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You searched for subject:(History of Art Architecture AND Archaeology). Showing records 1 – 30 of 1020 total matches.

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Washington University in St. Louis

1. Nordine, Kelsey Olivia. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.

Degree: PhD, Anthropology, 2020, Washington University in St. Louis

 Archaeological investigations of social interaction at the community level provide insight into the daily lives of past people and the social structures that guide these… (more)

Subjects/Keywords: Paleoethnobotany; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Nordine, K. O. (2020). Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. (Doctoral Dissertation). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/2225

Chicago Manual of Style (16th Edition):

Nordine, Kelsey Olivia. “Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.” 2020. Doctoral Dissertation, Washington University in St. Louis. Accessed March 08, 2021. https://openscholarship.wustl.edu/art_sci_etds/2225.

MLA Handbook (7th Edition):

Nordine, Kelsey Olivia. “Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.” 2020. Web. 08 Mar 2021.

Vancouver:

Nordine KO. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. [Internet] [Doctoral dissertation]. Washington University in St. Louis; 2020. [cited 2021 Mar 08]. Available from: https://openscholarship.wustl.edu/art_sci_etds/2225.

Council of Science Editors:

Nordine KO. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. [Doctoral Dissertation]. Washington University in St. Louis; 2020. Available from: https://openscholarship.wustl.edu/art_sci_etds/2225


College of William and Mary

2. Jackson, Julianna Geralynn. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.

Degree: MA, Anthropology, 2017, College of William and Mary

 This project uses archaeology, architecture, and the documentary record to explore the ways in which one family, the Tayloes, used Georgian design principals as a… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Jackson, J. G. (2017). The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. (Masters Thesis). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1516639577

Chicago Manual of Style (16th Edition):

Jackson, Julianna Geralynn. “The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.” 2017. Masters Thesis, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1516639577.

MLA Handbook (7th Edition):

Jackson, Julianna Geralynn. “The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.” 2017. Web. 08 Mar 2021.

Vancouver:

Jackson JG. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. [Internet] [Masters thesis]. College of William and Mary; 2017. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1516639577.

Council of Science Editors:

Jackson JG. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. [Masters Thesis]. College of William and Mary; 2017. Available from: https://scholarworks.wm.edu/etd/1516639577


College of William and Mary

3. Chapman, Ellen Luisa. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.

Degree: PhD, Anthropology, 2018, College of William and Mary

 Richmond, Virginia, located along the fall line of the James River, was an important political boundary during prehistory; was established as an English colonial town… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Chapman, E. L. (2018). Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192695

Chicago Manual of Style (16th Edition):

Chapman, Ellen Luisa. “Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1530192695.

MLA Handbook (7th Edition):

Chapman, Ellen Luisa. “Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.” 2018. Web. 08 Mar 2021.

Vancouver:

Chapman EL. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1530192695.

Council of Science Editors:

Chapman EL. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192695


College of William and Mary

4. Lightfoot, Dessa Elizabeth. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.

Degree: PhD, Anthropology, 2018, College of William and Mary

 American cuisines did not develop in isolation, but instead were influenced by a constant flow of information, individuals, and material culture between the colonies and… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Lightfoot, D. E. (2018). “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192810

Chicago Manual of Style (16th Edition):

Lightfoot, Dessa Elizabeth. ““God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1530192810.

MLA Handbook (7th Edition):

Lightfoot, Dessa Elizabeth. ““God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.” 2018. Web. 08 Mar 2021.

Vancouver:

Lightfoot DE. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1530192810.

Council of Science Editors:

Lightfoot DE. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192810


College of William and Mary

5. Johnson, Patrick. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.

Degree: PhD, Anthropology, 2018, College of William and Mary

 This dissertation argues that colonial Yamasee communities moved hundreds of miles throughout the present-day Southeastern United States, often to gain influence, and maintained traditions such… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Johnson, P. (2018). Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192790

Chicago Manual of Style (16th Edition):

Johnson, Patrick. “Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1530192790.

MLA Handbook (7th Edition):

Johnson, Patrick. “Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.” 2018. Web. 08 Mar 2021.

Vancouver:

Johnson P. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1530192790.

