (6th Edition):

Butler, H. B. (1946). The Construction and Orchestration of a Composition. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663478/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Butler, Hugh Benjamin. “The Construction and Orchestration of a Composition.” 1946. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc663478/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Butler, Hugh Benjamin. “The Construction and Orchestration of a Composition.” 1946. Web. 18 Dec 2017.

Vancouver:

Butler HB. The Construction and Orchestration of a Composition. [Internet] [Thesis]. North Texas State Teachers College; 1946. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663478/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Butler HB. The Construction and Orchestration of a Composition. [Thesis]. North Texas State Teachers College; 1946. Available from: https://digital.library.unt.edu/ark:/67531/metadc663478/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

19. Caughill, Donald I. Wind instrument usages in the symphonies of Gustav Mahler, by Donald Irvin Caughill .

Degree: 1972, University of Arizona

Subjects/Keywords: Mahler, Gustav, 1860-1911.  – Symphonies.; Instrumentation and orchestration.; Wind instruments.

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APA (6th Edition):

Caughill, D. I. (1972). Wind instrument usages in the symphonies of Gustav Mahler, by Donald Irvin Caughill . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/318086

Chicago Manual of Style (16th Edition):

Caughill, Donald I. “Wind instrument usages in the symphonies of Gustav Mahler, by Donald Irvin Caughill .” 1972. Masters Thesis, University of Arizona. Accessed December 18, 2017. http://hdl.handle.net/10150/318086.

MLA Handbook (7th Edition):

Caughill, Donald I. “Wind instrument usages in the symphonies of Gustav Mahler, by Donald Irvin Caughill .” 1972. Web. 18 Dec 2017.

Vancouver:

Caughill DI. Wind instrument usages in the symphonies of Gustav Mahler, by Donald Irvin Caughill . [Internet] [Masters thesis]. University of Arizona; 1972. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/10150/318086.

Council of Science Editors:

Caughill DI. Wind instrument usages in the symphonies of Gustav Mahler, by Donald Irvin Caughill . [Masters Thesis]. University of Arizona; 1972. Available from: http://hdl.handle.net/10150/318086


University of Hong Kong

20. 莫健兒; Mok, Kin-yee, Raymond. Confronting a different idiom: five compositions for Chinese instruments.

Degree: M. Phil., 1999, University of Hong Kong

published_or_final_version

Music

Master

Master of Philosophy

Subjects/Keywords: Music - China.; Instrumental music - China.; Orchestral music.; Instrumentation and orchestration.

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APA (6th Edition):

莫健兒; Mok, Kin-yee, R. (1999). Confronting a different idiom: five compositions for Chinese instruments. (Masters Thesis). University of Hong Kong. Retrieved from Mok, K. R. [莫健兒]. (1999). Confronting a different idiom : five compositions for Chinese instruments. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122322 ; http://dx.doi.org/10.5353/th_b3122322

Chicago Manual of Style (16th Edition):

莫健兒; Mok, Kin-yee, Raymond. “Confronting a different idiom: five compositions for Chinese instruments.” 1999. Masters Thesis, University of Hong Kong. Accessed December 18, 2017. Mok, K. R. [莫健兒]. (1999). Confronting a different idiom : five compositions for Chinese instruments. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122322 ; http://dx.doi.org/10.5353/th_b3122322.

MLA Handbook (7th Edition):

莫健兒; Mok, Kin-yee, Raymond. “Confronting a different idiom: five compositions for Chinese instruments.” 1999. Web. 18 Dec 2017.

Vancouver:

莫健兒; Mok, Kin-yee R. Confronting a different idiom: five compositions for Chinese instruments. [Internet] [Masters thesis]. University of Hong Kong; 1999. [cited 2017 Dec 18]. Available from: Mok, K. R. [莫健兒]. (1999). Confronting a different idiom : five compositions for Chinese instruments. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122322 ; http://dx.doi.org/10.5353/th_b3122322.

Council of Science Editors:

莫健兒; Mok, Kin-yee R. Confronting a different idiom: five compositions for Chinese instruments. [Masters Thesis]. University of Hong Kong; 1999. Available from: Mok, K. R. [莫健兒]. (1999). Confronting a different idiom : five compositions for Chinese instruments. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122322 ; http://dx.doi.org/10.5353/th_b3122322


University of Melbourne

21. McCredie, Andrew D. Instrumentarium and instrumentation in the north German baroque opera.

Degree: 1964, University of Melbourne

 The systematic study of orchestral practice and instrumentation in the German Baroque Opera has until now been assigned a relatively insignificant place in biographies of… (more)

Subjects/Keywords: instrumentation and orchestration; opera of Northern Germany; musical instruments of Germany; 18th century

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APA (6th Edition):

McCredie, A. D. (1964). Instrumentarium and instrumentation in the north German baroque opera. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/35185

Chicago Manual of Style (16th Edition):

McCredie, Andrew D. “Instrumentarium and instrumentation in the north German baroque opera.” 1964. Doctoral Dissertation, University of Melbourne. Accessed December 18, 2017. http://hdl.handle.net/11343/35185.

