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You searched for subject:(Ginastera). Showing records 1 – 27 of 27 total matches.

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University of Georgia

1. Snyder, Philip Jason. The music of Alberto Ginastera transcribed for guitar: a performance edition of Danzas argentinas for guitar quartet.

Degree: DMA, Music, 2003, University of Georgia

 Due to certain similarities between the compositional style of Alberto Ginastera and those of Spanish composers such as Isaac Albéniz, Enrique Granados, and Manuel de… (more)

Subjects/Keywords: Ginastera

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APA (6th Edition):

Snyder, P. J. (2003). The music of Alberto Ginastera transcribed for guitar: a performance edition of Danzas argentinas for guitar quartet. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/snyder_philip_j_200305_dma

Chicago Manual of Style (16th Edition):

Snyder, Philip Jason. “The music of Alberto Ginastera transcribed for guitar: a performance edition of Danzas argentinas for guitar quartet.” 2003. Doctoral Dissertation, University of Georgia. Accessed October 21, 2019. http://purl.galileo.usg.edu/uga_etd/snyder_philip_j_200305_dma.

MLA Handbook (7th Edition):

Snyder, Philip Jason. “The music of Alberto Ginastera transcribed for guitar: a performance edition of Danzas argentinas for guitar quartet.” 2003. Web. 21 Oct 2019.

Vancouver:

Snyder PJ. The music of Alberto Ginastera transcribed for guitar: a performance edition of Danzas argentinas for guitar quartet. [Internet] [Doctoral dissertation]. University of Georgia; 2003. [cited 2019 Oct 21]. Available from: http://purl.galileo.usg.edu/uga_etd/snyder_philip_j_200305_dma.

Council of Science Editors:

Snyder PJ. The music of Alberto Ginastera transcribed for guitar: a performance edition of Danzas argentinas for guitar quartet. [Doctoral Dissertation]. University of Georgia; 2003. Available from: http://purl.galileo.usg.edu/uga_etd/snyder_philip_j_200305_dma


University of North Texas

2. Abe, Shoko. Two Argentine Song Sets: A Comparison of Songs by De Rogatis and Ginastera.

Degree: 2018, University of North Texas

 Latin American classical vocal repertoire is vast, but in the United States, we only hear a fairly limited part of this literature. Much of this… (more)

Subjects/Keywords: De Rogatis; Ginastera

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APA (6th Edition):

Abe, S. (2018). Two Argentine Song Sets: A Comparison of Songs by De Rogatis and Ginastera. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248378/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abe, Shoko. “Two Argentine Song Sets: A Comparison of Songs by De Rogatis and Ginastera.” 2018. Thesis, University of North Texas. Accessed October 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248378/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abe, Shoko. “Two Argentine Song Sets: A Comparison of Songs by De Rogatis and Ginastera.” 2018. Web. 21 Oct 2019.

Vancouver:

Abe S. Two Argentine Song Sets: A Comparison of Songs by De Rogatis and Ginastera. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Oct 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248378/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abe S. Two Argentine Song Sets: A Comparison of Songs by De Rogatis and Ginastera. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248378/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

3. Saez, Alejandra. Alberto Ginastera's Twelve American Preludes : descriptive analysis and performer's guide.

Degree: DMA, Music, 2013, Louisiana State University

 This monograph presents a detailed descriptive analysis and performer’s guide for Alberto Ginastera’s Twelve American Preludes Op.12. The author emphasizes the study of specific compositional… (more)

Subjects/Keywords: ginastera; saez; argentina; piano

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APA (6th Edition):

Saez, A. (2013). Alberto Ginastera's Twelve American Preludes : descriptive analysis and performer's guide. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-01212014-103346 ; https://digitalcommons.lsu.edu/gradschool_dissertations/282

Chicago Manual of Style (16th Edition):

Saez, Alejandra. “Alberto Ginastera's Twelve American Preludes : descriptive analysis and performer's guide.” 2013. Doctoral Dissertation, Louisiana State University. Accessed October 21, 2019. etd-01212014-103346 ; https://digitalcommons.lsu.edu/gradschool_dissertations/282.

MLA Handbook (7th Edition):

Saez, Alejandra. “Alberto Ginastera's Twelve American Preludes : descriptive analysis and performer's guide.” 2013. Web. 21 Oct 2019.

Vancouver:

Saez A. Alberto Ginastera's Twelve American Preludes : descriptive analysis and performer's guide. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2019 Oct 21]. Available from: etd-01212014-103346 ; https://digitalcommons.lsu.edu/gradschool_dissertations/282.

Council of Science Editors:

Saez A. Alberto Ginastera's Twelve American Preludes : descriptive analysis and performer's guide. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-01212014-103346 ; https://digitalcommons.lsu.edu/gradschool_dissertations/282


Universidade do Rio Grande do Norte

4. Fernandez, Maria Verônica. Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera .

Degree: 2015, Universidade do Rio Grande do Norte

 This research sheds light on the stylistic elements originated from the region of Puna found in the Puneña N°. 2, Op. 45 by Alberto Ginastera(more)

Subjects/Keywords: Violoncelo; Puneña n. 2; Alberto Ginastera

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APA (6th Edition):

Fernandez, M. V. (2015). Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera . (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/20353

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fernandez, Maria Verônica. “Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera .” 2015. Thesis, Universidade do Rio Grande do Norte. Accessed October 21, 2019. http://repositorio.ufrn.br/handle/123456789/20353.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fernandez, Maria Verônica. “Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera .” 2015. Web. 21 Oct 2019.

