Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Horror films History AND criticism 60). Showing records 1 – 30 of 4759 total matches.

[1] [2] [3] [4] [5] … [159]

Search Limiters

Last 2 Years | English Only

Degrees

Levels

Languages

Country

▼ Search Limiters


Nelson Mandela Metropolitan University

1. Vermaak, Janelle Leigh. Part one: "Horror versus terror in the body genre" : part two: "Silent planet".

Degree: Faculty of Arts, 2007, Nelson Mandela Metropolitan University

 This article seeks to investigate this balance and to interrogate the difference between horror and terror in an attempt to contribute to the development of… (more)

Subjects/Keywords: Horror films  – History and criticism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vermaak, J. L. (2007). Part one: "Horror versus terror in the body genre" : part two: "Silent planet". (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vermaak, Janelle Leigh. “Part one: "Horror versus terror in the body genre" : part two: "Silent planet".” 2007. Thesis, Nelson Mandela Metropolitan University. Accessed October 16, 2019. http://hdl.handle.net/10948/636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vermaak, Janelle Leigh. “Part one: "Horror versus terror in the body genre" : part two: "Silent planet".” 2007. Web. 16 Oct 2019.

Vancouver:

Vermaak JL. Part one: "Horror versus terror in the body genre" : part two: "Silent planet". [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2007. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10948/636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vermaak JL. Part one: "Horror versus terror in the body genre" : part two: "Silent planet". [Thesis]. Nelson Mandela Metropolitan University; 2007. Available from: http://hdl.handle.net/10948/636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Marshall University

2. Cooper, Melody Hope. Some-ness in No-When: Queer Temporalities in the Horror Genre.

Degree: 2018, Marshall University

 In my research, I question why heteronormative society is afraid of the elements of horror films that are inherently queer. My focus is on temporal… (more)

Subjects/Keywords: Film; Literary Studies; Queer Theory; <; p>; Homosexuality in motion pictures.<; /p>; <; p>; Horror films - History and criticism.<; /p>; <; p>; Queer theory.<; /p>;

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cooper, M. H. (2018). Some-ness in No-When: Queer Temporalities in the Horror Genre. (Thesis). Marshall University. Retrieved from https://mds.marshall.edu/etd/1168

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cooper, Melody Hope. “Some-ness in No-When: Queer Temporalities in the Horror Genre.” 2018. Thesis, Marshall University. Accessed October 16, 2019. https://mds.marshall.edu/etd/1168.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cooper, Melody Hope. “Some-ness in No-When: Queer Temporalities in the Horror Genre.” 2018. Web. 16 Oct 2019.

Vancouver:

Cooper MH. Some-ness in No-When: Queer Temporalities in the Horror Genre. [Internet] [Thesis]. Marshall University; 2018. [cited 2019 Oct 16]. Available from: https://mds.marshall.edu/etd/1168.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cooper MH. Some-ness in No-When: Queer Temporalities in the Horror Genre. [Thesis]. Marshall University; 2018. Available from: https://mds.marshall.edu/etd/1168

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

3. Rocha, Shaula Schneik. Screening Disgust: The Emergence of Body Horror in Modern Cinema.

Degree: MA, Literature, 2017, Texas State University – San Marcos

No abstract prepared. Advisors/Committee Members: Tally, Robert T. (advisor), Benedikt, Amelie F. (committee member), McClancy, Kathleen R. (committee member).

Subjects/Keywords: Body horror; Film studies; Horror films – History and criticism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rocha, S. S. (2017). Screening Disgust: The Emergence of Body Horror in Modern Cinema. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/6783

Chicago Manual of Style (16th Edition):

Rocha, Shaula Schneik. “Screening Disgust: The Emergence of Body Horror in Modern Cinema.” 2017. Masters Thesis, Texas State University – San Marcos. Accessed October 16, 2019. https://digital.library.txstate.edu/handle/10877/6783.

MLA Handbook (7th Edition):

Rocha, Shaula Schneik. “Screening Disgust: The Emergence of Body Horror in Modern Cinema.” 2017. Web. 16 Oct 2019.

Vancouver:

Rocha SS. Screening Disgust: The Emergence of Body Horror in Modern Cinema. [Internet] [Masters thesis]. Texas State University – San Marcos; 2017. [cited 2019 Oct 16]. Available from: https://digital.library.txstate.edu/handle/10877/6783.

Council of Science Editors:

Rocha SS. Screening Disgust: The Emergence of Body Horror in Modern Cinema. [Masters Thesis]. Texas State University – San Marcos; 2017. Available from: https://digital.library.txstate.edu/handle/10877/6783


University of KwaZulu-Natal

4. [No author]. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence.

Degree: English, 2008, University of KwaZulu-Natal

 This thesis is an in-depth analysis of George Romero's 'Living Dead' tetralogy of films, comprising Night of the Living Dead (1968), Dawn ofthe-Bead (1978), Day… (more)

Subjects/Keywords: Horror films – History and criticism.; Romero, George A. – Criticism and interpretation.; Zombie films – History and criticism.; Motion picture – Producers and directors – United States.; English.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2008). Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. ” 2008. Thesis, University of KwaZulu-Natal. Accessed October 16, 2019. http://hdl.handle.net/10413/302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. ” 2008. Web. 16 Oct 2019.

