subject:(History of Art Architecture AND Archaeology)

Washington University in St. Louis

1. Nordine, Kelsey Olivia. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.

Degree: PhD, Anthropology, 2020, Washington University in St. Louis

URL: https://openscholarship.wustl.edu/art_sci_etds/2225

► Archaeological investigations of social interaction at the community level provide insight into the daily lives of past people and the social structures that guide these… (more)

▼ Archaeological investigations of social interaction at the community level provide insight into the daily lives of past people and the social structures that guide these community-level interactions. This dissertation uses paleoethnobotanical analysis to examine the nature of social identity negotiation and community at the site-level scale, using data from excavations at the Morton Village site (11F2). Morton Village is a Bold Counselor Oneota and Mississippian settlement in the Central Illinois River Valley (CIRV), occupied contemporaneously by both groups in the 14th century and identified as a multiethnic or multicultural village through the presence of two distinct types of ceramic remains. This dissertation examines Morton Village as the site of a multicultural community in the CIRV, and uses paleoethnobotanical data to investigate how social identities of Mississippian and Oneota villagers were negotiated. Paleoethnobotanical perspectives on issues of community and identity have much to offer archaeological understandings of these concepts. Plant use for food, medicine, construction, ritual or ceremony, and trading reflects the beliefs, choices, and traditions of past people at both daily domestic and ceremonial or ritual levels. Food is a salient aspect of identity and choices pertaining to food and cuisine can reflect membership in a social group through patterns of planting, harvesting, preparation, consumption, and discard. This study presents an analysis of plant remains from pit features external to structures and a feasting context, and provides an in-depth analysis of one particularly important taxon, tobacco. Specifically, this study addresses plant use variability among and between Oneota and Mississippian villagers in both domestic and special contexts to aid in understanding the role of food in social interaction at Morton Village, and to generate narratives of multicultural interaction at the community level. Results of this research indicate that Morton villagers, both Oneota and Mississippian, used similar plant taxa as part of daily and ceremonial life, but nuanced differences in plant use between groups is reported and analyzed. The data presented by this dissertation help to define Morton Village as a community in the sense that Morton Village is not a bounded, archaeological entity containing the remains of two separate material cultures, but is a dynamic social space where villagers of both Mississippian and Oneota affiliation actively negotiated their social roles and beliefs. Advisors/Committee Members: T.R. Kidder, Gayle J. Fritz, Xinyi Liu, Helina Woldekiros, John E. Kelly.

Subjects/Keywords: Paleoethnobotany; History of Art, Architecture, and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Nordine, K. O. (2020). Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. (Doctoral Dissertation). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/2225

Chicago Manual of Style (16^th Edition):

Nordine, Kelsey Olivia. “Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.” 2020. Doctoral Dissertation, Washington University in St. Louis. Accessed March 08, 2021. https://openscholarship.wustl.edu/art_sci_etds/2225.

MLA Handbook (7^th Edition):

Nordine, Kelsey Olivia. “Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.” 2020. Web. 08 Mar 2021.

Vancouver:

Nordine KO. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. [Internet] [Doctoral dissertation]. Washington University in St. Louis; 2020. [cited 2021 Mar 08]. Available from: https://openscholarship.wustl.edu/art_sci_etds/2225.

Council of Science Editors:

Nordine KO. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. [Doctoral Dissertation]. Washington University in St. Louis; 2020. Available from: https://openscholarship.wustl.edu/art_sci_etds/2225

College of William and Mary

2. Jackson, Julianna Geralynn. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.

Degree: MA, Anthropology, 2017, College of William and Mary

URL: https://scholarworks.wm.edu/etd/1516639577

► This project uses archaeology, architecture, and the documentary record to explore the ways in which one family, the Tayloes, used Georgian design principals as a… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Jackson, J. G. (2017). The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. (Masters Thesis). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1516639577

Chicago Manual of Style (16^th Edition):

Jackson, Julianna Geralynn. “The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.” 2017. Masters Thesis, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1516639577.

MLA Handbook (7^th Edition):

Jackson, Julianna Geralynn. “The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.” 2017. Web. 08 Mar 2021.

Vancouver:

Jackson JG. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. [Internet] [Masters thesis]. College of William and Mary; 2017. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1516639577.

Council of Science Editors:

Jackson JG. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. [Masters Thesis]. College of William and Mary; 2017. Available from: https://scholarworks.wm.edu/etd/1516639577

College of William and Mary

3. Chapman, Ellen Luisa. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.

Degree: PhD, Anthropology, 2018, College of William and Mary

URL: https://scholarworks.wm.edu/etd/1530192695

► Richmond, Virginia, located along the fall line of the James River, was an important political boundary during prehistory; was established as an English colonial town… (more)

▼ Richmond, Virginia, located along the fall line of the James River, was an important political boundary during prehistory; was established as an English colonial town in 1737; and was a center of the interstate slave trade and the capitol of the Confederacy during the nineteenth century. Although Richmond holds a prominent place in the narrative of American and Virginia history, the city’s archaeological resources have received incredibly little attention or preservation advocacy. However, in the wake of a 2013 proposal to construct a baseball stadium in the heart of the city’s slave trading district, archaeological sensitivity and vulnerability became a political force that shaped conversations around the economic development proposal and contributed to its defeat. This dissertation employs archival research and archaeological ethnography to study the variable development of Richmond’s archaeological value as the outcome of significant racial politics, historic and present inequities, trends in academic and commercial archaeology, and an imperfect system of archaeological stewardship. This work also employs spatial sensitivity analysis and studies of archaeological policy to examine how the city’s newly emerging awareness of archaeology might improve investigation and interpretation of this significant urban archaeological resource. This research builds upon several bodies of scholarship: the study of urban heritage management and municipal archaeology; the concept of archaeological ethnography; and anthropological studies into how value should be defined and identified. It concludes that Richmond’s archaeological remains attract attention and perceived importance in part through their proximity and relation to other political and moral debates within the city, but that in some cases political interests ensnare archaeological meaning or inhibit interest in certain archaeological subjects. This analysis illuminates how archaeological materiality and the history of Richmond’s preservation movements has created an interest in using archaeological investigations as a tool for restorative justice to create a more equitable historic record. Additionally, it studies the complexity of improving American urban archaeological stewardship within a municipal system closely connected with city power structures.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Chapman, E. L. (2018). Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192695

Chicago Manual of Style (16^th Edition):

Chapman, Ellen Luisa. “Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1530192695.

MLA Handbook (7^th Edition):

Chapman, Ellen Luisa. “Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.” 2018. Web. 08 Mar 2021.

Vancouver:

Chapman EL. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1530192695.

Council of Science Editors:

Chapman EL. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192695

College of William and Mary

4. Lightfoot, Dessa Elizabeth. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.

Degree: PhD, Anthropology, 2018, College of William and Mary

URL: https://scholarworks.wm.edu/etd/1530192810

► American cuisines did not develop in isolation, but instead were influenced by a constant flow of information, individuals, and material culture between the colonies and… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lightfoot, D. E. (2018). “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192810

Chicago Manual of Style (16^th Edition):

Lightfoot, Dessa Elizabeth. ““God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1530192810.

