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You searched for subject:(Human figure). Showing records 1 – 30 of 87 total matches.

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Colorado State University

1. Dirrim, David M. Human figure as fragmented form in space, The.

Degree: Master of Fine Arts (M.F.A.), Art, 2016, Colorado State University

 The works in the Master's Thesis exhibition are the result of the past five months of growth and study. The thesis represents the experimentation with… (more)

Subjects/Keywords: Sculpture; Human figure in art

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APA (6th Edition):

Dirrim, D. M. (2016). Human figure as fragmented form in space, The. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/173135

Chicago Manual of Style (16th Edition):

Dirrim, David M. “Human figure as fragmented form in space, The.” 2016. Masters Thesis, Colorado State University. Accessed December 08, 2019. http://hdl.handle.net/10217/173135.

MLA Handbook (7th Edition):

Dirrim, David M. “Human figure as fragmented form in space, The.” 2016. Web. 08 Dec 2019.

Vancouver:

Dirrim DM. Human figure as fragmented form in space, The. [Internet] [Masters thesis]. Colorado State University; 2016. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10217/173135.

Council of Science Editors:

Dirrim DM. Human figure as fragmented form in space, The. [Masters Thesis]. Colorado State University; 2016. Available from: http://hdl.handle.net/10217/173135


Rochester Institute of Technology

2. Larkin, Pamela Marie. A Universal and personal art through tradition and invention.

Degree: School of Art (CIAS), 1990, Rochester Institute of Technology

None provided. Advisors/Committee Members: Bornarth, Philip, Williams, Lawrence, Garland, Paul.

Subjects/Keywords: Human figure; Figure drawing; Figure painting

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APA (6th Edition):

Larkin, P. M. (1990). A Universal and personal art through tradition and invention. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Larkin, Pamela Marie. “A Universal and personal art through tradition and invention.” 1990. Thesis, Rochester Institute of Technology. Accessed December 08, 2019. https://scholarworks.rit.edu/theses/4939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Larkin, Pamela Marie. “A Universal and personal art through tradition and invention.” 1990. Web. 08 Dec 2019.

Vancouver:

Larkin PM. A Universal and personal art through tradition and invention. [Internet] [Thesis]. Rochester Institute of Technology; 1990. [cited 2019 Dec 08]. Available from: https://scholarworks.rit.edu/theses/4939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Larkin PM. A Universal and personal art through tradition and invention. [Thesis]. Rochester Institute of Technology; 1990. Available from: https://scholarworks.rit.edu/theses/4939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Carolina University

3. Sheppard, Austin. The Sum of the Parts.

Degree: 2010, East Carolina University

 The intent of this thesis report is to analyze, through my figurative sculpture, the various means through which science is currently exploring to reshape the… (more)

Subjects/Keywords: Philosophy of science; Human figure in art; Figure sculpture – 21st century

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APA (6th Edition):

Sheppard, A. (2010). The Sum of the Parts. (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/2674

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sheppard, Austin. “The Sum of the Parts.” 2010. Thesis, East Carolina University. Accessed December 08, 2019. http://hdl.handle.net/10342/2674.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sheppard, Austin. “The Sum of the Parts.” 2010. Web. 08 Dec 2019.

Vancouver:

Sheppard A. The Sum of the Parts. [Internet] [Thesis]. East Carolina University; 2010. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10342/2674.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sheppard A. The Sum of the Parts. [Thesis]. East Carolina University; 2010. Available from: http://hdl.handle.net/10342/2674

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Carolina University

4. Wooten, Christopher William. The Figure in Fine Art and Commercialism.

Degree: 2011, East Carolina University

 This body of sculpture is an exploration of the human figure through personal public and commercial works. The following thesis report will explore these various… (more)

Subjects/Keywords: Figure sculpture; Human figure in art; Sculpture, American – North Carolina

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wooten, C. W. (2011). The Figure in Fine Art and Commercialism. (Masters Thesis). East Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14697

Chicago Manual of Style (16th Edition):

Wooten, Christopher William. “The Figure in Fine Art and Commercialism.” 2011. Masters Thesis, East Carolina University. Accessed December 08, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14697.

MLA Handbook (7th Edition):

Wooten, Christopher William. “The Figure in Fine Art and Commercialism.” 2011. Web. 08 Dec 2019.

Vancouver:

Wooten CW. The Figure in Fine Art and Commercialism. [Internet] [Masters thesis]. East Carolina University; 2011. [cited 2019 Dec 08]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14697.

