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You searched for subject:(Iconography). Showing records 1 – 30 of 546 total matches.

[1] [2] [3] [4] [5] … [19]

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Texas A&M University

1. Mattson, Rebecca Elizabeth. Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa.

Degree: MS, Maritime Archaeology and Conservation, 2018, Texas A&M University

 There may have been upwards of 100 lighthouses in the Mediterranean, along the northern Atlantic coast, and in England during the Roman Imperial period. Lighthouses… (more)

Subjects/Keywords: lighthouses; archaeology; iconography

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APA (6th Edition):

Mattson, R. E. (2018). Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/174382

Chicago Manual of Style (16th Edition):

Mattson, Rebecca Elizabeth. “Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa.” 2018. Masters Thesis, Texas A&M University. Accessed September 20, 2020. http://hdl.handle.net/1969.1/174382.

MLA Handbook (7th Edition):

Mattson, Rebecca Elizabeth. “Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa.” 2018. Web. 20 Sep 2020.

Vancouver:

Mattson RE. Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa. [Internet] [Masters thesis]. Texas A&M University; 2018. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/1969.1/174382.

Council of Science Editors:

Mattson RE. Lighthouses in Antiquity: Case Studies of the Lighthouses at Dover, England; Patara, Turkey; and Leptis Magna, North Africa. [Masters Thesis]. Texas A&M University; 2018. Available from: http://hdl.handle.net/1969.1/174382


Leiden University

2. Kutzer, Evelyn. The Socio-Cultural Value and Function of Music. On musical instruments and their performances in Mesopotamia of the 3rd millennium BCE from an archaeological, iconographical and philological perspective.

Degree: 2017, Leiden University

 This thesis presents an interdisciplinary study including archaeological and philological evidence. It is concerned with the development of musical entertainment and the socio-cultural value and… (more)

Subjects/Keywords: music archaeology; music philology; iconography

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APA (6th Edition):

Kutzer, E. (2017). The Socio-Cultural Value and Function of Music. On musical instruments and their performances in Mesopotamia of the 3rd millennium BCE from an archaeological, iconographical and philological perspective. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/59625

Chicago Manual of Style (16th Edition):

Kutzer, Evelyn. “The Socio-Cultural Value and Function of Music. On musical instruments and their performances in Mesopotamia of the 3rd millennium BCE from an archaeological, iconographical and philological perspective.” 2017. Masters Thesis, Leiden University. Accessed September 20, 2020. http://hdl.handle.net/1887/59625.

MLA Handbook (7th Edition):

Kutzer, Evelyn. “The Socio-Cultural Value and Function of Music. On musical instruments and their performances in Mesopotamia of the 3rd millennium BCE from an archaeological, iconographical and philological perspective.” 2017. Web. 20 Sep 2020.

Vancouver:

Kutzer E. The Socio-Cultural Value and Function of Music. On musical instruments and their performances in Mesopotamia of the 3rd millennium BCE from an archaeological, iconographical and philological perspective. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/1887/59625.

Council of Science Editors:

Kutzer E. The Socio-Cultural Value and Function of Music. On musical instruments and their performances in Mesopotamia of the 3rd millennium BCE from an archaeological, iconographical and philological perspective. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/59625


University of Vermont

3. Ashley, Peyton K. Daughters of Ares: Iconography of the Amazons.

Degree: Classics Department, 2019, University of Vermont

  This project will investigate the myth and the imaginative flexibility of the Amazon idea. I am not trying to prove that the Amazons were… (more)

Subjects/Keywords: Amazons; Wonder Woman; iconography

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APA (6th Edition):

Ashley, P. K. (2019). Daughters of Ares: Iconography of the Amazons. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/castheses/63

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ashley, Peyton K. “Daughters of Ares: Iconography of the Amazons.” 2019. Thesis, University of Vermont. Accessed September 20, 2020. https://scholarworks.uvm.edu/castheses/63.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ashley, Peyton K. “Daughters of Ares: Iconography of the Amazons.” 2019. Web. 20 Sep 2020.

Vancouver:

Ashley PK. Daughters of Ares: Iconography of the Amazons. [Internet] [Thesis]. University of Vermont; 2019. [cited 2020 Sep 20]. Available from: https://scholarworks.uvm.edu/castheses/63.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ashley PK. Daughters of Ares: Iconography of the Amazons. [Thesis]. University of Vermont; 2019. Available from: https://scholarworks.uvm.edu/castheses/63

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

4. Stanley, Brendan C. The Dawning of Creation in the Central Mexican Highlands: Interpreting Olmec Style Symbolism at the Formative Period Sites of Chalcatzingo, Oxtotitlán, and Juxtlahuaca.

