subject:(Gothic)

University of Alberta

1. Wight, Dana L. Still Life: Representations of Passivity in the Gothic Novel.

Degree: PhD, Department of English and Film Studies, 2012, University of Alberta

URL: https://era.library.ualberta.ca/files/fq977v37t

► This dissertation explores the strategic possibilities of passivity as a form of agency in the eighteenth- and nineteenth-century British gothic novel in order to recuperate… (more)

Subjects/Keywords: gothic; passivity

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APA (6^th Edition):

Wight, D. L. (2012). Still Life: Representations of Passivity in the Gothic Novel. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/fq977v37t

Chicago Manual of Style (16^th Edition):

Wight, Dana L. “Still Life: Representations of Passivity in the Gothic Novel.” 2012. Doctoral Dissertation, University of Alberta. Accessed February 27, 2021. https://era.library.ualberta.ca/files/fq977v37t.

MLA Handbook (7^th Edition):

Wight, Dana L. “Still Life: Representations of Passivity in the Gothic Novel.” 2012. Web. 27 Feb 2021.

Vancouver:

Wight DL. Still Life: Representations of Passivity in the Gothic Novel. [Internet] [Doctoral dissertation]. University of Alberta; 2012. [cited 2021 Feb 27]. Available from: https://era.library.ualberta.ca/files/fq977v37t.

Council of Science Editors:

Wight DL. Still Life: Representations of Passivity in the Gothic Novel. [Doctoral Dissertation]. University of Alberta; 2012. Available from: https://era.library.ualberta.ca/files/fq977v37t

2. Silyn Roberts, Sian. Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850.

Degree: PhD, English, 2008, Brown University

URL: https://repository.library.brown.edu/studio/item/bdr:16/

► This dissertation argues that gothic conventions in antebellum fiction revise Enlightenment categories of the individual, sympathy, and the social contract for a cultural environment made… (more)

Subjects/Keywords: gothic

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APA (6^th Edition):

Silyn Roberts, S. (2008). Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:16/

Chicago Manual of Style (16^th Edition):

Silyn Roberts, Sian. “Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850.” 2008. Doctoral Dissertation, Brown University. Accessed February 27, 2021. https://repository.library.brown.edu/studio/item/bdr:16/.

MLA Handbook (7^th Edition):

Silyn Roberts, Sian. “Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850.” 2008. Web. 27 Feb 2021.

Vancouver:

Silyn Roberts S. Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850. [Internet] [Doctoral dissertation]. Brown University; 2008. [cited 2021 Feb 27]. Available from: https://repository.library.brown.edu/studio/item/bdr:16/.

Council of Science Editors:

Silyn Roberts S. Gothic Enlightenment: American Fiction and the Limits of Sympathy, 1789-1850. [Doctoral Dissertation]. Brown University; 2008. Available from: https://repository.library.brown.edu/studio/item/bdr:16/

3. Lang, Robert James. Wordsworth's Gothic Poetics.

Degree: 2012, Wake Forest University

URL: http://hdl.handle.net/10339/37652

► Wordsworth's poetry is typically seen by critics as healthy-minded, rich in themes of transcendence, synthesis, and optimism. The poet in this respect is contrasted with… (more)

Subjects/Keywords: Gothic

…the Gothic Tale. Critics must therefore look to the verse in their diagnoses of Gothic… …occurred before the age of 40). Regarding Wordsworth’s engagement of the Gothic, Mishra… …that elements of the Gothic would always stalk Romantic transcendence, the dark side pursuing… …after all, is the ontology of the literary Gothic anyway. (94-5). In this sense, it… …that, by most modern critics’ definition of the Gothic, Wordsworth may be considered Gothic…

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APA (6^th Edition):

Lang, R. J. (2012). Wordsworth's Gothic Poetics. (Thesis). Wake Forest University. Retrieved from http://hdl.handle.net/10339/37652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lang, Robert James. “Wordsworth's Gothic Poetics.” 2012. Thesis, Wake Forest University. Accessed February 27, 2021. http://hdl.handle.net/10339/37652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lang, Robert James. “Wordsworth's Gothic Poetics.” 2012. Web. 27 Feb 2021.

Vancouver:

Lang RJ. Wordsworth's Gothic Poetics. [Internet] [Thesis]. Wake Forest University; 2012. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10339/37652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lang RJ. Wordsworth's Gothic Poetics. [Thesis]. Wake Forest University; 2012. Available from: http://hdl.handle.net/10339/37652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

4. Kaszás, Judit. Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/166442

I examine how Jane Eyre as an intertext is evoked in Rebecca from the perspectives of gender roles, the doubleness of the female characters and the Gothic mansions with their dark secrets, mysterious spaces and threatening atmosphere. Advisors/Committee Members: Ureczky, Eszter (advisor).

Subjects/Keywords: Gothic; Gender

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APA (6^th Edition):

Kaszás, J. (2013). Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/166442

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kaszás, Judit. “Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre .” 2013. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/166442.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kaszás, Judit. “Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre .” 2013. Web. 27 Feb 2021.

Vancouver:

Kaszás J. Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/166442.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kaszás J. Gender Roles and Gothic Spaces in Daphne du Maurier’s Rebecca and Charlotte Brontë’s Jane Eyre . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/166442

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Cincinnati

5. BROCK, MARILYN V. FROM THE EDGE OF THE OCEAN.

Degree: PhD, Arts and Sciences : English and Comparative Literature, 2007, University of Cincinnati

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542

► My dissertation consists of two parts: a creative dissertation that is a collection of short stories, and a critical introduction that examines the function of… (more)

Subjects/Keywords: Gothic

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APA (6^th Edition):

BROCK, M. V. (2007). FROM THE EDGE OF THE OCEAN. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542

Chicago Manual of Style (16^th Edition):

BROCK, MARILYN V. “FROM THE EDGE OF THE OCEAN.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed February 27, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542.

