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You searched for subject:(Hitchcock). Showing records 1 – 30 of 60 total matches.

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Oregon State University

1. Flanagan, Matthew S. Hitchcock in Hollywood: Examining the Master of Suspense’s Career with Rebecca and Psycho.

Degree: MA, 2017, Oregon State University

 This project examines the production histories of two films that Alfred Hitchcock directed, his Hollywood debut Rebecca (1940) and the memorable Psycho (1960). The first… (more)

Subjects/Keywords: hitchcock

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APA (6th Edition):

Flanagan, M. S. (2017). Hitchcock in Hollywood: Examining the Master of Suspense’s Career with Rebecca and Psycho. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/61906

Chicago Manual of Style (16th Edition):

Flanagan, Matthew S. “Hitchcock in Hollywood: Examining the Master of Suspense’s Career with Rebecca and Psycho.” 2017. Masters Thesis, Oregon State University. Accessed October 18, 2019. http://hdl.handle.net/1957/61906.

MLA Handbook (7th Edition):

Flanagan, Matthew S. “Hitchcock in Hollywood: Examining the Master of Suspense’s Career with Rebecca and Psycho.” 2017. Web. 18 Oct 2019.

Vancouver:

Flanagan MS. Hitchcock in Hollywood: Examining the Master of Suspense’s Career with Rebecca and Psycho. [Internet] [Masters thesis]. Oregon State University; 2017. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1957/61906.

Council of Science Editors:

Flanagan MS. Hitchcock in Hollywood: Examining the Master of Suspense’s Career with Rebecca and Psycho. [Masters Thesis]. Oregon State University; 2017. Available from: http://hdl.handle.net/1957/61906


University of Debrecen

2. Pataki, Attila. A suspense Hitchcocktól napjainkig .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

A dolgozat a suspense működésére, felépítésére és hatására fókuszál, múltbeli és korszerű nézőpontokkal, példákkal alátámasztva, mindezt a hitchcocki alapokra felépítve. Advisors/Committee Members: Váró, Kata Anna (advisor).

Subjects/Keywords: Suspense; Hitchcock

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APA (6th Edition):

Pataki, A. (n.d.). A suspense Hitchcocktól napjainkig . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/212102

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pataki, Attila. “A suspense Hitchcocktól napjainkig .” Thesis, University of Debrecen. Accessed October 18, 2019. http://hdl.handle.net/2437/212102.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pataki, Attila. “A suspense Hitchcocktól napjainkig .” Web. 18 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Pataki A. A suspense Hitchcocktól napjainkig . [Internet] [Thesis]. University of Debrecen; [cited 2019 Oct 18]. Available from: http://hdl.handle.net/2437/212102.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Pataki A. A suspense Hitchcocktól napjainkig . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/212102

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Debrecen

3. Szász, Eszter. A hangosfilmváltás hatásának bemutatása a bűnügyi filmek műfaján belül .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

A hangosfilm történetének tanulmányozása, majd váltás hatásainak bemutatása bűnügyi filmeken keresztül. Alfred Hitchcock három műalkotásán keresztül. Advisors/Committee Members: Kelemen, István (advisor).

Subjects/Keywords: hangosfilm váltás; Hitchcock; Film

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APA (6th Edition):

Szász, E. (2013). A hangosfilmváltás hatásának bemutatása a bűnügyi filmek műfaján belül . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/166483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szász, Eszter. “A hangosfilmváltás hatásának bemutatása a bűnügyi filmek műfaján belül .” 2013. Thesis, University of Debrecen. Accessed October 18, 2019. http://hdl.handle.net/2437/166483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szász, Eszter. “A hangosfilmváltás hatásának bemutatása a bűnügyi filmek műfaján belül .” 2013. Web. 18 Oct 2019.

Vancouver:

Szász E. A hangosfilmváltás hatásának bemutatása a bűnügyi filmek műfaján belül . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/2437/166483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szász E. A hangosfilmváltás hatásának bemutatása a bűnügyi filmek műfaján belül . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/166483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

4. Melker, Fleur. No Place Like Home: Domestic Architecture and Symbolism in the Films of Alfred Hitchcock.

Degree: 2014, Leiden University

 One thing that stands out when looking at Alfred Hitchcock's films is the director's interest in domestic space. By looking at the 'Hitchcock House' from… (more)

Subjects/Keywords: Alfred Hitchcock; Domestic; Architecture; Symbolism; Film

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APA (6th Edition):

Melker, F. (2014). No Place Like Home: Domestic Architecture and Symbolism in the Films of Alfred Hitchcock. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/28572

Chicago Manual of Style (16th Edition):

Melker, Fleur. “No Place Like Home: Domestic Architecture and Symbolism in the Films of Alfred Hitchcock.” 2014. Masters Thesis, Leiden University. Accessed October 18, 2019. http://hdl.handle.net/1887/28572.

MLA Handbook (7th Edition):

Melker, Fleur. “No Place Like Home: Domestic Architecture and Symbolism in the Films of Alfred Hitchcock.” 2014. Web. 18 Oct 2019.

Vancouver:

Melker F. No Place Like Home: Domestic Architecture and Symbolism in the Films of Alfred Hitchcock. [Internet] [Masters thesis]. Leiden University; 2014. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1887/28572.

Council of Science Editors:

Melker F. No Place Like Home: Domestic Architecture and Symbolism in the Films of Alfred Hitchcock. [Masters Thesis]. Leiden University; 2014. Available from: http://hdl.handle.net/1887/28572


University of Edinburgh

5. Hesford, Daniel William. Art of anticipation : the artistic status of the film trailer and its place in a wider cinematic culture.

Degree: 2013, University of Edinburgh

 Close association with, and proximity to, a culture of commercialism means film trailers are often overlooked in academic analyses of cinema. Trailers are, for many… (more)

Subjects/Keywords: 791.43; film; trailers; promotion; Hitchcock; Alfred

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APA (6th Edition):

Hesford, D. W. (2013). Art of anticipation : the artistic status of the film trailer and its place in a wider cinematic culture. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/9469

Chicago Manual of Style (16th Edition):

Hesford, Daniel William. “Art of anticipation : the artistic status of the film trailer and its place in a wider cinematic culture.” 2013. Doctoral Dissertation, University of Edinburgh. Accessed October 18, 2019. http://hdl.handle.net/1842/9469.

