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You searched for subject:(Hutcheon). Showing records 1 – 14 of 14 total matches.

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Vytautas Magnus University

1. Vaitonytė, Gintarė. Sovietinės tikrovės ironizavimas Ričardo Gavelio romane „Vilniaus pokeris“ ir Milano Kunderos romane „Nepakeliama būties lengvybė“.

Degree: Master, Philology, 2011, Vytautas Magnus University

Magistro darbe analizuojama, kokios sovietinės tikrovės aukos ironizuojamos 1987-1989 metų lietuvių ir čekų romanuose. Tiriamoji medžiaga ir šaltiniai – sovietinę tikrovę aprašantys romanai: Milano Kunderos… (more)

Subjects/Keywords: Sovietinė tikrovė; R. Gavelis; M. Kundera; Ironija; Hutcheon; Soviet reality; R. Gavelis; M. Kundera; Irony; Hutcheon

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APA (6th Edition):

Vaitonytė, Gintarė. (2011). Sovietinės tikrovės ironizavimas Ričardo Gavelio romane „Vilniaus pokeris“ ir Milano Kunderos romane „Nepakeliama būties lengvybė“. (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110616_173424-60168 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Vaitonytė, Gintarė. “Sovietinės tikrovės ironizavimas Ričardo Gavelio romane „Vilniaus pokeris“ ir Milano Kunderos romane „Nepakeliama būties lengvybė“.” 2011. Masters Thesis, Vytautas Magnus University. Accessed December 05, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110616_173424-60168 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Vaitonytė, Gintarė. “Sovietinės tikrovės ironizavimas Ričardo Gavelio romane „Vilniaus pokeris“ ir Milano Kunderos romane „Nepakeliama būties lengvybė“.” 2011. Web. 05 Dec 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Vaitonytė, Gintarė. Sovietinės tikrovės ironizavimas Ričardo Gavelio romane „Vilniaus pokeris“ ir Milano Kunderos romane „Nepakeliama būties lengvybė“. [Internet] [Masters thesis]. Vytautas Magnus University; 2011. [cited 2019 Dec 05]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110616_173424-60168 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Vaitonytė, Gintarė. Sovietinės tikrovės ironizavimas Ričardo Gavelio romane „Vilniaus pokeris“ ir Milano Kunderos romane „Nepakeliama būties lengvybė“. [Masters Thesis]. Vytautas Magnus University; 2011. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110616_173424-60168 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

2. Freiholtz, Anna. A New Original : The Adaptation of The Remains of The Day.

Degree: Humanities and Social Sciences, 2009, University of Gävle

The essay investigates the film adaptation The Remains of the Day. The novel and film are used to give examples of ways the story of a novel can change when it is adapted for film. The theoretical framework is based on Linda Hutcheon's concept of orginality and fidelity.

Subjects/Keywords: The Remains of the Day; adaptation; Ishiguro; Hutcheon

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APA (6th Edition):

Freiholtz, A. (2009). A New Original : The Adaptation of The Remains of The Day. (Thesis). University of Gävle. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-3785

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Freiholtz, Anna. “A New Original : The Adaptation of The Remains of The Day.” 2009. Thesis, University of Gävle. Accessed December 05, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-3785.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Freiholtz, Anna. “A New Original : The Adaptation of The Remains of The Day.” 2009. Web. 05 Dec 2019.

Vancouver:

Freiholtz A. A New Original : The Adaptation of The Remains of The Day. [Internet] [Thesis]. University of Gävle; 2009. [cited 2019 Dec 05]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-3785.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freiholtz A. A New Original : The Adaptation of The Remains of The Day. [Thesis]. University of Gävle; 2009. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-3785

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

3. Lamers, N.A. “Sneeuwwitje, ben jij dat?”; over de invloed van verschillende mediavormen op Sneeuwwitje en de Zeven Dwergen, gebaseerd op de editie van de Gebroeders Grimm.