Vancouver:

author] [. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. [Internet] [Thesis]. University of KwaZulu-Natal; 2008. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10413/302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. [Thesis]. University of KwaZulu-Natal; 2008. Available from: http://hdl.handle.net/10413/302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

5. Tso, Wing-bo. Representation of female vampires in Bram Stoker's "Dracula" and horror films.

Degree: MA, 2004, University of Hong Kong

published_or_final_version

toc

Literary and Cultural Studies

Master

Master of Arts

Subjects/Keywords: Horror films - History and criticism.; Women in motion pictures.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tso, W. (2004). Representation of female vampires in Bram Stoker's "Dracula" and horror films. (Masters Thesis). University of Hong Kong. Retrieved from Tso, W. [曹穎寶]. (2004). Representation of female vampires in Bram Stoker's "Dracula" and horror films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b2994041 ; http://dx.doi.org/10.5353/th_b2994041 ; http://hdl.handle.net/10722/31830

Chicago Manual of Style (16th Edition):

Tso, Wing-bo. “Representation of female vampires in Bram Stoker's "Dracula" and horror films.” 2004. Masters Thesis, University of Hong Kong. Accessed October 16, 2019. Tso, W. [曹穎寶]. (2004). Representation of female vampires in Bram Stoker's "Dracula" and horror films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b2994041 ; http://dx.doi.org/10.5353/th_b2994041 ; http://hdl.handle.net/10722/31830.

MLA Handbook (7th Edition):

Tso, Wing-bo. “Representation of female vampires in Bram Stoker's "Dracula" and horror films.” 2004. Web. 16 Oct 2019.

Vancouver:

Tso W. Representation of female vampires in Bram Stoker's "Dracula" and horror films. [Internet] [Masters thesis]. University of Hong Kong; 2004. [cited 2019 Oct 16]. Available from: Tso, W. [曹穎寶]. (2004). Representation of female vampires in Bram Stoker's "Dracula" and horror films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b2994041 ; http://dx.doi.org/10.5353/th_b2994041 ; http://hdl.handle.net/10722/31830.

Council of Science Editors:

Tso W. Representation of female vampires in Bram Stoker's "Dracula" and horror films. [Masters Thesis]. University of Hong Kong; 2004. Available from: Tso, W. [曹穎寶]. (2004). Representation of female vampires in Bram Stoker's "Dracula" and horror films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b2994041 ; http://dx.doi.org/10.5353/th_b2994041 ; http://hdl.handle.net/10722/31830


University of Hong Kong

6. Tsang, Wai-ho. Post-9/11 American gothic family in The hills have eyes duology and Twilight saga.

Degree: MA, 2012, University of Hong Kong

9/11 attacks open the 21st Century into the fear of the Other, which is coincidentally at the core of the Gothic tradition. In post-911 Gothic… (more)

Subjects/Keywords: Horror films - United States - History and criticism.; Gothic revival (Literature) - United States.; Monsters in motion pictures.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tsang, W. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Masters Thesis). University of Hong Kong. Retrieved from Tsang, W. [曾煒豪]. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839507 ; http://dx.doi.org/10.5353/th_b4839507 ; http://hdl.handle.net/10722/177285

Chicago Manual of Style (16th Edition):

Tsang, Wai-ho. “Post-9/11 American gothic family in The hills have eyes duology and Twilight saga.” 2012. Masters Thesis, University of Hong Kong. Accessed October 16, 2019. Tsang, W. [曾煒豪]. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839507 ; http://dx.doi.org/10.5353/th_b4839507 ; http://hdl.handle.net/10722/177285.

MLA Handbook (7th Edition):

Tsang, Wai-ho. “Post-9/11 American gothic family in The hills have eyes duology and Twilight saga.” 2012. Web. 16 Oct 2019.

Vancouver:

Tsang W. Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Oct 16]. Available from: Tsang, W. [曾煒豪]. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839507 ; http://dx.doi.org/10.5353/th_b4839507 ; http://hdl.handle.net/10722/177285.

Council of Science Editors:

Tsang W. Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. [Masters Thesis]. University of Hong Kong; 2012. Available from: Tsang, W. [曾煒豪]. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839507 ; http://dx.doi.org/10.5353/th_b4839507 ; http://hdl.handle.net/10722/177285


Marshall University

7. Baker, Julie Ann. Missing Mother: The Female Protagonist's Regression to the Imaginary Order in Shirley Jackson's The Haunting of Hill House, The Sundial, and We Have Always Lived in the Castle.

Degree: 2017, Marshall University

 This study examines the psyches of the female protagonists from three of Shirley Jackson’s Gothic novels: Eleanor Vance in The Haunting of Hill House, Aunt… (more)

Subjects/Keywords: <; p>; Jackson, Shirley, 1916-1965  – Criticism and interpretation.<; /p>; <; p>; Horror tales, American  – History and criticism.<; /p>; <; p>; Women in literature  – Criticism and interpretation.<; /p>;

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baker, J. A. (2017). Missing Mother: The Female Protagonist's Regression to the Imaginary Order in Shirley Jackson's The Haunting of Hill House, The Sundial, and We Have Always Lived in the Castle. (Thesis). Marshall University. Retrieved from https://mds.marshall.edu/etd/1127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baker, Julie Ann. “Missing Mother: The Female Protagonist's Regression to the Imaginary Order in Shirley Jackson's The Haunting of Hill House, The Sundial, and We Have Always Lived in the Castle.” 2017. Thesis, Marshall University. Accessed October 16, 2019. https://mds.marshall.edu/etd/1127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baker, Julie Ann. “Missing Mother: The Female Protagonist's Regression to the Imaginary Order in Shirley Jackson's The Haunting of Hill House, The Sundial, and We Have Always Lived in the Castle.” 2017. Web. 16 Oct 2019.