Degree: MA, Anthropology, 2020, Texas State University – San Marcos

 By 900 BC, Middle Formative Olmec influence had projected into the central highlands of Mexico. This became clear with the 1930’s discovery of Chalcatzingo and… (more)

Subjects/Keywords: Olmec iconography; Olmec archaeology

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APA (6th Edition):

Stanley, B. C. (2020). The Dawning of Creation in the Central Mexican Highlands: Interpreting Olmec Style Symbolism at the Formative Period Sites of Chalcatzingo, Oxtotitlán, and Juxtlahuaca. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/12244

Chicago Manual of Style (16th Edition):

Stanley, Brendan C. “The Dawning of Creation in the Central Mexican Highlands: Interpreting Olmec Style Symbolism at the Formative Period Sites of Chalcatzingo, Oxtotitlán, and Juxtlahuaca.” 2020. Masters Thesis, Texas State University – San Marcos. Accessed September 20, 2020. https://digital.library.txstate.edu/handle/10877/12244.

MLA Handbook (7th Edition):

Stanley, Brendan C. “The Dawning of Creation in the Central Mexican Highlands: Interpreting Olmec Style Symbolism at the Formative Period Sites of Chalcatzingo, Oxtotitlán, and Juxtlahuaca.” 2020. Web. 20 Sep 2020.

Vancouver:

Stanley BC. The Dawning of Creation in the Central Mexican Highlands: Interpreting Olmec Style Symbolism at the Formative Period Sites of Chalcatzingo, Oxtotitlán, and Juxtlahuaca. [Internet] [Masters thesis]. Texas State University – San Marcos; 2020. [cited 2020 Sep 20]. Available from: https://digital.library.txstate.edu/handle/10877/12244.

Council of Science Editors:

Stanley BC. The Dawning of Creation in the Central Mexican Highlands: Interpreting Olmec Style Symbolism at the Formative Period Sites of Chalcatzingo, Oxtotitlán, and Juxtlahuaca. [Masters Thesis]. Texas State University – San Marcos; 2020. Available from: https://digital.library.txstate.edu/handle/10877/12244


University of Arizona

5. Lovett, Miranda. Environment in Miniature: Iconography of Setting in Late Bronze Age Aegean Engraved Seal Stones and Signet Rings .

Degree: 2020, University of Arizona

 This thesis examines 50 Aegean Bronze Age seal stones, sealings, and signet rings, that depict narrative scenes and are supported by specific settings. My selected… (more)

Subjects/Keywords: Glyptic; Iconography; Minoans; Mycenaeans; Seals

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APA (6th Edition):

Lovett, M. (2020). Environment in Miniature: Iconography of Setting in Late Bronze Age Aegean Engraved Seal Stones and Signet Rings . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/642028

Chicago Manual of Style (16th Edition):

Lovett, Miranda. “Environment in Miniature: Iconography of Setting in Late Bronze Age Aegean Engraved Seal Stones and Signet Rings .” 2020. Masters Thesis, University of Arizona. Accessed September 20, 2020. http://hdl.handle.net/10150/642028.

MLA Handbook (7th Edition):

Lovett, Miranda. “Environment in Miniature: Iconography of Setting in Late Bronze Age Aegean Engraved Seal Stones and Signet Rings .” 2020. Web. 20 Sep 2020.

Vancouver:

Lovett M. Environment in Miniature: Iconography of Setting in Late Bronze Age Aegean Engraved Seal Stones and Signet Rings . [Internet] [Masters thesis]. University of Arizona; 2020. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/10150/642028.

Council of Science Editors:

Lovett M. Environment in Miniature: Iconography of Setting in Late Bronze Age Aegean Engraved Seal Stones and Signet Rings . [Masters Thesis]. University of Arizona; 2020. Available from: http://hdl.handle.net/10150/642028


University of Illinois – Chicago

6. Warchall, Jessica L. Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours.

Degree: 2012, University of Illinois – Chicago

 This thesis examines the relationship between the central, religious images and the marginal, secularized images contained in fifteenth century books of hours from Northern France.… (more)

Subjects/Keywords: iconography; book of hours; Rouen

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APA (6th Edition):

Warchall, J. L. (2012). Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/9269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warchall, Jessica L. “Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours.” 2012. Thesis, University of Illinois – Chicago. Accessed September 20, 2020. http://hdl.handle.net/10027/9269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warchall, Jessica L. “Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours.” 2012. Web. 20 Sep 2020.

Vancouver:

Warchall JL. Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours. [Internet] [Thesis]. University of Illinois – Chicago; 2012. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/10027/9269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warchall JL. Iconographic Schemes of the Center and the Margins of a Fifteenth Century Rouen Book of Hours. [Thesis]. University of Illinois – Chicago; 2012. Available from: http://hdl.handle.net/10027/9269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Westmoreland, Maureen Lilian. Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art.

