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You searched for subject:(Ideological criticism AND protest songs). Showing records 1 – 21 of 21 total matches.

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1. Quirk Cort, Mary Elizabeth. The Power of Lyrical Protest: Examining the Rhetorical Function of Protest Songs in the 2000s.

Degree: MS, Department of Communication (CLA), 2013, Rochester Institute of Technology

  Until the late 1960s, serious scholarship involving the impact of popular music as political expression was lacking. Studies in rhetorical criticism tended to focus… (more)

Subjects/Keywords: Ideological criticism and protest songs; Protest songs and rhetoric; Protest songs and social activism; Protest songs of the 2000s; Rhetorical functions and protest songs

…recurring ideological themes in protest songs and the rhetorical functions. It will also look at… …it. Methodology Ideological criticism was chosen as the method to examine the protest music… …Question 1: What are the recurring ideological themes in protest songs and what is the rhetorical… …social movements and protest ideological studies, five rhetorical functions of protest songs… …THE POWER OF LYRICAL PROTEST 7 rhetorical criticism and public address. In short, of… 

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APA (6th Edition):

Quirk Cort, M. E. (2013). The Power of Lyrical Protest: Examining the Rhetorical Function of Protest Songs in the 2000s. (Masters Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/7766

Chicago Manual of Style (16th Edition):

Quirk Cort, Mary Elizabeth. “The Power of Lyrical Protest: Examining the Rhetorical Function of Protest Songs in the 2000s.” 2013. Masters Thesis, Rochester Institute of Technology. Accessed June 05, 2020. https://scholarworks.rit.edu/theses/7766.

MLA Handbook (7th Edition):

Quirk Cort, Mary Elizabeth. “The Power of Lyrical Protest: Examining the Rhetorical Function of Protest Songs in the 2000s.” 2013. Web. 05 Jun 2020.

Vancouver:

Quirk Cort ME. The Power of Lyrical Protest: Examining the Rhetorical Function of Protest Songs in the 2000s. [Internet] [Masters thesis]. Rochester Institute of Technology; 2013. [cited 2020 Jun 05]. Available from: https://scholarworks.rit.edu/theses/7766.

Council of Science Editors:

Quirk Cort ME. The Power of Lyrical Protest: Examining the Rhetorical Function of Protest Songs in the 2000s. [Masters Thesis]. Rochester Institute of Technology; 2013. Available from: https://scholarworks.rit.edu/theses/7766


Washington University in St. Louis

2. Zahrouni, Rafika. Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater.

Degree: PhD, Comparative Literature, 2014, Washington University in St. Louis

  My dissertation investigates plays written and directed by Jalila Baccar and Fadhel Jaïbi – recognized as two of the most influential actor-director-playwright pair in contemporary… (more)

Subjects/Keywords: Performance; Protest; Social Criticism; Theater; Tunisian

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APA (6th Edition):

Zahrouni, R. (2014). Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater. (Doctoral Dissertation). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/etd/1274

Chicago Manual of Style (16th Edition):

Zahrouni, Rafika. “Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater.” 2014. Doctoral Dissertation, Washington University in St. Louis. Accessed June 05, 2020. https://openscholarship.wustl.edu/etd/1274.

MLA Handbook (7th Edition):

Zahrouni, Rafika. “Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater.” 2014. Web. 05 Jun 2020.

Vancouver:

Zahrouni R. Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater. [Internet] [Doctoral dissertation]. Washington University in St. Louis; 2014. [cited 2020 Jun 05]. Available from: https://openscholarship.wustl.edu/etd/1274.

Council of Science Editors:

Zahrouni R. Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater. [Doctoral Dissertation]. Washington University in St. Louis; 2014. Available from: https://openscholarship.wustl.edu/etd/1274


University of South Africa

3. Mazuruse, Mickson. The theme of protest in the post-independence Shona novel .

Degree: 2010, University of South Africa

 The study discusses selected Shona novels‟ depiction of the theme of protest in the post-independence era in Zimbabwe. The ideas that these novels generate on… (more)

Subjects/Keywords: Socio-political protest; Socio-cultural protest; Constructive criticism; Cultural heritage; Economic independence; Neocolonialism; Women empowerment

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APA (6th Edition):

Mazuruse, M. (2010). The theme of protest in the post-independence Shona novel . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/3949

Chicago Manual of Style (16th Edition):

Mazuruse, Mickson. “The theme of protest in the post-independence Shona novel .” 2010. Masters Thesis, University of South Africa. Accessed June 05, 2020. http://hdl.handle.net/10500/3949.