Council of Science Editors:

Johnson P. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192790


College of William and Mary

6. Beaupre, andrew Robert. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.

Degree: PhD, Anthropology, 2017, College of William and Mary

 This dissertation examines the creation of space and place in a border region through a historically grounded, multi-scalar approach to spatiality. The work draws upon… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Beaupre, a. R. (2017). Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1516639574

Chicago Manual of Style (16th Edition):

Beaupre, andrew Robert. “Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.” 2017. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1516639574.

MLA Handbook (7th Edition):

Beaupre, andrew Robert. “Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.” 2017. Web. 08 Mar 2021.

Vancouver:

Beaupre aR. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. [Internet] [Doctoral dissertation]. College of William and Mary; 2017. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1516639574.

Council of Science Editors:

Beaupre aR. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. [Doctoral Dissertation]. College of William and Mary; 2017. Available from: https://scholarworks.wm.edu/etd/1516639574


College of William and Mary

7. Victor, Megan Rhodes. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.

Degree: PhD, Anthropology, 2018, College of William and Mary

 Current research on frontiers describe these spaces as zones of meeting, interaction, dynamism, and change. Further, the geographic, ecological, economic, and political processes that are… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Victor, M. R. (2018). On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192698

Chicago Manual of Style (16th Edition):

Victor, Megan Rhodes. “On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1530192698.

MLA Handbook (7th Edition):

Victor, Megan Rhodes. “On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.” 2018. Web. 08 Mar 2021.

Vancouver:

Victor MR. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1530192698.

Council of Science Editors:

Victor MR. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192698


College of William and Mary

8. Makin, Douglas. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.

Degree: MA, Anthropology, 2018, College of William and Mary

 Excavated in the 1970s and 80s by Lefty Gregory, the Hatch site is arguably among the most significant precolonial archaeology sites in the Commonwealth of… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Makin, D. (2018). Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. (Masters Thesis). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1550154002

Chicago Manual of Style (16th Edition):

Makin, Douglas. “Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.” 2018. Masters Thesis, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1550154002.

MLA Handbook (7th Edition):

Makin, Douglas. “Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.” 2018. Web. 08 Mar 2021.

Vancouver:

Makin D. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. [Internet] [Masters thesis]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1550154002.

Council of Science Editors:

Makin D. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. [Masters Thesis]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1550154002


College of William and Mary

9. Brown, Brittany. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.

Degree: PhD, Anthropology, 2018, College of William and Mary

 The end of slavery in North America presented an opportunity for African Americans in Jacksonville, Florida to reinvent themselves. The reconstruction era brought about new… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Brown, B. (2018). Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1550154005

Chicago Manual of Style (16th Edition):

Brown, Brittany. “Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1550154005.

MLA Handbook (7th Edition):

Brown, Brittany. “Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.” 2018. Web. 08 Mar 2021.

Vancouver:

Brown B. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1550154005.

Council of Science Editors:

Brown B. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1550154005


University of Wisconsin – Milwaukee

10. Teubner, Nina. Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals.

Degree: MA, Art History, 2013, University of Wisconsin – Milwaukee

  This paper examines three different types of Mexican-identified murals in the Pilsen neighborhood of Chicago, Illinois. Using three murals as a case-study, Francisco Mendoza… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Teubner, N. (2013). Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/767

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Teubner, Nina. “Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals.” 2013. Thesis, University of Wisconsin – Milwaukee. Accessed March 08, 2021. https://dc.uwm.edu/etd/767.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Teubner, Nina. “Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals.” 2013. Web. 08 Mar 2021.

Vancouver:

Teubner N. Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2013. [cited 2021 Mar 08]. Available from: https://dc.uwm.edu/etd/767.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Teubner N. Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals. [Thesis]. University of Wisconsin – Milwaukee; 2013. Available from: https://dc.uwm.edu/etd/767

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wisconsin – Milwaukee

11. Erdman, Selena. Fluid Lines: Tracing Ryakuga-Shiki in Japan and France.

Degree: MA, Art History, 2018, University of Wisconsin – Milwaukee

  Rykuga-shiki, or ‘abbreviated picture style,’ woodblock prints were first published and circulated widely in Edo period Japan (1615-1868). The style, created and popularized by… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Erdman, S. (2018). Fluid Lines: Tracing Ryakuga-Shiki in Japan and France. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/1792

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Erdman, Selena. “Fluid Lines: Tracing Ryakuga-Shiki in Japan and France.” 2018. Thesis, University of Wisconsin – Milwaukee. Accessed March 08, 2021. https://dc.uwm.edu/etd/1792.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Erdman, Selena. “Fluid Lines: Tracing Ryakuga-Shiki in Japan and France.” 2018. Web. 08 Mar 2021.

