subject:(Installation drawing)

Louisiana State University

1. Hegge, Lauren Jean. Your loss.

Degree: MFA, Fine Arts, 2013, Louisiana State University

URL: etd-04152013-093857 ; https://digitalcommons.lsu.edu/gradschool_theses/3887

► Your Loss is an exhibition of drawings, photographs, intaglio prints, found objects and prose. Drawn from personal and anonymous archives, the works in the exhibition… (more)

Subjects/Keywords: installation; photography; printmaking; memory; drawing; loss

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APA (6^th Edition):

Hegge, L. J. (2013). Your loss. (Masters Thesis). Louisiana State University. Retrieved from etd-04152013-093857 ; https://digitalcommons.lsu.edu/gradschool_theses/3887

Chicago Manual of Style (16^th Edition):

Hegge, Lauren Jean. “Your loss.” 2013. Masters Thesis, Louisiana State University. Accessed January 16, 2021. etd-04152013-093857 ; https://digitalcommons.lsu.edu/gradschool_theses/3887.

MLA Handbook (7^th Edition):

Hegge, Lauren Jean. “Your loss.” 2013. Web. 16 Jan 2021.

Vancouver:

Hegge LJ. Your loss. [Internet] [Masters thesis]. Louisiana State University; 2013. [cited 2021 Jan 16]. Available from: etd-04152013-093857 ; https://digitalcommons.lsu.edu/gradschool_theses/3887.

Council of Science Editors:

Hegge LJ. Your loss. [Masters Thesis]. Louisiana State University; 2013. Available from: etd-04152013-093857 ; https://digitalcommons.lsu.edu/gradschool_theses/3887

AUT University

2. Stevens, April. Anamnestic environments: the lost, found and retained .

Degree: 2011, AUT University

URL: http://hdl.handle.net/10292/1207

► This visual art project explores the idea of and possibilities of the evocation of childhood memories, experiences and narratives through drawing installation practice. Underpinned by… (more)

Subjects/Keywords: Installation drawing; Installation environments; Domestic; Memory; Narrative; Time

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APA (6^th Edition):

Stevens, A. (2011). Anamnestic environments: the lost, found and retained . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/1207

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Stevens, April. “Anamnestic environments: the lost, found and retained .” 2011. Thesis, AUT University. Accessed January 16, 2021. http://hdl.handle.net/10292/1207.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Stevens, April. “Anamnestic environments: the lost, found and retained .” 2011. Web. 16 Jan 2021.

Vancouver:

Stevens A. Anamnestic environments: the lost, found and retained . [Internet] [Thesis]. AUT University; 2011. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/10292/1207.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stevens A. Anamnestic environments: the lost, found and retained . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/1207

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Colorado State University

3. Straub, Edwina. Facility without its own territory, A.

Degree: Master of Fine Arts (M.F.A.), Art, 2011, Colorado State University

URL: http://hdl.handle.net/10217/46746

► Dipping into the reservoir of tacit knowledge, the phenomenon in art that is created through the "knowing of that" or embodied knowledge. The integration of… (more)

Subjects/Keywords: fiber-arts; ikat; installation; minimalism; shadow-line-drawing; Buddhism

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APA (6^th Edition):

Straub, E. (2011). Facility without its own territory, A. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/46746

Chicago Manual of Style (16^th Edition):

Straub, Edwina. “Facility without its own territory, A.” 2011. Masters Thesis, Colorado State University. Accessed January 16, 2021. http://hdl.handle.net/10217/46746.

MLA Handbook (7^th Edition):

Straub, Edwina. “Facility without its own territory, A.” 2011. Web. 16 Jan 2021.

Vancouver:

Straub E. Facility without its own territory, A. [Internet] [Masters thesis]. Colorado State University; 2011. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/10217/46746.

Council of Science Editors:

Straub E. Facility without its own territory, A. [Masters Thesis]. Colorado State University; 2011. Available from: http://hdl.handle.net/10217/46746

University of Iowa

4. Wolfe, Julia J. Meet me in the sewers at dawn.

Degree: MFA (Master of Fine Arts), Art, 2018, University of Iowa

URL: https://ir.uiowa.edu/etd/6522

► I make installations, objects, paintings, drawings, prints, and arrangements of found words (which some have classified as poetry). I take note of ideas, imagery,… (more)

Subjects/Keywords: Drawing; Installation; Painting; Poetry; Printmaking; Sculpture; Art Practice

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APA (6^th Edition):

Wolfe, J. J. (2018). Meet me in the sewers at dawn. (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6522

Chicago Manual of Style (16^th Edition):

Wolfe, Julia J. “Meet me in the sewers at dawn.” 2018. Masters Thesis, University of Iowa. Accessed January 16, 2021. https://ir.uiowa.edu/etd/6522.

MLA Handbook (7^th Edition):

Wolfe, Julia J. “Meet me in the sewers at dawn.” 2018. Web. 16 Jan 2021.

Vancouver:

Wolfe JJ. Meet me in the sewers at dawn. [Internet] [Masters thesis]. University of Iowa; 2018. [cited 2021 Jan 16]. Available from: https://ir.uiowa.edu/etd/6522.

Council of Science Editors:

Wolfe JJ. Meet me in the sewers at dawn. [Masters Thesis]. University of Iowa; 2018. Available from: https://ir.uiowa.edu/etd/6522

Brno University of Technology

5. Pavlíček, Jiří. Trofeje: Trophies.

Degree: 2019, Brno University of Technology

URL: http://hdl.handle.net/11012/13261

► 18 metres long drawing on canvas, describing my own six years long live on high school and in my home town or my cottage. Trophies,… (more)

Subjects/Keywords: Trofeje; objekt; instalace; kresba; plátno; Trophies; objekt; installation; drawing on canvas

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APA (6^th Edition):

Pavlíček, J. (2019). Trofeje: Trophies. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/13261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pavlíček, Jiří. “Trofeje: Trophies.” 2019. Thesis, Brno University of Technology. Accessed January 16, 2021. http://hdl.handle.net/11012/13261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pavlíček, Jiří. “Trofeje: Trophies.” 2019. Web. 16 Jan 2021.

