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You searched for subject:(Historical films Australia History AND criticism). Showing records 1 – 30 of 4827 total matches.

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Macquarie University

1. Dennett, Bruce Lawrence. The genesis of indigenous Australian characterisations in feature films.

Degree: 2012, Macquarie University

"This thesis is presented for the degree of Doctor of Philosophy"

"May 2012"

Bibliography: pages 317-354.

Introduction  – 1. The tracker  – 2. The comic… (more)

Subjects/Keywords: Aboriginal Australians in motion pictures; Aboriginal Australians  – Ethnic identity; Aboriginal Australians  – Relations with Europeans; Aboriginal Australians  – History; Aboriginal Australians  – Social conditions; Silent films  – Australia  – History; Historical films  – Australia  – History and criticism; Motion pictures  – Australia  – History; Motion pictures, Australian  – History; National characteristics, Australian, in motion pictures; Genesis of Indigenous Australian characterisations; media; films; Australian filmmaking; Indigenous peoples; non-Indigenous audiences

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APA (6th Edition):

Dennett, B. L. (2012). The genesis of indigenous Australian characterisations in feature films. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/305048

Chicago Manual of Style (16th Edition):

Dennett, Bruce Lawrence. “The genesis of indigenous Australian characterisations in feature films.” 2012. Doctoral Dissertation, Macquarie University. Accessed November 22, 2019. http://hdl.handle.net/1959.14/305048.

MLA Handbook (7th Edition):

Dennett, Bruce Lawrence. “The genesis of indigenous Australian characterisations in feature films.” 2012. Web. 22 Nov 2019.

Vancouver:

Dennett BL. The genesis of indigenous Australian characterisations in feature films. [Internet] [Doctoral dissertation]. Macquarie University; 2012. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/1959.14/305048.

Council of Science Editors:

Dennett BL. The genesis of indigenous Australian characterisations in feature films. [Doctoral Dissertation]. Macquarie University; 2012. Available from: http://hdl.handle.net/1959.14/305048


Macquarie University

2. Flack, Kylie-Ann. Packaging the past for children: Australian historical novels and picture books for children since 1945.

Degree: 2018, Macquarie University

Theoretical thesis.

Bibliography: pages 313-358.

Introduction  – Chapter 1: 'Fictional historiography': the research landscape  – Chapter 2: Placing Australian children's historical fiction within the ambit… (more)

Subjects/Keywords: Children's literature, Australian  – History and criticism; Children's literature  – History and criticism; Historical fiction, Australian  – History and criticism; Children  – Books and reading  – Australia; historical fiction; historiography; children's history

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APA (6th Edition):

Flack, K. (2018). Packaging the past for children: Australian historical novels and picture books for children since 1945. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1268103

Chicago Manual of Style (16th Edition):

Flack, Kylie-Ann. “Packaging the past for children: Australian historical novels and picture books for children since 1945.” 2018. Doctoral Dissertation, Macquarie University. Accessed November 22, 2019. http://hdl.handle.net/1959.14/1268103.

MLA Handbook (7th Edition):

Flack, Kylie-Ann. “Packaging the past for children: Australian historical novels and picture books for children since 1945.” 2018. Web. 22 Nov 2019.

Vancouver:

Flack K. Packaging the past for children: Australian historical novels and picture books for children since 1945. [Internet] [Doctoral dissertation]. Macquarie University; 2018. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/1959.14/1268103.

Council of Science Editors:

Flack K. Packaging the past for children: Australian historical novels and picture books for children since 1945. [Doctoral Dissertation]. Macquarie University; 2018. Available from: http://hdl.handle.net/1959.14/1268103


University of Oregon

3. Bisson, Vincent J., 1984-. Historical Film Reception: An Ethnographic Focus beyond Entertainment.

Degree: 2010, University of Oregon

 Drawing upon theories from folkloristics, history, and audience studies, this thesis analyzes historical films, their reception, and the importance of history and film in everyday… (more)

Subjects/Keywords: Historical films  – history and criticism; Cultural anthropology; Folklore; Mass communications; Film studies

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APA (6th Edition):

Bisson, Vincent J., 1. (2010). Historical Film Reception: An Ethnographic Focus beyond Entertainment. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/10816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bisson, Vincent J., 1984-. “Historical Film Reception: An Ethnographic Focus beyond Entertainment.” 2010. Thesis, University of Oregon. Accessed November 22, 2019. http://hdl.handle.net/1794/10816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bisson, Vincent J., 1984-. “Historical Film Reception: An Ethnographic Focus beyond Entertainment.” 2010. Web. 22 Nov 2019.

Vancouver:

Bisson, Vincent J. 1. Historical Film Reception: An Ethnographic Focus beyond Entertainment. [Internet] [Thesis]. University of Oregon; 2010. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/1794/10816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bisson, Vincent J. 1. Historical Film Reception: An Ethnographic Focus beyond Entertainment. [Thesis]. University of Oregon; 2010. Available from: http://hdl.handle.net/1794/10816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

4. Rice, David Andrew. Indexical Embodiments : Sensory Cinema and/as Historical Reenactment.

Degree: Communication, 2013, University of California – San Diego

 This dissertation considers unresolved questions of the indexical real in documentary studies, drawing from media phenomenology on cinematic embodiment, feminist performance theory on liveness, and… (more)

Subjects/Keywords: Psychological aspects Ethnographic films History and criticism; Psychological aspects Historical reenactments History and criticism; Actualities (Motion pictures) History and criticism Philosophy; Motion picture audiences Psychology; Affect (Psychology) In motion pictures History and criticism

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APA (6th Edition):

Rice, D. A. (2013). Indexical Embodiments : Sensory Cinema and/as Historical Reenactment. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/9bb94714

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rice, David Andrew. “Indexical Embodiments : Sensory Cinema and/as Historical Reenactment.” 2013. Thesis, University of California – San Diego. Accessed November 22, 2019. http://www.escholarship.org/uc/item/9bb94714.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rice, David Andrew. “Indexical Embodiments : Sensory Cinema and/as Historical Reenactment.” 2013. Web. 22 Nov 2019.