Vancouver:

Erdman S. Fluid Lines: Tracing Ryakuga-Shiki in Japan and France. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2018. [cited 2021 Mar 08]. Available from: https://dc.uwm.edu/etd/1792.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Erdman S. Fluid Lines: Tracing Ryakuga-Shiki in Japan and France. [Thesis]. University of Wisconsin – Milwaukee; 2018. Available from: https://dc.uwm.edu/etd/1792

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

12. Yoder, Abigail Eileen. Decoration and symbolism in the late works of Odilon Redon.

Degree: PhD, Art History, 2013, University of Iowa

  From approximately 1900 until 1914, Odilon Redon worked almost exclusively on decorative projects, both privately and publicly commissioned. Additionally, he created numerous uncomissioned decorative… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Yoder, A. E. (2013). Decoration and symbolism in the late works of Odilon Redon. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2300

Chicago Manual of Style (16th Edition):

Yoder, Abigail Eileen. “Decoration and symbolism in the late works of Odilon Redon.” 2013. Doctoral Dissertation, University of Iowa. Accessed March 08, 2021. https://ir.uiowa.edu/etd/2300.

MLA Handbook (7th Edition):

Yoder, Abigail Eileen. “Decoration and symbolism in the late works of Odilon Redon.” 2013. Web. 08 Mar 2021.

Vancouver:

Yoder AE. Decoration and symbolism in the late works of Odilon Redon. [Internet] [Doctoral dissertation]. University of Iowa; 2013. [cited 2021 Mar 08]. Available from: https://ir.uiowa.edu/etd/2300.

Council of Science Editors:

Yoder AE. Decoration and symbolism in the late works of Odilon Redon. [Doctoral Dissertation]. University of Iowa; 2013. Available from: https://ir.uiowa.edu/etd/2300


University of Iowa

13. Bushman, Karissa Elizabeth. Anticlericalism in Goya's works.

Degree: PhD, Art History, 2013, University of Iowa

  Throughout his career, Francisco de Goya drew, etched, and painted several recurrent themes. One which began early in his career and was revisited by… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Bushman, K. E. (2013). Anticlericalism in Goya's works. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2051

Chicago Manual of Style (16th Edition):

Bushman, Karissa Elizabeth. “Anticlericalism in Goya's works.” 2013. Doctoral Dissertation, University of Iowa. Accessed March 08, 2021. https://ir.uiowa.edu/etd/2051.

MLA Handbook (7th Edition):

Bushman, Karissa Elizabeth. “Anticlericalism in Goya's works.” 2013. Web. 08 Mar 2021.

Vancouver:

Bushman KE. Anticlericalism in Goya's works. [Internet] [Doctoral dissertation]. University of Iowa; 2013. [cited 2021 Mar 08]. Available from: https://ir.uiowa.edu/etd/2051.

Council of Science Editors:

Bushman KE. Anticlericalism in Goya's works. [Doctoral Dissertation]. University of Iowa; 2013. Available from: https://ir.uiowa.edu/etd/2051

14. McArthur, Elizabeth. The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell.

Degree: MA, Art, 2012, Governors State University

  The owl has been a symbol for the Americas, as well as the rest of the world since people could write. It is a… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

McArthur, E. (2012). The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McArthur, Elizabeth. “The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell.” 2012. Thesis, Governors State University. Accessed March 08, 2021. https://opus.govst.edu/theses/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McArthur, Elizabeth. “The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell.” 2012. Web. 08 Mar 2021.

Vancouver:

McArthur E. The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell. [Internet] [Thesis]. Governors State University; 2012. [cited 2021 Mar 08]. Available from: https://opus.govst.edu/theses/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McArthur E. The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell. [Thesis]. Governors State University; 2012. Available from: https://opus.govst.edu/theses/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

15. Phillips, Alice Miller. The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism.

Degree: PhD, Art History, 2012, University of Iowa

  Rebellion against traditional aesthetics to express personal symbols and dreamlike visions connects the nineteenth-century Symbolists with the twentieth-century Surrealists. Yet the techniques of automatic… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Phillips, A. M. (2012). The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/4720

Chicago Manual of Style (16th Edition):

Phillips, Alice Miller. “The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism.” 2012. Doctoral Dissertation, University of Iowa. Accessed March 08, 2021. https://ir.uiowa.edu/etd/4720.