MLA Handbook (7th Edition):

Hesford, Daniel William. “Art of anticipation : the artistic status of the film trailer and its place in a wider cinematic culture.” 2013. Web. 18 Oct 2019.

Vancouver:

Hesford DW. Art of anticipation : the artistic status of the film trailer and its place in a wider cinematic culture. [Internet] [Doctoral dissertation]. University of Edinburgh; 2013. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1842/9469.

Council of Science Editors:

Hesford DW. Art of anticipation : the artistic status of the film trailer and its place in a wider cinematic culture. [Doctoral Dissertation]. University of Edinburgh; 2013. Available from: http://hdl.handle.net/1842/9469

6. Shields, Bridget Alana. Adorning the story: costume as a storytelling tool in Alfred Hitchcock's Stage fright and Strangers on a train.

Degree: MS, Textiles, Merchandising and Interiors, 2012, University of Georgia

 The goal of this research study was to examine Alfred Hitchcock’s use of costuming as a storytelling tool in his films. Two of his films… (more)

Subjects/Keywords: Alfred Hitchcock

…get restless because the pictorial action would still hold them! – Alfred Hitchcock, July… …1936 in Stage1 Alfred Hitchcock was a director who believed visual style to be paramount in… …distinguished Hitchcock from other fine filmmakers. He is an icon of cinema who created a body of work… …scéne. Hitchcock was known for being exceptionally particular and in control of all aspects of… …director on his films, ‘auteur’ meaning ‘author’ in French. Hitchcock was very involved in the… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Shields, B. A. (2012). Adorning the story: costume as a storytelling tool in Alfred Hitchcock's Stage fright and Strangers on a train. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/shields_bridget_a_201212_ms

Chicago Manual of Style (16th Edition):

Shields, Bridget Alana. “Adorning the story: costume as a storytelling tool in Alfred Hitchcock's Stage fright and Strangers on a train.” 2012. Masters Thesis, University of Georgia. Accessed October 18, 2019. http://purl.galileo.usg.edu/uga_etd/shields_bridget_a_201212_ms.

MLA Handbook (7th Edition):

Shields, Bridget Alana. “Adorning the story: costume as a storytelling tool in Alfred Hitchcock's Stage fright and Strangers on a train.” 2012. Web. 18 Oct 2019.

Vancouver:

Shields BA. Adorning the story: costume as a storytelling tool in Alfred Hitchcock's Stage fright and Strangers on a train. [Internet] [Masters thesis]. University of Georgia; 2012. [cited 2019 Oct 18]. Available from: http://purl.galileo.usg.edu/uga_etd/shields_bridget_a_201212_ms.

Council of Science Editors:

Shields BA. Adorning the story: costume as a storytelling tool in Alfred Hitchcock's Stage fright and Strangers on a train. [Masters Thesis]. University of Georgia; 2012. Available from: http://purl.galileo.usg.edu/uga_etd/shields_bridget_a_201212_ms


Université de Grenoble

7. Brisset, Tifenn. Le cinéma d'Alfred Hitchcock : une oeuvre du devenir-humain : Becoming human in Alfred Hitchcock's cinema.

Degree: Docteur es, Philosophie, 2012, Université de Grenoble

Cette thèse vise à apporter un éclairage philosophique sur l'œuvre cinématographique d'Alfred Hitchcock. Plus spécifiquement, il est question d'envisager les phénomènes esthétiques et narratifs afin… (more)

Subjects/Keywords: Cinéma; Philosophie morale; Esthétique; Éthique; Alfred Hitchcock; Alfred Hitchcock; Cinema studies; Aesthetics; Moral philosophy; Ethics

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APA (6th Edition):

Brisset, T. (2012). Le cinéma d'Alfred Hitchcock : une oeuvre du devenir-humain : Becoming human in Alfred Hitchcock's cinema. (Doctoral Dissertation). Université de Grenoble. Retrieved from http://www.theses.fr/2012GRENP002

Chicago Manual of Style (16th Edition):

Brisset, Tifenn. “Le cinéma d'Alfred Hitchcock : une oeuvre du devenir-humain : Becoming human in Alfred Hitchcock's cinema.” 2012. Doctoral Dissertation, Université de Grenoble. Accessed October 18, 2019. http://www.theses.fr/2012GRENP002.

MLA Handbook (7th Edition):

Brisset, Tifenn. “Le cinéma d'Alfred Hitchcock : une oeuvre du devenir-humain : Becoming human in Alfred Hitchcock's cinema.” 2012. Web. 18 Oct 2019.

Vancouver:

Brisset T. Le cinéma d'Alfred Hitchcock : une oeuvre du devenir-humain : Becoming human in Alfred Hitchcock's cinema. [Internet] [Doctoral dissertation]. Université de Grenoble; 2012. [cited 2019 Oct 18]. Available from: http://www.theses.fr/2012GRENP002.

Council of Science Editors:

Brisset T. Le cinéma d'Alfred Hitchcock : une oeuvre du devenir-humain : Becoming human in Alfred Hitchcock's cinema. [Doctoral Dissertation]. Université de Grenoble; 2012. Available from: http://www.theses.fr/2012GRENP002

8. Borlizzi, Vincenzo. Trois questions sur le modelage des films - Les obstacles visuels, la pesanteur et la durée : Three questions about film modelling - Visual obstacles, gravity and duration.

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2011, Université Sorbonne Nouvelle – Paris III

Cette recherche naît de l’interaction entre deux idées d’Eisenstein : en 1934 il affirma qu’un film est plus résistant que le granit, mais l’année d’après… (more)

Subjects/Keywords: Modelage; Bergman; Skolimowski; Ford; Hitchcock; Erice; Modelling; Bergman; Skolimowski; Ford; Hitchcock; Erice

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APA (6th Edition):

Borlizzi, V. (2011). Trois questions sur le modelage des films - Les obstacles visuels, la pesanteur et la durée : Three questions about film modelling - Visual obstacles, gravity and duration. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2011PA030039

Chicago Manual of Style (16th Edition):

Borlizzi, Vincenzo. “Trois questions sur le modelage des films - Les obstacles visuels, la pesanteur et la durée : Three questions about film modelling - Visual obstacles, gravity and duration.” 2011. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed October 18, 2019. http://www.theses.fr/2011PA030039.