Vancouver:

Baker JA. Missing Mother: The Female Protagonist's Regression to the Imaginary Order in Shirley Jackson's The Haunting of Hill House, The Sundial, and We Have Always Lived in the Castle. [Internet] [Thesis]. Marshall University; 2017. [cited 2019 Oct 16]. Available from: https://mds.marshall.edu/etd/1127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baker JA. Missing Mother: The Female Protagonist's Regression to the Imaginary Order in Shirley Jackson's The Haunting of Hill House, The Sundial, and We Have Always Lived in the Castle. [Thesis]. Marshall University; 2017. Available from: https://mds.marshall.edu/etd/1127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana Tech

8. Hirshberg, Glen. Gratuitous moonlight| Jacques Tourneur, Val Lewton and the allure of the labyrinth.

Degree: MA, 1991, Montana Tech

Subjects/Keywords: Lewton; Val; Tourneur; Jacques; 1904-1977; Horror films History and criticism; Motion pictures

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hirshberg, G. (1991). Gratuitous moonlight| Jacques Tourneur, Val Lewton and the allure of the labyrinth. (Masters Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/2476

Chicago Manual of Style (16th Edition):

Hirshberg, Glen. “Gratuitous moonlight| Jacques Tourneur, Val Lewton and the allure of the labyrinth.” 1991. Masters Thesis, Montana Tech. Accessed October 16, 2019. https://scholarworks.umt.edu/etd/2476.

MLA Handbook (7th Edition):

Hirshberg, Glen. “Gratuitous moonlight| Jacques Tourneur, Val Lewton and the allure of the labyrinth.” 1991. Web. 16 Oct 2019.

Vancouver:

Hirshberg G. Gratuitous moonlight| Jacques Tourneur, Val Lewton and the allure of the labyrinth. [Internet] [Masters thesis]. Montana Tech; 1991. [cited 2019 Oct 16]. Available from: https://scholarworks.umt.edu/etd/2476.

Council of Science Editors:

Hirshberg G. Gratuitous moonlight| Jacques Tourneur, Val Lewton and the allure of the labyrinth. [Masters Thesis]. Montana Tech; 1991. Available from: https://scholarworks.umt.edu/etd/2476


University of North Carolina – Greensboro

9. Brown, Sherronda J. The haunted ground we walk on: (un)knowable gendered and racialized subjects.

Degree: 2015, University of North Carolina – Greensboro

 The purpose of this work is to analyze haunting narratives in cinematic texts, exploring the significance of gendered and racialized violences on the screen while… (more)

Subjects/Keywords: Horror films – History and criticism; Violence in motion pictures; Race in motion pictures; Ghosts in motion pictures; Women in motion pictures; Sex role in motion pictures

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, S. J. (2015). The haunted ground we walk on: (un)knowable gendered and racialized subjects. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067

Chicago Manual of Style (16th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Masters Thesis, University of North Carolina – Greensboro. Accessed October 16, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

MLA Handbook (7th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Web. 16 Oct 2019.

Vancouver:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2015. [cited 2019 Oct 16]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

Council of Science Editors:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Masters Thesis]. University of North Carolina – Greensboro; 2015. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067


University of New South Wales

10. Tyrrell, Kimberley. The monsters next door: representations of whiteness and monstrosity in contemporary culture.

Degree: English, Media, & Performing Arts, 2007, University of New South Wales

 The focus of this thesis is the examination of whiteness as a dominant identity and subject position. Whiteness has conventionally assumed a normative, monolithic status… (more)

Subjects/Keywords: Monsters in literature; Horror films  – History and criticism; Serial murderers; whites

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tyrrell, K. (2007). The monsters next door: representations of whiteness and monstrosity in contemporary culture. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/35639 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:2162/SOURCE2?view=true

Chicago Manual of Style (16th Edition):

Tyrrell, Kimberley. “The monsters next door: representations of whiteness and monstrosity in contemporary culture.” 2007. Doctoral Dissertation, University of New South Wales. Accessed October 16, 2019. http://handle.unsw.edu.au/1959.4/35639 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:2162/SOURCE2?view=true.

MLA Handbook (7th Edition):

Tyrrell, Kimberley. “The monsters next door: representations of whiteness and monstrosity in contemporary culture.” 2007. Web. 16 Oct 2019.

Vancouver:

Tyrrell K. The monsters next door: representations of whiteness and monstrosity in contemporary culture. [Internet] [Doctoral dissertation]. University of New South Wales; 2007. [cited 2019 Oct 16]. Available from: http://handle.unsw.edu.au/1959.4/35639 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:2162/SOURCE2?view=true.

Council of Science Editors:

Tyrrell K. The monsters next door: representations of whiteness and monstrosity in contemporary culture. [Doctoral Dissertation]. University of New South Wales; 2007. Available from: http://handle.unsw.edu.au/1959.4/35639 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:2162/SOURCE2?view=true


Texas State University – San Marcos

11. Bishop, Frank. Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema.

Degree: MA, Theatre, 2012, Texas State University – San Marcos

 This thesis looks at the influence of mythology on traditional Japanese theatre forms and contemporary Japanese cinema, also showing how theatre has influenced film. It… (more)

Subjects/Keywords: Noh; Kabuki; Japanese Cinema; Japanese Theatre; Kurosawa, Akira; Miike, Takashi; Miyazaki, Hayao; Anime; Horror films; Samurai films; Mythology; Theater – Japan – History and criticism; Film adaptations – History and criticism; Performing arts – Japan

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bishop, F. (2012). Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/4241

Chicago Manual of Style (16th Edition):

Bishop, Frank. “Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema.” 2012. Masters Thesis, Texas State University – San Marcos. Accessed October 16, 2019. https://digital.library.txstate.edu/handle/10877/4241.