MLA Handbook (7th Edition):

Phillips, Alice Miller. “The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism.” 2012. Web. 08 Mar 2021.

Vancouver:

Phillips AM. The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism. [Internet] [Doctoral dissertation]. University of Iowa; 2012. [cited 2021 Mar 08]. Available from: https://ir.uiowa.edu/etd/4720.

Council of Science Editors:

Phillips AM. The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism. [Doctoral Dissertation]. University of Iowa; 2012. Available from: https://ir.uiowa.edu/etd/4720


University of Iowa

16. Parker, Wendy Ann. Political photomontage: transformation, revelation, and "truth".

Degree: MA, Art History, 2011, University of Iowa

  This thesis focuses on how photomontage has been used by certain artists during periods of political unrest and artistic revolution. For the purposes of… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Parker, W. A. (2011). Political photomontage: transformation, revelation, and "truth". (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2755

Chicago Manual of Style (16th Edition):

Parker, Wendy Ann. “Political photomontage: transformation, revelation, and "truth".” 2011. Masters Thesis, University of Iowa. Accessed March 08, 2021. https://ir.uiowa.edu/etd/2755.

MLA Handbook (7th Edition):

Parker, Wendy Ann. “Political photomontage: transformation, revelation, and "truth".” 2011. Web. 08 Mar 2021.

Vancouver:

Parker WA. Political photomontage: transformation, revelation, and "truth". [Internet] [Masters thesis]. University of Iowa; 2011. [cited 2021 Mar 08]. Available from: https://ir.uiowa.edu/etd/2755.

Council of Science Editors:

Parker WA. Political photomontage: transformation, revelation, and "truth". [Masters Thesis]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/2755


University of South Florida

17. Hayes, Dawn Michelle. Archaeological and Historic Preservation in Tampa, Florida.

Degree: 2013, University of South Florida

 For archaeological or historic preservation to occur, there must be public support for it. This research examines historic and archaeological preservation in the Tampa Bay… (more)

Subjects/Keywords: History of Art, Architecture, and Archaeology; Law

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APA (6th Edition):

Hayes, D. M. (2013). Archaeological and Historic Preservation in Tampa, Florida. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hayes, Dawn Michelle. “Archaeological and Historic Preservation in Tampa, Florida.” 2013. Thesis, University of South Florida. Accessed March 08, 2021. https://scholarcommons.usf.edu/etd/4901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hayes, Dawn Michelle. “Archaeological and Historic Preservation in Tampa, Florida.” 2013. Web. 08 Mar 2021.

Vancouver:

Hayes DM. Archaeological and Historic Preservation in Tampa, Florida. [Internet] [Thesis]. University of South Florida; 2013. [cited 2021 Mar 08]. Available from: https://scholarcommons.usf.edu/etd/4901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hayes DM. Archaeological and Historic Preservation in Tampa, Florida. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Haavik-MacKinnon, Amy E. A Colony Within: Art and Identity in London’s East End since World War II.

Degree: PhD, History of Art, 2013, Bryn Mawr College

  This dissertation brings together artists living and working in the East End of London since World War II whose art uses the particular connotations… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Haavik-MacKinnon, A. E. (2013). A Colony Within: Art and Identity in London’s East End since World War II. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/77

Chicago Manual of Style (16th Edition):

Haavik-MacKinnon, Amy E. “A Colony Within: Art and Identity in London’s East End since World War II.” 2013. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/77.

MLA Handbook (7th Edition):

Haavik-MacKinnon, Amy E. “A Colony Within: Art and Identity in London’s East End since World War II.” 2013. Web. 08 Mar 2021.

Vancouver:

Haavik-MacKinnon AE. A Colony Within: Art and Identity in London’s East End since World War II. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2013. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/77.

