subject:(Gothic)

University of Georgia

1. Blume, Mary Elizabeth. The English claim to Gothic: contemporary approaches to an age-old debate.

Degree: AB, Art History, 2010, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/blume_mary_e_201005_ab

► The Gothic Revival of the 19th century in Europe aroused a debate concerning the origin of a style already six centuries old. Besides the underlying… (more)

Subjects/Keywords: Gothic

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APA (6^th Edition):

Blume, M. E. (2010). The English claim to Gothic: contemporary approaches to an age-old debate. (Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/blume_mary_e_201005_ab

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Blume, Mary Elizabeth. “The English claim to Gothic: contemporary approaches to an age-old debate.” 2010. Thesis, University of Georgia. Accessed September 17, 2019. http://purl.galileo.usg.edu/uga_etd/blume_mary_e_201005_ab.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Blume, Mary Elizabeth. “The English claim to Gothic: contemporary approaches to an age-old debate.” 2010. Web. 17 Sep 2019.

Vancouver:

Blume ME. The English claim to Gothic: contemporary approaches to an age-old debate. [Internet] [Thesis]. University of Georgia; 2010. [cited 2019 Sep 17]. Available from: http://purl.galileo.usg.edu/uga_etd/blume_mary_e_201005_ab.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blume ME. The English claim to Gothic: contemporary approaches to an age-old debate. [Thesis]. University of Georgia; 2010. Available from: http://purl.galileo.usg.edu/uga_etd/blume_mary_e_201005_ab

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Georgia

2. Preis, Anja. Tunnelvision?: Hoffmann's and Tieck's guide into madness.

Degree: MA, German, 2016, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/preis_anja_201605_ma

► Works of Gothic fiction have distinguished themselves through a unique use of narrative perspectives, which evoke uncertainty as well as contingency in the narrative. In… (more)

Subjects/Keywords: Gothic

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APA (6^th Edition):

Preis, A. (2016). Tunnelvision?: Hoffmann's and Tieck's guide into madness. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/preis_anja_201605_ma

Chicago Manual of Style (16^th Edition):

Preis, Anja. “Tunnelvision?: Hoffmann's and Tieck's guide into madness.” 2016. Masters Thesis, University of Georgia. Accessed September 17, 2019. http://purl.galileo.usg.edu/uga_etd/preis_anja_201605_ma.

MLA Handbook (7^th Edition):

Preis, Anja. “Tunnelvision?: Hoffmann's and Tieck's guide into madness.” 2016. Web. 17 Sep 2019.

Vancouver:

Preis A. Tunnelvision?: Hoffmann's and Tieck's guide into madness. [Internet] [Masters thesis]. University of Georgia; 2016. [cited 2019 Sep 17]. Available from: http://purl.galileo.usg.edu/uga_etd/preis_anja_201605_ma.

Council of Science Editors:

Preis A. Tunnelvision?: Hoffmann's and Tieck's guide into madness. [Masters Thesis]. University of Georgia; 2016. Available from: http://purl.galileo.usg.edu/uga_etd/preis_anja_201605_ma

University of Cincinnati

3. BROCK, MARILYN V. FROM THE EDGE OF THE OCEAN.

Degree: PhD, Arts and Sciences : English and Comparative Literature, 2007, University of Cincinnati

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542

► My dissertation consists of two parts: a creative dissertation that is a collection of short stories, and a critical introduction that examines the function of… (more)

Subjects/Keywords: Gothic

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APA (6^th Edition):

BROCK, M. V. (2007). FROM THE EDGE OF THE OCEAN. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542

Chicago Manual of Style (16^th Edition):

BROCK, MARILYN V. “FROM THE EDGE OF THE OCEAN.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed September 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542.

MLA Handbook (7^th Edition):

BROCK, MARILYN V. “FROM THE EDGE OF THE OCEAN.” 2007. Web. 17 Sep 2019.

Vancouver:

BROCK MV. FROM THE EDGE OF THE OCEAN. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Sep 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542.

Council of Science Editors:

BROCK MV. FROM THE EDGE OF THE OCEAN. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542

University of Georgia

4. Stocker, Jacqueline Lee. The prisoner's friend: feeling and judgment in Radcliffe, Austen, Shelley, Bronte, and Eliot.

Degree: PhD, English, 2012, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/stocker_jacqueline_l_201212_phd

► Gothic, Romantic, and Victorian novels display an interest in friendship. My dissertation, "The Prisoner's Friend: Feeling and Judgment in Radcliffe, Austen, Shelley, Brontë, and Eliot,"… (more)

Subjects/Keywords: Female Gothic

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APA (6^th Edition):

Stocker, J. L. (2012). The prisoner's friend: feeling and judgment in Radcliffe, Austen, Shelley, Bronte, and Eliot. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/stocker_jacqueline_l_201212_phd

Chicago Manual of Style (16^th Edition):

Stocker, Jacqueline Lee. “The prisoner's friend: feeling and judgment in Radcliffe, Austen, Shelley, Bronte, and Eliot.” 2012. Doctoral Dissertation, University of Georgia. Accessed September 17, 2019. http://purl.galileo.usg.edu/uga_etd/stocker_jacqueline_l_201212_phd.

MLA Handbook (7^th Edition):

Stocker, Jacqueline Lee. “The prisoner's friend: feeling and judgment in Radcliffe, Austen, Shelley, Bronte, and Eliot.” 2012. Web. 17 Sep 2019.

Vancouver:

Stocker JL. The prisoner's friend: feeling and judgment in Radcliffe, Austen, Shelley, Bronte, and Eliot. [Internet] [Doctoral dissertation]. University of Georgia; 2012. [cited 2019 Sep 17]. Available from: http://purl.galileo.usg.edu/uga_etd/stocker_jacqueline_l_201212_phd.