Degree: PhD, 1995, Open University

 Jocus is a virtually forgotten and unrecognised figure in Renaissance iconography today; yet this personification has a substantial history in both art and literature. This… (more)

Subjects/Keywords: 900; Iconography

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APA (6th Edition):

Westmoreland, M. L. (1995). Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art. (Doctoral Dissertation). Open University. Retrieved from http://oro.open.ac.uk/54161/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294557

Chicago Manual of Style (16th Edition):

Westmoreland, Maureen Lilian. “Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art.” 1995. Doctoral Dissertation, Open University. Accessed September 20, 2020. http://oro.open.ac.uk/54161/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294557.

MLA Handbook (7th Edition):

Westmoreland, Maureen Lilian. “Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art.” 1995. Web. 20 Sep 2020.

Vancouver:

Westmoreland ML. Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art. [Internet] [Doctoral dissertation]. Open University; 1995. [cited 2020 Sep 20]. Available from: http://oro.open.ac.uk/54161/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294557.

Council of Science Editors:

Westmoreland ML. Jocus : a personification of folly and play and an attribute of carnal love in Renaissance art. [Doctoral Dissertation]. Open University; 1995. Available from: http://oro.open.ac.uk/54161/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294557


Universitat de Valencia

8. Connett, Christina Findlay. Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas .

Degree: 2014, Universitat de Valencia

 Argumentamos que Herrera intenta legitimizar el control español del Imperio al imponer una universalidad euro-céntrica católica a dicho imperio a través de su aplicación de… (more)

Subjects/Keywords: Empire; Cartography; Historiography; Iconography; Image

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APA (6th Edition):

Connett, C. F. (2014). Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas . (Doctoral Dissertation). Universitat de Valencia. Retrieved from http://hdl.handle.net/10550/40022

Chicago Manual of Style (16th Edition):

Connett, Christina Findlay. “Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas .” 2014. Doctoral Dissertation, Universitat de Valencia. Accessed September 20, 2020. http://hdl.handle.net/10550/40022.

MLA Handbook (7th Edition):

Connett, Christina Findlay. “Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas .” 2014. Web. 20 Sep 2020.

Vancouver:

Connett CF. Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas . [Internet] [Doctoral dissertation]. Universitat de Valencia; 2014. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/10550/40022.

Council of Science Editors:

Connett CF. Cartography an a strategy of empire in Historia General de los Hechos de los Castellanos en las Islas i Tierra firme del Mar Océano by Antonio de Herrera y Tordesillas . [Doctoral Dissertation]. Universitat de Valencia; 2014. Available from: http://hdl.handle.net/10550/40022


California State University – Sacramento

9. Kelly, Corrine. Icons and symbols.

Degree: MA, Education (Curriculum and Instruction, 2014, California State University – Sacramento

 Through the study of such historically significant artists as Fridha Kahlo, Salvador Dahli, and Marc Chagal and the understood symbols and icons, I taught students… (more)

Subjects/Keywords: Iconography; Symbology; Student art

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APA (6th Edition):

Kelly, C. (2014). Icons and symbols. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.9/2404

Chicago Manual of Style (16th Edition):

Kelly, Corrine. “Icons and symbols.” 2014. Masters Thesis, California State University – Sacramento. Accessed September 20, 2020. http://hdl.handle.net/10211.9/2404.

MLA Handbook (7th Edition):

Kelly, Corrine. “Icons and symbols.” 2014. Web. 20 Sep 2020.

Vancouver:

Kelly C. Icons and symbols. [Internet] [Masters thesis]. California State University – Sacramento; 2014. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/10211.9/2404.

Council of Science Editors:

Kelly C. Icons and symbols. [Masters Thesis]. California State University – Sacramento; 2014. Available from: http://hdl.handle.net/10211.9/2404


McMaster University

10. Ako-Adounvo, Gifty. Studies in the Iconography of Blacks in Roman Art.

Degree: PhD, 1999, McMaster University

The post-Homeric literary sources of the Greek period mention Aioiorec. inhabitants of a distant land, whose physical appearance differs from the Mediterranean somatic norm, but… (more)

Subjects/Keywords: Roman Art; Iconography

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APA (6th Edition):

Ako-Adounvo, G. (1999). Studies in the Iconography of Blacks in Roman Art. (Doctoral Dissertation). McMaster University. Retrieved from http://hdl.handle.net/11375/15509

Chicago Manual of Style (16th Edition):

Ako-Adounvo, Gifty. “Studies in the Iconography of Blacks in Roman Art.” 1999. Doctoral Dissertation, McMaster University. Accessed September 20, 2020. http://hdl.handle.net/11375/15509.

MLA Handbook (7th Edition):

Ako-Adounvo, Gifty. “Studies in the Iconography of Blacks in Roman Art.” 1999. Web. 20 Sep 2020.

Vancouver:

Ako-Adounvo G. Studies in the Iconography of Blacks in Roman Art. [Internet] [Doctoral dissertation]. McMaster University; 1999. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/11375/15509.