MLA Handbook (7^th Edition):

BROCK, MARILYN V. “FROM THE EDGE OF THE OCEAN.” 2007. Web. 27 Feb 2021.

Vancouver:

BROCK MV. FROM THE EDGE OF THE OCEAN. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2021 Feb 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542.

Council of Science Editors:

BROCK MV. FROM THE EDGE OF THE OCEAN. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185904542

University of Georgia

6. Blume, Mary Elizabeth. The English claim to Gothic.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/26242

► The Gothic Revival of the 19th century in Europe aroused a debate concerning the origin of a style already six centuries old. Besides the underlying… (more)

Subjects/Keywords: Gothic; Architecture; English Gothic; Architectural History

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APA (6^th Edition):

Blume, M. E. (2014). The English claim to Gothic. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/26242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Blume, Mary Elizabeth. “The English claim to Gothic.” 2014. Thesis, University of Georgia. Accessed February 27, 2021. http://hdl.handle.net/10724/26242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Blume, Mary Elizabeth. “The English claim to Gothic.” 2014. Web. 27 Feb 2021.

Vancouver:

Blume ME. The English claim to Gothic. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10724/26242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blume ME. The English claim to Gothic. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/26242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

7. Loberg, Courtney. The Rangeroads.

Degree: 2016, University of Saskatchewan

URL: http://hdl.handle.net/10388/7463

► The Rangeroads is a graphic novel employing regionalism and Gothic elements to investigate how individual identities and landscape engage with the cultural-colonial and industrial-environmental history… (more)

Subjects/Keywords: graphic novel; gothic

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APA (6^th Edition):

Loberg, C. (2016). The Rangeroads. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/7463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Loberg, Courtney. “The Rangeroads.” 2016. Thesis, University of Saskatchewan. Accessed February 27, 2021. http://hdl.handle.net/10388/7463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Loberg, Courtney. “The Rangeroads.” 2016. Web. 27 Feb 2021.

Vancouver:

Loberg C. The Rangeroads. [Internet] [Thesis]. University of Saskatchewan; 2016. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10388/7463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loberg C. The Rangeroads. [Thesis]. University of Saskatchewan; 2016. Available from: http://hdl.handle.net/10388/7463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

8. Kojemiako, Olesia. Desire in the Double: Homosexuality and Homophobia in Gothic Literature.

Degree: 2017, Leiden University

URL: http://hdl.handle.net/1887/45801

► This thesis employs queer and psychoanalytic theory in order to analyze three Gothic texts from the Romantic Period: William Godwin's 'Caleb Williams' (1794), Mary Shelley's… (more)

Subjects/Keywords: Gothic; Double; Homosexuality

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APA (6^th Edition):

Kojemiako, O. (2017). Desire in the Double: Homosexuality and Homophobia in Gothic Literature. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/45801

Chicago Manual of Style (16^th Edition):

Kojemiako, Olesia. “Desire in the Double: Homosexuality and Homophobia in Gothic Literature.” 2017. Masters Thesis, Leiden University. Accessed February 27, 2021. http://hdl.handle.net/1887/45801.

MLA Handbook (7^th Edition):

Kojemiako, Olesia. “Desire in the Double: Homosexuality and Homophobia in Gothic Literature.” 2017. Web. 27 Feb 2021.

Vancouver:

Kojemiako O. Desire in the Double: Homosexuality and Homophobia in Gothic Literature. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1887/45801.

Council of Science Editors:

Kojemiako O. Desire in the Double: Homosexuality and Homophobia in Gothic Literature. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/45801

Victoria University of Wellington

9. Jones, Timothy Graham Stanford. The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic.

Degree: 2010, Victoria University of Wellington

URL: http://hdl.handle.net/10063/1357

► Gothic studies, the specialist academic field that explores the Gothic text, has developed substantially over the last twenty-five years. The field often frames the Gothic… (more)

▼ Gothic studies, the specialist academic field that explores the Gothic text, has developed substantially over the last twenty-five years. The field often frames the Gothic as a serious literature, involved in historic discourse, and having special psychological acuity; this thesis suggests that there are a number of problems with these argumentative strategies, and that the academy now makes claims for the Gothic that are discontinuous with how this popular genre is understood by most readers. While Gothic studies is the study of a genre, curiously, it has seldom engaged with theorisations of genre. Nevertheless, an understanding of what genre is, and how it alters reading practice, is crucial to understanding the Gothic text. This thesis attempts to reconcile and develop a number of disparate approaches to genre through Pierre Bourdieu's notion of habitus. It argues that genre is not a set of textual conventions but a group of procedures that facilitate and modify both writing and reading practices. Consequently, genres like the Gothic should be seen as discrete historicised phenomena, which retain a cohesive practical sense of how they ought to be performed before they hold discursive properties. Rather than arguing for the literary value of the Gothic, this thesis understands the genre as a popular practice. The consequences of this theorisation of the Gothic are explored in case studies of particular moments in three separate Gothic fields. Firstly, the American Gothic of the mid-nineteen-eighties, particularly Stephen King's It, Joyce Carol Oates' Mysteries of Winterthurn, and Toni Morrison's Beloved, facilitates a discussion of the relationship between Gothic and literary practices. The Gothic text has its origins in 'lowbrow' popular culture, even as it sometimes aspires to 'highbrow' literary performances. Secondly, the English Gothic of the nineteen-sixties is used to stage a discussion of both the way that readers become involved and immersed in the Gothic text, creating a distinct subjunctive 'world', and of the way that Gothics define themselves in relation to each other. The discussion refers to Dennis Wheatley's The Devil Rides Out, which heavily influenced the field, as demonstrated in works by Susan Howatch, Kingsley Amis, Robert Aickman and Mervyn Peake. Wheatley's depiction of the black mass became a key Gothic procedure, and can be read as this particular field's metaphor of its own practice. Thirdly, New Zealand's underdeveloped Gothic field provides a venue to explore the Gothic's relationship with nation and national literature, and how the practice is involved in landscape. Frank Sargeson's stories and his novella The Hangover, together with Janet Frame's A State of Siege are texts authored by canonical New Zealand writers that participate in a local Gothic, although their participation in popular genre has been little recognised. This thesis argues that the Gothic is a commonsense cultural practice, facilitated through the canniness of habitus. Advisors/Committee Members: Jackson, Anna, Ferrall, Charles.

