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You searched for subject:(Indian Aesthetics). Showing records 1 – 16 of 16 total matches.

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University of Manchester

1. Ahmed, Omar. In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975).

Degree: 2019, University of Manchester

 Rupture is a relatively undetermined scholarly field often associated with political philosophy. While there have been many ruptures in the history of film, South Asian… (more)

Subjects/Keywords: Rupture; Indian Cinema; Parallel Cinema; Trauma; Iconoclasm; Film Aesthetics

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APA (6th Edition):

Ahmed, O. (2019). In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975). (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:320175

Chicago Manual of Style (16th Edition):

Ahmed, Omar. “In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975).” 2019. Doctoral Dissertation, University of Manchester. Accessed September 27, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:320175.

MLA Handbook (7th Edition):

Ahmed, Omar. “In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975).” 2019. Web. 27 Sep 2020.

Vancouver:

Ahmed O. In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975). [Internet] [Doctoral dissertation]. University of Manchester; 2019. [cited 2020 Sep 27]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:320175.

Council of Science Editors:

Ahmed O. In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975). [Doctoral Dissertation]. University of Manchester; 2019. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:320175


University of Florida

2. Suman, Shantanu. Horn Please.

Degree: 2013, University of Florida

 The trucking industry of India has played an instrumental role in shaping Indian trade and commerce for decades. It's a common belief among the truck… (more)

Subjects/Keywords: Art education; Art exhibitions; Boxes; Indian art; Indian culture; Musical aesthetics; Truck drivers; Trucks; Visual arts; Websites

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APA (6th Edition):

Suman, S. (2013). Horn Please. (Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/AA00017794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Suman, Shantanu. “Horn Please.” 2013. Thesis, University of Florida. Accessed September 27, 2020. https://ufdc.ufl.edu/AA00017794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Suman, Shantanu. “Horn Please.” 2013. Web. 27 Sep 2020.

Vancouver:

Suman S. Horn Please. [Internet] [Thesis]. University of Florida; 2013. [cited 2020 Sep 27]. Available from: https://ufdc.ufl.edu/AA00017794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Suman S. Horn Please. [Thesis]. University of Florida; 2013. Available from: https://ufdc.ufl.edu/AA00017794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

3. Ranganathan, Sumitra. Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad.

Degree: Music, 2015, University of California – Berkeley

 In this dissertation, I examine notions of tradition and fidelity to tradition in Indian classical music by investigating the development of musical judgment, categorical knowledge… (more)

Subjects/Keywords: Music; Cultural anthropology; History; Aesthetics; Indian classical music; Music; Place; Senses; Tradition

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APA (6th Edition):

Ranganathan, S. (2015). Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6d52h9cj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ranganathan, Sumitra. “Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad.” 2015. Thesis, University of California – Berkeley. Accessed September 27, 2020. http://www.escholarship.org/uc/item/6d52h9cj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ranganathan, Sumitra. “Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad.” 2015. Web. 27 Sep 2020.

Vancouver:

Ranganathan S. Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2020 Sep 27]. Available from: http://www.escholarship.org/uc/item/6d52h9cj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ranganathan S. Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/6d52h9cj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of St. Andrews

4. Sen, Sanghita. Recovering Indian Third Cinema practice : a study of the 1970s films of Ritwik Ghatak, Mrinal Sen, and Satyajit Ray .

Degree: 2020, University of St. Andrews

 In this thesis I focus on the cultural politics and film practices of Ritwik Ghatak, Mrinal Sen, and Satyajit Ray in the long 1960s, with… (more)

Subjects/Keywords: Indian political cinema; Decolonisation; Third Cinema; Radical cinema; Long 1960s political upheaval; Countercinema; Counter-archive; Film history; Brechtian aesthetics

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APA (6th Edition):

Sen, S. (2020). Recovering Indian Third Cinema practice : a study of the 1970s films of Ritwik Ghatak, Mrinal Sen, and Satyajit Ray . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/20375

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sen, Sanghita. “Recovering Indian Third Cinema practice : a study of the 1970s films of Ritwik Ghatak, Mrinal Sen, and Satyajit Ray .” 2020. Thesis, University of St. Andrews. Accessed September 27, 2020. http://hdl.handle.net/10023/20375.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sen, Sanghita. “Recovering Indian Third Cinema practice : a study of the 1970s films of Ritwik Ghatak, Mrinal Sen, and Satyajit Ray .” 2020. Web. 27 Sep 2020.