Council of Science Editors:

Wooten CW. The Figure in Fine Art and Commercialism. [Masters Thesis]. East Carolina University; 2011. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14697


Cape Peninsula University of Technology

5. Connor, Tenielle. The body as a canvas : a non-permanent form of body art inspired by body adornment practices .

Degree: 2010, Cape Peninsula University of Technology

 Forms of body adornment and scarification practices have been around since the origin of mankind. Many forms of traditional body adornment have evolved overtime and… (more)

Subjects/Keywords: Body art; Human figure in art

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APA (6th Edition):

Connor, T. (2010). The body as a canvas : a non-permanent form of body art inspired by body adornment practices . (Thesis). Cape Peninsula University of Technology. Retrieved from http://etd.cput.ac.za/handle/20.500.11838/1439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Connor, Tenielle. “The body as a canvas : a non-permanent form of body art inspired by body adornment practices .” 2010. Thesis, Cape Peninsula University of Technology. Accessed December 08, 2019. http://etd.cput.ac.za/handle/20.500.11838/1439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Connor, Tenielle. “The body as a canvas : a non-permanent form of body art inspired by body adornment practices .” 2010. Web. 08 Dec 2019.

Vancouver:

Connor T. The body as a canvas : a non-permanent form of body art inspired by body adornment practices . [Internet] [Thesis]. Cape Peninsula University of Technology; 2010. [cited 2019 Dec 08]. Available from: http://etd.cput.ac.za/handle/20.500.11838/1439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Connor T. The body as a canvas : a non-permanent form of body art inspired by body adornment practices . [Thesis]. Cape Peninsula University of Technology; 2010. Available from: http://etd.cput.ac.za/handle/20.500.11838/1439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Johannesburg

6. Rennie, Christy. Privileging corporeal identity : an embodied approach to artmaking practice.

Degree: 2012, University of Johannesburg

M.Tech.

In this research I offer a reading of selected work by South African artists, Joni Brenner, Berni Searle and Minnette Vári in relation to… (more)

Subjects/Keywords: Abject art; Human figure in art; Self

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APA (6th Edition):

Rennie, C. (2012). Privileging corporeal identity : an embodied approach to artmaking practice. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/4515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rennie, Christy. “Privileging corporeal identity : an embodied approach to artmaking practice.” 2012. Thesis, University of Johannesburg. Accessed December 08, 2019. http://hdl.handle.net/10210/4515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rennie, Christy. “Privileging corporeal identity : an embodied approach to artmaking practice.” 2012. Web. 08 Dec 2019.

Vancouver:

Rennie C. Privileging corporeal identity : an embodied approach to artmaking practice. [Internet] [Thesis]. University of Johannesburg; 2012. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10210/4515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rennie C. Privileging corporeal identity : an embodied approach to artmaking practice. [Thesis]. University of Johannesburg; 2012. Available from: http://hdl.handle.net/10210/4515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

7. Anderson, Douglas P. Figurative portraits/prints and paintings.

Degree: Master of Fine Arts (M.F.A.), Art, 2016, Colorado State University

 The human figure possesses all the forms, lines and shapes found in nature. What differentiates it from inanimate objects is that it also possesses a… (more)

Subjects/Keywords: Figurative art; Human figure in art

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APA (6th Edition):

Anderson, D. P. (2016). Figurative portraits/prints and paintings. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/172996

Chicago Manual of Style (16th Edition):

Anderson, Douglas P. “Figurative portraits/prints and paintings.” 2016. Masters Thesis, Colorado State University. Accessed December 08, 2019. http://hdl.handle.net/10217/172996.

MLA Handbook (7th Edition):

Anderson, Douglas P. “Figurative portraits/prints and paintings.” 2016. Web. 08 Dec 2019.

Vancouver:

Anderson DP. Figurative portraits/prints and paintings. [Internet] [Masters thesis]. Colorado State University; 2016. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10217/172996.

Council of Science Editors:

Anderson DP. Figurative portraits/prints and paintings. [Masters Thesis]. Colorado State University; 2016. Available from: http://hdl.handle.net/10217/172996


East Carolina University

8. Wooten, Christopher William. The Figure in Fine Art and Commercialism.

Degree: 2011, East Carolina University

 This body of sculpture is an exploration of the human figure through personal, public, and commercial works. The following thesis report will explore these various… (more)

Subjects/Keywords: Fine arts; Figures; Portraits; Sculpture; Figure sculpture; Human figure in art; Sculpture, American – North Carolina

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wooten, C. W. (2011). The Figure in Fine Art and Commercialism. (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/3579

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wooten, Christopher William. “The Figure in Fine Art and Commercialism.” 2011. Thesis, East Carolina University. Accessed December 08, 2019. http://hdl.handle.net/10342/3579.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wooten, Christopher William. “The Figure in Fine Art and Commercialism.” 2011. Web. 08 Dec 2019.

Vancouver:

Wooten CW. The Figure in Fine Art and Commercialism. [Internet] [Thesis]. East Carolina University; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10342/3579.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wooten CW. The Figure in Fine Art and Commercialism. [Thesis]. East Carolina University; 2011. Available from: http://hdl.handle.net/10342/3579

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Nelson Mandela Metropolitan University

9. Fuller, Michele. Reviewing medium: paint as flesh.

Degree: Faculty of Arts, 2011, Nelson Mandela Metropolitan University

 The research question explored in this exhibition and dissertation was to review the conventional notions of craftsmanship and the use of the specific medium of… (more)

Subjects/Keywords: Figure painting  – Exhibitions; Human figure in art  – Exhibitions; Anatomy, Artistic  – Exhibitions; Cadaver in art  – Exhibitions

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APA (6th Edition):

Fuller, M. (2011). Reviewing medium: paint as flesh. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/d1008590

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fuller, Michele. “Reviewing medium: paint as flesh.” 2011. Thesis, Nelson Mandela Metropolitan University. Accessed December 08, 2019. http://hdl.handle.net/10948/d1008590.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fuller, Michele. “Reviewing medium: paint as flesh.” 2011. Web. 08 Dec 2019.