MLA Handbook (7^th Edition):

Lightfoot, Dessa Elizabeth. ““God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.” 2018. Web. 08 Mar 2021.

Vancouver:

Lightfoot DE. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1530192810.

Council of Science Editors:

Lightfoot DE. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192810

College of William and Mary

5. Johnson, Patrick. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.

Degree: PhD, Anthropology, 2018, College of William and Mary

URL: https://scholarworks.wm.edu/etd/1530192790

► This dissertation argues that colonial Yamasee communities moved hundreds of miles throughout the present-day Southeastern United States, often to gain influence, and maintained traditions such… (more)

▼ This dissertation argues that colonial Yamasee communities moved hundreds of miles throughout the present-day Southeastern United States, often to gain influence, and maintained traditions such as names they more closely associated with their ethnicity and authority than ceramics. Self-identification by Yamasees in censuses, speeches, and letters for a century and archaeological evidence from multiple towns allows me to analyze multiple expressions of their identity. their rich rhetoric demonstrates the mechanics of authority—they dictated terms to Europeans and other Native Americans by balancing between, in their words, vengeance and mercy. I focus on a letter and tattoo from a warrior called Caesar Augustus who justified his valor and the writings of a diplomat named andres Escudero who justified retribution. Combined, these and other leaders demonstrate the flexibility in their offices of authority. their political rhetoric—both ritual speech understood throughout the region as well as their specific titles and town names—demonstrates continuities between the sixteenth and eighteenth centuries. In addition, multiple movements of Yamasee communities across hundreds of miles demonstrates their agency and connections to their neighbors. These movements allowed Yamasees to dictate terms to Europeans and maintain town names, signs, and rhetoric for centuries. However, as a result of these community movements, Yamasees adopted the ceramic traditions of their neighbors. Considering the authority and ethnicity of Yamasees in their own words allows analysis of continuity and change in Yamasee landscapes of ceramic practice in Georgia, South Carolina, and Florida. More specifically, I analyzed materials from my own excavations at Mission San Antonio de Punta Rasa in Pensacola, Florida as well as assemblages excavated by the City of St. Augustine Archaeology Program and in South Carolina by Brockington and Associates. I quantify the extent to which Yamasees adopted the ceramic practices of their neighbors, including Guale, Mocama, Timucua, Apalachee, and Creek Indians. In a sense, this material flexibility reflects the very mobility and social connections that allowed them to maintain geopolitical influence. However, given their authority in Spanish documents and at times invisibility in the archaeological record, Yamasees show only indirect connections between authority and daily ceramic practice. Further, these ceramic practices, as well as Yamasee multilingualism, represent hybrid practices between multiple Native American groups rather than the influence of Europeans.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Johnson, P. (2018). Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192790

Chicago Manual of Style (16^th Edition):

Johnson, Patrick. “Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1530192790.

MLA Handbook (7^th Edition):

Johnson, Patrick. “Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.” 2018. Web. 08 Mar 2021.

Vancouver:

Johnson P. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1530192790.

Council of Science Editors:

Johnson P. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192790

College of William and Mary

6. Beaupre, andrew Robert. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.

Degree: PhD, Anthropology, 2017, College of William and Mary

URL: https://scholarworks.wm.edu/etd/1516639574

► This dissertation examines the creation of space and place in a border region through a historically grounded, multi-scalar approach to spatiality. The work draws upon… (more)

▼ This dissertation examines the creation of space and place in a border region through a historically grounded, multi-scalar approach to spatiality. The work draws upon the pre- and post-contact archaeology of the Lake Champlain Richelieu River Corridor, a historically contested waterway where the states of Vermont, and New York meet the Canadian Province of Québec. This is a region that has played host to countless complex cultural interactions between Native American/First Nation groups and Europeans of various cultural and national identities A tripartite model for multi-scalar study of space and place creation is presented and applied to the political and social history Native and European conflict and comprise. The model stipulates that the construction of space consists of three facets, cognitive, material and social spaces. The interaction between these three aspects of spatial creation allows for places to be constructed and identified as holding cultural significance. The study is multi-scalar in respect to both scope of analysis and time. In respect to scope, archaeological analyses are undertaken at the region, site and artifact levels. The model is multiscalar in respect to time, examining the topics of study diachronically, tracing the production of space through time. Each temporally specific examination begins with a discussion of pertinent social mores and constructs as they effect the cognitive space created. The archaeological record is then analyzed to ascertain how cognitive spaces are manifest on the landscape. This built environment augmentation to the landscape is referred to as material space. Finally, the social space, consisting of the relationships between active agents and their material space is examined. The model postulates that it is the social space interactions between cognitive and material spaces that allows for the construction of place. The work often engages in critiques of an Anglo-centric bias in American history to offer a more balanced approach to the historical investigation of a complex borderzone.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Beaupre, a. R. (2017). Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1516639574

Chicago Manual of Style (16^th Edition):

Beaupre, andrew Robert. “Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.” 2017. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1516639574.

MLA Handbook (7^th Edition):

Beaupre, andrew Robert. “Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.” 2017. Web. 08 Mar 2021.

Vancouver:

Beaupre aR. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. [Internet] [Doctoral dissertation]. College of William and Mary; 2017. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1516639574.

Council of Science Editors:

Beaupre aR. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. [Doctoral Dissertation]. College of William and Mary; 2017. Available from: https://scholarworks.wm.edu/etd/1516639574

College of William and Mary

7. Victor, Megan Rhodes. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.

Degree: PhD, Anthropology, 2018, College of William and Mary

URL: https://scholarworks.wm.edu/etd/1530192698

► Current research on frontiers describe these spaces as zones of meeting, interaction, dynamism, and change. Further, the geographic, ecological, economic, and political processes that are… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Victor, M. R. (2018). On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192698

Chicago Manual of Style (16^th Edition):

Victor, Megan Rhodes. “On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1530192698.

MLA Handbook (7^th Edition):

Victor, Megan Rhodes. “On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.” 2018. Web. 08 Mar 2021.

Vancouver:

Victor MR. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1530192698.

Council of Science Editors:

Victor MR. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192698

College of William and Mary

8. Makin, Douglas. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.

Degree: MA, Anthropology, 2018, College of William and Mary

URL: https://scholarworks.wm.edu/etd/1550154002

► Excavated in the 1970s and 80s by Lefty Gregory, the Hatch site is arguably among the most significant precolonial archaeology sites in the Commonwealth of… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Makin, D. (2018). Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. (Masters Thesis). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1550154002

Chicago Manual of Style (16^th Edition):

Makin, Douglas. “Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.” 2018. Masters Thesis, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1550154002.

MLA Handbook (7^th Edition):

Makin, Douglas. “Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.” 2018. Web. 08 Mar 2021.

Vancouver:

Makin D. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. [Internet] [Masters thesis]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1550154002.

