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You searched for subject:(Guitar). Showing records 1 – 30 of 507 total matches.

[1] [2] [3] [4] [5] … [17]

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Nelson Mandela Metropolitan University

1. Bower, Rudi. A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders.

Degree: DPhil, Faculty of Arts, 2008, Nelson Mandela Metropolitan University

 This study uses a general historical overview of luthiery that provides the reader with a basic understanding of construction techniques and terminology as a point… (more)

Subjects/Keywords: Guitar  – Construction; Guitar  – History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bower, R. (2008). A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders. (Doctoral Dissertation). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/779

Chicago Manual of Style (16th Edition):

Bower, Rudi. “A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders.” 2008. Doctoral Dissertation, Nelson Mandela Metropolitan University. Accessed September 18, 2020. http://hdl.handle.net/10948/779.

MLA Handbook (7th Edition):

Bower, Rudi. “A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders.” 2008. Web. 18 Sep 2020.

Vancouver:

Bower R. A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders. [Internet] [Doctoral dissertation]. Nelson Mandela Metropolitan University; 2008. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/10948/779.

Council of Science Editors:

Bower R. A historic-hermeneutic critique of luthiery with specific reference to selected South African guiter builders. [Doctoral Dissertation]. Nelson Mandela Metropolitan University; 2008. Available from: http://hdl.handle.net/10948/779


University of Adelaide

2. Leeson, Aloysius John. Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis.

Degree: 2017, University of Adelaide

 This performance-based project explores the emergence of what we now call classical and flamenco guitar traditions out of a complex matrix of guitar styles in… (more)

Subjects/Keywords: guitar; flamenco guitar; classical guitar; guitar history; Spain

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APA (6th Edition):

Leeson, A. J. (2017). Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/114438

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leeson, Aloysius John. “Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis.” 2017. Thesis, University of Adelaide. Accessed September 18, 2020. http://hdl.handle.net/2440/114438.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leeson, Aloysius John. “Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis.” 2017. Web. 18 Sep 2020.

Vancouver:

Leeson AJ. Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis. [Internet] [Thesis]. University of Adelaide; 2017. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2440/114438.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leeson AJ. Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis. [Thesis]. University of Adelaide; 2017. Available from: http://hdl.handle.net/2440/114438

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

3. Williams, Joseph V., II. Doctoral thesis recital (guitar).

Degree: DMA, Guitar performance, 2013, University of Texas – Austin

Sonata in G minor, BWV 1001 / J. S. Bach  – Fantasia, op.19 / Luigi Legnani  – Three pieces / Federico Moreno Torroba  – from Zia: folklore and legends of New Mexico / Joseph Williams II.

Subjects/Keywords: Guitar music

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APA (6th Edition):

Williams, Joseph V., I. (2013). Doctoral thesis recital (guitar). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23181

Chicago Manual of Style (16th Edition):

Williams, Joseph V., II. “Doctoral thesis recital (guitar).” 2013. Doctoral Dissertation, University of Texas – Austin. Accessed September 18, 2020. http://hdl.handle.net/2152/23181.

MLA Handbook (7th Edition):

Williams, Joseph V., II. “Doctoral thesis recital (guitar).” 2013. Web. 18 Sep 2020.

Vancouver:

Williams, Joseph V. I. Doctoral thesis recital (guitar). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2013. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2152/23181.

Council of Science Editors:

Williams, Joseph V. I. Doctoral thesis recital (guitar). [Doctoral Dissertation]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/23181


Florida International University

4. Lebos, Aaron. Extended Program Notes for Thesis Guitar Recital.

Degree: MM, Music, 2011, Florida International University

  This thesis presents extended program notes for a sixty-minute guitar graduate recital consisting of the following repertoire in order: Benin; Pure; Home; Closure all… (more)

Subjects/Keywords: Jazz guitar

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APA (6th Edition):

Lebos, A. (2011). Extended Program Notes for Thesis Guitar Recital. (Thesis). Florida International University. Retrieved from https://digitalcommons.fiu.edu/etd/545 ; 10.25148/etd.FI11120807 ; FI11120807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lebos, Aaron. “Extended Program Notes for Thesis Guitar Recital.” 2011. Thesis, Florida International University. Accessed September 18, 2020. https://digitalcommons.fiu.edu/etd/545 ; 10.25148/etd.FI11120807 ; FI11120807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lebos, Aaron. “Extended Program Notes for Thesis Guitar Recital.” 2011. Web. 18 Sep 2020.