Council of Science Editors:

Haavik-MacKinnon AE. A Colony Within: Art and Identity in London’s East End since World War II. [Doctoral Dissertation]. Bryn Mawr College; 2013. Available from: https://repository.brynmawr.edu/dissertations/77

19. Bereskin, Emily. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  In post-Agreement Northern Ireland, issues of cultural identity have risen to the forefront of regional political and communal discourse. Demands for equality, recognition, and… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Bereskin, E. (2012). Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/53

Chicago Manual of Style (16th Edition):

Bereskin, Emily. “Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/53.

MLA Handbook (7th Edition):

Bereskin, Emily. “Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.” 2012. Web. 08 Mar 2021.

Vancouver:

Bereskin E. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/53.

Council of Science Editors:

Bereskin E. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/53

20. Gasper-Hulvat, Marie E. Malevich’s Post-Suprematist Paintings and the Construction of History.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  This dissertation discusses Kazimir Malevich’s post-abstract, post-suprematist figurative work by drawing upon semiotic and post-structuralist theories, addressing questions such as: Why did Malevich return… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Gasper-Hulvat, M. E. (2012). Malevich’s Post-Suprematist Paintings and the Construction of History. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/55

Chicago Manual of Style (16th Edition):

Gasper-Hulvat, Marie E. “Malevich’s Post-Suprematist Paintings and the Construction of History.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/55.

MLA Handbook (7th Edition):

Gasper-Hulvat, Marie E. “Malevich’s Post-Suprematist Paintings and the Construction of History.” 2012. Web. 08 Mar 2021.

Vancouver:

Gasper-Hulvat ME. Malevich’s Post-Suprematist Paintings and the Construction of History. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/55.

Council of Science Editors:

Gasper-Hulvat ME. Malevich’s Post-Suprematist Paintings and the Construction of History. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/55

21. Griffiths, Jennifer. Futurist Aeropainting: Extended Women and the Kingdom of the Machine.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  A major theme in works by later Italian Futurists of the 1930s was what was called aero-aesthetics in which the artists drew their inspiration… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Griffiths, J. (2012). Futurist Aeropainting: Extended Women and the Kingdom of the Machine. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/56

Chicago Manual of Style (16th Edition):

Griffiths, Jennifer. “Futurist Aeropainting: Extended Women and the Kingdom of the Machine.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/56.

MLA Handbook (7th Edition):

Griffiths, Jennifer. “Futurist Aeropainting: Extended Women and the Kingdom of the Machine.” 2012. Web. 08 Mar 2021.

Vancouver:

Griffiths J. Futurist Aeropainting: Extended Women and the Kingdom of the Machine. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/56.

Council of Science Editors:

Griffiths J. Futurist Aeropainting: Extended Women and the Kingdom of the Machine. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/56

22. Stotland, Irina. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  The dissertation contextualizes Paul Gauguin’s self-portraits within the nineteenth-century notion of androgyny. The first chapter explores Gauguin’s textual figurations of self in relation to… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Stotland, I. (2012). Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/61

Chicago Manual of Style (16th Edition):

Stotland, Irina. “Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/61.

MLA Handbook (7th Edition):

Stotland, Irina. “Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.” 2012. Web. 08 Mar 2021.

Vancouver:

Stotland I. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/61.

Council of Science Editors:

Stotland I. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/61

23. Blackwell, Nicholas G. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.

Degree: PhD, Classical and Near Eastern Archaeology, 2011, Bryn Mawr College

  This study considers the distribution and consumption trends of metal tools from the second millennium BC over a wide geographical area including Crete, the… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Blackwell, N. G. (2011). Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/63

Chicago Manual of Style (16th Edition):

Blackwell, Nicholas G. “Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/63.

MLA Handbook (7th Edition):

Blackwell, Nicholas G. “Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.” 2011. Web. 08 Mar 2021.

Vancouver:

Blackwell NG. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/63.

Council of Science Editors:

Blackwell NG. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/63

24. Moriuchi, Mey-Yen. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  Traditionally in the history of Mexican art, the nineteenth century is overlooked and generally categorized as transitional and inconsequential. As a result of political… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Moriuchi, M. (2012). Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/60

Chicago Manual of Style (16th Edition):

Moriuchi, Mey-Yen. “Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/60.

MLA Handbook (7th Edition):

Moriuchi, Mey-Yen. “Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.” 2012. Web. 08 Mar 2021.

Vancouver:

Moriuchi M. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/60.