Council of Science Editors:

Stocker JL. The prisoner's friend: feeling and judgment in Radcliffe, Austen, Shelley, Bronte, and Eliot. [Doctoral Dissertation]. University of Georgia; 2012. Available from: http://purl.galileo.usg.edu/uga_etd/stocker_jacqueline_l_201212_phd

University of Alberta

5. Wight, Dana L. Still Life: Representations of Passivity in the Gothic Novel.

Degree: PhD, Department of English and Film Studies, 2012, University of Alberta

URL: https://era.library.ualberta.ca/files/fq977v37t

► This dissertation explores the strategic possibilities of passivity as a form of agency in the eighteenth- and nineteenth-century British gothic novel in order to recuperate… (more)

Subjects/Keywords: gothic; passivity

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APA (6^th Edition):

Wight, D. L. (2012). Still Life: Representations of Passivity in the Gothic Novel. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/fq977v37t

Chicago Manual of Style (16^th Edition):

Wight, Dana L. “Still Life: Representations of Passivity in the Gothic Novel.” 2012. Doctoral Dissertation, University of Alberta. Accessed September 17, 2019. https://era.library.ualberta.ca/files/fq977v37t.

MLA Handbook (7^th Edition):

Wight, Dana L. “Still Life: Representations of Passivity in the Gothic Novel.” 2012. Web. 17 Sep 2019.

Vancouver:

Wight DL. Still Life: Representations of Passivity in the Gothic Novel. [Internet] [Doctoral dissertation]. University of Alberta; 2012. [cited 2019 Sep 17]. Available from: https://era.library.ualberta.ca/files/fq977v37t.

Council of Science Editors:

Wight DL. Still Life: Representations of Passivity in the Gothic Novel. [Doctoral Dissertation]. University of Alberta; 2012. Available from: https://era.library.ualberta.ca/files/fq977v37t

University of Debrecen

6. Kaszás, Judit. Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/166442

I examine how Jane Eyre as an intertext is evoked in Rebecca from the perspectives of gender roles, the doubleness of the female characters and the Gothic mansions with their dark secrets, mysterious spaces and threatening atmosphere. Advisors/Committee Members: Ureczky, Eszter (advisor).

Subjects/Keywords: Gothic; Gender

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APA (6^th Edition):

Kaszás, J. (2013). Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/166442

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kaszás, Judit. “Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre .” 2013. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/166442.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kaszás, Judit. “Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre .” 2013. Web. 17 Sep 2019.

Vancouver:

Kaszás J. Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/166442.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kaszás J. Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/166442

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Lang, Robert James. Wordsworth's Gothic Poetics.

Degree: 2012, Wake Forest University

URL: http://hdl.handle.net/10339/37652

► Wordsworth's poetry is typically seen by critics as healthy-minded, rich in themes of transcendence, synthesis, and optimism. The poet in this respect is contrasted with… (more)

Subjects/Keywords: Gothic

…the Gothic Tale. Critics must therefore look to the verse in their diagnoses of Gothic… …occurred before the age of 40). Regarding Wordsworth’s engagement of the Gothic, Mishra… …that elements of the Gothic would always stalk Romantic transcendence, the dark side pursuing… …after all, is the ontology of the literary Gothic anyway. (94-5). In this sense, it… …that, by most modern critics’ definition of the Gothic, Wordsworth may be considered Gothic…

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APA (6^th Edition):

Lang, R. J. (2012). Wordsworth's Gothic Poetics. (Thesis). Wake Forest University. Retrieved from http://hdl.handle.net/10339/37652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lang, Robert James. “Wordsworth's Gothic Poetics.” 2012. Thesis, Wake Forest University. Accessed September 17, 2019. http://hdl.handle.net/10339/37652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lang, Robert James. “Wordsworth's Gothic Poetics.” 2012. Web. 17 Sep 2019.

Vancouver:

Lang RJ. Wordsworth's Gothic Poetics. [Internet] [Thesis]. Wake Forest University; 2012. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10339/37652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lang RJ. Wordsworth's Gothic Poetics. [Thesis]. Wake Forest University; 2012. Available from: http://hdl.handle.net/10339/37652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Silyn Roberts, Sian. Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850.

Degree: PhD, English, 2008, Brown University

URL: https://repository.library.brown.edu/studio/item/bdr:16/

► This dissertation argues that gothic conventions in antebellum fiction revise Enlightenment categories of the individual, sympathy, and the social contract for a cultural environment made… (more)

Subjects/Keywords: gothic

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APA (6^th Edition):

Silyn Roberts, S. (2008). Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:16/

Chicago Manual of Style (16^th Edition):

Silyn Roberts, Sian. “Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850.” 2008. Doctoral Dissertation, Brown University. Accessed September 17, 2019. https://repository.library.brown.edu/studio/item/bdr:16/.

MLA Handbook (7^th Edition):

Silyn Roberts, Sian. “Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850.” 2008. Web. 17 Sep 2019.

Vancouver:

Silyn Roberts S. Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850. [Internet] [Doctoral dissertation]. Brown University; 2008. [cited 2019 Sep 17]. Available from: https://repository.library.brown.edu/studio/item/bdr:16/.

Council of Science Editors:

Silyn Roberts S. Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850. [Doctoral Dissertation]. Brown University; 2008. Available from: https://repository.library.brown.edu/studio/item/bdr:16/

The Ohio State University

9. Matsos, Christopher T. “With Clotted Locks and Eyes Like Burning Stars”: Corporeality and the Supernatural on the Gothic Stage, 1786 - 1836.