Council of Science Editors:

Ako-Adounvo G. Studies in the Iconography of Blacks in Roman Art. [Doctoral Dissertation]. McMaster University; 1999. Available from: http://hdl.handle.net/11375/15509


Leiden University

11. Limpt, Natascha van. The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles.

Degree: 2015, Leiden University

 This thesis aims to fill the gap in research on the role of plants in Pre-Columbian societies in the Andes. In this thesis, the role… (more)

Subjects/Keywords: Moche; Iconography; Plants; Roll out drawings

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APA (6th Edition):

Limpt, N. v. (2015). The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/35577

Chicago Manual of Style (16th Edition):

Limpt, Natascha van. “The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles.” 2015. Masters Thesis, Leiden University. Accessed September 20, 2020. http://hdl.handle.net/1887/35577.

MLA Handbook (7th Edition):

Limpt, Natascha van. “The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles.” 2015. Web. 20 Sep 2020.

Vancouver:

Limpt Nv. The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/1887/35577.

Council of Science Editors:

Limpt Nv. The role of plants in Moche iconography. An analysis of fineline paintings on stirrup spout bottles. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/35577


Leiden University

12. Houben, Kim. 'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud.

Degree: 2015, Leiden University

 In modern research of the Central Mexican manuscripts, the Codex Laud has always remained in a position of obscurity. Barely a handful of comprehensive studies… (more)

Subjects/Keywords: archaeology; Mexico; manuscript; Codex Laud; iconography

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APA (6th Edition):

Houben, K. (2015). 'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/35510

Chicago Manual of Style (16th Edition):

Houben, Kim. “'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud.” 2015. Masters Thesis, Leiden University. Accessed September 20, 2020. http://hdl.handle.net/1887/35510.

MLA Handbook (7th Edition):

Houben, Kim. “'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud.” 2015. Web. 20 Sep 2020.

Vancouver:

Houben K. 'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/1887/35510.

Council of Science Editors:

Houben K. 'This is the world, the cosmos of Tlaloc.' An iconographical analysis of page 23 of the Central Mexican Codex Laud. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/35510


University of Newcastle

13. Le Goff, Raichel A. Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture.

Degree: PhD, 2012, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

The 'Imagines' of Philostratus the Elder and his grandson Philostratus the Younger, is the only book surviving from… (more)

Subjects/Keywords: Philostratus; Manutius; Renaissance; Ferrara; Imagines; Eikones; iconography

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APA (6th Edition):

Le Goff, R. A. (2012). Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/933486

Chicago Manual of Style (16th Edition):

Le Goff, Raichel A. “Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture.” 2012. Doctoral Dissertation, University of Newcastle. Accessed September 20, 2020. http://hdl.handle.net/1959.13/933486.

MLA Handbook (7th Edition):

Le Goff, Raichel A. “Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture.” 2012. Web. 20 Sep 2020.

Vancouver:

Le Goff RA. Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture. [Internet] [Doctoral dissertation]. University of Newcastle; 2012. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/1959.13/933486.

Council of Science Editors:

Le Goff RA. Philostratus illustrated: the reception of 'The Imagines' in Renaissance art and culture. [Doctoral Dissertation]. University of Newcastle; 2012. Available from: http://hdl.handle.net/1959.13/933486


Brigham Young University

14. Kendall, Allen Alexander. "Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof.

Degree: MA, 2019, Brigham Young University

  To address every aspect in which Cleopatra VII asserted her right to rule and maintain the favor of her own subjects and of Rome… (more)

Subjects/Keywords: Cleopatra Vii; gender; iconography; Vergil; Horace; Propertius

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APA (6th Edition):

Kendall, A. A. (2019). "Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8553&context=etd

Chicago Manual of Style (16th Edition):

Kendall, Allen Alexander. “"Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof.” 2019. Masters Thesis, Brigham Young University. Accessed September 20, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8553&context=etd.

MLA Handbook (7th Edition):

Kendall, Allen Alexander. “"Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof.” 2019. Web. 20 Sep 2020.

Vancouver:

Kendall AA. "Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof. [Internet] [Masters thesis]. Brigham Young University; 2019. [cited 2020 Sep 20]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8553&context=etd.

Council of Science Editors:

Kendall AA. "Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof. [Masters Thesis]. Brigham Young University; 2019. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8553&context=etd


Université Paris-Sorbonne – Paris IV

15. Bettinelli, Michela. La lune en Étrurie : The Etruscan moon.

Degree: Docteur es, Histoire et civilisation de l'Antiquité, 2015, Université Paris-Sorbonne – Paris IV

Le thème que nous avons choisi pour notre travail de doctorat nous a amenée à mener une enquête minutieuse et détaillée dans une grande variété… (more)

Subjects/Keywords: Lune; Tiu; Iconographie; Moon; Tiu; Iconography

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APA (6th Edition):

Bettinelli, M. (2015). La lune en Étrurie : The Etruscan moon. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040014

Chicago Manual of Style (16th Edition):

Bettinelli, Michela. “La lune en Étrurie : The Etruscan moon.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed September 20, 2020. http://www.theses.fr/2015PA040014.

