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You searched for subject:(Guy Debord). Showing records 1 – 30 of 36 total matches.

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1. Pablo Alexandre Gobira de Souza Ricardo. Guy Debord, jogo e estratégia: uma teoria crítica da vida.

Degree: 2012, Universidade Federal de Minas Gerais

 Esta tese tem por objetivo estudar a relação entre vida e obra em Guy Debord com base em seus textos, seus filmes, e seus métodos… (more)

Subjects/Keywords: Debord, Guy, 1931-1994.; Teoria critica Teses.

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APA (6th Edition):

Ricardo, P. A. G. d. S. (2012). Guy Debord, jogo e estratégia: uma teoria crítica da vida. (Thesis). Universidade Federal de Minas Gerais. Retrieved from http://hdl.handle.net/1843/ECAP-8VUGS6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ricardo, Pablo Alexandre Gobira de Souza. “Guy Debord, jogo e estratégia: uma teoria crítica da vida.” 2012. Thesis, Universidade Federal de Minas Gerais. Accessed March 29, 2020. http://hdl.handle.net/1843/ECAP-8VUGS6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ricardo, Pablo Alexandre Gobira de Souza. “Guy Debord, jogo e estratégia: uma teoria crítica da vida.” 2012. Web. 29 Mar 2020.

Vancouver:

Ricardo PAGdS. Guy Debord, jogo e estratégia: uma teoria crítica da vida. [Internet] [Thesis]. Universidade Federal de Minas Gerais; 2012. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/1843/ECAP-8VUGS6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ricardo PAGdS. Guy Debord, jogo e estratégia: uma teoria crítica da vida. [Thesis]. Universidade Federal de Minas Gerais; 2012. Available from: http://hdl.handle.net/1843/ECAP-8VUGS6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Lima, Rodrigo Nogueira. A situação construída.

Degree: Mestrado, Teoria e História da Arquitetura e do Urbanismo, 2012, University of São Paulo

A dissertação analisa a trajetória da Internacional Situacionista durante o período de sua existência, de 1957 até 1972, salientando as ressonâncias dos ideários das vanguardas… (more)

Subjects/Keywords: Dadaism; Dadaísmo; Futurism; Futurismo; Guy Debord; Guy Debord; Internacional situacionista; Situationist International; Surrealism.; Surrealismo

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APA (6th Edition):

Lima, R. N. (2012). A situação construída. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/18/18142/tde-20062012-155720/ ;

Chicago Manual of Style (16th Edition):

Lima, Rodrigo Nogueira. “A situação construída.” 2012. Masters Thesis, University of São Paulo. Accessed March 29, 2020. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-20062012-155720/ ;.

MLA Handbook (7th Edition):

Lima, Rodrigo Nogueira. “A situação construída.” 2012. Web. 29 Mar 2020.

Vancouver:

Lima RN. A situação construída. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Mar 29]. Available from: http://www.teses.usp.br/teses/disponiveis/18/18142/tde-20062012-155720/ ;.

Council of Science Editors:

Lima RN. A situação construída. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/18/18142/tde-20062012-155720/ ;

3. MONTE, Luiz Augusto Dutra Souza do. Deriva e psicogeografia na cidade contemporânea: experimento situacionista no centro do Recife .

Degree: 2015, Universidade Federal de Pernambuco

 Este trabalho tem como objetivo experimentar a deriva e a psicogeografia, técnicas provenientes do movimento artístico intitulado Internacional Situacionista, no centro expandido do Recife. A… (more)

Subjects/Keywords: Internacional Situacionista; Guy Debord; Recife; deriva; psicogeografia; Situationist International; Guy Debord; Recife; dérive; psychogeography

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APA (6th Edition):

MONTE, L. A. D. S. d. (2015). Deriva e psicogeografia na cidade contemporânea: experimento situacionista no centro do Recife . (Thesis). Universidade Federal de Pernambuco. Retrieved from http://repositorio.ufpe.br/handle/123456789/17370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MONTE, Luiz Augusto Dutra Souza do. “Deriva e psicogeografia na cidade contemporânea: experimento situacionista no centro do Recife .” 2015. Thesis, Universidade Federal de Pernambuco. Accessed March 29, 2020. http://repositorio.ufpe.br/handle/123456789/17370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MONTE, Luiz Augusto Dutra Souza do. “Deriva e psicogeografia na cidade contemporânea: experimento situacionista no centro do Recife .” 2015. Web. 29 Mar 2020.

Vancouver:

MONTE LADSd. Deriva e psicogeografia na cidade contemporânea: experimento situacionista no centro do Recife . [Internet] [Thesis]. Universidade Federal de Pernambuco; 2015. [cited 2020 Mar 29]. Available from: http://repositorio.ufpe.br/handle/123456789/17370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MONTE LADSd. Deriva e psicogeografia na cidade contemporânea: experimento situacionista no centro do Recife . [Thesis]. Universidade Federal de Pernambuco; 2015. Available from: http://repositorio.ufpe.br/handle/123456789/17370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Estado do Rio de Janeiro

4. Rodrigo Fernandes. A Sociedade do Espetáculo e o meio urbano contemporâneo: uma abordagem geográfica do pensamento de Guy Debord.

Degree: Master, 2017, Universidade do Estado do Rio de Janeiro

O trabalho em pauta pretende analisar a obra do teórico francês Guy Debord a partir de uma abordagem geográfica. A participação desse intelectual entre os… (more)

Subjects/Keywords: Philosophy; Geography; Guy Debord; Sociedade do espetáculo; Meio urbano; Filosofia; Geografia; GEOGRAFIA FISICA; Urban environment; Society of the spectacle; Guy Debord

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APA (6th Edition):

Fernandes, R. (2017). A Sociedade do Espetáculo e o meio urbano contemporâneo: uma abordagem geográfica do pensamento de Guy Debord. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11700 ;

Chicago Manual of Style (16th Edition):

Fernandes, Rodrigo. “A Sociedade do Espetáculo e o meio urbano contemporâneo: uma abordagem geográfica do pensamento de Guy Debord.” 2017. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed March 29, 2020. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11700 ;.

MLA Handbook (7th Edition):

Fernandes, Rodrigo. “A Sociedade do Espetáculo e o meio urbano contemporâneo: uma abordagem geográfica do pensamento de Guy Debord.” 2017. Web. 29 Mar 2020.

Vancouver:

Fernandes R. A Sociedade do Espetáculo e o meio urbano contemporâneo: uma abordagem geográfica do pensamento de Guy Debord. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2017. [cited 2020 Mar 29]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11700 ;.