Vancouver:

Lebos A. Extended Program Notes for Thesis Guitar Recital. [Internet] [Thesis]. Florida International University; 2011. [cited 2020 Sep 18]. Available from: https://digitalcommons.fiu.edu/etd/545 ; 10.25148/etd.FI11120807 ; FI11120807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lebos A. Extended Program Notes for Thesis Guitar Recital. [Thesis]. Florida International University; 2011. Available from: https://digitalcommons.fiu.edu/etd/545 ; 10.25148/etd.FI11120807 ; FI11120807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Delft University of Technology

5. van Boven, M.M.A. (author). Dynamic Response Optimization of an Acoustic Guitar.

Degree: 2017, Delft University of Technology

Currently the production process of acoustic guitar factories does not result in instruments with equal dynamical behaviour, due to the varying material properties of wood… (more)

Subjects/Keywords: Optimization; Guitar

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

van Boven, M. M. A. (. (2017). Dynamic Response Optimization of an Acoustic Guitar. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:0126e698-df97-4313-a4d1-78f4c3f8c6d0

Chicago Manual of Style (16th Edition):

van Boven, M M A (author). “Dynamic Response Optimization of an Acoustic Guitar.” 2017. Masters Thesis, Delft University of Technology. Accessed September 18, 2020. http://resolver.tudelft.nl/uuid:0126e698-df97-4313-a4d1-78f4c3f8c6d0.

MLA Handbook (7th Edition):

van Boven, M M A (author). “Dynamic Response Optimization of an Acoustic Guitar.” 2017. Web. 18 Sep 2020.

Vancouver:

van Boven MMA(. Dynamic Response Optimization of an Acoustic Guitar. [Internet] [Masters thesis]. Delft University of Technology; 2017. [cited 2020 Sep 18]. Available from: http://resolver.tudelft.nl/uuid:0126e698-df97-4313-a4d1-78f4c3f8c6d0.

Council of Science Editors:

van Boven MMA(. Dynamic Response Optimization of an Acoustic Guitar. [Masters Thesis]. Delft University of Technology; 2017. Available from: http://resolver.tudelft.nl/uuid:0126e698-df97-4313-a4d1-78f4c3f8c6d0


Rhodes University

6. Nock, Howard James. The classical guitar : a study in structural, technical and musical evolution.

Degree: Faculty of Humanities, Music, 1974, Rhodes University

 Although complete works have been written dealing with the structural development of the guitar, to the best of my knowledge no attempt has yet been… (more)

Subjects/Keywords: Guitar; Guitar  – Construction

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nock, H. J. (1974). The classical guitar : a study in structural, technical and musical evolution. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1012966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nock, Howard James. “The classical guitar : a study in structural, technical and musical evolution.” 1974. Thesis, Rhodes University. Accessed September 18, 2020. http://hdl.handle.net/10962/d1012966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nock, Howard James. “The classical guitar : a study in structural, technical and musical evolution.” 1974. Web. 18 Sep 2020.

Vancouver:

Nock HJ. The classical guitar : a study in structural, technical and musical evolution. [Internet] [Thesis]. Rhodes University; 1974. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/10962/d1012966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nock HJ. The classical guitar : a study in structural, technical and musical evolution. [Thesis]. Rhodes University; 1974. Available from: http://hdl.handle.net/10962/d1012966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Migneco, Raymond Vincent. Analysis and synthesis of expressive guitar performance.

Degree: 2012, Drexel University

The guitar is one of the most popular and versatile instruments used in Western music cultures. Dating back to the Renaissance era, the guitar can… (more)

Subjects/Keywords: Electrical engineering; Guitar – Construction; Guitar – Acoustics

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APA (6th Edition):

Migneco, R. V. (2012). Analysis and synthesis of expressive guitar performance. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/3806

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Migneco, Raymond Vincent. “Analysis and synthesis of expressive guitar performance.” 2012. Thesis, Drexel University. Accessed September 18, 2020. http://hdl.handle.net/1860/3806.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Migneco, Raymond Vincent. “Analysis and synthesis of expressive guitar performance.” 2012. Web. 18 Sep 2020.

