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You searched for subject:(Iconography). Showing records 1 – 30 of 474 total matches.

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Texas A&M University

1. Mattson, Rebecca Elizabeth. Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa.

Degree: MS, Maritime Archaeology and Conservation, 2018, Texas A&M University

 There may have been upwards of 100 lighthouses in the Mediterranean, along the northern Atlantic coast, and in England during the Roman Imperial period. Lighthouses… (more)

Subjects/Keywords: lighthouses; archaeology; iconography

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APA (6th Edition):

Mattson, R. E. (2018). Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/174382

Chicago Manual of Style (16th Edition):

Mattson, Rebecca Elizabeth. “Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa.” 2018. Masters Thesis, Texas A&M University. Accessed September 17, 2019. http://hdl.handle.net/1969.1/174382.

MLA Handbook (7th Edition):

Mattson, Rebecca Elizabeth. “Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa.” 2018. Web. 17 Sep 2019.

Vancouver:

Mattson RE. Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa. [Internet] [Masters thesis]. Texas A&M University; 2018. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1969.1/174382.

Council of Science Editors:

Mattson RE. Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa. [Masters Thesis]. Texas A&M University; 2018. Available from: http://hdl.handle.net/1969.1/174382


California State University – Sacramento

2. Kelly, Corrine. Icons and symbols.

Degree: MA, Education (Curriculum and Instruction, 2014, California State University – Sacramento

 Through the study of such historically significant artists as Fridha Kahlo, Salvador Dahli, and Marc Chagal and the understood symbols and icons, I taught students… (more)

Subjects/Keywords: Iconography; Symbology; Student art

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APA (6th Edition):

Kelly, C. (2014). Icons and symbols. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.9/2404

Chicago Manual of Style (16th Edition):

Kelly, Corrine. “Icons and symbols.” 2014. Masters Thesis, California State University – Sacramento. Accessed September 17, 2019. http://hdl.handle.net/10211.9/2404.

MLA Handbook (7th Edition):

Kelly, Corrine. “Icons and symbols.” 2014. Web. 17 Sep 2019.

Vancouver:

Kelly C. Icons and symbols. [Internet] [Masters thesis]. California State University – Sacramento; 2014. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10211.9/2404.

Council of Science Editors:

Kelly C. Icons and symbols. [Masters Thesis]. California State University – Sacramento; 2014. Available from: http://hdl.handle.net/10211.9/2404


University of Illinois – Chicago

3. Warchall, Jessica L. Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours.

Degree: 2012, University of Illinois – Chicago

 This thesis examines the relationship between the central, religious images and the marginal, secularized images contained in fifteenth century books of hours from Northern France.… (more)

Subjects/Keywords: iconography; book of hours; Rouen

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APA (6th Edition):

Warchall, J. L. (2012). Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/9269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warchall, Jessica L. “Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours.” 2012. Thesis, University of Illinois – Chicago. Accessed September 17, 2019. http://hdl.handle.net/10027/9269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warchall, Jessica L. “Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours.” 2012. Web. 17 Sep 2019.

Vancouver:

Warchall JL. Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours. [Internet] [Thesis]. University of Illinois – Chicago; 2012. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10027/9269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warchall JL. Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours. [Thesis]. University of Illinois – Chicago; 2012. Available from: http://hdl.handle.net/10027/9269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat de Valencia

4. Connett, Christina Findlay. Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas .

Degree: 2014, Universitat de Valencia

 Argumentamos que Herrera intenta legitimizar el control español del Imperio al imponer una universalidad euro-céntrica católica a dicho imperio a través de su aplicación de… (more)

Subjects/Keywords: Empire; Cartography; Historiography; Iconography; Image

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APA (6th Edition):

Connett, C. F. (2014). Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas . (Doctoral Dissertation). Universitat de Valencia. Retrieved from http://hdl.handle.net/10550/40022

Chicago Manual of Style (16th Edition):

Connett, Christina Findlay. “Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas .” 2014. Doctoral Dissertation, Universitat de Valencia. Accessed September 17, 2019. http://hdl.handle.net/10550/40022.

MLA Handbook (7th Edition):

Connett, Christina Findlay. “Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas .” 2014. Web. 17 Sep 2019.

Vancouver:

Connett CF. Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas . [Internet] [Doctoral dissertation]. Universitat de Valencia; 2014. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10550/40022.