Council of Science Editors:

Fernandes R. A Sociedade do Espetáculo e o meio urbano contemporâneo: uma abordagem geográfica do pensamento de Guy Debord. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2017. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11700 ;


Delft University of Technology

5. Lans, B. The Making of Fin de Copenhague & Mémoires: the tactic of détournement in the collaboration between Guy Debord and Asger Jorn:.

Degree: Architecture, Architecture, 2009, Delft University of Technology

 In the works of Guy Debord and Asger Jorn, durnement played an essential role in the construction of art during the early stages of the… (more)

Subjects/Keywords: history paper; situationist; Guy Debord; Asger Jorn; détournement

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APA (6th Edition):

Lans, B. (2009). The Making of Fin de Copenhague & Mémoires: the tactic of détournement in the collaboration between Guy Debord and Asger Jorn:. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:210726aa-afba-4096-8bad-be964bc9d2eb

Chicago Manual of Style (16th Edition):

Lans, B. “The Making of Fin de Copenhague & Mémoires: the tactic of détournement in the collaboration between Guy Debord and Asger Jorn:.” 2009. Masters Thesis, Delft University of Technology. Accessed March 29, 2020. http://resolver.tudelft.nl/uuid:210726aa-afba-4096-8bad-be964bc9d2eb.

MLA Handbook (7th Edition):

Lans, B. “The Making of Fin de Copenhague & Mémoires: the tactic of détournement in the collaboration between Guy Debord and Asger Jorn:.” 2009. Web. 29 Mar 2020.

Vancouver:

Lans B. The Making of Fin de Copenhague & Mémoires: the tactic of détournement in the collaboration between Guy Debord and Asger Jorn:. [Internet] [Masters thesis]. Delft University of Technology; 2009. [cited 2020 Mar 29]. Available from: http://resolver.tudelft.nl/uuid:210726aa-afba-4096-8bad-be964bc9d2eb.

Council of Science Editors:

Lans B. The Making of Fin de Copenhague & Mémoires: the tactic of détournement in the collaboration between Guy Debord and Asger Jorn:. [Masters Thesis]. Delft University of Technology; 2009. Available from: http://resolver.tudelft.nl/uuid:210726aa-afba-4096-8bad-be964bc9d2eb


Universidade Presbiteriana Mackenzie

6. Márcia Maria Arco e Flexa Ferreira da Costa. Os Jetsosn como espectro da sociedade: análise crítica do desenho animado The Jetsons sob a ótica do conceito de espetáculo de Debord.

Degree: 2010, Universidade Presbiteriana Mackenzie

 A presente dissertação se propôs a analisar criticamente três episódios do desenho animado The Jetsons, de 1968, inter-relacionando seus diversos temas e imagens com os… (more)

Subjects/Keywords: The Jetsons; sociedade do espetáculo; The Jetsons; desenho animado; indústria multicultural; Guy Debord; televisão; multicultural industry; cartoons; society of the spetacule; Guy Debord; television; COMUNICACAO

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APA (6th Edition):

Costa, M. M. A. e. F. F. d. (2010). Os Jetsosn como espectro da sociedade: análise crítica do desenho animado The Jetsons sob a ótica do conceito de espetáculo de Debord. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1903

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costa, Márcia Maria Arco e Flexa Ferreira da. “Os Jetsosn como espectro da sociedade: análise crítica do desenho animado The Jetsons sob a ótica do conceito de espetáculo de Debord.” 2010. Thesis, Universidade Presbiteriana Mackenzie. Accessed March 29, 2020. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1903.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costa, Márcia Maria Arco e Flexa Ferreira da. “Os Jetsosn como espectro da sociedade: análise crítica do desenho animado The Jetsons sob a ótica do conceito de espetáculo de Debord.” 2010. Web. 29 Mar 2020.

Vancouver:

Costa MMAeFFd. Os Jetsosn como espectro da sociedade: análise crítica do desenho animado The Jetsons sob a ótica do conceito de espetáculo de Debord. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2010. [cited 2020 Mar 29]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1903.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costa MMAeFFd. Os Jetsosn como espectro da sociedade: análise crítica do desenho animado The Jetsons sob a ótica do conceito de espetáculo de Debord. [Thesis]. Universidade Presbiteriana Mackenzie; 2010. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1903

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

7. Trudel, Alexandre. Une sagesse qui ne vient jamais : esthétique, politique et personnalité dans l’œuvre de Guy Debord .

Degree: 2011, Université de Montréal

 Cette thèse se propose de réévaluer l’œuvre de Guy Debord en privilégiant la lecture de ses autoportraits littéraires et cinématographiques. Cette recherche favorise une réception… (more)

Subjects/Keywords: Guy Debord; Autobiographie; Grand style; Avant-garde; Mythe; Baroque; Stratégie; Identification; Conspiration; Transgression; Guy Debord; Autobiography; Grand style; Avant-garde; Myth; Baroque; Strategy; Identification; Conspiration; Transgression

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APA (6th Edition):

Trudel, A. (2011). Une sagesse qui ne vient jamais : esthétique, politique et personnalité dans l’œuvre de Guy Debord . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/5069

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Trudel, Alexandre. “Une sagesse qui ne vient jamais : esthétique, politique et personnalité dans l’œuvre de Guy Debord .” 2011. Thesis, Université de Montréal. Accessed March 29, 2020. http://hdl.handle.net/1866/5069.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Trudel, Alexandre. “Une sagesse qui ne vient jamais : esthétique, politique et personnalité dans l’œuvre de Guy Debord .” 2011. Web. 29 Mar 2020.

Vancouver:

Trudel A. Une sagesse qui ne vient jamais : esthétique, politique et personnalité dans l’œuvre de Guy Debord . [Internet] [Thesis]. Université de Montréal; 2011. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/1866/5069.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Trudel A. Une sagesse qui ne vient jamais : esthétique, politique et personnalité dans l’œuvre de Guy Debord . [Thesis]. Université de Montréal; 2011. Available from: http://hdl.handle.net/1866/5069

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Cochard, Bertrand. Guy Debord et la philosophie : Guy Debord and philosophy.