MLA Handbook (7th Edition):

Mazuruse, Mickson. “The theme of protest in the post-independence Shona novel .” 2010. Web. 05 Jun 2020.

Vancouver:

Mazuruse M. The theme of protest in the post-independence Shona novel . [Internet] [Masters thesis]. University of South Africa; 2010. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10500/3949.

Council of Science Editors:

Mazuruse M. The theme of protest in the post-independence Shona novel . [Masters Thesis]. University of South Africa; 2010. Available from: http://hdl.handle.net/10500/3949


University of KwaZulu-Natal

4. [No author]. Ukukhononda ezinkondlweni zika- JC Dlamini ezibhalwe ngesikhathi sobandlululo.

Degree: 2015, University of KwaZulu-Natal

 Lolu cwaningo lubheka ukukhononda ezinkondlweni zika-J.C.Dlamini azibhale ngesikhathi sobandlululo eNingizimu Afrika. Lucwaninga indikimba yokukhononda ezinkondlweni zakhe luveze ukuthi kwakuyiziphi izinto ayekhononda ngazo; imaphi amasu awasebenzisa… (more)

Subjects/Keywords: Dlamini, J. C  – Poetry.; Protest poetry  – History and criticism.; IsiZulu.

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APA (6th Edition):

author], [. (2015). Ukukhononda ezinkondlweni zika- JC Dlamini ezibhalwe ngesikhathi sobandlululo. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/13379

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Ukukhononda ezinkondlweni zika- JC Dlamini ezibhalwe ngesikhathi sobandlululo. ” 2015. Thesis, University of KwaZulu-Natal. Accessed June 05, 2020. http://hdl.handle.net/10413/13379.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Ukukhononda ezinkondlweni zika- JC Dlamini ezibhalwe ngesikhathi sobandlululo. ” 2015. Web. 05 Jun 2020.

Vancouver:

author] [. Ukukhononda ezinkondlweni zika- JC Dlamini ezibhalwe ngesikhathi sobandlululo. [Internet] [Thesis]. University of KwaZulu-Natal; 2015. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10413/13379.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Ukukhononda ezinkondlweni zika- JC Dlamini ezibhalwe ngesikhathi sobandlululo. [Thesis]. University of KwaZulu-Natal; 2015. Available from: http://hdl.handle.net/10413/13379

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

5. Mona, Godfrey Vulindlela. A century of IsiXhosa written poetry and the ideological contest in South Africa.

Degree: Faculty of Humanities, School of Languages, 2015, Rhodes University

 The central argument of this inter-disciplinary study is that IsiXhosa written poetry of 1912 – 2012 is a terrain of the struggle between the contending… (more)

Subjects/Keywords: Xhosa poetry  – History and criticism; Protest poetry, Xhosa; Ideology and literature

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APA (6th Edition):

Mona, G. V. (2015). A century of IsiXhosa written poetry and the ideological contest in South Africa. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1017892

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mona, Godfrey Vulindlela. “A century of IsiXhosa written poetry and the ideological contest in South Africa.” 2015. Thesis, Rhodes University. Accessed June 05, 2020. http://hdl.handle.net/10962/d1017892.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mona, Godfrey Vulindlela. “A century of IsiXhosa written poetry and the ideological contest in South Africa.” 2015. Web. 05 Jun 2020.

Vancouver:

Mona GV. A century of IsiXhosa written poetry and the ideological contest in South Africa. [Internet] [Thesis]. Rhodes University; 2015. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10962/d1017892.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mona GV. A century of IsiXhosa written poetry and the ideological contest in South Africa. [Thesis]. Rhodes University; 2015. Available from: http://hdl.handle.net/10962/d1017892

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

6. Selepe, Thapelo Joshua. Contemporary black protest literature in South Africa : a materialistic analysis .

Degree: 1993, University of South Africa

 The genesis and development of modern African literature in indigenous languages in South Africa cannot be satisfactorily handled without linking them to the historical, social… (more)

Subjects/Keywords: Black protest literature; Ideology; Literary criticism

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APA (6th Edition):

Selepe, T. J. (1993). Contemporary black protest literature in South Africa : a materialistic analysis . (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/3328

Chicago Manual of Style (16th Edition):

Selepe, Thapelo Joshua. “Contemporary black protest literature in South Africa : a materialistic analysis .” 1993. Doctoral Dissertation, University of South Africa. Accessed June 05, 2020. http://hdl.handle.net/10500/3328.

