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You searched for subject:(Hermann Bahr). Showing records 1 – 3 of 3 total matches.

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1. Peri, Francesco. Art des nerfs, nerfs d’artiste. Modernité et maladies nerveuses dans la littérature française et allemande, 1865-1914 : Art of the Nerves, the Nerves of an Artist. Modern culture and nervous disease across French and German literature, 1865-1914.

Degree: Docteur es, Études germaniques, 2019, Sorbonne Paris Cité

Sur la base d’un examen combiné d’ouvrages médicaux, scientifiques, littéraires et critiques, ce travail développe une généalogie transnationale de la notion de Nervenkunst (« art des nerfs »). À partir d’une reconstitution des origines françaises des discours sédimentés dans cette catégorie (ainsi que de leurs sources prérévolutionnaires et antiques), on démontre que l’idée d’un lien génétique entre l’écriture et le système nerveux, dont on a fait jusqu’ici une particularité de la littérature autrichienne des années 1890, peut-être une préfiguration de la psychanalyse, constitue, en réalité, l’aboutissement d’un système d’échanges et de transformations échelonnés sur plusieurs siècles, et dont les trajectoires convergent à l’époque du naturalisme. La première partie est consacrée à l’invention des « nerfs modernes », soit à une histoire culturelle des imaginaires du système nerveux avant et après 1789. La deuxième partie décrit la formation d’une idée de l’écrivain des nerfs à l’époque du Second Empire et de la Troisième République naissante (à partir notamment de l’œuvre des frères Goncourt). La troisième partie s’interroge sur la germanisation de ces contenus : comment tout cela est passé dans les pays de langue allemande entre 1870 et 1890, à un moment où les rapports avec la France étaient problématiques ? La réponse passe par un système de transferts et de regards croisés qui implique l’Autriche et la Scandinavie.

Based on a cross-examination of medical, scientific, literary, and critical materials, this work attempts a transnational genealogy of the concept of Nervenkunst (“art of the nerves”). Through a historical reconstruction of the French origins of the discourses that coalesce in that category (and a survey of their prerevolutionary and ancient sources), our research proves that a genetic connection between the writer’s craft and the nervous system is neither a peculiarity of Austrian literature in the 1890s nor a premonition of psychoanalysis, but the product of a system of exchanges and transformations that span several centuries, to converge in the years of early Naturalism. The first part chronicles the invention of “modern nerves”; in other words, it offers a cultural history of the neurological imagination before and after 1789. The second part describes the genesis of an idea of the nervous author during the Second Empire and the early Third Republic (focusing on the work of the Goncourt brothers and their entourage). The third part deals with the germanization of these originally French contents: how did these notions take root in the German-speaking world at a time (1870-1890) when Berlin’s relations with Paris were problematic at best? The answer lies in a system of cultural mediations and mutual perceptions that involves, among other things, Austria and Scandinavia.

Advisors/Committee Members: Trautmann-Waller, Céline (thesis director).

Subjects/Keywords: « Nervenkunst »; Art des nerfs; Système nerveux; Frères Goncourt; Hermann Bahr; « Nervenkunst »; Art of the nerves; Nervous system; Goncourt brothers; Hermann Bahr

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peri, F. (2019). Art des nerfs, nerfs d’artiste. Modernité et maladies nerveuses dans la littérature française et allemande, 1865-1914 : Art of the Nerves, the Nerves of an Artist. Modern culture and nervous disease across French and German literature, 1865-1914. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2019USPCA025

Chicago Manual of Style (16th Edition):

Peri, Francesco. “Art des nerfs, nerfs d’artiste. Modernité et maladies nerveuses dans la littérature française et allemande, 1865-1914 : Art of the Nerves, the Nerves of an Artist. Modern culture and nervous disease across French and German literature, 1865-1914.” 2019. Doctoral Dissertation, Sorbonne Paris Cité. Accessed January 21, 2020. http://www.theses.fr/2019USPCA025.

MLA Handbook (7th Edition):

Peri, Francesco. “Art des nerfs, nerfs d’artiste. Modernité et maladies nerveuses dans la littérature française et allemande, 1865-1914 : Art of the Nerves, the Nerves of an Artist. Modern culture and nervous disease across French and German literature, 1865-1914.” 2019. Web. 21 Jan 2020.