MLA Handbook (7th Edition):

Bishop, Frank. “Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema.” 2012. Web. 16 Oct 2019.

Vancouver:

Bishop F. Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema. [Internet] [Masters thesis]. Texas State University – San Marcos; 2012. [cited 2019 Oct 16]. Available from: https://digital.library.txstate.edu/handle/10877/4241.

Council of Science Editors:

Bishop F. Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema. [Masters Thesis]. Texas State University – San Marcos; 2012. Available from: https://digital.library.txstate.edu/handle/10877/4241


University of Hong Kong

12. Chow, Cheuk-wing. Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime.

Degree: MA, 2012, University of Hong Kong

The association between nostalgia, nature and disenchantment has been and still is a very common trope in cultural and literary studies (Saler 138) within the… (more)

Subjects/Keywords: Animated films - Japan - History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chow, C. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Masters Thesis). University of Hong Kong. Retrieved from Chow, C. [周卓穎]. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839449 ; http://dx.doi.org/10.5353/th_b4839449 ; http://hdl.handle.net/10722/177278

Chicago Manual of Style (16th Edition):

Chow, Cheuk-wing. “Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime.” 2012. Masters Thesis, University of Hong Kong. Accessed October 16, 2019. Chow, C. [周卓穎]. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839449 ; http://dx.doi.org/10.5353/th_b4839449 ; http://hdl.handle.net/10722/177278.

MLA Handbook (7th Edition):

Chow, Cheuk-wing. “Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime.” 2012. Web. 16 Oct 2019.

Vancouver:

Chow C. Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Oct 16]. Available from: Chow, C. [周卓穎]. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839449 ; http://dx.doi.org/10.5353/th_b4839449 ; http://hdl.handle.net/10722/177278.

Council of Science Editors:

Chow C. Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. [Masters Thesis]. University of Hong Kong; 2012. Available from: Chow, C. [周卓穎]. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839449 ; http://dx.doi.org/10.5353/th_b4839449 ; http://hdl.handle.net/10722/177278


Montana Tech

13. Linse, Cindy A. Symptom, the sequel and the victim of art.

Degree: MA, 1992, Montana Tech

Subjects/Keywords: Lacan; Jacques; 1901-1981; Psychoanalysis and literature; Horror films History and criticism; Hysteria; Paranoia

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Linse, C. A. (1992). Symptom, the sequel and the victim of art. (Masters Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/3831

Chicago Manual of Style (16th Edition):

Linse, Cindy A. “Symptom, the sequel and the victim of art.” 1992. Masters Thesis, Montana Tech. Accessed October 16, 2019. https://scholarworks.umt.edu/etd/3831.

MLA Handbook (7th Edition):

Linse, Cindy A. “Symptom, the sequel and the victim of art.” 1992. Web. 16 Oct 2019.

Vancouver:

Linse CA. Symptom, the sequel and the victim of art. [Internet] [Masters thesis]. Montana Tech; 1992. [cited 2019 Oct 16]. Available from: https://scholarworks.umt.edu/etd/3831.

Council of Science Editors:

Linse CA. Symptom, the sequel and the victim of art. [Masters Thesis]. Montana Tech; 1992. Available from: https://scholarworks.umt.edu/etd/3831


University of California – San Diego

14. Boehm, Scott Walter. Traumatized subjects : horror film and the legacy of mass extermination in post-dictatorship Spain.

Degree: Literature, 2012, University of California – San Diego

 "Traumatized Subjects" examines the legacy of the mass extermination carried out during the 1936 coup against the II Spanish Republic and under the Francoist dictatorship… (more)

Subjects/Keywords: Spain Psychological aspects In motion pictures Mass murder; Spain Sociological aspects In motion pictures Mass murder; Psychic trauma in motion pictures History and criticism; Spain Psychological aspects In motion pictures Collective memory; Spain Sociological aspects In motion pictures Collective memory; Spain Horror films Themes, motives History and criticism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boehm, S. W. (2012). Traumatized subjects : horror film and the legacy of mass extermination in post-dictatorship Spain. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3hp397p3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boehm, Scott Walter. “Traumatized subjects : horror film and the legacy of mass extermination in post-dictatorship Spain.” 2012. Thesis, University of California – San Diego. Accessed October 16, 2019. http://www.escholarship.org/uc/item/3hp397p3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boehm, Scott Walter. “Traumatized subjects : horror film and the legacy of mass extermination in post-dictatorship Spain.” 2012. Web. 16 Oct 2019.

Vancouver:

Boehm SW. Traumatized subjects : horror film and the legacy of mass extermination in post-dictatorship Spain. [Internet] [Thesis]. University of California – San Diego; 2012. [cited 2019 Oct 16]. Available from: http://www.escholarship.org/uc/item/3hp397p3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boehm SW. Traumatized subjects : horror film and the legacy of mass extermination in post-dictatorship Spain. [Thesis]. University of California – San Diego; 2012. Available from: http://www.escholarship.org/uc/item/3hp397p3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Jones, Andrew Stuart. Kay Nielsen : orientalism in illustration during the Belle Époque.

Degree: MA, 2009, University of Alabama – Birmingham

As a fantasy gift book illustrator in the Belle Époque, Kay (pronounced “Kigh”) Rasmus Nielsen (1886-1957) combined European and Asian sources to create a single… (more)

Subjects/Keywords: Nielsen, Kay Rasmus, 1886-1957  – Criticism and interpretation <; br>; Orientalism in art  – History and criticism <; br>; Orientalism in art  – Denmark <; br>; Fantasy fiction  – Illustrations  – History and criticism <; br>; Art nouveau  – History and criticism <; br>; Illustrators  – Denmark.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jones, A. S. (2009). Kay Nielsen : orientalism in illustration during the Belle Époque. (Masters Thesis). University of Alabama – Birmingham. Retrieved from http://contentdm.mhsl.uab.edu/u?/etd,552

Chicago Manual of Style (16th Edition):

Jones, Andrew Stuart. “Kay Nielsen : orientalism in illustration during the Belle Époque.” 2009. Masters Thesis, University of Alabama – Birmingham. Accessed October 16, 2019. http://contentdm.mhsl.uab.edu/u?/etd,552.