Vancouver:

Pavlíček J. Trofeje: Trophies. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/11012/13261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pavlíček J. Trofeje: Trophies. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/13261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Iwamura, En. On the Way / Far and Away.

Degree: MFA, Ceramics, 2016, Clemson University

URL: https://tigerprints.clemson.edu/all_theses/2342

► My work investigates how I can influence and alter the experience of viewers who occupy space with my installation artworks. I have been working on… (more)

Subjects/Keywords: Ceramic; Drawing; Installation; Sculpture

…experience of viewers who occupy space with my installation artworks. I have been working on semi… …understand the space of my installation; I refer to traditional Japanese space creation, such as… …part of my installation alongside ceramic pieces to create a theatrical experience. I… …consider the coil building process in large scale as free drawing in threedimensional space… …compete and push each other, making the scale of my installation larger and deeper. I explore…

11 more images…

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APA (6^th Edition):

Iwamura, E. (2016). On the Way / Far and Away. (Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/2342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Iwamura, En. “On the Way / Far and Away.” 2016. Thesis, Clemson University. Accessed January 16, 2021. https://tigerprints.clemson.edu/all_theses/2342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Iwamura, En. “On the Way / Far and Away.” 2016. Web. 16 Jan 2021.

Vancouver:

Iwamura E. On the Way / Far and Away. [Internet] [Thesis]. Clemson University; 2016. [cited 2021 Jan 16]. Available from: https://tigerprints.clemson.edu/all_theses/2342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Iwamura E. On the Way / Far and Away. [Thesis]. Clemson University; 2016. Available from: https://tigerprints.clemson.edu/all_theses/2342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Montana

7. Lemnitzer, Anna Kirsten. dysfunction.

Degree: MFA, 2012, University of Montana

URL: https://scholarworks.umt.edu/etd/1355

► dysfunction examines how we perceive normalcy and in turn, differentiate those who are abnormal through visual metaphors of the interior structures and features of the… (more)

Subjects/Keywords: abnormal; art; artwork; disorders; drawing; installation; painting; performance; psychology; video

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APA (6^th Edition):

Lemnitzer, A. K. (2012). dysfunction. (Thesis). University of Montana. Retrieved from https://scholarworks.umt.edu/etd/1355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lemnitzer, Anna Kirsten. “dysfunction.” 2012. Thesis, University of Montana. Accessed January 16, 2021. https://scholarworks.umt.edu/etd/1355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lemnitzer, Anna Kirsten. “dysfunction.” 2012. Web. 16 Jan 2021.

Vancouver:

Lemnitzer AK. dysfunction. [Internet] [Thesis]. University of Montana; 2012. [cited 2021 Jan 16]. Available from: https://scholarworks.umt.edu/etd/1355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lemnitzer AK. dysfunction. [Thesis]. University of Montana; 2012. Available from: https://scholarworks.umt.edu/etd/1355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Wilcox, Renee M. Opening.

Degree: MFA, 2016, Stephen F. Austin State University

URL: https://scholarworks.sfasu.edu/etds/69

► While examining some of the dark, chaotic, destructive issues that exist on a global level, I see an opposite movement actively emerging as a… (more)

Subjects/Keywords: installation art; ceramic; drawing; social political; fabric; Arts and Humanities

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APA (6^th Edition):

Wilcox, R. M. (2016). Opening. (Masters Thesis). Stephen F. Austin State University. Retrieved from https://scholarworks.sfasu.edu/etds/69

Chicago Manual of Style (16^th Edition):

Wilcox, Renee M. “Opening.” 2016. Masters Thesis, Stephen F. Austin State University. Accessed January 16, 2021. https://scholarworks.sfasu.edu/etds/69.

MLA Handbook (7^th Edition):

Wilcox, Renee M. “Opening.” 2016. Web. 16 Jan 2021.

Vancouver:

Wilcox RM. Opening. [Internet] [Masters thesis]. Stephen F. Austin State University; 2016. [cited 2021 Jan 16]. Available from: https://scholarworks.sfasu.edu/etds/69.

Council of Science Editors:

Wilcox RM. Opening. [Masters Thesis]. Stephen F. Austin State University; 2016. Available from: https://scholarworks.sfasu.edu/etds/69

RMIT University

9. Geurts, J. Blue-print: human/hydrokinetic drawing projects.

Degree: 2009, RMIT University

URL: http://researchbank.rmit.edu.au/view/rmit:9527

► Blue-Print: Human/Hydrokinetic Drawing Projects, is based on an expanded field of drawing practice, centering on a series of spatial and time-based projects at various bodies… (more)

▼ Blue-Print: Human/Hydrokinetic Drawing Projects, is based on an expanded field of drawing practice, centering on a series of spatial and time-based projects at various bodies of water around the world. Blue-Print drawing projects set out to describe a language that articulates a human/hydrokinetic relationship. This expanded drawing practice emerges through diverse forms of installation, video, land-art, kinetic sculpture, light works, sensor-drawing, photography, living-monochromes, sound, durational events and research. This expanded drawing practice is based on an inquiry into the relationships between land/place and thought/movement. It addresses the processes through which landscape, and its forms, are internalised in conceptual space, and the ways in which conceptual frameworks are projected outwards onto the landscape. The work is informed by, and contributes to, the paradigms of eco-poetics and psychogeography. Both of these paradigms engage with the relationships between the physical world and the human experience of space and time. Combining the two through my practice creates a view of the environment and the human as two interdependent circulatory systems. Bodies of water/weather cycles/conceptual systems/the human as a water-body, these are subjects in my work as much as the sense of circulation comes through methodologically and aesthetically in the actual making and form of my expanded drawings. This approach to art practice uses process in a particular way, that is as a primary means of making an artwork, although it could be said that such an approach is also an anti-method in as much as the 'method' is variable - it is continually invented given the situation/circumstances. What is consistent is a dynamic of proliferation; the work spreads out in different directions and in unpredictable ways. Here process is not for 'outcome' but is the work itself. My overall practice has taken drawing as the base from which to work. My works are combinational and connective. They are based on a type of research that is deliberate, intense and composite, and which activates the spaces of transformation that exist in the movement between landscape and thought, the circulation between environment and human. This investigation uses human engagement with moving bodies of water to generate drawings in a variety of ways, according to the specifics of each hydrokinetic system. This interest in human/hydrokinetic relationships stems from my experiences as a surfer and surfing is one of the means with which I create drawing works within this investigation. I am interested in the unique and dynamic complexity of hydrokinetics in each of the chosen locations and how this complexity of movement influences the drawing/ recording process. I am interested in generating real-time drawing works from the particular intersection of: place; time; human/hydrokinetic activity; ecological forces at work and the specific ways in which these variables all affect the resultant form of abstraction. Further to this…