Subjects/Keywords: Gothic; Genre; Practice

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APA (6^th Edition):

Jones, T. G. S. (2010). The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1357

Chicago Manual of Style (16^th Edition):

Jones, Timothy Graham Stanford. “The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic.” 2010. Doctoral Dissertation, Victoria University of Wellington. Accessed February 27, 2021. http://hdl.handle.net/10063/1357.

MLA Handbook (7^th Edition):

Jones, Timothy Graham Stanford. “The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic.” 2010. Web. 27 Feb 2021.

Vancouver:

Jones TGS. The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2010. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10063/1357.

Council of Science Editors:

Jones TGS. The Gothic as a Practice: Gothic Studies, Genre and the Twentieth Century Gothic. [Doctoral Dissertation]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1357

Colorado State University

10. Antenucci, Marilyn Kathleen. Hardwired: and other tales of Gothic reflection.

Degree: MA, English, 2012, Colorado State University

URL: http://hdl.handle.net/10217/67991

► Hardwired: And Other Tales of Gothic Reflection is a short story collection that mirrors the writer's fascination with Gothic's anxiety over the past haunting the… (more)

Subjects/Keywords: Gothic; short stories

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APA (6^th Edition):

Antenucci, M. K. (2012). Hardwired: and other tales of Gothic reflection. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/67991

Chicago Manual of Style (16^th Edition):

Antenucci, Marilyn Kathleen. “Hardwired: and other tales of Gothic reflection.” 2012. Masters Thesis, Colorado State University. Accessed February 27, 2021. http://hdl.handle.net/10217/67991.

MLA Handbook (7^th Edition):

Antenucci, Marilyn Kathleen. “Hardwired: and other tales of Gothic reflection.” 2012. Web. 27 Feb 2021.

Vancouver:

Antenucci MK. Hardwired: and other tales of Gothic reflection. [Internet] [Masters thesis]. Colorado State University; 2012. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10217/67991.

Council of Science Editors:

Antenucci MK. Hardwired: and other tales of Gothic reflection. [Masters Thesis]. Colorado State University; 2012. Available from: http://hdl.handle.net/10217/67991

University of Debrecen

11. Papp, Barbara. Augusta Geraldine Almeda, Queen or Woman? .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/174141

I think that the Gothic has much to do with feminism so I find it a complex enterprise to put her poems together while analyzing them at the same time. Advisors/Committee Members: Séllei, Nóra (advisor).

Subjects/Keywords: Gothic; British poetry

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APA (6^th Edition):

Papp, B. (2013). Augusta Geraldine Almeda, Queen or Woman? . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/174141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Papp, Barbara. “Augusta Geraldine Almeda, Queen or Woman? .” 2013. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/174141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Papp, Barbara. “Augusta Geraldine Almeda, Queen or Woman? .” 2013. Web. 27 Feb 2021.

Vancouver:

Papp B. Augusta Geraldine Almeda, Queen or Woman? . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/174141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Papp B. Augusta Geraldine Almeda, Queen or Woman? . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/174141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Illinois – Chicago

12. Browning, Annah Laura. Witch Doctrine.

Degree: 2017, University of Illinois – Chicago

URL: http://hdl.handle.net/10027/21800

► Witch Doctrine is a collection of Gothically-influenced persona poems, written in the voices of a cast of folkloric and literary figures, most prominently witches and… (more)

Subjects/Keywords: poetry; Gothic; persona

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APA (6^th Edition):

Browning, A. L. (2017). Witch Doctrine. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/21800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Browning, Annah Laura. “Witch Doctrine.” 2017. Thesis, University of Illinois – Chicago. Accessed February 27, 2021. http://hdl.handle.net/10027/21800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Browning, Annah Laura. “Witch Doctrine.” 2017. Web. 27 Feb 2021.

Vancouver:

Browning AL. Witch Doctrine. [Internet] [Thesis]. University of Illinois – Chicago; 2017. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10027/21800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Browning AL. Witch Doctrine. [Thesis]. University of Illinois – Chicago; 2017. Available from: http://hdl.handle.net/10027/21800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Victoria University of Wellington

13. Wenley, Stephen. Existential Thought in American Psycho and Fight Club.

Degree: 2011, Victoria University of Wellington

URL: http://hdl.handle.net/10063/2324

► Bret Easton Ellis' American Psycho (1991) and Chuck Palahniuk's Fight Club (1996) demonstrate a strong basis in existential thought. Both novels reference the philosophical and… (more)

Subjects/Keywords: Existentialism; Gothic; Violence

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APA (6^th Edition):

Wenley, S. (2011). Existential Thought in American Psycho and Fight Club. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2324

Chicago Manual of Style (16^th Edition):

Wenley, Stephen. “Existential Thought in American Psycho and Fight Club.” 2011. Masters Thesis, Victoria University of Wellington. Accessed February 27, 2021. http://hdl.handle.net/10063/2324.

MLA Handbook (7^th Edition):

Wenley, Stephen. “Existential Thought in American Psycho and Fight Club.” 2011. Web. 27 Feb 2021.

Vancouver:

Wenley S. Existential Thought in American Psycho and Fight Club. [Internet] [Masters thesis]. Victoria University of Wellington; 2011. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10063/2324.