Vancouver:

Migneco RV. Analysis and synthesis of expressive guitar performance. [Internet] [Thesis]. Drexel University; 2012. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/1860/3806.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Migneco RV. Analysis and synthesis of expressive guitar performance. [Thesis]. Drexel University; 2012. Available from: http://hdl.handle.net/1860/3806

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

8. Johnston, Bruce Hurley. Concerto Blue, for Classical Guitar.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Concerto Blue is a three-movement concerto for classical guitar and medium-sized orchestra. Aesthetic considerations of this piece involve taking essential ingredients that define the… (more)

Subjects/Keywords: Classical Guitar; Concerto; Blues Guitar; Postmodern

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johnston, B. H. (2012). Concerto Blue, for Classical Guitar. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Thesis, University of Miami. Accessed September 18, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Web. 18 Sep 2020.

Vancouver:

Johnston BH. Concerto Blue, for Classical Guitar. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Sep 18]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnston BH. Concerto Blue, for Classical Guitar. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

9. Rasko, David Béla. Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) .

Degree: 2017, University of Sydney

 Since the early 19th century, instrumentalists have made use of the musical genre known as the Étude (study piece) to aid in their technical and… (more)

Subjects/Keywords: Guitar; Sor; Etudes

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APA (6th Edition):

Rasko, D. B. (2017). Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17015

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rasko, David Béla. “Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) .” 2017. Thesis, University of Sydney. Accessed September 18, 2020. http://hdl.handle.net/2123/17015.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rasko, David Béla. “Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) .” 2017. Web. 18 Sep 2020.

Vancouver:

Rasko DB. Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) . [Internet] [Thesis]. University of Sydney; 2017. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2123/17015.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rasko DB. Myths and Logic: The Guitar Études of Fernando Sor (1778–1839) . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/17015

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

10. Beaumont, Walter Lance. Bringing it all together: formal and informal learning in a university guitar class.

Degree: DMA, Music Education, 2015, Boston University

 This study seeks to integrate informal and formal music learning in a university guitar class with a secondary focus on evaluating the effectiveness of this… (more)

Subjects/Keywords: Music education; Guitar; Class guitar; Formal learning; Guitar class; Guitar pedagogy; Informal learning

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beaumont, W. L. (2015). Bringing it all together: formal and informal learning in a university guitar class. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/16230

Chicago Manual of Style (16th Edition):

Beaumont, Walter Lance. “Bringing it all together: formal and informal learning in a university guitar class.” 2015. Doctoral Dissertation, Boston University. Accessed September 18, 2020. http://hdl.handle.net/2144/16230.

MLA Handbook (7th Edition):

Beaumont, Walter Lance. “Bringing it all together: formal and informal learning in a university guitar class.” 2015. Web. 18 Sep 2020.

Vancouver:

Beaumont WL. Bringing it all together: formal and informal learning in a university guitar class. [Internet] [Doctoral dissertation]. Boston University; 2015. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2144/16230.

Council of Science Editors:

Beaumont WL. Bringing it all together: formal and informal learning in a university guitar class. [Doctoral Dissertation]. Boston University; 2015. Available from: http://hdl.handle.net/2144/16230


University of North Texas

11. Morey, Michael J. A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar.

Degree: 2011, University of North Texas

 Polymeter has been a relatively unexplored compositional technique of music of the Common Practice Period. Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar is recognized… (more)

Subjects/Keywords: Guitar; polymetrics; improvisation

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APA (6th Edition):

Morey, M. J. (2011). A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc84256/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morey, Michael J. “A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar.” 2011. Thesis, University of North Texas. Accessed September 18, 2020. https://digital.library.unt.edu/ark:/67531/metadc84256/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morey, Michael J. “A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar.” 2011. Web. 18 Sep 2020.

Vancouver:

Morey MJ. A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Sep 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc84256/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morey MJ. A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc84256/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Lochbaum, Stephen. An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi.