MLA Handbook (7th Edition):

Bettinelli, Michela. “La lune en Étrurie : The Etruscan moon.” 2015. Web. 20 Sep 2020.

Vancouver:

Bettinelli M. La lune en Étrurie : The Etruscan moon. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2020 Sep 20]. Available from: http://www.theses.fr/2015PA040014.

Council of Science Editors:

Bettinelli M. La lune en Étrurie : The Etruscan moon. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040014

16. Seufert, Michael. Of Beasts and Men: A Study of Genesis 49 in light of Iconography, Metaphor, and Animal Studies.

Degree: 2019, The Catholic University of America

The poetic portion of Genesis 49 (vv. 2–27) is Jacob’s final address to his twelve sons, traditionally designated as “Jacob’s Blessing.” In the course of… (more)

Subjects/Keywords: Animals; Genesis; Genesis 49; Iconography; Metaphor; Violence

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APA (6th Edition):

Seufert, M. (2019). Of Beasts and Men: A Study of Genesis 49 in light of Iconography, Metaphor, and Animal Studies. (Thesis). The Catholic University of America. Retrieved from http://hdl.handle.net/1961/cuislandora:213685

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seufert, Michael. “Of Beasts and Men: A Study of Genesis 49 in light of Iconography, Metaphor, and Animal Studies.” 2019. Thesis, The Catholic University of America. Accessed September 20, 2020. http://hdl.handle.net/1961/cuislandora:213685.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seufert, Michael. “Of Beasts and Men: A Study of Genesis 49 in light of Iconography, Metaphor, and Animal Studies.” 2019. Web. 20 Sep 2020.

Vancouver:

Seufert M. Of Beasts and Men: A Study of Genesis 49 in light of Iconography, Metaphor, and Animal Studies. [Internet] [Thesis]. The Catholic University of America; 2019. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/1961/cuislandora:213685.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seufert M. Of Beasts and Men: A Study of Genesis 49 in light of Iconography, Metaphor, and Animal Studies. [Thesis]. The Catholic University of America; 2019. Available from: http://hdl.handle.net/1961/cuislandora:213685

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

17. Dyhin, Tanya Maria. Capturing the Sublime Light.

Degree: Art, 2017, University of New South Wales

 Capturing the Sublime Light documents a search for a means to explain and explore a personal, phenomenological experience of perceptible and nonperceptible light. It leans… (more)

Subjects/Keywords: Byzantine iconography; Sublime; Light; Gold; Phenomenon; Theology

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APA (6th Edition):

Dyhin, T. M. (2017). Capturing the Sublime Light. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/59575 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48970/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Dyhin, Tanya Maria. “Capturing the Sublime Light.” 2017. Masters Thesis, University of New South Wales. Accessed September 20, 2020. http://handle.unsw.edu.au/1959.4/59575 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48970/SOURCE02?view=true.

MLA Handbook (7th Edition):

Dyhin, Tanya Maria. “Capturing the Sublime Light.” 2017. Web. 20 Sep 2020.

Vancouver:

Dyhin TM. Capturing the Sublime Light. [Internet] [Masters thesis]. University of New South Wales; 2017. [cited 2020 Sep 20]. Available from: http://handle.unsw.edu.au/1959.4/59575 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48970/SOURCE02?view=true.

Council of Science Editors:

Dyhin TM. Capturing the Sublime Light. [Masters Thesis]. University of New South Wales; 2017. Available from: http://handle.unsw.edu.au/1959.4/59575 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48970/SOURCE02?view=true


University of Manchester

18. Karachaliou, Ermioni. The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches.

Degree: PhD, 2012, University of Manchester

 How can we approach the surviving evidence on Paliochora in order for it to become a site of cultural consciousness in a wider medieval context?… (more)

Subjects/Keywords: 726.6; architecture; iconography; late Byzantine; churches

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APA (6th Edition):

Karachaliou, E. (2012). The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564318

Chicago Manual of Style (16th Edition):

Karachaliou, Ermioni. “The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches.” 2012. Doctoral Dissertation, University of Manchester. Accessed September 20, 2020. https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564318.

MLA Handbook (7th Edition):

Karachaliou, Ermioni. “The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches.” 2012. Web. 20 Sep 2020.

Vancouver:

Karachaliou E. The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches. [Internet] [Doctoral dissertation]. University of Manchester; 2012. [cited 2020 Sep 20]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564318.