Vancouver:

Rice DA. Indexical Embodiments : Sensory Cinema and/as Historical Reenactment. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2019 Nov 22]. Available from: http://www.escholarship.org/uc/item/9bb94714.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rice DA. Indexical Embodiments : Sensory Cinema and/as Historical Reenactment. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/9bb94714

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida Atlantic University

5. Dzmuranova, Kristyna. Persepolis and Waltz with Bashir, an alternative perspective on the Middle East, a mirror for the West.

Degree: MA, 2011, Florida Atlantic University

Summary: This project presents a three-level analysis of Persepolis and Waltz with Bashir to elucidate the way these films deconstruct the image of the Middle… (more)

Subjects/Keywords: Documentary films – Criticism and interpretation; Arab-Israeli conflict – Motion pictures and the conflict; Moving pictures in propaganda; Motion pictures and history; Historical films – Criticism and interpretation; Persepolis (Iran) – History and criticism

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APA (6th Edition):

Dzmuranova, K. (2011). Persepolis and Waltz with Bashir, an alternative perspective on the Middle East, a mirror for the West. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/3175014

Chicago Manual of Style (16th Edition):

Dzmuranova, Kristyna. “Persepolis and Waltz with Bashir, an alternative perspective on the Middle East, a mirror for the West.” 2011. Masters Thesis, Florida Atlantic University. Accessed November 22, 2019. http://purl.flvc.org/FAU/3175014.

MLA Handbook (7th Edition):

Dzmuranova, Kristyna. “Persepolis and Waltz with Bashir, an alternative perspective on the Middle East, a mirror for the West.” 2011. Web. 22 Nov 2019.

Vancouver:

Dzmuranova K. Persepolis and Waltz with Bashir, an alternative perspective on the Middle East, a mirror for the West. [Internet] [Masters thesis]. Florida Atlantic University; 2011. [cited 2019 Nov 22]. Available from: http://purl.flvc.org/FAU/3175014.

Council of Science Editors:

Dzmuranova K. Persepolis and Waltz with Bashir, an alternative perspective on the Middle East, a mirror for the West. [Masters Thesis]. Florida Atlantic University; 2011. Available from: http://purl.flvc.org/FAU/3175014


RMIT University

6. Mikhail, S. Experimental art of Arthur and Corinne Cantrill.

Degree: 2006, RMIT University

 This thesis analyses the effect of the personal history of Arthur and Corinne Cantrill, two Australian independent filmmakers, on their style of filmmaking. It analyses… (more)

Subjects/Keywords: Fields of Research; Experimental films  – Australia  – History and criticism; Independent filmmakers  – Australia

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APA (6th Edition):

Mikhail, S. (2006). Experimental art of Arthur and Corinne Cantrill. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:6205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mikhail, S. “Experimental art of Arthur and Corinne Cantrill.” 2006. Thesis, RMIT University. Accessed November 22, 2019. http://researchbank.rmit.edu.au/view/rmit:6205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mikhail, S. “Experimental art of Arthur and Corinne Cantrill.” 2006. Web. 22 Nov 2019.

Vancouver:

Mikhail S. Experimental art of Arthur and Corinne Cantrill. [Internet] [Thesis]. RMIT University; 2006. [cited 2019 Nov 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:6205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mikhail S. Experimental art of Arthur and Corinne Cantrill. [Thesis]. RMIT University; 2006. Available from: http://researchbank.rmit.edu.au/view/rmit:6205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


IUPUI

7. Savarino, Malia Dorothy. Historical Film and the Assassination of President Lincoln: The Prisoner of Shark Island (1936) and The Lincoln Conspiracy (1977).

Degree: 2002, IUPUI

Indiana University-Purdue University (IUPUI) Advisors/Committee Members: Coleman, Annie Gilbert, Snodgrass, Michael, McKivigan, John R..

Subjects/Keywords: Historical films  – History and criticism; Motion pictures and history  – Case studies

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APA (6th Edition):

Savarino, M. D. (2002). Historical Film and the Assassination of President Lincoln: The Prisoner of Shark Island (1936) and The Lincoln Conspiracy (1977). (Thesis). IUPUI. Retrieved from http://hdl.handle.net/1805/5016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Savarino, Malia Dorothy. “Historical Film and the Assassination of President Lincoln: The Prisoner of Shark Island (1936) and The Lincoln Conspiracy (1977).” 2002. Thesis, IUPUI. Accessed November 22, 2019. http://hdl.handle.net/1805/5016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Savarino, Malia Dorothy. “Historical Film and the Assassination of President Lincoln: The Prisoner of Shark Island (1936) and The Lincoln Conspiracy (1977).” 2002. Web. 22 Nov 2019.

Vancouver:

Savarino MD. Historical Film and the Assassination of President Lincoln: The Prisoner of Shark Island (1936) and The Lincoln Conspiracy (1977). [Internet] [Thesis]. IUPUI; 2002. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/1805/5016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Savarino MD. Historical Film and the Assassination of President Lincoln: The Prisoner of Shark Island (1936) and The Lincoln Conspiracy (1977). [Thesis]. IUPUI; 2002. Available from: http://hdl.handle.net/1805/5016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

8. Chow, Cheuk-wing. Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime.

Degree: MA, 2012, University of Hong Kong

The association between nostalgia, nature and disenchantment has been and still is a very common trope in cultural and literary studies (Saler 138) within the… (more)

Subjects/Keywords: Animated films - Japan - History and criticism.