Vancouver:

Fuller M. Reviewing medium: paint as flesh. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10948/d1008590.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fuller M. Reviewing medium: paint as flesh. [Thesis]. Nelson Mandela Metropolitan University; 2011. Available from: http://hdl.handle.net/10948/d1008590

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

10. Chou, Pei-Yung. Striking visual contrasts.

Degree: School of Art (CIAS), 1990, Rochester Institute of Technology

 In the thesis, I plan to make experiments mainly about blending graphic forms in painting, possibly combining all kinds of different forms that I am… (more)

Subjects/Keywords: Figure painting; Human figure in art

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APA (6th Edition):

Chou, P. (1990). Striking visual contrasts. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chou, Pei-Yung. “Striking visual contrasts.” 1990. Thesis, Rochester Institute of Technology. Accessed December 08, 2019. https://scholarworks.rit.edu/theses/4938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chou, Pei-Yung. “Striking visual contrasts.” 1990. Web. 08 Dec 2019.

Vancouver:

Chou P. Striking visual contrasts. [Internet] [Thesis]. Rochester Institute of Technology; 1990. [cited 2019 Dec 08]. Available from: https://scholarworks.rit.edu/theses/4938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chou P. Striking visual contrasts. [Thesis]. Rochester Institute of Technology; 1990. Available from: https://scholarworks.rit.edu/theses/4938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Hong Kong University of Science and Technology

11. Tsui, Sai Kit. A quest for the body : a critical study of the nudity in Xu Beihong's Chinese paintings and its impact.

Degree: 2013, Hong Kong University of Science and Technology

 This paper examines the nude paintings in brush and ink by Xu Beihong 徐悲鴻, one of the forerunners in the movement for reforming Chinese painting… (more)

Subjects/Keywords: Xu, Beihong, 1895-1953; Human figure in art; Nude in art

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APA (6th Edition):

Tsui, S. K. (2013). A quest for the body : a critical study of the nudity in Xu Beihong's Chinese paintings and its impact. (Thesis). Hong Kong University of Science and Technology. Retrieved from https://doi.org/10.14711/thesis-b1251163 ; http://repository.ust.hk/ir/bitstream/1783.1-62341/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tsui, Sai Kit. “A quest for the body : a critical study of the nudity in Xu Beihong's Chinese paintings and its impact.” 2013. Thesis, Hong Kong University of Science and Technology. Accessed December 08, 2019. https://doi.org/10.14711/thesis-b1251163 ; http://repository.ust.hk/ir/bitstream/1783.1-62341/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tsui, Sai Kit. “A quest for the body : a critical study of the nudity in Xu Beihong's Chinese paintings and its impact.” 2013. Web. 08 Dec 2019.

Vancouver:

Tsui SK. A quest for the body : a critical study of the nudity in Xu Beihong's Chinese paintings and its impact. [Internet] [Thesis]. Hong Kong University of Science and Technology; 2013. [cited 2019 Dec 08]. Available from: https://doi.org/10.14711/thesis-b1251163 ; http://repository.ust.hk/ir/bitstream/1783.1-62341/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tsui SK. A quest for the body : a critical study of the nudity in Xu Beihong's Chinese paintings and its impact. [Thesis]. Hong Kong University of Science and Technology; 2013. Available from: https://doi.org/10.14711/thesis-b1251163 ; http://repository.ust.hk/ir/bitstream/1783.1-62341/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

12. Reilly, Warren Andrew. An analysis of traditional and digital methods for producing three dimensional artworks.

Degree: PhD, 2011, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This document is an investigation into the tools and processes used by artists and designers to convert their… (more)

Subjects/Keywords: three dimensional art; sculptures; human figure; artwork creation; virtual clays

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reilly, W. A. (2011). An analysis of traditional and digital methods for producing three dimensional artworks. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/929800

Chicago Manual of Style (16th Edition):

Reilly, Warren Andrew. “An analysis of traditional and digital methods for producing three dimensional artworks.” 2011. Doctoral Dissertation, University of Newcastle. Accessed December 08, 2019. http://hdl.handle.net/1959.13/929800.

MLA Handbook (7th Edition):

Reilly, Warren Andrew. “An analysis of traditional and digital methods for producing three dimensional artworks.” 2011. Web. 08 Dec 2019.

Vancouver:

Reilly WA. An analysis of traditional and digital methods for producing three dimensional artworks. [Internet] [Doctoral dissertation]. University of Newcastle; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1959.13/929800.