Council of Science Editors:

Karachaliou E. The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches. [Doctoral Dissertation]. University of Manchester; 2012. Available from: https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564318


Victoria University of Wellington

19. Murdoch, Jaimee. "Shaking His Hairy Chaps": The Iconography of Bearded Snakes.

Degree: 2015, Victoria University of Wellington

 The bearded snake is an unusual motif that appears in a variety of contexts and media throughout the Classical world. It is used in Greek,… (more)

Subjects/Keywords: Bearded snake; Zeus Meilichios; Greek iconography

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APA (6th Edition):

Murdoch, J. (2015). "Shaking His Hairy Chaps": The Iconography of Bearded Snakes. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8761

Chicago Manual of Style (16th Edition):

Murdoch, Jaimee. “"Shaking His Hairy Chaps": The Iconography of Bearded Snakes.” 2015. Masters Thesis, Victoria University of Wellington. Accessed September 20, 2020. http://hdl.handle.net/10063/8761.

MLA Handbook (7th Edition):

Murdoch, Jaimee. “"Shaking His Hairy Chaps": The Iconography of Bearded Snakes.” 2015. Web. 20 Sep 2020.

Vancouver:

Murdoch J. "Shaking His Hairy Chaps": The Iconography of Bearded Snakes. [Internet] [Masters thesis]. Victoria University of Wellington; 2015. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/10063/8761.

Council of Science Editors:

Murdoch J. "Shaking His Hairy Chaps": The Iconography of Bearded Snakes. [Masters Thesis]. Victoria University of Wellington; 2015. Available from: http://hdl.handle.net/10063/8761


University of Georgia

20. Brant, Nataliya Borisovna. The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov.

Degree: 2014, University of Georgia

 There are few twentieth century films that have successfully inspired a complex combination of awe and controversy when socially and critically received. Among them are… (more)

Subjects/Keywords: Tarkovsky; Rublyov; Russian Iconography; Medieval Russia; Mongol

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APA (6th Edition):

Brant, N. B. (2014). The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/20730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brant, Nataliya Borisovna. “The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov.” 2014. Thesis, University of Georgia. Accessed September 20, 2020. http://hdl.handle.net/10724/20730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brant, Nataliya Borisovna. “The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov.” 2014. Web. 20 Sep 2020.

Vancouver:

Brant NB. The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov. [Internet] [Thesis]. University of Georgia; 2014. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/10724/20730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brant NB. The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/20730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Matthey, David. La klimax dans l’art antique : The klimax in ancient art.

Degree: Docteur es, Langues, histoire et civilisations des mondes anciens, 2009, Université Lumière – Lyon II

Ce travail trouve son origine dans l’étude d’une stèle funéraire exposée aujourd’hui au Musée archéologique d’Apollonia d’Illyrie, sous le numéro d’inventaire 5030. Le relief, exceptionnel… (more)

Subjects/Keywords: Iconographie grecque; Iconographie romaine; Enfers; Echelle; Escaliers; Passerelle; Niveaux cosmiques; Greek Iconography; Roman Iconography; Underworld; Ladder; Steps; Gangway; Cosmics levels

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Matthey, D. (2009). La klimax dans l’art antique : The klimax in ancient art. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2009LYO20036

Chicago Manual of Style (16th Edition):

Matthey, David. “La klimax dans l’art antique : The klimax in ancient art.” 2009. Doctoral Dissertation, Université Lumière – Lyon II. Accessed September 20, 2020. http://www.theses.fr/2009LYO20036.

MLA Handbook (7th Edition):

Matthey, David. “La klimax dans l’art antique : The klimax in ancient art.” 2009. Web. 20 Sep 2020.

Vancouver:

Matthey D. La klimax dans l’art antique : The klimax in ancient art. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2009. [cited 2020 Sep 20]. Available from: http://www.theses.fr/2009LYO20036.

Council of Science Editors:

Matthey D. La klimax dans l’art antique : The klimax in ancient art. [Doctoral Dissertation]. Université Lumière – Lyon II; 2009. Available from: http://www.theses.fr/2009LYO20036


Universiteit Utrecht

22. Eising, H. Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550).

Degree: 2011, Universiteit Utrecht

 This thesis discusses the functions and meaning of Old Testament figures and scenes embedded as lifeless objects and decorative elements in Netherlandish and German New… (more)

Subjects/Keywords: Old Testament; iconography; embedded iconography; early Netherlandish painting; early German painting; fifteenth century; sixteenth century; typology

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APA (6th Edition):

Eising, H. (2011). Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550). (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/208307

Chicago Manual of Style (16th Edition):

Eising, H. “Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550).” 2011. Masters Thesis, Universiteit Utrecht. Accessed September 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/208307.

MLA Handbook (7th Edition):

Eising, H. “Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550).” 2011. Web. 20 Sep 2020.

Vancouver:

Eising H. Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550). [Internet] [Masters thesis]. Universiteit Utrecht; 2011. [cited 2020 Sep 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/208307.