Council of Science Editors:

Makin D. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. [Masters Thesis]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1550154002

College of William and Mary

9. Brown, Brittany. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.

Degree: PhD, Anthropology, 2018, College of William and Mary

URL: https://scholarworks.wm.edu/etd/1550154005

► The end of slavery in North America presented an opportunity for African Americans in Jacksonville, Florida to reinvent themselves. The reconstruction era brought about new… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Brown, B. (2018). Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1550154005

Chicago Manual of Style (16^th Edition):

Brown, Brittany. “Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.” 2018. Doctoral Dissertation, College of William and Mary. Accessed March 08, 2021. https://scholarworks.wm.edu/etd/1550154005.

MLA Handbook (7^th Edition):

Brown, Brittany. “Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.” 2018. Web. 08 Mar 2021.

Vancouver:

Brown B. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Mar 08]. Available from: https://scholarworks.wm.edu/etd/1550154005.

Council of Science Editors:

Brown B. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1550154005

University of Wisconsin – Milwaukee

10. Teubner, Nina. Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals.

Degree: MA, Art History, 2013, University of Wisconsin – Milwaukee

URL: https://dc.uwm.edu/etd/767

► This paper examines three different types of Mexican-identified murals in the Pilsen neighborhood of Chicago, Illinois. Using three murals as a case-study, Francisco Mendoza… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Teubner, N. (2013). Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/767

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Teubner, Nina. “Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals.” 2013. Thesis, University of Wisconsin – Milwaukee. Accessed March 08, 2021. https://dc.uwm.edu/etd/767.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Teubner, Nina. “Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals.” 2013. Web. 08 Mar 2021.

Vancouver:

Teubner N. Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2013. [cited 2021 Mar 08]. Available from: https://dc.uwm.edu/etd/767.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Teubner N. Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals. [Thesis]. University of Wisconsin – Milwaukee; 2013. Available from: https://dc.uwm.edu/etd/767

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Wisconsin – Milwaukee

11. Erdman, Selena. Fluid Lines: Tracing Ryakuga-Shiki in Japan and France.

Degree: MA, Art History, 2018, University of Wisconsin – Milwaukee

URL: https://dc.uwm.edu/etd/1792

► Rykuga-shiki, or ‘abbreviated picture style,’ woodblock prints were first published and circulated widely in Edo period Japan (1615-1868). The style, created and popularized by… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Erdman, S. (2018). Fluid Lines: Tracing Ryakuga-Shiki in Japan and France. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/1792

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Erdman, Selena. “Fluid Lines: Tracing Ryakuga-Shiki in Japan and France.” 2018. Thesis, University of Wisconsin – Milwaukee. Accessed March 08, 2021. https://dc.uwm.edu/etd/1792.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Erdman, Selena. “Fluid Lines: Tracing Ryakuga-Shiki in Japan and France.” 2018. Web. 08 Mar 2021.

Vancouver:

Erdman S. Fluid Lines: Tracing Ryakuga-Shiki in Japan and France. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2018. [cited 2021 Mar 08]. Available from: https://dc.uwm.edu/etd/1792.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Erdman S. Fluid Lines: Tracing Ryakuga-Shiki in Japan and France. [Thesis]. University of Wisconsin – Milwaukee; 2018. Available from: https://dc.uwm.edu/etd/1792

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Iowa

12. Yoder, Abigail Eileen. Decoration and symbolism in the late works of Odilon Redon.

Degree: PhD, Art History, 2013, University of Iowa

URL: https://ir.uiowa.edu/etd/2300

► From approximately 1900 until 1914, Odilon Redon worked almost exclusively on decorative projects, both privately and publicly commissioned. Additionally, he created numerous uncomissioned decorative… (more)

▼ From approximately 1900 until 1914, Odilon Redon worked almost exclusively on decorative projects, both privately and publicly commissioned. Additionally, he created numerous uncomissioned decorative works - highly ornamental paintings with decorative subject matter that were conceived of by the artist himself as decorations. Yet despite the fact that decorative works made up a significant portion of Redon's late oeuvre, he is rarely considered as a major figure within the decorative arts movement at the turn of the century, unlike his contemporaries Paul Gauguin and the Nabis. His close involvement with these artists, as well as his affiliation with a number of the same important critics, makes his exclusion from discussion of the decorative revival all the more surprising. There has been very little scholarship on Redon's decorative works that consider them in in relation to the international decorative movement. Nevertheless, his late works actively engaged with the avant-garde aesthetic theories of the time. My dissertation will place Redon in the context of the decorative and Symbolist art movements by examining the profusion of decorative projects with which he was involved during the last decades of his career. By considering important themes within these movements, like elevation of craft arts, the encouragement of floral designs, the revival of religious and mythological subject matter, and principles regarding the unification of the arts, I argue that Redon warrants consideration as a decorative painter at the turn of the century in France. My first chapter introduces the idea of the decorative revival in the nineteenth century, and considers the way the definition of the term "decorative" evolved during the period. I also present the historiography of Redon scholarship, as it relates to his decorative works. The second chapter examines the historical background of the decorative and Symbolist movements in the nineteenth century. I focus first on the pan-European decorative revival, especially in England and Belgium, then examining how this influenced French art. The Symbolist artistic movement developed simultaneously, and as such, I will examine the ways in which the two movements overlapped. Finally, I consider how Redon's artistic development was affected in this aesthetic climate. Subsequent chapters examine specific themes in Redon's decorative oeuvre, and how these related to ideas and undercurrents in the general decorative and Symbolist art movements. Chapter three focuses on flowers and nature as decoration, exploring the increase of floral imagery in both decoration and Symbolist painting, and how Redon adapted his own artistic language from these influences. Chapter four examines the revival of traditional imagery from religious and mythological subjects, as well as occultist themes, and explores the way Redon used his decorative style to create new symbolic meanings for these themes. Chapter five focuses on Redon's murals at the Abbaye de Fontfroide,… Advisors/Committee Members: Johnson, Dorothy, 1950- (supervisor).

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Yoder, A. E. (2013). Decoration and symbolism in the late works of Odilon Redon. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2300

Chicago Manual of Style (16^th Edition):

Yoder, Abigail Eileen. “Decoration and symbolism in the late works of Odilon Redon.” 2013. Doctoral Dissertation, University of Iowa. Accessed March 08, 2021. https://ir.uiowa.edu/etd/2300.

MLA Handbook (7^th Edition):

Yoder, Abigail Eileen. “Decoration and symbolism in the late works of Odilon Redon.” 2013. Web. 08 Mar 2021.

Vancouver:

Yoder AE. Decoration and symbolism in the late works of Odilon Redon. [Internet] [Doctoral dissertation]. University of Iowa; 2013. [cited 2021 Mar 08]. Available from: https://ir.uiowa.edu/etd/2300.