Council of Science Editors:

Reilly WA. An analysis of traditional and digital methods for producing three dimensional artworks. [Doctoral Dissertation]. University of Newcastle; 2011. Available from: http://hdl.handle.net/1959.13/929800

13. Favier, Anne. Reconvocations, effacements, résistances de la figure : “Returns, Erasures, Resistances of the figure”.

Degree: Docteur es, Sciences de l'art et esthétique, 2013, Saint-Etienne

Cette thèse propose une réflexion sur la représentation de la figure humaine au-delà de la « ressemblance cadavérique » présumée par Maurice Blanchot. Nous interrogeons… (more)

Subjects/Keywords: Iconoclasme; Infigurable; Surexposition; Contemporary art; Human figure; Iconoplastic configuration

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APA (6th Edition):

Favier, A. (2013). Reconvocations, effacements, résistances de la figure : “Returns, Erasures, Resistances of the figure”. (Doctoral Dissertation). Saint-Etienne. Retrieved from http://www.theses.fr/2013STET2182

Chicago Manual of Style (16th Edition):

Favier, Anne. “Reconvocations, effacements, résistances de la figure : “Returns, Erasures, Resistances of the figure”.” 2013. Doctoral Dissertation, Saint-Etienne. Accessed December 08, 2019. http://www.theses.fr/2013STET2182.

MLA Handbook (7th Edition):

Favier, Anne. “Reconvocations, effacements, résistances de la figure : “Returns, Erasures, Resistances of the figure”.” 2013. Web. 08 Dec 2019.

Vancouver:

Favier A. Reconvocations, effacements, résistances de la figure : “Returns, Erasures, Resistances of the figure”. [Internet] [Doctoral dissertation]. Saint-Etienne; 2013. [cited 2019 Dec 08]. Available from: http://www.theses.fr/2013STET2182.

Council of Science Editors:

Favier A. Reconvocations, effacements, résistances de la figure : “Returns, Erasures, Resistances of the figure”. [Doctoral Dissertation]. Saint-Etienne; 2013. Available from: http://www.theses.fr/2013STET2182


Montana Tech

14. McElroy, Jacquelyn Ann. Digressions from the figure.

Degree: MA, 1966, Montana Tech

Subjects/Keywords: Human figure in art; Art

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APA (6th Edition):

McElroy, J. A. (1966). Digressions from the figure. (Masters Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/2073

Chicago Manual of Style (16th Edition):

McElroy, Jacquelyn Ann. “Digressions from the figure.” 1966. Masters Thesis, Montana Tech. Accessed December 08, 2019. https://scholarworks.umt.edu/etd/2073.

MLA Handbook (7th Edition):

McElroy, Jacquelyn Ann. “Digressions from the figure.” 1966. Web. 08 Dec 2019.

Vancouver:

McElroy JA. Digressions from the figure. [Internet] [Masters thesis]. Montana Tech; 1966. [cited 2019 Dec 08]. Available from: https://scholarworks.umt.edu/etd/2073.

Council of Science Editors:

McElroy JA. Digressions from the figure. [Masters Thesis]. Montana Tech; 1966. Available from: https://scholarworks.umt.edu/etd/2073


Princeton University

15. Butterfield-Rosen, Emmelyn. The Disposition of Persons: Conventions of Pose and the Modernization of Figural Art, 1886-1912 .

Degree: PhD, 2015, Princeton University

 “The Disposition of Persons: Conventions of Pose and the Modernization of Figural Art, 1886-1912” examines the emergence of new conventions for posing and positioning the… (more)

Subjects/Keywords: Georges Seurat; Gustav Klimt; human figure; pose; Vaslav Nijinsky

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APA (6th Edition):

Butterfield-Rosen, E. (2015). The Disposition of Persons: Conventions of Pose and the Modernization of Figural Art, 1886-1912 . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01cn69m652t

Chicago Manual of Style (16th Edition):

Butterfield-Rosen, Emmelyn. “The Disposition of Persons: Conventions of Pose and the Modernization of Figural Art, 1886-1912 .” 2015. Doctoral Dissertation, Princeton University. Accessed December 08, 2019. http://arks.princeton.edu/ark:/88435/dsp01cn69m652t.

MLA Handbook (7th Edition):

Butterfield-Rosen, Emmelyn. “The Disposition of Persons: Conventions of Pose and the Modernization of Figural Art, 1886-1912 .” 2015. Web. 08 Dec 2019.

Vancouver:

Butterfield-Rosen E. The Disposition of Persons: Conventions of Pose and the Modernization of Figural Art, 1886-1912 . [Internet] [Doctoral dissertation]. Princeton University; 2015. [cited 2019 Dec 08]. Available from: http://arks.princeton.edu/ark:/88435/dsp01cn69m652t.