MLA Handbook (7th Edition):

Jones, Andrew Stuart. “Kay Nielsen : orientalism in illustration during the Belle Époque.” 2009. Web. 16 Oct 2019.

Vancouver:

Jones AS. Kay Nielsen : orientalism in illustration during the Belle Époque. [Internet] [Masters thesis]. University of Alabama – Birmingham; 2009. [cited 2019 Oct 16]. Available from: http://contentdm.mhsl.uab.edu/u?/etd,552.

Council of Science Editors:

Jones AS. Kay Nielsen : orientalism in illustration during the Belle Époque. [Masters Thesis]. University of Alabama – Birmingham; 2009. Available from: http://contentdm.mhsl.uab.edu/u?/etd,552

16. Bishop, Frank. Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema.

Degree: 2013

Subjects/Keywords: Noh, Kabuki, Japanese Cinema, Japanese Theatre, Akira Kurosawa, Takashi Miike, Hayao Miyazaki, Anime, Horror films, samurai films, mythology; Theater – Japan – History and criticism; Film adaptations – History and criticism; Performing arts – Japan

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bishop, F. (2013). Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema. (Thesis). [No school.] Retrieved from http://hdl.handle.net/2249.1/62595

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No school.

Chicago Manual of Style (16th Edition):

Bishop, Frank. “Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema.” 2013. Thesis, [No school]. Accessed October 16, 2019. http://hdl.handle.net/2249.1/62595.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No school.

MLA Handbook (7th Edition):

Bishop, Frank. “Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema.” 2013. Web. 16 Oct 2019.

Vancouver:

Bishop F. Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema. [Internet] [Thesis]. [No school]; 2013. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/2249.1/62595.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No school.

Council of Science Editors:

Bishop F. Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema. [Thesis]. [No school]; 2013. Available from: http://hdl.handle.net/2249.1/62595

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No school.


Ryerson University

17. Barnes, Matthew R.A. Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric.

Degree: 2015, Ryerson University

 Ecodocumentary films such as The Cove, An Inconvenient Truth, and Sharkwater have demonstrated the power to influence audience behavior, establish public discourses, and inspire social… (more)

Subjects/Keywords: Documentary films  – Political aspects  – History and criticism; Documentary films  – United States  – History and criticism; Burke, Kenneth, 1897-1993; Ecodocumentary rhetoric

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barnes, M. R. A. (2015). Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A5348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnes, Matthew R A. “Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric.” 2015. Thesis, Ryerson University. Accessed October 16, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A5348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnes, Matthew R A. “Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric.” 2015. Web. 16 Oct 2019.

Vancouver:

Barnes MRA. Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric. [Internet] [Thesis]. Ryerson University; 2015. [cited 2019 Oct 16]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A5348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes MRA. Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A5348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

18. Scheer, Jennie S. Bearing the ring: the audience and consumers of The Lord of the Rings.

Degree: 2009, Ryerson University

 "I will examine who the contemporary film industries target as well as how they relate to the creation and maintenance of fan communities, who are… (more)

Subjects/Keywords: Motion picture audiences  – Social aspects.; Lord of the Rings films.; Fantasy films  – History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scheer, J. S. (2009). Bearing the ring: the audience and consumers of The Lord of the Rings. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3099

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scheer, Jennie S. “Bearing the ring: the audience and consumers of The Lord of the Rings.” 2009. Thesis, Ryerson University. Accessed October 16, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A3099.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scheer, Jennie S. “Bearing the ring: the audience and consumers of The Lord of the Rings.” 2009. Web. 16 Oct 2019.

Vancouver:

Scheer JS. Bearing the ring: the audience and consumers of The Lord of the Rings. [Internet] [Thesis]. Ryerson University; 2009. [cited 2019 Oct 16]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3099.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scheer JS. Bearing the ring: the audience and consumers of The Lord of the Rings. [Thesis]. Ryerson University; 2009. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3099

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

19. Kukainis, Benjamin A. Obsession, repression, and the men behind Dracula.

Degree: MA, English, 2014, Rutgers University

 The style, characters and action of Bram Stoker’s 1897 Gothic horror novel, Dracula—including the relationships among male characters—can be attributed to the author’s close relationship… (more)

Subjects/Keywords: Eroticism in literature; Homosexuality in literature; Dracula, Count (Fictitious character); Horror tales, English – History and criticism; Vampires in literature

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kukainis, B. A. (2014). Obsession, repression, and the men behind Dracula. (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/42316/

Chicago Manual of Style (16th Edition):

Kukainis, Benjamin A. “Obsession, repression, and the men behind Dracula.” 2014. Masters Thesis, Rutgers University. Accessed October 16, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/42316/.

MLA Handbook (7th Edition):

Kukainis, Benjamin A. “Obsession, repression, and the men behind Dracula.” 2014. Web. 16 Oct 2019.

Vancouver:

Kukainis BA. Obsession, repression, and the men behind Dracula. [Internet] [Masters thesis]. Rutgers University; 2014. [cited 2019 Oct 16]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/42316/.