Council of Science Editors:

Yoder AE. Decoration and symbolism in the late works of Odilon Redon. [Doctoral Dissertation]. University of Iowa; 2013. Available from: https://ir.uiowa.edu/etd/2300

University of Iowa

13. Bushman, Karissa Elizabeth. Anticlericalism in Goya's works.

Degree: PhD, Art History, 2013, University of Iowa

URL: https://ir.uiowa.edu/etd/2051

► Throughout his career, Francisco de Goya drew, etched, and painted several recurrent themes. One which began early in his career and was revisited by… (more)

▼ Throughout his career, Francisco de Goya drew, etched, and painted several recurrent themes. One which began early in his career and was revisited by the artist even in the last years of his life while in exile in Bordeaux was anticlericalism. Goya lived during turbulent times in Spanish history, with the role of the Catholic Church changing as governments and kings also changed. His art reflects the many abuses of power the Church and its clerics perpetrated on the Spanish people during this period. Throughout his oeuvre, Goya critiques the clergy and the Catholic Church for misconduct such as sexual abuse, greed, acts of violence, and hypocrisy. If we consider the decades in Spanish history in which Goya lived we note that the clergy and the church were reformed under the enlightened monarchs of the Bourbon dynasty and were almost completely disbanded under French control during the War of Independence against Napoleon. We subsequently see a complete reversal with a reinvigoration of the Church and the Inquisition under the restoration of Fernando VII. It makes sense that Goya, an artist who used his art to provide us with a social critique of Spanish life, would have turned to the many wrong doings of the Church since it was one of the most important and powerful institutions in Spain during his lifetime. Goya's critiques of the Church were harsh, humorous, and many times intentionally ambiguous. My dissertation examines a still much neglected facet of Goya's art, namely his depictions of anticlericalism throughout his career. I address how the cultural, religious, social, political, and literary history of Spain help to explain why the artist denigrated members of the Catholic Church in his art. A great deal has been written on some of Goya's well-known religious paintings, yet his fierce anticlericalism that informs so much of his art has been largely overlooked. The first chapter introduces anticlericalism and examines the historiography of Goya's works. It also explains my methodological approach and how my dissertation seeks to expand upon the scholarship that discusses Goya's complex relationship with religion. My second chapter addresses the role of religious commissions in Goya's early career from his training to his beginnings in the royal court of Madrid. I emphasize how even in his early career, Goya's religious paintings had begun to satirize the Catholic clergy as well as depart from traditional religious iconography. Subsequent chapters focus on works he created while he was becoming the most famous and sought after artist in Spain. Specifically in chapters three and four I examine anticlericalism in his print series Los Caprichos… Advisors/Committee Members: Johnson, Dorothy, 1950- (supervisor).

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bushman, K. E. (2013). Anticlericalism in Goya's works. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2051

Chicago Manual of Style (16^th Edition):

Bushman, Karissa Elizabeth. “Anticlericalism in Goya's works.” 2013. Doctoral Dissertation, University of Iowa. Accessed March 08, 2021. https://ir.uiowa.edu/etd/2051.

MLA Handbook (7^th Edition):

Bushman, Karissa Elizabeth. “Anticlericalism in Goya's works.” 2013. Web. 08 Mar 2021.

Vancouver:

Bushman KE. Anticlericalism in Goya's works. [Internet] [Doctoral dissertation]. University of Iowa; 2013. [cited 2021 Mar 08]. Available from: https://ir.uiowa.edu/etd/2051.

Council of Science Editors:

Bushman KE. Anticlericalism in Goya's works. [Doctoral Dissertation]. University of Iowa; 2013. Available from: https://ir.uiowa.edu/etd/2051

14. McArthur, Elizabeth. The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell.

Degree: MA, Art, 2012, Governors State University

URL: https://opus.govst.edu/theses/6

► The owl has been a symbol for the Americas, as well as the rest of the world since people could write. It is a… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

McArthur, E. (2012). The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

McArthur, Elizabeth. “The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell.” 2012. Thesis, Governors State University. Accessed March 08, 2021. https://opus.govst.edu/theses/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

McArthur, Elizabeth. “The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell.” 2012. Web. 08 Mar 2021.

Vancouver:

McArthur E. The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell. [Internet] [Thesis]. Governors State University; 2012. [cited 2021 Mar 08]. Available from: https://opus.govst.edu/theses/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McArthur E. The Iconographic Owl through the Eyes of American Artists: From Native Americans to Joseph Cornell. [Thesis]. Governors State University; 2012. Available from: https://opus.govst.edu/theses/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Iowa

15. Phillips, Alice Miller. The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism.

Degree: PhD, Art History, 2012, University of Iowa

URL: https://ir.uiowa.edu/etd/4720

► Rebellion against traditional aesthetics to express personal symbols and dreamlike visions connects the nineteenth-century Symbolists with the twentieth-century Surrealists. Yet the techniques of automatic… (more)

▼ Rebellion against traditional aesthetics to express personal symbols and dreamlike visions connects the nineteenth-century Symbolists with the twentieth-century Surrealists. Yet the techniques of automatic writing and drawing to pursue self-discovery and the unconscious mind's inherent creativity remain primarily associated with Surrealism, and the extent to which this later movement's irrational content was inspired by Symbolist predecessors such as Gustave Moreau and Paul Gauguin remains uncertain. This dissertation explores the nineteenth-century psychological theories and occult beliefs behind automatism and the unconscious from the late Romantic to the Surrealist movements. The first chapter addresses how Romantic revolutions in art and psychology respond to theories such as mesmerism, spiritism, and the "discovery" of the unconscious, and the later impact of these developments on Symbolism. The second chapter analyzes Victor Hugo's séances and "spirit" drawings in the 1850s as early examples of automatism that influenced Symbolism and Surrealism. The following chapter expands this research to include the impact of psychology and spiritism on the Symbolist movement's esoteric subjects and increasingly abstract style. Sickened by their materialistic society and with Naturalism's attention to the physical world, the Symbolists may have attempted to release conscious control over their designs to pursue a higher reality and express the inner states and emotions that emerge during dreams and hypnosis. Although current art historical scholarship acknowledges basic connections between the Symbolists' visionary compositions and Surrealist concepts of the unconscious, the psychological and supernatural aspects of how Symbolist art transitions from dreamlike yet representative imagery towards pure abstraction and automatism merit further investigation, which I address in the final chapter. This research offers new perspectives on how the psychology of dreams and the unconscious evolved from an interest of Romantic and Symbolist artists to the ultimate revelation of individual creativity and expression in Surrealist automatism. The primary visual sources include nineteenth-century and early twentieth-century paintings; artistic, "spirit," and some scientific photographs, and artist's prints, collages, and drawings. Both consciously-created and allegedly automatic artistic productions, such as Gustave Moreau's abstract oil paintings and watercolors, reveal the development of surreal and automatic techniques and allow insight into the artists' intentions. This study divulges previously overlooked influences of painters, printmakers, photographers, critics, writers, and poets on their own era's cultural and intellectual milieu and on the aesthetic movements that followed. The conclusion offers suggestions for further research beyond the project's current scope, such as analyzing how automatism and mythology in early modern art culminated in the calligraphic, shamanistic imagery of Abstract… Advisors/Committee Members: Johnson, Dorothy, 1950- (supervisor).