Council of Science Editors:

Wenley S. Existential Thought in American Psycho and Fight Club. [Masters Thesis]. Victoria University of Wellington; 2011. Available from: http://hdl.handle.net/10063/2324

University of Melbourne

14. O'Neil, Miles Henry. Contemporary Australian Gothic theatre sound.

Degree: 2018, University of Melbourne

URL: http://hdl.handle.net/11343/213334

► This practice-based research analyses the significance of sonic dramaturgies in the development and proliferation of contemporary Australian Gothic theatre. Taking an acoustemological approach, I consider… (more)

▼ This practice-based research analyses the significance of sonic dramaturgies in the development and proliferation of contemporary Australian Gothic theatre. Taking an acoustemological approach, I consider the dramaturgical role of sound and argue that it is imperative to the construction and understanding of contemporary Gothic theatre and that academic criticism is emergent in its understanding. By analysing companies and practitioners of contemporary Australian Gothic theatre, I identify and articulate their innovative contributions towards what has been called “the Sonic Turn”. My case studies include Black Lung Theatre and Whaling Firm and practitioner Tamara Saulwick. I argue that the state of Victoria has a particular place in the development of contemporary Gothic theatre and highlight the importance of the influences of Gothic Rock, rock band aesthetics, Nick Cave, and the Gothic myths and legends and specific landscapes of Victoria. I identify dramaturgical languages that describe the function of sound in the work of these practitioners and the crucial emergence of sound as a dominant affective device and its use in representing imagined landscapes of post-colonial Australia. I also analyse sound in relation to concepts of horror and trauma. I position my practice and my work as co-artistic director of the Suitcase Royale within the Sonic Turn and in relation to other Gothic theatre companies and practitioners. Drawing on theories of spectrality and presence, I formulate a theoretical language of the Sonic Gothic as it relates to contemporary Australian theatre. I contend that contemporary Australian Gothic theatre is culturally unique in its preoccupation with sound and that sonic experiments in the Gothic are creating new understandings of the use of sound in theatre. My creative work, a soundscape for theatre entitled Disappearing into Darkness, is submitted as a high-quality Mp3 file accompanying the written dissertation. It was created as an alternative text and will be used as the foundational material for the development of a new work of Australian Gothic dance theatre.

Subjects/Keywords: theatre; Gothic; sound

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APA (6^th Edition):

O'Neil, M. H. (2018). Contemporary Australian Gothic theatre sound. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/213334

Chicago Manual of Style (16^th Edition):

O'Neil, Miles Henry. “Contemporary Australian Gothic theatre sound.” 2018. Doctoral Dissertation, University of Melbourne. Accessed February 27, 2021. http://hdl.handle.net/11343/213334.

MLA Handbook (7^th Edition):

O'Neil, Miles Henry. “Contemporary Australian Gothic theatre sound.” 2018. Web. 27 Feb 2021.

Vancouver:

O'Neil MH. Contemporary Australian Gothic theatre sound. [Internet] [Doctoral dissertation]. University of Melbourne; 2018. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/11343/213334.

Council of Science Editors:

O'Neil MH. Contemporary Australian Gothic theatre sound. [Doctoral Dissertation]. University of Melbourne; 2018. Available from: http://hdl.handle.net/11343/213334

University of Aberdeen

15. Smith, Candice. "Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s.

Degree: PhD, 2014, University of Aberdeen

URL: https://abdn.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152704370005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116

► This thesis examines the way in which four women writers of the 1790s appropriated the architectural metaphors of the Revolution debate in their Gothic novels.… (more)

▼ This thesis examines the way in which four women writers of the 1790s appropriated the architectural metaphors of the Revolution debate in their Gothic novels. By transforming the political metaphor of the Gothic building into a material environment in their writing, this thesis argues that Charlotte Smith, Ann Radcliffe, Mary Robinson, and Jane Austen staked their own variant positions in contemporary debates regarding revolution and reform. In the 1790s, the more general struggle for political and social improvement was linked by writers such as Mary Wollstonecraft to the need for reform of sexual inequality in society. By closely examining the Gothic building – typically a hostile environment for its female inhabitants – this thesis argues that the Gothic house or castle functions in these novels as a critique of domestic, as well as state, politics. Chapter one begins by exploring the synergies between architecture, politics, and the Gothic novel in the eighteenth century. In this way, this thesis contributes to a neglected yet emerging area of Gothic scholarship: the complex and symbiotic relationship between architecture and the Gothic novel. Chapter two considers the way in which Charlotte Smith exploits contemporary associations of Gothic architecture in The Old Manor House (1793) to subvert the political ideology embedded in the architectural metaphors of Edmund Burke's Reflections on the Revolution in France (1790). In chapters three and four, the architectural descriptions of Ann Radcliffe and Mary Robinson are read in dialogue with those of Edmund Burke, Hannah More, John Thelwall, and Mary Wollstonecraft: in Radcliffe and Robinson's novels, this thesis argues, the simple structure of revolutionary reform is favoured over the ancient castle of counter-revolutionary custom. Finally, chapter five challenges the critical conception of Jane Austen as a political reactionary by examining the way in which her depiction of architecture in Northanger Abbey (1817) destabilises the most perniciously gendered aspects of Burke's Reflections on the Revolution in France.

Subjects/Keywords: 823.009; Gothic literature

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APA (6^th Edition):

Smith, C. (2014). "Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s. (Doctoral Dissertation). University of Aberdeen. Retrieved from https://abdn.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152704370005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116

Chicago Manual of Style (16^th Edition):

Smith, Candice. “"Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s.” 2014. Doctoral Dissertation, University of Aberdeen. Accessed February 27, 2021. https://abdn.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152704370005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116.

MLA Handbook (7^th Edition):

Smith, Candice. “"Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s.” 2014. Web. 27 Feb 2021.