Council of Science Editors:

Connett CF. Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas . [Doctoral Dissertation]. Universitat de Valencia; 2014. Available from: http://hdl.handle.net/10550/40022

5. Westmoreland, Maureen Lilian. Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art.

Degree: PhD, 1995, Open University

 Jocus is a virtually forgotten and unrecognised figure in Renaissance iconography today; yet this personification has a substantial history in both art and literature. This… (more)

Subjects/Keywords: 900; Iconography

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APA (6th Edition):

Westmoreland, M. L. (1995). Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art. (Doctoral Dissertation). Open University. Retrieved from http://oro.open.ac.uk/54161/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294557

Chicago Manual of Style (16th Edition):

Westmoreland, Maureen Lilian. “Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art.” 1995. Doctoral Dissertation, Open University. Accessed September 17, 2019. http://oro.open.ac.uk/54161/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294557.

MLA Handbook (7th Edition):

Westmoreland, Maureen Lilian. “Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art.” 1995. Web. 17 Sep 2019.

Vancouver:

Westmoreland ML. Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art. [Internet] [Doctoral dissertation]. Open University; 1995. [cited 2019 Sep 17]. Available from: http://oro.open.ac.uk/54161/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294557.

Council of Science Editors:

Westmoreland ML. Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art. [Doctoral Dissertation]. Open University; 1995. Available from: http://oro.open.ac.uk/54161/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294557


University of Exeter

6. Erickson, Kyle Glenn. The early Seleucids, their gods and their coins.

Degree: PhD, 2009, University of Exeter

 This thesis argues that the iconography on Seleucid coins was created in order to appeal to the various ethnic groups within the empire and thereby… (more)

Subjects/Keywords: 930; Hellenistic History : Greek History : Numismatics : Iconography

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APA (6th Edition):

Erickson, K. G. (2009). The early Seleucids, their gods and their coins. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10036/95348

Chicago Manual of Style (16th Edition):

Erickson, Kyle Glenn. “The early Seleucids, their gods and their coins.” 2009. Doctoral Dissertation, University of Exeter. Accessed September 17, 2019. http://hdl.handle.net/10036/95348.

MLA Handbook (7th Edition):

Erickson, Kyle Glenn. “The early Seleucids, their gods and their coins.” 2009. Web. 17 Sep 2019.

Vancouver:

Erickson KG. The early Seleucids, their gods and their coins. [Internet] [Doctoral dissertation]. University of Exeter; 2009. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10036/95348.

Council of Science Editors:

Erickson KG. The early Seleucids, their gods and their coins. [Doctoral Dissertation]. University of Exeter; 2009. Available from: http://hdl.handle.net/10036/95348


Leiden University

7. Limpt, Natascha van. The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles.

Degree: 2015, Leiden University

 This thesis aims to fill the gap in research on the role of plants in Pre-Columbian societies in the Andes. In this thesis, the role… (more)

Subjects/Keywords: Moche; Iconography; Plants; Roll out drawings

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APA (6th Edition):

Limpt, N. v. (2015). The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/35577

Chicago Manual of Style (16th Edition):

Limpt, Natascha van. “The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles.” 2015. Masters Thesis, Leiden University. Accessed September 17, 2019. http://hdl.handle.net/1887/35577.

MLA Handbook (7th Edition):

Limpt, Natascha van. “The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles.” 2015. Web. 17 Sep 2019.

Vancouver:

Limpt Nv. The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1887/35577.

Council of Science Editors:

Limpt Nv. The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/35577


Leiden University

8. Houben, Kim. 'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud.

Degree: 2015, Leiden University

 In modern research of the Central Mexican manuscripts, the Codex Laud has always remained in a position of obscurity. Barely a handful of comprehensive studies… (more)

Subjects/Keywords: archaeology; Mexico; manuscript; Codex Laud; iconography

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APA (6th Edition):

Houben, K. (2015). 'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/35510

Chicago Manual of Style (16th Edition):

Houben, Kim. “'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud.” 2015. Masters Thesis, Leiden University. Accessed September 17, 2019. http://hdl.handle.net/1887/35510.

MLA Handbook (7th Edition):

Houben, Kim. “'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud.” 2015. Web. 17 Sep 2019.

Vancouver:

Houben K. 'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1887/35510.

Council of Science Editors:

Houben K. 'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/35510


University of Manchester

9. Karachaliou, Ermioni. The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches.

Degree: PhD, 2012, University of Manchester

 How can we approach the surviving evidence on Paliochora in order for it to become a site of cultural consciousness in a wider medieval context?… (more)

Subjects/Keywords: 726.6; architecture; iconography; late Byzantine; churches

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APA (6th Edition):

Karachaliou, E. (2012). The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564318

Chicago Manual of Style (16th Edition):

Karachaliou, Ermioni. “The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches.” 2012. Doctoral Dissertation, University of Manchester. Accessed September 17, 2019. https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564318.

MLA Handbook (7th Edition):

Karachaliou, Ermioni. “The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches.” 2012. Web. 17 Sep 2019.

Vancouver:

Karachaliou E. The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches. [Internet] [Doctoral dissertation]. University of Manchester; 2012. [cited 2019 Sep 17]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564318.

