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You searched for subject:(Guitar). Showing records 1 – 30 of 453 total matches.

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University of Tasmania

1. Sherlock, JM. Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts.

Degree: 2018, University of Tasmania

 Historically within the jazz idiom, the guitar has predominantly functioned within ensembles of various sizes. A focus of this study is an investigation into the… (more)

Subjects/Keywords: Jazz guitar; improvised guitar; solo guitar

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APA (6th Edition):

Sherlock, J. (2018). Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/28736/1/Sherlock_whole_thesis.pdf ; https://eprints.utas.edu.au/28736/7/Sherlock%20audio%20files.zip ; Sherlock, JM ORCID: 0000-0002-2921-0365 <https://orcid.org/0000-0002-2921-0365> 2018 , 'Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts', Research Master thesis, University of Tasmania.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sherlock, JM. “Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts.” 2018. Thesis, University of Tasmania. Accessed June 17, 2019. https://eprints.utas.edu.au/28736/1/Sherlock_whole_thesis.pdf ; https://eprints.utas.edu.au/28736/7/Sherlock%20audio%20files.zip ; Sherlock, JM ORCID: 0000-0002-2921-0365 <https://orcid.org/0000-0002-2921-0365> 2018 , 'Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts', Research Master thesis, University of Tasmania..

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sherlock, JM. “Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts.” 2018. Web. 17 Jun 2019.

Vancouver:

Sherlock J. Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts. [Internet] [Thesis]. University of Tasmania; 2018. [cited 2019 Jun 17]. Available from: https://eprints.utas.edu.au/28736/1/Sherlock_whole_thesis.pdf ; https://eprints.utas.edu.au/28736/7/Sherlock%20audio%20files.zip ; Sherlock, JM ORCID: 0000-0002-2921-0365 <https://orcid.org/0000-0002-2921-0365> 2018 , 'Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts', Research Master thesis, University of Tasmania..

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sherlock J. Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts. [Thesis]. University of Tasmania; 2018. Available from: https://eprints.utas.edu.au/28736/1/Sherlock_whole_thesis.pdf ; https://eprints.utas.edu.au/28736/7/Sherlock%20audio%20files.zip ; Sherlock, JM ORCID: 0000-0002-2921-0365 <https://orcid.org/0000-0002-2921-0365> 2018 , 'Improvising for solo jazz guitar : a whole-instrument approach to integrating single-line and polyphonic concepts', Research Master thesis, University of Tasmania.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Nelson Mandela Metropolitan University

2. Bower, Rudi. A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders.

Degree: DPhil, Faculty of Arts, 2008, Nelson Mandela Metropolitan University

 This study uses a general historical overview of luthiery that provides the reader with a basic understanding of construction techniques and terminology as a point… (more)

Subjects/Keywords: Guitar  – Construction; Guitar  – History

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APA (6th Edition):

Bower, R. (2008). A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders. (Doctoral Dissertation). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/779

Chicago Manual of Style (16th Edition):

Bower, Rudi. “A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders.” 2008. Doctoral Dissertation, Nelson Mandela Metropolitan University. Accessed June 17, 2019. http://hdl.handle.net/10948/779.

MLA Handbook (7th Edition):

Bower, Rudi. “A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders.” 2008. Web. 17 Jun 2019.

Vancouver:

Bower R. A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders. [Internet] [Doctoral dissertation]. Nelson Mandela Metropolitan University; 2008. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/10948/779.

Council of Science Editors:

Bower R. A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders. [Doctoral Dissertation]. Nelson Mandela Metropolitan University; 2008. Available from: http://hdl.handle.net/10948/779


University of Hong Kong

3. Yip, Chi-chung. The new electric guitarscape in contemporary music.

Degree: M. Phil., 2017, University of Hong Kong

The electric guitar has been widely employed in different musical genres, cultures and countries since its invention; however, it is less frequently used in contemporary… (more)

Subjects/Keywords: Electric guitar music; Electric guitar

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APA (6th Edition):

Yip, C. (2017). The new electric guitarscape in contemporary music. (Masters Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/249920

Chicago Manual of Style (16th Edition):

Yip, Chi-chung. “The new electric guitarscape in contemporary music.” 2017. Masters Thesis, University of Hong Kong. Accessed June 17, 2019. http://hdl.handle.net/10722/249920.

