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You searched for subject:(Hijikata). Showing records 1 – 7 of 7 total matches.

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Temple University

1. Calamoneri, Tanya. Becoming Nothing to Become Something: Methods of Performer Training in Hijikata Tatsumi's Buto Dance.

Degree: PhD, 2012, Temple University

Dance

ABSTRACT This study investigates performer training in ankoku buto dance, focusing specifically on the methods of Japanese avant-garde artist Hijikata Tatsumi, who is considered… (more)

Subjects/Keywords: Dance; Education; Philosophy; butoh; dance; Hijikata; performer training; Yuasa Yasuo; Zen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Calamoneri, T. (2012). Becoming Nothing to Become Something: Methods of Performer Training in Hijikata Tatsumi's Buto Dance. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,191350

Chicago Manual of Style (16th Edition):

Calamoneri, Tanya. “Becoming Nothing to Become Something: Methods of Performer Training in Hijikata Tatsumi's Buto Dance.” 2012. Doctoral Dissertation, Temple University. Accessed April 04, 2020. http://digital.library.temple.edu/u?/p245801coll10,191350.

MLA Handbook (7th Edition):

Calamoneri, Tanya. “Becoming Nothing to Become Something: Methods of Performer Training in Hijikata Tatsumi's Buto Dance.” 2012. Web. 04 Apr 2020.

Vancouver:

Calamoneri T. Becoming Nothing to Become Something: Methods of Performer Training in Hijikata Tatsumi's Buto Dance. [Internet] [Doctoral dissertation]. Temple University; 2012. [cited 2020 Apr 04]. Available from: http://digital.library.temple.edu/u?/p245801coll10,191350.

Council of Science Editors:

Calamoneri T. Becoming Nothing to Become Something: Methods of Performer Training in Hijikata Tatsumi's Buto Dance. [Doctoral Dissertation]. Temple University; 2012. Available from: http://digital.library.temple.edu/u?/p245801coll10,191350


University of Colorado

2. Breiten, Jonathan Bradford. The Butoh Body Performed: Aesthetic and Embodiment in Butoh Dance.

Degree: MA, Asian Languages & Civilizations, 2016, University of Colorado

  The Japanese dance style of butoh provides a rich co-mingling of traditional Japanese dance movements with a new cultural and artistic expression developed in… (more)

Subjects/Keywords: butoh; dance; hijikata; japanese; ohno; phenomenology; Asian Studies; Dance; Performance Studies

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APA (6th Edition):

Breiten, J. B. (2016). The Butoh Body Performed: Aesthetic and Embodiment in Butoh Dance. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/asia_gradetds/14

Chicago Manual of Style (16th Edition):

Breiten, Jonathan Bradford. “The Butoh Body Performed: Aesthetic and Embodiment in Butoh Dance.” 2016. Masters Thesis, University of Colorado. Accessed April 04, 2020. https://scholar.colorado.edu/asia_gradetds/14.

MLA Handbook (7th Edition):

Breiten, Jonathan Bradford. “The Butoh Body Performed: Aesthetic and Embodiment in Butoh Dance.” 2016. Web. 04 Apr 2020.

Vancouver:

Breiten JB. The Butoh Body Performed: Aesthetic and Embodiment in Butoh Dance. [Internet] [Masters thesis]. University of Colorado; 2016. [cited 2020 Apr 04]. Available from: https://scholar.colorado.edu/asia_gradetds/14.

Council of Science Editors:

Breiten JB. The Butoh Body Performed: Aesthetic and Embodiment in Butoh Dance. [Masters Thesis]. University of Colorado; 2016. Available from: https://scholar.colorado.edu/asia_gradetds/14


Uniwersytet im. Adama Mickiewicza w Poznaniu

3. Janicka, Ewa. Transkulturowy charakter japońskiego tańca butô .

Degree: 2012, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Celem pracy jest ukazanie transkulturowego potencjału japońskiego tańca butô. W swych podstawowych założeniach praca oparta jest na koncepcji polifonii zaproponowanej przez M.Bachtina, która w odpowiedni… (more)

Subjects/Keywords: Transkulturowość; Transculture; Polifonia; Polyphony; Performans; Performance; Butô; Hijikata Tatsumi

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APA (6th Edition):

Janicka, E. (2012). Transkulturowy charakter japońskiego tańca butô . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/3511

Chicago Manual of Style (16th Edition):

Janicka, Ewa. “Transkulturowy charakter japońskiego tańca butô .” 2012. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed April 04, 2020. http://hdl.handle.net/10593/3511.

MLA Handbook (7th Edition):

Janicka, Ewa. “Transkulturowy charakter japońskiego tańca butô .” 2012. Web. 04 Apr 2020.

Vancouver:

Janicka E. Transkulturowy charakter japońskiego tańca butô . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10593/3511.