Vancouver:

Sen S. Recovering Indian Third Cinema practice : a study of the 1970s films of Ritwik Ghatak, Mrinal Sen, and Satyajit Ray . [Internet] [Thesis]. University of St. Andrews; 2020. [cited 2020 Sep 27]. Available from: http://hdl.handle.net/10023/20375.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sen S. Recovering Indian Third Cinema practice : a study of the 1970s films of Ritwik Ghatak, Mrinal Sen, and Satyajit Ray . [Thesis]. University of St. Andrews; 2020. Available from: http://hdl.handle.net/10023/20375

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

5. Singh, Brahma Prakash. The performance of cultural labour : a conceptual framework for understanding Indian folk performance.

Degree: PhD, 2013, Royal Holloway, University of London

 Performance has emerged as an important concept in the field of art, culture, media, communication and socio-anthropological studies. This thesis examines the ' Indian folk… (more)

Subjects/Keywords: 780.78; Indian Folk Culture; Performance Studies; labour; caste; aesthetics; cultural performance; Bidesia; Bhumi-puja; Reshma-Chuharmal; Dalits; lower-caste

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APA (6th Edition):

Singh, B. P. (2013). The performance of cultural labour : a conceptual framework for understanding Indian folk performance. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-performance-of-cultural-labour(a7f22e30-99e8-4703-854f-fd1191fb3c3f).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603539

Chicago Manual of Style (16th Edition):

Singh, Brahma Prakash. “The performance of cultural labour : a conceptual framework for understanding Indian folk performance.” 2013. Doctoral Dissertation, Royal Holloway, University of London. Accessed September 27, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/the-performance-of-cultural-labour(a7f22e30-99e8-4703-854f-fd1191fb3c3f).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603539.

MLA Handbook (7th Edition):

Singh, Brahma Prakash. “The performance of cultural labour : a conceptual framework for understanding Indian folk performance.” 2013. Web. 27 Sep 2020.

Vancouver:

Singh BP. The performance of cultural labour : a conceptual framework for understanding Indian folk performance. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2013. [cited 2020 Sep 27]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-performance-of-cultural-labour(a7f22e30-99e8-4703-854f-fd1191fb3c3f).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603539.

Council of Science Editors:

Singh BP. The performance of cultural labour : a conceptual framework for understanding Indian folk performance. [Doctoral Dissertation]. Royal Holloway, University of London; 2013. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-performance-of-cultural-labour(a7f22e30-99e8-4703-854f-fd1191fb3c3f).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603539


University of Sydney

6. Glynn, John Charles. Kathakali: A study of the aesthetic processes of popular spectators and elitist appreciators engaging with performances in Kerala .

Degree: 2001, University of Sydney

 This thesis looks at the diverse aesthetic approaches of onlookers to Kathakali, a traditional dance-drama extant in Kerala, India. Its particular contribution is based on… (more)

Subjects/Keywords: Kathakali; Indian Performance; dance-drama; aesthetics; popular spectators; Kerala

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APA (6th Edition):

Glynn, J. C. (2001). Kathakali: A study of the aesthetic processes of popular spectators and elitist appreciators engaging with performances in Kerala . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/834

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glynn, John Charles. “Kathakali: A study of the aesthetic processes of popular spectators and elitist appreciators engaging with performances in Kerala .” 2001. Thesis, University of Sydney. Accessed September 27, 2020. http://hdl.handle.net/2123/834.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glynn, John Charles. “Kathakali: A study of the aesthetic processes of popular spectators and elitist appreciators engaging with performances in Kerala .” 2001. Web. 27 Sep 2020.