Degree: 2015, Universiteit Utrecht

 “Sneeuwwitje, ben jij dat?” is een onderzoek naar het effect van de verschillende media-adaptaties op het oorspronkelijke verhaal van de gebroeders Grimm vanaf de negentiende… (more)

Subjects/Keywords: Sneeuwwitje; snow white; Grimm; media; Hutcheon; appropriation; transcoding

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APA (6th Edition):

Lamers, N. A. (2015). “Sneeuwwitje, ben jij dat?”; over de invloed van verschillende mediavormen op Sneeuwwitje en de Zeven Dwergen, gebaseerd op de editie van de Gebroeders Grimm. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/317880

Chicago Manual of Style (16th Edition):

Lamers, N A. ““Sneeuwwitje, ben jij dat?”; over de invloed van verschillende mediavormen op Sneeuwwitje en de Zeven Dwergen, gebaseerd op de editie van de Gebroeders Grimm.” 2015. Masters Thesis, Universiteit Utrecht. Accessed December 05, 2019. http://dspace.library.uu.nl:8080/handle/1874/317880.

MLA Handbook (7th Edition):

Lamers, N A. ““Sneeuwwitje, ben jij dat?”; over de invloed van verschillende mediavormen op Sneeuwwitje en de Zeven Dwergen, gebaseerd op de editie van de Gebroeders Grimm.” 2015. Web. 05 Dec 2019.

Vancouver:

Lamers NA. “Sneeuwwitje, ben jij dat?”; over de invloed van verschillende mediavormen op Sneeuwwitje en de Zeven Dwergen, gebaseerd op de editie van de Gebroeders Grimm. [Internet] [Masters thesis]. Universiteit Utrecht; 2015. [cited 2019 Dec 05]. Available from: http://dspace.library.uu.nl:8080/handle/1874/317880.

Council of Science Editors:

Lamers NA. “Sneeuwwitje, ben jij dat?”; over de invloed van verschillende mediavormen op Sneeuwwitje en de Zeven Dwergen, gebaseerd op de editie van de Gebroeders Grimm. [Masters Thesis]. Universiteit Utrecht; 2015. Available from: http://dspace.library.uu.nl:8080/handle/1874/317880

4. Solares Heredia, Martin Mauricio. Identité, pouvoir et métafiction dans le roman mexicain contemporain : 1991-1999 : Identity, Power and Metafiction in the Mexican Novel of the Nineties : 1991-1999.

Degree: Docteur es, Études hispano-Américaines, 2009, Université Sorbonne Nouvelle – Paris III

La construction des personnages et de représentations du pouvoir, ainsi que la mise en place d’une écriture métafictionnelle dans sept romans mexicains publiés dans les… (more)

Subjects/Keywords: Narratologie; Sémiologie; Métafiction; Identité; Pouvoir; Roman mexicain; Genette; Hamon; Barthes; Foucault; Propp; Hutcheon; Waugh; Narratology; Semiology; Metafiction; Identity; Power; Mexican novel; Genette; Hamon; Barthes; Foucault; Propp; Hutcheon; Waugh

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APA (6th Edition):

Solares Heredia, M. M. (2009). Identité, pouvoir et métafiction dans le roman mexicain contemporain : 1991-1999 : Identity, Power and Metafiction in the Mexican Novel of the Nineties : 1991-1999. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2009PA030060

Chicago Manual of Style (16th Edition):

Solares Heredia, Martin Mauricio. “Identité, pouvoir et métafiction dans le roman mexicain contemporain : 1991-1999 : Identity, Power and Metafiction in the Mexican Novel of the Nineties : 1991-1999.” 2009. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed December 05, 2019. http://www.theses.fr/2009PA030060.

MLA Handbook (7th Edition):

Solares Heredia, Martin Mauricio. “Identité, pouvoir et métafiction dans le roman mexicain contemporain : 1991-1999 : Identity, Power and Metafiction in the Mexican Novel of the Nineties : 1991-1999.” 2009. Web. 05 Dec 2019.