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APA (6th Edition):

Chow, C. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Masters Thesis). University of Hong Kong. Retrieved from Chow, C. [周卓穎]. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839449 ; http://dx.doi.org/10.5353/th_b4839449 ; http://hdl.handle.net/10722/177278

Chicago Manual of Style (16th Edition):

Chow, Cheuk-wing. “Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime.” 2012. Masters Thesis, University of Hong Kong. Accessed November 22, 2019. Chow, C. [周卓穎]. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839449 ; http://dx.doi.org/10.5353/th_b4839449 ; http://hdl.handle.net/10722/177278.

MLA Handbook (7th Edition):

Chow, Cheuk-wing. “Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime.” 2012. Web. 22 Nov 2019.

Vancouver:

Chow C. Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Nov 22]. Available from: Chow, C. [周卓穎]. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839449 ; http://dx.doi.org/10.5353/th_b4839449 ; http://hdl.handle.net/10722/177278.

Council of Science Editors:

Chow C. Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. [Masters Thesis]. University of Hong Kong; 2012. Available from: Chow, C. [周卓穎]. (2012). Nostalgia, nature, and the re-enchantment of modern world in Hayao Miyazaki's anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839449 ; http://dx.doi.org/10.5353/th_b4839449 ; http://hdl.handle.net/10722/177278


University of New South Wales

9. Hooton, Fiona. The impact of the counterculture on Australian cinema in the mid to late 20th century.

Degree: Art History & Art Education, 2007, University of New South Wales

 This thesis discusses the impact of the counterculture on Australian cinema in the late 20thcentury through the work of the Sydney Underground Film group, Ubu.… (more)

Subjects/Keywords: Ubu Films  – History; Experimental films  – New South Wales  – Sydney  – History and criticism; Counterculture  – New South Wales  – Sydney  – History; Motion pictures  – Australia  – History; Motion picture industry  – Australia  – History

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APA (6th Edition):

Hooton, F. (2007). The impact of the counterculture on Australian cinema in the mid to late 20th century. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/41008 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1605/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Hooton, Fiona. “The impact of the counterculture on Australian cinema in the mid to late 20th century.” 2007. Masters Thesis, University of New South Wales. Accessed November 22, 2019. http://handle.unsw.edu.au/1959.4/41008 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1605/SOURCE02?view=true.

MLA Handbook (7th Edition):

Hooton, Fiona. “The impact of the counterculture on Australian cinema in the mid to late 20th century.” 2007. Web. 22 Nov 2019.

Vancouver:

Hooton F. The impact of the counterculture on Australian cinema in the mid to late 20th century. [Internet] [Masters thesis]. University of New South Wales; 2007. [cited 2019 Nov 22]. Available from: http://handle.unsw.edu.au/1959.4/41008 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1605/SOURCE02?view=true.

Council of Science Editors:

Hooton F. The impact of the counterculture on Australian cinema in the mid to late 20th century. [Masters Thesis]. University of New South Wales; 2007. Available from: http://handle.unsw.edu.au/1959.4/41008 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1605/SOURCE02?view=true


Macquarie University

10. Carr, Anna. National narrative in Ukrainian historical novels from post-Stalinist to post-independence texts.

Degree: 2015, Macquarie University

Theoretical thesis.

Bibliography: pages 262-269.

Chapter 1. Literature review : contextualising the national narrative  – Chapter 2. Elusive utterance : the locations of the national… (more)

Subjects/Keywords: Historical fiction, Ukrainian  – History and criticism; Ukrainian literature; historical novel; national narrative; post-colonial studies

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APA (6th Edition):

Carr, A. (2015). National narrative in Ukrainian historical novels from post-Stalinist to post-independence texts. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1098249

Chicago Manual of Style (16th Edition):

Carr, Anna. “National narrative in Ukrainian historical novels from post-Stalinist to post-independence texts.” 2015. Doctoral Dissertation, Macquarie University. Accessed November 22, 2019. http://hdl.handle.net/1959.14/1098249.

MLA Handbook (7th Edition):

Carr, Anna. “National narrative in Ukrainian historical novels from post-Stalinist to post-independence texts.” 2015. Web. 22 Nov 2019.

Vancouver:

Carr A. National narrative in Ukrainian historical novels from post-Stalinist to post-independence texts. [Internet] [Doctoral dissertation]. Macquarie University; 2015. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/1959.14/1098249.

Council of Science Editors:

Carr A. National narrative in Ukrainian historical novels from post-Stalinist to post-independence texts. [Doctoral Dissertation]. Macquarie University; 2015. Available from: http://hdl.handle.net/1959.14/1098249


Ryerson University

11. Barnes, Matthew R.A. Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric.

Degree: 2015, Ryerson University

 Ecodocumentary films such as The Cove, An Inconvenient Truth, and Sharkwater have demonstrated the power to influence audience behavior, establish public discourses, and inspire social… (more)

Subjects/Keywords: Documentary films  – Political aspects  – History and criticism; Documentary films  – United States  – History and criticism; Burke, Kenneth, 1897-1993; Ecodocumentary rhetoric

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APA (6th Edition):

Barnes, M. R. A. (2015). Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A5348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnes, Matthew R A. “Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric.” 2015. Thesis, Ryerson University. Accessed November 22, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A5348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnes, Matthew R A. “Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric.” 2015. Web. 22 Nov 2019.