Council of Science Editors:

Karachaliou E. The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches. [Doctoral Dissertation]. University of Manchester; 2012. Available from: https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564318


Université Paris-Sorbonne – Paris IV

10. Bettinelli, Michela. La lune en Étrurie : The Etruscan moon.

Degree: Docteur es, Histoire et civilisation de l'Antiquité, 2015, Université Paris-Sorbonne – Paris IV

Le thème que nous avons choisi pour notre travail de doctorat nous a amenée à mener une enquête minutieuse et détaillée dans une grande variété… (more)

Subjects/Keywords: Lune; Tiu; Iconographie; Moon; Tiu; Iconography

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APA (6th Edition):

Bettinelli, M. (2015). La lune en Étrurie : The Etruscan moon. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040014

Chicago Manual of Style (16th Edition):

Bettinelli, Michela. “La lune en Étrurie : The Etruscan moon.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed September 17, 2019. http://www.theses.fr/2015PA040014.

MLA Handbook (7th Edition):

Bettinelli, Michela. “La lune en Étrurie : The Etruscan moon.” 2015. Web. 17 Sep 2019.

Vancouver:

Bettinelli M. La lune en Étrurie : The Etruscan moon. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2019 Sep 17]. Available from: http://www.theses.fr/2015PA040014.

Council of Science Editors:

Bettinelli M. La lune en Étrurie : The Etruscan moon. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040014


McMaster University

11. Ako-Adounvo, Gifty. Studies in the Iconography of Blacks in Roman Art.

Degree: PhD, 1999, McMaster University

The post-Homeric literary sources of the Greek period mention Aioiorec. inhabitants of a distant land, whose physical appearance differs from the Mediterranean somatic norm, but… (more)

Subjects/Keywords: Roman Art; Iconography

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APA (6th Edition):

Ako-Adounvo, G. (1999). Studies in the Iconography of Blacks in Roman Art. (Doctoral Dissertation). McMaster University. Retrieved from http://hdl.handle.net/11375/15509

Chicago Manual of Style (16th Edition):

Ako-Adounvo, Gifty. “Studies in the Iconography of Blacks in Roman Art.” 1999. Doctoral Dissertation, McMaster University. Accessed September 17, 2019. http://hdl.handle.net/11375/15509.

MLA Handbook (7th Edition):

Ako-Adounvo, Gifty. “Studies in the Iconography of Blacks in Roman Art.” 1999. Web. 17 Sep 2019.

Vancouver:

Ako-Adounvo G. Studies in the Iconography of Blacks in Roman Art. [Internet] [Doctoral dissertation]. McMaster University; 1999. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/11375/15509.

Council of Science Editors:

Ako-Adounvo G. Studies in the Iconography of Blacks in Roman Art. [Doctoral Dissertation]. McMaster University; 1999. Available from: http://hdl.handle.net/11375/15509


University of California – Riverside

12. Katz, Jared. Gentle Flutes and Blaring Horns: An Analysis of Ancient Maya Music and Musical Instruments in Daily and Ceremonial Activities.

Degree: Anthropology, 2018, University of California – Riverside

 This dissertation examines how the consideration of music complicates our understanding of the experiences ancient Maya people would have encountered in their daily and ceremonial… (more)

Subjects/Keywords: Archaeology; Ancient Instruments; Archaeomusicology; Iconography; Maya; Mesoamerica

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APA (6th Edition):

Katz, J. (2018). Gentle Flutes and Blaring Horns: An Analysis of Ancient Maya Music and Musical Instruments in Daily and Ceremonial Activities. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/60b4z9qm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Katz, Jared. “Gentle Flutes and Blaring Horns: An Analysis of Ancient Maya Music and Musical Instruments in Daily and Ceremonial Activities.” 2018. Thesis, University of California – Riverside. Accessed September 17, 2019. http://www.escholarship.org/uc/item/60b4z9qm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Katz, Jared. “Gentle Flutes and Blaring Horns: An Analysis of Ancient Maya Music and Musical Instruments in Daily and Ceremonial Activities.” 2018. Web. 17 Sep 2019.