MLA Handbook (7th Edition):

Borlizzi, Vincenzo. “Trois questions sur le modelage des films - Les obstacles visuels, la pesanteur et la durée : Three questions about film modelling - Visual obstacles, gravity and duration.” 2011. Web. 18 Oct 2019.

Vancouver:

Borlizzi V. Trois questions sur le modelage des films - Les obstacles visuels, la pesanteur et la durée : Three questions about film modelling - Visual obstacles, gravity and duration. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. [cited 2019 Oct 18]. Available from: http://www.theses.fr/2011PA030039.

Council of Science Editors:

Borlizzi V. Trois questions sur le modelage des films - Les obstacles visuels, la pesanteur et la durée : Three questions about film modelling - Visual obstacles, gravity and duration. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. Available from: http://www.theses.fr/2011PA030039

9. Oliveira Júnior, Luiz Carlos Gonçalves de. Vertigo, a teoria artística de Alfred Hitchcock e seus desdobramentos no cinema moderno.

Degree: PhD, Meios e Processos Audiovisuais, 2015, University of São Paulo

A tese investiga a recorrência do filme Um corpo que cai (Vertigo, 1958), de Alfred Hitchcock, como esquema matricial de uma reflexão meta-artística que, tomando… (more)

Subjects/Keywords: Aesthetical epistemology; Alfred Hitchcock; Alfred Hitchcock; Cinema moderno, Epistemologia estética; Estética cinematográfica; Film aesthetics; Modern cinema; Vertigo; Vertigo

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APA (6th Edition):

Oliveira Júnior, L. C. G. d. (2015). Vertigo, a teoria artística de Alfred Hitchcock e seus desdobramentos no cinema moderno. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27161/tde-29062015-123125/ ;

Chicago Manual of Style (16th Edition):

Oliveira Júnior, Luiz Carlos Gonçalves de. “Vertigo, a teoria artística de Alfred Hitchcock e seus desdobramentos no cinema moderno.” 2015. Doctoral Dissertation, University of São Paulo. Accessed October 18, 2019. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-29062015-123125/ ;.

MLA Handbook (7th Edition):

Oliveira Júnior, Luiz Carlos Gonçalves de. “Vertigo, a teoria artística de Alfred Hitchcock e seus desdobramentos no cinema moderno.” 2015. Web. 18 Oct 2019.

Vancouver:

Oliveira Júnior LCGd. Vertigo, a teoria artística de Alfred Hitchcock e seus desdobramentos no cinema moderno. [Internet] [Doctoral dissertation]. University of São Paulo; 2015. [cited 2019 Oct 18]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27161/tde-29062015-123125/ ;.

Council of Science Editors:

Oliveira Júnior LCGd. Vertigo, a teoria artística de Alfred Hitchcock e seus desdobramentos no cinema moderno. [Doctoral Dissertation]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/27/27161/tde-29062015-123125/ ;


University of Vienna

10. Pelzelmayer, Elise. Das Schweigen als ästhetisch-dramaturgische Kategorie im Film.

Degree: 2010, University of Vienna

Diese Arbeit setzt sich mit dem Schweigen und der Stille als ästhetisch-dramaturgischen Kategorien im Film auseinander. Dabei sind folgende zwei Fragen von Bedeutung: Wann und… (more)

Subjects/Keywords: 24.37 Film: Sonstiges; 24.12 Regie, Dramaturgie; Schweigen / Stille / Film / Haneke / Hitchcock / Kubrick / Bergman; silence / stillness / film / Haneke / Hitchcock / Kubrick / Bergman

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APA (6th Edition):

Pelzelmayer, E. (2010). Das Schweigen als ästhetisch-dramaturgische Kategorie im Film. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/11388/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pelzelmayer, Elise. “Das Schweigen als ästhetisch-dramaturgische Kategorie im Film.” 2010. Thesis, University of Vienna. Accessed October 18, 2019. http://othes.univie.ac.at/11388/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pelzelmayer, Elise. “Das Schweigen als ästhetisch-dramaturgische Kategorie im Film.” 2010. Web. 18 Oct 2019.

Vancouver:

Pelzelmayer E. Das Schweigen als ästhetisch-dramaturgische Kategorie im Film. [Internet] [Thesis]. University of Vienna; 2010. [cited 2019 Oct 18]. Available from: http://othes.univie.ac.at/11388/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pelzelmayer E. Das Schweigen als ästhetisch-dramaturgische Kategorie im Film. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/11388/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Braz, Patrícia Raquel Costa. Subversão do estereótipo feminino na cinematografia de Hitchcock.

Degree: 2015, RCAAP

O projeto aqui apresentado atende à temática da subversão do estereótipo feminino na cinematografia de Alfred Hitchcock e fundamenta a investigação para a realização de… (more)

Subjects/Keywords: Hitchcock; fotografia; Estereótipo feminino; cinema; recriação imagética; image recreation; Female stereotype; photography; cinema; Hitchcock; Departamento de Comunicação e Arte

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APA (6th Edition):

Braz, P. R. C. (2015). Subversão do estereótipo feminino na cinematografia de Hitchcock. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Braz, Patrícia Raquel Costa. “Subversão do estereótipo feminino na cinematografia de Hitchcock.” 2015. Thesis, RCAAP. Accessed October 18, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Braz, Patrícia Raquel Costa. “Subversão do estereótipo feminino na cinematografia de Hitchcock.” 2015. Web. 18 Oct 2019.