Vancouver:

Fernandez MV. Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera . [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2015. [cited 2019 Oct 21]. Available from: http://repositorio.ufrn.br/handle/123456789/20353.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernandez MV. Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera . [Thesis]. Universidade do Rio Grande do Norte; 2015. Available from: http://repositorio.ufrn.br/handle/123456789/20353

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Cunha, Ana Raquel Barbosa dos Reis. Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo.

Degree: 2013, Instituto Politécnico do Porto

A presente dissertação centra-se nos elementos da música popular argentina na obra para piano de Alberto Ginastera. Este é considerado um dos compositores mais importantes… (more)

Subjects/Keywords: Ginastera; Sonatas; Música popular; Popular music

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APA (6th Edition):

Cunha, A. R. B. d. R. (2013). Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cunha, Ana Raquel Barbosa dos Reis. “Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo.” 2013. Thesis, Instituto Politécnico do Porto. Accessed October 21, 2019. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cunha, Ana Raquel Barbosa dos Reis. “Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo.” 2013. Web. 21 Oct 2019.

Vancouver:

Cunha ARBdR. Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo. [Internet] [Thesis]. Instituto Politécnico do Porto; 2013. [cited 2019 Oct 21]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cunha ARBdR. Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo. [Thesis]. Instituto Politécnico do Porto; 2013. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Norte

6. Fernandez, Maria Verônica. Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera .

Degree: 2015, Universidade do Rio Grande do Norte

 This research sheds light on the stylistic elements originated from the region of Puna found in the Puneña N°. 2, Op. 45 by Alberto Ginastera(more)

Subjects/Keywords: Violoncelo; Puneña n. 2; Alberto Ginastera

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APA (6th Edition):

Fernandez, M. V. (2015). Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera . (Masters Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/20353

Chicago Manual of Style (16th Edition):

Fernandez, Maria Verônica. “Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera .” 2015. Masters Thesis, Universidade do Rio Grande do Norte. Accessed October 21, 2019. http://repositorio.ufrn.br/handle/123456789/20353.

MLA Handbook (7th Edition):

Fernandez, Maria Verônica. “Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera .” 2015. Web. 21 Oct 2019.

Vancouver:

Fernandez MV. Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera . [Internet] [Masters thesis]. Universidade do Rio Grande do Norte; 2015. [cited 2019 Oct 21]. Available from: http://repositorio.ufrn.br/handle/123456789/20353.

Council of Science Editors:

Fernandez MV. Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera . [Masters Thesis]. Universidade do Rio Grande do Norte; 2015. Available from: http://repositorio.ufrn.br/handle/123456789/20353


University of Cincinnati

7. BARNETT, JESSICA R. ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS.

Degree: MM, College-Conservatory of Music : Theory, 2007, University of Cincinnati

 Ginastera’s first and second string quartets are characterized by strong stylistic contrasts: the first is non-serial and the second represents the composer’s first attempt at… (more)

Subjects/Keywords: Music; Ginastera; string quartet; composing out

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APA (6th Edition):

BARNETT, J. R. (2007). ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179372958

Chicago Manual of Style (16th Edition):

BARNETT, JESSICA R. “ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS.” 2007. Masters Thesis, University of Cincinnati. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179372958.

MLA Handbook (7th Edition):

BARNETT, JESSICA R. “ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS.” 2007. Web. 21 Oct 2019.

Vancouver:

BARNETT JR. ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS. [Internet] [Masters thesis]. University of Cincinnati; 2007. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179372958.

Council of Science Editors:

BARNETT JR. ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS. [Masters Thesis]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179372958


UCLA

8. Rodriguez, Joshua Eliecer. Volume I “Tiemble y estalle la fiesta:” Toward Understanding Alberto Ginastera’s Musical Language in the Final Decade of his Neo-expressionist Phase Through Analysis of the Cello Concerto No. 2 with a Focus on Symmetrical Structures and Symbolism & Volume II Concerto for Piano and Orchestra.

Degree: Music, 2015, UCLA

 Volume I“Tiemble y estalle la fiesta:” Toward Understanding Alberto Ginastera’s Musical Language in the Final Decade of his Neo-expressionist Phase Through Analysis of the Cello… (more)

Subjects/Keywords: Music; Cello; Concerto; Ginastera; Messiaen; Rodriguez; Symmetry

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APA (6th Edition):

Rodriguez, J. E. (2015). Volume I “Tiemble y estalle la fiesta:” Toward Understanding Alberto Ginastera’s Musical Language in the Final Decade of his Neo-expressionist Phase Through Analysis of the Cello Concerto No. 2 with a Focus on Symmetrical Structures and Symbolism & Volume II Concerto for Piano and Orchestra. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/46g0b0r0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodriguez, Joshua Eliecer. “Volume I “Tiemble y estalle la fiesta:” Toward Understanding Alberto Ginastera’s Musical Language in the Final Decade of his Neo-expressionist Phase Through Analysis of the Cello Concerto No. 2 with a Focus on Symmetrical Structures and Symbolism & Volume II Concerto for Piano and Orchestra.” 2015. Thesis, UCLA. Accessed October 21, 2019. http://www.escholarship.org/uc/item/46g0b0r0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodriguez, Joshua Eliecer. “Volume I “Tiemble y estalle la fiesta:” Toward Understanding Alberto Ginastera’s Musical Language in the Final Decade of his Neo-expressionist Phase Through Analysis of the Cello Concerto No. 2 with a Focus on Symmetrical Structures and Symbolism & Volume II Concerto for Piano and Orchestra.” 2015. Web. 21 Oct 2019.