Degree: 2019, University of North Texas

 The 10 Etudes for Guitar by Giulio Regondi represent the pinnacle of technical achievement for nineteenth century guitar performance. Dense textures, large stretches, fast scales… (more)

Subjects/Keywords: Guitar etudes; Giulio Regondi; 19th century music; Guitar pedagogy; Regondi, Giulio, 1822-1872. Etudes, guitar.; Guitar music  – Analysis, appreciation.; Guitar  – Methods.; Guitar  – Studies and exercises.; Academic theses

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lochbaum, S. (2019). An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505178/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lochbaum, Stephen. “An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi.” 2019. Thesis, University of North Texas. Accessed September 18, 2020. https://digital.library.unt.edu/ark:/67531/metadc1505178/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lochbaum, Stephen. “An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi.” 2019. Web. 18 Sep 2020.

Vancouver:

Lochbaum S. An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi. [Internet] [Thesis]. University of North Texas; 2019. [cited 2020 Sep 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505178/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lochbaum S. An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505178/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Tsai, I-Hsuan (Phoebe). A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present.

Degree: Thesis (D.A.), 2018, Ball State University

 Teaching techniques to beginners is an important and challenging endeavor. Improper or vague fundamental technique instruction can cause students to develop ineffective habits. These habits… (more)

Subjects/Keywords: Guitar  – Instruction and study  – History  – 19th century.; Guitar  – Instruction and study.; Guitar  – Methods.

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APA (6th Edition):

Tsai, I. (. (2018). A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/201119

Chicago Manual of Style (16th Edition):

Tsai, I-Hsuan (Phoebe). “A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present.” 2018. Doctoral Dissertation, Ball State University. Accessed September 18, 2020. http://cardinalscholar.bsu.edu/handle/123456789/201119.

MLA Handbook (7th Edition):

Tsai, I-Hsuan (Phoebe). “A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present.” 2018. Web. 18 Sep 2020.

Vancouver:

Tsai I(. A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present. [Internet] [Doctoral dissertation]. Ball State University; 2018. [cited 2020 Sep 18]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201119.

Council of Science Editors:

Tsai I(. A comparative analysis of fundamental guitar techniques including those of the nineteenth century and the present. [Doctoral Dissertation]. Ball State University; 2018. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201119


University of Adelaide

14. Cundell, Roger Guy Scott. [EMBARGOED] Across the South: The origins and development of the steel guitar in western swing.

Degree: 2019, University of Adelaide

 In the early 1930s, the steel guitar, a Hawaiian invention of the late 19th century, was adopted by musicians in an emerging form of dance… (more)

Subjects/Keywords: Steel guitar; lap steel guitar; western swing; country music; jazz; Hawaiian steel guitar

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cundell, R. G. S. (2019). [EMBARGOED] Across the South: The origins and development of the steel guitar in western swing. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/121301

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cundell, Roger Guy Scott. “[EMBARGOED] Across the South: The origins and development of the steel guitar in western swing.” 2019. Thesis, University of Adelaide. Accessed September 18, 2020. http://hdl.handle.net/2440/121301.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cundell, Roger Guy Scott. “[EMBARGOED] Across the South: The origins and development of the steel guitar in western swing.” 2019. Web. 18 Sep 2020.

Vancouver:

Cundell RGS. [EMBARGOED] Across the South: The origins and development of the steel guitar in western swing. [Internet] [Thesis]. University of Adelaide; 2019. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2440/121301.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cundell RGS. [EMBARGOED] Across the South: The origins and development of the steel guitar in western swing. [Thesis]. University of Adelaide; 2019. Available from: http://hdl.handle.net/2440/121301

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

15. VanHassel, Daniel Herbert. Distill for orchestra and electric guitar.

Degree: Music, 2014, University of California – Berkeley

 Distill is a musical composition for orchestra and electric guitar. The work marshals the power of the electric guitar to create a huge variety of… (more)

Subjects/Keywords: Music; electric guitar; orchestra

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APA (6th Edition):

VanHassel, D. H. (2014). Distill for orchestra and electric guitar. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8rz9g6gj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

VanHassel, Daniel Herbert. “Distill for orchestra and electric guitar.” 2014. Thesis, University of California – Berkeley. Accessed September 18, 2020. http://www.escholarship.org/uc/item/8rz9g6gj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

VanHassel, Daniel Herbert. “Distill for orchestra and electric guitar.” 2014. Web. 18 Sep 2020.

Vancouver:

VanHassel DH. Distill for orchestra and electric guitar. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2020 Sep 18]. Available from: http://www.escholarship.org/uc/item/8rz9g6gj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

VanHassel DH. Distill for orchestra and electric guitar. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/8rz9g6gj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Dorsey, DeShazo Lamont. Improvisation for Acoustic Guitar.