Vancouver:

Braz PRC. Subversão do estereótipo feminino na cinematografia de Hitchcock. [Internet] [Thesis]. RCAAP; 2015. [cited 2019 Oct 18]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Braz PRC. Subversão do estereótipo feminino na cinematografia de Hitchcock. [Thesis]. RCAAP; 2015. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

12. Marcelo Moreira Santos. Poética fílmica: o exemplo de Alfred Hitchcock.

Degree: 2012, Pontifícia Universidade Católica de São Paulo

A presente tese tomou como seu objeto de pesquisa a poética fílmica. Entendendo por poética, no caso do cinema, o processo de criação, produção e… (more)

Subjects/Keywords: Semiótica; Complexidade; Poética; Hitchcock; COMUNICACAO; Semiotics; Complexity; Poetics; Cinema

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APA (6th Edition):

Santos, M. M. (2012). Poética fílmica: o exemplo de Alfred Hitchcock. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=15227

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santos, Marcelo Moreira. “Poética fílmica: o exemplo de Alfred Hitchcock.” 2012. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed October 18, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=15227.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santos, Marcelo Moreira. “Poética fílmica: o exemplo de Alfred Hitchcock.” 2012. Web. 18 Oct 2019.

Vancouver:

Santos MM. Poética fílmica: o exemplo de Alfred Hitchcock. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2012. [cited 2019 Oct 18]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=15227.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santos MM. Poética fílmica: o exemplo de Alfred Hitchcock. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2012. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=15227

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Penn State University

13. Kelley, Alison. Inside the Madhouse: Bernard Herrmann's "Psycho".

Degree: MA, Music Theory, 2011, Penn State University

 Bernard Herrmann’s score to Psycho, Alfred Hitchcock’s definitive slasher film from 1960, enhances the emotional and mental aspects of the characters through musical techniques designed… (more)

Subjects/Keywords: Psycho; film music; music; theory; Herrmann; Bernard; Hitchcock; Alfred

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APA (6th Edition):

Kelley, A. (2011). Inside the Madhouse: Bernard Herrmann's "Psycho". (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/11853

Chicago Manual of Style (16th Edition):

Kelley, Alison. “Inside the Madhouse: Bernard Herrmann's "Psycho".” 2011. Masters Thesis, Penn State University. Accessed October 18, 2019. https://etda.libraries.psu.edu/catalog/11853.

MLA Handbook (7th Edition):

Kelley, Alison. “Inside the Madhouse: Bernard Herrmann's "Psycho".” 2011. Web. 18 Oct 2019.

Vancouver:

Kelley A. Inside the Madhouse: Bernard Herrmann's "Psycho". [Internet] [Masters thesis]. Penn State University; 2011. [cited 2019 Oct 18]. Available from: https://etda.libraries.psu.edu/catalog/11853.

Council of Science Editors:

Kelley A. Inside the Madhouse: Bernard Herrmann's "Psycho". [Masters Thesis]. Penn State University; 2011. Available from: https://etda.libraries.psu.edu/catalog/11853


Louisiana State University

14. Dunn, John T. The Representation of Disability in the Music of Alfred Hitchcock Films.

Degree: PhD, Music, 2016, Louisiana State University

 Several of Alfred Hitchcock’s movies feature characters with disabilities. Often, these characters are protagonists, and Hitchcock systematically manipulates his audiences to identify with these characters… (more)

Subjects/Keywords: disability; Bernard Herrmann; Alfred Hitchcock; film music; Psycho; Vertigo

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APA (6th Edition):

Dunn, J. T. (2016). The Representation of Disability in the Music of Alfred Hitchcock Films. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04052016-155859 ; https://digitalcommons.lsu.edu/gradschool_dissertations/758

Chicago Manual of Style (16th Edition):

Dunn, John T. “The Representation of Disability in the Music of Alfred Hitchcock Films.” 2016. Doctoral Dissertation, Louisiana State University. Accessed October 18, 2019. etd-04052016-155859 ; https://digitalcommons.lsu.edu/gradschool_dissertations/758.

MLA Handbook (7th Edition):

Dunn, John T. “The Representation of Disability in the Music of Alfred Hitchcock Films.” 2016. Web. 18 Oct 2019.

Vancouver:

Dunn JT. The Representation of Disability in the Music of Alfred Hitchcock Films. [Internet] [Doctoral dissertation]. Louisiana State University; 2016. [cited 2019 Oct 18]. Available from: etd-04052016-155859 ; https://digitalcommons.lsu.edu/gradschool_dissertations/758.

Council of Science Editors:

Dunn JT. The Representation of Disability in the Music of Alfred Hitchcock Films. [Doctoral Dissertation]. Louisiana State University; 2016. Available from: etd-04052016-155859 ; https://digitalcommons.lsu.edu/gradschool_dissertations/758


Clemson University

15. Matney, Laura Lee. Clemson Football Parking Optimization Using the Hitchcock Algorithm and Validation with Bluetooth Sensors.

Degree: MS, Civil Engineering, 2017, Clemson University

 The City of Clemson has a population of approximately 14,000 residents and the university has 22,700 enrolled students. However, for seven weekends during the fall,… (more)

Subjects/Keywords: Bluetooth; Calibration; Clemson Football; Hitchcock; Origin-Destination; Parking Optimization

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APA (6th Edition):

Matney, L. L. (2017). Clemson Football Parking Optimization Using the Hitchcock Algorithm and Validation with Bluetooth Sensors. (Masters Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/2742

Chicago Manual of Style (16th Edition):

Matney, Laura Lee. “Clemson Football Parking Optimization Using the Hitchcock Algorithm and Validation with Bluetooth Sensors.” 2017. Masters Thesis, Clemson University. Accessed October 18, 2019. https://tigerprints.clemson.edu/all_theses/2742.

MLA Handbook (7th Edition):

Matney, Laura Lee. “Clemson Football Parking Optimization Using the Hitchcock Algorithm and Validation with Bluetooth Sensors.” 2017. Web. 18 Oct 2019.

Vancouver:

Matney LL. Clemson Football Parking Optimization Using the Hitchcock Algorithm and Validation with Bluetooth Sensors. [Internet] [Masters thesis]. Clemson University; 2017. [cited 2019 Oct 18]. Available from: https://tigerprints.clemson.edu/all_theses/2742.