Vancouver:

Rodriguez JE. Volume I “Tiemble y estalle la fiesta:” Toward Understanding Alberto Ginastera’s Musical Language in the Final Decade of his Neo-expressionist Phase Through Analysis of the Cello Concerto No. 2 with a Focus on Symmetrical Structures and Symbolism & Volume II Concerto for Piano and Orchestra. [Internet] [Thesis]. UCLA; 2015. [cited 2019 Oct 21]. Available from: http://www.escholarship.org/uc/item/46g0b0r0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodriguez JE. Volume I “Tiemble y estalle la fiesta:” Toward Understanding Alberto Ginastera’s Musical Language in the Final Decade of his Neo-expressionist Phase Through Analysis of the Cello Concerto No. 2 with a Focus on Symmetrical Structures and Symbolism & Volume II Concerto for Piano and Orchestra. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/46g0b0r0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

9. Montoya, Juan Daniel. The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera .

Degree: 2018, University of Arizona

 The purpose of this study is to demonstrate how the folk elements from Argentina’s pre-colonial and colonial periods permeated the music of one of Argentina’s… (more)

Subjects/Keywords: Alberto; Dances; Danzas Argentinas; Estancia; Gaucho; Ginastera

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APA (6th Edition):

Montoya, J. D. (2018). The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/631397

Chicago Manual of Style (16th Edition):

Montoya, Juan Daniel. “The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera .” 2018. Doctoral Dissertation, University of Arizona. Accessed October 21, 2019. http://hdl.handle.net/10150/631397.

MLA Handbook (7th Edition):

Montoya, Juan Daniel. “The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera .” 2018. Web. 21 Oct 2019.

Vancouver:

Montoya JD. The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera . [Internet] [Doctoral dissertation]. University of Arizona; 2018. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10150/631397.

Council of Science Editors:

Montoya JD. The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera . [Doctoral Dissertation]. University of Arizona; 2018. Available from: http://hdl.handle.net/10150/631397


University of Georgia

10. Choo, Minsil. Alberto ginastera's tres piezas, suite de danzas criollas, and piano sonata no. 3: a performance guide.

Degree: DMA, Music, 2018, University of Georgia

 An Argentine composer of the twentieth century, Alberto Ginastera reflects Argentine culture and musical style in his music. Even though there are many sources concerning… (more)

Subjects/Keywords: Alberto Ginastera; Tres Piezas; Suite de Danzas Criollas; Ginastera Piano Sonata No. 3; Argentine rhythm

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APA (6th Edition):

Choo, M. (2018). Alberto ginastera's tres piezas, suite de danzas criollas, and piano sonata no. 3: a performance guide. (Doctoral Dissertation). University of Georgia. Retrieved from http://hdl.handle.net/10724/38596

Chicago Manual of Style (16th Edition):

Choo, Minsil. “Alberto ginastera's tres piezas, suite de danzas criollas, and piano sonata no. 3: a performance guide.” 2018. Doctoral Dissertation, University of Georgia. Accessed October 21, 2019. http://hdl.handle.net/10724/38596.

MLA Handbook (7th Edition):

Choo, Minsil. “Alberto ginastera's tres piezas, suite de danzas criollas, and piano sonata no. 3: a performance guide.” 2018. Web. 21 Oct 2019.

Vancouver:

Choo M. Alberto ginastera's tres piezas, suite de danzas criollas, and piano sonata no. 3: a performance guide. [Internet] [Doctoral dissertation]. University of Georgia; 2018. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10724/38596.

Council of Science Editors:

Choo M. Alberto ginastera's tres piezas, suite de danzas criollas, and piano sonata no. 3: a performance guide. [Doctoral Dissertation]. University of Georgia; 2018. Available from: http://hdl.handle.net/10724/38596


University of North Texas

11. Gaviria, Carlos A. Alberto Ginastera and the Guitar Chord: An Analytical Study.

Degree: 2010, University of North Texas

 The guitar chord (a sonority based on the open strings of the guitar) is one of Alberto Ginastera's compositional trademarks. The use of the guitar… (more)

Subjects/Keywords: Alberto Ginastera; referential sonority; pitch class set; Argentinean guitar chord; Ginastera, Alberto, 1916-1983. Variaciones concertantes.; Ginastera, Alberto, 1916-1983. Sonatas, guitar, op. 47.; Guitar  – Chord diagrams.

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APA (6th Edition):

Gaviria, C. A. (2010). Alberto Ginastera and the Guitar Chord: An Analytical Study. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33152/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gaviria, Carlos A. “Alberto Ginastera and the Guitar Chord: An Analytical Study.” 2010. Thesis, University of North Texas. Accessed October 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc33152/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gaviria, Carlos A. “Alberto Ginastera and the Guitar Chord: An Analytical Study.” 2010. Web. 21 Oct 2019.