Vancouver:

Barnes MRA. Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric. [Internet] [Thesis]. Ryerson University; 2015. [cited 2019 Nov 22]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A5348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes MRA. Racing Rhetoric: A Burkean Analysis of Ecodocumentary Rhetoric. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A5348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

12. Scheer, Jennie S. Bearing the ring: the audience and consumers of The Lord of the Rings.

Degree: 2009, Ryerson University

 "I will examine who the contemporary film industries target as well as how they relate to the creation and maintenance of fan communities, who are… (more)

Subjects/Keywords: Motion picture audiences  – Social aspects.; Lord of the Rings films.; Fantasy films  – History and criticism.

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APA (6th Edition):

Scheer, J. S. (2009). Bearing the ring: the audience and consumers of The Lord of the Rings. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3099

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scheer, Jennie S. “Bearing the ring: the audience and consumers of The Lord of the Rings.” 2009. Thesis, Ryerson University. Accessed November 22, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A3099.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scheer, Jennie S. “Bearing the ring: the audience and consumers of The Lord of the Rings.” 2009. Web. 22 Nov 2019.

Vancouver:

Scheer JS. Bearing the ring: the audience and consumers of The Lord of the Rings. [Internet] [Thesis]. Ryerson University; 2009. [cited 2019 Nov 22]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3099.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scheer JS. Bearing the ring: the audience and consumers of The Lord of the Rings. [Thesis]. Ryerson University; 2009. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3099

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Kizer, Zachary Aaron. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.

Degree: MA, 2018, Ball State University

 This thesis examines the 1936 film Modern Times and the 1973 film Soylent Green. I examine both films from both a Burkean perspective, dissecting the… (more)

Subjects/Keywords: Modern times (Motion picture); Soylent green (Motion picture; Marxist criticism.; Dystopian films  – History and criticism.

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APA (6th Edition):

Kizer, Z. A. (2018). The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. (Masters Thesis). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/201281

Chicago Manual of Style (16th Edition):

Kizer, Zachary Aaron. “The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.” 2018. Masters Thesis, Ball State University. Accessed November 22, 2019. http://cardinalscholar.bsu.edu/handle/123456789/201281.

MLA Handbook (7th Edition):

Kizer, Zachary Aaron. “The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.” 2018. Web. 22 Nov 2019.

Vancouver:

Kizer ZA. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. [Internet] [Masters thesis]. Ball State University; 2018. [cited 2019 Nov 22]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201281.

Council of Science Editors:

Kizer ZA. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. [Masters Thesis]. Ball State University; 2018. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201281


Edith Cowan University

14. Smith, Keith. Kodak's worst nightmare Super 8 in the digital age: A cultural history of Super 8 filmmaking in Australia 1965-2003.

Degree: 2004, Edith Cowan University

 This project charts the extraordinary history of the Super 8 film medium, a popular amateur home movie format first introduced in 1965 and largely assumed… (more)

Subjects/Keywords: History of Super-8 motion pictures; Amateur films; History and criticism; Australia; Film and Media Studies

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APA (6th Edition):

Smith, K. (2004). Kodak's worst nightmare Super 8 in the digital age: A cultural history of Super 8 filmmaking in Australia 1965-2003. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses/1612

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Keith. “Kodak's worst nightmare Super 8 in the digital age: A cultural history of Super 8 filmmaking in Australia 1965-2003.” 2004. Thesis, Edith Cowan University. Accessed November 22, 2019. http://ro.ecu.edu.au/theses/1612.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Keith. “Kodak's worst nightmare Super 8 in the digital age: A cultural history of Super 8 filmmaking in Australia 1965-2003.” 2004. Web. 22 Nov 2019.

Vancouver:

Smith K. Kodak's worst nightmare Super 8 in the digital age: A cultural history of Super 8 filmmaking in Australia 1965-2003. [Internet] [Thesis]. Edith Cowan University; 2004. [cited 2019 Nov 22]. Available from: http://ro.ecu.edu.au/theses/1612.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith K. Kodak's worst nightmare Super 8 in the digital age: A cultural history of Super 8 filmmaking in Australia 1965-2003. [Thesis]. Edith Cowan University; 2004. Available from: http://ro.ecu.edu.au/theses/1612

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Drake, Jessica Ryan. The importance of sound design and its affect on perception.

Degree: 2013, SUNY College at Fredonia

 The purpose of this research is to clearly define the importance of sound design in film, television, and movies, with emphasis on how the audience… (more)

Subjects/Keywords: Motion pictures  – Evaluation.; Sound in design.; Western films  – History and criticism.

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APA (6th Edition):

Drake, J. R. (2013). The importance of sound design and its affect on perception. (Masters Thesis). SUNY College at Fredonia. Retrieved from http://hdl.handle.net/1951/58385

Chicago Manual of Style (16th Edition):

Drake, Jessica Ryan. “The importance of sound design and its affect on perception. ” 2013. Masters Thesis, SUNY College at Fredonia. Accessed November 22, 2019. http://hdl.handle.net/1951/58385.

MLA Handbook (7th Edition):

Drake, Jessica Ryan. “The importance of sound design and its affect on perception. ” 2013. Web. 22 Nov 2019.

Vancouver:

Drake JR. The importance of sound design and its affect on perception. [Internet] [Masters thesis]. SUNY College at Fredonia; 2013. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/1951/58385.