Council of Science Editors:

Butterfield-Rosen E. The Disposition of Persons: Conventions of Pose and the Modernization of Figural Art, 1886-1912 . [Doctoral Dissertation]. Princeton University; 2015. Available from: http://arks.princeton.edu/ark:/88435/dsp01cn69m652t


Montana State University

16. Moffett, Jessica. Painting the impulse.

Degree: College of Arts & Architecture, 2005, Montana State University

 My primary focus in my paintings is the male figure. These paintings have evolved in a non linear progression. I went from representational to partly… (more)

Subjects/Keywords: Art Exhibitions.; Figure painting.; Human figure in art.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moffett, J. (2005). Painting the impulse. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/1889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moffett, Jessica. “Painting the impulse.” 2005. Thesis, Montana State University. Accessed December 08, 2019. https://scholarworks.montana.edu/xmlui/handle/1/1889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moffett, Jessica. “Painting the impulse.” 2005. Web. 08 Dec 2019.

Vancouver:

Moffett J. Painting the impulse. [Internet] [Thesis]. Montana State University; 2005. [cited 2019 Dec 08]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/1889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moffett J. Painting the impulse. [Thesis]. Montana State University; 2005. Available from: https://scholarworks.montana.edu/xmlui/handle/1/1889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Hunter, Mary Jane. Projective Use of Human-Figure Drawings.

Degree: 1960, North Texas State College

 The first aspect of the problem of this study is to investigate a number of drawing characteristics, the interpretation of which is frequently associated with… (more)

Subjects/Keywords: human-figure drawings; personality assessments; figure-drawing tests

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hunter, M. J. (1960). Projective Use of Human-Figure Drawings. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699682/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hunter, Mary Jane. “Projective Use of Human-Figure Drawings.” 1960. Thesis, North Texas State College. Accessed December 08, 2019. https://digital.library.unt.edu/ark:/67531/metadc699682/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hunter, Mary Jane. “Projective Use of Human-Figure Drawings.” 1960. Web. 08 Dec 2019.

Vancouver:

Hunter MJ. Projective Use of Human-Figure Drawings. [Internet] [Thesis]. North Texas State College; 1960. [cited 2019 Dec 08]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699682/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hunter MJ. Projective Use of Human-Figure Drawings. [Thesis]. North Texas State College; 1960. Available from: https://digital.library.unt.edu/ark:/67531/metadc699682/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

18. Mersch, Monica Ann. Externalizing the internal.

Degree: Master of Fine Arts (M.F.A.), Art, 2007, Colorado State University

To view the abstract, please see the full text of the document. Advisors/Committee Members: Ellerby, David A. (advisor), Orman, Jack L. (committee member), Thiem, Jon (committee member), Twarogowski, Leroy A. (committee member), Dormer, James T. (committee member).

Subjects/Keywords: Figure drawing; Human figure in art; Portrait drawing

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APA (6th Edition):

Mersch, M. A. (2007). Externalizing the internal. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/86870

Chicago Manual of Style (16th Edition):

Mersch, Monica Ann. “Externalizing the internal.” 2007. Masters Thesis, Colorado State University. Accessed December 08, 2019. http://hdl.handle.net/10217/86870.

MLA Handbook (7th Edition):

Mersch, Monica Ann. “Externalizing the internal.” 2007. Web. 08 Dec 2019.

Vancouver:

Mersch MA. Externalizing the internal. [Internet] [Masters thesis]. Colorado State University; 2007. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10217/86870.

Council of Science Editors:

Mersch MA. Externalizing the internal. [Masters Thesis]. Colorado State University; 2007. Available from: http://hdl.handle.net/10217/86870


Columbia University

19. Gassaway, William Tyler. Extraordinary Bodies: Death, Divinity, and Distortion in the Art of Postclassic Mexico.

Degree: 2019, Columbia University

 The dissertation examines the appearance and meanings of corporeal anomaly in the arts of Postclassic Mexico (AD 900–1521). Drawing specifically upon those categories of the… (more)

Subjects/Keywords: Art; Abnormalities, Human, in art; Human figure in art; Art, Mexican; Death in art

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APA (6th Edition):

Gassaway, W. T. (2019). Extraordinary Bodies: Death, Divinity, and Distortion in the Art of Postclassic Mexico. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-6ckp-9784

Chicago Manual of Style (16th Edition):

Gassaway, William Tyler. “Extraordinary Bodies: Death, Divinity, and Distortion in the Art of Postclassic Mexico.” 2019. Doctoral Dissertation, Columbia University. Accessed December 08, 2019. https://doi.org/10.7916/d8-6ckp-9784.

MLA Handbook (7th Edition):

Gassaway, William Tyler. “Extraordinary Bodies: Death, Divinity, and Distortion in the Art of Postclassic Mexico.” 2019. Web. 08 Dec 2019.

Vancouver:

Gassaway WT. Extraordinary Bodies: Death, Divinity, and Distortion in the Art of Postclassic Mexico. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2019 Dec 08]. Available from: https://doi.org/10.7916/d8-6ckp-9784.