Subjects/Keywords: Fields of Research; Drawing; Land-art; Psycho-geography; Eco-poetics; Installation; Hydrokinetics; Ephemeral; Video; Photography

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APA (6^th Edition):

Geurts, J. (2009). Blue-print: human/hydrokinetic drawing projects. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:9527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Geurts, J. “Blue-print: human/hydrokinetic drawing projects.” 2009. Thesis, RMIT University. Accessed January 16, 2021. http://researchbank.rmit.edu.au/view/rmit:9527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Geurts, J. “Blue-print: human/hydrokinetic drawing projects.” 2009. Web. 16 Jan 2021.

Vancouver:

Geurts J. Blue-print: human/hydrokinetic drawing projects. [Internet] [Thesis]. RMIT University; 2009. [cited 2021 Jan 16]. Available from: http://researchbank.rmit.edu.au/view/rmit:9527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Geurts J. Blue-print: human/hydrokinetic drawing projects. [Thesis]. RMIT University; 2009. Available from: http://researchbank.rmit.edu.au/view/rmit:9527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Romeiro, Renata Pedrosa. Zona.

Degree: PhD, Poéticas Visuais, 2013, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-22082013-151711/ ;

►

Zona é uma reflexão sobre minhas produções poéticas dos últimos anos. Trata-se de um conjunto de trabalhos em que penso a cidade em seus aspectos… (more)

Subjects/Keywords: Architecture and Urbanism; Arquitetura e Urbanismo; Art; Arte; Desenho; Drawing; Instalação; Installation; Vídeo; Vídeo

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APA (6^th Edition):

Romeiro, R. P. (2013). Zona. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-22082013-151711/ ;

Chicago Manual of Style (16^th Edition):

Romeiro, Renata Pedrosa. “Zona.” 2013. Doctoral Dissertation, University of São Paulo. Accessed January 16, 2021. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-22082013-151711/ ;.

MLA Handbook (7^th Edition):

Romeiro, Renata Pedrosa. “Zona.” 2013. Web. 16 Jan 2021.

Vancouver:

Romeiro RP. Zona. [Internet] [Doctoral dissertation]. University of São Paulo; 2013. [cited 2021 Jan 16]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-22082013-151711/ ;.

Council of Science Editors:

Romeiro RP. Zona. [Doctoral Dissertation]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-22082013-151711/ ;

Cornell University

11. Ulen-Klees, Emma. Bearing Objects.

Degree: M.F.A., Art, Art, 2020, Cornell University

URL: http://hdl.handle.net/1813/70247

► Blending concrete historical anchors, fractured abstractions, and ephemeral moments of clarity, Bearing Objects denies itself in favor of uncomfortable disorientation. Recognizable artifacts of mapmaking are… (more)

Subjects/Keywords: Environmental History; Environmental Literature; History of Land Surveying; Installation; Interdisciplinary Art; Land Art; Drawing; Photography

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APA (6^th Edition):

Ulen-Klees, E. (2020). Bearing Objects. (Masters Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/70247

Chicago Manual of Style (16^th Edition):

Ulen-Klees, Emma. “Bearing Objects.” 2020. Masters Thesis, Cornell University. Accessed January 16, 2021. http://hdl.handle.net/1813/70247.

MLA Handbook (7^th Edition):

Ulen-Klees, Emma. “Bearing Objects.” 2020. Web. 16 Jan 2021.

Vancouver:

Ulen-Klees E. Bearing Objects. [Internet] [Masters thesis]. Cornell University; 2020. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1813/70247.

Council of Science Editors:

Ulen-Klees E. Bearing Objects. [Masters Thesis]. Cornell University; 2020. Available from: http://hdl.handle.net/1813/70247

University of Melbourne

12. Mil-Homens, Catarina. Matter & spirit: the syncretic drawing.

Degree: 2015, University of Melbourne

URL: http://hdl.handle.net/11343/111982

► Afloat comprises a series of drawings, installation and video that explore the correlative ideas of the body as the medium of incarnation and drawing as… (more)

Subjects/Keywords: afloat; matter and spirit; equilibrium; drawing; installation; video; syncretic; ekstasis; incarnation; studio; operational systems

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APA (6^th Edition):

Mil-Homens, C. (2015). Matter & spirit: the syncretic drawing. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/111982

Chicago Manual of Style (16^th Edition):

Mil-Homens, Catarina. “Matter & spirit: the syncretic drawing.” 2015. Masters Thesis, University of Melbourne. Accessed January 16, 2021. http://hdl.handle.net/11343/111982.

MLA Handbook (7^th Edition):

Mil-Homens, Catarina. “Matter & spirit: the syncretic drawing.” 2015. Web. 16 Jan 2021.

Vancouver:

Mil-Homens C. Matter & spirit: the syncretic drawing. [Internet] [Masters thesis]. University of Melbourne; 2015. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/11343/111982.

Council of Science Editors:

Mil-Homens C. Matter & spirit: the syncretic drawing. [Masters Thesis]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/111982

Brno University of Technology

13. Mrva, Jozef. Monument: Monument.

Degree: 2019, Brno University of Technology

URL: http://hdl.handle.net/11012/30982

► I base my spatial installations upon working with waste materials. I use characteristic and aesthetics of cardboard and wooden clippings to express dialogue with geometrical… (more)

Subjects/Keywords: Instalace; recyklace; kartón; odpad; kresba; eschatologie; geometrie; Installation art; reryclation; cardboard; garbage; drawing; eschatology; geometry

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APA (6^th Edition):

Mrva, J. (2019). Monument: Monument. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/30982

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mrva, Jozef. “Monument: Monument.” 2019. Thesis, Brno University of Technology. Accessed January 16, 2021. http://hdl.handle.net/11012/30982.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mrva, Jozef. “Monument: Monument.” 2019. Web. 16 Jan 2021.