Council of Science Editors:

Drake JR. The importance of sound design and its affect on perception. [Masters Thesis]. SUNY College at Fredonia; 2013. Available from: http://hdl.handle.net/1951/58385


Nelson Mandela Metropolitan University

16. Vermaak, Janelle Leigh. Part one: "Horror versus terror in the body genre" : part two: "Silent planet".

Degree: Faculty of Arts, 2007, Nelson Mandela Metropolitan University

 This article seeks to investigate this balance and to interrogate the difference between horror and terror in an attempt to contribute to the development of… (more)

Subjects/Keywords: Horror films  – History and criticism

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APA (6th Edition):

Vermaak, J. L. (2007). Part one: "Horror versus terror in the body genre" : part two: "Silent planet". (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vermaak, Janelle Leigh. “Part one: "Horror versus terror in the body genre" : part two: "Silent planet".” 2007. Thesis, Nelson Mandela Metropolitan University. Accessed November 22, 2019. http://hdl.handle.net/10948/636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vermaak, Janelle Leigh. “Part one: "Horror versus terror in the body genre" : part two: "Silent planet".” 2007. Web. 22 Nov 2019.

Vancouver:

Vermaak JL. Part one: "Horror versus terror in the body genre" : part two: "Silent planet". [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2007. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10948/636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vermaak JL. Part one: "Horror versus terror in the body genre" : part two: "Silent planet". [Thesis]. Nelson Mandela Metropolitan University; 2007. Available from: http://hdl.handle.net/10948/636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

17. 黃競東.; Wong, King-tung. Reinventing the real: transfigurations of cinematic kung fu in the 21st century.

Degree: M. Phil., 2011, University of Hong Kong

Kung fu is a cinematic genre investing on the discourse of the “real”. From Kwan Tak Hing, Bruce Lee, Jacky Chan, Jet Li to Donnie… (more)

Subjects/Keywords: Martial arts films - History and criticism.; Kung fu.

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APA (6th Edition):

黃競東.; Wong, K. (2011). Reinventing the real: transfigurations of cinematic kung fu in the 21st century. (Masters Thesis). University of Hong Kong. Retrieved from Wong, K. [黃競東]. (2011). Reinventing the real : transfigurations of cinematic kung fu in the 21st century. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4784988 ; http://dx.doi.org/10.5353/th_b4784988 ; http://hdl.handle.net/10722/174546

Chicago Manual of Style (16th Edition):

黃競東.; Wong, King-tung. “Reinventing the real: transfigurations of cinematic kung fu in the 21st century.” 2011. Masters Thesis, University of Hong Kong. Accessed November 22, 2019. Wong, K. [黃競東]. (2011). Reinventing the real : transfigurations of cinematic kung fu in the 21st century. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4784988 ; http://dx.doi.org/10.5353/th_b4784988 ; http://hdl.handle.net/10722/174546.

MLA Handbook (7th Edition):

黃競東.; Wong, King-tung. “Reinventing the real: transfigurations of cinematic kung fu in the 21st century.” 2011. Web. 22 Nov 2019.

Vancouver:

黃競東.; Wong K. Reinventing the real: transfigurations of cinematic kung fu in the 21st century. [Internet] [Masters thesis]. University of Hong Kong; 2011. [cited 2019 Nov 22]. Available from: Wong, K. [黃競東]. (2011). Reinventing the real : transfigurations of cinematic kung fu in the 21st century. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4784988 ; http://dx.doi.org/10.5353/th_b4784988 ; http://hdl.handle.net/10722/174546.

Council of Science Editors:

黃競東.; Wong K. Reinventing the real: transfigurations of cinematic kung fu in the 21st century. [Masters Thesis]. University of Hong Kong; 2011. Available from: Wong, K. [黃競東]. (2011). Reinventing the real : transfigurations of cinematic kung fu in the 21st century. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4784988 ; http://dx.doi.org/10.5353/th_b4784988 ; http://hdl.handle.net/10722/174546


Ryerson University

18. Alston, Thomas. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.

Degree: 2015, Ryerson University

 Single reel abridgements of commercial feature films are entering moving image archives because home movie collections that contain them are slowly increasing in archival representation.… (more)

Subjects/Keywords: Film excerpts  – History and criticism.; Film excerpts.; Amateur films  – Social aspects.

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APA (6th Edition):

Alston, T. (2015). “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A4159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alston, Thomas. ““Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.” 2015. Thesis, Ryerson University. Accessed November 22, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A4159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alston, Thomas. ““Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.” 2015. Web. 22 Nov 2019.

Vancouver:

Alston T. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. [Internet] [Thesis]. Ryerson University; 2015. [cited 2019 Nov 22]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alston T. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Northeastern University

19. Chen, Xiaxin. Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu.

Degree: M.F.A., Department of Art + Design, 2016, Northeastern University

 This project investigates how Chinese Kung Fu has influenced American movies, and how we read a Kung Fu movie from the information of its Kung… (more)

Subjects/Keywords: character building; comedy; Kung Fu moves; Kung Fu movies; tragedy; visual; History and criticism; History and criticism; History and criticism; Martial arts films; Criticism and interpretation; Martial arts films; Criticism and interpretation; Martial arts films; Production and direction

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APA (6th Edition):

Chen, X. (2016). Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu. (Masters Thesis). Northeastern University. Retrieved from http://hdl.handle.net/2047/D20211261

Chicago Manual of Style (16th Edition):

Chen, Xiaxin. “Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu.” 2016. Masters Thesis, Northeastern University. Accessed November 22, 2019. http://hdl.handle.net/2047/D20211261.

MLA Handbook (7th Edition):

Chen, Xiaxin. “Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu.” 2016. Web. 22 Nov 2019.

Vancouver:

Chen X. Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu. [Internet] [Masters thesis]. Northeastern University; 2016. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/2047/D20211261.

Council of Science Editors:

Chen X. Kung Fu moves in America movies; Kung Fu moves in American movies: a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu; a comparative visual study of the three most representative American Kung Fu movies and Chinese Kung Fu. [Masters Thesis]. Northeastern University; 2016. Available from: http://hdl.handle.net/2047/D20211261


University of KwaZulu-Natal

20. [No author]. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence.