Vancouver:

Katz J. Gentle Flutes and Blaring Horns: An Analysis of Ancient Maya Music and Musical Instruments in Daily and Ceremonial Activities. [Internet] [Thesis]. University of California – Riverside; 2018. [cited 2019 Sep 17]. Available from: http://www.escholarship.org/uc/item/60b4z9qm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Katz J. Gentle Flutes and Blaring Horns: An Analysis of Ancient Maya Music and Musical Instruments in Daily and Ceremonial Activities. [Thesis]. University of California – Riverside; 2018. Available from: http://www.escholarship.org/uc/item/60b4z9qm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duquesne University

13. Yurochko, Brian David. Cultural and Intellectual Responses to the Black Death.

Degree: MA, History, 2009, Duquesne University

 From the fall of the Roman Empire to the "Age of Translations," Western Europe endeavored to rise above the so-called cultural and intellectual "Dark Ages."… (more)

Subjects/Keywords: Black Death; Iconography; Plague; Sebastian; University

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APA (6th Edition):

Yurochko, B. D. (2009). Cultural and Intellectual Responses to the Black Death. (Masters Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1396

Chicago Manual of Style (16th Edition):

Yurochko, Brian David. “Cultural and Intellectual Responses to the Black Death.” 2009. Masters Thesis, Duquesne University. Accessed September 17, 2019. https://dsc.duq.edu/etd/1396.

MLA Handbook (7th Edition):

Yurochko, Brian David. “Cultural and Intellectual Responses to the Black Death.” 2009. Web. 17 Sep 2019.

Vancouver:

Yurochko BD. Cultural and Intellectual Responses to the Black Death. [Internet] [Masters thesis]. Duquesne University; 2009. [cited 2019 Sep 17]. Available from: https://dsc.duq.edu/etd/1396.

Council of Science Editors:

Yurochko BD. Cultural and Intellectual Responses to the Black Death. [Masters Thesis]. Duquesne University; 2009. Available from: https://dsc.duq.edu/etd/1396


University of Newcastle

14. Le Goff, Raichel A. Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture.

Degree: PhD, 2012, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

The 'Imagines' of Philostratus the Elder and his grandson Philostratus the Younger, is the only book surviving from… (more)

Subjects/Keywords: Philostratus; Manutius; Renaissance; Ferrara; Imagines; Eikones; iconography

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APA (6th Edition):

Le Goff, R. A. (2012). Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/933486

Chicago Manual of Style (16th Edition):

Le Goff, Raichel A. “Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture.” 2012. Doctoral Dissertation, University of Newcastle. Accessed September 17, 2019. http://hdl.handle.net/1959.13/933486.

MLA Handbook (7th Edition):

Le Goff, Raichel A. “Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture.” 2012. Web. 17 Sep 2019.

Vancouver:

Le Goff RA. Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture. [Internet] [Doctoral dissertation]. University of Newcastle; 2012. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1959.13/933486.

Council of Science Editors:

Le Goff RA. Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture. [Doctoral Dissertation]. University of Newcastle; 2012. Available from: http://hdl.handle.net/1959.13/933486


University of New South Wales

15. Dyhin, Tanya Maria. Capturing the Sublime Light.

Degree: Art, 2017, University of New South Wales

 Capturing the Sublime Light documents a search for a means to explain and explore a personal, phenomenological experience of perceptible and nonperceptible light. It leans… (more)

Subjects/Keywords: Byzantine iconography; Sublime; Light; Gold; Phenomenon; Theology

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APA (6th Edition):

Dyhin, T. M. (2017). Capturing the Sublime Light. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/59575 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48970/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Dyhin, Tanya Maria. “Capturing the Sublime Light.” 2017. Masters Thesis, University of New South Wales. Accessed September 17, 2019. http://handle.unsw.edu.au/1959.4/59575 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48970/SOURCE02?view=true.

MLA Handbook (7th Edition):

Dyhin, Tanya Maria. “Capturing the Sublime Light.” 2017. Web. 17 Sep 2019.

Vancouver:

Dyhin TM. Capturing the Sublime Light. [Internet] [Masters thesis]. University of New South Wales; 2017. [cited 2019 Sep 17]. Available from: http://handle.unsw.edu.au/1959.4/59575 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48970/SOURCE02?view=true.

Council of Science Editors:

Dyhin TM. Capturing the Sublime Light. [Masters Thesis]. University of New South Wales; 2017. Available from: http://handle.unsw.edu.au/1959.4/59575 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48970/SOURCE02?view=true


Universiteit Utrecht

16. Eising, H. Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550).

Degree: 2011, Universiteit Utrecht

 This thesis discusses the functions and meaning of Old Testament figures and scenes embedded as lifeless objects and decorative elements in Netherlandish and German New… (more)

Subjects/Keywords: Old Testament; iconography; embedded iconography; early Netherlandish painting; early German painting; fifteenth century; sixteenth century; typology

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APA (6th Edition):

Eising, H. (2011). Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550). (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/208307

Chicago Manual of Style (16th Edition):

Eising, H. “Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550).” 2011. Masters Thesis, Universiteit Utrecht. Accessed September 17, 2019. http://dspace.library.uu.nl:8080/handle/1874/208307.

MLA Handbook (7th Edition):

Eising, H. “Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550).” 2011. Web. 17 Sep 2019.