Vancouver:

Peri F. Art des nerfs, nerfs d’artiste. Modernité et maladies nerveuses dans la littérature française et allemande, 1865-1914 : Art of the Nerves, the Nerves of an Artist. Modern culture and nervous disease across French and German literature, 1865-1914. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2019. [cited 2020 Jan 21]. Available from: http://www.theses.fr/2019USPCA025.

Council of Science Editors:

Peri F. Art des nerfs, nerfs d’artiste. Modernité et maladies nerveuses dans la littérature française et allemande, 1865-1914 : Art of the Nerves, the Nerves of an Artist. Modern culture and nervous disease across French and German literature, 1865-1914. [Doctoral Dissertation]. Sorbonne Paris Cité; 2019. Available from: http://www.theses.fr/2019USPCA025


University of Houston

2. Twardowski, James Weston. MAKING AUSTRIAN: CULTURAL MEMORY, NATIONALISM, AND PERFORMING IDENTITY POLITICS IN LATE IMPERIAL VIENNA.

Degree: Theatre Program, 2016, University of Houston

Since Carl Schorske’s seminal Fin-de-Siècle Vienna, an explosion of scholarship has focused on the capital city’s years leading to the Austro-Hungarian Empire’s collapse. While the veritable Petrie dish of nationalism in the city has been commonly addressed in scholarship, the interplay between performances of cultural memory, indeed often a fabrication of shared memory, and the theatrical contributions to nationalist aims, has been largely overlooked. This thesis aims to examine the evolution of two interrelated performances: First, the development of anti-Semitism as key to shared cultural memory in the rhetoric and political rallies of opposing but predominant political leaders Karl Lueger and Georg Schönerer, and second, how this development gave rise to an increased awareness and discussion of nationalism and Zionism. It examines these veiled themes in Viennese theatrical writings and stage productions leading to the conclusion of the First World War, with special attention to the works of the two leading, and largely divergent, authors, Karl Kraus and Arthur Schnitzler. Advisors/Committee Members: Kirk, Keith B. (advisor), Reitz, Anne (committee member), Shimko, Robert B. (committee member).

Subjects/Keywords: Austria; Vienna; Cultural Memory; Politics; Theatre; Performance; Drama; Schorske; Franz Joseph; Karl Kraus; Arthur Schnitzler; Professor Bernhardi; Karl Lueger; Georg Schonerer; Hermann Bahr; Theodor Herzl; Judaism; Anti-Semitism; Religion; Catholicism

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APA (6th Edition):

Twardowski, J. W. (2016). MAKING AUSTRIAN: CULTURAL MEMORY, NATIONALISM, AND PERFORMING IDENTITY POLITICS IN LATE IMPERIAL VIENNA. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1513

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Twardowski, James Weston. “MAKING AUSTRIAN: CULTURAL MEMORY, NATIONALISM, AND PERFORMING IDENTITY POLITICS IN LATE IMPERIAL VIENNA.” 2016. Thesis, University of Houston. Accessed January 21, 2020. http://hdl.handle.net/10657/1513.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Twardowski, James Weston. “MAKING AUSTRIAN: CULTURAL MEMORY, NATIONALISM, AND PERFORMING IDENTITY POLITICS IN LATE IMPERIAL VIENNA.” 2016. Web. 21 Jan 2020.

Vancouver:

Twardowski JW. MAKING AUSTRIAN: CULTURAL MEMORY, NATIONALISM, AND PERFORMING IDENTITY POLITICS IN LATE IMPERIAL VIENNA. [Internet] [Thesis]. University of Houston; 2016. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10657/1513.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Twardowski JW. MAKING AUSTRIAN: CULTURAL MEMORY, NATIONALISM, AND PERFORMING IDENTITY POLITICS IN LATE IMPERIAL VIENNA. [Thesis]. University of Houston; 2016. Available from: http://hdl.handle.net/10657/1513