Degree: English, 2008, University of KwaZulu-Natal

 This thesis is an in-depth analysis of George Romero's 'Living Dead' tetralogy of films, comprising Night of the Living Dead (1968), Dawn ofthe-Bead (1978), Day… (more)

Subjects/Keywords: Horror films – History and criticism.; Romero, George A. – Criticism and interpretation.; Zombie films – History and criticism.; Motion picture – Producers and directors – United States.; English.

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APA (6th Edition):

author], [. (2008). Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. ” 2008. Thesis, University of KwaZulu-Natal. Accessed November 22, 2019. http://hdl.handle.net/10413/302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. ” 2008. Web. 22 Nov 2019.

Vancouver:

author] [. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. [Internet] [Thesis]. University of KwaZulu-Natal; 2008. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10413/302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. [Thesis]. University of KwaZulu-Natal; 2008. Available from: http://hdl.handle.net/10413/302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Baylor University

21. Weed, Cameron M. The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead.

Degree: Communication Studies., 2009, Baylor University

 Four decades after re-inventing the zombie film into its modern understanding, George A. Romero continues to use the zombie film to assert his leftist political… (more)

Subjects/Keywords: Romero, George A.  – Criticism and interpretation.; Zombie films  – History and criticism.; Zombies.; Marx, Karl, 1818-1883  – Criticism and interpretation.

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APA (6th Edition):

Weed, C. M. (2009). The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/5335

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weed, Cameron M. “The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. ” 2009. Thesis, Baylor University. Accessed November 22, 2019. http://hdl.handle.net/2104/5335.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weed, Cameron M. “The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. ” 2009. Web. 22 Nov 2019.

Vancouver:

Weed CM. The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. [Internet] [Thesis]. Baylor University; 2009. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/2104/5335.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weed CM. The zombie manifesto : the Marxist revolutions in George A. Romero’s Land of the dead. [Thesis]. Baylor University; 2009. Available from: http://hdl.handle.net/2104/5335

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

22. Barnett, Vanessa. Tasha: A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood.

Degree: 2014, Edith Cowan University

 Between 2007 and 2012, 140 fictional feature films were financed with the assistance of Australian film funding bodies. Of these 140 films, only 31 featured… (more)

Subjects/Keywords: Australian cinema studies; Comedy - cinema studies; Australian comedy cinema; Film theory; Gender theory; Cultural theory; Ocker cinema; Action comedy; Comedy films - Australian - History and Criticism; Motion pictures - Australia; Film and Media Studies

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APA (6th Edition):

Barnett, V. (2014). Tasha: A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses/1411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnett, Vanessa. “Tasha: A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood.” 2014. Thesis, Edith Cowan University. Accessed November 22, 2019. http://ro.ecu.edu.au/theses/1411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnett, Vanessa. “Tasha: A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood.” 2014. Web. 22 Nov 2019.

Vancouver:

Barnett V. Tasha: A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood. [Internet] [Thesis]. Edith Cowan University; 2014. [cited 2019 Nov 22]. Available from: http://ro.ecu.edu.au/theses/1411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnett V. Tasha: A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood. [Thesis]. Edith Cowan University; 2014. Available from: http://ro.ecu.edu.au/theses/1411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

23. 林慶新; Lin, Qingxin. Brushing history against the grain: constructing the Chinese new historical fiction as an oppositionaldiscourse.

Degree: PhD, 2001, University of Hong Kong

published_or_final_version

Comparative Literature

Doctoral

Doctor of Philosophy

Subjects/Keywords: Historical fiction; Chinese - History and criticism.

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APA (6th Edition):

林慶新; Lin, Q. (2001). Brushing history against the grain: constructing the Chinese new historical fiction as an oppositionaldiscourse. (Doctoral Dissertation). University of Hong Kong. Retrieved from Lin, Q. [林慶新]. (2001). Brushing history against the grain : constructing the Chinese new historical fiction as an oppositional discourse. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3124337 ; http://dx.doi.org/10.5353/th_b3124337 ; http://hdl.handle.net/10722/36002

Chicago Manual of Style (16th Edition):

林慶新; Lin, Qingxin. “Brushing history against the grain: constructing the Chinese new historical fiction as an oppositionaldiscourse.” 2001. Doctoral Dissertation, University of Hong Kong. Accessed November 22, 2019. Lin, Q. [林慶新]. (2001). Brushing history against the grain : constructing the Chinese new historical fiction as an oppositional discourse. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3124337 ; http://dx.doi.org/10.5353/th_b3124337 ; http://hdl.handle.net/10722/36002.

MLA Handbook (7th Edition):

林慶新; Lin, Qingxin. “Brushing history against the grain: constructing the Chinese new historical fiction as an oppositionaldiscourse.” 2001. Web. 22 Nov 2019.

Vancouver:

林慶新; Lin Q. Brushing history against the grain: constructing the Chinese new historical fiction as an oppositionaldiscourse. [Internet] [Doctoral dissertation]. University of Hong Kong; 2001. [cited 2019 Nov 22]. Available from: Lin, Q. [林慶新]. (2001). Brushing history against the grain : constructing the Chinese new historical fiction as an oppositional discourse. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3124337 ; http://dx.doi.org/10.5353/th_b3124337 ; http://hdl.handle.net/10722/36002.