Council of Science Editors:

Gassaway WT. Extraordinary Bodies: Death, Divinity, and Distortion in the Art of Postclassic Mexico. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-6ckp-9784


University of South Carolina

20. Goold, Caleigh Eveleth. Figure and Flora.

Degree: MAin Art Studio, Art, 2015, University of South Carolina

  ‘Figure and Flora’ is an exploration of the visual relationship between the human figure and various forms of plant life. It is an exercise… (more)

Subjects/Keywords: Art Practice; Arts and Humanities; human figure; plant life; color; shape; form; human body

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APA (6th Edition):

Goold, C. E. (2015). Figure and Flora. (Masters Thesis). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/3080

Chicago Manual of Style (16th Edition):

Goold, Caleigh Eveleth. “Figure and Flora.” 2015. Masters Thesis, University of South Carolina. Accessed December 08, 2019. https://scholarcommons.sc.edu/etd/3080.

MLA Handbook (7th Edition):

Goold, Caleigh Eveleth. “Figure and Flora.” 2015. Web. 08 Dec 2019.

Vancouver:

Goold CE. Figure and Flora. [Internet] [Masters thesis]. University of South Carolina; 2015. [cited 2019 Dec 08]. Available from: https://scholarcommons.sc.edu/etd/3080.

Council of Science Editors:

Goold CE. Figure and Flora. [Masters Thesis]. University of South Carolina; 2015. Available from: https://scholarcommons.sc.edu/etd/3080


Durban University of Technology

21. Knudsen, Dane. NSFW contextual influences on perception : representations of the nude in public and private spaces.

Degree: 2017, Durban University of Technology

Submitted in partial fulfilment of the requirements for the Masters of Technology in Graphic Design Degree, Durban University of Technology, 2017.

The aim of this… (more)

Subjects/Keywords: Graphic arts; Visual perception; Human figure in art; Nude in art – Social aspects

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Knudsen, D. (2017). NSFW contextual influences on perception : representations of the nude in public and private spaces. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/2500

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Knudsen, Dane. “NSFW contextual influences on perception : representations of the nude in public and private spaces.” 2017. Thesis, Durban University of Technology. Accessed December 08, 2019. http://hdl.handle.net/10321/2500.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Knudsen, Dane. “NSFW contextual influences on perception : representations of the nude in public and private spaces.” 2017. Web. 08 Dec 2019.

Vancouver:

Knudsen D. NSFW contextual influences on perception : representations of the nude in public and private spaces. [Internet] [Thesis]. Durban University of Technology; 2017. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10321/2500.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Knudsen D. NSFW contextual influences on perception : representations of the nude in public and private spaces. [Thesis]. Durban University of Technology; 2017. Available from: http://hdl.handle.net/10321/2500

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

22. [No author]. The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler.

Degree: Fine art, 2010, University of KwaZulu-Natal

 This dissertation explored visual representations of death in the photographic work of Andres Serrano and Joel-Peter Witkin, as well as the MAFA candidate's (David Buchler)… (more)

Subjects/Keywords: Serrano, Andres, 1950-; Witkin, Joel-Peter, 1939-; Death.; Human figure in art.; Fine art.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2010). The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3363

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. ” 2010. Thesis, University of KwaZulu-Natal. Accessed December 08, 2019. http://hdl.handle.net/10413/3363.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. ” 2010. Web. 08 Dec 2019.

Vancouver:

author] [. The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. [Internet] [Thesis]. University of KwaZulu-Natal; 2010. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10413/3363.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. [Thesis]. University of KwaZulu-Natal; 2010. Available from: http://hdl.handle.net/10413/3363

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

23. Peebles, Matthew. Act as Attribute: The Attacking Body in Ancient Greek Art.

Degree: 2019, Columbia University

 An image of the body in the act of attack might be taken as an inherently episodic or narrative motif, due to the apparently transitive… (more)

Subjects/Keywords: Art; Art, Ancient; Art, Greek; Violence in art; Human figure in art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peebles, M. (2019). Act as Attribute: The Attacking Body in Ancient Greek Art. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-7mjv-9r98

Chicago Manual of Style (16th Edition):

Peebles, Matthew. “Act as Attribute: The Attacking Body in Ancient Greek Art.” 2019. Doctoral Dissertation, Columbia University. Accessed December 08, 2019. https://doi.org/10.7916/d8-7mjv-9r98.

MLA Handbook (7th Edition):

Peebles, Matthew. “Act as Attribute: The Attacking Body in Ancient Greek Art.” 2019. Web. 08 Dec 2019.

Vancouver:

Peebles M. Act as Attribute: The Attacking Body in Ancient Greek Art. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2019 Dec 08]. Available from: https://doi.org/10.7916/d8-7mjv-9r98.

Council of Science Editors:

Peebles M. Act as Attribute: The Attacking Body in Ancient Greek Art. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-7mjv-9r98


Kansas State University

24. Ogg, Rosella Hiebert. The figure in painting.

Degree: 1963, Kansas State University

Subjects/Keywords: Human figure in art.; Masters theses

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ogg, R. H. (1963). The figure in painting. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/25713

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ogg, Rosella Hiebert. “The figure in painting.” 1963. Thesis, Kansas State University. Accessed December 08, 2019. http://hdl.handle.net/2097/25713.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ogg, Rosella Hiebert. “The figure in painting.” 1963. Web. 08 Dec 2019.