Council of Science Editors:

Eising H. Embedded Old Testament Iconography. Its functions and meaning in Netherlandish and German paintings of the ‘Annunciation’ (c. 1400-1550). [Masters Thesis]. Universiteit Utrecht; 2011. Available from: http://dspace.library.uu.nl:8080/handle/1874/208307


University of Otago

23. Chapman, Ian Charles. “I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 .

Degree: 2012, University of Otago

 This research proposes a model for the visual analysis of the twelve-inch, 33rpm album cover, and uses the work of pre-eminent rock star David Bowie… (more)

Subjects/Keywords: David Bowie; Iconography; Visual analysis; Glam rock; album covers; album cover art; popular music; music and art; music iconography

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APA (6th Edition):

Chapman, I. C. (2012). “I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/2509

Chicago Manual of Style (16th Edition):

Chapman, Ian Charles. ““I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 .” 2012. Doctoral Dissertation, University of Otago. Accessed September 20, 2020. http://hdl.handle.net/10523/2509.

MLA Handbook (7th Edition):

Chapman, Ian Charles. ““I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 .” 2012. Web. 20 Sep 2020.

Vancouver:

Chapman IC. “I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 . [Internet] [Doctoral dissertation]. University of Otago; 2012. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/10523/2509.

Council of Science Editors:

Chapman IC. “I looked and frowned and the monster was me”: David Bowie’s progression from mod to freak as traced through his album covers, 1967-1974 . [Doctoral Dissertation]. University of Otago; 2012. Available from: http://hdl.handle.net/10523/2509


Brno University of Technology

24. Cáb, Martin. "Bez názvu": Untitled.

Degree: 2019, Brno University of Technology

 In my final work I made a portrait of Jesus Christ. Due to the historical development of Christian iconography is an abstract concept, in which… (more)

Subjects/Keywords: obraz; malba; portrét; Ježíš Kristus; křesťanská ikonografie; ikonografie; abstrakce; picture; painting; portrait; Jesus Christ; christian iconography; iconography; abstraction

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APA (6th Edition):

Cáb, M. (2019). "Bez názvu": Untitled. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/39023

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cáb, Martin. “"Bez názvu": Untitled.” 2019. Thesis, Brno University of Technology. Accessed September 20, 2020. http://hdl.handle.net/11012/39023.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cáb, Martin. “"Bez názvu": Untitled.” 2019. Web. 20 Sep 2020.

Vancouver:

Cáb M. "Bez názvu": Untitled. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2020 Sep 20]. Available from: http://hdl.handle.net/11012/39023.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cáb M. "Bez názvu": Untitled. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/39023

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Roberta Cantarela. Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente.

Degree: 2011, Universidade Estadual do Oeste do Parana

 Este trabalho tem como objetivo realizar um estudo sobre a traduÃÃo da peÃa Gata em Teto de Zinco Quente, escrita em 1954, pelo dramaturgo americano… (more)

Subjects/Keywords: Teatro; Cinema; MemÃria; Imagem; Literatura comparada; Memory; Representation; Iconography; LETRAS

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APA (6th Edition):

Cantarela, R. (2011). Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente. (Thesis). Universidade Estadual do Oeste do Parana. Retrieved from http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=897

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cantarela, Roberta. “Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente.” 2011. Thesis, Universidade Estadual do Oeste do Parana. Accessed September 20, 2020. http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=897.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cantarela, Roberta. “Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente.” 2011. Web. 20 Sep 2020.

Vancouver:

Cantarela R. Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente. [Internet] [Thesis]. Universidade Estadual do Oeste do Parana; 2011. [cited 2020 Sep 20]. Available from: http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=897.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cantarela R. Tinturas do drama: imagens e memÃrias em a Gata em Teto de Zinco Quente. [Thesis]. Universidade Estadual do Oeste do Parana; 2011. Available from: http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=897

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Morin, Tania Machado. Práticas e representações das mulheres na Revolução Francesa - 1789-1795.

Degree: Mestrado, História Social, 2009, University of São Paulo

O tema desta dissertação de mestrado é a controvérsia sobre os direitos civis e políticos das mulheres na França revolucionária , suscitada pela atuação cívica… (more)

Subjects/Keywords: French Revolution; Iconografia; Iconography; Militantes; Militants; Mulheres; Revolução Francesa; Women

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APA (6th Edition):

Morin, T. M. (2009). Práticas e representações das mulheres na Revolução Francesa - 1789-1795. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01022010-165929/ ;

Chicago Manual of Style (16th Edition):

Morin, Tania Machado. “Práticas e representações das mulheres na Revolução Francesa - 1789-1795.” 2009. Masters Thesis, University of São Paulo. Accessed September 20, 2020. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01022010-165929/ ;.

MLA Handbook (7th Edition):

Morin, Tania Machado. “Práticas e representações das mulheres na Revolução Francesa - 1789-1795.” 2009. Web. 20 Sep 2020.

Vancouver:

Morin TM. Práticas e representações das mulheres na Revolução Francesa - 1789-1795. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2020 Sep 20]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01022010-165929/ ;.