Vancouver:

Glynn JC. Kathakali: A study of the aesthetic processes of popular spectators and elitist appreciators engaging with performances in Kerala . [Internet] [Thesis]. University of Sydney; 2001. [cited 2020 Sep 27]. Available from: http://hdl.handle.net/2123/834.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glynn JC. Kathakali: A study of the aesthetic processes of popular spectators and elitist appreciators engaging with performances in Kerala . [Thesis]. University of Sydney; 2001. Available from: http://hdl.handle.net/2123/834

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

7. Rangel, John Paul. INDIGENOUS PERSPECTIVES ON CONTEMPORARY NATIVE ART, INDIGENOUS AESTHETICS AND REPRESENTATION.

Degree: Language, Literacy, and Sociocultural Studies, 2013, University of New Mexico

 In this dissertation I examine and posit Indigenous perspectives on contemporary Native art, Indigenous aesthetics and issues of representation. Contemporary Native art at this moment… (more)

Subjects/Keywords: Education; American Indian; Contemporary Native Art; Cultural Theory; Decolonizing; Ethnography; Identity; Indigenous; Indigenous Aesthetics; Native American; Representation

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APA (6th Edition):

Rangel, J. P. (2013). INDIGENOUS PERSPECTIVES ON CONTEMPORARY NATIVE ART, INDIGENOUS AESTHETICS AND REPRESENTATION. (Doctoral Dissertation). University of New Mexico. Retrieved from http://hdl.handle.net/1928/22849

Chicago Manual of Style (16th Edition):

Rangel, John Paul. “INDIGENOUS PERSPECTIVES ON CONTEMPORARY NATIVE ART, INDIGENOUS AESTHETICS AND REPRESENTATION.” 2013. Doctoral Dissertation, University of New Mexico. Accessed September 27, 2020. http://hdl.handle.net/1928/22849.

MLA Handbook (7th Edition):

Rangel, John Paul. “INDIGENOUS PERSPECTIVES ON CONTEMPORARY NATIVE ART, INDIGENOUS AESTHETICS AND REPRESENTATION.” 2013. Web. 27 Sep 2020.

Vancouver:

Rangel JP. INDIGENOUS PERSPECTIVES ON CONTEMPORARY NATIVE ART, INDIGENOUS AESTHETICS AND REPRESENTATION. [Internet] [Doctoral dissertation]. University of New Mexico; 2013. [cited 2020 Sep 27]. Available from: http://hdl.handle.net/1928/22849.

Council of Science Editors:

Rangel JP. INDIGENOUS PERSPECTIVES ON CONTEMPORARY NATIVE ART, INDIGENOUS AESTHETICS AND REPRESENTATION. [Doctoral Dissertation]. University of New Mexico; 2013. Available from: http://hdl.handle.net/1928/22849


Jawaharlal Nehru University

8. Tyagi, Alka. Intersemiotic transformations: a study of works of two medieval Indian bhakti poets, akka mahadevi and andal; -.

Degree: Arts, 2008, Jawaharlal Nehru University

None

Bibliography p.211-219, Appendices p.173-210

Advisors/Committee Members: Shivaprakash, H S.

Subjects/Keywords: Arts; Aesthetics; akka mahadevi; Intersemiotic transformations; medieval Indian bhakti poets; andal

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APA (6th Edition):

Tyagi, A. (2008). Intersemiotic transformations: a study of works of two medieval Indian bhakti poets, akka mahadevi and andal; -. (Thesis). Jawaharlal Nehru University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/14673

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tyagi, Alka. “Intersemiotic transformations: a study of works of two medieval Indian bhakti poets, akka mahadevi and andal; -.” 2008. Thesis, Jawaharlal Nehru University. Accessed September 27, 2020. http://shodhganga.inflibnet.ac.in/handle/10603/14673.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tyagi, Alka. “Intersemiotic transformations: a study of works of two medieval Indian bhakti poets, akka mahadevi and andal; -.” 2008. Web. 27 Sep 2020.

Vancouver:

Tyagi A. Intersemiotic transformations: a study of works of two medieval Indian bhakti poets, akka mahadevi and andal; -. [Internet] [Thesis]. Jawaharlal Nehru University; 2008. [cited 2020 Sep 27]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/14673.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tyagi A. Intersemiotic transformations: a study of works of two medieval Indian bhakti poets, akka mahadevi and andal; -. [Thesis]. Jawaharlal Nehru University; 2008. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/14673

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Tennessee State University

9. Decker-Smith, Jessica Lindsay. A Blending of Purpose: The Juxtaposition of Functional and Aesthetic Qualities in Pots of Use.