Vancouver:

Smith C. "Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s. [Internet] [Doctoral dissertation]. University of Aberdeen; 2014. [cited 2021 Feb 27]. Available from: https://abdn.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152704370005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116.

Council of Science Editors:

Smith C. "Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s. [Doctoral Dissertation]. University of Aberdeen; 2014. Available from: https://abdn.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152704370005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600116

University of Hong Kong

16. 白昭璇. Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community.

Degree: 2006, University of Hong Kong

URL: http://hdl.handle.net/10722/51566

Subjects/Keywords: Gothic literature.

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APA (6^th Edition):

白昭璇.. (2006). Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/51566

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

白昭璇.. “Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community.” 2006. Thesis, University of Hong Kong. Accessed February 27, 2021. http://hdl.handle.net/10722/51566.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

白昭璇.. “Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community.” 2006. Web. 27 Feb 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

白昭璇.. Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community. [Internet] [Thesis]. University of Hong Kong; 2006. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10722/51566.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

白昭璇.. Stephen King's popular Gothic: Gothic meta-fiction, ideology, scatology and (re)construction of community. [Thesis]. University of Hong Kong; 2006. Available from: http://hdl.handle.net/10722/51566

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Texas A&M University

17. Cain, Cashion Alexander. Defining Romanesque Architecture as Exemplified by Durham Cathedral, England.

Degree: MS, Architecture, 2016, Texas A&M University

URL: http://hdl.handle.net/1969.1/159054

► Architects are often concerned with elements of structure and their relationship to the spaces they create. In this study I use case-control and observational study… (more)

▼ Architects are often concerned with elements of structure and their relationship to the spaces they create. In this study I use case-control and observational study of two preexisting styles of architecture: Romanesque and Gothic. Combining analysis of the buildings with numerical coding of five particular architectural elements allowed the researcher to make conclusions about the identification of Durham Cathedral in Durham, England as a Romanesque church. Using S. Ambrogio in Milan, Italy, Speyer Cathedral in Speyer, Germany, St. Etienne in Caen, France, and St. Denis in Paris, France, I provide a set of case studies to compare and contrast the qualities of Romanesque and Early-Gothic architecture. When compared to an analysis of Durham Cathedral, these case studies provide evidence for the classification of Durham Cathedral as Romanesque but fail to completely support this classification. With an analysis of the buildings in question, architects have come to the general conclusion that these case studies, with the exception of St. Denis, exhibit mostly Romanesque traits. St. Denis, considered the first of the Gothic churches, is seen as a turning point for architectural development. This church represents the first examples in which High Romanesque became the Early Gothic through the development of new construction techniques and evolving ideals in architectural design. When comparing the system of vertical load-bearing members supporting the case studies it becomes evident that the Romanesque churches rely on heavy piers and large columns to support the weight of high vaults and ceilings. In contrast, St. Denis relies on thin walls and columns combined with large buttressing to achieve similar support. Comparing the vaults of these case studies, evidence supports the conclusion that earlier vaults lacked proper construction to use ribs as structural load-bearing members. In applying quantitative values to five particular architectural elements, this study provides evidence to support the conclusion that Durham exhibits both the traits of Romanesque and Proto-Gothic architectural developments. Advisors/Committee Members: Klein, Nancy (advisor), Caffey, Stephen (committee member), Wachsmann, Shelley (committee member).

Subjects/Keywords: Romanesque; Gothic; Durham; Cathedral; Architecture

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APA (6^th Edition):

Cain, C. A. (2016). Defining Romanesque Architecture as Exemplified by Durham Cathedral, England. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/159054

Chicago Manual of Style (16^th Edition):

Cain, Cashion Alexander. “Defining Romanesque Architecture as Exemplified by Durham Cathedral, England.” 2016. Masters Thesis, Texas A&M University. Accessed February 27, 2021. http://hdl.handle.net/1969.1/159054.

MLA Handbook (7^th Edition):

Cain, Cashion Alexander. “Defining Romanesque Architecture as Exemplified by Durham Cathedral, England.” 2016. Web. 27 Feb 2021.

Vancouver:

Cain CA. Defining Romanesque Architecture as Exemplified by Durham Cathedral, England. [Internet] [Masters thesis]. Texas A&M University; 2016. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1969.1/159054.

Council of Science Editors:

Cain CA. Defining Romanesque Architecture as Exemplified by Durham Cathedral, England. [Masters Thesis]. Texas A&M University; 2016. Available from: http://hdl.handle.net/1969.1/159054

Leiden University

18. Darnell, Lorne. A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens.

Degree: 2016, Leiden University

URL: http://hdl.handle.net/1887/42801

► Constantijn Huygens is know as the pioneering architect of the Dutch classicist revival, and his poems in praise of his collaborator, Jacob van Campen, laud… (more)

Subjects/Keywords: classicism paganism nationalism Gothic perspective

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APA (6^th Edition):

Darnell, L. (2016). A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42801

Chicago Manual of Style (16^th Edition):

Darnell, Lorne. “A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens.” 2016. Masters Thesis, Leiden University. Accessed February 27, 2021. http://hdl.handle.net/1887/42801.

MLA Handbook (7^th Edition):

Darnell, Lorne. “A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens.” 2016. Web. 27 Feb 2021.

Vancouver:

Darnell L. A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1887/42801.