Council of Science Editors:

Janicka E. Transkulturowy charakter japońskiego tańca butô . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2012. Available from: http://hdl.handle.net/10593/3511

4. Mandell, Carolina Hamanaka. O corpo grotesco como articulador da cena: Meyerhold, Hijikata e os corpos que dançam.

Degree: Mestrado, Pedagogia do Teatro, 2009, University of São Paulo

pesquisa propõe uma reflexão sobre o grotesco como operador e mediador fundamental da cena teatral, visando ao encontro de uma ärquiteturad̈o grotesco nas imagens do… (more)

Subjects/Keywords: Construção da cena teatral; Dança; Dancing; Grotesco; Grotesque; Tatsumi Hijikata (1929-1986); Tatsumi Hijikata (1929- 1986); Theatre stage construction; V. E. Meyerhold (1875-1940); V. E. Meyerhold (1875-1940)

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APA (6th Edition):

Mandell, C. H. (2009). O corpo grotesco como articulador da cena: Meyerhold, Hijikata e os corpos que dançam. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27155/tde-31082015-115853/ ;

Chicago Manual of Style (16th Edition):

Mandell, Carolina Hamanaka. “O corpo grotesco como articulador da cena: Meyerhold, Hijikata e os corpos que dançam.” 2009. Masters Thesis, University of São Paulo. Accessed April 04, 2020. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-31082015-115853/ ;.

MLA Handbook (7th Edition):

Mandell, Carolina Hamanaka. “O corpo grotesco como articulador da cena: Meyerhold, Hijikata e os corpos que dançam.” 2009. Web. 04 Apr 2020.

Vancouver:

Mandell CH. O corpo grotesco como articulador da cena: Meyerhold, Hijikata e os corpos que dançam. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2020 Apr 04]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27155/tde-31082015-115853/ ;.

Council of Science Editors:

Mandell CH. O corpo grotesco como articulador da cena: Meyerhold, Hijikata e os corpos que dançam. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27155/tde-31082015-115853/ ;


University of Cambridge

5. van Hensbergen, Rosa. Moving with Words, 1950s–1980s: Language, Notation, Choreography.

Degree: PhD, 2020, University of Cambridge

 My thesis concerns the use of language to notate movement from the 1950s to 1980s. During this period, traditional forms of pictographic movement notation get… (more)

Subjects/Keywords: Notation; Choreography; Score; Japanese avant-garde performance; butoh; Samuel Beckett; Yvonne Rainer; Hijikata Tatsumi

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

van Hensbergen, R. (2020). Moving with Words, 1950s–1980s: Language, Notation, Choreography. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/301147

Chicago Manual of Style (16th Edition):

van Hensbergen, Rosa. “Moving with Words, 1950s–1980s: Language, Notation, Choreography.” 2020. Doctoral Dissertation, University of Cambridge. Accessed April 04, 2020. https://www.repository.cam.ac.uk/handle/1810/301147.

MLA Handbook (7th Edition):

van Hensbergen, Rosa. “Moving with Words, 1950s–1980s: Language, Notation, Choreography.” 2020. Web. 04 Apr 2020.

Vancouver:

van Hensbergen R. Moving with Words, 1950s–1980s: Language, Notation, Choreography. [Internet] [Doctoral dissertation]. University of Cambridge; 2020. [cited 2020 Apr 04]. Available from: https://www.repository.cam.ac.uk/handle/1810/301147.

Council of Science Editors:

van Hensbergen R. Moving with Words, 1950s–1980s: Language, Notation, Choreography. [Doctoral Dissertation]. University of Cambridge; 2020. Available from: https://www.repository.cam.ac.uk/handle/1810/301147


Rhodes University

6. Truter, Orlando Vincent. The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness.

Degree: Faculty of Humanities, Drama, 2008, Rhodes University

 From Introduction: Ankoku Butoh is a performing art devised in Japan in the wake of the Second World War by the dancer and choreographer Tatsumi… (more)

Subjects/Keywords: Hijikata, Tatsumi, 1928-1986; Butō; Modern dance  – Japan; Dancers  – Japan; Choreographers

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Truter, O. V. (2008). The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1004454

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Truter, Orlando Vincent. “The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness.” 2008. Thesis, Rhodes University. Accessed April 04, 2020. http://hdl.handle.net/10962/d1004454.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Truter, Orlando Vincent. “The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness.” 2008. Web. 04 Apr 2020.

Vancouver:

Truter OV. The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness. [Internet] [Thesis]. Rhodes University; 2008. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10962/d1004454.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Truter OV. The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness. [Thesis]. Rhodes University; 2008. Available from: http://hdl.handle.net/10962/d1004454

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

7. Taylor, Simon William Hoyle. Minus Theatre: Scenes, Elements .

Degree: AUT University

 Minus Theatre: scenes, elements experiments with theatre as the art, method and technique, to explore processes of individuation. It entitles a PhD thesis, undertaken at… (more)

Subjects/Keywords: Deleuze; Minoritarian conventionalism; Simondon; Guattari; Lingis; Individuation; Artaud; Butoh; Kuniichi Uno; Boal; Immunity; Alan Read; Hijikata; Nietzsche; Sarx and the sarcous; Bergson; Decomposition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, S. W. H. (n.d.). Minus Theatre: Scenes, Elements . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/10630

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, Simon William Hoyle. “Minus Theatre: Scenes, Elements .” Thesis, AUT University. Accessed April 04, 2020. http://hdl.handle.net/10292/10630.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, Simon William Hoyle. “Minus Theatre: Scenes, Elements .” Web. 04 Apr 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Taylor SWH. Minus Theatre: Scenes, Elements . [Internet] [Thesis]. AUT University; [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10292/10630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Taylor SWH. Minus Theatre: Scenes, Elements . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/10630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

.