Vancouver:

Gaviria CA. Alberto Ginastera and the Guitar Chord: An Analytical Study. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Oct 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33152/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gaviria CA. Alberto Ginastera and the Guitar Chord: An Analytical Study. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33152/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

12. Barnett, Jessica R. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.

Degree: PhD, College-Conservatory of Music: Theory, 2015, University of Cincinnati

 In the late 1950s and early 1960s, Alberto Ginastera turned to twelve-tone composition. The personal twelve-tone language he developed during this time was largely an… (more)

Subjects/Keywords: Music; Ginastera; Concerto; Variation; Composing-out; Octatonic; Twelve tone

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APA (6th Edition):

Barnett, J. R. (2015). Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834

Chicago Manual of Style (16th Edition):

Barnett, Jessica R. “Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.” 2015. Doctoral Dissertation, University of Cincinnati. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834.

MLA Handbook (7th Edition):

Barnett, Jessica R. “Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.” 2015. Web. 21 Oct 2019.

Vancouver:

Barnett JR. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. [Internet] [Doctoral dissertation]. University of Cincinnati; 2015. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834.

Council of Science Editors:

Barnett JR. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. [Doctoral Dissertation]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834


NSYSU

13. Ho, Yu-Hsin. A Study of Ginastera's Piano Music: Argentine Folk elements and his Compositional Techniques.

Degree: Master, Music, 2001, NSYSU

 Alberto Ginastera is considered one of the most important composers in Argentina. His music reflects the ancient aboriginal primitivism and the nationalistic spirit of Argentine… (more)

Subjects/Keywords: Ginastera; Argentine Folk elements

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APA (6th Edition):

Ho, Y. (2001). A Study of Ginastera's Piano Music: Argentine Folk elements and his Compositional Techniques. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0709101-141813

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ho, Yu-Hsin. “A Study of Ginastera's Piano Music: Argentine Folk elements and his Compositional Techniques.” 2001. Thesis, NSYSU. Accessed October 21, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0709101-141813.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ho, Yu-Hsin. “A Study of Ginastera's Piano Music: Argentine Folk elements and his Compositional Techniques.” 2001. Web. 21 Oct 2019.

Vancouver:

Ho Y. A Study of Ginastera's Piano Music: Argentine Folk elements and his Compositional Techniques. [Internet] [Thesis]. NSYSU; 2001. [cited 2019 Oct 21]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0709101-141813.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ho Y. A Study of Ginastera's Piano Music: Argentine Folk elements and his Compositional Techniques. [Thesis]. NSYSU; 2001. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0709101-141813

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

14. Gorin, Pablo César. Alberto Ginastera’s Variazioni e toccata sopra “Aurora lucis rutilat,” op 52, an analytical overview for performers.

Degree: DMA, Music, 2018, University of Iowa

  This essay is a musicological, analytical, and performance practice investigation of Variazioni e Toccata sopra “Aurora lucis rutilat,” op. 52 by Alberto Ginastera. Commissioned… (more)

Subjects/Keywords: Aurora lucis rutilat; Ginastera; Organ works; Variations; Music

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APA (6th Edition):

Gorin, P. C. (2018). Alberto Ginastera’s Variazioni e toccata sopra “Aurora lucis rutilat,” op 52, an analytical overview for performers. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6428

Chicago Manual of Style (16th Edition):

Gorin, Pablo César. “Alberto Ginastera’s Variazioni e toccata sopra “Aurora lucis rutilat,” op 52, an analytical overview for performers.” 2018. Doctoral Dissertation, University of Iowa. Accessed October 21, 2019. https://ir.uiowa.edu/etd/6428.

MLA Handbook (7th Edition):

Gorin, Pablo César. “Alberto Ginastera’s Variazioni e toccata sopra “Aurora lucis rutilat,” op 52, an analytical overview for performers.” 2018. Web. 21 Oct 2019.

Vancouver:

Gorin PC. Alberto Ginastera’s Variazioni e toccata sopra “Aurora lucis rutilat,” op 52, an analytical overview for performers. [Internet] [Doctoral dissertation]. University of Iowa; 2018. [cited 2019 Oct 21]. Available from: https://ir.uiowa.edu/etd/6428.

Council of Science Editors:

Gorin PC. Alberto Ginastera’s Variazioni e toccata sopra “Aurora lucis rutilat,” op 52, an analytical overview for performers. [Doctoral Dissertation]. University of Iowa; 2018. Available from: https://ir.uiowa.edu/etd/6428


The Ohio State University

15. Hall, John Richard. Development of the Percussion Ensemble Through the Contributions of the Latin American Composers Amadeo Roldán, José Ardévol, Carlos Chávez, and Alberto Ginastera.

Degree: DMA, Music, 2008, The Ohio State University

 Four Latin American composers - Amadeo Roldán, José Ardévol, Carlos Chávez and Alberto Ginastera - made significant contributions to the development of the percussion ensemble… (more)

Subjects/Keywords: Music; percussion ensemble; Latin America; Amadeo Roldan; Jose Ardevol; Carlos Chavez; Alberto Ginastera

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APA (6th Edition):

Hall, J. R. (2008). Development of the Percussion Ensemble Through the Contributions of the Latin American Composers Amadeo Roldán, José Ardévol, Carlos Chávez, and Alberto Ginastera. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1211553990

Chicago Manual of Style (16th Edition):

Hall, John Richard. “Development of the Percussion Ensemble Through the Contributions of the Latin American Composers Amadeo Roldán, José Ardévol, Carlos Chávez, and Alberto Ginastera.” 2008. Doctoral Dissertation, The Ohio State University. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211553990.