Vancouver:

Mrva J. Monument: Monument. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/11012/30982.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mrva J. Monument: Monument. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/30982

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Brno University of Technology

14. Valchářová, Martina. Pergo/Pedro: Pergo/Pedro.

Degree: 2019, Brno University of Technology

URL: http://hdl.handle.net/11012/178362

► The theme of my bachelor thesis is the issue of methamphetamine addiction and abuse in Czech Republic. The series is compiled of drawings that depict… (more)

Subjects/Keywords: kresba; instalace; malba; varny; závislost; metamfetamin; drawing; installation; painting; meth labs; addiction; methamphetamine

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APA (6^th Edition):

Valchářová, M. (2019). Pergo/Pedro: Pergo/Pedro. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/178362

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Valchářová, Martina. “Pergo/Pedro: Pergo/Pedro.” 2019. Thesis, Brno University of Technology. Accessed January 16, 2021. http://hdl.handle.net/11012/178362.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Valchářová, Martina. “Pergo/Pedro: Pergo/Pedro.” 2019. Web. 16 Jan 2021.

Vancouver:

Valchářová M. Pergo/Pedro: Pergo/Pedro. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/11012/178362.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Valchářová M. Pergo/Pedro: Pergo/Pedro. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/178362

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Arkansas

15. Jaramillo, Bryanna. What's Left Over.

Degree: MFA, Art (MFA), 2015, University of Arkansas

URL: https://scholarworks.uark.edu/etd/1064

► The MFA thesis exhibition titled, What's Left Over, is comprised of a series of drawings as well as a large painted sculptural installation assembled… (more)

Subjects/Keywords: Communication and the arts; Drawing; Installation; Memory; Narrative; Original artwork; Sculpture; Illustration; Sculpture

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APA (6^th Edition):

Jaramillo, B. (2015). What's Left Over. (Masters Thesis). University of Arkansas. Retrieved from https://scholarworks.uark.edu/etd/1064

Chicago Manual of Style (16^th Edition):

Jaramillo, Bryanna. “What's Left Over.” 2015. Masters Thesis, University of Arkansas. Accessed January 16, 2021. https://scholarworks.uark.edu/etd/1064.

MLA Handbook (7^th Edition):

Jaramillo, Bryanna. “What's Left Over.” 2015. Web. 16 Jan 2021.

Vancouver:

Jaramillo B. What's Left Over. [Internet] [Masters thesis]. University of Arkansas; 2015. [cited 2021 Jan 16]. Available from: https://scholarworks.uark.edu/etd/1064.

Council of Science Editors:

Jaramillo B. What's Left Over. [Masters Thesis]. University of Arkansas; 2015. Available from: https://scholarworks.uark.edu/etd/1064

Louisiana State University

16. Pietrykowski, Nathan. Drugged Paranoia and Warlust.

Degree: MFA, Fine Arts, 2014, Louisiana State University

URL: etd-06032014-165859 ; https://digitalcommons.lsu.edu/gradschool_theses/3972

► Drugged Paranoia and Warlust are stories of human depravity and violence that happened on an abandoned U.S. military base in the rural world of Indiana.… (more)

Subjects/Keywords: printmaking; installation; lithography; comics; animation; violence; drugs; Nose art; war; drawing; cut paper

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APA (6^th Edition):

Pietrykowski, N. (2014). Drugged Paranoia and Warlust. (Masters Thesis). Louisiana State University. Retrieved from etd-06032014-165859 ; https://digitalcommons.lsu.edu/gradschool_theses/3972

Chicago Manual of Style (16^th Edition):

Pietrykowski, Nathan. “Drugged Paranoia and Warlust.” 2014. Masters Thesis, Louisiana State University. Accessed January 16, 2021. etd-06032014-165859 ; https://digitalcommons.lsu.edu/gradschool_theses/3972.

MLA Handbook (7^th Edition):

Pietrykowski, Nathan. “Drugged Paranoia and Warlust.” 2014. Web. 16 Jan 2021.

Vancouver:

Pietrykowski N. Drugged Paranoia and Warlust. [Internet] [Masters thesis]. Louisiana State University; 2014. [cited 2021 Jan 16]. Available from: etd-06032014-165859 ; https://digitalcommons.lsu.edu/gradschool_theses/3972.

Council of Science Editors:

Pietrykowski N. Drugged Paranoia and Warlust. [Masters Thesis]. Louisiana State University; 2014. Available from: etd-06032014-165859 ; https://digitalcommons.lsu.edu/gradschool_theses/3972

Louisiana State University

17. Link, Janet K. True image.

Degree: MFA, Fine Arts, 2004, Louisiana State University

URL: etd-04152004-125755 ; https://digitalcommons.lsu.edu/gradschool_theses/2718

► A still-life is often the painted record of a complex arrangement of objects. My aim in making the visual portion of TRUE IMAGE is to… (more)

Subjects/Keywords: symbolism; portraits; icons; painting; drawing; installation

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APA (6^th Edition):

Link, J. K. (2004). True image. (Masters Thesis). Louisiana State University. Retrieved from etd-04152004-125755 ; https://digitalcommons.lsu.edu/gradschool_theses/2718

Chicago Manual of Style (16^th Edition):

Link, Janet K. “True image.” 2004. Masters Thesis, Louisiana State University. Accessed January 16, 2021. etd-04152004-125755 ; https://digitalcommons.lsu.edu/gradschool_theses/2718.

MLA Handbook (7^th Edition):

Link, Janet K. “True image.” 2004. Web. 16 Jan 2021.