Degree: MFA (Master of Fine Arts), Art, 2004, East Tennessee State University

  This thesis supports the Master of Fine Arts exhibition entitled A Blending of Purpose at East Tennessee State University, Carroll Reece Museum, Johnson City,… (more)

Subjects/Keywords: Ceramics; Functional Pottery; Aesthetics; Utilitarian; Life Quality; Indian Architecture; Dan Finnegan; Ken Sedberry; Nick Joerling; Art and Design; Arts and Humanities

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APA (6th Edition):

Decker-Smith, J. L. (2004). A Blending of Purpose: The Juxtaposition of Functional and Aesthetic Qualities in Pots of Use. (Masters Thesis). East Tennessee State University. Retrieved from https://dc.etsu.edu/etd/964

Chicago Manual of Style (16th Edition):

Decker-Smith, Jessica Lindsay. “A Blending of Purpose: The Juxtaposition of Functional and Aesthetic Qualities in Pots of Use.” 2004. Masters Thesis, East Tennessee State University. Accessed September 27, 2020. https://dc.etsu.edu/etd/964.

MLA Handbook (7th Edition):

Decker-Smith, Jessica Lindsay. “A Blending of Purpose: The Juxtaposition of Functional and Aesthetic Qualities in Pots of Use.” 2004. Web. 27 Sep 2020.

Vancouver:

Decker-Smith JL. A Blending of Purpose: The Juxtaposition of Functional and Aesthetic Qualities in Pots of Use. [Internet] [Masters thesis]. East Tennessee State University; 2004. [cited 2020 Sep 27]. Available from: https://dc.etsu.edu/etd/964.

Council of Science Editors:

Decker-Smith JL. A Blending of Purpose: The Juxtaposition of Functional and Aesthetic Qualities in Pots of Use. [Masters Thesis]. East Tennessee State University; 2004. Available from: https://dc.etsu.edu/etd/964

10. Rocton, Julie. Modes d’existence et d’appropriation de l’Abhinayadarpana de Nandikesvara : étude du texte, de son édition et de son usage dans le milieu du bharatanatyam : Modes of existence and of appropriation of Nandikeśvara’s Abhinayadarpaṇa : investigating the text, its edition and its use in Bharatanāṭyam milieu.

Degree: Docteur es, Sciences de l'antiquité, 2018, Aix Marseille Université

Cette thèse propose une étude sur l’Abhinayadarpaṇa, « le Miroir du Geste », de Nandikeśvara, traité sanskrit médiéval traitant de l’art de l’expression au moyen… (more)

Subjects/Keywords: Littérature sanskrite; Śāstra; Traité; Esthétique; Abhinayadarpaṇa; Danse indienne; Bharatanāṭyam; Anthropologie du texte; Ethnographie; Norme; Théorie et pratique; Inde; Tamil-Nadu; Sanskrit literature; Śāstra; Treatise; Aesthetics; Abhinayadarpaṇa; Indian dance; Bharatanāṭyam; Text anthropology; Ethnography; Norm; Theory and practice; India; Tamil Nadu

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APA (6th Edition):

Rocton, J. (2018). Modes d’existence et d’appropriation de l’Abhinayadarpana de Nandikesvara : étude du texte, de son édition et de son usage dans le milieu du bharatanatyam : Modes of existence and of appropriation of Nandikeśvara’s Abhinayadarpaṇa : investigating the text, its edition and its use in Bharatanāṭyam milieu. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2018AIXM0657

Chicago Manual of Style (16th Edition):

Rocton, Julie. “Modes d’existence et d’appropriation de l’Abhinayadarpana de Nandikesvara : étude du texte, de son édition et de son usage dans le milieu du bharatanatyam : Modes of existence and of appropriation of Nandikeśvara’s Abhinayadarpaṇa : investigating the text, its edition and its use in Bharatanāṭyam milieu.” 2018. Doctoral Dissertation, Aix Marseille Université. Accessed September 27, 2020. http://www.theses.fr/2018AIXM0657.