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

3. Troger, Martin. Die Bilder in Karl Kraus‘ Bild-Text-Kombinationen.

Degree: 2017, University of Vienna

Der Name Karl Kraus wird in vielen Debatten herangezogen. Zum Beispiel zum hundertsten Jahrestag des Ausbruchs des Ersten Weltkrieges wurde an seine Rolle als Kommentator erinnert. Dass sein Drama Die letzten Tage der Menschheit ein Foto-Text ist, es beginnt und endet mit einem Foto, findet nur selten Erwähnung. In dieser Arbeit wird der Entwicklung in Kraus‘ Werk nachgegangen, die dieser Zusammenstellung vorausgegangen ist. Kraus‘ Zeitschrift Die Fackel dient dabei als Quelle. Die beiden Fotografien in Die letzten Tage der Menschheit kontrastieren einander. Die Technik der Gegenüberstellung hat Kraus bereits 1903 zum ersten Mal mit Bildern angewendet. Dabei hat er die Technik zwei Textausschnitte mit kontrastierenden Aussagen in Parallelform zu drucken, auf das Medium des Bildes übertragen. Kraus hat also schon im vierten Erscheinungsjahr der Fackel sein System der Text-Text-Bezüge auf intermediale Bezüge ausgeweitet. Diese Arbeit setzt sich mit Fotografien als Vermittler von Inhalten am Beispiel von Karl Kraus auseinander. Kraus meint, er wolle mit den von ihm ausgewählten Fotografien Zitate der Wirklichkeit zeigen und keine künstlerische Interpretation der Wirklichkeit. In dieser Arbeit wird hinterfragt, ob es sich bei den von Kraus publizierten Fotografien nur um Illustrationen von Beschriebenem handelt, oder ob Foto und Text gleichwertig nebeneinanderstehen. Dass Fotografien ein wesentlicher Bestandteil von Kraus‘ satirischer Vorgehensweise sind, wird durch die Nachzeichnung der Entwicklung von Kraus‘ Umgang mit Fotografien bis zur ersten Buchausgabe der Letzten Tage der Menschheit 1922 gezeigt.

Karl Kraus is the topic of many discussions. One example was the First World war centenary, where his part as commentator has been reminded. His drama The Last Days of Mankind is a photo-text, but is not often referred to as such. In this thesis, the process which leads to Kraus’ word-image-combination is shown. Therefore, the torch is used as main source. Both images in The Last Days of Mankind contrast each other. Karl Kraus used this technique of juxtaposition of images for the first time in 1903. This is only four years after The Torch was published for the first time. He has used this technique before to contrast two text-quotes side by side and has applied this method on visual images. This thesis deals with images as intermediary of content in Karl Kraus’ work. Kraus states his intention is to quote reality with the images he chose and not to interpret reality in an artificial way. This thesis states the question if the photographs published by Kraus are mainly exemplifications of written text, or if photographs and written text are equal partners. Photographs are an essential component of Kraus’ satirical approach. This thesis traces the evolution of Kraus’ handling of photographs up to the first book publication of The Last Days of Mankind in 1922.

Subjects/Keywords: 17.10 Sprache in Beziehung zu anderen Bereichen der Wissenschaft und Kultur; 17.00 Sprach- und Literaturwissenschaft: Allgemeines; 17.71 Literaturgeschichte; 17.97 Texte eines einzelnen Autors; Karl Kraus / Intermedialität / Intertextualität / Foto-Text / Bild-Text-Kombinationen / Die Fackel / Die letzten Tage der Menschheit / Fotomontage / Neue Freie Presse / Fotografie / Fotojournalismus / Emblem / Satire / Dadaismus / Weltspiegel / Moriz Benedikt / Hermann Bahr; Karl Kraus

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Troger, M. (2017). Die Bilder in Karl Kraus‘ Bild-Text-Kombinationen. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/48070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Troger, Martin. “Die Bilder in Karl Kraus‘ Bild-Text-Kombinationen.” 2017. Thesis, University of Vienna. Accessed January 21, 2020. http://othes.univie.ac.at/48070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Troger, Martin. “Die Bilder in Karl Kraus‘ Bild-Text-Kombinationen.” 2017. Web. 21 Jan 2020.

Vancouver:

Troger M. Die Bilder in Karl Kraus‘ Bild-Text-Kombinationen. [Internet] [Thesis]. University of Vienna; 2017. [cited 2020 Jan 21]. Available from: http://othes.univie.ac.at/48070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Troger M. Die Bilder in Karl Kraus‘ Bild-Text-Kombinationen. [Thesis]. University of Vienna; 2017. Available from: http://othes.univie.ac.at/48070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.