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Phillips, A. M. (2012). The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/4720

Chicago Manual of Style (16^th Edition):

Phillips, Alice Miller. “The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism.” 2012. Doctoral Dissertation, University of Iowa. Accessed March 08, 2021. https://ir.uiowa.edu/etd/4720.

MLA Handbook (7^th Edition):

Phillips, Alice Miller. “The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism.” 2012. Web. 08 Mar 2021.

Vancouver:

Phillips AM. The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism. [Internet] [Doctoral dissertation]. University of Iowa; 2012. [cited 2021 Mar 08]. Available from: https://ir.uiowa.edu/etd/4720.

Council of Science Editors:

Phillips AM. The invisible labor: nineteenth-century art, the unconscious, and the origins of surrealism. [Doctoral Dissertation]. University of Iowa; 2012. Available from: https://ir.uiowa.edu/etd/4720

University of Iowa

16. Parker, Wendy Ann. Political photomontage: transformation, revelation, and "truth".

Degree: MA, Art History, 2011, University of Iowa

URL: https://ir.uiowa.edu/etd/2755

► This thesis focuses on how photomontage has been used by certain artists during periods of political unrest and artistic revolution. For the purposes of… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Parker, W. A. (2011). Political photomontage: transformation, revelation, and "truth". (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2755

Chicago Manual of Style (16^th Edition):

Parker, Wendy Ann. “Political photomontage: transformation, revelation, and "truth".” 2011. Masters Thesis, University of Iowa. Accessed March 08, 2021. https://ir.uiowa.edu/etd/2755.

MLA Handbook (7^th Edition):

Parker, Wendy Ann. “Political photomontage: transformation, revelation, and "truth".” 2011. Web. 08 Mar 2021.

Vancouver:

Parker WA. Political photomontage: transformation, revelation, and "truth". [Internet] [Masters thesis]. University of Iowa; 2011. [cited 2021 Mar 08]. Available from: https://ir.uiowa.edu/etd/2755.

Council of Science Editors:

Parker WA. Political photomontage: transformation, revelation, and "truth". [Masters Thesis]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/2755

University of South Florida

17. Hayes, Dawn Michelle. Archaeological and Historic Preservation in Tampa, Florida.

Degree: 2013, University of South Florida

URL: https://scholarcommons.usf.edu/etd/4901

► For archaeological or historic preservation to occur, there must be public support for it. This research examines historic and archaeological preservation in the Tampa Bay… (more)

Subjects/Keywords: History of Art, Architecture, and Archaeology; Law

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hayes, D. M. (2013). Archaeological and Historic Preservation in Tampa, Florida. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hayes, Dawn Michelle. “Archaeological and Historic Preservation in Tampa, Florida.” 2013. Thesis, University of South Florida. Accessed March 08, 2021. https://scholarcommons.usf.edu/etd/4901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hayes, Dawn Michelle. “Archaeological and Historic Preservation in Tampa, Florida.” 2013. Web. 08 Mar 2021.

Vancouver:

Hayes DM. Archaeological and Historic Preservation in Tampa, Florida. [Internet] [Thesis]. University of South Florida; 2013. [cited 2021 Mar 08]. Available from: https://scholarcommons.usf.edu/etd/4901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hayes DM. Archaeological and Historic Preservation in Tampa, Florida. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Haavik-MacKinnon, Amy E. A Colony Within: Art and Identity in London’s East End since World War II.

Degree: PhD, History of Art, 2013, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/77

► This dissertation brings together artists living and working in the East End of London since World War II whose art uses the particular connotations… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Haavik-MacKinnon, A. E. (2013). A Colony Within: Art and Identity in London’s East End since World War II. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/77

Chicago Manual of Style (16^th Edition):

Haavik-MacKinnon, Amy E. “A Colony Within: Art and Identity in London’s East End since World War II.” 2013. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/77.

MLA Handbook (7^th Edition):

Haavik-MacKinnon, Amy E. “A Colony Within: Art and Identity in London’s East End since World War II.” 2013. Web. 08 Mar 2021.

Vancouver:

Haavik-MacKinnon AE. A Colony Within: Art and Identity in London’s East End since World War II. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2013. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/77.

Council of Science Editors:

Haavik-MacKinnon AE. A Colony Within: Art and Identity in London’s East End since World War II. [Doctoral Dissertation]. Bryn Mawr College; 2013. Available from: https://repository.brynmawr.edu/dissertations/77

19. Bereskin, Emily. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.

Degree: PhD, History of Art, 2012, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/53

► In post-Agreement Northern Ireland, issues of cultural identity have risen to the forefront of regional political and communal discourse. Demands for equality, recognition, and… (more)

▼ In post-Agreement Northern Ireland, issues of cultural identity have risen to the forefront of regional political and communal discourse. Demands for equality, recognition, and cultural parity of esteem on the part of Protestant and Catholic communities often unfold through disputes over contested cultural expressions such as flags, murals, parades, heritage sites, monuments, and languages. Problematically, intercommunal hostilities increase when groups feel as though their esteemed symbols are being denigrated or threatened. As both state agencies and communal organizations work to resolve these disputes through policymaking and peacebuilding initiatives, local entrepreneurial actors are simultaneously refashioning these cultural symbols to make the area more attractive to tourists and potential investors. This study investigates the role of tourism development, place marketing, and urban staging in cultural identity politics and conflict transformation in post-Agreement Belfast, the center of Northern Ireland’s tourism industry. The primary argument is that these image-led regeneration strategies physically and discursively refashion the built environment and the contested narratives expressed therein. Furthermore, this process can either exacerbate or inhibit intergroup conflict through the development of more exclusive or inclusive narratives and representations of conflict respectively. Based on interdisciplinary theoretical research, empirical on-site study (2005-2011), and interviews with local actors and stakeholders, this dissertation presents: 1) a conceptual analysis of the convergence of Tourism and urban staging in cultural identity politics and conflict transformation, 2) an analysis of tourism development and urban regeneration in Belfast following the Belfast/Good Friday Agreement (1998), and 3) an investigation of the impact of tourism development on Two cultural expressions that have long served to reinforce divisions between Catholic and Protestant communities, namely Belfast ́s political Murals and the Irish language; the latter is examined by looking at the Current attempt to retheme Catholic West Belfast as an urban Gaeltacht Quarter. By examining the ways in which tourism and place marketing act upon monuments, ideology, memory, and social conflict within the urban environment, this dissertation establishes the often-overlooked significance of urban entrepreneurial development on reconstruction, identity politics, and peacebuilding in cities seeking to overcome social and spatial division.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bereskin, E. (2012). Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/53

Chicago Manual of Style (16^th Edition):

Bereskin, Emily. “Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/53.

MLA Handbook (7^th Edition):

Bereskin, Emily. “Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.” 2012. Web. 08 Mar 2021.

Vancouver:

Bereskin E. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/53.