MLA Handbook (7th Edition):

Rocton, Julie. “Modes d’existence et d’appropriation de l’Abhinayadarpana de Nandikesvara : étude du texte, de son édition et de son usage dans le milieu du bharatanatyam : Modes of existence and of appropriation of Nandikeśvara’s Abhinayadarpaṇa : investigating the text, its edition and its use in Bharatanāṭyam milieu.” 2018. Web. 27 Sep 2020.

Vancouver:

Rocton J. Modes d’existence et d’appropriation de l’Abhinayadarpana de Nandikesvara : étude du texte, de son édition et de son usage dans le milieu du bharatanatyam : Modes of existence and of appropriation of Nandikeśvara’s Abhinayadarpaṇa : investigating the text, its edition and its use in Bharatanāṭyam milieu. [Internet] [Doctoral dissertation]. Aix Marseille Université 2018. [cited 2020 Sep 27]. Available from: http://www.theses.fr/2018AIXM0657.

Council of Science Editors:

Rocton J. Modes d’existence et d’appropriation de l’Abhinayadarpana de Nandikesvara : étude du texte, de son édition et de son usage dans le milieu du bharatanatyam : Modes of existence and of appropriation of Nandikeśvara’s Abhinayadarpaṇa : investigating the text, its edition and its use in Bharatanāṭyam milieu. [Doctoral Dissertation]. Aix Marseille Université 2018. Available from: http://www.theses.fr/2018AIXM0657

11. Beldio, Patrick Michael. "Art and Beauty, Opposition and Growth in the Sri Aurobindo Ashram".

Degree: The Catholic University of America

Degree Awarded: Ph.D. Religion and Culture. The Catholic University of America

Sri Aurobindo (nee Aurobindo Ghose, 1872-1950), a native of India, spent his youth studying… (more)

Subjects/Keywords: Religion; Fine arts; Cultural anthropology; David Morgan; Indian Aesthetics; Lindsay Jones; Religion and Art; The Mother and Sri Aurobindo; Visual Culture of Religion

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APA (6th Edition):

Beldio, P. M. (n.d.). "Art and Beauty, Opposition and Growth in the Sri Aurobindo Ashram". (Thesis). The Catholic University of America. Retrieved from http://hdl.handle.net/1961/cuislandora:40842

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beldio, Patrick Michael. “"Art and Beauty, Opposition and Growth in the Sri Aurobindo Ashram".” Thesis, The Catholic University of America. Accessed September 27, 2020. http://hdl.handle.net/1961/cuislandora:40842.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beldio, Patrick Michael. “"Art and Beauty, Opposition and Growth in the Sri Aurobindo Ashram".” Web. 27 Sep 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Beldio PM. "Art and Beauty, Opposition and Growth in the Sri Aurobindo Ashram". [Internet] [Thesis]. The Catholic University of America; [cited 2020 Sep 27]. Available from: http://hdl.handle.net/1961/cuislandora:40842.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Beldio PM. "Art and Beauty, Opposition and Growth in the Sri Aurobindo Ashram". [Thesis]. The Catholic University of America; Available from: http://hdl.handle.net/1961/cuislandora:40842

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

12. Ballengee, Christopher L. From Indian to Indo-Creole Tassa Drumming, Creolization, and Indo-Caribbean Nationalism in Trinidad and Tobago.

Degree: PhD, Music, 2013, University of Florida

 Tassa is an Indo-Caribbean musical genre popular in Trinidad and Tobago characterized by a four-part ensemble comprising four instruments: two small kettledrums called “tassa,” a… (more)

Subjects/Keywords: Calypso music; Hindus; Indian culture; Marriage ceremonies; Music analysis; Musical aesthetics; Musical instruments; Musical performance; Musical rhythm; Steels; drumming  – ethnomusicology  – indo-caribbean  – music; City of Miami ( local )

…once indebted to North Indian aesthetics but deployed in an idiosyncratically Caribbean… …Indo-Trinidadian musical system at once indebted to North Indian aesthetics but deployed in… …22 In other words, as instruments and timbres point to Indian aesthetics, the… …268 Indo-Trinidadian Musical Aesthetics… …215 6-2 Oceanic and maritime imagery of Indian presence in Trinidad and Tobago… 