Vancouver:

Solares Heredia MM. Identité, pouvoir et métafiction dans le roman mexicain contemporain : 1991-1999 : Identity, Power and Metafiction in the Mexican Novel of the Nineties : 1991-1999. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2009. [cited 2019 Dec 05]. Available from: http://www.theses.fr/2009PA030060.

Council of Science Editors:

Solares Heredia MM. Identité, pouvoir et métafiction dans le roman mexicain contemporain : 1991-1999 : Identity, Power and Metafiction in the Mexican Novel of the Nineties : 1991-1999. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2009. Available from: http://www.theses.fr/2009PA030060


Universiteit Utrecht

5. Thyssen, Hans. Little Luring Lolita.

Degree: 2008, Universiteit Utrecht

 After Nabokov’s eponym entered the world she started to live a life on her own. She gets adapted almost every day and became a common… (more)

Subjects/Keywords: Letteren; Lolita; Vladimir Nabokov; American Beauty; Sam Mendes; Adrien Lyne; Popular Culture; Adaptation; Linda Hutcheon; Alan ball; Stephen Schiff

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APA (6th Edition):

Thyssen, H. (2008). Little Luring Lolita. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/31808

Chicago Manual of Style (16th Edition):

Thyssen, Hans. “Little Luring Lolita.” 2008. Masters Thesis, Universiteit Utrecht. Accessed December 05, 2019. http://dspace.library.uu.nl:8080/handle/1874/31808.

MLA Handbook (7th Edition):

Thyssen, Hans. “Little Luring Lolita.” 2008. Web. 05 Dec 2019.

Vancouver:

Thyssen H. Little Luring Lolita. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2019 Dec 05]. Available from: http://dspace.library.uu.nl:8080/handle/1874/31808.

Council of Science Editors:

Thyssen H. Little Luring Lolita. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/31808


Universiteit Utrecht

6. Corsius, P.M.E. Dramaturgie in transmediale projecten: Over onzichtbare adaptatie, mediumspecificiteit en de positionering van de gebruiker.

Degree: 2014, Universiteit Utrecht

 Er wordt steeds meer gebruik gemaakt van transmediale uitingen. Er is behoefte aan meer inzicht in de dramaturgische inbreng op dit terrein. In dit exploratieve… (more)

Subjects/Keywords: transmedia; storytelling; dramaturgie; gebruiker; adaptatie; franchising; remediation; mediumspecificiteit; media; maker; boek; tv-serie; game; spel; parkshow; attractie; speelfiguren; kostuums; Efteling; Raveleijn; Jenkins; Hutcheon; McLuhan; Gomez

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APA (6th Edition):

Corsius, P. M. E. (2014). Dramaturgie in transmediale projecten: Over onzichtbare adaptatie, mediumspecificiteit en de positionering van de gebruiker. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/289066

Chicago Manual of Style (16th Edition):

Corsius, P M E. “Dramaturgie in transmediale projecten: Over onzichtbare adaptatie, mediumspecificiteit en de positionering van de gebruiker.” 2014. Masters Thesis, Universiteit Utrecht. Accessed December 05, 2019. http://dspace.library.uu.nl:8080/handle/1874/289066.

MLA Handbook (7th Edition):

Corsius, P M E. “Dramaturgie in transmediale projecten: Over onzichtbare adaptatie, mediumspecificiteit en de positionering van de gebruiker.” 2014. Web. 05 Dec 2019.

Vancouver:

Corsius PME. Dramaturgie in transmediale projecten: Over onzichtbare adaptatie, mediumspecificiteit en de positionering van de gebruiker. [Internet] [Masters thesis]. Universiteit Utrecht; 2014. [cited 2019 Dec 05]. Available from: http://dspace.library.uu.nl:8080/handle/1874/289066.