Council of Science Editors:

Moriuchi M. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/60

25. Shipley, Lesley E. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.

Degree: PhD, History of Art, 2011, Bryn Mawr College

  This dissertation focuses on the reception and interpretation of the welded steel and canvas reliefs that the American artist Lee Bontecou created between 1959… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Shipley, L. E. (2011). Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/69

Chicago Manual of Style (16th Edition):

Shipley, Lesley E. “Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/69.

MLA Handbook (7th Edition):

Shipley, Lesley E. “Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.” 2011. Web. 08 Mar 2021.

Vancouver:

Shipley LE. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/69.

Council of Science Editors:

Shipley LE. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/69

26. Dubay, Rebecca L. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.

Degree: PhD, History of Art, 2011, Bryn Mawr College

  This dissertation examines transformations in painting during the 1960s. Countering repeated pronouncements of its “death” and subsequent diagnoses of its persistence in melancholic form,… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Dubay, R. L. (2011). Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/64

Chicago Manual of Style (16th Edition):

Dubay, Rebecca L. “Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/64.

MLA Handbook (7th Edition):

Dubay, Rebecca L. “Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.” 2011. Web. 08 Mar 2021.

Vancouver:

Dubay RL. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/64.

Council of Science Editors:

Dubay RL. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/64

27. Anderson, Benjamin W. World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  Images of the Ptolemaic cosmos were produced in all three major early medieval successors to the Roman Empire (the Carolingian, the Byzantine, and the… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Anderson, B. W. (2012). World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/51

Chicago Manual of Style (16th Edition):

Anderson, Benjamin W. “World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/51.

MLA Handbook (7th Edition):

Anderson, Benjamin W. “World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900.” 2012. Web. 08 Mar 2021.

Vancouver:

Anderson BW. World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/51.

Council of Science Editors:

Anderson BW. World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/51

28. Bennett, Danielle Smotherman. Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences.

Degree: PhD, Classical and Near Eastern Archaeology, 2017, Bryn Mawr College

  This study advances our understanding of Athenian vase-paintings of the Archaic and Classical periods by examining scenes of communication from two perspectives: how communication… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Bennett, D. S. (2017). Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/167

Chicago Manual of Style (16th Edition):

Bennett, Danielle Smotherman. “Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences.” 2017. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/167.

MLA Handbook (7th Edition):

Bennett, Danielle Smotherman. “Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences.” 2017. Web. 08 Mar 2021.

Vancouver:

Bennett DS. Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2017. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/167.

Council of Science Editors:

Bennett DS. Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences. [Doctoral Dissertation]. Bryn Mawr College; 2017. Available from: https://repository.brynmawr.edu/dissertations/167

29. Pritchett, Hollister Nolan. Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach.

Degree: PhD, Classical and Near Eastern Archaeology, 2017, Bryn Mawr College

  The current study considers Athenian childhood through images on Attic vases, plaques, and votive reliefs. A six-stage model of childhood development – newborn to… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Pritchett, H. N. (2017). Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/159

Chicago Manual of Style (16th Edition):

Pritchett, Hollister Nolan. “Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach.” 2017. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/159.

MLA Handbook (7th Edition):

Pritchett, Hollister Nolan. “Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach.” 2017. Web. 08 Mar 2021.

Vancouver:

Pritchett HN. Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2017. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/159.

Council of Science Editors:

Pritchett HN. Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach. [Doctoral Dissertation]. Bryn Mawr College; 2017. Available from: https://repository.brynmawr.edu/dissertations/159

30. Zaring, Jacoba Johnson. The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”.

Degree: PhD, Psychology, 2018, Bryn Mawr College

  Experimental studies have shown that negative stereotypes of aging cause a significant reduction in memory performance, as well as on other cognitive tasks, in… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Zaring, J. J. (2018). The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/191

Chicago Manual of Style (16th Edition):

Zaring, Jacoba Johnson. “The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”.” 2018. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/191.

MLA Handbook (7th Edition):

Zaring, Jacoba Johnson. “The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”.” 2018. Web. 08 Mar 2021.

Vancouver:

Zaring JJ. The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2018. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/191.

Council of Science Editors:

Zaring JJ. The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”. [Doctoral Dissertation]. Bryn Mawr College; 2018. Available from: https://repository.brynmawr.edu/dissertations/191

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