Vancouver:

Link JK. True image. [Internet] [Masters thesis]. Louisiana State University; 2004. [cited 2021 Jan 16]. Available from: etd-04152004-125755 ; https://digitalcommons.lsu.edu/gradschool_theses/2718.

Council of Science Editors:

Link JK. True image. [Masters Thesis]. Louisiana State University; 2004. Available from: etd-04152004-125755 ; https://digitalcommons.lsu.edu/gradschool_theses/2718

Louisiana State University

18. Creek, Cassidy. The Truth About Your Monsters.

Degree: MFA, Fine Arts, 2017, Louisiana State University

URL: etd-06012017-233724 ; https://digitalcommons.lsu.edu/gradschool_theses/4429

► The Truth About Your Monsters is an immersive and dialogical exhibition formatted as a walk-through storybook environment. Viewers are transported into a child’s make believe… (more)

Subjects/Keywords: child; play; drawing; monster; fear; interactive; archetype; narrative; relational aesthetics; dialogical; storybook; immersive; installation; sculpture

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APA (6^th Edition):

Creek, C. (2017). The Truth About Your Monsters. (Masters Thesis). Louisiana State University. Retrieved from etd-06012017-233724 ; https://digitalcommons.lsu.edu/gradschool_theses/4429

Chicago Manual of Style (16^th Edition):

Creek, Cassidy. “The Truth About Your Monsters.” 2017. Masters Thesis, Louisiana State University. Accessed January 16, 2021. etd-06012017-233724 ; https://digitalcommons.lsu.edu/gradschool_theses/4429.

MLA Handbook (7^th Edition):

Creek, Cassidy. “The Truth About Your Monsters.” 2017. Web. 16 Jan 2021.

Vancouver:

Creek C. The Truth About Your Monsters. [Internet] [Masters thesis]. Louisiana State University; 2017. [cited 2021 Jan 16]. Available from: etd-06012017-233724 ; https://digitalcommons.lsu.edu/gradschool_theses/4429.

Council of Science Editors:

Creek C. The Truth About Your Monsters. [Masters Thesis]. Louisiana State University; 2017. Available from: etd-06012017-233724 ; https://digitalcommons.lsu.edu/gradschool_theses/4429

University of Montana

19. Louks, James Paul. Once Achieved, What is it Worth?.

Degree: MFA, 2014, University of Montana

URL: https://scholarworks.umt.edu/etd/4291

► Once Achieved, What is it Worth? examines the contemporary social, political and physical landscape of the American West. My research for the past three years… (more)

▼ Once Achieved, What is it Worth? examines the contemporary social, political and physical landscape of the American West. My research for the past three years has been exploring the myths and misconceptions associated with this region and how these illusions inform, misinform, distort and taint the cultural norms of the region. My intention is to create a more factual representation of the American West relative to my own experience. The American West is a region that has been marauded for its resources, historically to the present day. There is little difference between the fracking boom that North Dakota is currently experiencing than the gold rushes of the late 1800s in South Dakota or the copper boom that made Butte, Montana, “the richest hill on earth.” The boom and bust culture of this region is part and parcel to what it means to be a Wyomingite, a South Dakotan or a Montanan…all of which are monikers that we Westerners adopt, wear and identify with. At its most basic, the American West is a cash cow for the two coasts and the inhabitants of the region will continue to be subject to benefits and detriments of boom and bust culture. My goal is to remove the romantic façade of the West in favor of a more austere interpretation built upon greed, brutality and guilt. The body of this thesis delves into a variety of aspects of my practice, touching on personal experience, the myth of the American West, mapping, art and critical theory, socio-economics and aesthetics, forming the body of a thesis. This paper may be seen as a more direct examination of my thesis exhibition. The writings should be considered in relationship to my studio practice, however, I also think of the writings as self-contained thoughts on specific subjects. The writings serve as reflections of my process and the various currents that run within it and largely represent my intellectual approach to art practice and making, and as such slightly break from the traditional format of the thesis paper. I hope for this effort to be a more insightful approach as it is a more specific representation, where ideas and concepts are paramount, continually expanding and informing one another, resulting in the visual articulation of these ideas.

Subjects/Keywords: Rural American West; Western Film; Socio-Economics; Art; Painting; Drawing; Sculpture; Installation; Mapping; Myth; Fracking

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APA (6^th Edition):

Louks, J. P. (2014). Once Achieved, What is it Worth?. (Thesis). University of Montana. Retrieved from https://scholarworks.umt.edu/etd/4291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Louks, James Paul. “Once Achieved, What is it Worth?.” 2014. Thesis, University of Montana. Accessed January 16, 2021. https://scholarworks.umt.edu/etd/4291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Louks, James Paul. “Once Achieved, What is it Worth?.” 2014. Web. 16 Jan 2021.

Vancouver:

Louks JP. Once Achieved, What is it Worth?. [Internet] [Thesis]. University of Montana; 2014. [cited 2021 Jan 16]. Available from: https://scholarworks.umt.edu/etd/4291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Louks JP. Once Achieved, What is it Worth?. [Thesis]. University of Montana; 2014. Available from: https://scholarworks.umt.edu/etd/4291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of New South Wales

20. Byrne, Alexandra. The Disconnect: 21st Century Flintstones.

Degree: Art, 2016, University of New South Wales

URL: http://handle.unsw.edu.au/1959.4/57940 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:45172/SOURCE02?view=true

► Like many futuristic projections of human society, technology is venerated as the quintessential driving force of our continued prosperity, even salvation. This research has examined… (more)

Subjects/Keywords: Climate Change; Art; Environment; Anthropocene; Installation; Sculpture; Drawing; Photography; Participatory Performance; The Disconnect

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APA (6^th Edition):

Byrne, A. (2016). The Disconnect: 21st Century Flintstones. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/57940 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:45172/SOURCE02?view=true

Chicago Manual of Style (16^th Edition):

Byrne, Alexandra. “The Disconnect: 21st Century Flintstones.” 2016. Masters Thesis, University of New South Wales. Accessed January 16, 2021. http://handle.unsw.edu.au/1959.4/57940 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:45172/SOURCE02?view=true.