Vancouver:

Ogg RH. The figure in painting. [Internet] [Thesis]. Kansas State University; 1963. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2097/25713.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ogg RH. The figure in painting. [Thesis]. Kansas State University; 1963. Available from: http://hdl.handle.net/2097/25713

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lethbridge

25. Espezel, Amanda. Working from the body : subjectivity and the artistic process .

Degree: 2011, University of Lethbridge

 This paper is about the subjectivity of the body, and what this means in terms of my artistic practice. Composed in two sections, the first… (more)

Subjects/Keywords: Human figure in art; Painting; Art, Modern; Art  – Exhibitions; Installations (Art); Dissertations, Academic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Espezel, A. (2011). Working from the body : subjectivity and the artistic process . (Thesis). University of Lethbridge. Retrieved from http://hdl.handle.net/10133/3246

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Espezel, Amanda. “Working from the body : subjectivity and the artistic process .” 2011. Thesis, University of Lethbridge. Accessed December 08, 2019. http://hdl.handle.net/10133/3246.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Espezel, Amanda. “Working from the body : subjectivity and the artistic process .” 2011. Web. 08 Dec 2019.

Vancouver:

Espezel A. Working from the body : subjectivity and the artistic process . [Internet] [Thesis]. University of Lethbridge; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10133/3246.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Espezel A. Working from the body : subjectivity and the artistic process . [Thesis]. University of Lethbridge; 2011. Available from: http://hdl.handle.net/10133/3246

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

26. Hawkins, Daniel Fleming, 1938-. Sculpture of the image of man.

Degree: MFA, Art, 1964, University of Texas – Austin

Subjects/Keywords: Sculpture – Technique; Human figure in art

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APA (6th Edition):

Hawkins, Daniel Fleming, 1. (1964). Sculpture of the image of man. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/62797

Chicago Manual of Style (16th Edition):

Hawkins, Daniel Fleming, 1938-. “Sculpture of the image of man.” 1964. Masters Thesis, University of Texas – Austin. Accessed December 08, 2019. http://hdl.handle.net/2152/62797.

MLA Handbook (7th Edition):

Hawkins, Daniel Fleming, 1938-. “Sculpture of the image of man.” 1964. Web. 08 Dec 2019.

Vancouver:

Hawkins, Daniel Fleming 1. Sculpture of the image of man. [Internet] [Masters thesis]. University of Texas – Austin; 1964. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2152/62797.

Council of Science Editors:

Hawkins, Daniel Fleming 1. Sculpture of the image of man. [Masters Thesis]. University of Texas – Austin; 1964. Available from: http://hdl.handle.net/2152/62797


University of Canberra

27. Drake, Scott. A well-composed body: anthropomorphism in architecture.

Degree: 2003, University of Canberra

 Since the writings of Vitruvius in the first century AD, the use of the human body as a metaphorical and symbolic referent has provided what is… (more)

Subjects/Keywords: anthropomorphism; human figure; architecture; human body; anatomy

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APA (6th Edition):

Drake, S. (2003). A well-composed body: anthropomorphism in architecture. (Thesis). University of Canberra. Retrieved from http://erl.canberra.edu.au./public/adt-AUC20060713.101839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drake, Scott. “A well-composed body: anthropomorphism in architecture.” 2003. Thesis, University of Canberra. Accessed December 08, 2019. http://erl.canberra.edu.au./public/adt-AUC20060713.101839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drake, Scott. “A well-composed body: anthropomorphism in architecture.” 2003. Web. 08 Dec 2019.

Vancouver:

Drake S. A well-composed body: anthropomorphism in architecture. [Internet] [Thesis]. University of Canberra; 2003. [cited 2019 Dec 08]. Available from: http://erl.canberra.edu.au./public/adt-AUC20060713.101839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drake S. A well-composed body: anthropomorphism in architecture. [Thesis]. University of Canberra; 2003. Available from: http://erl.canberra.edu.au./public/adt-AUC20060713.101839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Logar, Vesna. Spremljava likovnih postopkov pri upodabljanju človeške figure.

Degree: 2015, Univerza v Mariboru

V uvodnem poglavju magistrskega dela smo opisali in razložili pojma risanje in risba. Osredotočili smo se predvsem na otroško risbo in pri tem opisali njene… (more)

Subjects/Keywords: oblikovni razvoj; optično tematski razvoj; ustvarjalni razvoj; risanje človeške figure.; Keywords: design development; optical thematic development; creative development; human figure drawing. ; info:eu-repo/classification/udc/373.3:74(043.2)

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APA (6th Edition):

Logar, V. (2015). Spremljava likovnih postopkov pri upodabljanju človeške figure. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=48600 ; https://dk.um.si/Dokument.php?id=73118&dn= ; https://plus.si.cobiss.net/opac7/bib/21533960?lang=sl

Chicago Manual of Style (16th Edition):

Logar, Vesna. “Spremljava likovnih postopkov pri upodabljanju človeške figure.” 2015. Masters Thesis, Univerza v Mariboru. Accessed December 08, 2019. https://dk.um.si/IzpisGradiva.php?id=48600 ; https://dk.um.si/Dokument.php?id=73118&dn= ; https://plus.si.cobiss.net/opac7/bib/21533960?lang=sl.