MLA Handbook (7th Edition):

Selepe, Thapelo Joshua. “Contemporary black protest literature in South Africa : a materialistic analysis .” 1993. Web. 05 Jun 2020.

Vancouver:

Selepe TJ. Contemporary black protest literature in South Africa : a materialistic analysis . [Internet] [Doctoral dissertation]. University of South Africa; 1993. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10500/3328.

Council of Science Editors:

Selepe TJ. Contemporary black protest literature in South Africa : a materialistic analysis . [Doctoral Dissertation]. University of South Africa; 1993. Available from: http://hdl.handle.net/10500/3328


Rhodes University

7. Drewett, Michael. An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s.

Degree: Faculty of Humanities, Sociology and Industrial Sociology, 2004, Rhodes University

 The censorship of popular music in South Africa during the 1980s severely affected South African musicians. The apartheid government was directly involved in centralized state… (more)

Subjects/Keywords: Censorship  – South Africa; Popular music  – Censorship  – South Africa; Popular music  – Censorship  – South Africa  – History; Popular music  – Social aspects  – South Africa; Popular music  – Political aspects  – South Africa; Popular music  – South Africa  – History and criticism; Protest songs  – South Africa  – History and criticism

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APA (6th Edition):

Drewett, M. (2004). An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1007098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drewett, Michael. “An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s.” 2004. Thesis, Rhodes University. Accessed June 05, 2020. http://hdl.handle.net/10962/d1007098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drewett, Michael. “An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s.” 2004. Web. 05 Jun 2020.

Vancouver:

Drewett M. An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s. [Internet] [Thesis]. Rhodes University; 2004. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10962/d1007098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drewett M. An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s. [Thesis]. Rhodes University; 2004. Available from: http://hdl.handle.net/10962/d1007098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Johannesburg

8. Kgalane, Gloria Vangile. Black South African women's poetry (1970-1991) : a critical survey.

Degree: 2012, University of Johannesburg

M.A.

This dissertation investigates the work of black women poets in South Africa during the period 1970 - 1991, within the context of race and… (more)

Subjects/Keywords: Thomas, Gladys - Criticism and interpretation; Davids, Jennifer - Criticism and interpretation; South African poetry (English) - Black women authors - History and criticism; Protest poetry, South African (English)

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APA (6th Edition):

Kgalane, G. V. (2012). Black South African women's poetry (1970-1991) : a critical survey. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/6649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kgalane, Gloria Vangile. “Black South African women's poetry (1970-1991) : a critical survey.” 2012. Thesis, University of Johannesburg. Accessed June 05, 2020. http://hdl.handle.net/10210/6649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kgalane, Gloria Vangile. “Black South African women's poetry (1970-1991) : a critical survey.” 2012. Web. 05 Jun 2020.

Vancouver:

Kgalane GV. Black South African women's poetry (1970-1991) : a critical survey. [Internet] [Thesis]. University of Johannesburg; 2012. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10210/6649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kgalane GV. Black South African women's poetry (1970-1991) : a critical survey. [Thesis]. University of Johannesburg; 2012. Available from: http://hdl.handle.net/10210/6649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Singleton, Natalee Denise. Perceptions of rural America : a rhetorical analysis of protest elements in popular country music.

Degree: MA, 2012, University of Alabama – Birmingham

As rural America evolves from its agrarian roots, an onslaught of economic, geographic, and sociopolitical changes affect cultural tensions. During every significant cultural shift in… (more)

Subjects/Keywords: Country music – Political aspects<; br>; Country music – Social aspects<; br>; Protest songs – History and criticism<; br>; Country life – United States<; br>; Music and rhetoric

…scholars agree this is often a goal or by-product of protest music and if these songs fit the… …still hold true today. The songs that I chose for this study were ones that I understood as… …sustention. These songs are predominantly written and sung by artists who do hail from rural areas… …sustention. And as my research will show, rural Americans have cause for protest or propaganda… …place for messages of protest and propaganda. Stunning visual effects in a movie may peak the… 