Degree: PhD, Theatre, 2010, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1274922246

► For a period of approximately fifty years in the late eighteenth and early nineteenth centuries, the British stage was dominated by Gothic drama. Like… (more)

▼ For a period of approximately fifty years in the late eighteenth and early nineteenth centuries, the British stage was dominated by Gothic drama. Like the Gothic novels whose popularity flourished in the same historical moment, Gothic drama was characterized by its attempt to evoke an atmosphere of mystery, suspense, and terror through the employment of any combination of particular appurtenances: foreboding medieval landscapes; ruined Gothic castles riddled with hidden chambers; a tormented, menacing, yet engaging villain; an innocent, "Enlightened" maiden who is the subject of his advances; an ineffectual if not emasculated hero; a secret whose truth has critical ramifications on the present. Perhaps most commonly associated with the term “Gothic” is the implicit or explicit presence of the supernatural. However, Gothic drama in its original form did not necessitate supernatural manifestations. What, therefore, inspired Gothic playwrights to defy the threat of censorship and test the public’s willingness to suspend its disbelief by persistently conjuring such entities upon London’s stages? Gothic drama, obsessed with death and the unknown, originated and attained the height of its importance and popularity in Britain in a moment marked by tremendous external and internal pressures, an unprecedented string of social developments, and scientific and industrial innovations. These forces challenged, if not threatened, perceptions of the individual, collective, and political body. It is the contention of this dissertation that supernatural figures in Gothic drama, in each of their principle iterations – ghosts, magicians, and monsters - were literary devices by which corporeality could be safely explored in a time of tumultuous change and uncertainty in Britain. Gothic ghosts became signifiers of bodies of literature, political bodies, and female corporeality. Where ghosts are memories, Gothic magicians represented individuals who manipulate memory, in essence making history. These characters call to mind powerful figures like Napoleon even as they engage tensions over changing roles of women in the period. Monsters, both the vampire and Frankenstein’s creation, allowed for the possibility of assimilating others into their corporeality, suggesting the notion that anyone has the capacity for monstrous behavior. An overarching progression emerges: Gothic drama moves from an obsession with ghosts, to manipulating and consorting with them as magicians, to the possibility of becoming ghoulish ourselves. The study concludes with the assertion that any piece of theatre that engages a memory’s ability to haunt, the manipulation of memory to define or characterize the past, or vexations and anxieties of the body potentially carries with it the vestiges of the Gothic supernatural. Advisors/Committee Members: Ferris, Lesley (Advisor).

Subjects/Keywords: Theater; Gothic; Gothic Drama; Ghosts; Theatre; corporeality

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APA (6^th Edition):

Matsos, C. T. (2010). “With Clotted Locks and Eyes Like Burning Stars”: Corporeality and the Supernatural on the Gothic Stage, 1786 - 1836. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1274922246

Chicago Manual of Style (16^th Edition):

Matsos, Christopher T. ““With Clotted Locks and Eyes Like Burning Stars”: Corporeality and the Supernatural on the Gothic Stage, 1786 - 1836.” 2010. Doctoral Dissertation, The Ohio State University. Accessed September 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274922246.

MLA Handbook (7^th Edition):

Matsos, Christopher T. ““With Clotted Locks and Eyes Like Burning Stars”: Corporeality and the Supernatural on the Gothic Stage, 1786 - 1836.” 2010. Web. 17 Sep 2019.

Vancouver:

Matsos CT. “With Clotted Locks and Eyes Like Burning Stars”: Corporeality and the Supernatural on the Gothic Stage, 1786 - 1836. [Internet] [Doctoral dissertation]. The Ohio State University; 2010. [cited 2019 Sep 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1274922246.

Council of Science Editors:

Matsos CT. “With Clotted Locks and Eyes Like Burning Stars”: Corporeality and the Supernatural on the Gothic Stage, 1786 - 1836. [Doctoral Dissertation]. The Ohio State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1274922246

Leiden University

10. Kojemiako, Olesia. Desire in the Double: Homosexuality and Homophobia in Gothic Literature.

Degree: 2017, Leiden University

URL: http://hdl.handle.net/1887/45801

► This thesis employs queer and psychoanalytic theory in order to analyze three Gothic texts from the Romantic Period: William Godwin's 'Caleb Williams' (1794), Mary Shelley's… (more)

Subjects/Keywords: Gothic; Double; Homosexuality

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APA (6^th Edition):

Kojemiako, O. (2017). Desire in the Double: Homosexuality and Homophobia in Gothic Literature. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/45801

Chicago Manual of Style (16^th Edition):

Kojemiako, Olesia. “Desire in the Double: Homosexuality and Homophobia in Gothic Literature.” 2017. Masters Thesis, Leiden University. Accessed September 17, 2019. http://hdl.handle.net/1887/45801.

MLA Handbook (7^th Edition):

Kojemiako, Olesia. “Desire in the Double: Homosexuality and Homophobia in Gothic Literature.” 2017. Web. 17 Sep 2019.

Vancouver:

Kojemiako O. Desire in the Double: Homosexuality and Homophobia in Gothic Literature. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1887/45801.

Council of Science Editors:

Kojemiako O. Desire in the Double: Homosexuality and Homophobia in Gothic Literature. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/45801

University of Aberdeen

11. Smith, Candice. "Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s.

Degree: PhD, 2014, University of Aberdeen

URL: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203790 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116

► This thesis examines the way in which four women writers of the 1790s appropriated the architectural metaphors of the Revolution debate in their Gothic novels.… (more)