Degree: Docteur es, Philosophie, 2019, Côte d'Azur

À la fin des années 1950, Guy Debord entreprend de confronter ses thèses et intuitions, initialement construites au sein des avant-gardes artistiques, avec la philosophie… (more)

Subjects/Keywords: Guy Debord; Internationale situationniste; Karl Marx; Georg Wilhelm Friedrich Hegel; Spectacle; Guy Debord; Situationist International; Karl Marx; Georg Wilhelm Friedrich Hegel; Spectacle

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APA (6th Edition):

Cochard, B. (2019). Guy Debord et la philosophie : Guy Debord and philosophy. (Doctoral Dissertation). Côte d'Azur. Retrieved from http://www.theses.fr/2019AZUR2026

Chicago Manual of Style (16th Edition):

Cochard, Bertrand. “Guy Debord et la philosophie : Guy Debord and philosophy.” 2019. Doctoral Dissertation, Côte d'Azur. Accessed March 29, 2020. http://www.theses.fr/2019AZUR2026.

MLA Handbook (7th Edition):

Cochard, Bertrand. “Guy Debord et la philosophie : Guy Debord and philosophy.” 2019. Web. 29 Mar 2020.

Vancouver:

Cochard B. Guy Debord et la philosophie : Guy Debord and philosophy. [Internet] [Doctoral dissertation]. Côte d'Azur; 2019. [cited 2020 Mar 29]. Available from: http://www.theses.fr/2019AZUR2026.

Council of Science Editors:

Cochard B. Guy Debord et la philosophie : Guy Debord and philosophy. [Doctoral Dissertation]. Côte d'Azur; 2019. Available from: http://www.theses.fr/2019AZUR2026


Dalhousie University

9. Mason, Dancy. Ornament for Serious Purpose: Mina Loy and Gaudy Consumer Culture.

Degree: MA, Department of English, 2011, Dalhousie University

 Mina Loy’s work explores the gaudiness of consumer culture in its spectacle, extravagance and underlying falsity. “Giovanni Franchi,” “Three Moments in Paris” and “Virgins Plus… (more)

Subjects/Keywords: Modernism; Mina Loy; Consumer Culture; Consumerism; Thorstein Veblen; Walter Benjamin; Jean Baudrillard; Guy Debord

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APA (6th Edition):

Mason, D. (2011). Ornament for Serious Purpose: Mina Loy and Gaudy Consumer Culture. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14100

Chicago Manual of Style (16th Edition):

Mason, Dancy. “Ornament for Serious Purpose: Mina Loy and Gaudy Consumer Culture.” 2011. Masters Thesis, Dalhousie University. Accessed March 29, 2020. http://hdl.handle.net/10222/14100.

MLA Handbook (7th Edition):

Mason, Dancy. “Ornament for Serious Purpose: Mina Loy and Gaudy Consumer Culture.” 2011. Web. 29 Mar 2020.

Vancouver:

Mason D. Ornament for Serious Purpose: Mina Loy and Gaudy Consumer Culture. [Internet] [Masters thesis]. Dalhousie University; 2011. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/10222/14100.

Council of Science Editors:

Mason D. Ornament for Serious Purpose: Mina Loy and Gaudy Consumer Culture. [Masters Thesis]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14100


Université Paris-Sorbonne – Paris IV

10. Ferrier, Nicolas. Situations avec spectateurs : recherches sur la notion de situation : Situations and the spectator : research into the concept of situation.

Degree: Docteur es, Littératures française et comparée, 2009, Université Paris-Sorbonne – Paris IV

Cette étude s'est d'abord intéressée à la situation de sujets passifs face à la marchandisation progressive du monde contemporain et à la réaction qu'ils peuvent… (more)

Subjects/Keywords: Situation; Situationniste; Guy Debord; Théâtre; Situation dramatique; Distanciation; Spectateurs; Existence; Situationists; Theater; Spectator

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APA (6th Edition):

Ferrier, N. (2009). Situations avec spectateurs : recherches sur la notion de situation : Situations and the spectator : research into the concept of situation. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2009PA040183

Chicago Manual of Style (16th Edition):

Ferrier, Nicolas. “Situations avec spectateurs : recherches sur la notion de situation : Situations and the spectator : research into the concept of situation.” 2009. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 29, 2020. http://www.theses.fr/2009PA040183.

MLA Handbook (7th Edition):

Ferrier, Nicolas. “Situations avec spectateurs : recherches sur la notion de situation : Situations and the spectator : research into the concept of situation.” 2009. Web. 29 Mar 2020.

Vancouver:

Ferrier N. Situations avec spectateurs : recherches sur la notion de situation : Situations and the spectator : research into the concept of situation. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2009. [cited 2020 Mar 29]. Available from: http://www.theses.fr/2009PA040183.

Council of Science Editors:

Ferrier N. Situations avec spectateurs : recherches sur la notion de situation : Situations and the spectator : research into the concept of situation. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2009. Available from: http://www.theses.fr/2009PA040183


Université Paris-Sorbonne – Paris IV

11. Seddiki, Yalla. Guy Debord : automythographe : Guy Debord : automythograph.

Degree: Docteur es, Littératures française et comparée, 2012, Université Paris-Sorbonne – Paris IV

Théoricien, « stratège » – ainsi qu’il s’est défini – cinéaste, acteur de ses seuls films, mémorialiste, révolutionnaire, membre du lettrisme (initié par Isidore Isou)… (more)

Subjects/Keywords: Guy Debord et mythes d’avant-garde; Automythographie; Moi mythologique; Mythes littéraires et imagination; Lettrisme, Internationale lettriste et Internationale situationniste; Détournement, plagiat; Guy Debord, mythes arthuriens et millénaristes; Dépassement de l’art; Phlilosophy; Myself; Guy Debord

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APA (6th Edition):

Seddiki, Y. (2012). Guy Debord : automythographe : Guy Debord : automythograph. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2012PA040097

Chicago Manual of Style (16th Edition):

Seddiki, Yalla. “Guy Debord : automythographe : Guy Debord : automythograph.” 2012. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 29, 2020. http://www.theses.fr/2012PA040097.

MLA Handbook (7th Edition):

Seddiki, Yalla. “Guy Debord : automythographe : Guy Debord : automythograph.” 2012. Web. 29 Mar 2020.

Vancouver:

Seddiki Y. Guy Debord : automythographe : Guy Debord : automythograph. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2012. [cited 2020 Mar 29]. Available from: http://www.theses.fr/2012PA040097.