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APA (6th Edition):

Singleton, N. D. (2012). Perceptions of rural America : a rhetorical analysis of protest elements in popular country music. (Masters Thesis). University of Alabama – Birmingham. Retrieved from http://contentdm.mhsl.uab.edu/u?/etd,1318

Chicago Manual of Style (16th Edition):

Singleton, Natalee Denise. “Perceptions of rural America : a rhetorical analysis of protest elements in popular country music.” 2012. Masters Thesis, University of Alabama – Birmingham. Accessed June 05, 2020. http://contentdm.mhsl.uab.edu/u?/etd,1318.

MLA Handbook (7th Edition):

Singleton, Natalee Denise. “Perceptions of rural America : a rhetorical analysis of protest elements in popular country music.” 2012. Web. 05 Jun 2020.

Vancouver:

Singleton ND. Perceptions of rural America : a rhetorical analysis of protest elements in popular country music. [Internet] [Masters thesis]. University of Alabama – Birmingham; 2012. [cited 2020 Jun 05]. Available from: http://contentdm.mhsl.uab.edu/u?/etd,1318.

Council of Science Editors:

Singleton ND. Perceptions of rural America : a rhetorical analysis of protest elements in popular country music. [Masters Thesis]. University of Alabama – Birmingham; 2012. Available from: http://contentdm.mhsl.uab.edu/u?/etd,1318


Ohio University

10. Wei, Lising L. Protest Art and Urban Renewal in Taiwan: Convivial Combats from 2010-2013.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2014, Ohio University

 This dissertation examines the relationship between art and urban renewal through case studies in Taipei, Taiwan, from 2010-2013. The common use of art by artists,… (more)

Subjects/Keywords: Art History; Art Criticism; Asian Studies; Sociology; Urban Planning; Protest Art; Art and Activism; Participatory Art; Public Art; Social Practice; Urban Renewal; Housing Rights; Taiwan; Taipei; Neoliberal City; Neoliberalism; Civic Participation; Performance Art; Graffiti; Flash Mob; Cooking as Protest; Collaboration

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APA (6th Edition):

Wei, L. L. (2014). Protest Art and Urban Renewal in Taiwan: Convivial Combats from 2010-2013. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417722721

Chicago Manual of Style (16th Edition):

Wei, Lising L. “Protest Art and Urban Renewal in Taiwan: Convivial Combats from 2010-2013.” 2014. Doctoral Dissertation, Ohio University. Accessed June 05, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417722721.

MLA Handbook (7th Edition):

Wei, Lising L. “Protest Art and Urban Renewal in Taiwan: Convivial Combats from 2010-2013.” 2014. Web. 05 Jun 2020.

Vancouver:

Wei LL. Protest Art and Urban Renewal in Taiwan: Convivial Combats from 2010-2013. [Internet] [Doctoral dissertation]. Ohio University; 2014. [cited 2020 Jun 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417722721.

Council of Science Editors:

Wei LL. Protest Art and Urban Renewal in Taiwan: Convivial Combats from 2010-2013. [Doctoral Dissertation]. Ohio University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417722721


Penn State University

11. Lunceford, Brett Lance. Democracy and the Hacker Movement: Information Technologies and Political Action.

Degree: PhD, Communication Arts and Sciences, 2006, Penn State University

 In order to understand how technology may influence democratic practice, it is necessary to understand the values of those who are creating and shaping technology… (more)

Subjects/Keywords: information society studies; social movements; computer hackers; rhetorical criticism; democratic practice; protest action

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APA (6th Edition):

Lunceford, B. L. (2006). Democracy and the Hacker Movement: Information Technologies and Political Action. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/7253

Chicago Manual of Style (16th Edition):

Lunceford, Brett Lance. “Democracy and the Hacker Movement: Information Technologies and Political Action.” 2006. Doctoral Dissertation, Penn State University. Accessed June 05, 2020. https://etda.libraries.psu.edu/catalog/7253.

MLA Handbook (7th Edition):

Lunceford, Brett Lance. “Democracy and the Hacker Movement: Information Technologies and Political Action.” 2006. Web. 05 Jun 2020.