MLA Handbook (7^th Edition):

Byrne, Alexandra. “The Disconnect: 21st Century Flintstones.” 2016. Web. 16 Jan 2021.

Vancouver:

Byrne A. The Disconnect: 21st Century Flintstones. [Internet] [Masters thesis]. University of New South Wales; 2016. [cited 2021 Jan 16]. Available from: http://handle.unsw.edu.au/1959.4/57940 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:45172/SOURCE02?view=true.

Council of Science Editors:

Byrne A. The Disconnect: 21st Century Flintstones. [Masters Thesis]. University of New South Wales; 2016. Available from: http://handle.unsw.edu.au/1959.4/57940 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:45172/SOURCE02?view=true

University of Texas – Austin

21. Salazar, Samantha Parker. Interior sensation and exterior forces : cutting away.

Degree: MFA, Studio Art, 2014, University of Texas – Austin

URL: http://hdl.handle.net/2152/26400

► In my work, traditional printmaking techniques are pushed to their limits as a foundation for cut-paper installations and sculptures. The work reflects on notions of… (more)

Subjects/Keywords: Cut-paper; Printmaking; Monotype; Drawing; Sensation; Cutting; Paperwork; Installation; Movement; Nature; Paint

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APA (6^th Edition):

Salazar, S. P. (2014). Interior sensation and exterior forces : cutting away. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/26400

Chicago Manual of Style (16^th Edition):

Salazar, Samantha Parker. “Interior sensation and exterior forces : cutting away.” 2014. Masters Thesis, University of Texas – Austin. Accessed January 16, 2021. http://hdl.handle.net/2152/26400.

MLA Handbook (7^th Edition):

Salazar, Samantha Parker. “Interior sensation and exterior forces : cutting away.” 2014. Web. 16 Jan 2021.

Vancouver:

Salazar SP. Interior sensation and exterior forces : cutting away. [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/2152/26400.

Council of Science Editors:

Salazar SP. Interior sensation and exterior forces : cutting away. [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/26400

22. Dietrich, Anne. Art-mnésique : refaire surface. : Art-Mnestic : resurface.

Degree: Docteur es, Arts et sciences de l'art. Arts plastiques, 2016, Paris 1

URL: http://www.theses.fr/2016PA01H302

►

Qu'est-ce qui refait surface dans l'image ? Comment est-ce que cela refait surface ? Ces interrogations prennent leur origine dans des réalisations plastiques principalement centrées… (more)

▼

Qu'est-ce qui refait surface dans l'image ? Comment est-ce que cela refait surface ? Ces interrogations prennent leur origine dans des réalisations plastiques principalement centrées autour de problématiques graphiques, organisées en deux ensembles : l'image-trace correspondant à des dessins résultant d'empreintes et de dépôts, et l'image-palimpseste s'ordonnant par strates au sein de surfaces bidimensionnelles ou d'installations. L'objectif des recherches menées dans cette thèse est de saisir comment l'image peut constituer une métaphore du processus mnésique, et s'inscrire entre mémoire et oubli. L'image-trace semble pouvoir évoquer le fonctionnement de la mémoire par sa qualité d'empreinte qui se pose comme une trace mnésique précaire, et qui peut être le réceptacle de particules de matière-mémoire déposée. L'image-palimpseste donne à voir par transparence un feuilletage faisant écho aux différentes étapes de la poïétique d'une œuvre hétérochronique. Tantôt le passé est renvoyé à la profondeur opaque et aux plis de l'image, tantôt il est en surface dans une mosaïque temporelle éclatée, formant une mémoire composite à partir de fragments qui refont surface. Le retour à la surface se manifeste également dans des œuvres actualisant la résurgence répétée d'une figure survivante. Elle est une forme errante dans une achronie, tel un écho de mémoire teinté d'oubli. Finalement, dans des dispositifs entropiques, l'oubli lui-même devient, à un second niveau, espace de projection pour une nouvelle mémoire, provisoire, construite à partir de la perte : la mémoire de l'oubli.

What resurfaces in the image? How does if resurface? These questions originate in artworks mainly centered on graphic characteristics and organized into two groups: the trace-image, which corresponds to drawings resulting from prints and sediments, and the palimpsest-image, which is stratified on two-dimensional surfaces or in installations. The objective of this thesis is to understand how the image can be a metaphor for the mnestic process, and how it is set between memory and oblivion. The trace-image seems to evoke the functioning of memory by its print status, presenting itself as a precarious memory trace, which may be the receptacle of sedimented memory-material particles. The palimpsest-image exposes a foliation that echoes the different stages of the creation process of a heterochronic work. The past is sometimes buried in the impenetrable depths and in the folds of the image, sometimes displayed on the surface in an exploded temporal mosaic, forming a composite memory from fragments, which resurface. The return to the surface is also apparent in works actualizing the repeated resurgence of a surviving figure. It is a wandering, achronic form, like an echo of memory tinged with oblivion. Finally, in entropie works, oblivion itself, on a secondary level, becomes a projection space for a new temporary memory, constructed from Joss: the memory of oblivion.

Advisors/Committee Members: Egaña, Miguel (thesis director).

Subjects/Keywords: Dessin; Installation; Surface; Mémoire; Oubli; Trace; Empreinte; Trasparence; Palimpseste; Strate; Image feuilletée; Survivance; Drawing; Installation; Surface; Memory; Oblivion; Trace; Print; Transparency; Palimpsest; Stratum; Foliated image; Survivance.; 701.17

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Dietrich, A. (2016). Art-mnésique : refaire surface. : Art-Mnestic : resurface. (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2016PA01H302

Chicago Manual of Style (16^th Edition):

Dietrich, Anne. “Art-mnésique : refaire surface. : Art-Mnestic : resurface.” 2016. Doctoral Dissertation, Paris 1. Accessed January 16, 2021. http://www.theses.fr/2016PA01H302.

MLA Handbook (7^th Edition):

Dietrich, Anne. “Art-mnésique : refaire surface. : Art-Mnestic : resurface.” 2016. Web. 16 Jan 2021.