MLA Handbook (7th Edition):

Yip, Chi-chung. “The new electric guitarscape in contemporary music.” 2017. Web. 17 Jun 2019.

Vancouver:

Yip C. The new electric guitarscape in contemporary music. [Internet] [Masters thesis]. University of Hong Kong; 2017. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/10722/249920.

Council of Science Editors:

Yip C. The new electric guitarscape in contemporary music. [Masters Thesis]. University of Hong Kong; 2017. Available from: http://hdl.handle.net/10722/249920


University of Georgia

4. Enloe, Luther David. The technique and artistry of melodic phrasing in the Spanish classical guitar tradition.

Degree: DMA, Music, 2011, University of Georgia

 Since the 16th century, the guitar’s role in Spain has been divided between that of a strummed instrument sufficient for accompanying popular songs and a… (more)

Subjects/Keywords: classical guitar

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APA (6th Edition):

Enloe, L. D. (2011). The technique and artistry of melodic phrasing in the Spanish classical guitar tradition. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/enloe_luther_d_201105_dma

Chicago Manual of Style (16th Edition):

Enloe, Luther David. “The technique and artistry of melodic phrasing in the Spanish classical guitar tradition.” 2011. Doctoral Dissertation, University of Georgia. Accessed June 17, 2019. http://purl.galileo.usg.edu/uga_etd/enloe_luther_d_201105_dma.

MLA Handbook (7th Edition):

Enloe, Luther David. “The technique and artistry of melodic phrasing in the Spanish classical guitar tradition.” 2011. Web. 17 Jun 2019.

Vancouver:

Enloe LD. The technique and artistry of melodic phrasing in the Spanish classical guitar tradition. [Internet] [Doctoral dissertation]. University of Georgia; 2011. [cited 2019 Jun 17]. Available from: http://purl.galileo.usg.edu/uga_etd/enloe_luther_d_201105_dma.

Council of Science Editors:

Enloe LD. The technique and artistry of melodic phrasing in the Spanish classical guitar tradition. [Doctoral Dissertation]. University of Georgia; 2011. Available from: http://purl.galileo.usg.edu/uga_etd/enloe_luther_d_201105_dma


University of Adelaide

5. Leeson, Aloysius John. Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis.

Degree: 2017, University of Adelaide

 This performance-based project explores the emergence of what we now call classical and flamenco guitar traditions out of a complex matrix of guitar styles in… (more)

Subjects/Keywords: guitar; flamenco guitar; classical guitar; guitar history; Spain

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APA (6th Edition):

Leeson, A. J. (2017). Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/114438

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leeson, Aloysius John. “Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis.” 2017. Thesis, University of Adelaide. Accessed June 17, 2019. http://hdl.handle.net/2440/114438.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leeson, Aloysius John. “Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis.” 2017. Web. 17 Jun 2019.

Vancouver:

Leeson AJ. Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis. [Internet] [Thesis]. University of Adelaide; 2017. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2440/114438.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leeson AJ. Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis. [Thesis]. University of Adelaide; 2017. Available from: http://hdl.handle.net/2440/114438

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

6. -5199-7694. Guitar concerto.

Degree: Music, 2018, University of Texas – Austin

"Guitar Concerto" is a three movement piece exploring the interaction between classical guitar and a small ensemble. Advisors/Committee Members: Welcher, Dan (advisor).

Subjects/Keywords: Guitar; Concerto

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APA (6th Edition):

-5199-7694. (2018). Guitar concerto. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68537

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-5199-7694. “Guitar concerto.” 2018. Thesis, University of Texas – Austin. Accessed June 17, 2019. http://hdl.handle.net/2152/68537.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-5199-7694. “Guitar concerto.” 2018. Web. 17 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-5199-7694. Guitar concerto. [Internet] [Thesis]. University of Texas – Austin; 2018. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2152/68537.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-5199-7694. Guitar concerto. [Thesis]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/68537

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


Florida International University

7. Lebos, Aaron. Extended Program Notes for Thesis Guitar Recital.

Degree: MM, Music, 2011, Florida International University

  This thesis presents extended program notes for a sixty-minute guitar graduate recital consisting of the following repertoire in order: Benin; Pure; Home; Closure all… (more)

Subjects/Keywords: Jazz guitar

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APA (6th Edition):

Lebos, A. (2011). Extended Program Notes for Thesis Guitar Recital. (Thesis). Florida International University. Retrieved from http://digitalcommons.fiu.edu/etd/545 ; 10.25148/etd.FI11120807 ; FI11120807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lebos, Aaron. “Extended Program Notes for Thesis Guitar Recital.” 2011. Thesis, Florida International University. Accessed June 17, 2019. http://digitalcommons.fiu.edu/etd/545 ; 10.25148/etd.FI11120807 ; FI11120807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lebos, Aaron. “Extended Program Notes for Thesis Guitar Recital.” 2011. Web. 17 Jun 2019.