Vancouver:

Lunceford BL. Democracy and the Hacker Movement: Information Technologies and Political Action. [Internet] [Doctoral dissertation]. Penn State University; 2006. [cited 2020 Jun 05]. Available from: https://etda.libraries.psu.edu/catalog/7253.

Council of Science Editors:

Lunceford BL. Democracy and the Hacker Movement: Information Technologies and Political Action. [Doctoral Dissertation]. Penn State University; 2006. Available from: https://etda.libraries.psu.edu/catalog/7253


University of Minnesota

12. Kelly, Casey Ryan. The rhetoric of Red Power and the American Indian occupation of Alcatraz Island (1969-1971).

Degree: PhD, Communication Studies, 2009, University of Minnesota

 Beginning with Congressional efforts to terminate the sovereignty of federally-recognized tribes in 1953, the federal government's final efforts to assimilate American Indians parodoxically created the… (more)

Subjects/Keywords: Alcatraz Island; Occupation; Red Power; Rhetorical Criticism; Social Protest; Communication Studies

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APA (6th Edition):

Kelly, C. R. (2009). The rhetoric of Red Power and the American Indian occupation of Alcatraz Island (1969-1971). (Doctoral Dissertation). University of Minnesota. Retrieved from http://purl.umn.edu/54605

Chicago Manual of Style (16th Edition):

Kelly, Casey Ryan. “The rhetoric of Red Power and the American Indian occupation of Alcatraz Island (1969-1971).” 2009. Doctoral Dissertation, University of Minnesota. Accessed June 05, 2020. http://purl.umn.edu/54605.

MLA Handbook (7th Edition):

Kelly, Casey Ryan. “The rhetoric of Red Power and the American Indian occupation of Alcatraz Island (1969-1971).” 2009. Web. 05 Jun 2020.

Vancouver:

Kelly CR. The rhetoric of Red Power and the American Indian occupation of Alcatraz Island (1969-1971). [Internet] [Doctoral dissertation]. University of Minnesota; 2009. [cited 2020 Jun 05]. Available from: http://purl.umn.edu/54605.

Council of Science Editors:

Kelly CR. The rhetoric of Red Power and the American Indian occupation of Alcatraz Island (1969-1971). [Doctoral Dissertation]. University of Minnesota; 2009. Available from: http://purl.umn.edu/54605

13. Bazdyrieva, Asia. Public Art Between Authoritarianism and Democracy (The Case of the Maidan Protest in Ukraine).

Degree: MA, Art, 2017, City University of New York

  This thesis explores the spatial organization and public art of Kyiv’s Independence Square to address broader social and political realities after the Maidan protests… (more)

Subjects/Keywords: Ukraine; Maidan; public space; Soviet monuments; propaganda; protest; Contemporary Art; Modern Art and Architecture; Other History of Art, Architecture, and Archaeology; Theory and Criticism

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APA (6th Edition):

Bazdyrieva, A. (2017). Public Art Between Authoritarianism and Democracy (The Case of the Maidan Protest in Ukraine). (Masters Thesis). City University of New York. Retrieved from https://academicworks.cuny.edu/cc_etds_theses/668

Chicago Manual of Style (16th Edition):

Bazdyrieva, Asia. “Public Art Between Authoritarianism and Democracy (The Case of the Maidan Protest in Ukraine).” 2017. Masters Thesis, City University of New York. Accessed June 05, 2020. https://academicworks.cuny.edu/cc_etds_theses/668.

MLA Handbook (7th Edition):

Bazdyrieva, Asia. “Public Art Between Authoritarianism and Democracy (The Case of the Maidan Protest in Ukraine).” 2017. Web. 05 Jun 2020.

Vancouver:

Bazdyrieva A. Public Art Between Authoritarianism and Democracy (The Case of the Maidan Protest in Ukraine). [Internet] [Masters thesis]. City University of New York; 2017. [cited 2020 Jun 05]. Available from: https://academicworks.cuny.edu/cc_etds_theses/668.

Council of Science Editors:

Bazdyrieva A. Public Art Between Authoritarianism and Democracy (The Case of the Maidan Protest in Ukraine). [Masters Thesis]. City University of New York; 2017. Available from: https://academicworks.cuny.edu/cc_etds_theses/668


Rhodes University

14. Verschoor, Edith N E. The voice of protest in English poetry : with special reference to poets of the first three decades of the twentieth century.