Vancouver:

Eising H. Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550). [Internet] [Masters thesis]. Universiteit Utrecht; 2011. [cited 2019 Sep 17]. Available from: http://dspace.library.uu.nl:8080/handle/1874/208307.

Council of Science Editors:

Eising H. Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550). [Masters Thesis]. Universiteit Utrecht; 2011. Available from: http://dspace.library.uu.nl:8080/handle/1874/208307

17. Matthey, David. La klimax dans l’art antique : The klimax in ancient art.

Degree: Docteur es, Langues, histoire et civilisations des mondes anciens, 2009, Université Lumière – Lyon II

Ce travail trouve son origine dans l’étude d’une stèle funéraire exposée aujourd’hui au Musée archéologique d’Apollonia d’Illyrie, sous le numéro d’inventaire 5030. Le relief, exceptionnel… (more)

Subjects/Keywords: Iconographie grecque; Iconographie romaine; Enfers; Echelle; Escaliers; Passerelle; Niveaux cosmiques; Greek Iconography; Roman Iconography; Underworld; Ladder; Steps; Gangway; Cosmics levels

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APA (6th Edition):

Matthey, D. (2009). La klimax dans l’art antique : The klimax in ancient art. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2009LYO20036

Chicago Manual of Style (16th Edition):

Matthey, David. “La klimax dans l’art antique : The klimax in ancient art.” 2009. Doctoral Dissertation, Université Lumière – Lyon II. Accessed September 17, 2019. http://www.theses.fr/2009LYO20036.

MLA Handbook (7th Edition):

Matthey, David. “La klimax dans l’art antique : The klimax in ancient art.” 2009. Web. 17 Sep 2019.

Vancouver:

Matthey D. La klimax dans l’art antique : The klimax in ancient art. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2009. [cited 2019 Sep 17]. Available from: http://www.theses.fr/2009LYO20036.

Council of Science Editors:

Matthey D. La klimax dans l’art antique : The klimax in ancient art. [Doctoral Dissertation]. Université Lumière – Lyon II; 2009. Available from: http://www.theses.fr/2009LYO20036


University of Otago

18. Chapman, Ian Charles. “I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 .

Degree: 2012, University of Otago

 This research proposes a model for the visual analysis of the twelve-inch, 33rpm album cover, and uses the work of pre-eminent rock star David Bowie… (more)

Subjects/Keywords: David Bowie; Iconography; Visual analysis; Glam rock; album covers; album cover art; popular music; music and art; music iconography

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APA (6th Edition):

Chapman, I. C. (2012). “I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/2509

Chicago Manual of Style (16th Edition):

Chapman, Ian Charles. ““I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 .” 2012. Doctoral Dissertation, University of Otago. Accessed September 17, 2019. http://hdl.handle.net/10523/2509.

MLA Handbook (7th Edition):

Chapman, Ian Charles. ““I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 .” 2012. Web. 17 Sep 2019.

Vancouver:

Chapman IC. “I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 . [Internet] [Doctoral dissertation]. University of Otago; 2012. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10523/2509.

Council of Science Editors:

Chapman IC. “I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 . [Doctoral Dissertation]. University of Otago; 2012. Available from: http://hdl.handle.net/10523/2509


Brno University of Technology

19. Cáb, Martin. "Bez názvu" .

Degree: 2015, Brno University of Technology

 Ve své závěrečné bakalářské práci zpracovávám portrét Ježíše Krista. Vzhledem k historickému vývoji křesťanské ikonografie se jedná o abstraktní pojetí, ve kterém je Kristus znázorněn… (more)

Subjects/Keywords: obraz; malba; portrét; Ježíš Kristus; křesťanská ikonografie; ikonografie; abstrakce; picture; painting; portrait; Jesus Christ; christian iconography; iconography; abstraction

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APA (6th Edition):

Cáb, M. (2015). "Bez názvu" . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/39023

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cáb, Martin. “"Bez názvu" .” 2015. Thesis, Brno University of Technology. Accessed September 17, 2019. http://hdl.handle.net/11012/39023.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cáb, Martin. “"Bez názvu" .” 2015. Web. 17 Sep 2019.

Vancouver:

Cáb M. "Bez názvu" . [Internet] [Thesis]. Brno University of Technology; 2015. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/11012/39023.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cáb M. "Bez názvu" . [Thesis]. Brno University of Technology; 2015. Available from: http://hdl.handle.net/11012/39023

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Roberta Cantarela. Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente.