MLA Handbook (7th Edition):

Hall, John Richard. “Development of the Percussion Ensemble Through the Contributions of the Latin American Composers Amadeo Roldán, José Ardévol, Carlos Chávez, and Alberto Ginastera.” 2008. Web. 21 Oct 2019.

Vancouver:

Hall JR. Development of the Percussion Ensemble Through the Contributions of the Latin American Composers Amadeo Roldán, José Ardévol, Carlos Chávez, and Alberto Ginastera. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211553990.

Council of Science Editors:

Hall JR. Development of the Percussion Ensemble Through the Contributions of the Latin American Composers Amadeo Roldán, José Ardévol, Carlos Chávez, and Alberto Ginastera. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211553990


Universidade do Rio Grande do Sul

16. Wagner, Marcos Víctora. Scherzo da Sonata para violão, Op. 47 de Alberto Ginastera : trajetória e síntese dos Scherzi Ginasterianos.

Degree: 2007, Universidade do Rio Grande do Sul

Este trabalho busca verificar a síntese estilística ocorrida no Scherzo da Sonata para violão, Op. 47 (1976), de Alberto Ginastera, através da comparação com scherzi… (more)

Subjects/Keywords: Ginastera, Alberto E. 1916-1983.; Analise musical : Sonatas; Scherzi ginasterianos; Sonatas : Violão : Síntese estilística

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APA (6th Edition):

Wagner, M. V. (2007). Scherzo da Sonata para violão, Op. 47 de Alberto Ginastera : trajetória e síntese dos Scherzi Ginasterianos. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/10552

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wagner, Marcos Víctora. “Scherzo da Sonata para violão, Op. 47 de Alberto Ginastera : trajetória e síntese dos Scherzi Ginasterianos.” 2007. Thesis, Universidade do Rio Grande do Sul. Accessed October 21, 2019. http://hdl.handle.net/10183/10552.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wagner, Marcos Víctora. “Scherzo da Sonata para violão, Op. 47 de Alberto Ginastera : trajetória e síntese dos Scherzi Ginasterianos.” 2007. Web. 21 Oct 2019.

Vancouver:

Wagner MV. Scherzo da Sonata para violão, Op. 47 de Alberto Ginastera : trajetória e síntese dos Scherzi Ginasterianos. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2007. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10183/10552.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wagner MV. Scherzo da Sonata para violão, Op. 47 de Alberto Ginastera : trajetória e síntese dos Scherzi Ginasterianos. [Thesis]. Universidade do Rio Grande do Sul; 2007. Available from: http://hdl.handle.net/10183/10552

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Pailodze, Liana. The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion.

Degree: DMA, Keyboard Performance (Music), 2013, University of Miami

 Widely recognized in Argentina as the nation’s quintessential standard piano work, Alberto Ginastera’s Piano Sonata No. 1, Op. 22 has long been an integral part… (more)

Subjects/Keywords: arrangement; Ginastera; sonata; percussion; pailodze

…84 v LIST OF EXAMPLES Example Page 3.1. Alberto Ginastera, Piano Sonata No. 1, Op. 22… …33 3.2. Alberto Ginastera, Piano Sonata No. 1, Op. 22, Movement I, mm. 52-55. Theme B… …34 3.3 Alberto Ginastera, Piano Sonata No. 1, Op. 22, Movement I, m. 2… …35 3.4. Alberto Ginastera, Piano Sonata No. 1, Op. 22, Movement III, mm 1-4… …37 3.5. Alberto Ginastera, Piano Sonata No. 1, Op. 22, Movement III, mm. 23-25. Theme B… 

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APA (6th Edition):

Pailodze, L. (2013). The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pailodze, Liana. “The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion.” 2013. Thesis, University of Miami. Accessed October 21, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pailodze, Liana. “The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion.” 2013. Web. 21 Oct 2019.

Vancouver:

Pailodze L. The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Oct 21]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pailodze L. The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Lin, YinJia. Alberto Ginastera's Piano Sonatas: A Performance Guide.

Degree: DMA, Keyboard Performance (Music), 2013, University of Miami

 Although Alberto Ginastera composed many works for the piano, this study will only address his sonatas. There are two reasons for this. Firstly, Ginastera’s collection… (more)

Subjects/Keywords: Ginastera; Piano; Sonatas; Performance; Guide

…1, Op. 22 by Alberto Ginastera © Copyright 1954 by Boosey & Hawkes, Inc. Copyright renewed… …Ginastera © Copyright 1981 by Boosey & Hawkes, Inc. Reprinted by permission of Boosey & Hawkes… …Inc. Piano Sonata No. 3, Op. 55 by Alberto Ginastera © Copyright 1983 by Boosey & Hawkes… …Hawkes, Inc. 3.1 Ginastera, Danza del viejo boyero, mm. 56-61… …17 3.2 Ginastera, Danza del viejo boyero, mm. 78-82… 

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APA (6th Edition):

Lin, Y. (2013). Alberto Ginastera's Piano Sonatas: A Performance Guide. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, YinJia. “Alberto Ginastera's Piano Sonatas: A Performance Guide.” 2013. Thesis, University of Miami. Accessed October 21, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, YinJia. “Alberto Ginastera's Piano Sonatas: A Performance Guide.” 2013. Web. 21 Oct 2019.