Vancouver:

Lebos A. Extended Program Notes for Thesis Guitar Recital. [Internet] [Thesis]. Florida International University; 2011. [cited 2019 Jun 17]. Available from: http://digitalcommons.fiu.edu/etd/545 ; 10.25148/etd.FI11120807 ; FI11120807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lebos A. Extended Program Notes for Thesis Guitar Recital. [Thesis]. Florida International University; 2011. Available from: http://digitalcommons.fiu.edu/etd/545 ; 10.25148/etd.FI11120807 ; FI11120807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

8. Dotson, Jonathan. Doctoral thesis recital (guitar).

Degree: Music, 2010, University of Texas – Austin

Selections / Antoine de Lhoyer  – Ciaccona BWV 1004 / Johann Sebastian Bach, arr. Dotson  – Nocturno / Federico Moreno-Torroba  – Recuerdos de la Alhambra / Francisco Tarrega Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Guitar music

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APA (6th Edition):

Dotson, J. (2010). Doctoral thesis recital (guitar). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/11478

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dotson, Jonathan. “Doctoral thesis recital (guitar).” 2010. Thesis, University of Texas – Austin. Accessed June 17, 2019. http://hdl.handle.net/2152/11478.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dotson, Jonathan. “Doctoral thesis recital (guitar).” 2010. Web. 17 Jun 2019.

Vancouver:

Dotson J. Doctoral thesis recital (guitar). [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2152/11478.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dotson J. Doctoral thesis recital (guitar). [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/11478

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

9. Williams, Joseph V., II. Doctoral thesis recital (guitar).

Degree: Music, 2013, University of Texas – Austin

Sonata in G minor, BWV 1001 / J. S. Bach  – Fantasia, op.19 / Luigi Legnani  – Three pieces / Federico Moreno Torroba  – from Zia: folklore and legends of New Mexico / Joseph Williams II.

Subjects/Keywords: Guitar music

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APA (6th Edition):

Williams, Joseph V., I. (2013). Doctoral thesis recital (guitar). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23181

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williams, Joseph V., II. “Doctoral thesis recital (guitar).” 2013. Thesis, University of Texas – Austin. Accessed June 17, 2019. http://hdl.handle.net/2152/23181.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williams, Joseph V., II. “Doctoral thesis recital (guitar).” 2013. Web. 17 Jun 2019.

Vancouver:

Williams, Joseph V. I. Doctoral thesis recital (guitar). [Internet] [Thesis]. University of Texas – Austin; 2013. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2152/23181.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williams, Joseph V. I. Doctoral thesis recital (guitar). [Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/23181

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Brown, Roberts. Master's thesis recital (guitar).

Degree: Music, 2014, University of Texas – Austin

Ten etudes for guitar / Giulio Regondi  – Lute suite no.1 / Johann Sebastian Bach  – Sonata for guitar / Antonio Jose Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Guitar music

Page 1

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, R. (2014). Master's thesis recital (guitar). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24422

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Roberts. “Master's thesis recital (guitar).” 2014. Thesis, University of Texas – Austin. Accessed June 17, 2019. http://hdl.handle.net/2152/24422.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Roberts. “Master's thesis recital (guitar).” 2014. Web. 17 Jun 2019.

Vancouver:

Brown R. Master's thesis recital (guitar). [Internet] [Thesis]. University of Texas – Austin; 2014. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2152/24422.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown R. Master's thesis recital (guitar). [Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24422

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Rohwedder, Andrew. Master's thesis recital (guitar).