Council of Science Editors:

Bereskin E. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/53

20. Gasper-Hulvat, Marie E. Malevich’s Post-Suprematist Paintings and the Construction of History.

Degree: PhD, History of Art, 2012, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/55

► This dissertation discusses Kazimir Malevich’s post-abstract, post-suprematist figurative work by drawing upon semiotic and post-structuralist theories, addressing questions such as: Why did Malevich return… (more)

▼ This dissertation discusses Kazimir Malevich’s post-abstract, post-suprematist figurative work by drawing upon semiotic and post-structuralist theories, addressing questions such as: Why did Malevich return to painting figures after adamantly abandoning them for pure abstraction? How do these figures re-figure or resist abstraction? Why did he paint inexact replicas of his own pre-Suprematist works, and why did he give them dates that were similar, or even prior, to the dates of their prototypes? How did he manage to put on an exhibition of his intellectually challenging, subversive works in 1929, at the first moments of sustained state support for proto-socialist realism, at one of the most important museums of Russian art in the Soviet Union, the Tretiakov Gallery in Moscow? How are contemporaneously contested identities of the artist, the Russian peasant, and the Soviet citizen reflected and refracted in the paintings displayed at this exhibition? The first chapter comprises an introductory survey of pertinent scholarly literature, and discusses methodological grounding within both Russian and Western sources. The second chapter concerns a semiotic reading of the circumstances and documents surrounding the 1929 “retrospective” exhibition, which for the most part displayed paintings composed in the eighteen months prior to the exhibition, but inscribed with dates from the 1900’s and 1910’s. This chapter includes a close reading of Alexei Fedorov-Davidov’s pamphlet-catalogue accompanying the exhibition, particularly within the context of early Stalinist Marxist discourse, and it discusses how the artist’s images of peasants confounded contemporary systems of representation and disrupted attempts to secure a sense of Soviet identity. Chapter three proposes that postmodern discourses, as opposed to the discourses of modernity within which Malevich’s works are most often examined, might be fruitfully employed to frame the artist’s circa-1929 work. The fourth chapter considers the ways in which certain paintings from the 1929 exhibition explicitly duplicate works from earlier in Malevich’s career, many of which had been destroyed, lost, or otherwise rendered inaccessible. Attention is given to how these paintings participated in contemporaneous and more recent discourses of originality, the copy, and conventionality.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gasper-Hulvat, M. E. (2012). Malevich’s Post-Suprematist Paintings and the Construction of History. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/55

Chicago Manual of Style (16^th Edition):

Gasper-Hulvat, Marie E. “Malevich’s Post-Suprematist Paintings and the Construction of History.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/55.

MLA Handbook (7^th Edition):

Gasper-Hulvat, Marie E. “Malevich’s Post-Suprematist Paintings and the Construction of History.” 2012. Web. 08 Mar 2021.

Vancouver:

Gasper-Hulvat ME. Malevich’s Post-Suprematist Paintings and the Construction of History. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/55.

Council of Science Editors:

Gasper-Hulvat ME. Malevich’s Post-Suprematist Paintings and the Construction of History. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/55

21. Griffiths, Jennifer. Futurist Aeropainting: Extended Women and the Kingdom of the Machine.

Degree: PhD, History of Art, 2012, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/56

► A major theme in works by later Italian Futurists of the 1930s was what was called aero-aesthetics in which the artists drew their inspiration… (more)

▼ A major theme in works by later Italian Futurists of the 1930s was what was called aero-aesthetics in which the artists drew their inspiration from the act and fantasy of aviation. Focusing on the perception of aeropainting, or a eropittura, within both Futurism and Fascism, I am concerned in this dissertation to examine the role of the feminine within the idea of machine aesthetics and especially the ways in which women of the movement attempted to interrupt or realign the gendered understandings of technology and aviation within the culture as a whole. Here it has been helpful to draw on particular notions of the body and the gaze found within post-modernism to argue that certain of its positions are prefigured within this area of production. The first chapter examines Futurism’s fascination with flight and argues that while many Futurist aeropainters sympathized with Fascism’s celebration of aviation technology as a means to visual and military domination, some women aeropainters chose to emphasize elements of the non-visual in their work. The second chapter argues that women aeropainters interrupted the cultural discourse of masculinity surrounding aviation by participating in the physical act of aviation and by redeploying ideas about dynamic machines in the service of an art that saw the expansion of creative liberty as the greatest consequence of Futurist aero aesthetics. The third and fourth chapters will look more closely at two of these women Futurists whose paintings demonstrate opposing political and theoretical views. Chapter three will situate Benedetta Cappa Marinetti’s art in the context of her relationships to F.T. Marinetti and Giacomo Balla to demonstrate how her abstract painting reveals a pre-essentialist position that reinterprets Futurist ideas in her celebration of the feminine. Chapter four will introduce Marisa Mori to English-language scholarship and examine how her introspective art frequently resists notions of biological determinism.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Griffiths, J. (2012). Futurist Aeropainting: Extended Women and the Kingdom of the Machine. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/56

Chicago Manual of Style (16^th Edition):

Griffiths, Jennifer. “Futurist Aeropainting: Extended Women and the Kingdom of the Machine.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/56.

MLA Handbook (7^th Edition):

Griffiths, Jennifer. “Futurist Aeropainting: Extended Women and the Kingdom of the Machine.” 2012. Web. 08 Mar 2021.

Vancouver:

Griffiths J. Futurist Aeropainting: Extended Women and the Kingdom of the Machine. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/56.

Council of Science Editors:

Griffiths J. Futurist Aeropainting: Extended Women and the Kingdom of the Machine. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/56

22. Stotland, Irina. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.

Degree: PhD, History of Art, 2012, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/61

► The dissertation contextualizes Paul Gauguin’s self-portraits within the nineteenth-century notion of androgyny. The first chapter explores Gauguin’s textual figurations of self in relation to… (more)

▼ The dissertation contextualizes Paul Gauguin’s self-portraits within the nineteenth-century notion of androgyny. The first chapter explores Gauguin’s textual figurations of self in relation to the contemporary medical and philosophical understanding of androgyny and to the literary representations of an androgyne in the works by Honoré de Balzac, Flora Tristan, Théophile Gautier, and Joris-Karl Huysmans. Gauguin’s texts include a view of androgyny both as a figure of transcendence and as a figure of transgression in accordance with the earlier and later nineteenth-century views, respectively. The second chapter focuses on Gauguin’s visual images of androgyny in his self-portraits and their connection to the images of androgyny in the works of Gustave Moreau, Puvis de Chavannes, Edgar Degas, and Paul Cézanne. Like his written images, Gauguin’s pictorial representationsof androgyny reveal it as both transcendence and transgression. The manner in which he resolves his anxiety aboutthe threat of transgression varies between his two categories of self-portraits. In both categories Gauguin incorporates an element of femininity that challenges the gender binary. In the embodiment self-portraits, this element is part of the image of self and in the insertion self-portraits, it is part of the secondary images. The emphasized performativeness of his androgyny in the first category and the distancing of the transgressiveelement from the image of self in the second category allow Gauguin to neutralize his anxiety about androgynous identification. The third chapter situates Gauguin’s ambivalent attitude toward androgyny in his figurations of self in terms of colonial discourse and psychoanalysis. Gauguin’s self-portraits can be seen to draw onthe colonial split of the “primitive” and the “civilized” identities. His images of transcendent and perverse androgyny reveal his desires and anxieties about the “primitive” state of undifferentiation. In Freudian terms, the use of the fetishistic dynamic of stereotyping allows Gauguin to deflect his anxieties. In Kleinian terms, the desire for androgyny can be seen as a desire for reparation of the depressive position and the deflection of anxieties as a defensive reaction of the schizoid-paranoid position.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Stotland, I. (2012). Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/61

Chicago Manual of Style (16^th Edition):

Stotland, Irina. “Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/61.