MLA Handbook (7th Edition):

McCredie, Andrew D. “Instrumentarium and instrumentation in the north German baroque opera.” 1964. Web. 18 Dec 2017.

Vancouver:

McCredie AD. Instrumentarium and instrumentation in the north German baroque opera. [Internet] [Doctoral dissertation]. University of Melbourne; 1964. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/11343/35185.

Council of Science Editors:

McCredie AD. Instrumentarium and instrumentation in the north German baroque opera. [Doctoral Dissertation]. University of Melbourne; 1964. Available from: http://hdl.handle.net/11343/35185


University of North Texas

22. Kingan, Michael Gregory. The Influence of Bela Bartok on Symmetry and Instrumentation in George Crumb's Music for a Summer Evening with Three Recitals of Selected Works of Abe, Berio, Dahl, Kessner, Miki, Miyoshi, and Others.

Degree: 1993, University of North Texas

 The purpose of this document is to investigate the influence of Bela Bartok's music, specifically the Sonata for Two Pianos and Percussion, on George Crumb's… (more)

Subjects/Keywords: Bartok, Bela; symmetry; instrumentation; Crumb, George.  – Music for a summer evening.; Bartók, Béla, 1881-1945.  – Sonatas,  – pianos (2), percussion.; Symmetry.; Instrumentation and orchestration.

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APA (6th Edition):

Kingan, M. G. (1993). The Influence of Bela Bartok on Symmetry and Instrumentation in George Crumb's Music for a Summer Evening with Three Recitals of Selected Works of Abe, Berio, Dahl, Kessner, Miki, Miyoshi, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278688/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kingan, Michael Gregory. “The Influence of Bela Bartok on Symmetry and Instrumentation in George Crumb's Music for a Summer Evening with Three Recitals of Selected Works of Abe, Berio, Dahl, Kessner, Miki, Miyoshi, and Others.” 1993. Thesis, University of North Texas. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc278688/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kingan, Michael Gregory. “The Influence of Bela Bartok on Symmetry and Instrumentation in George Crumb's Music for a Summer Evening with Three Recitals of Selected Works of Abe, Berio, Dahl, Kessner, Miki, Miyoshi, and Others.” 1993. Web. 18 Dec 2017.

Vancouver:

Kingan MG. The Influence of Bela Bartok on Symmetry and Instrumentation in George Crumb's Music for a Summer Evening with Three Recitals of Selected Works of Abe, Berio, Dahl, Kessner, Miki, Miyoshi, and Others. [Internet] [Thesis]. University of North Texas; 1993. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278688/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kingan MG. The Influence of Bela Bartok on Symmetry and Instrumentation in George Crumb's Music for a Summer Evening with Three Recitals of Selected Works of Abe, Berio, Dahl, Kessner, Miki, Miyoshi, and Others. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc278688/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Thrasher, Michael, 1972-. The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others.

Degree: 1997, University of North Texas

 In an appendix section, three notable arias have been transcribed for two clarinets, voice, and piano. A further evaluation of Classical period opera orchestration will… (more)

Subjects/Keywords: Clarinet  – History.; Clarinet music  – History and criticism.; Music  – 18th century.; Instrumentation and orchestration.; Opera.; clarinet; Viennese opera

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APA (6th Edition):

Thrasher, Michael, 1. (1997). The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278193/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thrasher, Michael, 1972-. “The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others.” 1997. Thesis, University of North Texas. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc278193/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thrasher, Michael, 1972-. “The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others.” 1997. Web. 18 Dec 2017.