▼ This thesis examines the way in which four women writers of the 1790s appropriated the architectural metaphors of the Revolution debate in their Gothic novels. By transforming the political metaphor of the Gothic building into a material environment in their writing, this thesis argues that Charlotte Smith, Ann Radcliffe, Mary Robinson, and Jane Austen staked their own variant positions in contemporary debates regarding revolution and reform. In the 1790s, the more general struggle for political and social improvement was linked by writers such as Mary Wollstonecraft to the need for reform of sexual inequality in society. By closely examining the Gothic building – typically a hostile environment for its female inhabitants – this thesis argues that the Gothic house or castle functions in these novels as a critique of domestic, as well as state, politics. Chapter one begins by exploring the synergies between architecture, politics, and the Gothic novel in the eighteenth century. In this way, this thesis contributes to a neglected yet emerging area of Gothic scholarship: the complex and symbiotic relationship between architecture and the Gothic novel. Chapter two considers the way in which Charlotte Smith exploits contemporary associations of Gothic architecture in The Old Manor House (1793) to subvert the political ideology embedded in the architectural metaphors of Edmund Burke's Reflections on the Revolution in France (1790). In chapters three and four, the architectural descriptions of Ann Radcliffe and Mary Robinson are read in dialogue with those of Edmund Burke, Hannah More, John Thelwall, and Mary Wollstonecraft: in Radcliffe and Robinson's novels, this thesis argues, the simple structure of revolutionary reform is favoured over the ancient castle of counter-revolutionary custom. Finally, chapter five challenges the critical conception of Jane Austen as a political reactionary by examining the way in which her depiction of architecture in Northanger Abbey (1817) destabilises the most perniciously gendered aspects of Burke's Reflections on the Revolution in France.

Subjects/Keywords: 823.009; Gothic literature

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APA (6^th Edition):

Smith, C. (2014). "Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203790 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116

Chicago Manual of Style (16^th Edition):

Smith, Candice. “"Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s.” 2014. Doctoral Dissertation, University of Aberdeen. Accessed September 17, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203790 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116.

MLA Handbook (7^th Edition):

Smith, Candice. “"Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s.” 2014. Web. 17 Sep 2019.

Vancouver:

Smith C. "Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s. [Internet] [Doctoral dissertation]. University of Aberdeen; 2014. [cited 2019 Sep 17]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203790 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116.

Council of Science Editors:

Smith C. "Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s. [Doctoral Dissertation]. University of Aberdeen; 2014. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203790 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116

University of Illinois – Chicago

12. Browning, Annah Laura. Witch Doctrine.

Degree: 2017, University of Illinois – Chicago

URL: http://hdl.handle.net/10027/21800

► Witch Doctrine is a collection of Gothically-influenced persona poems, written in the voices of a cast of folkloric and literary figures, most prominently witches and… (more)

Subjects/Keywords: poetry; Gothic; persona

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APA (6^th Edition):

Browning, A. L. (2017). Witch Doctrine. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/21800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Browning, Annah Laura. “Witch Doctrine.” 2017. Thesis, University of Illinois – Chicago. Accessed September 17, 2019. http://hdl.handle.net/10027/21800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Browning, Annah Laura. “Witch Doctrine.” 2017. Web. 17 Sep 2019.

Vancouver:

Browning AL. Witch Doctrine. [Internet] [Thesis]. University of Illinois – Chicago; 2017. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10027/21800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Browning AL. Witch Doctrine. [Thesis]. University of Illinois – Chicago; 2017. Available from: http://hdl.handle.net/10027/21800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

13. Loberg, Courtney. The Rangeroads.

Degree: 2016, University of Saskatchewan

URL: http://hdl.handle.net/10388/7463

► The Rangeroads is a graphic novel employing regionalism and Gothic elements to investigate how individual identities and landscape engage with the cultural-colonial and industrial-environmental history… (more)

Subjects/Keywords: graphic novel; gothic

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APA (6^th Edition):

Loberg, C. (2016). The Rangeroads. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/7463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Loberg, Courtney. “The Rangeroads.” 2016. Thesis, University of Saskatchewan. Accessed September 17, 2019. http://hdl.handle.net/10388/7463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Loberg, Courtney. “The Rangeroads.” 2016. Web. 17 Sep 2019.

Vancouver:

Loberg C. The Rangeroads. [Internet] [Thesis]. University of Saskatchewan; 2016. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10388/7463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loberg C. The Rangeroads. [Thesis]. University of Saskatchewan; 2016. Available from: http://hdl.handle.net/10388/7463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

14. Papp, Barbara. Augusta Geraldine Almeda, Queen or Woman? .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/174141

I think that the Gothic has much to do with feminism so I find it a complex enterprise to put her poems together while analyzing them at the same time. Advisors/Committee Members: Séllei, Nóra (advisor).

Subjects/Keywords: Gothic; British poetry

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APA (6^th Edition):

Papp, B. (2013). Augusta Geraldine Almeda, Queen or Woman? . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/174141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Papp, Barbara. “Augusta Geraldine Almeda, Queen or Woman? .” 2013. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/174141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Papp, Barbara. “Augusta Geraldine Almeda, Queen or Woman? .” 2013. Web. 17 Sep 2019.

Vancouver:

Papp B. Augusta Geraldine Almeda, Queen or Woman? . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/174141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Papp B. Augusta Geraldine Almeda, Queen or Woman? . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/174141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Mississippi State University

15. Doherty, Jordan Adelle. OF ALL THAT IS SEEN AND UNSEEN.

Degree: MA, English, 2009, Mississippi State University

URL: http://sun.library.msstate.edu/ETD-db/theses/available/etd-07092009-085842/ ;

► Of All That Is Seen and Unseen explores the concept the Southern literary identity and how that tradition is fading from modern literature while engaging… (more)

Subjects/Keywords: gothic; southern; fiction

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APA (6^th Edition):

Doherty, J. A. (2009). OF ALL THAT IS SEEN AND UNSEEN. (Masters Thesis). Mississippi State University. Retrieved from http://sun.library.msstate.edu/ETD-db/theses/available/etd-07092009-085842/ ;

Chicago Manual of Style (16^th Edition):

Doherty, Jordan Adelle. “OF ALL THAT IS SEEN AND UNSEEN.” 2009. Masters Thesis, Mississippi State University. Accessed September 17, 2019. http://sun.library.msstate.edu/ETD-db/theses/available/etd-07092009-085842/ ;.