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APA (6th Edition):

Ballengee, C. L. (2013). From Indian to Indo-Creole Tassa Drumming, Creolization, and Indo-Caribbean Nationalism in Trinidad and Tobago. (Doctoral Dissertation). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0045853

Chicago Manual of Style (16th Edition):

Ballengee, Christopher L. “From Indian to Indo-Creole Tassa Drumming, Creolization, and Indo-Caribbean Nationalism in Trinidad and Tobago.” 2013. Doctoral Dissertation, University of Florida. Accessed September 27, 2020. https://ufdc.ufl.edu/UFE0045853.

MLA Handbook (7th Edition):

Ballengee, Christopher L. “From Indian to Indo-Creole Tassa Drumming, Creolization, and Indo-Caribbean Nationalism in Trinidad and Tobago.” 2013. Web. 27 Sep 2020.

Vancouver:

Ballengee CL. From Indian to Indo-Creole Tassa Drumming, Creolization, and Indo-Caribbean Nationalism in Trinidad and Tobago. [Internet] [Doctoral dissertation]. University of Florida; 2013. [cited 2020 Sep 27]. Available from: https://ufdc.ufl.edu/UFE0045853.

Council of Science Editors:

Ballengee CL. From Indian to Indo-Creole Tassa Drumming, Creolization, and Indo-Caribbean Nationalism in Trinidad and Tobago. [Doctoral Dissertation]. University of Florida; 2013. Available from: https://ufdc.ufl.edu/UFE0045853

13. Verma, Vrinda. Enriching spaces : a methodology for enhancing interaction between the user and their spaces in an Indian context : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design, Massey University, College of Creative Arts, Wellington, New Zealand .

Degree: 2018, Massey University

 The longing for a personal space that serves as a sanctuary correlates with the current lack of engagement between the users and their spaces in… (more)

Subjects/Keywords: Interior decoration; India; History; 1526-1765; Philosophy; Minimal design; Influence; Design; Aesthetics; Space; retreat; engagement; sanctuary; Indian luxury; minimalism; usability; craft; space; active object; autoethnographic case study

…introduces an amalgamation of Indian luxury strongly influenced by the Mughal dynasty with… …precision in craft and rich materials from Indian luxury with simplicity and clarity regarding… …sanctuary, luxury, Indian luxury, minimalism, usability, craft, user, space, active object… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Verma, V. (2018). Enriching spaces : a methodology for enhancing interaction between the user and their spaces in an Indian context : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design, Massey University, College of Creative Arts, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/14908

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Verma, Vrinda. “Enriching spaces : a methodology for enhancing interaction between the user and their spaces in an Indian context : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design, Massey University, College of Creative Arts, Wellington, New Zealand .” 2018. Thesis, Massey University. Accessed September 27, 2020. http://hdl.handle.net/10179/14908.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Verma, Vrinda. “Enriching spaces : a methodology for enhancing interaction between the user and their spaces in an Indian context : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design, Massey University, College of Creative Arts, Wellington, New Zealand .” 2018. Web. 27 Sep 2020.

Vancouver:

Verma V. Enriching spaces : a methodology for enhancing interaction between the user and their spaces in an Indian context : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design, Massey University, College of Creative Arts, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2018. [cited 2020 Sep 27]. Available from: http://hdl.handle.net/10179/14908.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Verma V. Enriching spaces : a methodology for enhancing interaction between the user and their spaces in an Indian context : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design, Massey University, College of Creative Arts, Wellington, New Zealand . [Thesis]. Massey University; 2018. Available from: http://hdl.handle.net/10179/14908

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brigham Young University

14. Chetty, Raj G. Versions of America: Reading American Literature for Identity and Difference.

Degree: MA, 2006, Brigham Young University

 My paper examines how American authors of the South Asian Diaspora (Indian-American or South Asian American) can be read 1) as simply American and 2)… (more)