MLA Handbook (7^th Edition):

Stotland, Irina. “Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.” 2012. Web. 08 Mar 2021.

Vancouver:

Stotland I. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/61.

Council of Science Editors:

Stotland I. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/61

23. Blackwell, Nicholas G. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.

Degree: PhD, Classical and Near Eastern Archaeology, 2011, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/63

► This study considers the distribution and consumption trends of metal tools from the second millennium BC over a wide geographical area including Crete, the… (more)

▼ This study considers the distribution and consumption trends of metal tools from the second millennium BC over a wide geographical area including Crete, the Greek mainland, the Greek islands, Cyprus, Anatolia, and Syria-Palestine. An exhaustive database of 5300+ tools was compiled from these regions and time frame. While copper and copper-alloy implements are attested in the third millennium and earlier, the significant advancement of the metallurgical industry in the Aegean and eastern Mediterranean is directly associated with the quantity and diversification of metal tools during the Middle and Late Bronze Age. The progression of craft industries is also related to the development and production of specific and sometimes specialized tool forms. The degree of pre- and proto-historic interaction among multiple regions is evaluated through the lens of metal tools, items that were neither bulk nor elite goods. The primary research questions are 1) to assess the meaning of patterns in tool consumption and 2) whether it is possible to identify traveling craftspersons in the archaeological record through such distributions. Analysis of the large database begins with a broad overview of the tool choices made in each region and time period. Implements are classified into discernible functional categories such as agricultural, metallurgical, utilitarian, tools for small crafting, and carpentry/masonry. Given the strong correlation between the evolution of metal tools and architecture, it should be no surprise that carpentry/masonry implements are the preferred tools throughout the second millennium BC, and therefore much of the study’s focus is on this category. A meticulous investigation of the carpentry/masonry tool types identifies their distribution by area and site, highlighting regional and local tool preferences. A thorough examination of tools from metal hoards and shipwrecks reveals the existence of tool kits, and this observation has important implications for reassessing how hoards are interpreted. While it is difficult to track the movement of craftspersons from tools alone, distinctive trends of selection and cross-regional comparison of tool types demonstrate identifiable links among several regions. The exact meaning of the interregional tool similarities is less clear, though one may speculate on the possibilities of deliberate craft interaction and exchange.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Blackwell, N. G. (2011). Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/63

Chicago Manual of Style (16^th Edition):

Blackwell, Nicholas G. “Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/63.

MLA Handbook (7^th Edition):

Blackwell, Nicholas G. “Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.” 2011. Web. 08 Mar 2021.

Vancouver:

Blackwell NG. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/63.

Council of Science Editors:

Blackwell NG. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/63

24. Moriuchi, Mey-Yen. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.

Degree: PhD, History of Art, 2012, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/60

► Traditionally in the history of Mexican art, the nineteenth century is overlooked and generally categorized as transitional and inconsequential. As a result of political… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Moriuchi, M. (2012). Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/60

Chicago Manual of Style (16^th Edition):

Moriuchi, Mey-Yen. “Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/60.

MLA Handbook (7^th Edition):

Moriuchi, Mey-Yen. “Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.” 2012. Web. 08 Mar 2021.

Vancouver:

Moriuchi M. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/60.

Council of Science Editors:

Moriuchi M. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/60

25. Shipley, Lesley E. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.

Degree: PhD, History of Art, 2011, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/69

► This dissertation focuses on the reception and interpretation of the welded steel and canvas reliefs that the American artist Lee Bontecou created between 1959… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Shipley, L. E. (2011). Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/69

Chicago Manual of Style (16^th Edition):

Shipley, Lesley E. “Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/69.

MLA Handbook (7^th Edition):

Shipley, Lesley E. “Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.” 2011. Web. 08 Mar 2021.

Vancouver:

Shipley LE. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/69.

Council of Science Editors:

Shipley LE. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/69

26. Dubay, Rebecca L. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.

Degree: PhD, History of Art, 2011, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/64

► This dissertation examines transformations in painting during the 1960s. Countering repeated pronouncements of its “death” and subsequent diagnoses of its persistence in melancholic form,… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Dubay, R. L. (2011). Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/64

Chicago Manual of Style (16^th Edition):

Dubay, Rebecca L. “Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/64.

MLA Handbook (7^th Edition):

Dubay, Rebecca L. “Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.” 2011. Web. 08 Mar 2021.

Vancouver:

Dubay RL. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/64.

Council of Science Editors:

Dubay RL. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/64

27. Anderson, Benjamin W. World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900.

Degree: PhD, History of Art, 2012, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/51

► Images of the Ptolemaic cosmos were produced in all three major early medieval successors to the Roman Empire (the Carolingian, the Byzantine, and the… (more)

▼ Images of the Ptolemaic cosmos were produced in all three major early medieval successors to the Roman Empire (the Carolingian, the Byzantine, and the Umayyad states). Early medieval cosmological images remained formally and iconographically close to their late antique models. They thus provide a point of comparison allowing examination of the changing functions of images. Two primary functions of ancient cosmological images are identified: the epistemological (images as carriers of information about the Ptolemaic world system) and the symbolic (images as signs of “the cosmos”within broader signifying systems). In early medieval Byzantine art the epistemological function predominated. The Vatican Ptolemy (Vaticanus Graecus 1291), a manuscript produced ca. 750, was a manual intended to ensure imperial access to natural-scientific knowledge. It may thus be compared to contemporary metrological monuments, in particular the Horologion of Hagia Sophia and the Anemodoulion, erected by emperors in Constantinople. Its apparent lack of progeny is related to a jealous “economy of knowledge” that developed from social antagonisms between centralizing emperors and elites determined to maintain independent sources of power. Charlemagne‟s silver table and the Cathedra Petri have traditionally been considered props for staging the Carolingian ruler as a cosmocrator through use of cosmological imagery. However, in the Carolingian world, as in the Byzantine, the epistemological function of cosmological imagery predominated. The proliferation of manuscripts with cosmological imagery, particularly in the period between ca. 800 and 820, provides a contrast to Byzantine scarcity, and evidence for a porous “economy of knowledge.” Cosmological images aided in the formation of identities shared between state functionaries and hereditary elites. Cosmographic imagery, both terrestrial (the mosaics of the Umayyad Mosque of Damascus) and celestial (the frescoes of Qusayr „Amra) played a major role in the staging of Umayyad rule. Thus in the early Islamic state it was the symbolic function that predominated. This is related to the gulf between the Umayyad state and its host society, and the necessity for Umayyad caliphs to develop a flexible visual

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Anderson, B. W. (2012). World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/51

Chicago Manual of Style (16^th Edition):

Anderson, Benjamin W. “World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/51.