Council of Science Editors:

Darnell L. A Sacred History for Dutch Classicist Architecture: The Paintings of Pieter Saenredam in the Collection of Constantijn Huygens. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42801

University of Ottawa

19. Cooper, Jody. Scaffold Fiction: Execution and Eighteenth-Century British Literature .

Degree: 2012, University of Ottawa

URL: http://hdl.handle.net/10393/20728

► Before the age of sensibility, the literary scaffold was a device, albeit one with its own set of associations. Its purpose was to arrest plot,… (more)

▼ Before the age of sensibility, the literary scaffold was a device, albeit one with its own set of associations. Its purpose was to arrest plot, create tension, and render character. Fictional representations of execution typically did not question the place of capital punishment in society. They were heroic events in which protagonists were threatened with a judicial device that was presumed righteous in every other case but their own. But in the eighteenth century, the fictional scaffold acquired new significance: it deepened a Gothic or sublime tone, tested reader and character sensibility, and eventually challenged the judicial status quo. The reliance on the scaffold to generate atmosphere, to wring our compassion, or to examine the legal value of the individual resulted in a new type of literature that I call scaffold fiction, a genre that persists to this day. Representations of execution in eighteenth-century tragedy, in Gothic narratives, and in novels of sensibility centered more and more on a hero’s scaffold anxiety as a means of enlarging pathos while subverting legal tradition. Lingering on a character’s last hours became the norm as establishment tools like execution broadsheets and criminal biography gave way to scaffold fictions like Lee’s The Recess and Smith’s The Banished Man—fictions that privilege the body of the condemned rather than her soul and no longer reaffirm the law’s prerogative. And because of this shift in the material worth of individuals, the revolutionary fictions of the Romantic era in particular induced questions about the scaffold’s own legitimacy. For the first time in Western literary history, representations of execution usually had something to imply about execution itself, not merely the justness of a particular individual’s fate. The first two chapters of my study are devoted to close readings of Georgian tragedy and Gothic novels, which provide a representative sample of the kinds of tropes particular to scaffold fiction (if they exist before the eighteenth century, they are less vivid, less present). The negotiation of a sentence, the last farewell, the lamentation of intimates, the imagined scaffold death of a loved one, and the taboo attachment of a condemned Christian to his flesh became more sustained and elaborate, opening up new arguments about the era’s obsession with sublimity, imagination, and sympathy, which in turn provide me with critical frameworks. The last two chapters pull back from the page in order to examine how literary representations of execution shifted as perspectives on the death penalty shifted. Anti-Jacobin fictions that feature the scaffold, for instance, were confounded by the device’s now vexed status as a judicial solution. Challenging the supposed authoritarian thrust of texts like Mangin’s George the Third and Craik’s Adelaide de Narbonne, the anti-Jacobin scaffold was swept up in a general reimagining of the object and its moral implication, which by extension helps to dismantle the reductive Jacobin/anti-Jacobin binary which critics…

Subjects/Keywords: execution; scaffold; literature; gothic

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APA (6^th Edition):

Cooper, J. (2012). Scaffold Fiction: Execution and Eighteenth-Century British Literature . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/20728

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cooper, Jody. “Scaffold Fiction: Execution and Eighteenth-Century British Literature .” 2012. Thesis, University of Ottawa. Accessed February 27, 2021. http://hdl.handle.net/10393/20728.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cooper, Jody. “Scaffold Fiction: Execution and Eighteenth-Century British Literature .” 2012. Web. 27 Feb 2021.

Vancouver:

Cooper J. Scaffold Fiction: Execution and Eighteenth-Century British Literature . [Internet] [Thesis]. University of Ottawa; 2012. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10393/20728.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cooper J. Scaffold Fiction: Execution and Eighteenth-Century British Literature . [Thesis]. University of Ottawa; 2012. Available from: http://hdl.handle.net/10393/20728

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

AUT University

20. Bellingham, Robin. Friend in the Woods .

Degree: 2010, AUT University

URL: http://hdl.handle.net/10292/994

► These short stories are experiments in gothic, existential and fabulist writing. These three kinds of fiction question the nature of reality and create openings to… (more)

Subjects/Keywords: Gothic; Existential; Creative writing; Fabulist

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APA (6^th Edition):

Bellingham, R. (2010). Friend in the Woods . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/994

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bellingham, Robin. “Friend in the Woods .” 2010. Thesis, AUT University. Accessed February 27, 2021. http://hdl.handle.net/10292/994.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bellingham, Robin. “Friend in the Woods .” 2010. Web. 27 Feb 2021.

Vancouver:

Bellingham R. Friend in the Woods . [Internet] [Thesis]. AUT University; 2010. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10292/994.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bellingham R. Friend in the Woods . [Thesis]. AUT University; 2010. Available from: http://hdl.handle.net/10292/994

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

21. Aranyos, Hanna. Gothic Motifs in Three Novels by Iain Banks .

Degree: DE – TEK – Bölcsészettudományi Kar, 2012, University of Debrecen

URL: http://hdl.handle.net/2437/155165

In my thesis is tried to reveal how Gothic motifs are employed as a means of linking devices in this three novels. Advisors/Committee Members: Bényei, Tamás (advisor).

Subjects/Keywords: gothic; double; uncanny; Banks

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APA (6^th Edition):

Aranyos, H. (2012). Gothic Motifs in Three Novels by Iain Banks . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/155165

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Aranyos, Hanna. “Gothic Motifs in Three Novels by Iain Banks .” 2012. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/155165.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Aranyos, Hanna. “Gothic Motifs in Three Novels by Iain Banks .” 2012. Web. 27 Feb 2021.

Vancouver:

Aranyos H. Gothic Motifs in Three Novels by Iain Banks . [Internet] [Thesis]. University of Debrecen; 2012. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/155165.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aranyos H. Gothic Motifs in Three Novels by Iain Banks . [Thesis]. University of Debrecen; 2012. Available from: http://hdl.handle.net/2437/155165

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

22. Pinczés, Mariann. Lady Gaga and the Monster Theory .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/156261

► After the release of her first album The Fame in 2008, Lady Gaga became one of the most influential celebrities in the world as well… (more)

Subjects/Keywords: female monster; Gothic tradition

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APA (6^th Edition):

Pinczés, M. (2013). Lady Gaga and the Monster Theory . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pinczés, Mariann. “Lady Gaga and the Monster Theory .” 2013. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/156261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pinczés, Mariann. “Lady Gaga and the Monster Theory .” 2013. Web. 27 Feb 2021.