Council of Science Editors:

Seddiki Y. Guy Debord : automythographe : Guy Debord : automythograph. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2012. Available from: http://www.theses.fr/2012PA040097


Pontifícia Universidade Católica de São Paulo

12. João Emiliano Fortaleza de Aquino. Reification and language in André Breton and Guy Debord.

Degree: 2005, Pontifícia Universidade Católica de São Paulo

 Esta tese discute as reflexões de André Breton (1896-1966) e Guy Debord (1931-1994) sobre a linguagem, reflexões nas quais estética e crítica social são inseparáveis.… (more)

Subjects/Keywords: FILOSOFIA; Reificação; Breton, André  – 1896-1966  – Crítica e interpretação; Debord, Guy  – 1931-1994  – Crítica e interpretação; Linguagem; Comunicação; Language; Reification; Communication

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APA (6th Edition):

Aquino, J. E. F. d. (2005). Reification and language in André Breton and Guy Debord. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=5421

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aquino, João Emiliano Fortaleza de. “Reification and language in André Breton and Guy Debord.” 2005. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed March 29, 2020. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=5421.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aquino, João Emiliano Fortaleza de. “Reification and language in André Breton and Guy Debord.” 2005. Web. 29 Mar 2020.

Vancouver:

Aquino JEFd. Reification and language in André Breton and Guy Debord. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2005. [cited 2020 Mar 29]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=5421.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aquino JEFd. Reification and language in André Breton and Guy Debord. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2005. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=5421

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Notre Dame

13. Anna G O'Meara. Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>.

Degree: MA, Art, Art History, and Design, 2013, University of Notre Dame

  It is very easy to misuse words when describing Debord and what he has produced. We should not refer to Debord as an “artist,”… (more)

Subjects/Keywords: Guy Debord; Religion; In Girum Imus Nocte et Consumimur Igni; Hegel; The Society of the Spectacle; Heresy; Marx; Diabolical

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

O'Meara, A. G. (2013). Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/7h149p30z8s

Chicago Manual of Style (16th Edition):

O'Meara, Anna G. “Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>.” 2013. Masters Thesis, University of Notre Dame. Accessed March 29, 2020. https://curate.nd.edu/show/7h149p30z8s.

MLA Handbook (7th Edition):

O'Meara, Anna G. “Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>.” 2013. Web. 29 Mar 2020.

Vancouver:

O'Meara AG. Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2013. [cited 2020 Mar 29]. Available from: https://curate.nd.edu/show/7h149p30z8s.

Council of Science Editors:

O'Meara AG. Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>. [Masters Thesis]. University of Notre Dame; 2013. Available from: https://curate.nd.edu/show/7h149p30z8s


University of Cincinnati

14. Alich, Anna. Alienation in Jean-Luc Godard’s <i>Tout Va Bien</i> (1972).

Degree: MA, Design, Architecture, Art and Planning : Art History, 2007, University of Cincinnati

 Jean-Luc Godard’s (b. 1930) Tout va bien (1972) cannot be considered a successful political film. In chapter one I examine the first part of Godard’s… (more)

Subjects/Keywords: Jean-Luc Godard; Jean-Pierre Gorin; Guy Debord; French Maoism; Revolutionary Film; Film; French; Situationist; May 1968; Alienation; France 1960s

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alich, A. (2007). Alienation in Jean-Luc Godard’s <i>Tout Va Bien</i> (1972). (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1187058681

Chicago Manual of Style (16th Edition):

Alich, Anna. “Alienation in Jean-Luc Godard’s <i>Tout Va Bien</i> (1972).” 2007. Masters Thesis, University of Cincinnati. Accessed March 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1187058681.

MLA Handbook (7th Edition):

Alich, Anna. “Alienation in Jean-Luc Godard’s <i>Tout Va Bien</i> (1972).” 2007. Web. 29 Mar 2020.

Vancouver:

Alich A. Alienation in Jean-Luc Godard’s <i>Tout Va Bien</i> (1972). [Internet] [Masters thesis]. University of Cincinnati; 2007. [cited 2020 Mar 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1187058681.

Council of Science Editors:

Alich A. Alienation in Jean-Luc Godard’s <i>Tout Va Bien</i> (1972). [Masters Thesis]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1187058681


University of Cincinnati

15. Leffler, Laura Sutton. Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies.

Degree: MA, Design, Architecture, Art and Planning : Art History, 2005, University of Cincinnati

 This study examines the first three series of Laurie Simmons’s mature work, The Black Series (1976-78), Interiors (1978-79), and The Underwater Series (1980-81), as questioning… (more)

Subjects/Keywords: Art History; Laurie Simmons; Photography; Feminist Theory; Guy Debord

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APA (6th Edition):

Leffler, L. S. (2005). Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116938975

Chicago Manual of Style (16th Edition):

Leffler, Laura Sutton. “Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies.” 2005. Masters Thesis, University of Cincinnati. Accessed March 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116938975.

MLA Handbook (7th Edition):

Leffler, Laura Sutton. “Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies.” 2005. Web. 29 Mar 2020.

Vancouver:

Leffler LS. Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies. [Internet] [Masters thesis]. University of Cincinnati; 2005. [cited 2020 Mar 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116938975.

Council of Science Editors:

Leffler LS. Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies. [Masters Thesis]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116938975


University of Southern California

16. Flannery, Becket Ming-wen. Adversity is the fool’s name for fate.

Degree: MFA, Fine Arts, 2014, University of Southern California

 ""I have made an effort to describe a feeling which has tortured me often enough; I revenge myself on it by making it public.""¹ ❧… (more)

Subjects/Keywords: Candide; Voltaire; Guy Debord; Society of the spectacle; Christopher Dorner; strategy; games; materiality; history; Walter Benjamin

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APA (6th Edition):

Flannery, B. M. (2014). Adversity is the fool’s name for fate. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/421070/rec/559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Flannery, Becket Ming-wen. “Adversity is the fool’s name for fate.” 2014. Thesis, University of Southern California. Accessed March 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/421070/rec/559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Flannery, Becket Ming-wen. “Adversity is the fool’s name for fate.” 2014. Web. 29 Mar 2020.

Vancouver:

Flannery BM. Adversity is the fool’s name for fate. [Internet] [Thesis]. University of Southern California; 2014. [cited 2020 Mar 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/421070/rec/559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flannery BM. Adversity is the fool’s name for fate. [Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/421070/rec/559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Pasquier, Aurélien. L’influence de la résurgence des questions mémorielles sur la représentation du Japon dans les blockbusters sud-coréens : analyse de la répétition de l’Histoire dans « Fantôme » (1999), « 2009 Lost Memories » (2002) et « Péninsule » (2006) : The influence of the resurgence of memorial issues on the representation of Japan in South Korean blockbusters : analysis of the repetition of History in "Ghost" (1999), "2009 Lost Memories" (2002) and "Peninsula" 2006).