Subjects/Keywords: South Asian; Indian-American; minority literature; Jhumpa Lahiri; Bharati Mukherjee; Interpreter of Maladies; Middleman and Other Stories; identity politics; contemporary American literature; diaspora; race; ethnicity; culture; aesthetics; formalism; Marxist dialectics; American literary canon; postcolonial theory; canonicity; R. Radhakrishnan; Rey Chow; Graham Huggan; Deepika Bahri; orientalism; exoticism; English Language and Literature

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APA (6th Edition):

Chetty, R. G. (2006). Versions of America: Reading American Literature for Identity and Difference. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1764&context=etd

Chicago Manual of Style (16th Edition):

Chetty, Raj G. “Versions of America: Reading American Literature for Identity and Difference.” 2006. Masters Thesis, Brigham Young University. Accessed September 27, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1764&context=etd.

MLA Handbook (7th Edition):

Chetty, Raj G. “Versions of America: Reading American Literature for Identity and Difference.” 2006. Web. 27 Sep 2020.

Vancouver:

Chetty RG. Versions of America: Reading American Literature for Identity and Difference. [Internet] [Masters thesis]. Brigham Young University; 2006. [cited 2020 Sep 27]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1764&context=etd.

Council of Science Editors:

Chetty RG. Versions of America: Reading American Literature for Identity and Difference. [Masters Thesis]. Brigham Young University; 2006. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1764&context=etd

15. Beitmen, Logan R. Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”.

Degree: MA, Religious Studies, 2014, Florida International University

  Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated… (more)

Subjects/Keywords: Hinduism; neuroscience; aesthetics; Kashmir Shaivism; rasa; Abhinavagupta; Bharata Muni; Natya Shastra; Indian religion; art; Acting; Ancient Philosophy; Art Practice; Asian Art and Architecture; Asian Studies; Cognition and Perception; History of Religions of Eastern Origins; Other Languages, Societies, and Cultures; Performance Studies; Philosophy of Mind; Philosophy of Science; Social and Cultural Anthropology; Theory and Criticism

…classical Indian art and aesthetics (16), as well as in “African art” (17)… …important as rasa is for understanding Indian art and aesthetics, it has been a notoriously… …overview of the state of Indian aesthetics as a field of inquiry, the Delhi- 19 based scholar… …on Indian aesthetics was carried out” at all (Mukherji, 2011). Such studies… …rather than enlarging understanding of Indian aesthetics, have tended to level the differences… 

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APA (6th Edition):

Beitmen, L. R. (2014). Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”. (Thesis). Florida International University. Retrieved from https://digitalcommons.fiu.edu/etd/1198 ; 10.25148/etd.FI14040894 ; FI14040894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beitmen, Logan R. “Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”.” 2014. Thesis, Florida International University. Accessed September 27, 2020. https://digitalcommons.fiu.edu/etd/1198 ; 10.25148/etd.FI14040894 ; FI14040894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beitmen, Logan R. “Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”.” 2014. Web. 27 Sep 2020.

Vancouver:

Beitmen LR. Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”. [Internet] [Thesis]. Florida International University; 2014. [cited 2020 Sep 27]. Available from: https://digitalcommons.fiu.edu/etd/1198 ; 10.25148/etd.FI14040894 ; FI14040894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beitmen LR. Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”. [Thesis]. Florida International University; 2014. Available from: https://digitalcommons.fiu.edu/etd/1198 ; 10.25148/etd.FI14040894 ; FI14040894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

16. Wilson, James. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).

Degree: MA, Religion, 2008, University of Florida

 Although there has been a great deal of academic analysis of both the punk/alternative subculture(s) and western (re)interpretation of Hindu religious traditions, to date no… (more)