Vancouver:

Pinczés M. Lady Gaga and the Monster Theory . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/156261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinczés M. Lady Gaga and the Monster Theory . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

23. Setét, Réka. "Tell Me Where It Hurts" .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/156534

► The Gothic genre of literature has a long history in Western culture, and its original form had its real glory in the late 18th and… (more)

Subjects/Keywords: trauma; memoir; contemporary gothic

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APA (6^th Edition):

Setét, R. (2013). "Tell Me Where It Hurts" . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156534

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Setét, Réka. “"Tell Me Where It Hurts" .” 2013. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/156534.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Setét, Réka. “"Tell Me Where It Hurts" .” 2013. Web. 27 Feb 2021.

Vancouver:

Setét R. "Tell Me Where It Hurts" . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/156534.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Setét R. "Tell Me Where It Hurts" . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156534

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

24. Ábrók, Melinda. Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/170334

► In my thesis I focus my attention on contemporary Irish female and male Gothic by analyzing Anne Haverty’s One Day as a Tiger and Seamus… (more)

Subjects/Keywords: Gothic; Irish; space; gender

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APA (6^th Edition):

Ábrók, M. (2013). Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/170334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ábrók, Melinda. “Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark .” 2013. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/170334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ábrók, Melinda. “Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark .” 2013. Web. 27 Feb 2021.

Vancouver:

Ábrók M. Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/170334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ábrók M. Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/170334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

25. Medgyesi, Nóra. Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/171814

► Alcott has a wide range of female protagonists. We can start from the Beth March the purest and most religious girl and arrive to Virginie… (more)

Subjects/Keywords: Gothic fiction; women writers

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APA (6^th Edition):

Medgyesi, N. (2013). Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/171814

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Medgyesi, Nóra. “Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood .” 2013. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/171814.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Medgyesi, Nóra. “Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood .” 2013. Web. 27 Feb 2021.

Vancouver:

Medgyesi N. Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/171814.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Medgyesi N. Louisa May Alcott's Female Characters and the Challenge of the CUlt of True Womanhood . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/171814

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

26. Pallagi, Anita. Gothic Features in Contemporary Irish Fiction .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/171818

► will attempt to show with the help of three contemporary novels that Gothic still exists in Celtic Tiger Ireland. It is reformed and possesses new… (more)

Subjects/Keywords: Gothic; space; Irish fiction

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APA (6^th Edition):

Pallagi, A. (2013). Gothic Features in Contemporary Irish Fiction . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/171818

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pallagi, Anita. “Gothic Features in Contemporary Irish Fiction .” 2013. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/171818.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pallagi, Anita. “Gothic Features in Contemporary Irish Fiction .” 2013. Web. 27 Feb 2021.

Vancouver:

Pallagi A. Gothic Features in Contemporary Irish Fiction . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/171818.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pallagi A. Gothic Features in Contemporary Irish Fiction . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/171818

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

27. Gönczi, Nóra. Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/173691

► In my thesis I will discuss three ghost stories – “Green Tea,” “The Familiar” and “Mr Justice Harbottle” – by the Irish writer, Joseph Sheridan… (more)

Subjects/Keywords: Irish Gothic; ghost stories

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gönczi, N. (2013). Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/173691

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gönczi, Nóra. “Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories .” 2013. Thesis, University of Debrecen. Accessed February 27, 2021. http://hdl.handle.net/2437/173691.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gönczi, Nóra. “Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories .” 2013. Web. 27 Feb 2021.

Vancouver:

Gönczi N. Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2437/173691.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gönczi N. Green Tea and Blue Devils: The Supernatural in Three of J. S. Le Fanu's Stories . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/173691

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Boston College

28. Clark, Rebecca. Montesquieu on the History and Geography of Political Liberty.

Degree: PhD, Political Science, 2012, Boston College

URL: http://dlib.bc.edu/islandora/object/bc-ir:103616

► Montesquieu famously presents climate and terrain as enabling servitude in hot, fertile climes and on the exposed steppes of central Asia. He also traces England's… (more)

▼ Montesquieu famously presents climate and terrain as enabling servitude in hot, fertile climes and on the exposed steppes of central Asia. He also traces England's exemplary constitution, with its balanced constitution, independent judiciary, and gentle criminal practices, to the unique conditions of early medieval northern Europe. The English "found" their government "in the forests" of Germany. There, the marginal, variegated terrain favored the dispersion of political power, and a pastoral way of life until well into the Middle Ages. In pursuing a primitive honor unrelated to political liberty as such, the barbaric Franks accidentally established the rudiments of the most "well-tempered" government. His turn to these causes accidental to human purposes in Parts 3-6 begins with his analysis of the problem of unintended consequences in the history of political reform in Parts 1-2. While the idea of balancing political powers in order to prevent any one individual or group from dominating the rest has ancient roots, he shows that it has taken many centuries to understand just what needs to be balanced, and to learn to balance against one threat without inviting another. Knowledge of the administration of criminal justice has proven the most important to liberty, as well as the most difficult to acquire and put into practice. Montesquieu's attention to accidental causes sheds light on the contradictions within human nature, and the complex relationship between humans and their physical and conventional environments. He shows how nature provides support for both political liberty and for despotism. The wisdom of organizing government with a view to political liberty, as well as the means for doing so, does not follow from human nature in the abstract, but has required reflection on experiences with the consequences of actual governments. By highlighting the dependence of free politics on conditions outside the legislator's immediate control, he encourages reformers to attend to the non-legal supports of political liberty, the limits of human ingenuity, and the risks of unintended consequences. His attention to forces beyond human control provides the occasion to clarify the character of liberal legislative prudence, the art of leading by "inviting without constraining." Advisors/Committee Members: Christopher Kelly (Thesis advisor).