Council of Science Editors:

Kukainis BA. Obsession, repression, and the men behind Dracula. [Masters Thesis]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/42316/

20. Kizer, Zachary Aaron. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.

Degree: MA, 2018, Ball State University

 This thesis examines the 1936 film Modern Times and the 1973 film Soylent Green. I examine both films from both a Burkean perspective, dissecting the… (more)

Subjects/Keywords: Modern times (Motion picture); Soylent green (Motion picture; Marxist criticism.; Dystopian films  – History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kizer, Z. A. (2018). The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. (Masters Thesis). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/201281

Chicago Manual of Style (16th Edition):

Kizer, Zachary Aaron. “The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.” 2018. Masters Thesis, Ball State University. Accessed October 16, 2019. http://cardinalscholar.bsu.edu/handle/123456789/201281.

MLA Handbook (7th Edition):

Kizer, Zachary Aaron. “The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.” 2018. Web. 16 Oct 2019.

Vancouver:

Kizer ZA. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. [Internet] [Masters thesis]. Ball State University; 2018. [cited 2019 Oct 16]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201281.

Council of Science Editors:

Kizer ZA. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. [Masters Thesis]. Ball State University; 2018. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201281

21. Drake, Jessica Ryan. The importance of sound design and its affect on perception.

Degree: 2013, SUNY College at Fredonia

 The purpose of this research is to clearly define the importance of sound design in film, television, and movies, with emphasis on how the audience… (more)

Subjects/Keywords: Motion pictures  – Evaluation.; Sound in design.; Western films  – History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drake, J. R. (2013). The importance of sound design and its affect on perception. (Masters Thesis). SUNY College at Fredonia. Retrieved from http://hdl.handle.net/1951/58385

Chicago Manual of Style (16th Edition):

Drake, Jessica Ryan. “The importance of sound design and its affect on perception. ” 2013. Masters Thesis, SUNY College at Fredonia. Accessed October 16, 2019. http://hdl.handle.net/1951/58385.

MLA Handbook (7th Edition):

Drake, Jessica Ryan. “The importance of sound design and its affect on perception. ” 2013. Web. 16 Oct 2019.

Vancouver:

Drake JR. The importance of sound design and its affect on perception. [Internet] [Masters thesis]. SUNY College at Fredonia; 2013. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/1951/58385.

Council of Science Editors:

Drake JR. The importance of sound design and its affect on perception. [Masters Thesis]. SUNY College at Fredonia; 2013. Available from: http://hdl.handle.net/1951/58385


University of Hong Kong

22. 黃競東.; Wong, King-tung. Reinventing the real: transfigurations of cinematic kung fu in the 21st century.

Degree: M. Phil., 2011, University of Hong Kong

Kung fu is a cinematic genre investing on the discourse of the “real”. From Kwan Tak Hing, Bruce Lee, Jacky Chan, Jet Li to Donnie… (more)

Subjects/Keywords: Martial arts films - History and criticism.; Kung fu.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

黃競東.; Wong, K. (2011). Reinventing the real: transfigurations of cinematic kung fu in the 21st century. (Masters Thesis). University of Hong Kong. Retrieved from Wong, K. [黃競東]. (2011). Reinventing the real : transfigurations of cinematic kung fu in the 21st century. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4784988 ; http://dx.doi.org/10.5353/th_b4784988 ; http://hdl.handle.net/10722/174546

Chicago Manual of Style (16th Edition):

黃競東.; Wong, King-tung. “Reinventing the real: transfigurations of cinematic kung fu in the 21st century.” 2011. Masters Thesis, University of Hong Kong. Accessed October 16, 2019. Wong, K. [黃競東]. (2011). Reinventing the real : transfigurations of cinematic kung fu in the 21st century. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4784988 ; http://dx.doi.org/10.5353/th_b4784988 ; http://hdl.handle.net/10722/174546.

MLA Handbook (7th Edition):

黃競東.; Wong, King-tung. “Reinventing the real: transfigurations of cinematic kung fu in the 21st century.” 2011. Web. 16 Oct 2019.

Vancouver:

黃競東.; Wong K. Reinventing the real: transfigurations of cinematic kung fu in the 21st century. [Internet] [Masters thesis]. University of Hong Kong; 2011. [cited 2019 Oct 16]. Available from: Wong, K. [黃競東]. (2011). Reinventing the real : transfigurations of cinematic kung fu in the 21st century. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4784988 ; http://dx.doi.org/10.5353/th_b4784988 ; http://hdl.handle.net/10722/174546.

Council of Science Editors:

黃競東.; Wong K. Reinventing the real: transfigurations of cinematic kung fu in the 21st century. [Masters Thesis]. University of Hong Kong; 2011. Available from: Wong, K. [黃競東]. (2011). Reinventing the real : transfigurations of cinematic kung fu in the 21st century. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4784988 ; http://dx.doi.org/10.5353/th_b4784988 ; http://hdl.handle.net/10722/174546


Ryerson University

23. Alston, Thomas. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.

Degree: 2015, Ryerson University

 Single reel abridgements of commercial feature films are entering moving image archives because home movie collections that contain them are slowly increasing in archival representation.… (more)

Subjects/Keywords: Film excerpts  – History and criticism.; Film excerpts.; Amateur films  – Social aspects.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alston, T. (2015). “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A4159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alston, Thomas. ““Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.” 2015. Thesis, Ryerson University. Accessed October 16, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A4159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alston, Thomas. ““Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.” 2015. Web. 16 Oct 2019.

Vancouver:

Alston T. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. [Internet] [Thesis]. Ryerson University; 2015. [cited 2019 Oct 16]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alston T. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Wright, Nancy H. Urban perspectives and the modern city in the works of Gustave Caillebotte and Childe Hassam.