Degree: Faculty of Humanities, English, 1973, Rhodes University

 Poetry, like every other form of art, reflects the values of the artist himself as well as the values of the age in which he… (more)

Subjects/Keywords: Protest poetry, English  – History and criticism; English poetry  – History and criticism; English poetry  – 20th century  – History and criticism

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APA (6th Edition):

Verschoor, E. N. E. (1973). The voice of protest in English poetry : with special reference to poets of the first three decades of the twentieth century. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1007270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Verschoor, Edith N E. “The voice of protest in English poetry : with special reference to poets of the first three decades of the twentieth century.” 1973. Thesis, Rhodes University. Accessed June 05, 2020. http://hdl.handle.net/10962/d1007270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Verschoor, Edith N E. “The voice of protest in English poetry : with special reference to poets of the first three decades of the twentieth century.” 1973. Web. 05 Jun 2020.

Vancouver:

Verschoor ENE. The voice of protest in English poetry : with special reference to poets of the first three decades of the twentieth century. [Internet] [Thesis]. Rhodes University; 1973. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10962/d1007270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Verschoor ENE. The voice of protest in English poetry : with special reference to poets of the first three decades of the twentieth century. [Thesis]. Rhodes University; 1973. Available from: http://hdl.handle.net/10962/d1007270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

15. Mona, Godfrey Vulindlela. Ideology, hegemony, and Xhosa written poetry, 1948-1990.

Degree: Faculty of Humanities, School of Languages, 1994, Rhodes University

 This interdisciplinary study locates Xhosa written poetry (1948-1990) within the framework of the socio-politico-economic scenario in South Africa. It sets out to examine the impact… (more)

Subjects/Keywords: Xhosa poetry  – History and criticism; Protest poetry, Xhosa  – History and criticism; Ideology and literature

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APA (6th Edition):

Mona, G. V. (1994). Ideology, hegemony, and Xhosa written poetry, 1948-1990. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mona, Godfrey Vulindlela. “Ideology, hegemony, and Xhosa written poetry, 1948-1990.” 1994. Thesis, Rhodes University. Accessed June 05, 2020. http://hdl.handle.net/10962/d1002172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mona, Godfrey Vulindlela. “Ideology, hegemony, and Xhosa written poetry, 1948-1990.” 1994. Web. 05 Jun 2020.

Vancouver:

Mona GV. Ideology, hegemony, and Xhosa written poetry, 1948-1990. [Internet] [Thesis]. Rhodes University; 1994. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10962/d1002172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mona GV. Ideology, hegemony, and Xhosa written poetry, 1948-1990. [Thesis]. Rhodes University; 1994. Available from: http://hdl.handle.net/10962/d1002172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

16. Cornwell, Gareth. Protest in fiction : an approach to Alex la Guma.

Degree: Faculty of Humanities, English, 1979, Rhodes University

 From Introduction: Thus for the black South African, the act of creative writing is inescapably a form of political action, and unless he turns his… (more)

Subjects/Keywords: La Guma, Alex; South African literature (English)  – Black authors  – History and criticism; Protest literature, South African (English)  – History and criticism

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APA (6th Edition):

Cornwell, G. (1979). Protest in fiction : an approach to Alex la Guma. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1001820

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cornwell, Gareth. “Protest in fiction : an approach to Alex la Guma.” 1979. Thesis, Rhodes University. Accessed June 05, 2020. http://hdl.handle.net/10962/d1001820.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cornwell, Gareth. “Protest in fiction : an approach to Alex la Guma.” 1979. Web. 05 Jun 2020.

Vancouver:

Cornwell G. Protest in fiction : an approach to Alex la Guma. [Internet] [Thesis]. Rhodes University; 1979. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10962/d1001820.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cornwell G. Protest in fiction : an approach to Alex la Guma. [Thesis]. Rhodes University; 1979. Available from: http://hdl.handle.net/10962/d1001820

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

17. Kenqu, Amanda Yolisa. The black and its double : the crisis of self-representation in protest and ‘post’-protest black South African fiction.