Vancouver:

Lin Y. Alberto Ginastera's Piano Sonatas: A Performance Guide. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Oct 21]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin Y. Alberto Ginastera's Piano Sonatas: A Performance Guide. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Florek, Paul J. Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form.

Degree: 2015, University of North Texas

 The pieces discussed throughout this dissertation provide evidence of the evolution of the fanfare and the ability of the fanfare, as a form, to accept… (more)

Subjects/Keywords: trumpet; fanfare; Satie; Stravinsky; Ginastera; McTee; Tower; Britten; ITG; brass; compositional; ancient modern

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APA (6th Edition):

Florek, P. J. (2015). Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc799545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Florek, Paul J. “Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form.” 2015. Thesis, University of North Texas. Accessed October 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc799545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Florek, Paul J. “Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form.” 2015. Web. 21 Oct 2019.

Vancouver:

Florek PJ. Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Oct 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc799545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Florek PJ. Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc799545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Central Florida

20. Hammond, Rachel. Rhythmic And Metric Structure In Alberto Ginastera's Piano Sonatas.

Degree: 2011, University of Central Florida

 Alberto Ginastera (1916-1983) was one of the leading South American composers of the twentieth century. Born in Argentina at a time when his country was… (more)

Subjects/Keywords: Ginastera; Alberto  – 1916-1983; Ginastera; Alberto  – 1916-1983  – Sonatas  – piano; Ginastera; Alberto  – 1916-1983  – Sonatas  – piano  – no. 1; op. 22; Ginastera; Alberto  – 1916-1983  – Sonatas  – piano  – no. 2; op. 53; Ginastera; Alberto  – 1916-1983  – Sonatas  – piano  – no. 3; op. 54; Musical meter and rhythm; Piano music  – Analysis; appreciation; Sonatas (Piano)  – Analysis; appreciation; Music; Arts and Humanities  – Dissertations, Academic, Dissertations, Academic  – Arts and Humanities

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APA (6th Edition):

Hammond, R. (2011). Rhythmic And Metric Structure In Alberto Ginastera's Piano Sonatas. (Masters Thesis). University of Central Florida. Retrieved from https://stars.library.ucf.edu/etd/2044

Chicago Manual of Style (16th Edition):

Hammond, Rachel. “Rhythmic And Metric Structure In Alberto Ginastera's Piano Sonatas.” 2011. Masters Thesis, University of Central Florida. Accessed October 21, 2019. https://stars.library.ucf.edu/etd/2044.

MLA Handbook (7th Edition):

Hammond, Rachel. “Rhythmic And Metric Structure In Alberto Ginastera's Piano Sonatas.” 2011. Web. 21 Oct 2019.

Vancouver:

Hammond R. Rhythmic And Metric Structure In Alberto Ginastera's Piano Sonatas. [Internet] [Masters thesis]. University of Central Florida; 2011. [cited 2019 Oct 21]. Available from: https://stars.library.ucf.edu/etd/2044.

Council of Science Editors:

Hammond R. Rhythmic And Metric Structure In Alberto Ginastera's Piano Sonatas. [Masters Thesis]. University of Central Florida; 2011. Available from: https://stars.library.ucf.edu/etd/2044


Bowling Green State University

21. Payne, Alyson Marie. Creating Music of the Americas in the Cold War: Alberto Ginastera and the Inter-American Music Festivals.

Degree: MM, Music History, 2007, Bowling Green State University

 This thesis examines the Inter-American Music Festivals, and how the festivals subsequently affected noted Argentine composer, Alberto Ginastera. These festivals, held in Washington D.C. and… (more)

Subjects/Keywords: Music; Inter-American Music Festivals; Alberto Ginastera; Cold War; Roque Cordero; String Quartet no. 2; Cantata for Magic America

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APA (6th Edition):

Payne, A. M. (2007). Creating Music of the Americas in the Cold War: Alberto Ginastera and the Inter-American Music Festivals. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1165436117

Chicago Manual of Style (16th Edition):

Payne, Alyson Marie. “Creating Music of the Americas in the Cold War: Alberto Ginastera and the Inter-American Music Festivals.” 2007. Masters Thesis, Bowling Green State University. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1165436117.

MLA Handbook (7th Edition):

Payne, Alyson Marie. “Creating Music of the Americas in the Cold War: Alberto Ginastera and the Inter-American Music Festivals.” 2007. Web. 21 Oct 2019.

Vancouver:

Payne AM. Creating Music of the Americas in the Cold War: Alberto Ginastera and the Inter-American Music Festivals. [Internet] [Masters thesis]. Bowling Green State University; 2007. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1165436117.

Council of Science Editors:

Payne AM. Creating Music of the Americas in the Cold War: Alberto Ginastera and the Inter-American Music Festivals. [Masters Thesis]. Bowling Green State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1165436117


University of North Texas

22. George, Matthew. An examination of performance aspects of two major works for percussion ensemble: Toccata by Carlos Chávez and Cantata para América mágica by Alberto Ginastera, a lecture recital, together with four recitals of selected works of I. Stravinsky, R. Vaughan Williams, W.A. Mozart, V. Persichetti, and P. Hindemith.

Degree: 1991, University of North Texas

This study addresses the ways and means a conductor may approach two major twentieth century works written specifically for percussion ensemble. Performance techniques and decisions on aesthetics made by the conductor in dealing with such items as timbre, balance, pitch levels, and pitch relationships are also considered.