Vancouver:

Thrasher, Michael 1. The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others. [Internet] [Thesis]. University of North Texas; 1997. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278193/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thrasher, Michael 1. The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc278193/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida Atlantic University

24. Padua, Daniel. Beethoven: his nine symphonies and their influence on the development of the orchestra.

Degree: MA, 2010, Florida Atlantic University

Summary: Beethoven is widely considered to be one of the most influential composers of all time. His compositions denote a crucial turning point in the… (more)

Subjects/Keywords: Beethoven, Ludwig van , 1770-1827; Beethoven, Ludwig van , 1770-1827; Performance practice (Music) – History – 19th century; Music – 19th century – Philosophy and aesthetics; Instrumentation and orchestration – History; Arrangement (Music) – History – 19th century

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APA (6th Edition):

Padua, D. (2010). Beethoven: his nine symphonies and their influence on the development of the orchestra. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/2978945

Chicago Manual of Style (16th Edition):

Padua, Daniel. “Beethoven: his nine symphonies and their influence on the development of the orchestra.” 2010. Masters Thesis, Florida Atlantic University. Accessed December 18, 2017. http://purl.flvc.org/FAU/2978945.

MLA Handbook (7th Edition):

Padua, Daniel. “Beethoven: his nine symphonies and their influence on the development of the orchestra.” 2010. Web. 18 Dec 2017.

Vancouver:

Padua D. Beethoven: his nine symphonies and their influence on the development of the orchestra. [Internet] [Masters thesis]. Florida Atlantic University; 2010. [cited 2017 Dec 18]. Available from: http://purl.flvc.org/FAU/2978945.

Council of Science Editors:

Padua D. Beethoven: his nine symphonies and their influence on the development of the orchestra. [Masters Thesis]. Florida Atlantic University; 2010. Available from: http://purl.flvc.org/FAU/2978945


Texas Tech University

25. Montaño, Maria Gladys. Movements for strings and percussion.

Degree: Music Theory, 2002, Texas Tech University

 Movements for Strings and Percussion is a three-movement work for string orchestra and percussion. There are nine separate string parts (four violins, two violas, two… (more)

Subjects/Keywords: Instrumentation and orchestration; Twelve-tone system; Melodic analysis; Harmonic analysis (Music); Percussion with string orchestra; Music

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APA (6th Edition):

Montaño, M. G. (2002). Movements for strings and percussion. (Masters Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/18078

Chicago Manual of Style (16th Edition):

Montaño, Maria Gladys. “Movements for strings and percussion.” 2002. Masters Thesis, Texas Tech University. Accessed December 18, 2017. http://hdl.handle.net/2346/18078.

MLA Handbook (7th Edition):

Montaño, Maria Gladys. “Movements for strings and percussion.” 2002. Web. 18 Dec 2017.

Vancouver:

Montaño MG. Movements for strings and percussion. [Internet] [Masters thesis]. Texas Tech University; 2002. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/2346/18078.

Council of Science Editors:

Montaño MG. Movements for strings and percussion. [Masters Thesis]. Texas Tech University; 2002. Available from: http://hdl.handle.net/2346/18078


Texas Tech University

26. Parsons, Jeffrey Lee. Marcel Grandjany's harp transcriptions and editions.

Degree: Music theory, 2004, Texas Tech University

 Marcel Grandjany (1891-1975) is well known as an outstanding harpist, teacher and composer for the harp, Beyond this, however, he is also very important for… (more)

Subjects/Keywords: Appreciation; Harp music; Instrumentation and orchestration; Melodic analysis; Arrangement (Music); Harmonic analysis; Grandjany, Marcel

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APA (6th Edition):

Parsons, J. L. (2004). Marcel Grandjany's harp transcriptions and editions. (Doctoral Dissertation). Texas Tech University. Retrieved from http://hdl.handle.net/2346/16743

Chicago Manual of Style (16th Edition):

Parsons, Jeffrey Lee. “Marcel Grandjany's harp transcriptions and editions.” 2004. Doctoral Dissertation, Texas Tech University. Accessed December 18, 2017. http://hdl.handle.net/2346/16743.

MLA Handbook (7th Edition):

Parsons, Jeffrey Lee. “Marcel Grandjany's harp transcriptions and editions.” 2004. Web. 18 Dec 2017.

Vancouver:

Parsons JL. Marcel Grandjany's harp transcriptions and editions. [Internet] [Doctoral dissertation]. Texas Tech University; 2004. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/2346/16743.

Council of Science Editors:

Parsons JL. Marcel Grandjany's harp transcriptions and editions. [Doctoral Dissertation]. Texas Tech University; 2004. Available from: http://hdl.handle.net/2346/16743


Texas Tech University

27. Leggett, John A. Aspects for arranging for drum corps: It's all about the music!!!.

Degree: Music Theory, 2004, Texas Tech University

Subjects/Keywords: Drum and bugle corps music, Arranged  – Scores; Instrumentation and orchestration (Drum and bugle corps)  – Instruction and study; Harmonic analysis (Music); Melodic analysis; Drum and bugle corps  – History  – Instruction and study

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APA (6th Edition):

Leggett, J. A. (2004). Aspects for arranging for drum corps: It's all about the music!!!. (Masters Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/10257

Chicago Manual of Style (16th Edition):

Leggett, John A. “Aspects for arranging for drum corps: It's all about the music!!!.” 2004. Masters Thesis, Texas Tech University. Accessed December 18, 2017. http://hdl.handle.net/2346/10257.