Degree: 2019, NC Docks

 This is a recording that is sound engineered by Deshazo L. Dorsey and performed by Manuel Arceo (guitar). Deshazo explains his recording strategy as: "To… (more)

Subjects/Keywords: Improvisations (Music); Guitar music.

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APA (6th Edition):

Dorsey, D. L. (2019). Improvisation for Acoustic Guitar. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/ecsu/f/Deshazo-Improvisation.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dorsey, DeShazo Lamont. “Improvisation for Acoustic Guitar.” 2019. Thesis, NC Docks. Accessed September 18, 2020. http://libres.uncg.edu/ir/ecsu/f/Deshazo-Improvisation.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dorsey, DeShazo Lamont. “Improvisation for Acoustic Guitar.” 2019. Web. 18 Sep 2020.

Vancouver:

Dorsey DL. Improvisation for Acoustic Guitar. [Internet] [Thesis]. NC Docks; 2019. [cited 2020 Sep 18]. Available from: http://libres.uncg.edu/ir/ecsu/f/Deshazo-Improvisation.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dorsey DL. Improvisation for Acoustic Guitar. [Thesis]. NC Docks; 2019. Available from: http://libres.uncg.edu/ir/ecsu/f/Deshazo-Improvisation.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

17. Fisher, Jody. Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis.

Degree: 2012, University of Adelaide

 This submission for the degree of Master of Music at the Elder Conservatorium of Music explores, through the medium of performance, ways in which classical… (more)

Subjects/Keywords: guitar; musical performance; expressivity

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APA (6th Edition):

Fisher, J. (2012). Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/80338

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fisher, Jody. “Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis.” 2012. Thesis, University of Adelaide. Accessed September 18, 2020. http://hdl.handle.net/2440/80338.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fisher, Jody. “Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis.” 2012. Web. 18 Sep 2020.

Vancouver:

Fisher J. Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis. [Internet] [Thesis]. University of Adelaide; 2012. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2440/80338.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fisher J. Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis. [Thesis]. University of Adelaide; 2012. Available from: http://hdl.handle.net/2440/80338

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Carolina University

18. Snyder, J. Travis. Visual-Aural Progression : One MFA Candidate's Retrospective 2005-2011.

Degree: 2011, East Carolina University

 Visual-Aural Progression chronicles my five-year journey through the MFA program in Wood Design. This writing showcases my progression as a craftsman through photos of my… (more)

Subjects/Keywords: Woodwork; Furniture making; Guitar – Construction

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APA (6th Edition):

Snyder, J. T. (2011). Visual-Aural Progression : One MFA Candidate's Retrospective 2005-2011. (Masters Thesis). East Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14843

Chicago Manual of Style (16th Edition):

Snyder, J Travis. “Visual-Aural Progression : One MFA Candidate's Retrospective 2005-2011.” 2011. Masters Thesis, East Carolina University. Accessed September 18, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14843.

MLA Handbook (7th Edition):

Snyder, J Travis. “Visual-Aural Progression : One MFA Candidate's Retrospective 2005-2011.” 2011. Web. 18 Sep 2020.

Vancouver:

Snyder JT. Visual-Aural Progression : One MFA Candidate's Retrospective 2005-2011. [Internet] [Masters thesis]. East Carolina University; 2011. [cited 2020 Sep 18]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14843.

Council of Science Editors:

Snyder JT. Visual-Aural Progression : One MFA Candidate's Retrospective 2005-2011. [Masters Thesis]. East Carolina University; 2011. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14843


University of Miami

19. Dickinson, Samuel Leslie. Building From Within: A Harmonic Self-Help Guide For Guitar Chord Voicings, Their Densities, and Applications.

Degree: DMA, Instrumental Performance (Music), 2019, University of Miami

 Throughout the history of jazz, the guitar has competed with its chordal counterpart, the piano, in providing the harmonic foundation for both small and large… (more)

Subjects/Keywords: Jazz; Guitar; Harmony; Chords

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APA (6th Edition):

Dickinson, S. L. (2019). Building From Within: A Harmonic Self-Help Guide For Guitar Chord Voicings, Their Densities, and Applications. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Samuel Leslie. “Building From Within: A Harmonic Self-Help Guide For Guitar Chord Voicings, Their Densities, and Applications.” 2019. Thesis, University of Miami. Accessed September 18, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/2307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Samuel Leslie. “Building From Within: A Harmonic Self-Help Guide For Guitar Chord Voicings, Their Densities, and Applications.” 2019. Web. 18 Sep 2020.