Subjects/Keywords: Carlos Chávez; Alberto Ginastera; percussion ensemble; music performance

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APA (6th Edition):

George, M. (1991). An examination of performance aspects of two major works for percussion ensemble: Toccata by Carlos Chávez and Cantata para América mágica by Alberto Ginastera, a lecture recital, together with four recitals of selected works of I. Stravinsky, R. Vaughan Williams, W.A. Mozart, V. Persichetti, and P. Hindemith. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332759/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

George, Matthew. “An examination of performance aspects of two major works for percussion ensemble: Toccata by Carlos Chávez and Cantata para América mágica by Alberto Ginastera, a lecture recital, together with four recitals of selected works of I. Stravinsky, R. Vaughan Williams, W.A. Mozart, V. Persichetti, and P. Hindemith.” 1991. Thesis, University of North Texas. Accessed October 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc332759/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

George, Matthew. “An examination of performance aspects of two major works for percussion ensemble: Toccata by Carlos Chávez and Cantata para América mágica by Alberto Ginastera, a lecture recital, together with four recitals of selected works of I. Stravinsky, R. Vaughan Williams, W.A. Mozart, V. Persichetti, and P. Hindemith.” 1991. Web. 21 Oct 2019.

Vancouver:

George M. An examination of performance aspects of two major works for percussion ensemble: Toccata by Carlos Chávez and Cantata para América mágica by Alberto Ginastera, a lecture recital, together with four recitals of selected works of I. Stravinsky, R. Vaughan Williams, W.A. Mozart, V. Persichetti, and P. Hindemith. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Oct 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332759/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

George M. An examination of performance aspects of two major works for percussion ensemble: Toccata by Carlos Chávez and Cantata para América mágica by Alberto Ginastera, a lecture recital, together with four recitals of selected works of I. Stravinsky, R. Vaughan Williams, W.A. Mozart, V. Persichetti, and P. Hindemith. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc332759/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

23. King, Charles, 1956-. Alberto Ginastera's Sonata for Guitar Op. 47: an analysis .

Degree: 1992, University of Arizona

Subjects/Keywords: Ginastera; Alberto; 1916-1983. Sonatas; guitar; op.4.

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APA (6th Edition):

King, Charles, 1. (1992). Alberto Ginastera's Sonata for Guitar Op. 47: an analysis . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/565537

Chicago Manual of Style (16th Edition):

King, Charles, 1956-. “Alberto Ginastera's Sonata for Guitar Op. 47: an analysis .” 1992. Doctoral Dissertation, University of Arizona. Accessed October 21, 2019. http://hdl.handle.net/10150/565537.

MLA Handbook (7th Edition):

King, Charles, 1956-. “Alberto Ginastera's Sonata for Guitar Op. 47: an analysis .” 1992. Web. 21 Oct 2019.

Vancouver:

King, Charles 1. Alberto Ginastera's Sonata for Guitar Op. 47: an analysis . [Internet] [Doctoral dissertation]. University of Arizona; 1992. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10150/565537.

Council of Science Editors:

King, Charles 1. Alberto Ginastera's Sonata for Guitar Op. 47: an analysis . [Doctoral Dissertation]. University of Arizona; 1992. Available from: http://hdl.handle.net/10150/565537


University of North Texas

24. Campbell, Grace M. Evolution, Symmetrization, and Synthesis : The Piano Sonatas of Alberto Ginastera.

Degree: 1991, University of North Texas

 When Alberto Ginastera's oeuvre is viewed as a whole, an essential continuity between compositional ideas often appears in different works. This is especially apparent in… (more)

Subjects/Keywords: Alberto Ginastera; piano sonatas; Ginastera, Alberto, 1916-1983. Sonatas,|mpiano.; Sonatas (Piano)  – Analysis, appreciation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Campbell, G. M. (1991). Evolution, Symmetrization, and Synthesis : The Piano Sonatas of Alberto Ginastera. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279098/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campbell, Grace M. “Evolution, Symmetrization, and Synthesis : The Piano Sonatas of Alberto Ginastera.” 1991. Thesis, University of North Texas. Accessed October 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc279098/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campbell, Grace M. “Evolution, Symmetrization, and Synthesis : The Piano Sonatas of Alberto Ginastera.” 1991. Web. 21 Oct 2019.

Vancouver:

Campbell GM. Evolution, Symmetrization, and Synthesis : The Piano Sonatas of Alberto Ginastera. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Oct 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279098/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell GM. Evolution, Symmetrization, and Synthesis : The Piano Sonatas of Alberto Ginastera. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc279098/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Payne, Alyson. The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics.

Degree: Music, 2012, University of California – Riverside

 In 1964, the Organization of American States (OAS) and the Institute for Hispanic Culture (ICH) sponsored a lavish music festival in Madrid that showcased the… (more)

Subjects/Keywords: Music; Alberto Ginastera; Cold War; Ernesto Halffter; Inter-American Music Festival; Nationalism

…Ernesto Halffter and the Canticum in P.P. Johannem XXIII ….199 Alberto Ginastera and Don… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Payne, A. (2012). The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/9r26w4gp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Payne, Alyson. “The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics.” 2012. Thesis, University of California – Riverside. Accessed October 21, 2019. http://www.escholarship.org/uc/item/9r26w4gp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Payne, Alyson. “The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics.” 2012. Web. 21 Oct 2019.