MLA Handbook (7th Edition):

Leggett, John A. “Aspects for arranging for drum corps: It's all about the music!!!.” 2004. Web. 18 Dec 2017.

Vancouver:

Leggett JA. Aspects for arranging for drum corps: It's all about the music!!!. [Internet] [Masters thesis]. Texas Tech University; 2004. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/2346/10257.

Council of Science Editors:

Leggett JA. Aspects for arranging for drum corps: It's all about the music!!!. [Masters Thesis]. Texas Tech University; 2004. Available from: http://hdl.handle.net/2346/10257


University of Florida

28. SHARP,CHRIS. A Study of Orchestration Techniques for the Wind Ensemble/Wind Band as Demonstrated in Seminal Works.

Degree: Music, 2011, University of Florida

Abstract of Dissertation Presented to the Graduate School Advisors/Committee Members: Richards, Paul S (committee chair), Koonce, Paul C (committee member), Robinson, Russell L (committee member), Pulvermacher, Neta (committee member).

Subjects/Keywords: ANALYSIS  – BAND  – COLGRASS  – COMPOSITION  – CONCERT  – DIONYSIAQUES  – ENSEMBLE  – FANTASY  – FENNELL  – FIRST  – GERSHWIN  – GRAINGER  – GRANTHAM  – HINDEMITH  – HOLST  – HUSA  – INSTRUMENTATION  – INSTRUMENTS  – LINCOLNSHIRE  – METHODS  – MOUNTAINS  – MUSIC  – NAGUAL  – NOWHERE  – ORCHESTRATION  – POSY  – PRAGUE  – REPERTOIRE  – RISING  – SCHMITT  – SCHOENBERG  – SCHWANTNER  – STANDARD  – STRAVINSKY  – SUITE  – SURVEY  – SYMPHONIES  – SYMPHONY  – TECHNIQUES  – THEME  – VARIATIONS  – WIND  – WINDS; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

SHARP,CHRIS. (2011). A Study of Orchestration Techniques for the Wind Ensemble/Wind Band as Demonstrated in Seminal Works. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0042544

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

SHARP,CHRIS. “A Study of Orchestration Techniques for the Wind Ensemble/Wind Band as Demonstrated in Seminal Works.” 2011. Doctoral Dissertation, University of Florida. Accessed December 18, 2017. http://ufdc.ufl.edu/UFE0042544.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

SHARP,CHRIS. “A Study of Orchestration Techniques for the Wind Ensemble/Wind Band as Demonstrated in Seminal Works.” 2011. Web. 18 Dec 2017.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

SHARP,CHRIS. A Study of Orchestration Techniques for the Wind Ensemble/Wind Band as Demonstrated in Seminal Works. [Internet] [Doctoral dissertation]. University of Florida; 2011. [cited 2017 Dec 18]. Available from: http://ufdc.ufl.edu/UFE0042544.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

SHARP,CHRIS. A Study of Orchestration Techniques for the Wind Ensemble/Wind Band as Demonstrated in Seminal Works. [Doctoral Dissertation]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/UFE0042544

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

29. McClary, Gregory Ian. Folkloric Flux.

Degree: MA -MA, Music, 2016, York University

 This paper accompanies the authors original symphony for large orchestra, folkloric flux. Although primarily based on traditional symphonic formal and developmental features, folkloric flux also… (more)