Degree: 2011, Universidade Estadual do Oeste do Parana

 Este trabalho tem como objetivo realizar um estudo sobre a traduÃÃo da peÃa Gata em Teto de Zinco Quente, escrita em 1954, pelo dramaturgo americano… (more)

Subjects/Keywords: Teatro; Cinema; MemÃria; Imagem; Literatura comparada; Memory; Representation; Iconography; LETRAS

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APA (6th Edition):

Cantarela, R. (2011). Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente. (Thesis). Universidade Estadual do Oeste do Parana. Retrieved from http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=897

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cantarela, Roberta. “Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente.” 2011. Thesis, Universidade Estadual do Oeste do Parana. Accessed September 17, 2019. http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=897.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cantarela, Roberta. “Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente.” 2011. Web. 17 Sep 2019.

Vancouver:

Cantarela R. Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente. [Internet] [Thesis]. Universidade Estadual do Oeste do Parana; 2011. [cited 2019 Sep 17]. Available from: http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=897.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cantarela R. Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente. [Thesis]. Universidade Estadual do Oeste do Parana; 2011. Available from: http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=897

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Morin, Tania Machado. Práticas e representações das mulheres na Revolução Francesa - 1789-1795.

Degree: Mestrado, História Social, 2009, University of São Paulo

O tema desta dissertação de mestrado é a controvérsia sobre os direitos civis e políticos das mulheres na França revolucionária , suscitada pela atuação cívica… (more)

Subjects/Keywords: French Revolution; Iconografia; Iconography; Militantes; Militants; Mulheres; Revolução Francesa; Women

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APA (6th Edition):

Morin, T. M. (2009). Práticas e representações das mulheres na Revolução Francesa - 1789-1795. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01022010-165929/ ;

Chicago Manual of Style (16th Edition):

Morin, Tania Machado. “Práticas e representações das mulheres na Revolução Francesa - 1789-1795.” 2009. Masters Thesis, University of São Paulo. Accessed September 17, 2019. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01022010-165929/ ;.

MLA Handbook (7th Edition):

Morin, Tania Machado. “Práticas e representações das mulheres na Revolução Francesa - 1789-1795.” 2009. Web. 17 Sep 2019.

Vancouver:

Morin TM. Práticas e representações das mulheres na Revolução Francesa - 1789-1795. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2019 Sep 17]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01022010-165929/ ;.

Council of Science Editors:

Morin TM. Práticas e representações das mulheres na Revolução Francesa - 1789-1795. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01022010-165929/ ;

22. Villalva, Daniela La Chioma Silvestre. Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca.

Degree: Mestrado, Arqueologia, 2012, University of São Paulo

Este trabalho buscou sistematizar e analisar artefatos da cerâmica ritual Mochica e Nasca, pertencentes a coleções de diversos museus, cuja morfologia ou iconografia pode ser… (more)

Subjects/Keywords: Cerâmica; Iconografia; Iconography; Moche; Mochica; Music; Música; Nasca; Nasca; Pottery

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APA (6th Edition):

Villalva, D. L. C. S. (2012). Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/71/71131/tde-17072012-182838/ ;

Chicago Manual of Style (16th Edition):

Villalva, Daniela La Chioma Silvestre. “Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca.” 2012. Masters Thesis, University of São Paulo. Accessed September 17, 2019. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-17072012-182838/ ;.

MLA Handbook (7th Edition):

Villalva, Daniela La Chioma Silvestre. “Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca.” 2012. Web. 17 Sep 2019.

Vancouver:

Villalva DLCS. Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2019 Sep 17]. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-17072012-182838/ ;.

Council of Science Editors:

Villalva DLCS. Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-17072012-182838/ ;

23. Takla, Philippe Racy. Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real.

Degree: Mestrado, Arqueologia, 2009, University of São Paulo

Este trabalho busca a elaboração de um quadro interpretativo que possibilite analisar o desenvolvimento do esquema decorativo presente nas salas do trono dos palácios construídos… (more)

Subjects/Keywords: Archaeology; Arqueologia; Assíria; Assyria; Iconografia; Iconography; Ideologia; Ideology; Palace; Palácio

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APA (6th Edition):

Takla, P. R. (2009). Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09042009-153010/ ;

Chicago Manual of Style (16th Edition):

Takla, Philippe Racy. “Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real.” 2009. Masters Thesis, University of São Paulo. Accessed September 17, 2019. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09042009-153010/ ;.

MLA Handbook (7th Edition):

Takla, Philippe Racy. “Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real.” 2009. Web. 17 Sep 2019.

Vancouver:

Takla PR. Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2019 Sep 17]. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09042009-153010/ ;.