MLA Handbook (7^th Edition):

Doherty, Jordan Adelle. “OF ALL THAT IS SEEN AND UNSEEN.” 2009. Web. 17 Sep 2019.

Vancouver:

Doherty JA. OF ALL THAT IS SEEN AND UNSEEN. [Internet] [Masters thesis]. Mississippi State University; 2009. [cited 2019 Sep 17]. Available from: http://sun.library.msstate.edu/ETD-db/theses/available/etd-07092009-085842/ ;.

Council of Science Editors:

Doherty JA. OF ALL THAT IS SEEN AND UNSEEN. [Masters Thesis]. Mississippi State University; 2009. Available from: http://sun.library.msstate.edu/ETD-db/theses/available/etd-07092009-085842/ ;

Victoria University of Wellington

16. Jones, Timothy Graham Stanford. The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic.

Degree: 2010, Victoria University of Wellington

URL: http://hdl.handle.net/10063/1357

► Gothic studies, the specialist academic field that explores the Gothic text, has developed substantially over the last twenty-five years. The field often frames the Gothic… (more)

▼ Gothic studies, the specialist academic field that explores the Gothic text, has developed substantially over the last twenty-five years. The field often frames the Gothic as a serious literature, involved in historic discourse, and having special psychological acuity; this thesis suggests that there are a number of problems with these argumentative strategies, and that the academy now makes claims for the Gothic that are discontinuous with how this popular genre is understood by most readers. While Gothic studies is the study of a genre, curiously, it has seldom engaged with theorisations of genre. Nevertheless, an understanding of what genre is, and how it alters reading practice, is crucial to understanding the Gothic text. This thesis attempts to reconcile and develop a number of disparate approaches to genre through Pierre Bourdieu's notion of habitus. It argues that genre is not a set of textual conventions but a group of procedures that facilitate and modify both writing and reading practices. Consequently, genres like the Gothic should be seen as discrete historicised phenomena, which retain a cohesive practical sense of how they ought to be performed before they hold discursive properties. Rather than arguing for the literary value of the Gothic, this thesis understands the genre as a popular practice. The consequences of this theorisation of the Gothic are explored in case studies of particular moments in three separate Gothic fields. Firstly, the American Gothic of the mid-nineteen-eighties, particularly Stephen King's It, Joyce Carol Oates' Mysteries of Winterthurn, and Toni Morrison's Beloved, facilitates a discussion of the relationship between Gothic and literary practices. The Gothic text has its origins in 'lowbrow' popular culture, even as it sometimes aspires to 'highbrow' literary performances. Secondly, the English Gothic of the nineteen-sixties is used to stage a discussion of both the way that readers become involved and immersed in the Gothic text, creating a distinct subjunctive 'world', and of the way that Gothics define themselves in relation to each other. The discussion refers to Dennis Wheatley's The Devil Rides Out, which heavily influenced the field, as demonstrated in works by Susan Howatch, Kingsley Amis, Robert Aickman and Mervyn Peake. Wheatley's depiction of the black mass became a key Gothic procedure, and can be read as this particular field's metaphor of its own practice. Thirdly, New Zealand's underdeveloped Gothic field provides a venue to explore the Gothic's relationship with nation and national literature, and how the practice is involved in landscape. Frank Sargeson's stories and his novella The Hangover, together with Janet Frame's A State of Siege are texts authored by canonical New Zealand writers that participate in a local Gothic, although their participation in popular genre has been little recognised. This thesis argues that the Gothic is a commonsense cultural practice, facilitated through the canniness of habitus. Advisors/Committee Members: Jackson, Anna, Ferrall, Charles.

Subjects/Keywords: Gothic; Genre; Practice

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APA (6^th Edition):

Jones, T. G. S. (2010). The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1357

Chicago Manual of Style (16^th Edition):

Jones, Timothy Graham Stanford. “The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic.” 2010. Doctoral Dissertation, Victoria University of Wellington. Accessed September 17, 2019. http://hdl.handle.net/10063/1357.

MLA Handbook (7^th Edition):

Jones, Timothy Graham Stanford. “The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic.” 2010. Web. 17 Sep 2019.

Vancouver:

Jones TGS. The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2010. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10063/1357.

Council of Science Editors:

Jones TGS. The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic. [Doctoral Dissertation]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1357

Victoria University of Wellington

17. Wenley, Stephen. Existential Thought in American Psycho and Fight Club.

Degree: 2011, Victoria University of Wellington

URL: http://hdl.handle.net/10063/2324

► Bret Easton Ellis' American Psycho (1991) and Chuck Palahniuk's Fight Club (1996) demonstrate a strong basis in existential thought. Both novels reference the philosophical and… (more)

Subjects/Keywords: Existentialism; Gothic; Violence

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APA (6^th Edition):

Wenley, S. (2011). Existential Thought in American Psycho and Fight Club. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2324

Chicago Manual of Style (16^th Edition):

Wenley, Stephen. “Existential Thought in American Psycho and Fight Club.” 2011. Masters Thesis, Victoria University of Wellington. Accessed September 17, 2019. http://hdl.handle.net/10063/2324.

MLA Handbook (7^th Edition):

Wenley, Stephen. “Existential Thought in American Psycho and Fight Club.” 2011. Web. 17 Sep 2019.

Vancouver:

Wenley S. Existential Thought in American Psycho and Fight Club. [Internet] [Masters thesis]. Victoria University of Wellington; 2011. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10063/2324.