Subjects/Keywords: Asians; Hinduism; Hindus; Musical aesthetics; Musical forms; Religion; Skinhead culture; Straightedges; Subcultures; Vegetarianism; absurdists, african, age, alienated, alienation, america, anarchy, androgynous, animal, apache, ardhanari, ardhanarishvara, asia, asian, aurobindo, austin, babaji, baby, bally, band, bands, beat, beatles, beats, bhagavad, bhaktivedanta, bisexual, blackmore, bourdieu, bredren, britain, britpop, buddhist, candomble, cappo, caste, catholic, cbgb, cccs, cd, certeau, chaitanya, cheb, chidester, chrissie, christ, christian, christianity, church, churches, cornershop, crispian, cromags, cult, currie, dada, dadaist, dance, dasa, dawkins, dc, debord, defex, demoniac, demonic, desi, desis, deva, devi, dharma, dicks, dischord, discordian, doctrine, dogen, donaldson, doxa, dub, durkheim, durkheimian, east, eastern, easwaran, edward, electronic, electronica, emerson, empowerment, enoch, essentialist, ethnomusicology, europe, family, feminism, feminist, francisco, gaudiya, gay, geeta, gender, georgetown, gita, goddess, gods, gopal, goth, gothic, grrrl, gurdjieff, habitus, haidakhan, haidakkan, hardcore, hare, heavy, hijra, hindu, hinduism, hindustani, hindustva, hippie, hippies, hippy, homophile, homosexuality, hooliganism, huq, hutnyk, hybrid, hybridity, hynde, ian, icon, iconographic, iconographically, iggy, immigration, india, indian, indians, indic, indopagan, industrial, ishtalinga, iskcon, islam, istalinga, jah, jamaican, jati, jesus, jew, jewish, kali, kalra, karene, kesava, keshava, kigen, kominas, krishna, krishnacore, krishnamu, kriya, kula, labels, lesbian, lgbqt, liberation, lingayat, lingayatism, logic, london, lora, los, ludwig, lydon, magick, mahabharata, mahadevi, mallott, mantra, marx, marxian, mckaye, mclaren, meera, meierhenry, meme, memetic, milagros, mills, minor, mods, morrissey, mother, movement, murti, music, muslim, narayanan, natalia, negotiation, negotiatory, neo, neopagan, nervous, new, nrm, occult, ogd, omkara, oreintalized, orient, orientalism, orishas, oto, pagan, paki, paramahansa, paramatma, parampara, parvati, pena, phansigar, pistols, plur, poly, pop, posicore, posrip, postcolonial, postmodern, postpunk, practice, prana, praxis, pretenders, priest, prison, production, proletariat, protestant, prubhupada, psychick, puja, pujari, punjab, punjabi, punk, purana, queer, ram, ramayana, rape, rastafarian, rave, raver, ravers, ray, record, recording, reggae, religion, religious, resemblance, riot, ritual, rivethead, rock, romanticists, rushdie, sabbah, sagoo, salman, sampradaya, sanatana, santeria, sect, sects, sex, shaiva, shaivism, shaker, shakta, shakti, shaktism, shankara, shelter, shiva, siddhanta, sikh, singer, situationalist, ska, skinhead, smiths, soho, soteriological, soteriology, soto, spex, spr, squip, stapleton, stooges, straightedge, styrene, subculture, subgenius, swastika, swingjugend, syncretic, syncretism, tantra, taqwacore, tatalia, techno, texas, thealogy, theology, theravada, thoreau, thugee, thugs, tirtha, tomas, transcendentalism, transcendentalists, transgendered, tribal, utilitarian, vaishnava, vaishnavism, vasudha, veda, vedanta, vedantic, vedas, vedic, veerashaiva, veerashaivism, vegetarian, vietnam, vipashyana, vipasyana, virashaivism, virinder, vishnu, vivienne, voodoo, voudou, washington, wave, weber, weberian, wegrzyn, west, western, wicca, wittgenstein, wittgensteinian, womanism, womanist, yippie, yippies, yoga, yogananada, yoni, york, yoruba, youth, zen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, J. (2008). Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0024095

Chicago Manual of Style (16th Edition):

Wilson, James. “Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).” 2008. Masters Thesis, University of Florida. Accessed September 27, 2020. https://ufdc.ufl.edu/UFE0024095.

MLA Handbook (7th Edition):

Wilson, James. “Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).” 2008. Web. 27 Sep 2020.

Vancouver:

Wilson J. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). [Internet] [Masters thesis]. University of Florida; 2008. [cited 2020 Sep 27]. Available from: https://ufdc.ufl.edu/UFE0024095.

Council of Science Editors:

Wilson J. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). [Masters Thesis]. University of Florida; 2008. Available from: https://ufdc.ufl.edu/UFE0024095

.