Degree: MA, 2009, University of Alabama – Birmingham

The modern city was a key theme for artists in the 1870s and 1880s. Paris, specifically, developed into the quintessential modern city. Urban renewal, industrial… (more)

Subjects/Keywords: Caillebotte, Gustave, 1848-1894  – Criticism and interpretation <; br>; Hassam, Childe, 1859-1935  – Criticism and interpretation <; br>; Paris (France)  – In art <; br>; Painting  – 19th century  – History and criticism <; br>; Cities and towns in art <; br>; Impressionism (Art)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wright, N. H. (2009). Urban perspectives and the modern city in the works of Gustave Caillebotte and Childe Hassam. (Masters Thesis). University of Alabama – Birmingham. Retrieved from http://contentdm.mhsl.uab.edu/u?/etd,940

Chicago Manual of Style (16th Edition):

Wright, Nancy H. “Urban perspectives and the modern city in the works of Gustave Caillebotte and Childe Hassam.” 2009. Masters Thesis, University of Alabama – Birmingham. Accessed October 16, 2019. http://contentdm.mhsl.uab.edu/u?/etd,940.

MLA Handbook (7th Edition):

Wright, Nancy H. “Urban perspectives and the modern city in the works of Gustave Caillebotte and Childe Hassam.” 2009. Web. 16 Oct 2019.

Vancouver:

Wright NH. Urban perspectives and the modern city in the works of Gustave Caillebotte and Childe Hassam. [Internet] [Masters thesis]. University of Alabama – Birmingham; 2009. [cited 2019 Oct 16]. Available from: http://contentdm.mhsl.uab.edu/u?/etd,940.

Council of Science Editors:

Wright NH. Urban perspectives and the modern city in the works of Gustave Caillebotte and Childe Hassam. [Masters Thesis]. University of Alabama – Birmingham; 2009. Available from: http://contentdm.mhsl.uab.edu/u?/etd,940

25. Phillips, Hannah. “Homespun” horror: Shirley Jackson’s domestic doubling .

Degree: 2019, State University of New York at New Paltz

 My argument will begin by situating Jackson’s writing among gender studies (considering the nineteenth century and midcentury), Gothic literature, domesticity, and horror. I plan to… (more)

Subjects/Keywords: Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Literature; Jackson, Shirley,1916-1965  – Criticism and interpretation; Women and literature  – United States  – History  – 20th century; Horror tales, American  – History and criticism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Phillips, H. (2019). “Homespun” horror: Shirley Jackson’s domestic doubling . (Thesis). State University of New York at New Paltz. Retrieved from http://hdl.handle.net/1951/70734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Phillips, Hannah. ““Homespun” horror: Shirley Jackson’s domestic doubling .” 2019. Thesis, State University of New York at New Paltz. Accessed October 16, 2019. http://hdl.handle.net/1951/70734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Phillips, Hannah. ““Homespun” horror: Shirley Jackson’s domestic doubling .” 2019. Web. 16 Oct 2019.

Vancouver:

Phillips H. “Homespun” horror: Shirley Jackson’s domestic doubling . [Internet] [Thesis]. State University of New York at New Paltz; 2019. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/1951/70734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Phillips H. “Homespun” horror: Shirley Jackson’s domestic doubling . [Thesis]. State University of New York at New Paltz; 2019. Available from: http://hdl.handle.net/1951/70734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Marshall University

26. Van Oort, Danielle. Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal.

Degree: 2016, Marshall University

 This thesis is an interdisciplinary study of the impact pastoral themes in art, literature, and music had on the stylistic and thematic development of the… (more)

Subjects/Keywords: Arcadia; English madrigal; madrigal; pastoral; pastoral literature; pastoral painting; <; p>; Madrigals  – 16th century  – History and criticism.<; /p>; <; p>; Madrigals  – 17th century  – History and criticism.<; /p>; <; p>; Pastoral art.<; /p>;

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Van Oort, D. (2016). Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal. (Thesis). Marshall University. Retrieved from http://mds.marshall.edu/etd/1016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Van Oort, Danielle. “Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal.” 2016. Thesis, Marshall University. Accessed October 16, 2019. http://mds.marshall.edu/etd/1016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Van Oort, Danielle. “Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal.” 2016. Web. 16 Oct 2019.

Vancouver:

Van Oort D. Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal. [Internet] [Thesis]. Marshall University; 2016. [cited 2019 Oct 16]. Available from: http://mds.marshall.edu/etd/1016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van Oort D. Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal. [Thesis]. Marshall University; 2016. Available from: http://mds.marshall.edu/etd/1016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Cook, Alicia McCaghren. Edgar Degas's fan shaped designs : art, decoration, and the modern woman in late-nineteenth-century France.

Degree: MA, 2009, University of Alabama – Birmingham

French modernist Edgar Degas is one of the most well-known artists of the nineteenth century and his ballet paintings are among the most identifiable works… (more)

Subjects/Keywords: Fan painting  – France  – History and criticism <; br>; Degas, Edgar, 1834-1917  – Criticism and interpretation <; br>; Fan painting  – 19th century  – History and criticism <; br>; Japonism  – France  – History and criticism <; br>; Women  – France  – Social conditions  – 19th century <; br>; Fans  – Social aspects.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cook, A. M. (2009). Edgar Degas's fan shaped designs : art, decoration, and the modern woman in late-nineteenth-century France. (Masters Thesis). University of Alabama – Birmingham. Retrieved from http://contentdm.mhsl.uab.edu/u?/etd,547

Chicago Manual of Style (16th Edition):

Cook, Alicia McCaghren. “Edgar Degas's fan shaped designs : art, decoration, and the modern woman in late-nineteenth-century France.” 2009. Masters Thesis, University of Alabama – Birmingham. Accessed October 16, 2019. http://contentdm.mhsl.uab.edu/u?/etd,547.