Degree: MA, Faculty of Humanities, English, 2015, Rhodes University

 This study explores the crisis of representation in black South African protest and ‘post’-apartheid literature. Conversant with the debates on the crisis of representation in… (more)

Subjects/Keywords: Serote, Mongane Wally, 1944- Criticism and interpretation; Duiker, K. Sello  – Criticism and interpretation; Matlwa, Kopano  – Criticism and interpretation; Blacks in literature; Race in literature; Protest literature, African (English); Mimesis in literature; Blacks  – Race identity  – South Africa; Serote, Mongane Wally,  – 1944- To every birth Its blood; Duiker, K. Sello  – Thirteen cents; Matlwa, Kopano  – Coconut

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APA (6th Edition):

Kenqu, A. Y. (2015). The black and its double : the crisis of self-representation in protest and ‘post’-protest black South African fiction. (Masters Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1020835

Chicago Manual of Style (16th Edition):

Kenqu, Amanda Yolisa. “The black and its double : the crisis of self-representation in protest and ‘post’-protest black South African fiction.” 2015. Masters Thesis, Rhodes University. Accessed June 05, 2020. http://hdl.handle.net/10962/d1020835.

MLA Handbook (7th Edition):

Kenqu, Amanda Yolisa. “The black and its double : the crisis of self-representation in protest and ‘post’-protest black South African fiction.” 2015. Web. 05 Jun 2020.

Vancouver:

Kenqu AY. The black and its double : the crisis of self-representation in protest and ‘post’-protest black South African fiction. [Internet] [Masters thesis]. Rhodes University; 2015. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10962/d1020835.

Council of Science Editors:

Kenqu AY. The black and its double : the crisis of self-representation in protest and ‘post’-protest black South African fiction. [Masters Thesis]. Rhodes University; 2015. Available from: http://hdl.handle.net/10962/d1020835


East Carolina University

18. James, Joshua Nicholas. Cotton, Rum, and Reason : Anti-Imperialist Poetry from 19th Century U.S. Newspapers and Post-Colonial Discourse.

Degree: 2013, East Carolina University

 Though American post-colonial criticism is by no means a field in need of literary material, one particular corpus is missing from the discussion. This thesis… (more)

Subjects/Keywords: Literature; Hawaii; Imperialism; Mexico; Philippines; Poetry; Postcolonial; Criticism – United States – 19th century; American poetry – 19th century; Discourse analysis, Literary – United States; Protest poetry, American – 19th century; Political poetry, American – 19th century; Patriotic poetry, American – 19th century; Postcolonialism in literature; Imperialism in literature

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APA (6th Edition):

James, J. N. (2013). Cotton, Rum, and Reason : Anti-Imperialist Poetry from 19th Century U.S. Newspapers and Post-Colonial Discourse. (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/4293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

James, Joshua Nicholas. “Cotton, Rum, and Reason : Anti-Imperialist Poetry from 19th Century U.S. Newspapers and Post-Colonial Discourse.” 2013. Thesis, East Carolina University. Accessed June 05, 2020. http://hdl.handle.net/10342/4293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

James, Joshua Nicholas. “Cotton, Rum, and Reason : Anti-Imperialist Poetry from 19th Century U.S. Newspapers and Post-Colonial Discourse.” 2013. Web. 05 Jun 2020.

Vancouver:

James JN. Cotton, Rum, and Reason : Anti-Imperialist Poetry from 19th Century U.S. Newspapers and Post-Colonial Discourse. [Internet] [Thesis]. East Carolina University; 2013. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10342/4293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

James JN. Cotton, Rum, and Reason : Anti-Imperialist Poetry from 19th Century U.S. Newspapers and Post-Colonial Discourse. [Thesis]. East Carolina University; 2013. Available from: http://hdl.handle.net/10342/4293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Hoyt, Kate Drazner. Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics.

Degree: PhD, Human Communications, 2017, U of Denver

  The complexities of post-modernity tend to dissolve any facile model of direct cause-and-effect in politics, and yet as a democratic polity, we look for… (more)

Subjects/Keywords: Aesthetics; Affect; Digital media; Media criticism; Media studies; Protest art; Communication

protest art from the what. To apply this not only to the art of rhetorical criticism, but to an… …affective rhetorical criticism of digital protest art in particular, I look to the theories of… …AESTHETIC PROTEST IN THE ERA OF EVERYDAY (MICRO)FASCISM… …digital protest art—which I define as acts of creative expression intended to resist dominant… …term “protest” within this 3 context. Specifically, it is important to distinguish the… 

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APA (6th Edition):

Hoyt, K. D. (2017). Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics. (Doctoral Dissertation). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/1319

Chicago Manual of Style (16th Edition):

Hoyt, Kate Drazner. “Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics.” 2017. Doctoral Dissertation, U of Denver. Accessed June 05, 2020. https://digitalcommons.du.edu/etd/1319.