Council of Science Editors:

Corsius PME. Dramaturgie in transmediale projecten: Over onzichtbare adaptatie, mediumspecificiteit en de positionering van de gebruiker. [Masters Thesis]. Universiteit Utrecht; 2014. Available from: http://dspace.library.uu.nl:8080/handle/1874/289066


Bowling Green State University

7. Barrie, Steven J. Shakespearean Variations: A Case Study of Hamlet, Prince of Denmark.

Degree: MA, English/Literature, 2009, Bowling Green State University

 In this thesis, I examine six adaptations of the narrative known primarily through William Shakespeare’s The Tragedy of Hamlet, Prince of Denmark to answer how… (more)

Subjects/Keywords: American Literature; English literature; Literature; Shakespeare; Hamlet; Saxo the Grammarian; Belleforest; Updike; Gertrude and Claudius; Almereyda; Wroblewski; The Story of Edgar Sawtelle; Adaptation; Evolution; Bortolotti; Hutcheon; Variation

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APA (6th Edition):

Barrie, S. J. (2009). Shakespearean Variations: A Case Study of Hamlet, Prince of Denmark. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245428198

Chicago Manual of Style (16th Edition):

Barrie, Steven J. “Shakespearean Variations: A Case Study of Hamlet, Prince of Denmark.” 2009. Masters Thesis, Bowling Green State University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245428198.

MLA Handbook (7th Edition):

Barrie, Steven J. “Shakespearean Variations: A Case Study of Hamlet, Prince of Denmark.” 2009. Web. 05 Dec 2019.

Vancouver:

Barrie SJ. Shakespearean Variations: A Case Study of Hamlet, Prince of Denmark. [Internet] [Masters thesis]. Bowling Green State University; 2009. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245428198.

Council of Science Editors:

Barrie SJ. Shakespearean Variations: A Case Study of Hamlet, Prince of Denmark. [Masters Thesis]. Bowling Green State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245428198


Queens University

8. Symko, Riva. Everything (Old was New) Already: Theories, Histories, and Politics of Appropriation, Contemporary Art, and Culture .

Degree: Art History, 2015, Queens University

 The past decade and a half of technological innovation and explosion of historical multiplicities have reignited the debates on appropriation. This dissertation contributes to the… (more)

Subjects/Keywords: Interstice; Authenticity; Copyright; Originality; Pastiche; Visual Art; Parody; Tricksters; Fredric Jameson; Creative Production; fair use; Linda Hutcheon; Fair Dealing; Commodity Self; Appropriation; Commodity Fetishism; Commodity Narcissism; Postmodernism; Intertextuality; Cultural Appropriation

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APA (6th Edition):

Symko, R. (2015). Everything (Old was New) Already: Theories, Histories, and Politics of Appropriation, Contemporary Art, and Culture . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/12676

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Symko, Riva. “Everything (Old was New) Already: Theories, Histories, and Politics of Appropriation, Contemporary Art, and Culture .” 2015. Thesis, Queens University. Accessed December 05, 2019. http://hdl.handle.net/1974/12676.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Symko, Riva. “Everything (Old was New) Already: Theories, Histories, and Politics of Appropriation, Contemporary Art, and Culture .” 2015. Web. 05 Dec 2019.

Vancouver:

Symko R. Everything (Old was New) Already: Theories, Histories, and Politics of Appropriation, Contemporary Art, and Culture . [Internet] [Thesis]. Queens University; 2015. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/1974/12676.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Symko R. Everything (Old was New) Already: Theories, Histories, and Politics of Appropriation, Contemporary Art, and Culture . [Thesis]. Queens University; 2015. Available from: http://hdl.handle.net/1974/12676

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Helsinki

9. Harjunen, Susan. Päällystakin muuttomatka – Adaptaatiot ja kontekstin muutos : Tutkimuskohteina Nikolai Gogolin novelli Päällystakki ja Esa Leskisen & Sami Keski-Vähälän näytelmä Päällystakki.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2016, University of Helsinki

 Tutkielmani tavoitteena on tarkastella Nikolai Gogolin novellia Päällystakki sekä Esa Leskisen ja Sami Keski-Vähälän näytelmää Päällystakki adaptaatiotutkimuksen näkökulmasta. Tarkoitukseni on tutkia, minkälaisia muutoksia tapahtuu, kun… (more)