Vancouver:

Dickinson SL. Building From Within: A Harmonic Self-Help Guide For Guitar Chord Voicings, Their Densities, and Applications. [Internet] [Thesis]. University of Miami; 2019. [cited 2020 Sep 18]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson SL. Building From Within: A Harmonic Self-Help Guide For Guitar Chord Voicings, Their Densities, and Applications. [Thesis]. University of Miami; 2019. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Princeton University

20. Lee, Andrew McKenna. Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music .

Degree: PhD, 2013, Princeton University

 The guitar occupies a unique place in the history of music. Few other instruments have engendered such widespread popularity across such a vast swath of… (more)

Subjects/Keywords: composition; guitar; history; performance

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APA (6th Edition):

Lee, A. M. (2013). Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01pn89d671s

Chicago Manual of Style (16th Edition):

Lee, Andrew McKenna. “Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music .” 2013. Doctoral Dissertation, Princeton University. Accessed September 18, 2020. http://arks.princeton.edu/ark:/88435/dsp01pn89d671s.

MLA Handbook (7th Edition):

Lee, Andrew McKenna. “Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music .” 2013. Web. 18 Sep 2020.

Vancouver:

Lee AM. Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music . [Internet] [Doctoral dissertation]. Princeton University; 2013. [cited 2020 Sep 18]. Available from: http://arks.princeton.edu/ark:/88435/dsp01pn89d671s.

Council of Science Editors:

Lee AM. Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music . [Doctoral Dissertation]. Princeton University; 2013. Available from: http://arks.princeton.edu/ark:/88435/dsp01pn89d671s

21. Burke, Joseph Nicholas. The Chromatic Guitar Method.

Degree: MA -MA, Music, 2015, York University

 The Chromatic Guitar Method was written to help beginning guitar students better understand music theory and music notation. In my 17 years of experience teaching… (more)

Subjects/Keywords: Music education; guitar; pedagogy; audiation

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APA (6th Edition):

Burke, J. N. (2015). The Chromatic Guitar Method. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30634

Chicago Manual of Style (16th Edition):

Burke, Joseph Nicholas. “The Chromatic Guitar Method.” 2015. Masters Thesis, York University. Accessed September 18, 2020. http://hdl.handle.net/10315/30634.

MLA Handbook (7th Edition):

Burke, Joseph Nicholas. “The Chromatic Guitar Method.” 2015. Web. 18 Sep 2020.

Vancouver:

Burke JN. The Chromatic Guitar Method. [Internet] [Masters thesis]. York University; 2015. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/10315/30634.

Council of Science Editors:

Burke JN. The Chromatic Guitar Method. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30634

22. Palmer, Joseph W. Doctoral thesis recital (guitar).

Degree: DMA, Guitar performance, 2012, University of Texas – Austin

Siete canciones populares espanolas / Manuel de Falla  – Homage to Tom Waits / Joseph Williams II  – Adjo / Kaija Saariaho  – Mountain songs / Robert Beaser. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Guitar music; Chamber music

Page 1

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APA (6th Edition):

Palmer, J. W. (2012). Doctoral thesis recital (guitar). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23946

Chicago Manual of Style (16th Edition):

Palmer, Joseph W. “Doctoral thesis recital (guitar).” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed September 18, 2020. http://hdl.handle.net/2152/23946.

MLA Handbook (7th Edition):

Palmer, Joseph W. “Doctoral thesis recital (guitar).” 2012. Web. 18 Sep 2020.

Vancouver:

Palmer JW. Doctoral thesis recital (guitar). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2152/23946.