Vancouver:

Dietrich A. Art-mnésique : refaire surface. : Art-Mnestic : resurface. [Internet] [Doctoral dissertation]. Paris 1; 2016. [cited 2021 Jan 16]. Available from: http://www.theses.fr/2016PA01H302.

Council of Science Editors:

Dietrich A. Art-mnésique : refaire surface. : Art-Mnestic : resurface. [Doctoral Dissertation]. Paris 1; 2016. Available from: http://www.theses.fr/2016PA01H302

University of Waterloo

23. Samocha, Ram. No Peace - A Drawing Installation.

Degree: 2009, University of Waterloo

URL: http://hdl.handle.net/10012/4393

► This paper is intended to serve as a supporting document for the exhibition "No Peace" that was held at the Artery Gallery, 158 King St.… (more)

Subjects/Keywords: Drawing; Installation; Drawing Installation; Installation Art; Fine Art; Video Art; Painting; Animation; Performance Art; Israeli Art; Line Drawing; Political Art; Abstract Art; Performance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Samocha, R. (2009). No Peace - A Drawing Installation. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/4393

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Samocha, Ram. “No Peace - A Drawing Installation.” 2009. Thesis, University of Waterloo. Accessed January 16, 2021. http://hdl.handle.net/10012/4393.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Samocha, Ram. “No Peace - A Drawing Installation.” 2009. Web. 16 Jan 2021.

Vancouver:

Samocha R. No Peace - A Drawing Installation. [Internet] [Thesis]. University of Waterloo; 2009. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/10012/4393.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Samocha R. No Peace - A Drawing Installation. [Thesis]. University of Waterloo; 2009. Available from: http://hdl.handle.net/10012/4393

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

24. Foley, Jessica L. A Place of origin.

Degree: 2010, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/4492

► History has always been an interest of mine, whether it was that of other cultures or my own, I have always loved learning about the… (more)

Subjects/Keywords: Drawing; Family history; Fine arts; Installation; Kiki Smith; Sewing

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APA (6^th Edition):

Foley, J. L. (2010). A Place of origin. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Foley, Jessica L. “A Place of origin.” 2010. Thesis, Rochester Institute of Technology. Accessed January 16, 2021. https://scholarworks.rit.edu/theses/4492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Foley, Jessica L. “A Place of origin.” 2010. Web. 16 Jan 2021.

Vancouver:

Foley JL. A Place of origin. [Internet] [Thesis]. Rochester Institute of Technology; 2010. [cited 2021 Jan 16]. Available from: https://scholarworks.rit.edu/theses/4492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Foley JL. A Place of origin. [Thesis]. Rochester Institute of Technology; 2010. Available from: https://scholarworks.rit.edu/theses/4492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Silva, Fernando Vilela de Moura. Estruturas em deslocamento.

Degree: Mestrado, Poéticas Visuais, 2009, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-14092009-155820/ ;

►

Esta dissertação relaciona algumas séries de trabalhos desenvolvidos ao longo dos últimos anos, de 2003 a 2008. Gravuras, instalações, fotografias, desenhos e ilustrações de livros… (more)

Subjects/Keywords: art/ engraving/ collage / installation/ photo/ drawing / illustration / xylographic print / poster; Arte / gravura/ fotografia/ ilustração / livro / desenho/ xilogravura/ cartaz

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APA (6^th Edition):

Silva, F. V. d. M. (2009). Estruturas em deslocamento. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-14092009-155820/ ;

Chicago Manual of Style (16^th Edition):

Silva, Fernando Vilela de Moura. “Estruturas em deslocamento.” 2009. Masters Thesis, University of São Paulo. Accessed January 16, 2021. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-14092009-155820/ ;.

MLA Handbook (7^th Edition):

Silva, Fernando Vilela de Moura. “Estruturas em deslocamento.” 2009. Web. 16 Jan 2021.

Vancouver:

Silva FVdM. Estruturas em deslocamento. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2021 Jan 16]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-14092009-155820/ ;.

Council of Science Editors:

Silva FVdM. Estruturas em deslocamento. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-14092009-155820/ ;

University of Newcastle

26. Dunstan, Penelope. Wayfinding through shadowlands: making minescapes matter.

Degree: PhD, 2017, University of Newcastle

URL: http://hdl.handle.net/1959.13/1355422

►

Research Doctorate - Doctor of Philosophy (PhD)

Open-cut coal mining in the Hunter Valley, NSW, is transforming what once was agricultural land into engineered lands… (more)

Subjects/Keywords: Wayfinding; minescapes; installation; shadowland; opencut coal mining; rehabilitation; new materialism; Hunter Valley; fine art; photography; drawing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Dunstan, P. (2017). Wayfinding through shadowlands: making minescapes matter. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1355422

Chicago Manual of Style (16^th Edition):

Dunstan, Penelope. “Wayfinding through shadowlands: making minescapes matter.” 2017. Doctoral Dissertation, University of Newcastle. Accessed January 16, 2021. http://hdl.handle.net/1959.13/1355422.

MLA Handbook (7^th Edition):

Dunstan, Penelope. “Wayfinding through shadowlands: making minescapes matter.” 2017. Web. 16 Jan 2021.

Vancouver:

Dunstan P. Wayfinding through shadowlands: making minescapes matter. [Internet] [Doctoral dissertation]. University of Newcastle; 2017. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1959.13/1355422.

Council of Science Editors:

Dunstan P. Wayfinding through shadowlands: making minescapes matter. [Doctoral Dissertation]. University of Newcastle; 2017. Available from: http://hdl.handle.net/1959.13/1355422

Louisiana State University

27. Miller, Molly Elizabeth. Echoes and artifacts.

Degree: MFA, Fine Arts, 2014, Louisiana State University

URL: etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569

► Architecture has many different contexts and meanings, but regardless of time and place, buildings act as a physical container of memory. This body of work… (more)

Subjects/Keywords: printmaking; installation; relief; fiber; fabric; sewing; embroidery; large format; print; woodcut; artist books; architecture; memory; altered prints; book arts; drawing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Miller, M. E. (2014). Echoes and artifacts. (Masters Thesis). Louisiana State University. Retrieved from etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569

Chicago Manual of Style (16^th Edition):

Miller, Molly Elizabeth. “Echoes and artifacts.” 2014. Masters Thesis, Louisiana State University. Accessed January 16, 2021. etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569.