Subjects/Keywords: Gogol, Nikolai; Leskinen, Esa; Keski-Vähälä, Sami; Hutcheon, Linda; päällystakki; muutos; muutto; adaptaatio; näytelmä; novelli; konteksti; aika; paikka; kulttuuri; Theatre Research; Teatteritiede; Teatervetenskap

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APA (6th Edition):

Harjunen, S. (2016). Päällystakin muuttomatka – Adaptaatiot ja kontekstin muutos : Tutkimuskohteina Nikolai Gogolin novelli Päällystakki ja Esa Leskisen & Sami Keski-Vähälän näytelmä Päällystakki. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/169709

Chicago Manual of Style (16th Edition):

Harjunen, Susan. “Päällystakin muuttomatka – Adaptaatiot ja kontekstin muutos : Tutkimuskohteina Nikolai Gogolin novelli Päällystakki ja Esa Leskisen & Sami Keski-Vähälän näytelmä Päällystakki.” 2016. Masters Thesis, University of Helsinki. Accessed December 05, 2019. http://hdl.handle.net/10138/169709.

MLA Handbook (7th Edition):

Harjunen, Susan. “Päällystakin muuttomatka – Adaptaatiot ja kontekstin muutos : Tutkimuskohteina Nikolai Gogolin novelli Päällystakki ja Esa Leskisen & Sami Keski-Vähälän näytelmä Päällystakki.” 2016. Web. 05 Dec 2019.

Vancouver:

Harjunen S. Päällystakin muuttomatka – Adaptaatiot ja kontekstin muutos : Tutkimuskohteina Nikolai Gogolin novelli Päällystakki ja Esa Leskisen & Sami Keski-Vähälän näytelmä Päällystakki. [Internet] [Masters thesis]. University of Helsinki; 2016. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10138/169709.

Council of Science Editors:

Harjunen S. Päällystakin muuttomatka – Adaptaatiot ja kontekstin muutos : Tutkimuskohteina Nikolai Gogolin novelli Päällystakki ja Esa Leskisen & Sami Keski-Vähälän näytelmä Päällystakki. [Masters Thesis]. University of Helsinki; 2016. Available from: http://hdl.handle.net/10138/169709

10. Zullo, Valentino L. The Comic(s) Shakespeare: <i>Kill Shakespeare</i> and Audience Experience in Adaptation Studies.

Degree: MA, English/Literature, 2013, Bowling Green State University

 In this thesis, I expand upon Linda Hutcheon's use of the terms knowing and unknowing audiences that she briefly outlines in her book <i>A Theory… (more)

Subjects/Keywords: Literature; Adaptation; Theory; Linda Hutcheon; Comics; Graphic Novel; Shakespeare; Hamlet; Pop Culture; Literature; Literacy; New Media

Hutcheon claims that adaptations have been defined as “secondary” or “derivative”(2)… …while Hutcheon, Thomas Leitch, and Deborah Cartmell attempt to redefine the field of… …briefly outlines in her book A Theory of Adaptation. Hutcheon suggests that when experiencing an… …unknowing” audience member, someone who is not familiar with an adapted work. Hutcheon proposes… …literacy or literacies. While Hutcheon provides a theory of adaptation that proposes a more… 

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APA (6th Edition):

Zullo, V. L. (2013). The Comic(s) Shakespeare: <i>Kill Shakespeare</i> and Audience Experience in Adaptation Studies. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363444777

Chicago Manual of Style (16th Edition):

Zullo, Valentino L. “The Comic(s) Shakespeare: <i>Kill Shakespeare</i> and Audience Experience in Adaptation Studies.” 2013. Masters Thesis, Bowling Green State University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363444777.

MLA Handbook (7th Edition):

Zullo, Valentino L. “The Comic(s) Shakespeare: <i>Kill Shakespeare</i> and Audience Experience in Adaptation Studies.” 2013. Web. 05 Dec 2019.