Council of Science Editors:

Matney LL. Clemson Football Parking Optimization Using the Hitchcock Algorithm and Validation with Bluetooth Sensors. [Masters Thesis]. Clemson University; 2017. Available from: https://tigerprints.clemson.edu/all_theses/2742


University of Technology, Sydney

16. Bligh, William Oliver McLean. Remaking The 39 Steps : Hitchcock's screenwriting and identification.

Degree: 2018, University of Technology, Sydney

 This research analyses Hitchcock’s The 39 Steps (1935) and his two remakes (i.e. Saboteur, 1942, and North by Northwest, 1959) as exemplars for my screenplay,… (more)

Subjects/Keywords: Hitchcock films.; The 39 Steps.; Screenplay.; Genetic criticism.; Character schema.

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APA (6th Edition):

Bligh, W. O. M. (2018). Remaking The 39 Steps : Hitchcock's screenwriting and identification. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/127923

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bligh, William Oliver McLean. “Remaking The 39 Steps : Hitchcock's screenwriting and identification.” 2018. Thesis, University of Technology, Sydney. Accessed October 18, 2019. http://hdl.handle.net/10453/127923.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bligh, William Oliver McLean. “Remaking The 39 Steps : Hitchcock's screenwriting and identification.” 2018. Web. 18 Oct 2019.

Vancouver:

Bligh WOM. Remaking The 39 Steps : Hitchcock's screenwriting and identification. [Internet] [Thesis]. University of Technology, Sydney; 2018. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/10453/127923.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bligh WOM. Remaking The 39 Steps : Hitchcock's screenwriting and identification. [Thesis]. University of Technology, Sydney; 2018. Available from: http://hdl.handle.net/10453/127923

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Valladolid

17. Lena Ordóñez, Alberto José. Alfred Hitchcock, La sombra de una duda, Thornton Wilder: análisis histórico-cultural e intertextual de una obra cinematográfica.

Degree: 2016, Universidad de Valladolid

 Alabada por Orson Welles y Martin Scorsese, fuente de inspiración para David Lynch y los hermanos Coen, La sombra de una duda (Shadow of a… (more)

Subjects/Keywords: Hitchcock; Alfred (1899-1980). Shadow of a Doubt-Crítica e interpretación

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APA (6th Edition):

Lena Ordóñez, A. J. (2016). Alfred Hitchcock, La sombra de una duda, Thornton Wilder: análisis histórico-cultural e intertextual de una obra cinematográfica. (Thesis). Universidad de Valladolid. Retrieved from http://uvadoc.uva.es/handle/10324/19197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lena Ordóñez, Alberto José. “Alfred Hitchcock, La sombra de una duda, Thornton Wilder: análisis histórico-cultural e intertextual de una obra cinematográfica.” 2016. Thesis, Universidad de Valladolid. Accessed October 18, 2019. http://uvadoc.uva.es/handle/10324/19197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lena Ordóñez, Alberto José. “Alfred Hitchcock, La sombra de una duda, Thornton Wilder: análisis histórico-cultural e intertextual de una obra cinematográfica.” 2016. Web. 18 Oct 2019.

Vancouver:

Lena Ordóñez AJ. Alfred Hitchcock, La sombra de una duda, Thornton Wilder: análisis histórico-cultural e intertextual de una obra cinematográfica. [Internet] [Thesis]. Universidad de Valladolid; 2016. [cited 2019 Oct 18]. Available from: http://uvadoc.uva.es/handle/10324/19197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lena Ordóñez AJ. Alfred Hitchcock, La sombra de una duda, Thornton Wilder: análisis histórico-cultural e intertextual de una obra cinematográfica. [Thesis]. Universidad de Valladolid; 2016. Available from: http://uvadoc.uva.es/handle/10324/19197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Bonine, L. Lelaine. Reel consequences: chasing the trace, leaving it behind.

Degree: PhD, English, 2012, University of Minnesota

 This dissertation investigates the definition of film as an indexical sign. It argues against such a definition, alleging that it is not only logically unsound,… (more)

Subjects/Keywords: Cinephilia; Fandom; Hitchcock; Index

…cinephilic pilgrimage connected to Alfred Hitchcock‟s Vertigo (1958)—the practice that… …confused with the French avant-garde “Cinema pur” movement of the „20s and „30s, Alfred Hitchcock… 

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APA (6th Edition):

Bonine, L. L. (2012). Reel consequences: chasing the trace, leaving it behind. (Doctoral Dissertation). University of Minnesota. Retrieved from http://purl.umn.edu/141605

Chicago Manual of Style (16th Edition):

Bonine, L Lelaine. “Reel consequences: chasing the trace, leaving it behind.” 2012. Doctoral Dissertation, University of Minnesota. Accessed October 18, 2019. http://purl.umn.edu/141605.

MLA Handbook (7th Edition):

Bonine, L Lelaine. “Reel consequences: chasing the trace, leaving it behind.” 2012. Web. 18 Oct 2019.

Vancouver:

Bonine LL. Reel consequences: chasing the trace, leaving it behind. [Internet] [Doctoral dissertation]. University of Minnesota; 2012. [cited 2019 Oct 18]. Available from: http://purl.umn.edu/141605.

Council of Science Editors:

Bonine LL. Reel consequences: chasing the trace, leaving it behind. [Doctoral Dissertation]. University of Minnesota; 2012. Available from: http://purl.umn.edu/141605

19. Franklin-Landi, Rebecca. Le cinéma de la peur à l'ère du maccarthysme : The cinema of fear in the era of McCarthyism.

Degree: Docteur es, Etudes anglophones, 2015, Aix Marseille Université

Cette étude propose une analyse de la représentation de la peur dans la société américaine à l’époque du maccarthysme à travers la filmographie de trois… (more)

Subjects/Keywords: Cinéma américain; Guerre froide; Hitchcock; Hollywood; Huac; Identité américaine; Kazan; Maccarthysme; Peur; Zinnemann; American Cinema; Americanism; Cold War; Fear; Hitchcock; Hollywood; Huac; Kazan; McCarthyism; Zinnemann

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APA (6th Edition):

Franklin-Landi, R. (2015). Le cinéma de la peur à l'ère du maccarthysme : The cinema of fear in the era of McCarthyism. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2015AIXM3048

Chicago Manual of Style (16th Edition):

Franklin-Landi, Rebecca. “Le cinéma de la peur à l'ère du maccarthysme : The cinema of fear in the era of McCarthyism.” 2015. Doctoral Dissertation, Aix Marseille Université. Accessed October 18, 2019. http://www.theses.fr/2015AIXM3048.