Degree: Docteur es, Études japonaises, 2017, Lyon

Ce travail explore la figure de la répétition de l’Histoire entre la Corée (du Sud) et le Japon dans plusieurs blockbusters sud-coréens depuis 1998. Les… (more)

Subjects/Keywords: Nationalisme; Répétition de l'Histoire; Idéologie et cinéma; Blockbuster; Karatani Kojin, Cinéma; Japon, Cinéma; Corée du Sud,; Marxisme; Aura nationale; Guy Debord; Karl Marx; Nationalism; History and Repetition; Idéologie and Cinéma; Blockbuster; Karatani Kojin; Cinéma; Japan, Cinema; South Corea; Marxism; National Aura; Guy Debord; Karl Marx; 000

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APA (6th Edition):

Pasquier, A. (2017). L’influence de la résurgence des questions mémorielles sur la représentation du Japon dans les blockbusters sud-coréens : analyse de la répétition de l’Histoire dans « Fantôme » (1999), « 2009 Lost Memories » (2002) et « Péninsule » (2006) : The influence of the resurgence of memorial issues on the representation of Japan in South Korean blockbusters : analysis of the repetition of History in "Ghost" (1999), "2009 Lost Memories" (2002) and "Peninsula" 2006). (Doctoral Dissertation). Lyon. Retrieved from http://www.theses.fr/2017LYSE3024

Chicago Manual of Style (16th Edition):

Pasquier, Aurélien. “L’influence de la résurgence des questions mémorielles sur la représentation du Japon dans les blockbusters sud-coréens : analyse de la répétition de l’Histoire dans « Fantôme » (1999), « 2009 Lost Memories » (2002) et « Péninsule » (2006) : The influence of the resurgence of memorial issues on the representation of Japan in South Korean blockbusters : analysis of the repetition of History in "Ghost" (1999), "2009 Lost Memories" (2002) and "Peninsula" 2006).” 2017. Doctoral Dissertation, Lyon. Accessed March 29, 2020. http://www.theses.fr/2017LYSE3024.

MLA Handbook (7th Edition):

Pasquier, Aurélien. “L’influence de la résurgence des questions mémorielles sur la représentation du Japon dans les blockbusters sud-coréens : analyse de la répétition de l’Histoire dans « Fantôme » (1999), « 2009 Lost Memories » (2002) et « Péninsule » (2006) : The influence of the resurgence of memorial issues on the representation of Japan in South Korean blockbusters : analysis of the repetition of History in "Ghost" (1999), "2009 Lost Memories" (2002) and "Peninsula" 2006).” 2017. Web. 29 Mar 2020.

Vancouver:

Pasquier A. L’influence de la résurgence des questions mémorielles sur la représentation du Japon dans les blockbusters sud-coréens : analyse de la répétition de l’Histoire dans « Fantôme » (1999), « 2009 Lost Memories » (2002) et « Péninsule » (2006) : The influence of the resurgence of memorial issues on the representation of Japan in South Korean blockbusters : analysis of the repetition of History in "Ghost" (1999), "2009 Lost Memories" (2002) and "Peninsula" 2006). [Internet] [Doctoral dissertation]. Lyon; 2017. [cited 2020 Mar 29]. Available from: http://www.theses.fr/2017LYSE3024.

Council of Science Editors:

Pasquier A. L’influence de la résurgence des questions mémorielles sur la représentation du Japon dans les blockbusters sud-coréens : analyse de la répétition de l’Histoire dans « Fantôme » (1999), « 2009 Lost Memories » (2002) et « Péninsule » (2006) : The influence of the resurgence of memorial issues on the representation of Japan in South Korean blockbusters : analysis of the repetition of History in "Ghost" (1999), "2009 Lost Memories" (2002) and "Peninsula" 2006). [Doctoral Dissertation]. Lyon; 2017. Available from: http://www.theses.fr/2017LYSE3024


Pontifícia Universidade Católica de São Paulo

18. Daniel Dalmoro. Tempo da representação em A Sociedade do Espetáculo, de Guy Debord.

Degree: 2013, Pontifícia Universidade Católica de São Paulo

This work focuses in the book The Society of Spectacle, from the french polemicist Guy Debord (1931-1994). Initially, there is the study regarding the influences… (more)

Subjects/Keywords: FILOSOFIA; Debord, Guy (1931-1994); Internacional Situacionista; Filosofia francesa; Marxismo; Vanguardas artísticas do século XX; Situationist international; French philosophy; Marxism; Artistic avant-gardes of the twentieth

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dalmoro, D. (2013). Tempo da representação em A Sociedade do Espetáculo, de Guy Debord. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dalmoro, Daniel. “Tempo da representação em A Sociedade do Espetáculo, de Guy Debord.” 2013. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed March 29, 2020. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dalmoro, Daniel. “Tempo da representação em A Sociedade do Espetáculo, de Guy Debord.” 2013. Web. 29 Mar 2020.

Vancouver:

Dalmoro D. Tempo da representação em A Sociedade do Espetáculo, de Guy Debord. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2013. [cited 2020 Mar 29]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dalmoro D. Tempo da representação em A Sociedade do Espetáculo, de Guy Debord. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2013. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

19. Sabatini, Gerald Andrew. Graffiti Architecture: Alternative Methodologies for the Appropriation of Space.

Degree: M. Arch., Design, Architecture, Art and Planning : Architecture (Master of), 2008, University of Cincinnati

  Post-war socioeconomic shifts have reconfigured the built environment to complex networks of private, commodified zones masquerading as public space. These spaces are inextricably linked… (more)

Subjects/Keywords: Architecture; Art History; Art Education; Design; graffiti; appropriation; destruction; creation; art; society consumerism; architecture design; sixties modernism; post-modernism; consumer related design; lebbeus woods baudrillard; guy debord detournment

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sabatini, G. A. (2008). Graffiti Architecture: Alternative Methodologies for the Appropriation of Space. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216901954

Chicago Manual of Style (16th Edition):

Sabatini, Gerald Andrew. “Graffiti Architecture: Alternative Methodologies for the Appropriation of Space.” 2008. Masters Thesis, University of Cincinnati. Accessed March 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216901954.

MLA Handbook (7th Edition):

Sabatini, Gerald Andrew. “Graffiti Architecture: Alternative Methodologies for the Appropriation of Space.” 2008. Web. 29 Mar 2020.

Vancouver:

Sabatini GA. Graffiti Architecture: Alternative Methodologies for the Appropriation of Space. [Internet] [Masters thesis]. University of Cincinnati; 2008. [cited 2020 Mar 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216901954.