Council of Science Editors:

Wenley S. Existential Thought in American Psycho and Fight Club. [Masters Thesis]. Victoria University of Wellington; 2011. Available from: http://hdl.handle.net/10063/2324

18. Tynes, Jen. Trick Rider.

Degree: PhD, English, 2011, U of Denver

URL: https://digitalcommons.du.edu/etd/942

► Trick Rider is a book-length poem in four sections, which uses characteristics of the epic and gothic, as well as strategies of chance operations,… (more)

Subjects/Keywords: Epic; Gothic; Poetry; Poetry

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APA (6^th Edition):

Tynes, J. (2011). Trick Rider. (Doctoral Dissertation). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/942

Chicago Manual of Style (16^th Edition):

Tynes, Jen. “Trick Rider.” 2011. Doctoral Dissertation, U of Denver. Accessed September 17, 2019. https://digitalcommons.du.edu/etd/942.

MLA Handbook (7^th Edition):

Tynes, Jen. “Trick Rider.” 2011. Web. 17 Sep 2019.

Vancouver:

Tynes J. Trick Rider. [Internet] [Doctoral dissertation]. U of Denver; 2011. [cited 2019 Sep 17]. Available from: https://digitalcommons.du.edu/etd/942.

Council of Science Editors:

Tynes J. Trick Rider. [Doctoral Dissertation]. U of Denver; 2011. Available from: https://digitalcommons.du.edu/etd/942

Victoria University of Wellington

19. Chesney, Sarah. Gothic Imaginations in Primo Ottocento Opera.

Degree: 2010, Victoria University of Wellington

URL: http://hdl.handle.net/10063/1983

► Connections between the Gothic and opera remain a subsidiary concern to most writers on the Gothic and on opera, if they are even addressed at… (more)

▼ Connections between the Gothic and opera remain a subsidiary concern to most writers on the Gothic and on opera, if they are even addressed at all. In this study I wish to illuminate how the Gothic is presented both musically and visually on stage through the setting and thematic traits in select nineteenth-century Italian operas. A number of ideas are central to this aim. Firstly, that the ‘Gothic’ dimension of ‘Gothic opera’ is overtly represented through staging. The settings of many ‘Gothic operas’ in Scotland and England reveal the continental European fascination with northern Europe and its history. This stemmed from the influx of English and Scottish literature, most prominently the Ossian poems and the works of Walter Scott and Shakespeare. Consequently, Gothic scenes such as ruined medieval castles and rugged cliffs, masked by darkness or mist are enmeshed with a northern landscape. Tartan costuming also visually situates the Gothic scenes in Northern Europe. Furthermore, the use of musical mannerisms of Scotland and England, particularly in chorus scenes, reinforces this parallel between the Gothic and the north, linking music to the visible Gothic setting. Secondly, I will explore the way in which Gothic imaginings of both immaterial and physical incarnations of the supernatural move between the latent subconscious and conscious realisation. This is evident through the interplay between voice, orchestra and the singer’s corporeality and draws upon recent operatic studies concerning representation of ‘others’, dramatisation, and theatrical spaces. This second section positions women at the heart of the Gothic in opera, as the soprano is most often the character susceptible to other-worldly encounters and madness. The fundamental figure in this study is Gaetano Donizetti (1797-1848). A number of his operas from the 1830s, especially Lucia di Lammermoor, emphasise how the Gothic may be revealed in opera. However, I conclude with a chapter on Macbeth, the ‘Gothic opera’ of Giuseppe Verdi (1813-1901), for this work demonstrates how the configuration of the Gothic is developed in musical and dramatic terms and presents a case where the supernatural influence becomes all-empowered. Advisors/Committee Members: Van Rij, Inge, Hudson, Elizabeth.

Subjects/Keywords: Nineteenth century; Opera; Gothic

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APA (6^th Edition):

Chesney, S. (2010). Gothic Imaginations in Primo Ottocento Opera. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1983

Chicago Manual of Style (16^th Edition):

Chesney, Sarah. “Gothic Imaginations in Primo Ottocento Opera.” 2010. Masters Thesis, Victoria University of Wellington. Accessed September 17, 2019. http://hdl.handle.net/10063/1983.

MLA Handbook (7^th Edition):

Chesney, Sarah. “Gothic Imaginations in Primo Ottocento Opera.” 2010. Web. 17 Sep 2019.

Vancouver:

Chesney S. Gothic Imaginations in Primo Ottocento Opera. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10063/1983.

Council of Science Editors:

Chesney S. Gothic Imaginations in Primo Ottocento Opera. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1983

Leiden University

20. Darnell, Lorne. A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens.

Degree: 2016, Leiden University

URL: http://hdl.handle.net/1887/42801

► Constantijn Huygens is know as the pioneering architect of the Dutch classicist revival, and his poems in praise of his collaborator, Jacob van Campen, laud… (more)

Subjects/Keywords: classicism paganism nationalism Gothic perspective

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APA (6^th Edition):

Darnell, L. (2016). A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42801

Chicago Manual of Style (16^th Edition):

Darnell, Lorne. “A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens.” 2016. Masters Thesis, Leiden University. Accessed September 17, 2019. http://hdl.handle.net/1887/42801.

MLA Handbook (7^th Edition):

Darnell, Lorne. “A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens.” 2016. Web. 17 Sep 2019.

Vancouver:

Darnell L. A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1887/42801.

Council of Science Editors:

Darnell L. A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42801

University of Hong Kong

21. Pak, Chiu-shuen, Tom. Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community.

Degree: M. Phil., 2006, University of Hong Kong

URL: Pak, C. T. [白昭璇]. (2006). Stephen King's popular Gothic : Gothic meta-fiction, ideology, scatology and (re)construction of community. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3784432 ; http://dx.doi.org/10.5353/th_b3784432 ; http://hdl.handle.net/10722/51566

abstract

published_or_final_version

English

Master

Master of Philosophy

Advisors/Committee Members: Heim, O.

Subjects/Keywords: Gothic literature.