Subjects/Keywords: Political Science; Composition; Composer; Symphony; Orchestra; Form; Motivic; Motif; Narrative; Texture; Chorale; Imitative; Fugato; Canon; Canonic; Polyphonic; Polyphony; Exposition; Development; Recapitulation; Rhythm; Isorhythm; Ostinato; Ostinati; Trio; Scherzo; Joke; Numerology; Numerological; Sonata; Rondo; Ritornello; Orchestration; Counterpoint; Contrapuntal; Roving; Harmony; Relativistic; Harmonic; Chord; Diatonic; Tonic; Dominant; Tension; Resolution; Free form; Dissonance; Dissonant; Consonance; Consonant; Release; Polymeter; Polymetre; Polymetric; Temporal; Perception; Symmetrical scale; Mode; Modal; Voice leading; Instrument; Instrumental; Voicing; Birdsong; Surrealism; Surreal; Pointillism; Pointillist; Serial; Serialism; Minimalism; Minimalist; Primitivism; Primitive; Folklore; Folkloric; Flux; Adaptation; Storytelling; Fairy tale; Story; Stories; Allegory; Subtext; Metaphor; Symbol; Symbolism; Symbolic; Sign; Signifier; Militarism; Militaristic; Military; Martial; Defence; Patriotism; Patriotic; Self-determination; Choice; Assimilate; Assimilation; Otherness; Other; Loneliness; Lonely; Society; Societal; Social; 9/11; 2001; United States; US; Afghanistan; Afghan; Invasion; War; Violence; Bloodlust; Psychological; Trauma; Injury; Post-traumatic stress disorder; PTSD; Diagnosis; Vietnam; Inner demon; Veteran; Vet; Hero; Disillusion; Disenfranchise; Popular; Pop; Culture; Film; 1970s; Disco; Dance; Song; Slavinet; Electronic dance music; EDM; Disc jockey; DJ; Food; Security; Abundance; Standard of living; Quality of life; Genetically modified organism; GMO; Bio-tech; Agriculture; Agricultural; Revolution; Agrarian; Cultivate; Cultivation; Generation; Generational; Hunter; Gatherer; History; Progress; Technology; Technological; Tech; Endgame; Sustainability; Disaster; Fossil fuel; Oil; Dependence; 2007; 2008; Housing; Crisis; Real estate; Home; Owner; Ownership; American dream; Subprime; Mortgage; Debt; Consumer; Credit; Derivative; Securities; Risk; Ratings agency; Ratings agencies; Market; Capital; Money; Monetary; Price; Investment; Investor; Fraud; Taxpayer; Government; Bailout; Finance; Financial; Financiers; Wall street; Hedge fund; Smart money; Main street; Occupy; Movement; Crash; Boom; Bull; Bear; Bust; Trade; Trading; Trader; Stocks; Equity; Asset; Volatility; Bubble; Welfare; Entitlement; Corporation; Corporate; Greed; Hubris; Exponential; Growth; Capitalism; Capitalist; Libertarian; Central bank; Federal Reserve; Fed; Inflation; Monetarism; Monetize; Liquidity; Stimulus; Quantitative easing; QE; Socio-economic; Socioeconomic; Socio-political; Structural; Systemic; Inequality; Wealth; Income; Class; Corrupt; Elite; Policy; Collectivist; Collectivism; Populist; Populism; Formalist; Formalism; Neoliberal; Neoliberalism; Dialogical; Construct; Discourse; Socratic; Discursive; Rational; Politic; Polity; Public; Media; Propaganda; Empire; Imperial; Activist; Activism; Radical; Communication; Language; Express; Expression; Cognitive; Cognition; Anthropology; Anthropological; Humpty dumpty; Jack and the beanstalk; Three little pigs; Wolf; Pinocchio; Geppetto; Mother nature; Sustainable; Civic discourse; Economy; Economic; Critical; Criticism; Theory; Analysis; Analytic; Aesthetic; Academic discourse; Instrumentation; Solo; Soli; Divisi; Woodwind; Woodwinds; Brass; Percussion; String; Strings; Violin; Viola; Cello; Celli; Bass; Piano; Pedal; Harp; Timpani; Glockenspiel; Snare; Drum; Gong; Tam-tam; Cymbal; Shaker; Chimes; Jawbone; Trill; Tremolo; Effect; Glissando; Glissandi; Piccolo; Flute; Oboe; Clarinet; Bassoon; Horn; Trumpet; Trombone; Tuba; Technique; Performance; Ensemble; Register; Registral; Timbre; Timbral; Range; Dynamic; Articulation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McClary, G. I. (2016). Folkloric Flux. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/32303

Chicago Manual of Style (16th Edition):

McClary, Gregory Ian. “Folkloric Flux.” 2016. Masters Thesis, York University. Accessed December 18, 2017. http://hdl.handle.net/10315/32303.

MLA Handbook (7th Edition):

McClary, Gregory Ian. “Folkloric Flux.” 2016. Web. 18 Dec 2017.

Vancouver:

McClary GI. Folkloric Flux. [Internet] [Masters thesis]. York University; 2016. [cited 2017 Dec 18]. Available from: http://hdl.handle.net/10315/32303.

Council of Science Editors:

McClary GI. Folkloric Flux. [Masters Thesis]. York University; 2016. Available from: http://hdl.handle.net/10315/32303

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