Council of Science Editors:

Sabatini GA. Graffiti Architecture: Alternative Methodologies for the Appropriation of Space. [Masters Thesis]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216901954


University of Florida

20. Bickoff, Kyle. Frameworks of Modern Mass Mediated Communication – How the 21st Century's Information Dissemination Modes Conform to the Situationist Critique.

Degree: 2011, University of Florida

Guy Debord and the Situationists' discussion of media theory have created a framework for discussing media theory. The information age brings a renewed relevance to… (more)

Subjects/Keywords: Capitalism; Communications media; Entertainment; Motion picture industry; Movies; Narratives; News content; Situationism; Spectacle; Viewers; Debord, Guy, 1931-1994; Internationale situationniste; Mass media

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APA (6th Edition):

Bickoff, K. (2011). Frameworks of Modern Mass Mediated Communication – How the 21st Century's Information Dissemination Modes Conform to the Situationist Critique. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00060079

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bickoff, Kyle. “Frameworks of Modern Mass Mediated Communication – How the 21st Century's Information Dissemination Modes Conform to the Situationist Critique.” 2011. Thesis, University of Florida. Accessed March 29, 2020. http://ufdc.ufl.edu/AA00060079.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bickoff, Kyle. “Frameworks of Modern Mass Mediated Communication – How the 21st Century's Information Dissemination Modes Conform to the Situationist Critique.” 2011. Web. 29 Mar 2020.

Vancouver:

Bickoff K. Frameworks of Modern Mass Mediated Communication – How the 21st Century's Information Dissemination Modes Conform to the Situationist Critique. [Internet] [Thesis]. University of Florida; 2011. [cited 2020 Mar 29]. Available from: http://ufdc.ufl.edu/AA00060079.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bickoff K. Frameworks of Modern Mass Mediated Communication – How the 21st Century's Information Dissemination Modes Conform to the Situationist Critique. [Thesis]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/AA00060079

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Ferreira zacarias, Gabriel. Expérience et représentation du sujet : une généalogie de l'art et de la pensée de Guy Debord : Experience and representation of the subject.

Degree: Docteur es, Littérature Générale et Comparée, 2014, Perpignan; Università degli studi (Bergame, Italie)

Intellectuel évoluant aux marges des institutions, Guy Debord (1931-1994) fut l’auteur d’une pensée et d’un art hétérodoxes. Cette thèse tente de refaire le chemin de… (more)

Subjects/Keywords: Guy Debord; Internationale Situationniste; Spectacle; Sujet; Marxisme; Détournement; Surréalisme; Art d’avant-garde; Spectacle; Situationist International; Lettrism; Surrealism; Vanguard art; Marxism; Detournement; Subject; 194; 306.092

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APA (6th Edition):

Ferreira zacarias, G. (2014). Expérience et représentation du sujet : une généalogie de l'art et de la pensée de Guy Debord : Experience and representation of the subject. (Doctoral Dissertation). Perpignan; Università degli studi (Bergame, Italie). Retrieved from http://www.theses.fr/2014PERP1205

Chicago Manual of Style (16th Edition):

Ferreira zacarias, Gabriel. “Expérience et représentation du sujet : une généalogie de l'art et de la pensée de Guy Debord : Experience and representation of the subject.” 2014. Doctoral Dissertation, Perpignan; Università degli studi (Bergame, Italie). Accessed March 29, 2020. http://www.theses.fr/2014PERP1205.

MLA Handbook (7th Edition):

Ferreira zacarias, Gabriel. “Expérience et représentation du sujet : une généalogie de l'art et de la pensée de Guy Debord : Experience and representation of the subject.” 2014. Web. 29 Mar 2020.

Vancouver:

Ferreira zacarias G. Expérience et représentation du sujet : une généalogie de l'art et de la pensée de Guy Debord : Experience and representation of the subject. [Internet] [Doctoral dissertation]. Perpignan; Università degli studi (Bergame, Italie); 2014. [cited 2020 Mar 29]. Available from: http://www.theses.fr/2014PERP1205.

Council of Science Editors:

Ferreira zacarias G. Expérience et représentation du sujet : une généalogie de l'art et de la pensée de Guy Debord : Experience and representation of the subject. [Doctoral Dissertation]. Perpignan; Università degli studi (Bergame, Italie); 2014. Available from: http://www.theses.fr/2014PERP1205


University of Vienna

22. Murkovic, Melani. "Hurlements en faveur de Guy".

Degree: 2010, University of Vienna

 Die vorliegende Arbeit beschäftigt sich mit der Person und dem Künstler Guy Debord und durchleuchtet den Zusammenhang zwischen seinem Leben und Werk im zeitgeschichtlichen Kontext… (more)

Subjects/Keywords: 24.37 Film: Sonstiges; 20.10 Kunst und Gesellschaft; 24.03 Theorie und Ästhetik des Theaters; 15.07 Kulturgeschichte; 24.32 Filmgeschichte; Guy Debord / Situationistische Internationale / Avantgarde-Konzepte / Einflüsse und Referenzent / Film / Rezeptionsgeschichte

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APA (6th Edition):

Murkovic, M. (2010). "Hurlements en faveur de Guy". (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/10452/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murkovic, Melani. “"Hurlements en faveur de Guy".” 2010. Thesis, University of Vienna. Accessed March 29, 2020. http://othes.univie.ac.at/10452/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murkovic, Melani. “"Hurlements en faveur de Guy".” 2010. Web. 29 Mar 2020.

Vancouver:

Murkovic M. "Hurlements en faveur de Guy". [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Mar 29]. Available from: http://othes.univie.ac.at/10452/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murkovic M. "Hurlements en faveur de Guy". [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/10452/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Duarte, Carolina Maria Bernardo, 1988-. O papel do indivíduo na projecção imaginada da cidade : entre o indivíduo ideal e o indivíduo comum do século XX.

Degree: 2012, RCAAP

Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2012

Exame público realizado em 28 de Novembro de 2012

A presente dissertação incide sobre… (more)

Subjects/Keywords: Le Corbusier, 1887-1965 - Crítica e interpretação; Debord, Guy, 1931-1994 - Crítica e interpretação; Arquitectura e sociedade; Cidades e vilas - Aspectos sociais; Lugares imaginários

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APA (6th Edition):

Duarte, Carolina Maria Bernardo, 1. (2012). O papel do indivíduo na projecção imaginada da cidade : entre o indivíduo ideal e o indivíduo comum do século XX. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ulusiada.pt:11067/360

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Duarte, Carolina Maria Bernardo, 1988-. “O papel do indivíduo na projecção imaginada da cidade : entre o indivíduo ideal e o indivíduo comum do século XX.” 2012. Thesis, RCAAP. Accessed March 29, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ulusiada.pt:11067/360.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Duarte, Carolina Maria Bernardo, 1988-. “O papel do indivíduo na projecção imaginada da cidade : entre o indivíduo ideal e o indivíduo comum do século XX.” 2012. Web. 29 Mar 2020.

Vancouver:

Duarte, Carolina Maria Bernardo 1. O papel do indivíduo na projecção imaginada da cidade : entre o indivíduo ideal e o indivíduo comum do século XX. [Internet] [Thesis]. RCAAP; 2012. [cited 2020 Mar 29]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ulusiada.pt:11067/360.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duarte, Carolina Maria Bernardo 1. O papel do indivíduo na projecção imaginada da cidade : entre o indivíduo ideal e o indivíduo comum do século XX. [Thesis]. RCAAP; 2012. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ulusiada.pt:11067/360

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat de Barcelona

24. Morales Bonilla, Juan del Cristo. La Internacional Situacionista: la superación de la sociedad del espectáculo a través de la realización de la poesía.

Degree: Departament d'Història de la Filosofia, Estètica i Filosofia de la Cultura, 2013, Universitat de Barcelona

 El objetivo de esta tesis doctoral ha sido el estudio de la Internacional Situacionista desde una perspectiva contemporánea, es decir, no con la intención de… (more)

Subjects/Keywords: Avantguarda (Estètica); Vanguardismo (Estética); Avant-garde (Aesthetics); Debord, Guy, 1931-1994; Internacional Situacionista; Situationist International; Posmarxismo; Post-Marxism; Postmarxisme; Ciències Humanes i Socials; 14

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morales Bonilla, J. d. C. (2013). La Internacional Situacionista: la superación de la sociedad del espectáculo a través de la realización de la poesía. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/275962

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morales Bonilla, Juan del Cristo. “La Internacional Situacionista: la superación de la sociedad del espectáculo a través de la realización de la poesía.” 2013. Thesis, Universitat de Barcelona. Accessed March 29, 2020. http://hdl.handle.net/10803/275962.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morales Bonilla, Juan del Cristo. “La Internacional Situacionista: la superación de la sociedad del espectáculo a través de la realización de la poesía.” 2013. Web. 29 Mar 2020.

Vancouver:

Morales Bonilla JdC. La Internacional Situacionista: la superación de la sociedad del espectáculo a través de la realización de la poesía. [Internet] [Thesis]. Universitat de Barcelona; 2013. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/10803/275962.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morales Bonilla JdC. La Internacional Situacionista: la superación de la sociedad del espectáculo a través de la realización de la poesía. [Thesis]. Universitat de Barcelona; 2013. Available from: http://hdl.handle.net/10803/275962

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Merritt, Megan. Mémoires: The Revolutionary Map of the Twentieth Century.

Degree: MA, Art and Art History, 2016, San Jose State University

  The artistic collaborations between Guy Debord and Asger Jorn blossomed in 1957, and have typically been explored in terms of their context within the… (more)

Subjects/Keywords: Asger Jorn; Book Arts; Collage; Guy Debord; Mapping; Psychogeography

…Auxiliary Library, January 2013. Guy-Ernst Debord, Structures Portantes d’Asger Jorn. © 1977… …Auxiliary Library, January 2013. Guy-Ernst Debord, Structures Portantes d’Asger Jorn. © 1977, Jean… …Rosengreen logo, March 2013. Asger Jorn and Guy-Ernst Debord. © 1957, Imaginist Bauhaus… …April, 2016. Guy-Ernst Debord, Structures Portantes d’Asger Jorn. © 1959, Permild & Rosengreen… …Institute, April, 2016. Guy-Ernst Debord, Structures Portantes d’Asger Jorn. © 1959, Permild… 

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APA (6th Edition):

Merritt, M. (2016). Mémoires: The Revolutionary Map of the Twentieth Century. (Masters Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.kdne-5s22 ; https://scholarworks.sjsu.edu/etd_theses/4769

Chicago Manual of Style (16th Edition):

Merritt, Megan. “Mémoires: The Revolutionary Map of the Twentieth Century.” 2016. Masters Thesis, San Jose State University. Accessed March 29, 2020. https://doi.org/10.31979/etd.kdne-5s22 ; https://scholarworks.sjsu.edu/etd_theses/4769.

MLA Handbook (7th Edition):

Merritt, Megan. “Mémoires: The Revolutionary Map of the Twentieth Century.” 2016. Web. 29 Mar 2020.

Vancouver:

Merritt M. Mémoires: The Revolutionary Map of the Twentieth Century. [Internet] [Masters thesis]. San Jose State University; 2016. [cited 2020 Mar 29]. Available from: https://doi.org/10.31979/etd.kdne-5s22 ; https://scholarworks.sjsu.edu/etd_theses/4769.

Council of Science Editors:

Merritt M. Mémoires: The Revolutionary Map of the Twentieth Century. [Masters Thesis]. San Jose State University; 2016. Available from: https://doi.org/10.31979/etd.kdne-5s22 ; https://scholarworks.sjsu.edu/etd_theses/4769


University of Cincinnati

26. ROGERS, ASHLEY D. THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s.

Degree: MA, Design, Architecture, Art and Planning : Architecture, 2006, University of Cincinnati

 This study addresses the influence of Guy Debord (1931-1994) and the Situationist International (hereafter SI) on some punk rock art of the 1970s, particularly that… (more)

Subjects/Keywords: Art History; Guy Debord; Situationist International; Punk Rock Art; Detournement; France 1968; Jamie Reid

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ROGERS, A. D. (2006). THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163784738

Chicago Manual of Style (16th Edition):

ROGERS, ASHLEY D. “THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s.” 2006. Masters Thesis, University of Cincinnati. Accessed March 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163784738.

MLA Handbook (7th Edition):

ROGERS, ASHLEY D. “THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s.” 2006. Web. 29 Mar 2020.

Vancouver:

ROGERS AD. THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s. [Internet] [Masters thesis]. University of Cincinnati; 2006. [cited 2020 Mar 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163784738.

Council of Science Editors:

ROGERS AD. THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s. [Masters Thesis]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163784738


University of Waterloo

27. Kenniff, Thomas-Bernard. Assembly: A Revaluation of Public Space in Toronto.

Degree: 2005, University of Waterloo

 This thesis focuses on the problem of defining and designing public space in contemporary mass society. "Assembly" revaluates a cultural understanding of public space as… (more)

Subjects/Keywords: Architecture; assembly; public; space; toronto; architecture; hannah arendt; jean baudrillard; guy debord; nathan phillips square; city hall; eaton centre; dundas square

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kenniff, T. (2005). Assembly: A Revaluation of Public Space in Toronto. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kenniff, Thomas-Bernard. “Assembly: A Revaluation of Public Space in Toronto.” 2005. Thesis, University of Waterloo. Accessed March 29, 2020. http://hdl.handle.net/10012/939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kenniff, Thomas-Bernard. “Assembly: A Revaluation of Public Space in Toronto.” 2005. Web. 29 Mar 2020.

Vancouver:

Kenniff T. Assembly: A Revaluation of Public Space in Toronto. [Internet] [Thesis]. University of Waterloo; 2005. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/10012/939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kenniff T. Assembly: A Revaluation of Public Space in Toronto. [Thesis]. University of Waterloo; 2005. Available from: http://hdl.handle.net/10012/939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

28. Hemmens, Alastair J. The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present).

Degree: PhD, 2014, Royal Holloway, University of London

 This thesis proposes an intellectual biography of Raoul Vaneigem (1934-Present). Vaneigem was a member of the Situationist International (SI) between 1961 and 1970. Today the… (more)

Subjects/Keywords: Raoul Vaneigem; Situationist International; Guy Debord; Critique of value; Critical Theory; Anselm Jappe; Belgium; Social History; Avant-Garde; Revolution; May '68; strike; class struggle; Representation; psychogeography; de´tournement; Praxis; Karl Marx; Nietzsche; recuperation; Utopia; Lautre´amont; Surrealism; everyday life

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APA (6th Edition):

Hemmens, A. J. (2014). The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present). (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-radical-subject-an-intellectual-biography-of-raoul-vaneigem-1934 – present(ea1eee73-cc14-45be-82cd-a3b67f1db897).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792169

Chicago Manual of Style (16th Edition):

Hemmens, Alastair J. “The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present).” 2014. Doctoral Dissertation, Royal Holloway, University of London. Accessed March 29, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/the-radical-subject-an-intellectual-biography-of-raoul-vaneigem-1934 – present(ea1eee73-cc14-45be-82cd-a3b67f1db897).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792169.

MLA Handbook (7th Edition):

Hemmens, Alastair J. “The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present).” 2014. Web. 29 Mar 2020.

Vancouver:

Hemmens AJ. The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present). [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2014. [cited 2020 Mar 29]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-radical-subject-an-intellectual-biography-of-raoul-vaneigem-1934 – present(ea1eee73-cc14-45be-82cd-a3b67f1db897).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792169.

Council of Science Editors:

Hemmens AJ. The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present). [Doctoral Dissertation]. Royal Holloway, University of London; 2014. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-radical-subject-an-intellectual-biography-of-raoul-vaneigem-1934 – present(ea1eee73-cc14-45be-82cd-a3b67f1db897).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792169


University of Central Florida

29. Eldridge, Jeremy. Investigation Of The Home, A Metaphor For Belonging.

Degree: 2013, University of Central Florida

 The research done for this investigation deals with both the motivation of the artist, the personal history and the individual's artistic process. This process is… (more)

Subjects/Keywords: Photography; one point perspective; analog; architectural; todd hido; flâneur; charles baudelaire; guy debord; longing; loss; belonging; identity; lucy lippard; Photography; Arts and Humanities  – Dissertations, Academic, Dissertations, Academic  – Arts and Humanities

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Eldridge, J. (2013). Investigation Of The Home, A Metaphor For Belonging. (Masters Thesis). University of Central Florida. Retrieved from https://stars.library.ucf.edu/etd/2531

Chicago Manual of Style (16th Edition):

Eldridge, Jeremy. “Investigation Of The Home, A Metaphor For Belonging.” 2013. Masters Thesis, University of Central Florida. Accessed March 29, 2020. https://stars.library.ucf.edu/etd/2531.

MLA Handbook (7th Edition):

Eldridge, Jeremy. “Investigation Of The Home, A Metaphor For Belonging.” 2013. Web. 29 Mar 2020.

Vancouver:

Eldridge J. Investigation Of The Home, A Metaphor For Belonging. [Internet] [Masters thesis]. University of Central Florida; 2013. [cited 2020 Mar 29]. Available from: https://stars.library.ucf.edu/etd/2531.

Council of Science Editors:

Eldridge J. Investigation Of The Home, A Metaphor For Belonging. [Masters Thesis]. University of Central Florida; 2013. Available from: https://stars.library.ucf.edu/etd/2531


Virginia Commonwealth University

30. Ivanov, Georgi. Freedom of Interpretation.

Degree: MFA, Fine Arts - Photography and film, 2012, Virginia Commonwealth University

 The photographic series Ideal Cities that I started in 2011 is inspired by the conflict between my idea of the “west” and my evolving experience… (more)

Subjects/Keywords: Freedom of Interpretation; Urban Design; Urban Planning; White Flight; Urban Decay; William Whyte; Corporate Plaza; Guy Debord; Situationist International; Derive; Psychogeographic Drift; Spectacle; Chance Encounters; Black Sea Resorts; Bulgaria; Kateřina Držkova; Soviet Army Monument; Stereoscopic Photography; Photography; Anderson Gallery; Arts and Humanities; Fine Arts

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APA (6th Edition):

Ivanov, G. (2012). Freedom of Interpretation. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/S90E-4T72 ; https://scholarscompass.vcu.edu/etd/2808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ivanov, Georgi. “Freedom of Interpretation.” 2012. Thesis, Virginia Commonwealth University. Accessed March 29, 2020. https://doi.org/10.25772/S90E-4T72 ; https://scholarscompass.vcu.edu/etd/2808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ivanov, Georgi. “Freedom of Interpretation.” 2012. Web. 29 Mar 2020.

Vancouver:

Ivanov G. Freedom of Interpretation. [Internet] [Thesis]. Virginia Commonwealth University; 2012. [cited 2020 Mar 29]. Available from: https://doi.org/10.25772/S90E-4T72 ; https://scholarscompass.vcu.edu/etd/2808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ivanov G. Freedom of Interpretation. [Thesis]. Virginia Commonwealth University; 2012. Available from: https://doi.org/10.25772/S90E-4T72 ; https://scholarscompass.vcu.edu/etd/2808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.