Council of Science Editors:

Takla PR. Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09042009-153010/ ;

24. Soares, Debora Leonel. Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual.

Degree: Mestrado, Arqueologia, 2015, University of São Paulo

Este trabalho propôs analisar a cerâmica ritual produzida pelos Mochica, sociedade que ocupou a costa norte peruana entre os séculos I e VIII d.C., com… (more)

Subjects/Keywords: Andes; Andes; Archaeology; Arqueologia; Iconografia; Iconography; Moche; Mochica; Shamanism; Xamanismo

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APA (6th Edition):

Soares, D. L. (2015). Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/71/71131/tde-12082015-164534/ ;

Chicago Manual of Style (16th Edition):

Soares, Debora Leonel. “Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual.” 2015. Masters Thesis, University of São Paulo. Accessed September 17, 2019. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-12082015-164534/ ;.

MLA Handbook (7th Edition):

Soares, Debora Leonel. “Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual.” 2015. Web. 17 Sep 2019.

Vancouver:

Soares DL. Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual. [Internet] [Masters thesis]. University of São Paulo; 2015. [cited 2019 Sep 17]. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-12082015-164534/ ;.

Council of Science Editors:

Soares DL. Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual. [Masters Thesis]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-12082015-164534/ ;

25. Ferraro, Juliana Ricarte. Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975).

Degree: PhD, Educação, 2013, University of São Paulo

A presente tese visa analisar e compreender as relações entre os textos e as imagens contidas no livro didático de autoria de Antonio José Borges… (more)

Subjects/Keywords: Didactic book; Ensino; Historiografia; Historiography; Iconografia; Iconography; Livro didático; Teaching

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APA (6th Edition):

Ferraro, J. R. (2013). Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975). (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30032015-142645/ ;

Chicago Manual of Style (16th Edition):

Ferraro, Juliana Ricarte. “Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975).” 2013. Doctoral Dissertation, University of São Paulo. Accessed September 17, 2019. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30032015-142645/ ;.

MLA Handbook (7th Edition):

Ferraro, Juliana Ricarte. “Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975).” 2013. Web. 17 Sep 2019.

Vancouver:

Ferraro JR. Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975). [Internet] [Doctoral dissertation]. University of São Paulo; 2013. [cited 2019 Sep 17]. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30032015-142645/ ;.

Council of Science Editors:

Ferraro JR. Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975). [Doctoral Dissertation]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30032015-142645/ ;


Temple University

26. Pearce, Ariel Leah. Fresh Water Scenes in Minoan Art.

Degree: PhD, 2017, Temple University

Art History

The goal of this dissertation is to provide a comprehensive study of scenes of fresh water in Minoan art from the Middle Minoan… (more)

Subjects/Keywords: Art history; Archaeology;

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APA (6th Edition):

Pearce, A. L. (2017). Fresh Water Scenes in Minoan Art. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,451958

Chicago Manual of Style (16th Edition):

Pearce, Ariel Leah. “Fresh Water Scenes in Minoan Art.” 2017. Doctoral Dissertation, Temple University. Accessed September 17, 2019. http://digital.library.temple.edu/u?/p245801coll10,451958.

MLA Handbook (7th Edition):

Pearce, Ariel Leah. “Fresh Water Scenes in Minoan Art.” 2017. Web. 17 Sep 2019.

Vancouver:

Pearce AL. Fresh Water Scenes in Minoan Art. [Internet] [Doctoral dissertation]. Temple University; 2017. [cited 2019 Sep 17]. Available from: http://digital.library.temple.edu/u?/p245801coll10,451958.

Council of Science Editors:

Pearce AL. Fresh Water Scenes in Minoan Art. [Doctoral Dissertation]. Temple University; 2017. Available from: http://digital.library.temple.edu/u?/p245801coll10,451958


University of Edinburgh

27. Foukara, Lavinia. All in the family : the Apollonian triad in Attic art of the sixth and fifth centuries BC.

Degree: PhD, 2014, University of Edinburgh

 This dissertation examines the iconographical motif of the Apollonian triad in Attic art of the sixth and fifth centuries BC. Attic vase paintings constitute the… (more)

Subjects/Keywords: 738.3; Apollonian triad; Attic vase paintings; iconography; Athenian socio-political life

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APA (6th Edition):

Foukara, L. (2014). All in the family : the Apollonian triad in Attic art of the sixth and fifth centuries BC. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/15916

Chicago Manual of Style (16th Edition):

Foukara, Lavinia. “All in the family : the Apollonian triad in Attic art of the sixth and fifth centuries BC.” 2014. Doctoral Dissertation, University of Edinburgh. Accessed September 17, 2019. http://hdl.handle.net/1842/15916.

MLA Handbook (7th Edition):

Foukara, Lavinia. “All in the family : the Apollonian triad in Attic art of the sixth and fifth centuries BC.” 2014. Web. 17 Sep 2019.

Vancouver:

Foukara L. All in the family : the Apollonian triad in Attic art of the sixth and fifth centuries BC. [Internet] [Doctoral dissertation]. University of Edinburgh; 2014. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1842/15916.