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APA (6^th Edition):

Pak, Chiu-shuen, T. (2006). Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community. (Masters Thesis). University of Hong Kong. Retrieved from Pak, C. T. [白昭璇]. (2006). Stephen King's popular Gothic : Gothic meta-fiction, ideology, scatology and (re)construction of community. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3784432 ; http://dx.doi.org/10.5353/th_b3784432 ; http://hdl.handle.net/10722/51566

Chicago Manual of Style (16^th Edition):

Pak, Chiu-shuen, Tom. “Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community.” 2006. Masters Thesis, University of Hong Kong. Accessed September 17, 2019. Pak, C. T. [白昭璇]. (2006). Stephen King's popular Gothic : Gothic meta-fiction, ideology, scatology and (re)construction of community. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3784432 ; http://dx.doi.org/10.5353/th_b3784432 ; http://hdl.handle.net/10722/51566.

MLA Handbook (7^th Edition):

Pak, Chiu-shuen, Tom. “Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community.” 2006. Web. 17 Sep 2019.

Vancouver:

Pak, Chiu-shuen T. Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community. [Internet] [Masters thesis]. University of Hong Kong; 2006. [cited 2019 Sep 17]. Available from: Pak, C. T. [白昭璇]. (2006). Stephen King's popular Gothic : Gothic meta-fiction, ideology, scatology and (re)construction of community. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3784432 ; http://dx.doi.org/10.5353/th_b3784432 ; http://hdl.handle.net/10722/51566.

Council of Science Editors:

Pak, Chiu-shuen T. Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community. [Masters Thesis]. University of Hong Kong; 2006. Available from: Pak, C. T. [白昭璇]. (2006). Stephen King's popular Gothic : Gothic meta-fiction, ideology, scatology and (re)construction of community. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3784432 ; http://dx.doi.org/10.5353/th_b3784432 ; http://hdl.handle.net/10722/51566

Texas A&M University

22. Cain, Cashion Alexander. Defining Romanesque Architecture as Exemplified by Durham Cathedral, England.

Degree: MS, Architecture, 2016, Texas A&M University

URL: http://hdl.handle.net/1969.1/159054

► Architects are often concerned with elements of structure and their relationship to the spaces they create. In this study I use case-control and observational study… (more)

▼ Architects are often concerned with elements of structure and their relationship to the spaces they create. In this study I use case-control and observational study of two preexisting styles of architecture: Romanesque and Gothic. Combining analysis of the buildings with numerical coding of five particular architectural elements allowed the researcher to make conclusions about the identification of Durham Cathedral in Durham, England as a Romanesque church. Using S. Ambrogio in Milan, Italy, Speyer Cathedral in Speyer, Germany, St. Etienne in Caen, France, and St. Denis in Paris, France, I provide a set of case studies to compare and contrast the qualities of Romanesque and Early-Gothic architecture. When compared to an analysis of Durham Cathedral, these case studies provide evidence for the classification of Durham Cathedral as Romanesque but fail to completely support this classification. With an analysis of the buildings in question, architects have come to the general conclusion that these case studies, with the exception of St. Denis, exhibit mostly Romanesque traits. St. Denis, considered the first of the Gothic churches, is seen as a turning point for architectural development. This church represents the first examples in which High Romanesque became the Early Gothic through the development of new construction techniques and evolving ideals in architectural design. When comparing the system of vertical load-bearing members supporting the case studies it becomes evident that the Romanesque churches rely on heavy piers and large columns to support the weight of high vaults and ceilings. In contrast, St. Denis relies on thin walls and columns combined with large buttressing to achieve similar support. Comparing the vaults of these case studies, evidence supports the conclusion that earlier vaults lacked proper construction to use ribs as structural load-bearing members. In applying quantitative values to five particular architectural elements, this study provides evidence to support the conclusion that Durham exhibits both the traits of Romanesque and Proto-Gothic architectural developments. Advisors/Committee Members: Klein, Nancy (advisor), Caffey, Stephen (committee member), Wachsmann, Shelley (committee member).

Subjects/Keywords: Romanesque; Gothic; Durham; Cathedral; Architecture

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APA (6^th Edition):

Cain, C. A. (2016). Defining Romanesque Architecture as Exemplified by Durham Cathedral, England. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/159054

Chicago Manual of Style (16^th Edition):

Cain, Cashion Alexander. “Defining Romanesque Architecture as Exemplified by Durham Cathedral, England.” 2016. Masters Thesis, Texas A&M University. Accessed September 17, 2019. http://hdl.handle.net/1969.1/159054.

MLA Handbook (7^th Edition):

Cain, Cashion Alexander. “Defining Romanesque Architecture as Exemplified by Durham Cathedral, England.” 2016. Web. 17 Sep 2019.

Vancouver:

Cain CA. Defining Romanesque Architecture as Exemplified by Durham Cathedral, England. [Internet] [Masters thesis]. Texas A&M University; 2016. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1969.1/159054.

Council of Science Editors:

Cain CA. Defining Romanesque Architecture as Exemplified by Durham Cathedral, England. [Masters Thesis]. Texas A&M University; 2016. Available from: http://hdl.handle.net/1969.1/159054

University of Debrecen

23. Ábrók, Melinda. Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/170334

► In my thesis I focus my attention on contemporary Irish female and male Gothic by analyzing Anne Haverty’s One Day as a Tiger and Seamus… (more)

Subjects/Keywords: Gothic; Irish; space; gender

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APA (6^th Edition):

Ábrók, M. (2013). Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/170334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ábrók, Melinda. “Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark .” 2013. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/170334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ábrók, Melinda. “Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark .” 2013. Web. 17 Sep 2019.

Vancouver:

Ábrók M. Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/170334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ábrók M. Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/170334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

24. Medgyesi, Nóra. Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/171814

► Alcott has a wide range of female protagonists. We can start from the Beth March the purest and most religious girl and arrive to Virginie… (more)

Subjects/Keywords: Gothic fiction; women writers

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APA (6^th Edition):

Medgyesi, N. (2013). Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/171814

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Medgyesi, Nóra. “Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood .” 2013. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/171814.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Medgyesi, Nóra. “Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood .” 2013. Web. 17 Sep 2019.