Council of Science Editors:

Palmer JW. Doctoral thesis recital (guitar). [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23946


University of Texas – Austin

23. Kesikli, Egemen, 1989-. In the midst of life : a concertino for guitar and chamber orchestra.

Degree: MM, Music, 2014, University of Texas – Austin

 In the Midst of Life is a highly-virtuosic concertino for solo guitarist and chamber orchestra. The piece explores variations of makamic intervallic structures—complex melody types… (more)

Subjects/Keywords: Guitar; Concertino; Chamber ensemble; Contemporary

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APA (6th Edition):

Kesikli, Egemen, 1. (2014). In the midst of life : a concertino for guitar and chamber orchestra. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/26434

Chicago Manual of Style (16th Edition):

Kesikli, Egemen, 1989-. “In the midst of life : a concertino for guitar and chamber orchestra.” 2014. Masters Thesis, University of Texas – Austin. Accessed September 18, 2020. http://hdl.handle.net/2152/26434.

MLA Handbook (7th Edition):

Kesikli, Egemen, 1989-. “In the midst of life : a concertino for guitar and chamber orchestra.” 2014. Web. 18 Sep 2020.

Vancouver:

Kesikli, Egemen 1. In the midst of life : a concertino for guitar and chamber orchestra. [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2152/26434.

Council of Science Editors:

Kesikli, Egemen 1. In the midst of life : a concertino for guitar and chamber orchestra. [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/26434


University of Sydney

24. Hoppe, Jens. The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel .

Degree: 2017, University of Sydney

 This thesis is an examination of 10 introductions recorded by Kurt Rosenwinkel between 1996 and 2012. Introductions are classified into three Types. The aim of… (more)

Subjects/Keywords: Kurt Rosenwinkel; Jazz Guitar

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APA (6th Edition):

Hoppe, J. (2017). The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hoppe, Jens. “The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel .” 2017. Thesis, University of Sydney. Accessed September 18, 2020. http://hdl.handle.net/2123/16339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hoppe, Jens. “The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel .” 2017. Web. 18 Sep 2020.

Vancouver:

Hoppe J. The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel . [Internet] [Thesis]. University of Sydney; 2017. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2123/16339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hoppe J. The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/16339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

25. Sawkins, Jeremy Hugh. Stringing it all together: A study in harmony and counterpoint for solo jazz guitar .

Degree: 2018, University of Sydney

 How do Australian jazz guitarists create their unique arrangements of jazz songs in the context of solo performance? This research focuses on the methods of… (more)

Subjects/Keywords: jazz guitar; Golla; Muller; Kelly

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APA (6th Edition):

Sawkins, J. H. (2018). Stringing it all together: A study in harmony and counterpoint for solo jazz guitar . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/18788

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sawkins, Jeremy Hugh. “Stringing it all together: A study in harmony and counterpoint for solo jazz guitar .” 2018. Thesis, University of Sydney. Accessed September 18, 2020. http://hdl.handle.net/2123/18788.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sawkins, Jeremy Hugh. “Stringing it all together: A study in harmony and counterpoint for solo jazz guitar .” 2018. Web. 18 Sep 2020.

Vancouver:

Sawkins JH. Stringing it all together: A study in harmony and counterpoint for solo jazz guitar . [Internet] [Thesis]. University of Sydney; 2018. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2123/18788.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sawkins JH. Stringing it all together: A study in harmony and counterpoint for solo jazz guitar . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/18788

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Fugazza, Lorenzo. The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?.

Degree: Classical Music, 2017, Royal College of Music in Stockholm

  This thesis is an investigation on the influences that the Spanish Guitar and the traditional music from Spain had on the impressionistic composers of… (more)

Subjects/Keywords: Guitar; Gitarr; Music; Musik

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APA (6th Edition):

Fugazza, L. (2017). The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fugazza, Lorenzo. “The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?.” 2017. Thesis, Royal College of Music in Stockholm. Accessed September 18, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fugazza, Lorenzo. “The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?.” 2017. Web. 18 Sep 2020.

Vancouver:

Fugazza L. The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?. [Internet] [Thesis]. Royal College of Music in Stockholm; 2017. [cited 2020 Sep 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fugazza L. The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?. [Thesis]. Royal College of Music in Stockholm; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

27. Garrick, Jamie. The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi.

Degree: 2014, Victoria University of Wellington

 Studies of virtuosity in the eighteenth and nineteenth centuries have tended to focus on the piano and the violin. These instruments were obviously virtuosic and… (more)

Subjects/Keywords: Guitar; Virtuosity; Nineteenth-century

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APA (6th Edition):

Garrick, J. (2014). The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/3436

Chicago Manual of Style (16th Edition):

Garrick, Jamie. “The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi.” 2014. Masters Thesis, Victoria University of Wellington. Accessed September 18, 2020. http://hdl.handle.net/10063/3436.