MLA Handbook (7th Edition):

Logar, Vesna. “Spremljava likovnih postopkov pri upodabljanju človeške figure.” 2015. Web. 08 Dec 2019.

Vancouver:

Logar V. Spremljava likovnih postopkov pri upodabljanju človeške figure. [Internet] [Masters thesis]. Univerza v Mariboru; 2015. [cited 2019 Dec 08]. Available from: https://dk.um.si/IzpisGradiva.php?id=48600 ; https://dk.um.si/Dokument.php?id=73118&dn= ; https://plus.si.cobiss.net/opac7/bib/21533960?lang=sl.

Council of Science Editors:

Logar V. Spremljava likovnih postopkov pri upodabljanju človeške figure. [Masters Thesis]. Univerza v Mariboru; 2015. Available from: https://dk.um.si/IzpisGradiva.php?id=48600 ; https://dk.um.si/Dokument.php?id=73118&dn= ; https://plus.si.cobiss.net/opac7/bib/21533960?lang=sl


University of Oxford

29. Tsingarida, Athéna. Anatomy and poses of the human figure in Attic art from the last quarter of the sixth to the first quarter of the fifth centuries B.C.

Degree: PhD, 1997, University of Oxford

 This thesis examines the extent to which a more accurate representation of the human body is developed from the last decades of the sixth century,… (more)

Subjects/Keywords: 700; Art, Greek; Human figure in art

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APA (6th Edition):

Tsingarida, A. (1997). Anatomy and poses of the human figure in Attic art from the last quarter of the sixth to the first quarter of the fifth centuries B.C. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:f3d9cb4a-3f9d-49f4-947d-58127044691f ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365348

Chicago Manual of Style (16th Edition):

Tsingarida, Athéna. “Anatomy and poses of the human figure in Attic art from the last quarter of the sixth to the first quarter of the fifth centuries B.C.” 1997. Doctoral Dissertation, University of Oxford. Accessed December 08, 2019. http://ora.ox.ac.uk/objects/uuid:f3d9cb4a-3f9d-49f4-947d-58127044691f ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365348.

MLA Handbook (7th Edition):

Tsingarida, Athéna. “Anatomy and poses of the human figure in Attic art from the last quarter of the sixth to the first quarter of the fifth centuries B.C.” 1997. Web. 08 Dec 2019.

Vancouver:

Tsingarida A. Anatomy and poses of the human figure in Attic art from the last quarter of the sixth to the first quarter of the fifth centuries B.C. [Internet] [Doctoral dissertation]. University of Oxford; 1997. [cited 2019 Dec 08]. Available from: http://ora.ox.ac.uk/objects/uuid:f3d9cb4a-3f9d-49f4-947d-58127044691f ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365348.

Council of Science Editors:

Tsingarida A. Anatomy and poses of the human figure in Attic art from the last quarter of the sixth to the first quarter of the fifth centuries B.C. [Doctoral Dissertation]. University of Oxford; 1997. Available from: http://ora.ox.ac.uk/objects/uuid:f3d9cb4a-3f9d-49f4-947d-58127044691f ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365348


Universidade Presbiteriana Mackenzie

30. Mariana de Luccia. Comparison between intellectual level of institutionalized and non-institutionalized children.

Degree: 2010, Universidade Presbiteriana Mackenzie

This research aimed to compare the intellectual level of institutionalized and non-institutionalized children. 20 children, aged 8 to 11 years old (9 female and 11… (more)

Subjects/Keywords: human figure drawing; sheltered children; desenho da figura humana; nível intelectual; crianças abrigadas; PSICOLOGIA; intellectual level

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APA (6th Edition):

Luccia, M. d. (2010). Comparison between intellectual level of institutionalized and non-institutionalized children. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=2173

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luccia, Mariana de. “Comparison between intellectual level of institutionalized and non-institutionalized children.” 2010. Thesis, Universidade Presbiteriana Mackenzie. Accessed December 08, 2019. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=2173.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luccia, Mariana de. “Comparison between intellectual level of institutionalized and non-institutionalized children.” 2010. Web. 08 Dec 2019.

Vancouver:

Luccia Md. Comparison between intellectual level of institutionalized and non-institutionalized children. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2010. [cited 2019 Dec 08]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=2173.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luccia Md. Comparison between intellectual level of institutionalized and non-institutionalized children. [Thesis]. Universidade Presbiteriana Mackenzie; 2010. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=2173

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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