Council of Science Editors:

Foukara L. All in the family : the Apollonian triad in Attic art of the sixth and fifth centuries BC. [Doctoral Dissertation]. University of Edinburgh; 2014. Available from: http://hdl.handle.net/1842/15916


Leiden University

28. Macquoy, Sander. Sounding Images: The auditive dimensions of pre-colonial Mixtec pictorial manuscripts from Mexico.

Degree: 2015, Leiden University

 Pre-colonial Mixtec codices vividly and colourfully tell about the history and religion of Mixtec polities and have, since the beginning of the 20th century, attracted… (more)

Subjects/Keywords: Mixtec codices; Music archaeology; Musical behaviour; Iconography; Critical discourse

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Macquoy, S. (2015). Sounding Images: The auditive dimensions of pre-colonial Mixtec pictorial manuscripts from Mexico. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/35529

Chicago Manual of Style (16th Edition):

Macquoy, Sander. “Sounding Images: The auditive dimensions of pre-colonial Mixtec pictorial manuscripts from Mexico.” 2015. Masters Thesis, Leiden University. Accessed September 17, 2019. http://hdl.handle.net/1887/35529.

MLA Handbook (7th Edition):

Macquoy, Sander. “Sounding Images: The auditive dimensions of pre-colonial Mixtec pictorial manuscripts from Mexico.” 2015. Web. 17 Sep 2019.

Vancouver:

Macquoy S. Sounding Images: The auditive dimensions of pre-colonial Mixtec pictorial manuscripts from Mexico. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1887/35529.

Council of Science Editors:

Macquoy S. Sounding Images: The auditive dimensions of pre-colonial Mixtec pictorial manuscripts from Mexico. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/35529

29. Kundu, Abhijit. Changing iconography of the woman in Bengali cinema 1950s to 1990s : a sociological study of some select films; -.

Degree: Social sciences, 2002, Jawaharlal Nehru University

None

Bibilography p.219-234

Advisors/Committee Members: Gandhi, J S.

Subjects/Keywords: Iconography; bengali cinema; films

Page 1

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kundu, A. (2002). Changing iconography of the woman in Bengali cinema 1950s to 1990s : a sociological study of some select films; -. (Thesis). Jawaharlal Nehru University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/29291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kundu, Abhijit. “Changing iconography of the woman in Bengali cinema 1950s to 1990s : a sociological study of some select films; -.” 2002. Thesis, Jawaharlal Nehru University. Accessed September 17, 2019. http://shodhganga.inflibnet.ac.in/handle/10603/29291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kundu, Abhijit. “Changing iconography of the woman in Bengali cinema 1950s to 1990s : a sociological study of some select films; -.” 2002. Web. 17 Sep 2019.

Vancouver:

Kundu A. Changing iconography of the woman in Bengali cinema 1950s to 1990s : a sociological study of some select films; -. [Internet] [Thesis]. Jawaharlal Nehru University; 2002. [cited 2019 Sep 17]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/29291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kundu A. Changing iconography of the woman in Bengali cinema 1950s to 1990s : a sociological study of some select films; -. [Thesis]. Jawaharlal Nehru University; 2002. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/29291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Ruangsup, Wannapat. The Emergence and Development of Brahmanism in Thailand with Special Reference to Iconography of Brahmanical Deities; Up to 13th Century A.D.

Degree: 2015, INFLIBNET

newline

Advisors/Committee Members: Mohanty, R K.

Subjects/Keywords: Brahmanical Deities; Brahmanism; Iconography; Thailand

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ruangsup, W. (2015). The Emergence and Development of Brahmanism in Thailand with Special Reference to Iconography of Brahmanical Deities; Up to 13th Century A.D. (Thesis). INFLIBNET. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/35965

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ruangsup, Wannapat. “The Emergence and Development of Brahmanism in Thailand with Special Reference to Iconography of Brahmanical Deities; Up to 13th Century A.D.” 2015. Thesis, INFLIBNET. Accessed September 17, 2019. http://shodhganga.inflibnet.ac.in/handle/10603/35965.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ruangsup, Wannapat. “The Emergence and Development of Brahmanism in Thailand with Special Reference to Iconography of Brahmanical Deities; Up to 13th Century A.D.” 2015. Web. 17 Sep 2019.

Vancouver:

Ruangsup W. The Emergence and Development of Brahmanism in Thailand with Special Reference to Iconography of Brahmanical Deities; Up to 13th Century A.D. [Internet] [Thesis]. INFLIBNET; 2015. [cited 2019 Sep 17]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/35965.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ruangsup W. The Emergence and Development of Brahmanism in Thailand with Special Reference to Iconography of Brahmanical Deities; Up to 13th Century A.D. [Thesis]. INFLIBNET; 2015. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/35965

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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