MLA Handbook (7^th Edition):

Miller, Molly Elizabeth. “Echoes and artifacts.” 2014. Web. 16 Jan 2021.

Vancouver:

Miller ME. Echoes and artifacts. [Internet] [Masters thesis]. Louisiana State University; 2014. [cited 2021 Jan 16]. Available from: etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569.

Council of Science Editors:

Miller ME. Echoes and artifacts. [Masters Thesis]. Louisiana State University; 2014. Available from: etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569

28. Clark, Krista. Residual Residence.

Degree: MFA, Art and Design, 2016, Georgia State University

URL: https://scholarworks.gsu.edu/art_design_theses/207

► Residual Residence is an account of my process and how it is shaped and informed by the language of architecture and abstraction. It pinpoints… (more)

Subjects/Keywords: architecture; abstraction; drawing; installation; space; process

…a drawing on paper can produce a meditative state, while an installation involves the… …framed drawing on the wall adjacent to the installation. Beneath the second drawing was a… …as create a sense of a domestic space. The drawing adjacent to the installation and above… …drawing. The drawing adjacent to the installation operated as a drawing as well as possibly a… …sculptural element within the installation (fig 5.4). By combining drawing and building…

11 more images…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Clark, K. (2016). Residual Residence. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/207

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Clark, Krista. “Residual Residence.” 2016. Thesis, Georgia State University. Accessed January 16, 2021. https://scholarworks.gsu.edu/art_design_theses/207.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Clark, Krista. “Residual Residence.” 2016. Web. 16 Jan 2021.

Vancouver:

Clark K. Residual Residence. [Internet] [Thesis]. Georgia State University; 2016. [cited 2021 Jan 16]. Available from: https://scholarworks.gsu.edu/art_design_theses/207.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clark K. Residual Residence. [Thesis]. Georgia State University; 2016. Available from: https://scholarworks.gsu.edu/art_design_theses/207

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Kent State University

29. Collier, Jenniffer C. Architectonic Gestures: Shadow Structures.

Degree: MFA, College of the Arts / School of Art, 2009, Kent State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=kent1257803279

► My newest body of work, Architectonic Gestures, consists of interlinkingstructures that explore the relationship between wall, ceiling and floor, between psychic space and physical… (more)

Subjects/Keywords: Fine Arts; Painting graudate; drawing; installation; documentation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Collier, J. C. (2009). Architectonic Gestures: Shadow Structures. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1257803279

Chicago Manual of Style (16^th Edition):

Collier, Jenniffer C. “Architectonic Gestures: Shadow Structures.” 2009. Masters Thesis, Kent State University. Accessed January 16, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1257803279.

MLA Handbook (7^th Edition):

Collier, Jenniffer C. “Architectonic Gestures: Shadow Structures.” 2009. Web. 16 Jan 2021.

Vancouver:

Collier JC. Architectonic Gestures: Shadow Structures. [Internet] [Masters thesis]. Kent State University; 2009. [cited 2021 Jan 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1257803279.

Council of Science Editors:

Collier JC. Architectonic Gestures: Shadow Structures. [Masters Thesis]. Kent State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1257803279

RMIT University

30. Hong, J. Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice.

Degree: 2016, RMIT University

URL: http://researchbank.rmit.edu.au/view/rmit:161663

► This dissertation explores notions of mindscape through practice-based artistic research. The project utilises intercultural dialogue and novel methodologies in order to generate new artwork and… (more)

▼ This dissertation explores notions of mindscape through practice-based artistic research. The project utilises intercultural dialogue and novel methodologies in order to generate new artwork and knowledge relating to the concept of ‘mind’. The research explores both Eastern and Western conceptions of ‘mind’; in particular it is informed by Lao Tzu’s Taoist ideas of Ki and Moo-wei-ja-yeon, the concept of Hwek associated with the Korean artform of Soo-mook-hwa, the Automatism of Abstract Expressionism, and Carl Jung’s ideas of Natural symbols. This research project has been conducted through philosophical study and practical experimentation in two distinct stages. Firstly, the research defines and conceptualises ‘mind’ in relation to Eastern philosophy, particularly Lao Tzu’s Taoism; it also conducts investigations that reconcile Eastern and Western conceptions of art-making (Moo-wei-jayeon and Automatism). The research in this early stage was undertaken to provide core information and a broader context with which to consider the mind and its qualities and how these might relate to traditional and contemporary art. The second stage of the research involved practical experimentation. The manifestation of the mindscape was examined through the artistic documentation of daily conditions of ‘mind’ and the use of this output in the production and installation of new artworks that also utilised a multiplicity of media, such as drawing, painting, and installation. In so doing, the project explored ‘mind’ as it is experienced in daily life in the form of multi-dimensional installations that incorporated mark-making action, dimensionality, materiality, space and time. In this research, the studio-based project has represented a diversity of the mind’s conditions, which are identified in linear structures or images in the process of making and exhibiting artworks. In the resulting artworks, the project highlights new forms of the manifestation of ‘mind’ and its aspects in art. It also offers new knowledge of both Eastern and Western ideas combined together as a mixture to expand the consideration of and methodology for manifesting ‘mind’.

Subjects/Keywords: Fields of Research; Contemporary painting and installation practice; Mindscape; Natural symbol; Korean art; Automatism; Taoism; Ki; Moo-Wei-Ja-Yeon; Hwek; Daily drawing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hong, J. (2016). Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hong, J. “Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice.” 2016. Thesis, RMIT University. Accessed January 16, 2021. http://researchbank.rmit.edu.au/view/rmit:161663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hong, J. “Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice.” 2016. Web. 16 Jan 2021.

Vancouver:

Hong J. Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice. [Internet] [Thesis]. RMIT University; 2016. [cited 2021 Jan 16]. Available from: http://researchbank.rmit.edu.au/view/rmit:161663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hong J. Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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