Vancouver:

Medgyesi N. Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/171814.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Medgyesi N. Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/171814

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

25. Pallagi, Anita. Gothic Features in Contemporary Irish Fiction .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/171818

► will attempt to show with the help of three contemporary novels that Gothic still exists in Celtic Tiger Ireland. It is reformed and possesses new… (more)

Subjects/Keywords: Gothic; space; Irish fiction

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APA (6^th Edition):

Pallagi, A. (2013). Gothic Features in Contemporary Irish Fiction . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/171818

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pallagi, Anita. “Gothic Features in Contemporary Irish Fiction .” 2013. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/171818.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pallagi, Anita. “Gothic Features in Contemporary Irish Fiction .” 2013. Web. 17 Sep 2019.

Vancouver:

Pallagi A. Gothic Features in Contemporary Irish Fiction . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/171818.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pallagi A. Gothic Features in Contemporary Irish Fiction . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/171818

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

26. Gönczi, Nóra. Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/173691

► In my thesis I will discuss three ghost stories – “Green Tea,” “The Familiar” and “Mr Justice Harbottle” – by the Irish writer, Joseph Sheridan… (more)

Subjects/Keywords: Irish Gothic; ghost stories

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gönczi, N. (2013). Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/173691

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gönczi, Nóra. “Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories .” 2013. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/173691.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gönczi, Nóra. “Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories .” 2013. Web. 17 Sep 2019.

Vancouver:

Gönczi N. Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/173691.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gönczi N. Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/173691

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

27. Aranyos, Hanna. Gothic Motifs in Three Novels by Iain Banks .

Degree: DE – TEK – Bölcsészettudományi Kar, 2012, University of Debrecen

URL: http://hdl.handle.net/2437/155165

In my thesis is tried to reveal how Gothic motifs are employed as a means of linking devices in this three novels. Advisors/Committee Members: Bényei, Tamás (advisor).

Subjects/Keywords: gothic; double; uncanny; Banks

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Aranyos, H. (2012). Gothic Motifs in Three Novels by Iain Banks . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/155165

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Aranyos, Hanna. “Gothic Motifs in Three Novels by Iain Banks .” 2012. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/155165.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Aranyos, Hanna. “Gothic Motifs in Three Novels by Iain Banks .” 2012. Web. 17 Sep 2019.

Vancouver:

Aranyos H. Gothic Motifs in Three Novels by Iain Banks . [Internet] [Thesis]. University of Debrecen; 2012. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/155165.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aranyos H. Gothic Motifs in Three Novels by Iain Banks . [Thesis]. University of Debrecen; 2012. Available from: http://hdl.handle.net/2437/155165

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

28. Pinczés, Mariann. Lady Gaga and the Monster Theory .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/156261

► After the release of her first album The Fame in 2008, Lady Gaga became one of the most influential celebrities in the world as well… (more)

Subjects/Keywords: female monster; Gothic tradition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pinczés, M. (2013). Lady Gaga and the Monster Theory . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pinczés, Mariann. “Lady Gaga and the Monster Theory .” 2013. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/156261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pinczés, Mariann. “Lady Gaga and the Monster Theory .” 2013. Web. 17 Sep 2019.

Vancouver:

Pinczés M. Lady Gaga and the Monster Theory . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/156261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinczés M. Lady Gaga and the Monster Theory . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

29. Setét, Réka. "Tell Me Where It Hurts" .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/156534

► The Gothic genre of literature has a long history in Western culture, and its original form had its real glory in the late 18th and… (more)

Subjects/Keywords: trauma; memoir; contemporary gothic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Setét, R. (2013). "Tell Me Where It Hurts" . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156534

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Setét, Réka. “"Tell Me Where It Hurts" .” 2013. Thesis, University of Debrecen. Accessed September 17, 2019. http://hdl.handle.net/2437/156534.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Setét, Réka. “"Tell Me Where It Hurts" .” 2013. Web. 17 Sep 2019.

Vancouver:

Setét R. "Tell Me Where It Hurts" . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2437/156534.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Setét R. "Tell Me Where It Hurts" . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156534

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Virginia Tech

30. West, Brandon Charles. The Real Blurred Lines: On Liminality in Horror and the Threatened Boundary Between the Real and the Imagined.

Degree: MA, English, 2017, Virginia Tech

URL: http://hdl.handle.net/10919/86381

► The horror genre is obsessed with being treated as fact rather than fiction. From movies that plaster their title screens with "Based on actual events"… (more)

Subjects/Keywords: Horror; Film; Liminality; Gothic; Reality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

West, B. C. (2017). The Real Blurred Lines: On Liminality in Horror and the Threatened Boundary Between the Real and the Imagined. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/86381

Chicago Manual of Style (16^th Edition):

West, Brandon Charles. “The Real Blurred Lines: On Liminality in Horror and the Threatened Boundary Between the Real and the Imagined.” 2017. Masters Thesis, Virginia Tech. Accessed September 17, 2019. http://hdl.handle.net/10919/86381.

MLA Handbook (7^th Edition):

West, Brandon Charles. “The Real Blurred Lines: On Liminality in Horror and the Threatened Boundary Between the Real and the Imagined.” 2017. Web. 17 Sep 2019.

Vancouver:

West BC. The Real Blurred Lines: On Liminality in Horror and the Threatened Boundary Between the Real and the Imagined. [Internet] [Masters thesis]. Virginia Tech; 2017. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10919/86381.

Council of Science Editors:

West BC. The Real Blurred Lines: On Liminality in Horror and the Threatened Boundary Between the Real and the Imagined. [Masters Thesis]. Virginia Tech; 2017. Available from: http://hdl.handle.net/10919/86381

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Open Access Theses and Dissertations