MLA Handbook (7th Edition):

Cook, Alicia McCaghren. “Edgar Degas's fan shaped designs : art, decoration, and the modern woman in late-nineteenth-century France.” 2009. Web. 16 Oct 2019.

Vancouver:

Cook AM. Edgar Degas's fan shaped designs : art, decoration, and the modern woman in late-nineteenth-century France. [Internet] [Masters thesis]. University of Alabama – Birmingham; 2009. [cited 2019 Oct 16]. Available from: http://contentdm.mhsl.uab.edu/u?/etd,547.

Council of Science Editors:

Cook AM. Edgar Degas's fan shaped designs : art, decoration, and the modern woman in late-nineteenth-century France. [Masters Thesis]. University of Alabama – Birmingham; 2009. Available from: http://contentdm.mhsl.uab.edu/u?/etd,547


Northeastern University

28. Chen, Xiaxin. Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu.

Degree: M.F.A., Department of Art + Design, 2016, Northeastern University

 This project investigates how Chinese Kung Fu has influenced American movies, and how we read a Kung Fu movie from the information of its Kung… (more)

Subjects/Keywords: character building; comedy; Kung Fu moves; Kung Fu movies; tragedy; visual; History and criticism; History and criticism; History and criticism; Martial arts films; Criticism and interpretation; Martial arts films; Criticism and interpretation; Martial arts films; Production and direction

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chen, X. (2016). Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu. (Masters Thesis). Northeastern University. Retrieved from http://hdl.handle.net/2047/D20211261

Chicago Manual of Style (16th Edition):

Chen, Xiaxin. “Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu.” 2016. Masters Thesis, Northeastern University. Accessed October 16, 2019. http://hdl.handle.net/2047/D20211261.

MLA Handbook (7th Edition):

Chen, Xiaxin. “Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu.” 2016. Web. 16 Oct 2019.

Vancouver:

Chen X. Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu. [Internet] [Masters thesis]. Northeastern University; 2016. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/2047/D20211261.

Council of Science Editors:

Chen X. Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu. [Masters Thesis]. Northeastern University; 2016. Available from: http://hdl.handle.net/2047/D20211261

29. Russell, Mary Katherine. Drawing a bath : works by Robert Henri and George Bellows at the Birmingham Museum of Art.

Degree: MA, 2010, University of Alabama – Birmingham

The Birmingham Museum of Art owns three images of bathers by Robert Henri and George Bellows, both members of the Ashcan group of painters. The… (more)

Subjects/Keywords: Henri, Robert, 1865-1929  – Criticism and interpretation  – 21st century <; br>; Bellows, George, 1882-1925  – Criticism and interpretation  – 21st century <; br>; Degas, Edgar, 1834-1917  – Criticism and interpretation  – 21st century <; br>; Cézanne, Paul, 1839-1906  – Criticism and interpretation  – 21st century <; br>; Beaches in art  – History and criticism <; br>; Nude in art  – History and criticism <; br>; Ashcan school of art <; br>; Birmingham Museum of Art (Birmingham, Ala.)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Russell, M. K. (2010). Drawing a bath : works by Robert Henri and George Bellows at the Birmingham Museum of Art. (Masters Thesis). University of Alabama – Birmingham. Retrieved from http://contentdm.mhsl.uab.edu/u?/etd,791

Chicago Manual of Style (16th Edition):

Russell, Mary Katherine. “Drawing a bath : works by Robert Henri and George Bellows at the Birmingham Museum of Art.” 2010. Masters Thesis, University of Alabama – Birmingham. Accessed October 16, 2019. http://contentdm.mhsl.uab.edu/u?/etd,791.

MLA Handbook (7th Edition):

Russell, Mary Katherine. “Drawing a bath : works by Robert Henri and George Bellows at the Birmingham Museum of Art.” 2010. Web. 16 Oct 2019.

Vancouver:

Russell MK. Drawing a bath : works by Robert Henri and George Bellows at the Birmingham Museum of Art. [Internet] [Masters thesis]. University of Alabama – Birmingham; 2010. [cited 2019 Oct 16]. Available from: http://contentdm.mhsl.uab.edu/u?/etd,791.

Council of Science Editors:

Russell MK. Drawing a bath : works by Robert Henri and George Bellows at the Birmingham Museum of Art. [Masters Thesis]. University of Alabama – Birmingham; 2010. Available from: http://contentdm.mhsl.uab.edu/u?/etd,791


Baylor University

30. Weed, Cameron M. The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead.

Degree: Communication Studies., 2009, Baylor University

 Four decades after re-inventing the zombie film into its modern understanding, George A. Romero continues to use the zombie film to assert his leftist political… (more)

Subjects/Keywords: Romero, George A.  – Criticism and interpretation.; Zombie films  – History and criticism.; Zombies.; Marx, Karl, 1818-1883  – Criticism and interpretation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weed, C. M. (2009). The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/5335

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weed, Cameron M. “The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. ” 2009. Thesis, Baylor University. Accessed October 16, 2019. http://hdl.handle.net/2104/5335.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weed, Cameron M. “The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. ” 2009. Web. 16 Oct 2019.

Vancouver:

Weed CM. The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. [Internet] [Thesis]. Baylor University; 2009. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/2104/5335.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weed CM. The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. [Thesis]. Baylor University; 2009. Available from: http://hdl.handle.net/2104/5335

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [159]

.