MLA Handbook (7th Edition):

Garrick, Jamie. “The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi.” 2014. Web. 18 Sep 2020.

Vancouver:

Garrick J. The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi. [Internet] [Masters thesis]. Victoria University of Wellington; 2014. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/10063/3436.

Council of Science Editors:

Garrick J. The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi. [Masters Thesis]. Victoria University of Wellington; 2014. Available from: http://hdl.handle.net/10063/3436


Texas Tech University

28. Frandsen, Mark Steven. Forecasting fusion at low frequencies: The bass players of "Weather Report".

Degree: Fine Arts, 2010, Texas Tech University

Subjects/Keywords: Bass guitar

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APA (6th Edition):

Frandsen, M. S. (2010). Forecasting fusion at low frequencies: The bass players of "Weather Report". (Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/45478

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Frandsen, Mark Steven. “Forecasting fusion at low frequencies: The bass players of "Weather Report".” 2010. Thesis, Texas Tech University. Accessed September 18, 2020. http://hdl.handle.net/2346/45478.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Frandsen, Mark Steven. “Forecasting fusion at low frequencies: The bass players of "Weather Report".” 2010. Web. 18 Sep 2020.

Vancouver:

Frandsen MS. Forecasting fusion at low frequencies: The bass players of "Weather Report". [Internet] [Thesis]. Texas Tech University; 2010. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/2346/45478.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Frandsen MS. Forecasting fusion at low frequencies: The bass players of "Weather Report". [Thesis]. Texas Tech University; 2010. Available from: http://hdl.handle.net/2346/45478

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

29. Palmer, Matthew Clayton. The Use of A-M-I Scale Technique to Facilitate the Performance of Joaquín Rodrigo's Concierto de Aranjuez .

Degree: 2012, University of Arizona

 The abundance of scale passages found in Joaquín Rodrigo's Concierto de Aranjuez for guitar and orchestra tests the stamina and swiftness of even the most… (more)

Subjects/Keywords: music; scales; classical; guitar

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APA (6th Edition):

Palmer, M. C. (2012). The Use of A-M-I Scale Technique to Facilitate the Performance of Joaquín Rodrigo's Concierto de Aranjuez . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/255152

Chicago Manual of Style (16th Edition):

Palmer, Matthew Clayton. “The Use of A-M-I Scale Technique to Facilitate the Performance of Joaquín Rodrigo's Concierto de Aranjuez .” 2012. Doctoral Dissertation, University of Arizona. Accessed September 18, 2020. http://hdl.handle.net/10150/255152.

MLA Handbook (7th Edition):

Palmer, Matthew Clayton. “The Use of A-M-I Scale Technique to Facilitate the Performance of Joaquín Rodrigo's Concierto de Aranjuez .” 2012. Web. 18 Sep 2020.

Vancouver:

Palmer MC. The Use of A-M-I Scale Technique to Facilitate the Performance of Joaquín Rodrigo's Concierto de Aranjuez . [Internet] [Doctoral dissertation]. University of Arizona; 2012. [cited 2020 Sep 18]. Available from: http://hdl.handle.net/10150/255152.

Council of Science Editors:

Palmer MC. The Use of A-M-I Scale Technique to Facilitate the Performance of Joaquín Rodrigo's Concierto de Aranjuez . [Doctoral Dissertation]. University of Arizona; 2012. Available from: http://hdl.handle.net/10150/255152


University of North Texas

30. Lignitz, Kellie. A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire.

Degree: 2013, University of North Texas

 In the last three decades there has been a surge in original compositions for clarinet and guitar resulting in the repertoire virtually doubling in size.… (more)

Subjects/Keywords: Original works; clarinet; guitar

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lignitz, K. (2013). A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271856/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lignitz, Kellie. “A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire.” 2013. Thesis, University of North Texas. Accessed September 18, 2020. https://digital.library.unt.edu/ark:/67531/metadc271856/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lignitz, Kellie. “A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire.” 2013. Web. 18 Sep 2020.

Vancouver:

Lignitz K. A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire. [Internet] [Thesis]. University of North Texas; 2013. [cited 2020 Sep 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271856/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lignitz K. A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271856/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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