Degree: Music, 2014, University of Texas – Austin

 Pavane & galliard / Daniel Bacheler  – Sonatas in G minor, BWV 1001 / Johann Sebastian Bach  – Andante et polonaise / Napoleon Coste  –… (more)

Subjects/Keywords: Guitar music

Page 1

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rohwedder, A. (2014). Master's thesis recital (guitar). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24494

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rohwedder, Andrew. “Master's thesis recital (guitar).” 2014. Thesis, University of Texas – Austin. Accessed June 17, 2019. http://hdl.handle.net/2152/24494.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rohwedder, Andrew. “Master's thesis recital (guitar).” 2014. Web. 17 Jun 2019.

Vancouver:

Rohwedder A. Master's thesis recital (guitar). [Internet] [Thesis]. University of Texas – Austin; 2014. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2152/24494.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rohwedder A. Master's thesis recital (guitar). [Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24494

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

12. Nock, Howard James. The classical guitar : a study in structural, technical and musical evolution.

Degree: Faculty of Humanities, Music, 1974, Rhodes University

 Although complete works have been written dealing with the structural development of the guitar, to the best of my knowledge no attempt has yet been… (more)

Subjects/Keywords: Guitar; Guitar  – Construction

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APA (6th Edition):

Nock, H. J. (1974). The classical guitar : a study in structural, technical and musical evolution. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1012966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nock, Howard James. “The classical guitar : a study in structural, technical and musical evolution.” 1974. Thesis, Rhodes University. Accessed June 17, 2019. http://hdl.handle.net/10962/d1012966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nock, Howard James. “The classical guitar : a study in structural, technical and musical evolution.” 1974. Web. 17 Jun 2019.

Vancouver:

Nock HJ. The classical guitar : a study in structural, technical and musical evolution. [Internet] [Thesis]. Rhodes University; 1974. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/10962/d1012966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nock HJ. The classical guitar : a study in structural, technical and musical evolution. [Thesis]. Rhodes University; 1974. Available from: http://hdl.handle.net/10962/d1012966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

13. Johnston, Bruce H. Concerto Blue, for Classical Guitar.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

 Concerto Blue is a three-movement concerto for classical guitar and medium-sized orchestra. Aesthetic considerations of this piece involve taking essential ingredients that define the blues… (more)

Subjects/Keywords: Classical Guitar; Concerto; Blues Guitar; Postmodern

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APA (6th Edition):

Johnston, B. H. (2012). Concerto Blue, for Classical Guitar. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnston, Bruce H. “Concerto Blue, for Classical Guitar.” 2012. Thesis, University of Miami. Accessed June 17, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnston, Bruce H. “Concerto Blue, for Classical Guitar.” 2012. Web. 17 Jun 2019.

Vancouver:

Johnston BH. Concerto Blue, for Classical Guitar. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Jun 17]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnston BH. Concerto Blue, for Classical Guitar. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

14. Gates, Steven Michael. Mystery of constellation: concerto for guitar and chamber orchestra.

Degree: DMA, Composition, 2009, University of Southern California

 Mystery of Constellation is a three-movement work for solo guitar and chamber orchestra. The orchestra is scored for a small string section and five winds:… (more)

Subjects/Keywords: guitar; concerto; guitar concerto; chamber orchestra; composition

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APA (6th Edition):

Gates, S. M. (2009). Mystery of constellation: concerto for guitar and chamber orchestra. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/251530/rec/4304

Chicago Manual of Style (16th Edition):

Gates, Steven Michael. “Mystery of constellation: concerto for guitar and chamber orchestra.” 2009. Doctoral Dissertation, University of Southern California. Accessed June 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/251530/rec/4304.

MLA Handbook (7th Edition):

Gates, Steven Michael. “Mystery of constellation: concerto for guitar and chamber orchestra.” 2009. Web. 17 Jun 2019.

Vancouver:

Gates SM. Mystery of constellation: concerto for guitar and chamber orchestra. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Jun 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/251530/rec/4304.

Council of Science Editors:

Gates SM. Mystery of constellation: concerto for guitar and chamber orchestra. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/251530/rec/4304


University of Sydney

15. Rasko, David Béla. Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) .

Degree: 2017, University of Sydney

 Since the early 19th century, instrumentalists have made use of the musical genre known as the Étude (study piece) to aid in their technical and… (more)

Subjects/Keywords: Guitar; Sor; Etudes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rasko, D. B. (2017). Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17015

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rasko, David Béla. “Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) .” 2017. Thesis, University of Sydney. Accessed June 17, 2019. http://hdl.handle.net/2123/17015.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rasko, David Béla. “Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) .” 2017. Web. 17 Jun 2019.

Vancouver:

Rasko DB. Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) . [Internet] [Thesis]. University of Sydney; 2017. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2123/17015.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rasko DB. Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/17015

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

16. Beaumont, Walter Lance. Bringing it all together: formal and informal learning in a university guitar class.

Degree: DMA, Music Education, 2015, Boston University

 This study seeks to integrate informal and formal music learning in a university guitar class with a secondary focus on evaluating the effectiveness of this… (more)

Subjects/Keywords: Music education; Guitar; Class guitar; Formal learning; Guitar class; Guitar pedagogy; Informal learning

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beaumont, W. L. (2015). Bringing it all together: formal and informal learning in a university guitar class. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/16230

Chicago Manual of Style (16th Edition):

Beaumont, Walter Lance. “Bringing it all together: formal and informal learning in a university guitar class.” 2015. Doctoral Dissertation, Boston University. Accessed June 17, 2019. http://hdl.handle.net/2144/16230.

MLA Handbook (7th Edition):

Beaumont, Walter Lance. “Bringing it all together: formal and informal learning in a university guitar class.” 2015. Web. 17 Jun 2019.

Vancouver:

Beaumont WL. Bringing it all together: formal and informal learning in a university guitar class. [Internet] [Doctoral dissertation]. Boston University; 2015. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2144/16230.

Council of Science Editors:

Beaumont WL. Bringing it all together: formal and informal learning in a university guitar class. [Doctoral Dissertation]. Boston University; 2015. Available from: http://hdl.handle.net/2144/16230


University of Toronto

17. McFadden, Jeffrey James. Fretboard Harmony for University Study: Method and Historical Context.

Degree: 2010, University of Toronto

Fretboard harmony is essential in any thorough approach to the education of classical guitarists yet no effective method or materials for teaching a course in… (more)

Subjects/Keywords: Music; Guitar; 0413

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McFadden, J. J. (2010). Fretboard Harmony for University Study: Method and Historical Context. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/24825

Chicago Manual of Style (16th Edition):

McFadden, Jeffrey James. “Fretboard Harmony for University Study: Method and Historical Context.” 2010. Doctoral Dissertation, University of Toronto. Accessed June 17, 2019. http://hdl.handle.net/1807/24825.

MLA Handbook (7th Edition):

McFadden, Jeffrey James. “Fretboard Harmony for University Study: Method and Historical Context.” 2010. Web. 17 Jun 2019.

Vancouver:

McFadden JJ. Fretboard Harmony for University Study: Method and Historical Context. [Internet] [Doctoral dissertation]. University of Toronto; 2010. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/1807/24825.

Council of Science Editors:

McFadden JJ. Fretboard Harmony for University Study: Method and Historical Context. [Doctoral Dissertation]. University of Toronto; 2010. Available from: http://hdl.handle.net/1807/24825


University of Texas – Austin

18. Quiroga, Jason. Master's thesis recital (guitar).

Degree: Music, 2011, University of Texas – Austin

Black Nile / W. Shorter  – East of the sun / B. Bowman  – Nardis / M. Davis  – Inner urge / J. Henderson  – Time remembered / B. Evans  – Red clay / F. Hubbard. Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Jazz; Guitar music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Quiroga, J. (2011). Master's thesis recital (guitar). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/16477

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quiroga, Jason. “Master's thesis recital (guitar).” 2011. Thesis, University of Texas – Austin. Accessed June 17, 2019. http://hdl.handle.net/2152/16477.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quiroga, Jason. “Master's thesis recital (guitar).” 2011. Web. 17 Jun 2019.

Vancouver:

Quiroga J. Master's thesis recital (guitar). [Internet] [Thesis]. University of Texas – Austin; 2011. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2152/16477.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quiroga J. Master's thesis recital (guitar). [Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/16477

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Morey II, Michael J. A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar.

Degree: 2011, University of North Texas

 Polymeter has been a relatively unexplored compositional technique of music of the Common Practice Period. Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar is recognized… (more)

Subjects/Keywords: Guitar; polymetrics; improvisation

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APA (6th Edition):

Morey II, M. J. (2011). A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc84256/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morey II, Michael J. “A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar.” 2011. Thesis, University of North Texas. Accessed June 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc84256/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morey II, Michael J. “A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar.” 2011. Web. 17 Jun 2019.

Vancouver:

Morey II MJ. A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Jun 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc84256/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morey II MJ. A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc84256/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

20. Feely, Patrick K. The Effects of Video Recording on the Level of Expertise and Self-Regulated Learning Ability of Adults in a Beginner Classical Guitar Class.

Degree: 2017, University of Western Ontario

 This mixed methods study investigated the effects of video recording on the self-regulated learning behaviours and achievement levels of adults in a beginner classical guitar(more)

Subjects/Keywords: self-regulated learning; expertise; classroom guitar; video recording; guitar assessment; guitar pedagogy; Music Education

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Feely, P. K. (2017). The Effects of Video Recording on the Level of Expertise and Self-Regulated Learning Ability of Adults in a Beginner Classical Guitar Class. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/4733

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feely, Patrick K. “The Effects of Video Recording on the Level of Expertise and Self-Regulated Learning Ability of Adults in a Beginner Classical Guitar Class.” 2017. Thesis, University of Western Ontario. Accessed June 17, 2019. https://ir.lib.uwo.ca/etd/4733.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feely, Patrick K. “The Effects of Video Recording on the Level of Expertise and Self-Regulated Learning Ability of Adults in a Beginner Classical Guitar Class.” 2017. Web. 17 Jun 2019.

Vancouver:

Feely PK. The Effects of Video Recording on the Level of Expertise and Self-Regulated Learning Ability of Adults in a Beginner Classical Guitar Class. [Internet] [Thesis]. University of Western Ontario; 2017. [cited 2019 Jun 17]. Available from: https://ir.lib.uwo.ca/etd/4733.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feely PK. The Effects of Video Recording on the Level of Expertise and Self-Regulated Learning Ability of Adults in a Beginner Classical Guitar Class. [Thesis]. University of Western Ontario; 2017. Available from: https://ir.lib.uwo.ca/etd/4733

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Tsai, I-Hsuan (Phoebe). A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present.

Degree: Thesis (D.A.), 2018, Ball State University

 Teaching techniques to beginners is an important and challenging endeavor. Improper or vague fundamental technique instruction can cause students to develop ineffective habits. These habits… (more)

Subjects/Keywords: Guitar  – Instruction and study  – History  – 19th century.; Guitar  – Instruction and study.; Guitar  – Methods.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tsai, I. (. (2018). A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/201119

Chicago Manual of Style (16th Edition):

Tsai, I-Hsuan (Phoebe). “A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present.” 2018. Doctoral Dissertation, Ball State University. Accessed June 17, 2019. http://cardinalscholar.bsu.edu/handle/123456789/201119.

MLA Handbook (7th Edition):

Tsai, I-Hsuan (Phoebe). “A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present.” 2018. Web. 17 Jun 2019.

Vancouver:

Tsai I(. A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present. [Internet] [Doctoral dissertation]. Ball State University; 2018. [cited 2019 Jun 17]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201119.

Council of Science Editors:

Tsai I(. A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present. [Doctoral Dissertation]. Ball State University; 2018. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201119


University of Georgia

22. Tuohy, Daniel Richard. Creating tablature and arranging music for guitar with genetic algorithms and artificial neural networks.

Degree: MS, Artificial Intelligence, 2006, University of Georgia

Subjects/Keywords: Guitar Tablature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tuohy, D. R. (2006). Creating tablature and arranging music for guitar with genetic algorithms and artificial neural networks. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/tuohy_daniel_r_200605_ms

Chicago Manual of Style (16th Edition):

Tuohy, Daniel Richard. “Creating tablature and arranging music for guitar with genetic algorithms and artificial neural networks.” 2006. Masters Thesis, University of Georgia. Accessed June 17, 2019. http://purl.galileo.usg.edu/uga_etd/tuohy_daniel_r_200605_ms.

MLA Handbook (7th Edition):

Tuohy, Daniel Richard. “Creating tablature and arranging music for guitar with genetic algorithms and artificial neural networks.” 2006. Web. 17 Jun 2019.

Vancouver:

Tuohy DR. Creating tablature and arranging music for guitar with genetic algorithms and artificial neural networks. [Internet] [Masters thesis]. University of Georgia; 2006. [cited 2019 Jun 17]. Available from: http://purl.galileo.usg.edu/uga_etd/tuohy_daniel_r_200605_ms.