Vancouver:

Payne A. The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics. [Internet] [Thesis]. University of California – Riverside; 2012. [cited 2019 Oct 21]. Available from: http://www.escholarship.org/uc/item/9r26w4gp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Payne A. The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics. [Thesis]. University of California – Riverside; 2012. Available from: http://www.escholarship.org/uc/item/9r26w4gp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Contreras Ampuero, Giuliana Paola. THE LIFE AND WORK OF BARBARA NISSMAN.

Degree: DMA, School of Music, 2018, West Virginia University

  This research paper focuses on the life and work of American concert pianist Barbara Nissman (b. 1944). Her extensive work as a performer, writer,… (more)

Subjects/Keywords: Barbara Nissman; American concert pianist; Alberto Ginastera; Béla Bartók; Franz Liszt; Sergei Prokofiev.; Music Performance

…composer Alberto Ginastera at the University of Michigan Contemporary Musical Festival. At this… …friendship between Nissman and Ginastera. Barbara Nissman’s international career was personally… …documentary was aired on BBC Television. In 1976, Alberto Ginastera invited Nissman to perform his… …later, in 1982, Ginastera wrote and dedicated his Piano Sonata No. 3, Op. 54 (Ginastera’s… …concert for Alberto Ginastera at the Cathedral Church of St. John the Divine in New York City… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Contreras Ampuero, G. P. (2018). THE LIFE AND WORK OF BARBARA NISSMAN. (Thesis). West Virginia University. Retrieved from https://researchrepository.wvu.edu/etd/3749

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Contreras Ampuero, Giuliana Paola. “THE LIFE AND WORK OF BARBARA NISSMAN.” 2018. Thesis, West Virginia University. Accessed October 21, 2019. https://researchrepository.wvu.edu/etd/3749.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Contreras Ampuero, Giuliana Paola. “THE LIFE AND WORK OF BARBARA NISSMAN.” 2018. Web. 21 Oct 2019.

Vancouver:

Contreras Ampuero GP. THE LIFE AND WORK OF BARBARA NISSMAN. [Internet] [Thesis]. West Virginia University; 2018. [cited 2019 Oct 21]. Available from: https://researchrepository.wvu.edu/etd/3749.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Contreras Ampuero GP. THE LIFE AND WORK OF BARBARA NISSMAN. [Thesis]. West Virginia University; 2018. Available from: https://researchrepository.wvu.edu/etd/3749

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Herrera, Luis Eduardo. The CLAEM and the construction of elite art worlds: philanthropy, Latinamericanism, and avant-garde music.

Degree: PhD, 1481, 2013, University of Illinois – Urbana-Champaign

 In this dissertation I argue that the Centro Latinoamericano de Altos Estudios Musicales (CLAEM, 1962-1971) accurately exemplifies how the embrace of avant-garde art music by… (more)

Subjects/Keywords: Latin American Music; Ethnomusicology; Elites; Centro Latinoamericano de Altos Estudios Musicales (CLAEM); 20th Century Music; Alberto Ginastera; Di Tella Institute; Rockefeller Foundation; Avant-Garde; Latinamericanism; Latinamericanismo; Gerardo Gandini; Francisco Kröpfl; Fernando von Reichenbach; Coriún Aharonián; Jorge Antunes; Rafael Aponte-Ledee; Jorge Arandia Navarro; Luis Arias; Blas Emilio Atehortúa; Enrique Belloc; León Biriotti; Cesar Bolaños; Gabriel Brnčić; Oscar Cubillas; Bruno D’Astoli; Mariano Etkin; Armando Krieger; Eduardo Kusnir; Alcides Lanza; Mesías Maiguashca; Ariel Martínez; Graciela Paraskevaídis; Mario Perusso; Salvador Ranieri; Miguel Angel Rondano; Iris Sangüesa; Luis María Serra; Alberto Villalpando

…Copland, Alberto Ginastera, Bruno Maderna, Riccardo Malipiero, Luigi Nono, and Iannis Xenakis… …Chávez, Heitor Villa-Lobos and Alberto Ginastera).4 On the other, while a few scholars… …Ginastera, daughter of Alberto Ginastera, and in Geneva, Switzerland, with Aurora Nátola, his… …Ginastera was going through at the time of the closing of the CLAEM, something that has not yet… …with works about Ginastera, where his role as director of the Center is treated lightly as… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Herrera, L. E. (2013). The CLAEM and the construction of elite art worlds: philanthropy, Latinamericanism, and avant-garde music. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/44285

Chicago Manual of Style (16th Edition):

Herrera, Luis Eduardo. “The CLAEM and the construction of elite art worlds: philanthropy, Latinamericanism, and avant-garde music.” 2013. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed October 21, 2019. http://hdl.handle.net/2142/44285.

MLA Handbook (7th Edition):

Herrera, Luis Eduardo. “The CLAEM and the construction of elite art worlds: philanthropy, Latinamericanism, and avant-garde music.” 2013. Web. 21 Oct 2019.

Vancouver:

Herrera LE. The CLAEM and the construction of elite art worlds: philanthropy, Latinamericanism, and avant-garde music. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/2142/44285.

Council of Science Editors:

Herrera LE. The CLAEM and the construction of elite art worlds: philanthropy, Latinamericanism, and avant-garde music. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/44285

.