Subjects/Keywords: climate; Gothic; Louis IX; Montesquieu

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Clark, R. (2012). Montesquieu on the History and Geography of Political Liberty. (Doctoral Dissertation). Boston College. Retrieved from http://dlib.bc.edu/islandora/object/bc-ir:103616

Chicago Manual of Style (16^th Edition):

Clark, Rebecca. “Montesquieu on the History and Geography of Political Liberty.” 2012. Doctoral Dissertation, Boston College. Accessed February 27, 2021. http://dlib.bc.edu/islandora/object/bc-ir:103616.

MLA Handbook (7^th Edition):

Clark, Rebecca. “Montesquieu on the History and Geography of Political Liberty.” 2012. Web. 27 Feb 2021.

Vancouver:

Clark R. Montesquieu on the History and Geography of Political Liberty. [Internet] [Doctoral dissertation]. Boston College; 2012. [cited 2021 Feb 27]. Available from: http://dlib.bc.edu/islandora/object/bc-ir:103616.

Council of Science Editors:

Clark R. Montesquieu on the History and Geography of Political Liberty. [Doctoral Dissertation]. Boston College; 2012. Available from: http://dlib.bc.edu/islandora/object/bc-ir:103616

Boston University

29. Goss, Theodora Esther. The monster in the mirror: late Victorian Gothic and anthropology.

Degree: PhD, English, 2012, Boston University

URL: http://hdl.handle.net/2144/31561

► The end of the nineteenth century witnessed a Gothic literary revival, which included the publication of Sheridan Le Fanu's Carmilla ( 1872), Robert Louis Stevenson's… (more)

▼ The end of the nineteenth century witnessed a Gothic literary revival, which included the publication of Sheridan Le Fanu's Carmilla ( 1872), Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde ( 1886), Oscar Wilde's The Picture of Dorian Gray (1891), H.G. Wells' The Island of Doctor Moreau (1896), and Bram Stoker's Dracula (1897) within a twenty-five year period. The dissertation interprets such late nineteenth-century Gothic texts in light of the rise of Victorian anthropology and an anthropological paradigm based on Darwinian evolutionary theory. Before the 1860s, the study of human beings had been dominated by the discipline of ethnology; however, the ethnological paradigm, based on a Biblical understanding of human history, began to fracture with the discovery of prehistoric human remains at Brixham Cave (1858) and the publication of Darwin's On the Origin of Species (1859). Those events brought the Biblical framework into question and created a sense of cultural trauma reflected in both scientific and popular debates on the origins of humanity. The anthropological paradigm, articulated in the writings of anthropologists such as Sir John Lubbock, Edward Burnett Tylor, and James Ferguson McLennan, managed the traumatic implications of Darwinian evolutionary theory by creating a hierarchical ladder of biological and cultural evolution that affirmed the primacy of human over animal, and civilized over savage. It also, by implication, supported the colonial enterprise by placing the European at the top of that ladder. Late nineteenth-century Gothic fiction posed a fundamental challenge to the optimistic progressionism of the anthropological paradigm and the hierarchical oppositions on which it was based by implying that Englishmen and women were not as different from the animal or savage as they believed, and that evolution itself was not always upward. By doing so, it re-traumatized what the anthropological paradigm attempted to contain, and pointed toward a more diverse and egalitarian definition of the human. The Gothic has often been seen as a conservative genre: the dissertation argues that understanding the ways in which late nineteenth-century Gothic fiction challenged the anthropological paradigm can reveal its disruptive, iconoclastic potential.

Subjects/Keywords: Gothic literary revival; Victorian anthropology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Goss, T. E. (2012). The monster in the mirror: late Victorian Gothic and anthropology. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/31561

Chicago Manual of Style (16^th Edition):

Goss, Theodora Esther. “The monster in the mirror: late Victorian Gothic and anthropology.” 2012. Doctoral Dissertation, Boston University. Accessed February 27, 2021. http://hdl.handle.net/2144/31561.

MLA Handbook (7^th Edition):

Goss, Theodora Esther. “The monster in the mirror: late Victorian Gothic and anthropology.” 2012. Web. 27 Feb 2021.

Vancouver:

Goss TE. The monster in the mirror: late Victorian Gothic and anthropology. [Internet] [Doctoral dissertation]. Boston University; 2012. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2144/31561.

Council of Science Editors:

Goss TE. The monster in the mirror: late Victorian Gothic and anthropology. [Doctoral Dissertation]. Boston University; 2012. Available from: http://hdl.handle.net/2144/31561

Karlstad University

30. Gambring, Therese. An examination of the complexity and function of the gothic features in Charlotte Brontë’s Jane Eyre.

Degree: Literature and Intercultural Studies, 2014, Karlstad University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31627

► An important and in fact essential feature throughout Charlotte Brontë’s Jane Eyre is the gothic elements. At first sight Jane Eyre may not look… (more)

Subjects/Keywords: Jane Eyre; gothic features

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gambring, T. (2014). An examination of the complexity and function of the gothic features in Charlotte Brontë’s Jane Eyre. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gambring, Therese. “An examination of the complexity and function of the gothic features in Charlotte Brontë’s Jane Eyre.” 2014. Thesis, Karlstad University. Accessed February 27, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gambring, Therese. “An examination of the complexity and function of the gothic features in Charlotte Brontë’s Jane Eyre.” 2014. Web. 27 Feb 2021.

Vancouver:

Gambring T. An examination of the complexity and function of the gothic features in Charlotte Brontë’s Jane Eyre. [Internet] [Thesis]. Karlstad University; 2014. [cited 2021 Feb 27]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gambring T. An examination of the complexity and function of the gothic features in Charlotte Brontë’s Jane Eyre. [Thesis]. Karlstad University; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations