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Dates: 2015 – 2019

You searched for subject:(Hindemith). Showing records 1 – 11 of 11 total matches.

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University of Louisville

1. Taylor, Blake. Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith.

Degree: M.M., 2017, University of Louisville

  This thesis examines analytical facets in Paul Hindemith’s sonatas for brass and piano, ranging in date of composition from 1938 to 1955, while also… (more)

Subjects/Keywords: Hindemith; Cadence; Transition; Neoclassicism; Music Theory

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APA (6th Edition):

Taylor, B. (2017). Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2658 ; https://ir.library.louisville.edu/etd/2658

Chicago Manual of Style (16th Edition):

Taylor, Blake. “Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith.” 2017. Masters Thesis, University of Louisville. Accessed July 19, 2019. 10.18297/etd/2658 ; https://ir.library.louisville.edu/etd/2658.

MLA Handbook (7th Edition):

Taylor, Blake. “Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith.” 2017. Web. 19 Jul 2019.

Vancouver:

Taylor B. Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2019 Jul 19]. Available from: 10.18297/etd/2658 ; https://ir.library.louisville.edu/etd/2658.

Council of Science Editors:

Taylor B. Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2658 ; https://ir.library.louisville.edu/etd/2658


NSYSU

2. Liao, Yi-Ching. A Study of Paul Hindemith Trauermusik.

Degree: Master, Music, 2018, NSYSU

 As one of the most important composers of the 20th century, Paul Hindemith has a strong interest in early music. The idea of combining elements… (more)

Subjects/Keywords: viola; Trauermusik; analysis; interpretation; Paul Hindemith

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APA (6th Edition):

Liao, Y. (2018). A Study of Paul Hindemith Trauermusik. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0622118-201740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liao, Yi-Ching. “A Study of Paul Hindemith Trauermusik.” 2018. Thesis, NSYSU. Accessed July 19, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0622118-201740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liao, Yi-Ching. “A Study of Paul Hindemith Trauermusik.” 2018. Web. 19 Jul 2019.

Vancouver:

Liao Y. A Study of Paul Hindemith Trauermusik. [Internet] [Thesis]. NSYSU; 2018. [cited 2019 Jul 19]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0622118-201740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liao Y. A Study of Paul Hindemith Trauermusik. [Thesis]. NSYSU; 2018. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0622118-201740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Nordkvist, Love. Trauermusik : Analys som metod för tolkning av Hindemith: Trumpetsonat sats 3.

Degree: Classical Music, 2019, Royal College of Music in Stockholm

Detta arbete handlar om Paul Hindemiths sonat för trumpet och piano, närmare bestämt sats tre, som heter Trauermusik. Stycket skrevs 1939 under en turbulent… (more)

Subjects/Keywords: Paul Hindemith; trumpet; analys; tolkning; Music; Musik

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APA (6th Edition):

Nordkvist, L. (2019). Trauermusik : Analys som metod för tolkning av Hindemith: Trumpetsonat sats 3. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3111

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nordkvist, Love. “Trauermusik : Analys som metod för tolkning av Hindemith: Trumpetsonat sats 3.” 2019. Thesis, Royal College of Music in Stockholm. Accessed July 19, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3111.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nordkvist, Love. “Trauermusik : Analys som metod för tolkning av Hindemith: Trumpetsonat sats 3.” 2019. Web. 19 Jul 2019.

Vancouver:

Nordkvist L. Trauermusik : Analys som metod för tolkning av Hindemith: Trumpetsonat sats 3. [Internet] [Thesis]. Royal College of Music in Stockholm; 2019. [cited 2019 Jul 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3111.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nordkvist L. Trauermusik : Analys som metod för tolkning av Hindemith: Trumpetsonat sats 3. [Thesis]. Royal College of Music in Stockholm; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3111

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Costa, Bárbara Sá da. A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven.

Degree: 2017, Repositório Científico do Instituto Politécnico de Lisboa

Mestrado em Música

Este Relatório de Projeto Artístico diz respeito à Sonata para piano n.º 3 de Hindemith e à Sonata para piano n.º 32,… (more)

Subjects/Keywords: Ludwig van Beethoven; Paul Hindemith; Sonata; Piano; Interpretação; Performance

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APA (6th Edition):

Costa, B. S. d. (2017). A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costa, Bárbara Sá da. “A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven.” 2017. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed July 19, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costa, Bárbara Sá da. “A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven.” 2017. Web. 19 Jul 2019.

Vancouver:

Costa BSd. A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2017. [cited 2019 Jul 19]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costa BSd. A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

5. Burn, Douglas-Jayd. The German Romantic Style of Paul Hindemith's Piano Sonata no. 1 "Der Main" .

Degree: 2018, University of Arizona

 Paul Hindemith (1896–1963) composed extensively for the piano throughout his life. His compositional style varied throughout his career and ranges from satirical to formulaic in… (more)

Subjects/Keywords: German Romantic; Neo-Classical; Paul Hindemith; Piano Sonata; Style

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APA (6th Edition):

Burn, D. (2018). The German Romantic Style of Paul Hindemith's Piano Sonata no. 1 "Der Main" . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/631332

Chicago Manual of Style (16th Edition):

Burn, Douglas-Jayd. “The German Romantic Style of Paul Hindemith's Piano Sonata no. 1 "Der Main" .” 2018. Doctoral Dissertation, University of Arizona. Accessed July 19, 2019. http://hdl.handle.net/10150/631332.

MLA Handbook (7th Edition):

Burn, Douglas-Jayd. “The German Romantic Style of Paul Hindemith's Piano Sonata no. 1 "Der Main" .” 2018. Web. 19 Jul 2019.

Vancouver:

Burn D. The German Romantic Style of Paul Hindemith's Piano Sonata no. 1 "Der Main" . [Internet] [Doctoral dissertation]. University of Arizona; 2018. [cited 2019 Jul 19]. Available from: http://hdl.handle.net/10150/631332.

Council of Science Editors:

Burn D. The German Romantic Style of Paul Hindemith's Piano Sonata no. 1 "Der Main" . [Doctoral Dissertation]. University of Arizona; 2018. Available from: http://hdl.handle.net/10150/631332


Colorado State University

6. Morin, Chase. Paul Hindemith's Symphony in B flat and Septet : a conductor's analysis.

Degree: Master of Music (M.M.), Music, Theatre and Dance, 2016, Colorado State University

 The Symphony in Bb and Septet by Paul Hindemith are cornerstone works in the wind repertory. The conductor’s analysis of these works is a resource… (more)

Subjects/Keywords: Chase Morin; Septet; Analysis; Symphony in B flat; Paul Hindemith

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APA (6th Edition):

Morin, C. (2016). Paul Hindemith's Symphony in B flat and Septet : a conductor's analysis. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/173541

Chicago Manual of Style (16th Edition):

Morin, Chase. “Paul Hindemith's Symphony in B flat and Septet : a conductor's analysis.” 2016. Masters Thesis, Colorado State University. Accessed July 19, 2019. http://hdl.handle.net/10217/173541.

MLA Handbook (7th Edition):

Morin, Chase. “Paul Hindemith's Symphony in B flat and Septet : a conductor's analysis.” 2016. Web. 19 Jul 2019.

Vancouver:

Morin C. Paul Hindemith's Symphony in B flat and Septet : a conductor's analysis. [Internet] [Masters thesis]. Colorado State University; 2016. [cited 2019 Jul 19]. Available from: http://hdl.handle.net/10217/173541.

Council of Science Editors:

Morin C. Paul Hindemith's Symphony in B flat and Septet : a conductor's analysis. [Masters Thesis]. Colorado State University; 2016. Available from: http://hdl.handle.net/10217/173541


University of North Texas

7. Hemken, Jennifer Ann. The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith.

Degree: 2015, University of North Texas

 A unique and significant composition, the Althorn Sonata by Paul Hindemith contains several enigmas and anomalies: details about the premiere remain unknown; scored for the… (more)

Subjects/Keywords: Paul Hindemith; Alto Horn; Althorn; Niklaus Manuel Deutsch; Morse Code; NKAW

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APA (6th Edition):

Hemken, J. A. (2015). The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc804839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hemken, Jennifer Ann. “The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith.” 2015. Thesis, University of North Texas. Accessed July 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc804839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hemken, Jennifer Ann. “The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith.” 2015. Web. 19 Jul 2019.

Vancouver:

Hemken JA. The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Jul 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc804839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hemken JA. The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc804839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Moses, Karen R. Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet.

Degree: PhD, Musicology, 2015, Catholic U of America

This study focuses on a repertoire that established the twentieth-century wind quintet. This new genre is anchored on three canonic wind quintets written between 1922… (more)

Subjects/Keywords: Music; Arnold Schoenberg; Carl Nielsen; Chamber Music; Paul Hindemith; Wind Quintet; Woodwind

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APA (6th Edition):

Moses, K. R. (2015). Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet. (Doctoral Dissertation). Catholic U of America. Retrieved from http://hdl.handle.net/1961/cuislandora:28263

Chicago Manual of Style (16th Edition):

Moses, Karen R. “Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet.” 2015. Doctoral Dissertation, Catholic U of America. Accessed July 19, 2019. http://hdl.handle.net/1961/cuislandora:28263.

MLA Handbook (7th Edition):

Moses, Karen R. “Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet.” 2015. Web. 19 Jul 2019.

Vancouver:

Moses KR. Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet. [Internet] [Doctoral dissertation]. Catholic U of America; 2015. [cited 2019 Jul 19]. Available from: http://hdl.handle.net/1961/cuislandora:28263.

Council of Science Editors:

Moses KR. Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet. [Doctoral Dissertation]. Catholic U of America; 2015. Available from: http://hdl.handle.net/1961/cuislandora:28263

9. Schneider, Amy L. Approaches to Form in First Movements of Clarinet Concertos from Mozart to the Twentieth Century.

Degree: MA, Music, 2016, University of Connecticut

Subjects/Keywords: Concerto; Clarinet; Mozart; Weber; Hindemith; Twentieth Century; Analysis

…Mozart, Weber, and Hindemith that follow a plan based on the Classical concerto first-movement… …tutti and solo sections remains a fundamental aspect of structure. 23 IV. Paul Hindemith… …Figure 12. Hindemith, Concerto for Clarinet in A (I): Formal and Tonal Structure I… …x27; 3 3 Figure 13. Hindemith, Concerto for Clarinet in A (I): First ritornello… …x28;% % )% % ! &% &* ! + , + Figure 14. Hindemith, Concerto for Clarinet in A (… 

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APA (6th Edition):

Schneider, A. L. (2016). Approaches to Form in First Movements of Clarinet Concertos from Mozart to the Twentieth Century. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/871

Chicago Manual of Style (16th Edition):

Schneider, Amy L. “Approaches to Form in First Movements of Clarinet Concertos from Mozart to the Twentieth Century.” 2016. Masters Thesis, University of Connecticut. Accessed July 19, 2019. https://opencommons.uconn.edu/gs_theses/871.

MLA Handbook (7th Edition):

Schneider, Amy L. “Approaches to Form in First Movements of Clarinet Concertos from Mozart to the Twentieth Century.” 2016. Web. 19 Jul 2019.

Vancouver:

Schneider AL. Approaches to Form in First Movements of Clarinet Concertos from Mozart to the Twentieth Century. [Internet] [Masters thesis]. University of Connecticut; 2016. [cited 2019 Jul 19]. Available from: https://opencommons.uconn.edu/gs_theses/871.

Council of Science Editors:

Schneider AL. Approaches to Form in First Movements of Clarinet Concertos from Mozart to the Twentieth Century. [Masters Thesis]. University of Connecticut; 2016. Available from: https://opencommons.uconn.edu/gs_theses/871


University of Queensland

10. Cheng, Christine. On approaching a performance of Paul Hindemith's Der Schwanendreher.

Degree: School of Music, 2016, University of Queensland

Subjects/Keywords: Hindemith; Viola; Interpretation; Performance; Der Schwanendreher; Concerto; Analysis; 1904 Performing Arts and Creative Writing

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APA (6th Edition):

Cheng, C. (2016). On approaching a performance of Paul Hindemith's Der Schwanendreher. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:410899

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cheng, Christine. “On approaching a performance of Paul Hindemith's Der Schwanendreher.” 2016. Thesis, University of Queensland. Accessed July 19, 2019. http://espace.library.uq.edu.au/view/UQ:410899.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cheng, Christine. “On approaching a performance of Paul Hindemith's Der Schwanendreher.” 2016. Web. 19 Jul 2019.