Vancouver:

Zullo VL. The Comic(s) Shakespeare: <i>Kill Shakespeare</i> and Audience Experience in Adaptation Studies. [Internet] [Masters thesis]. Bowling Green State University; 2013. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363444777.

Council of Science Editors:

Zullo VL. The Comic(s) Shakespeare: <i>Kill Shakespeare</i> and Audience Experience in Adaptation Studies. [Masters Thesis]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363444777


University of Melbourne

11. Castagnini, Laura. 'Parafeminism' and parody in contemporary art.

Degree: 2014, University of Melbourne

 Humour is a pleasurable and productive strategy for feminist artists; however, its role within feminist practice has received limited scholarly attention in the last two… (more)

Subjects/Keywords: art; contemporary art; art history; feminist art; feminism; parafeminism; parody; humour; funny; video art; performance art; Pipilotti Rist; Pickelporno; Mika Rottenberg; Mary's Cherries; Brown Council; Catherine Bell; Hotham Street Ladies; Amelia Jones; Linda Hutcheon; Jo Anna Isaak; Revolutionary Power of Women's Laughter

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APA (6th Edition):

Castagnini, L. (2014). 'Parafeminism' and parody in contemporary art. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/42114

Chicago Manual of Style (16th Edition):

Castagnini, Laura. “'Parafeminism' and parody in contemporary art.” 2014. Masters Thesis, University of Melbourne. Accessed December 05, 2019. http://hdl.handle.net/11343/42114.

MLA Handbook (7th Edition):

Castagnini, Laura. “'Parafeminism' and parody in contemporary art.” 2014. Web. 05 Dec 2019.

Vancouver:

Castagnini L. 'Parafeminism' and parody in contemporary art. [Internet] [Masters thesis]. University of Melbourne; 2014. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/11343/42114.

Council of Science Editors:

Castagnini L. 'Parafeminism' and parody in contemporary art. [Masters Thesis]. University of Melbourne; 2014. Available from: http://hdl.handle.net/11343/42114

12. Arrhénborg, Ludvig. Pyramid och mosaik : En jämförande adaptionsanalys av den narrativa strukturen mellan romanen Cloud Atlas och dess filmatisering.

Degree: Literature, 2016, Uppsala University

En adaptionsanalys som utforskar relationen mellan romanen Cloud Atlas av David Mitchell och dess filmatisering (2012) av Tom Tykwer och syskonen Wachowski. Fokuset ligger på skillnader och likheter i narrativ och vilka visuella möjligheter som kunnat tillföras när romanens handlingen gjordes om till filmformat. 

Subjects/Keywords: Cloud Atlas; David Mitchell; Mitchell; Linda Hutcheon; Hutcheon; Wachowski; Lana Wachowski; Tykwer; Tom Tykwer; Gerard Genette; Genette; fokalisering; fabula; adaption; adaptionsanalys; film; filmvetenskap; 2016; narrativ; narratologi; narratologisk; berättelse; berättande; handling; Arrhénborg; Ludvig Arrhénborg

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arrhénborg, L. (2016). Pyramid och mosaik : En jämförande adaptionsanalys av den narrativa strukturen mellan romanen Cloud Atlas och dess filmatisering. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-296708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arrhénborg, Ludvig. “Pyramid och mosaik : En jämförande adaptionsanalys av den narrativa strukturen mellan romanen Cloud Atlas och dess filmatisering.” 2016. Thesis, Uppsala University. Accessed December 05, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-296708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arrhénborg, Ludvig. “Pyramid och mosaik : En jämförande adaptionsanalys av den narrativa strukturen mellan romanen Cloud Atlas och dess filmatisering.” 2016. Web. 05 Dec 2019.

Vancouver:

Arrhénborg L. Pyramid och mosaik : En jämförande adaptionsanalys av den narrativa strukturen mellan romanen Cloud Atlas och dess filmatisering. [Internet] [Thesis]. Uppsala University; 2016. [cited 2019 Dec 05]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-296708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arrhénborg L. Pyramid och mosaik : En jämförande adaptionsanalys av den narrativa strukturen mellan romanen Cloud Atlas och dess filmatisering. [Thesis]. Uppsala University; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-296708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Adalberto Teixeira de Andrade Rocha. Liberty as pro-gression :: a study of the revolutions idealized in Areopagitica, The marriage of heaven and hell and The matrix.