MLA Handbook (7th Edition):

Franklin-Landi, Rebecca. “Le cinéma de la peur à l'ère du maccarthysme : The cinema of fear in the era of McCarthyism.” 2015. Web. 18 Oct 2019.

Vancouver:

Franklin-Landi R. Le cinéma de la peur à l'ère du maccarthysme : The cinema of fear in the era of McCarthyism. [Internet] [Doctoral dissertation]. Aix Marseille Université 2015. [cited 2019 Oct 18]. Available from: http://www.theses.fr/2015AIXM3048.

Council of Science Editors:

Franklin-Landi R. Le cinéma de la peur à l'ère du maccarthysme : The cinema of fear in the era of McCarthyism. [Doctoral Dissertation]. Aix Marseille Université 2015. Available from: http://www.theses.fr/2015AIXM3048

20. Foloppe, Virginie. Dépersonnalisations : du traumatisme à la création : Depersonalizations : from trauma to creation.

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2011, Université Sorbonne Nouvelle – Paris III

L'œuvre filmique relève-t-elle du "sévère exercice de dépersonnalisation" revendiqué par Gilles Deleuze dans l'invention d'une identité personnelle ? Quelles méthodes, les réalisateurs Alfred Hitchcock, Thomas… (more)

Subjects/Keywords: Dépersonnalisation et cinéma; Desincarnation; Kim Ki-duk; Poïétique du genre; Thomas Vinterberg; Alfred Hitchcock; Depersonalization; Désincarnation identitaire; Kim Ki-duk; Genders poïétique; Thomas Vinterberg; Alfred Hitchcock; 790

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APA (6th Edition):

Foloppe, V. (2011). Dépersonnalisations : du traumatisme à la création : Depersonalizations : from trauma to creation. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2011PA030131

Chicago Manual of Style (16th Edition):

Foloppe, Virginie. “Dépersonnalisations : du traumatisme à la création : Depersonalizations : from trauma to creation.” 2011. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed October 18, 2019. http://www.theses.fr/2011PA030131.

MLA Handbook (7th Edition):

Foloppe, Virginie. “Dépersonnalisations : du traumatisme à la création : Depersonalizations : from trauma to creation.” 2011. Web. 18 Oct 2019.

Vancouver:

Foloppe V. Dépersonnalisations : du traumatisme à la création : Depersonalizations : from trauma to creation. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. [cited 2019 Oct 18]. Available from: http://www.theses.fr/2011PA030131.

Council of Science Editors:

Foloppe V. Dépersonnalisations : du traumatisme à la création : Depersonalizations : from trauma to creation. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. Available from: http://www.theses.fr/2011PA030131


Brunel University

21. Bass, Thomas William. Alfred Hitchcock : the master of adaptation.

Degree: PhD, 2015, Brunel University

 My research explores Alfred Hitchcock’s use of adaptation and the impact that this has on his status as an ‘auteur’. The aim, through looking at… (more)

Subjects/Keywords: 791.4302; Robert Bloch Psycho; Daphne Du Maurier; Authorship Versus Adaptation; Hitchcock British Plays; Theatrical Adaptation

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APA (6th Edition):

Bass, T. W. (2015). Alfred Hitchcock : the master of adaptation. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/12773 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687639

Chicago Manual of Style (16th Edition):

Bass, Thomas William. “Alfred Hitchcock : the master of adaptation.” 2015. Doctoral Dissertation, Brunel University. Accessed October 18, 2019. http://bura.brunel.ac.uk/handle/2438/12773 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687639.

MLA Handbook (7th Edition):

Bass, Thomas William. “Alfred Hitchcock : the master of adaptation.” 2015. Web. 18 Oct 2019.

Vancouver:

Bass TW. Alfred Hitchcock : the master of adaptation. [Internet] [Doctoral dissertation]. Brunel University; 2015. [cited 2019 Oct 18]. Available from: http://bura.brunel.ac.uk/handle/2438/12773 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687639.

Council of Science Editors:

Bass TW. Alfred Hitchcock : the master of adaptation. [Doctoral Dissertation]. Brunel University; 2015. Available from: http://bura.brunel.ac.uk/handle/2438/12773 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687639


Iowa State University

22. Burdock, Erick. Villains, victims, and virgins: Asexuality in the films of Alfred Hitchcock.

Degree: 2018, Iowa State University

 This thesis assists in archiving and analyzing queer artifacts for their asexual “resonances,” with the intent to assemble a multivalent archive. To that end, I… (more)

Subjects/Keywords: alfred hitchcock; american cinema; american film; asexuality; gender studies; queer studies; English Language and Literature

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APA (6th Edition):

Burdock, E. (2018). Villains, victims, and virgins: Asexuality in the films of Alfred Hitchcock. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/16323

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Burdock, Erick. “Villains, victims, and virgins: Asexuality in the films of Alfred Hitchcock.” 2018. Thesis, Iowa State University. Accessed October 18, 2019. https://lib.dr.iastate.edu/etd/16323.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Burdock, Erick. “Villains, victims, and virgins: Asexuality in the films of Alfred Hitchcock.” 2018. Web. 18 Oct 2019.

Vancouver:

Burdock E. Villains, victims, and virgins: Asexuality in the films of Alfred Hitchcock. [Internet] [Thesis]. Iowa State University; 2018. [cited 2019 Oct 18]. Available from: https://lib.dr.iastate.edu/etd/16323.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Burdock E. Villains, victims, and virgins: Asexuality in the films of Alfred Hitchcock. [Thesis]. Iowa State University; 2018. Available from: https://lib.dr.iastate.edu/etd/16323

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Álvaro, Pedro Crispim Santos. O cinema dos espaços fechados: padrões, temáticas e estilísticas da mise-en-scène em espaços de clausura.