MLA Handbook (7th Edition):

Hoyt, Kate Drazner. “Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics.” 2017. Web. 05 Jun 2020.

Vancouver:

Hoyt KD. Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics. [Internet] [Doctoral dissertation]. U of Denver; 2017. [cited 2020 Jun 05]. Available from: https://digitalcommons.du.edu/etd/1319.

Council of Science Editors:

Hoyt KD. Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics. [Doctoral Dissertation]. U of Denver; 2017. Available from: https://digitalcommons.du.edu/etd/1319

20. Seifert, Melissa DeAnn. Sedimenting Solidarity: Signs from the Madison Protest.

Degree: MA, Art History, 2013, University of Wisconsin – Milwaukee

  The 2011 Wisconsin protest inspired the wide ranging production of handmade and commercially-produced signage. Five hundred signs were collected and preserved by the Wisconsin… (more)

Subjects/Keywords: Activist Art; Contemporary Art; Handmade; Protest Signs; Sedimentation; Social Movement Aesthetics; History of Art, Architecture, and Archaeology; Theory and Criticism; United States History

…Unknown, Please Remember This Is a Peaceful Protest, 2011. Wisconsin Historical Society… …Specifically, handmade signs from political protest movements offer a visual vocabulary which can be… …explicitly reads protest signs from the 2011political demonstrations in Madison, Wisconsin as… …tactics of placemaking. The Madison protest exemplified the ability of resistant communities to… …protest) have revealed popular discontent with contemporary politics and authoritative… 

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APA (6th Edition):

Seifert, M. D. (2013). Sedimenting Solidarity: Signs from the Madison Protest. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seifert, Melissa DeAnn. “Sedimenting Solidarity: Signs from the Madison Protest.” 2013. Thesis, University of Wisconsin – Milwaukee. Accessed June 05, 2020. https://dc.uwm.edu/etd/159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seifert, Melissa DeAnn. “Sedimenting Solidarity: Signs from the Madison Protest.” 2013. Web. 05 Jun 2020.

Vancouver:

Seifert MD. Sedimenting Solidarity: Signs from the Madison Protest. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2013. [cited 2020 Jun 05]. Available from: https://dc.uwm.edu/etd/159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seifert MD. Sedimenting Solidarity: Signs from the Madison Protest. [Thesis]. University of Wisconsin – Milwaukee; 2013. Available from: https://dc.uwm.edu/etd/159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

21. [No author]. Self, life and writing in selected South African autobiographical texts.

Degree: English, 1994, University of KwaZulu-Natal

 Autobiographical writing acquired increasing importance during the apartheid period, with greater numbers of autobiographical texts being published by a more representative range of South Africans… (more)

Subjects/Keywords: Campbell, Roy, 1901-1957. Light on A Dark Horse.; Breytenbach, Breyten. True Confessions Of An Albino Terrorist.; Gordon, Lyndall. Shared Lives.; Kuzwayo, Ellen. Call Me Woman.; Autobiography.; English.; Working-class writings, South African (English) – History and criticism.; Protest literature, South African (English) – History and criticism.; Biography as a literary form.; Luthuli, A. J., 1898-1967. Let my People Go.; Moloi, Godfrey. My Life.

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APA (6th Edition):

author], [. (1994). Self, life and writing in selected South African autobiographical texts. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/8638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Self, life and writing in selected South African autobiographical texts. ” 1994. Thesis, University of KwaZulu-Natal. Accessed June 05, 2020. http://hdl.handle.net/10413/8638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Self, life and writing in selected South African autobiographical texts. ” 1994. Web. 05 Jun 2020.

Vancouver:

author] [. Self, life and writing in selected South African autobiographical texts. [Internet] [Thesis]. University of KwaZulu-Natal; 1994. [cited 2020 Jun 05]. Available from: http://hdl.handle.net/10413/8638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Self, life and writing in selected South African autobiographical texts. [Thesis]. University of KwaZulu-Natal; 1994. Available from: http://hdl.handle.net/10413/8638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.