Degree: 2007, Universidade Federal de Minas Gerais

 Impressions of truth and liberty are time and space specific. Historically, works of art stand as material manifestations of the physical conversions required by ideologies… (more)

Subjects/Keywords: Verdade. Teses.; Paródia Teses.; Blake, William. The marriage of heaven and hell Critica e interpretação Teses.; Hutcheon, Linda, 1947- Crítica e interpretação Teses.; Matrix (Filme) Crítica e interpretação Teses.; Liberdade de imprensa Grã-Bretanha Teses.; Pós-modernismo (Literatura) Teses.; Censura. Teses.; Cinema e literatura Teses.; Espaço e tempo na literatura Teses.; Milton, John 1608-1674. Areopagitica Critica e interpretação Teses.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rocha, A. T. d. A. (2007). Liberty as pro-gression :: a study of the revolutions idealized in Areopagitica, The marriage of heaven and hell and The matrix. (Thesis). Universidade Federal de Minas Gerais. Retrieved from http://hdl.handle.net/1843/ECAP-74BH3J

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rocha, Adalberto Teixeira de Andrade. “Liberty as pro-gression :: a study of the revolutions idealized in Areopagitica, The marriage of heaven and hell and The matrix.” 2007. Thesis, Universidade Federal de Minas Gerais. Accessed December 05, 2019. http://hdl.handle.net/1843/ECAP-74BH3J.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rocha, Adalberto Teixeira de Andrade. “Liberty as pro-gression :: a study of the revolutions idealized in Areopagitica, The marriage of heaven and hell and The matrix.” 2007. Web. 05 Dec 2019.

Vancouver:

Rocha ATdA. Liberty as pro-gression :: a study of the revolutions idealized in Areopagitica, The marriage of heaven and hell and The matrix. [Internet] [Thesis]. Universidade Federal de Minas Gerais; 2007. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/1843/ECAP-74BH3J.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rocha ATdA. Liberty as pro-gression :: a study of the revolutions idealized in Areopagitica, The marriage of heaven and hell and The matrix. [Thesis]. Universidade Federal de Minas Gerais; 2007. Available from: http://hdl.handle.net/1843/ECAP-74BH3J

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Wilmington

14. Williams, Cara. Adaptation and amplification in Paul Auster's City of glass.

Degree: 2009, University of North Carolina – Wilmington

 Paul Auster’s meta-fictional detective story, City of Glass, involves a complex linguistic investigation into the nature, function, and meaning of language. Using a highly conventional… (more)

Subjects/Keywords: Auster, Paul, 1947- City of glass  – Criticism and interpretation; Hutcheon, Linda, 1947- Theory of adaptation  – Criticism and interpretation; Karasik, Paul; Mazzucchelli, David

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Williams, C. (2009). Adaptation and amplification in Paul Auster's City of glass. (Masters Thesis). University of North Carolina – Wilmington. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=531

Chicago Manual of Style (16th Edition):

Williams, Cara. “Adaptation and amplification in Paul Auster's City of glass.” 2009. Masters Thesis, University of North Carolina – Wilmington. Accessed December 05, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=531.

MLA Handbook (7th Edition):

Williams, Cara. “Adaptation and amplification in Paul Auster's City of glass.” 2009. Web. 05 Dec 2019.

Vancouver:

Williams C. Adaptation and amplification in Paul Auster's City of glass. [Internet] [Masters thesis]. University of North Carolina – Wilmington; 2009. [cited 2019 Dec 05]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=531.

Council of Science Editors:

Williams C. Adaptation and amplification in Paul Auster's City of glass. [Masters Thesis]. University of North Carolina – Wilmington; 2009. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=531

.