Council of Science Editors:

Tuohy DR. Creating tablature and arranging music for guitar with genetic algorithms and artificial neural networks. [Masters Thesis]. University of Georgia; 2006. Available from: http://purl.galileo.usg.edu/uga_etd/tuohy_daniel_r_200605_ms


Victoria University of Wellington

23. Garrick, Jamie. The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi.

Degree: 2014, Victoria University of Wellington

 Studies of virtuosity in the eighteenth and nineteenth centuries have tended to focus on the piano and the violin. These instruments were obviously virtuosic and… (more)

Subjects/Keywords: Guitar; Virtuosity; Nineteenth-century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garrick, J. (2014). The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/3436

Chicago Manual of Style (16th Edition):

Garrick, Jamie. “The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi.” 2014. Masters Thesis, Victoria University of Wellington. Accessed June 17, 2019. http://hdl.handle.net/10063/3436.

MLA Handbook (7th Edition):

Garrick, Jamie. “The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi.” 2014. Web. 17 Jun 2019.

Vancouver:

Garrick J. The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi. [Internet] [Masters thesis]. Victoria University of Wellington; 2014. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/10063/3436.

Council of Science Editors:

Garrick J. The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi. [Masters Thesis]. Victoria University of Wellington; 2014. Available from: http://hdl.handle.net/10063/3436


Baylor University

24. Kelly, Patrick T. (Patrick Thomas), 1965-. The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967.

Degree: Music., 2010, Baylor University

 British blues guitarists emerging in the mid-1960s incorporated a musical vocabulary which borrowed heavily from recordings of the modern blues' African-American, postwar originators. Crucial differences… (more)

Subjects/Keywords: Performance.; Guitar.; Blues.; Aesthetics.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kelly, Patrick T. (Patrick Thomas), 1. (2010). The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/5526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kelly, Patrick T. (Patrick Thomas), 1965-. “The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. ” 2010. Thesis, Baylor University. Accessed June 17, 2019. http://hdl.handle.net/2104/5526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kelly, Patrick T. (Patrick Thomas), 1965-. “The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. ” 2010. Web. 17 Jun 2019.

Vancouver:

Kelly, Patrick T. (Patrick Thomas) 1. The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. [Internet] [Thesis]. Baylor University; 2010. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2104/5526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kelly, Patrick T. (Patrick Thomas) 1. The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. [Thesis]. Baylor University; 2010. Available from: http://hdl.handle.net/2104/5526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

25. VanHassel, Daniel Herbert. Distill for orchestra and electric guitar.

Degree: Music, 2014, University of California – Berkeley

 Distill is a musical composition for orchestra and electric guitar. The work marshals the power of the electric guitar to create a huge variety of… (more)

Subjects/Keywords: Music; electric guitar; orchestra

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APA (6th Edition):

VanHassel, D. H. (2014). Distill for orchestra and electric guitar. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8rz9g6gj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

VanHassel, Daniel Herbert. “Distill for orchestra and electric guitar.” 2014. Thesis, University of California – Berkeley. Accessed June 17, 2019. http://www.escholarship.org/uc/item/8rz9g6gj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

VanHassel, Daniel Herbert. “Distill for orchestra and electric guitar.” 2014. Web. 17 Jun 2019.

Vancouver:

VanHassel DH. Distill for orchestra and electric guitar. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Jun 17]. Available from: http://www.escholarship.org/uc/item/8rz9g6gj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

VanHassel DH. Distill for orchestra and electric guitar. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/8rz9g6gj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

26. Hoppe, Jens. The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel .

Degree: 2017, University of Sydney

 This thesis is an examination of 10 introductions recorded by Kurt Rosenwinkel between 1996 and 2012. Introductions are classified into three Types. The aim of… (more)

Subjects/Keywords: Kurt Rosenwinkel; Jazz Guitar

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APA (6th Edition):

Hoppe, J. (2017). The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hoppe, Jens. “The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel .” 2017. Thesis, University of Sydney. Accessed June 17, 2019. http://hdl.handle.net/2123/16339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hoppe, Jens. “The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel .” 2017. Web. 17 Jun 2019.

Vancouver:

Hoppe J. The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel . [Internet] [Thesis]. University of Sydney; 2017. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2123/16339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hoppe J. The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/16339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

27. Sawkins, Jeremy Hugh. Stringing it all together: A study in harmony and counterpoint for solo jazz guitar .

Degree: 2018, University of Sydney

 How do Australian jazz guitarists create their unique arrangements of jazz songs in the context of solo performance? This research focuses on the methods of… (more)

Subjects/Keywords: jazz guitar; Golla; Muller; Kelly

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APA (6th Edition):

Sawkins, J. H. (2018). Stringing it all together: A study in harmony and counterpoint for solo jazz guitar . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/18788

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sawkins, Jeremy Hugh. “Stringing it all together: A study in harmony and counterpoint for solo jazz guitar .” 2018. Thesis, University of Sydney. Accessed June 17, 2019. http://hdl.handle.net/2123/18788.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sawkins, Jeremy Hugh. “Stringing it all together: A study in harmony and counterpoint for solo jazz guitar .” 2018. Web. 17 Jun 2019.

Vancouver:

Sawkins JH. Stringing it all together: A study in harmony and counterpoint for solo jazz guitar . [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2123/18788.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sawkins JH. Stringing it all together: A study in harmony and counterpoint for solo jazz guitar . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/18788

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Fugazza, Lorenzo. The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?.

Degree: Classical Music, 2017, Royal College of Music in Stockholm

  This thesis is an investigation on the influences that the Spanish Guitar and the traditional music from Spain had on the impressionistic composers of… (more)

Subjects/Keywords: Guitar; Gitarr; Music; Musik

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APA (6th Edition):

Fugazza, L. (2017). The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fugazza, Lorenzo. “The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?.” 2017. Thesis, Royal College of Music in Stockholm. Accessed June 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fugazza, Lorenzo. “The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?.” 2017. Web. 17 Jun 2019.

Vancouver:

Fugazza L. The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?. [Internet] [Thesis]. Royal College of Music in Stockholm; 2017. [cited 2019 Jun 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fugazza L. The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?. [Thesis]. Royal College of Music in Stockholm; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

29. Fisher, Jody. Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis.

Degree: 2012, University of Adelaide

 This submission for the degree of Master of Music at the Elder Conservatorium of Music explores, through the medium of performance, ways in which classical… (more)

Subjects/Keywords: guitar; musical performance; expressivity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fisher, J. (2012). Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/80338

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fisher, Jody. “Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis.” 2012. Thesis, University of Adelaide. Accessed June 17, 2019. http://hdl.handle.net/2440/80338.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fisher, Jody. “Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis.” 2012. Web. 17 Jun 2019.

Vancouver:

Fisher J. Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis. [Internet] [Thesis]. University of Adelaide; 2012. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/2440/80338.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fisher J. Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis. [Thesis]. University of Adelaide; 2012. Available from: http://hdl.handle.net/2440/80338

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Delft University of Technology

30. Langendijk, R.M. Bass guitar bridge for Aristides Instruments:.

Degree: 2010, Delft University of Technology

 is a company that produces electric guitars and bass guitars. This assignment is for the part that connects the strings to the body of the… (more)

Subjects/Keywords: bass guitar bridge; torpedo

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Langendijk, R. M. (2010). Bass guitar bridge for Aristides Instruments:. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:a66e9d34-5428-424d-8278-5d76a70ccf40

Chicago Manual of Style (16th Edition):

Langendijk, R M. “Bass guitar bridge for Aristides Instruments:.” 2010. Masters Thesis, Delft University of Technology. Accessed June 17, 2019. http://resolver.tudelft.nl/uuid:a66e9d34-5428-424d-8278-5d76a70ccf40.

MLA Handbook (7th Edition):

Langendijk, R M. “Bass guitar bridge for Aristides Instruments:.” 2010. Web. 17 Jun 2019.

Vancouver:

Langendijk RM. Bass guitar bridge for Aristides Instruments:. [Internet] [Masters thesis]. Delft University of Technology; 2010. [cited 2019 Jun 17]. Available from: http://resolver.tudelft.nl/uuid:a66e9d34-5428-424d-8278-5d76a70ccf40.

Council of Science Editors:

Langendijk RM. Bass guitar bridge for Aristides Instruments:. [Masters Thesis]. Delft University of Technology; 2010. Available from: http://resolver.tudelft.nl/uuid:a66e9d34-5428-424d-8278-5d76a70ccf40

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