Council of Science Editors:

林慶新; Lin Q. Brushing history against the grain: constructing the Chinese new historical fiction as an oppositionaldiscourse. [Doctoral Dissertation]. University of Hong Kong; 2001. Available from: Lin, Q. [林慶新]. (2001). Brushing history against the grain : constructing the Chinese new historical fiction as an oppositional discourse. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3124337 ; http://dx.doi.org/10.5353/th_b3124337 ; http://hdl.handle.net/10722/36002


Rutgers University

24. Griffiths, Devin Scott, 1978-. The age of analogy: comparative science and social history in the nineteenth-century British novel.

Degree: PhD, Literatures in English, 2010, Rutgers University

This dissertation pursues the rich vein of comparative historicism found in the written works of nineteenth-century novelists and naturalists, including Scott, Dickens, Eliot, and Darwin.… (more)

Subjects/Keywords: British literature – 19th century – History and criticism; Historical fiction, English – 19th century; Analogy in literature

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APA (6th Edition):

Griffiths, Devin Scott, 1. (2010). The age of analogy: comparative science and social history in the nineteenth-century British novel. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000053344

Chicago Manual of Style (16th Edition):

Griffiths, Devin Scott, 1978-. “The age of analogy: comparative science and social history in the nineteenth-century British novel.” 2010. Doctoral Dissertation, Rutgers University. Accessed November 22, 2019. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000053344.

MLA Handbook (7th Edition):

Griffiths, Devin Scott, 1978-. “The age of analogy: comparative science and social history in the nineteenth-century British novel.” 2010. Web. 22 Nov 2019.

Vancouver:

Griffiths, Devin Scott 1. The age of analogy: comparative science and social history in the nineteenth-century British novel. [Internet] [Doctoral dissertation]. Rutgers University; 2010. [cited 2019 Nov 22]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000053344.

Council of Science Editors:

Griffiths, Devin Scott 1. The age of analogy: comparative science and social history in the nineteenth-century British novel. [Doctoral Dissertation]. Rutgers University; 2010. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000053344


University of Arizona

25. Johnson, Ada Miriam, 1915-. Three great figures of the French intervention in Mexico as portrayed in the Mexican novel (1863-1867) .

Degree: 1942, University of Arizona

Subjects/Keywords: Historical fiction; Mexican  – History and criticism.

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APA (6th Edition):

Johnson, Ada Miriam, 1. (1942). Three great figures of the French intervention in Mexico as portrayed in the Mexican novel (1863-1867) . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553601

Chicago Manual of Style (16th Edition):

Johnson, Ada Miriam, 1915-. “Three great figures of the French intervention in Mexico as portrayed in the Mexican novel (1863-1867) .” 1942. Masters Thesis, University of Arizona. Accessed November 22, 2019. http://hdl.handle.net/10150/553601.

MLA Handbook (7th Edition):

Johnson, Ada Miriam, 1915-. “Three great figures of the French intervention in Mexico as portrayed in the Mexican novel (1863-1867) .” 1942. Web. 22 Nov 2019.

Vancouver:

Johnson, Ada Miriam 1. Three great figures of the French intervention in Mexico as portrayed in the Mexican novel (1863-1867) . [Internet] [Masters thesis]. University of Arizona; 1942. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10150/553601.

Council of Science Editors:

Johnson, Ada Miriam 1. Three great figures of the French intervention in Mexico as portrayed in the Mexican novel (1863-1867) . [Masters Thesis]. University of Arizona; 1942. Available from: http://hdl.handle.net/10150/553601


Hong Kong University of Science and Technology

26. Tong, Kelley Ka Kei. Hong Kong comedy : Stephen Chow and Kung Fu movies.

Degree: 2012, Hong Kong University of Science and Technology

 Stephen Chow is arguably the most important and distinctive actor and director of the 1990s and 2000s cinema of Hong Kong comedy, with an indigenous… (more)

Subjects/Keywords: Zhou, Xingchi, 1962-; Comedy films; China; Hong Kong; History and criticism; Martial arts films; Motion pictures

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APA (6th Edition):

Tong, K. K. K. (2012). Hong Kong comedy : Stephen Chow and Kung Fu movies. (Thesis). Hong Kong University of Science and Technology. Retrieved from https://doi.org/10.14711/thesis-b1197927 ; http://repository.ust.hk/ir/bitstream/1783.1-73414/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tong, Kelley Ka Kei. “Hong Kong comedy : Stephen Chow and Kung Fu movies.” 2012. Thesis, Hong Kong University of Science and Technology. Accessed November 22, 2019. https://doi.org/10.14711/thesis-b1197927 ; http://repository.ust.hk/ir/bitstream/1783.1-73414/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tong, Kelley Ka Kei. “Hong Kong comedy : Stephen Chow and Kung Fu movies.” 2012. Web. 22 Nov 2019.

Vancouver:

Tong KKK. Hong Kong comedy : Stephen Chow and Kung Fu movies. [Internet] [Thesis]. Hong Kong University of Science and Technology; 2012. [cited 2019 Nov 22]. Available from: https://doi.org/10.14711/thesis-b1197927 ; http://repository.ust.hk/ir/bitstream/1783.1-73414/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tong KKK. Hong Kong comedy : Stephen Chow and Kung Fu movies. [Thesis]. Hong Kong University of Science and Technology; 2012. Available from: https://doi.org/10.14711/thesis-b1197927 ; http://repository.ust.hk/ir/bitstream/1783.1-73414/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

27. Broomer, Stephen. Codes of the North: difficulty in the origins of the Canadian avant-garde film.

Degree: 2015, Ryerson University

 This dissertation chronicles the formation of a Canadian avant-garde cinema and its relation to the tradition of art of purposeful difficulty. It is informed by… (more)

Subjects/Keywords: Experimental films  – Canada  – History and criticism; Experimental films  – Canada; Chambers, John, 1931-; Snow, Michael, 1929-; Wieland, Joyce, 1931-1998

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APA (6th Edition):

Broomer, S. (2015). Codes of the North: difficulty in the origins of the Canadian avant-garde film. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3761

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Broomer, Stephen. “Codes of the North: difficulty in the origins of the Canadian avant-garde film.” 2015. Thesis, Ryerson University. Accessed November 22, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A3761.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Broomer, Stephen. “Codes of the North: difficulty in the origins of the Canadian avant-garde film.” 2015. Web. 22 Nov 2019.