MLA Handbook (7^th Edition):

Anderson, Benjamin W. “World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900.” 2012. Web. 08 Mar 2021.

Vancouver:

Anderson BW. World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/51.

Council of Science Editors:

Anderson BW. World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700-900. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/51

28. Bennett, Danielle Smotherman. Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences.

Degree: PhD, Classical and Near Eastern Archaeology, 2017, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/167

► This study advances our understanding of Athenian vase-paintings of the Archaic and Classical periods by examining scenes of communication from two perspectives: how communication… (more)

▼ This study advances our understanding of Athenian vase-paintings of the Archaic and Classical periods by examining scenes of communication from two perspectives: how communication is expressed within depictions of multi-figure scenes and how messages are encoded through the vase to the viewer. I develop a new theoreticalmethodological framework using communication theory that combines a semiotic approach to images with a model of communication that considers the viewer (Part I). The model visualizes communication as occurring on two axes. Communication occurring on the vase, the horizontal axis, focuses on the different modes of communication within the image. Communication occurring through the object, the vertical axis, considers the role of the viewer and the relationship between creator, object, and targeted audience. Communication theory allows for a systematic investigation of the vase as a constructed agent of meaning and the importance of the intended viewer and viewing context. This study is divided into two parts based upon the two axes of communication. Part II deals primarily with the horizontal axis, applying the model of communication to vase-paintings through analyzing examples of different modes of communication in the world of images, which are expressed through visual markers. Visual markers such as gestures, body language and speech inscriptions, represent both verbal and non-verbal communication in images. Chapter 3 examines the use of visual markers in establishing conversations, with an emphasis on indicators of speech. Chapter 4 examines the role of visual markers in representing known narratives. Miscommunication plays a part in these stories as a narrative instigator and I focus predominantly on nonverbal communication. Part III deals with the vertical axis, concentrating on the concept of gendered gazes through examining self-referential images and targeted audiences. While Chapter 5 focuses on scenes of the symposium on sympotic shapes intended for a male audience, Chapter 6 explores images intended for female viewers by examining vases decorated with scenes of marriage and wool-working that were produced for those respective settings. In my dissertation, I argue that the link between the two axes relies on visual markers, an open approach to reading images, and the experience of the viewer.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bennett, D. S. (2017). Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/167

Chicago Manual of Style (16^th Edition):

Bennett, Danielle Smotherman. “Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences.” 2017. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/167.

MLA Handbook (7^th Edition):

Bennett, Danielle Smotherman. “Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences.” 2017. Web. 08 Mar 2021.

Vancouver:

Bennett DS. Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2017. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/167.

Council of Science Editors:

Bennett DS. Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences. [Doctoral Dissertation]. Bryn Mawr College; 2017. Available from: https://repository.brynmawr.edu/dissertations/167

29. Pritchett, Hollister Nolan. Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach.

Degree: PhD, Classical and Near Eastern Archaeology, 2017, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/159

► The current study considers Athenian childhood through images on Attic vases, plaques, and votive reliefs. A six-stage model of childhood development – newborn to… (more)

▼ The current study considers Athenian childhood through images on Attic vases, plaques, and votive reliefs. A six-stage model of childhood development – newborn to adolescence – was designed to appraise the ages of children. This new model allows for more precise age determination, especially for the youngest children (birth to three years). In contrast to previous studies, emphasis is placed on the younger developmental stages (Stages I-III), focusing on acquired motor skills and biological changes that all healthy children attain. The first two analytical chapters concern depictions of family scenes that include a significant number of children. While Chapter 2 analyzes funerary and lamentation scenes on vases and plaques, Chapter 3 deals with commemorations of a family visit to a sanctuary as shown on votive reliefs. These images are discussed by age group, using the model for the six developmental stages and with respect to the locations of children, their positions within the scene and, more generally, their interactions with adults in order to discern patterns of placement. Although funerary and dedication scenes tend to follow their own individual compositions, it holds true for both that age, dependency level, and gender of a child influences his or her placement within these scenes, indicating male and female spheres. Similar criteria are used in Chapter 4 to analyze a third group of family scenes, namely vase-paintings with children at play in different settings. They suggest that indoor scenes were reserved for the youngest children of either gender. The development and upbringing of Satyr children, as presented on Attic vases, is discussed in Chapter 5 and includes comparisons to their human counterparts. Examinations reveal that Satyr children follow similar developmental stages as humans and that both learn their adult behavior through imitation and observation as they participate in their own specific activities. The final analytical chapter, Chapter 6, studies depictions of children on Attic vases within a contextual framework. More specifically, it discerns whether the representations of children on Attic vases associated with male users, such as kraters and kylikes, and those associated with female users, such as epinetra and pyxides, differ significantly.

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pritchett, H. N. (2017). Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/159

Chicago Manual of Style (16^th Edition):

Pritchett, Hollister Nolan. “Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach.” 2017. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/159.

MLA Handbook (7^th Edition):

Pritchett, Hollister Nolan. “Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach.” 2017. Web. 08 Mar 2021.

Vancouver:

Pritchett HN. Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2017. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/159.

Council of Science Editors:

Pritchett HN. Representations of Human and Satyr Children Through Stages of Childhood Development in Athenian Art of the Sixth to the Fourth Century B.C.E. An Iconographical and Contextual Approach. [Doctoral Dissertation]. Bryn Mawr College; 2017. Available from: https://repository.brynmawr.edu/dissertations/159

30. Zaring, Jacoba Johnson. The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”.

Degree: PhD, Psychology, 2018, Bryn Mawr College

URL: https://repository.brynmawr.edu/dissertations/191

► Experimental studies have shown that negative stereotypes of aging cause a significant reduction in memory performance, as well as on other cognitive tasks, in… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Zaring, J. J. (2018). The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/191

Chicago Manual of Style (16^th Edition):

Zaring, Jacoba Johnson. “The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”.” 2018. Doctoral Dissertation, Bryn Mawr College. Accessed March 08, 2021. https://repository.brynmawr.edu/dissertations/191.

MLA Handbook (7^th Edition):

Zaring, Jacoba Johnson. “The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”.” 2018. Web. 08 Mar 2021.

Vancouver:

Zaring JJ. The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2018. [cited 2021 Mar 08]. Available from: https://repository.brynmawr.edu/dissertations/191.

Council of Science Editors:

Zaring JJ. The contribution of psychosocial factors to speech comprehension in normal aging: “What did you say?”. [Doctoral Dissertation]. Bryn Mawr College; 2018. Available from: https://repository.brynmawr.edu/dissertations/191

		in
And / Or
		in
And / Or
		in
And / Or
		in

Open Access Theses and Dissertations