Council of Science Editors:

Morin TM. Práticas e representações das mulheres na Revolução Francesa - 1789-1795. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01022010-165929/ ;

27. Villalva, Daniela La Chioma Silvestre. Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca.

Degree: Mestrado, Arqueologia, 2012, University of São Paulo

Este trabalho buscou sistematizar e analisar artefatos da cerâmica ritual Mochica e Nasca, pertencentes a coleções de diversos museus, cuja morfologia ou iconografia pode ser… (more)

Subjects/Keywords: Cerâmica; Iconografia; Iconography; Moche; Mochica; Music; Música; Nasca; Nasca; Pottery

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APA (6th Edition):

Villalva, D. L. C. S. (2012). Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/71/71131/tde-17072012-182838/ ;

Chicago Manual of Style (16th Edition):

Villalva, Daniela La Chioma Silvestre. “Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca.” 2012. Masters Thesis, University of São Paulo. Accessed September 20, 2020. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-17072012-182838/ ;.

MLA Handbook (7th Edition):

Villalva, Daniela La Chioma Silvestre. “Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca.” 2012. Web. 20 Sep 2020.

Vancouver:

Villalva DLCS. Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Sep 20]. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-17072012-182838/ ;.

Council of Science Editors:

Villalva DLCS. Emissários do vento: um estudo dos tocadores de antaras representados na cerâmica ritual de Mochica e Nasca. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-17072012-182838/ ;

28. Takla, Philippe Racy. Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real.

Degree: Mestrado, Arqueologia, 2009, University of São Paulo

Este trabalho busca a elaboração de um quadro interpretativo que possibilite analisar o desenvolvimento do esquema decorativo presente nas salas do trono dos palácios construídos… (more)

Subjects/Keywords: Archaeology; Arqueologia; Assíria; Assyria; Iconografia; Iconography; Ideologia; Ideology; Palace; Palácio

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Takla, P. R. (2009). Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09042009-153010/ ;

Chicago Manual of Style (16th Edition):

Takla, Philippe Racy. “Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real.” 2009. Masters Thesis, University of São Paulo. Accessed September 20, 2020. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09042009-153010/ ;.

MLA Handbook (7th Edition):

Takla, Philippe Racy. “Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real.” 2009. Web. 20 Sep 2020.

Vancouver:

Takla PR. Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2020 Sep 20]. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09042009-153010/ ;.

Council of Science Editors:

Takla PR. Desenvolvimento do esquema decorativo das salas do trono do período neo-assírio (934-609 a.C.): imagem, texto e espaço como veículo da retórica real. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09042009-153010/ ;

29. Soares, Debora Leonel. Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual.

Degree: Mestrado, Arqueologia, 2015, University of São Paulo

Este trabalho propôs analisar a cerâmica ritual produzida pelos Mochica, sociedade que ocupou a costa norte peruana entre os séculos I e VIII d.C., com… (more)

Subjects/Keywords: Andes; Andes; Archaeology; Arqueologia; Iconografia; Iconography; Moche; Mochica; Shamanism; Xamanismo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Soares, D. L. (2015). Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/71/71131/tde-12082015-164534/ ;

Chicago Manual of Style (16th Edition):

Soares, Debora Leonel. “Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual.” 2015. Masters Thesis, University of São Paulo. Accessed September 20, 2020. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-12082015-164534/ ;.

MLA Handbook (7th Edition):

Soares, Debora Leonel. “Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual.” 2015. Web. 20 Sep 2020.

Vancouver:

Soares DL. Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual. [Internet] [Masters thesis]. University of São Paulo; 2015. [cited 2020 Sep 20]. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-12082015-164534/ ;.

Council of Science Editors:

Soares DL. Xamanismo e cosmovisão andina: um estudo sobre práticas de curanderismo Mochica expressas na cerâmica ritual. [Masters Thesis]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/71/71131/tde-12082015-164534/ ;

30. Ferraro, Juliana Ricarte. Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975).

Degree: PhD, Educação, 2013, University of São Paulo

A presente tese visa analisar e compreender as relações entre os textos e as imagens contidas no livro didático de autoria de Antonio José Borges… (more)

Subjects/Keywords: Didactic book; Ensino; Historiografia; Historiography; Iconografia; Iconography; Livro didático; Teaching

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ferraro, J. R. (2013). Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975). (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30032015-142645/ ;

Chicago Manual of Style (16th Edition):

Ferraro, Juliana Ricarte. “Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975).” 2013. Doctoral Dissertation, University of São Paulo. Accessed September 20, 2020. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30032015-142645/ ;.

MLA Handbook (7th Edition):

Ferraro, Juliana Ricarte. “Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975).” 2013. Web. 20 Sep 2020.

Vancouver:

Ferraro JR. Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975). [Internet] [Doctoral dissertation]. University of São Paulo; 2013. [cited 2020 Sep 20]. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30032015-142645/ ;.

Council of Science Editors:

Ferraro JR. Entre textos e imagens: o compêndio de história do Brasil de Borges Hermida (1962-1975). [Doctoral Dissertation]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-30032015-142645/ ;

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