Vancouver:

Broomer S. Codes of the North: difficulty in the origins of the Canadian avant-garde film. [Internet] [Thesis]. Ryerson University; 2015. [cited 2019 Nov 22]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3761.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Broomer S. Codes of the North: difficulty in the origins of the Canadian avant-garde film. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3761

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

28. Hu, Tze-yue, Gigi. Understanding Japanese animation: from Miyazaki and Takahata anime.

Degree: PhD, 2002, University of Hong Kong

published_or_final_version

Comparative Literature

Doctoral

Doctor of Philosophy

Subjects/Keywords: Animated films - Japan - History and criticism.

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APA (6th Edition):

Hu, Tze-yue, G. (2002). Understanding Japanese animation: from Miyazaki and Takahata anime. (Doctoral Dissertation). University of Hong Kong. Retrieved from Hu, T. G.. (2002). Understanding Japanese animation : from Miyazaki and Takahata anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389504 ; http://dx.doi.org/10.5353/th_b4389504 ; http://hdl.handle.net/10722/65157

Chicago Manual of Style (16th Edition):

Hu, Tze-yue, Gigi. “Understanding Japanese animation: from Miyazaki and Takahata anime.” 2002. Doctoral Dissertation, University of Hong Kong. Accessed November 22, 2019. Hu, T. G.. (2002). Understanding Japanese animation : from Miyazaki and Takahata anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389504 ; http://dx.doi.org/10.5353/th_b4389504 ; http://hdl.handle.net/10722/65157.

MLA Handbook (7th Edition):

Hu, Tze-yue, Gigi. “Understanding Japanese animation: from Miyazaki and Takahata anime.” 2002. Web. 22 Nov 2019.

Vancouver:

Hu, Tze-yue G. Understanding Japanese animation: from Miyazaki and Takahata anime. [Internet] [Doctoral dissertation]. University of Hong Kong; 2002. [cited 2019 Nov 22]. Available from: Hu, T. G.. (2002). Understanding Japanese animation : from Miyazaki and Takahata anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389504 ; http://dx.doi.org/10.5353/th_b4389504 ; http://hdl.handle.net/10722/65157.

Council of Science Editors:

Hu, Tze-yue G. Understanding Japanese animation: from Miyazaki and Takahata anime. [Doctoral Dissertation]. University of Hong Kong; 2002. Available from: Hu, T. G.. (2002). Understanding Japanese animation : from Miyazaki and Takahata anime. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389504 ; http://dx.doi.org/10.5353/th_b4389504 ; http://hdl.handle.net/10722/65157


Brock University

29. Metcalf, Graeme. Where's Albania? : staking out the politics of the real and reality in documentary cinema .

Degree: Popular Culture Program, 2006, Brock University

 This thesis, entitled, "Where's Albania? Staking Out the Politics of the Real and Reality in Documentary Cinema," charts the documentary tradition's path from its first… (more)

Subjects/Keywords: Documentary films – History and criticism.; Postmodernism.

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APA (6th Edition):

Metcalf, G. (2006). Where's Albania? : staking out the politics of the real and reality in documentary cinema . (Thesis). Brock University. Retrieved from http://hdl.handle.net/10464/2825

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Metcalf, Graeme. “Where's Albania? : staking out the politics of the real and reality in documentary cinema .” 2006. Thesis, Brock University. Accessed November 22, 2019. http://hdl.handle.net/10464/2825.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Metcalf, Graeme. “Where's Albania? : staking out the politics of the real and reality in documentary cinema .” 2006. Web. 22 Nov 2019.

Vancouver:

Metcalf G. Where's Albania? : staking out the politics of the real and reality in documentary cinema . [Internet] [Thesis]. Brock University; 2006. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10464/2825.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Metcalf G. Where's Albania? : staking out the politics of the real and reality in documentary cinema . [Thesis]. Brock University; 2006. Available from: http://hdl.handle.net/10464/2825

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Bender, Walter P. The pogression of mock-documentary film through digital media.

Degree: MA, 2016, Ball State University

 This study is presented as a critical analysis to discuss how mock-documentary film is changing and understood through digital media. The author believes that digital… (more)

Subjects/Keywords: Documentary-style films  – History and criticism.; Digital media.; Motion pictures  – DVD special features.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bender, W. P. (2016). The pogression of mock-documentary film through digital media. (Masters Thesis). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/200571

Chicago Manual of Style (16th Edition):

Bender, Walter P. “The pogression of mock-documentary film through digital media.” 2016. Masters Thesis, Ball State University. Accessed November 22, 2019. http://cardinalscholar.bsu.edu/handle/123456789/200571.

MLA Handbook (7th Edition):

Bender, Walter P. “The pogression of mock-documentary film through digital media.” 2016. Web. 22 Nov 2019.

Vancouver:

Bender WP. The pogression of mock-documentary film through digital media. [Internet] [Masters thesis]. Ball State University; 2016. [cited 2019 Nov 22]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/200571.

Council of Science Editors:

Bender WP. The pogression of mock-documentary film through digital media. [Masters Thesis]. Ball State University; 2016. Available from: http://cardinalscholar.bsu.edu/handle/123456789/200571

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