Vancouver:

Cheng C. On approaching a performance of Paul Hindemith's Der Schwanendreher. [Internet] [Thesis]. University of Queensland; 2016. [cited 2019 Jul 19]. Available from: http://espace.library.uq.edu.au/view/UQ:410899.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cheng C. On approaching a performance of Paul Hindemith's Der Schwanendreher. [Thesis]. University of Queensland; 2016. Available from: http://espace.library.uq.edu.au/view/UQ:410899

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Dupuis-Desormeaux, Nathalie. TUTTI! - Music Composition as Dialogue.

Degree: PhD, Music, 2018, York University

 As an engineer, when I could not comprehend a physical phenomenon, I turned to mathematics. As a mathematician, when I could not link sciences to… (more)

Subjects/Keywords: Cognitive psychology; Music composition; Polyphonic music composition; Cognitively informed polyphonic music composition; Dialogical Music Composition Method; Dialogic music composition method; Music theory; Dialogic contrapuntal harmony; Orchestration; Melody; Harmony; Polyphony; Counterpoint; Rhythm; Form; Growth; Music architecture; Music analysis; Dialogue; Music dialogue; Dialog; Music dialog; Dialogism; Bakhtin; Reception theory; Gadamer; Kant; Hegel; Adorno; Schoenberg; Stravinsky; Hindemith; Toch; Huron; Bregman; Francès; Dialogic communication; Music communication; Musical communication; Compelling music; Inclusion; Inclusivity; Inclusiveness; Participation; Participatory music; Music as society; Music as community; Music sociology; Engaging music; Engagement; Collaboration; Balanced dialogue in music; Biophony; Niche discrimination; Krause; Communication studies; Language; Music aesthetics; Aesthetics; Philosophy of music; Musicology; Cognitive psychology; Auditory perception; Music cognition; Cognition; Psychology of perception; Reception; Music reception; Auditory streaming; Auditory scene analysis; Gestalt psychology; Authorship; Imagination; Intertextuality; Mimesis; Appropriation; Appropriative authorship; Authoring; Re-authoring; Imagination as creation; Psychoacoustics; Expectation theory; Theory of expectation; Expectation; Psychology of expectation; Tutti; Music arousal; Intellectual arousal; Emotional arousal; Sensory arousal; Entrainment; Physicality; Stability; Variety; Closure; Uniqueness; Sequential dialogue; Collaborative dialogue; Disjoint dialogue; Surprise; Drama; Dramatic structure; Structure of drama; Dramatic work; Freitag; Representation; Memory; Repetition; Experience; Anticipation; Pointing; Anchoring; Anchor; Tonality; Tonal anchor; Close neighbors; Individuality; Collectivity; Formalism; Functionalism; Subjectivity; Structuralism; Cohen; Marburg; Auditory learning; Style; Conventions; Acculturation; Semiotics; Dynamic expectation; Schematic expectation; Veridical expectation; Symmetry; Motivic repetition; Thematic repetition; Style analysis; Modulation; Modulation tools; Memory as experience; Familiarity; Redundancy; Compositional acculturation; Rimsky-Korsakov; Gevaert; Rameau; Bimodality; Bi-modality; Diatonic; Overtones; Perceptual motion; Pitch proximities; Harmonic motion; Polytonality; Polyrhythm; Contemporary music; Art-music; Western art music; Neoclassicism; Modernism; Inclusive dialogue; What makes music compelling?; Selection and Structuring of Music Parameters to Create Inclusive; Engaging and Participatory Dialogue in Music Composition; Performance; Performativity; Small; Musicking; DeNora; Include; Engage; Listener; Audience; Interpretation; Play; Interaction; Interactive; Performer; Conductor; Orchestra; Orchestral music; Instrumental music; Absolute music; Tone painting; Word painting; Singing; Empathy; Mirror neuron; Music meaning; Music expression; Hanslick; Meyer; Langer

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APA (6th Edition):

Dupuis-Desormeaux, N. (2018). TUTTI! - Music Composition as Dialogue. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34488

Chicago Manual of Style (16th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Doctoral Dissertation, York University. Accessed July 19, 2019. http://hdl.handle.net/10315/34488.

MLA Handbook (7th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Web. 19 Jul 2019.

Vancouver:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2019 Jul 19]. Available from: http://hdl.handle.net/10315/34488.

Council of Science Editors:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34488

.