Degree: 2016, Instituto Politécnico do Porto

Esta dissertação tem como objetivo perceber de que forma a delimitação espacial no cinema afeta a realização e, por conseguinte, a mise-en-scène de um filme.… (more)

Subjects/Keywords: Mise-en-scène; Espaços fechados; Rope; Alfred Hitchcock; Intimismo; Voyeurismo; Enclosed spaces; Intimacy; Voyeurism

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APA (6th Edition):

Álvaro, P. C. S. (2016). O cinema dos espaços fechados: padrões, temáticas e estilísticas da mise-en-scène em espaços de clausura. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Álvaro, Pedro Crispim Santos. “O cinema dos espaços fechados: padrões, temáticas e estilísticas da mise-en-scène em espaços de clausura.” 2016. Thesis, Instituto Politécnico do Porto. Accessed October 18, 2019. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Álvaro, Pedro Crispim Santos. “O cinema dos espaços fechados: padrões, temáticas e estilísticas da mise-en-scène em espaços de clausura.” 2016. Web. 18 Oct 2019.

Vancouver:

Álvaro PCS. O cinema dos espaços fechados: padrões, temáticas e estilísticas da mise-en-scène em espaços de clausura. [Internet] [Thesis]. Instituto Politécnico do Porto; 2016. [cited 2019 Oct 18]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Álvaro PCS. O cinema dos espaços fechados: padrões, temáticas e estilísticas da mise-en-scène em espaços de clausura. [Thesis]. Instituto Politécnico do Porto; 2016. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brigham Young University

24. Phelps, Kelsey W. From Poe and Hitchcock to...Reality TV?.

Degree: MA, 2010, Brigham Young University

  This thesis expands the discussion of the mass appeal and sustained success of reality TV by initiating an examination of the direct connections between… (more)

Subjects/Keywords: Edgar Allan Poe; Alfred Hitchcock; reality TV; voyeurism; sublime; English Language and Literature

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APA (6th Edition):

Phelps, K. W. (2010). From Poe and Hitchcock to...Reality TV?. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3525&context=etd

Chicago Manual of Style (16th Edition):

Phelps, Kelsey W. “From Poe and Hitchcock to...Reality TV?.” 2010. Masters Thesis, Brigham Young University. Accessed October 18, 2019. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3525&context=etd.

MLA Handbook (7th Edition):

Phelps, Kelsey W. “From Poe and Hitchcock to...Reality TV?.” 2010. Web. 18 Oct 2019.

Vancouver:

Phelps KW. From Poe and Hitchcock to...Reality TV?. [Internet] [Masters thesis]. Brigham Young University; 2010. [cited 2019 Oct 18]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3525&context=etd.

Council of Science Editors:

Phelps KW. From Poe and Hitchcock to...Reality TV?. [Masters Thesis]. Brigham Young University; 2010. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3525&context=etd


Liberty University

25. Brown, Jennifer Renee. "Alfred Hitchcock Presents; `Propaganda'": A Rhetorical Study of Alfred Hitchcock's World War II Propaganda Films.

Degree: 2010, Liberty University

 Alfred Hitchcock is a well known filmmaker whose work has been often studied by English, communication, and film scholars. However, those examining Hitchcock seem to… (more)

Subjects/Keywords: Alfred Hitchcock; British Ministry of Information; Narrative Paradigm; Propaganda; Rhetoric of Film; Rhetorical Criticism; Cinema; Film and Media Studies

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APA (6th Edition):

Brown, J. R. (2010). "Alfred Hitchcock Presents; `Propaganda'": A Rhetorical Study of Alfred Hitchcock's World War II Propaganda Films. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/124

Chicago Manual of Style (16th Edition):

Brown, Jennifer Renee. “"Alfred Hitchcock Presents; `Propaganda'": A Rhetorical Study of Alfred Hitchcock's World War II Propaganda Films.” 2010. Masters Thesis, Liberty University. Accessed October 18, 2019. http://digitalcommons.liberty.edu/masters/124.

MLA Handbook (7th Edition):

Brown, Jennifer Renee. “"Alfred Hitchcock Presents; `Propaganda'": A Rhetorical Study of Alfred Hitchcock's World War II Propaganda Films.” 2010. Web. 18 Oct 2019.

Vancouver:

Brown JR. "Alfred Hitchcock Presents; `Propaganda'": A Rhetorical Study of Alfred Hitchcock's World War II Propaganda Films. [Internet] [Masters thesis]. Liberty University; 2010. [cited 2019 Oct 18]. Available from: http://digitalcommons.liberty.edu/masters/124.

Council of Science Editors:

Brown JR. "Alfred Hitchcock Presents; `Propaganda'": A Rhetorical Study of Alfred Hitchcock's World War II Propaganda Films. [Masters Thesis]. Liberty University; 2010. Available from: http://digitalcommons.liberty.edu/masters/124


Pontifícia Universidade Católica de São Paulo

26. Marcelo Moreira Santos. A construção sígnica no cinema de Hitchcock.

Degree: 2008, Pontifícia Universidade Católica de São Paulo

This present work focuses on Movies as a hybrid form of representation, as the result of the union of three indissoluble, mixed, though distinct languages:… (more)

Subjects/Keywords: Um corpo que cai (Filme); COMUNICACAO; Hitchcock, Alfred  – Sir  – 1899-1990  – Critica e interpretacao; Semiotics; Communication; Cinema; Semiótica

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APA (6th Edition):

Santos, M. M. (2008). A construção sígnica no cinema de Hitchcock. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=7670

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santos, Marcelo Moreira. “A construção sígnica no cinema de Hitchcock.” 2008. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed October 18, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=7670.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santos, Marcelo Moreira. “A construção sígnica no cinema de Hitchcock.” 2008. Web. 18 Oct 2019.

Vancouver:

Santos MM. A construção sígnica no cinema de Hitchcock. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2008. [cited 2019 Oct 18]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=7670.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santos MM. A construção sígnica no cinema de Hitchcock. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2008. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=7670

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

27. Rendell, A. The functional relationship between laughter, thrills and suspense in the comedy thriller screenplay: an inquiry into the writing of the comedy thriller.

Degree: 2013, RMIT University

 It is the aim of this study to inform the writing of a feature film screenplay that will blend the two film genres of comedy… (more)

Subjects/Keywords: Fields of Research; Comedy; thriller; screenwriting; laughter; suspense; Andrew Horton; Neill Hicks; Altan Löker; Hitchcock

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APA (6th Edition):

Rendell, A. (2013). The functional relationship between laughter, thrills and suspense in the comedy thriller screenplay: an inquiry into the writing of the comedy thriller. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160753

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rendell, A. “The functional relationship between laughter, thrills and suspense in the comedy thriller screenplay: an inquiry into the writing of the comedy thriller.” 2013. Thesis, RMIT University. Accessed October 18, 2019. http://researchbank.rmit.edu.au/view/rmit:160753.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rendell, A. “The functional relationship between laughter, thrills and suspense in the comedy thriller screenplay: an inquiry into the writing of the comedy thriller.” 2013. Web. 18 Oct 2019.

Vancouver:

Rendell A. The functional relationship between laughter, thrills and suspense in the comedy thriller screenplay: an inquiry into the writing of the comedy thriller. [Internet] [Thesis]. RMIT University; 2013. [cited 2019 Oct 18]. Available from: http://researchbank.rmit.edu.au/view/rmit:160753.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rendell A. The functional relationship between laughter, thrills and suspense in the comedy thriller screenplay: an inquiry into the writing of the comedy thriller. [Thesis]. RMIT University; 2013. Available from: http://researchbank.rmit.edu.au/view/rmit:160753

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Irvine

28. Thomsen, Alexandra. Feature Film and Dance Film: A Match Made in Movement.

Degree: Dance, 2017, University of California – Irvine

 ABSTRACTFeature Film and Dance Film: A Match Made in MovementByAlexandra ThomsenMaster of Fine Arts in DanceUniversity of California, Irvine, 2017Professor John Crawford, Chair This study… (more)

Subjects/Keywords: Dance; Film studies; Cinematography; Alfred Hitchcock; dance film; Maya Deren; signature style; Terrence Malick; Wes Anderson

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thomsen, A. (2017). Feature Film and Dance Film: A Match Made in Movement. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/49q2d71x

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thomsen, Alexandra. “Feature Film and Dance Film: A Match Made in Movement.” 2017. Thesis, University of California – Irvine. Accessed October 18, 2019. http://www.escholarship.org/uc/item/49q2d71x.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thomsen, Alexandra. “Feature Film and Dance Film: A Match Made in Movement.” 2017. Web. 18 Oct 2019.

Vancouver:

Thomsen A. Feature Film and Dance Film: A Match Made in Movement. [Internet] [Thesis]. University of California – Irvine; 2017. [cited 2019 Oct 18]. Available from: http://www.escholarship.org/uc/item/49q2d71x.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thomsen A. Feature Film and Dance Film: A Match Made in Movement. [Thesis]. University of California – Irvine; 2017. Available from: http://www.escholarship.org/uc/item/49q2d71x

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Moloney, Stephanie. ‘The Great Adventure’ - The experiences of Lena Hitchcock, World War One occupational therapy reconstruction aide.

Degree: 2016, University of Limerick

 Background: World War One was a pivotal era in the development of occupational therapy (Wilcock 2002). Occupational therapy reconstruction aides worked in hospitals in America… (more)

Subjects/Keywords: Lena Hitchcock; World War One; occupational therapy

Hitchcock, L. (n.d.) from The Great Adventure, unpublished, p.51, Illus. During… …51). Figure 2: Hitchcock, L. (n.d.) from The Great Adventure, unpublished… …occupations employed and the relationships experienced by Lena Hitchcock. These themes will be… …crafts employed (Hitchcock n.d., p. 64). Art and crafts were commonly employed in… …a bit of change to the dull routine and things look better now” (Hitchcock n.d., p… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moloney, S. (2016). ‘The Great Adventure’ - The experiences of Lena Hitchcock, World War One occupational therapy reconstruction aide. (Thesis). University of Limerick. Retrieved from http://hdl.handle.net/10344/5763

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moloney, Stephanie. “‘The Great Adventure’ - The experiences of Lena Hitchcock, World War One occupational therapy reconstruction aide.” 2016. Thesis, University of Limerick. Accessed October 18, 2019. http://hdl.handle.net/10344/5763.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moloney, Stephanie. “‘The Great Adventure’ - The experiences of Lena Hitchcock, World War One occupational therapy reconstruction aide.” 2016. Web. 18 Oct 2019.

Vancouver:

Moloney S. ‘The Great Adventure’ - The experiences of Lena Hitchcock, World War One occupational therapy reconstruction aide. [Internet] [Thesis]. University of Limerick; 2016. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/10344/5763.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moloney S. ‘The Great Adventure’ - The experiences of Lena Hitchcock, World War One occupational therapy reconstruction aide. [Thesis]. University of Limerick; 2016. Available from: http://hdl.handle.net/10344/5763

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Del Valle Morilla, Ana María. La posición de cámara y el montaje en el cine de Alfred Hitchcock como un acto moral.

Degree: 2018, TDX

Subjects/Keywords: Alfred Hitchcock; Cine; Montaje cinematográfico; Dirección cinematográfica

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Del Valle Morilla, A. M. (2018). La posición de cámara y el montaje en el cine de Alfred Hitchcock como un acto moral. (Thesis). TDX. Retrieved from http://hdl.handle.net/10641/1321

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Del Valle Morilla, Ana María. “La posición de cámara y el montaje en el cine de Alfred Hitchcock como un acto moral.” 2018. Thesis, TDX. Accessed October 18, 2019. http://hdl.handle.net/10641/1321.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Del Valle Morilla, Ana María. “La posición de cámara y el montaje en el cine de Alfred Hitchcock como un acto moral.” 2018. Web. 18 Oct 2019.

Vancouver:

Del Valle Morilla AM. La posición de cámara y el montaje en el cine de Alfred Hitchcock como un acto moral. [Internet] [Thesis]. TDX; 2018. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/10641/1321.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Del Valle Morilla AM. La posición de cámara y el montaje en el cine de Alfred Hitchcock como un acto moral. [Thesis]. TDX; 2018. Available from: http://hdl.handle.net/10641/1321

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.