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You searched for subject:(Gesamtkunstwerk). Showing records 1 – 27 of 27 total matches.

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Ruhr Universität Bochum

1. Machauer, Peter. Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik.

Degree: 2009, Ruhr Universität Bochum

 Untersucht wird die Ausbildung synthetischer Formationen in ihren epochenspezifischen Bezügen von der Renaissance bis zur Romantik. Fluchtpunkt dieser Untersuchung ist die Weiterentwicklung der synthetischen Werkidee… (more)

Subjects/Keywords: Gesamtkunstwerk; Ästhetik; Romantik; Musiktheater; Renaissance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Machauer, P. (2009). Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik. (Thesis). Ruhr Universität Bochum. Retrieved from http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:hbz:294-33951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Machauer, Peter. “Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik.” 2009. Thesis, Ruhr Universität Bochum. Accessed January 27, 2020. http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:hbz:294-33951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Machauer, Peter. “Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik.” 2009. Web. 27 Jan 2020.

Vancouver:

Machauer P. Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik. [Internet] [Thesis]. Ruhr Universität Bochum; 2009. [cited 2020 Jan 27]. Available from: http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:hbz:294-33951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Machauer P. Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik. [Thesis]. Ruhr Universität Bochum; 2009. Available from: http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:hbz:294-33951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

2. Bos, Wendy. De museumcollectie als Gesamtkunstwerk. Museum Boijmans Van Beuningen en de collectiepresentaties In scène gezet en Magritte ontmoet de collectie nader onderzocht.

Degree: 2016, Leiden University

 Het doel van deze scriptie is om inzicht te krijgen in het gebruik van het concept van het Gesamtkunstwerk als presentatiemodel in Museum Boijmans Van… (more)

Subjects/Keywords: Gesamtkunstwerk; Collectiepresentaties; Museum Boijmans Van Beuningen; Scenografie

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APA (6th Edition):

Bos, W. (2016). De museumcollectie als Gesamtkunstwerk. Museum Boijmans Van Beuningen en de collectiepresentaties In scène gezet en Magritte ontmoet de collectie nader onderzocht. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42483

Chicago Manual of Style (16th Edition):

Bos, Wendy. “De museumcollectie als Gesamtkunstwerk. Museum Boijmans Van Beuningen en de collectiepresentaties In scène gezet en Magritte ontmoet de collectie nader onderzocht.” 2016. Masters Thesis, Leiden University. Accessed January 27, 2020. http://hdl.handle.net/1887/42483.

MLA Handbook (7th Edition):

Bos, Wendy. “De museumcollectie als Gesamtkunstwerk. Museum Boijmans Van Beuningen en de collectiepresentaties In scène gezet en Magritte ontmoet de collectie nader onderzocht.” 2016. Web. 27 Jan 2020.

Vancouver:

Bos W. De museumcollectie als Gesamtkunstwerk. Museum Boijmans Van Beuningen en de collectiepresentaties In scène gezet en Magritte ontmoet de collectie nader onderzocht. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/1887/42483.

Council of Science Editors:

Bos W. De museumcollectie als Gesamtkunstwerk. Museum Boijmans Van Beuningen en de collectiepresentaties In scène gezet en Magritte ontmoet de collectie nader onderzocht. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42483


University of California – San Diego

3. Monarrez, Rebecca. RM269.

Degree: Visual Arts, 2013, University of California – San Diego

 RM269 is an installation that condenses three spaces (the apartment, the studio, and the gallery) into two rooms through an interpenetration of their functions (living,… (more)

Subjects/Keywords: Fine arts; Denkraum; gesamtkunstwerk; Installation; Painting

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APA (6th Edition):

Monarrez, R. (2013). RM269. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/8j38x7fr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monarrez, Rebecca. “RM269.” 2013. Thesis, University of California – San Diego. Accessed January 27, 2020. http://www.escholarship.org/uc/item/8j38x7fr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monarrez, Rebecca. “RM269.” 2013. Web. 27 Jan 2020.

Vancouver:

Monarrez R. RM269. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2020 Jan 27]. Available from: http://www.escholarship.org/uc/item/8j38x7fr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monarrez R. RM269. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/8j38x7fr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

4. Moravanský, Tomáš. STILL LIVE .

Degree: 2018, Brno University of Technology

Intermediální, konceptuální zvukově pohybové audiovizuální hry postavené jako divadelní instalace; tableaux vivants.; Intermedial, conceptual audio-visual audiovisual games built as a theater installation; tableaux vivants. Advisors/Committee Members: Cenek, Filip (advisor).

Subjects/Keywords: installation; gesamtkunstwerk; interpreter; physical theater; ableaux vivants; conceptual tendency; panacik; instalace; gesamtkunstwerk; interpret; pohybové divadlo; tableaux vivants; konceptuální tendence; panáčik

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APA (6th Edition):

Moravanský, T. (2018). STILL LIVE . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/81017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moravanský, Tomáš. “STILL LIVE .” 2018. Thesis, Brno University of Technology. Accessed January 27, 2020. http://hdl.handle.net/11012/81017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moravanský, Tomáš. “STILL LIVE .” 2018. Web. 27 Jan 2020.

Vancouver:

Moravanský T. STILL LIVE . [Internet] [Thesis]. Brno University of Technology; 2018. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/11012/81017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moravanský T. STILL LIVE . [Thesis]. Brno University of Technology; 2018. Available from: http://hdl.handle.net/11012/81017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brigham Young University

5. Olthof, Derk A. Gesamtkunstwerk and Other Trifles: Poems.

Degree: MFA, 2011, Brigham Young University

  In all their various categories, the arts serve as the dominant subject matter of Gesamtkunstwerk and Other Trifles. The title itself begins with a… (more)

Subjects/Keywords: music; art; gesamtkunstwerk; self-portraits; odes; poetry; comedy; tragedy; loss; irony; metaphor; Tony Hoagland; Sweet Ruin; conversation; English Language and Literature

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APA (6th Edition):

Olthof, D. A. (2011). Gesamtkunstwerk and Other Trifles: Poems. (Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4008&context=etd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Olthof, Derk A. “Gesamtkunstwerk and Other Trifles: Poems.” 2011. Thesis, Brigham Young University. Accessed January 27, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4008&context=etd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Olthof, Derk A. “Gesamtkunstwerk and Other Trifles: Poems.” 2011. Web. 27 Jan 2020.

Vancouver:

Olthof DA. Gesamtkunstwerk and Other Trifles: Poems. [Internet] [Thesis]. Brigham Young University; 2011. [cited 2020 Jan 27]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4008&context=etd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Olthof DA. Gesamtkunstwerk and Other Trifles: Poems. [Thesis]. Brigham Young University; 2011. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4008&context=etd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Università Cattolica del Sacro Cuore

6. BOLPAGNI, PAOLO. L'IPOTESI DI UN'ARTE WAGNERISTA IN ITALIA 1880-1920: FORTUNA ICONOGRAFICA, UTOPIA DEL GESAMTKUNSTWERK E SUGGESTIONE MUSICALISTA.

Degree: 2010, Università Cattolica del Sacro Cuore

La ricerca condensata in questa tesi di dottorato trae spunto dall’assenza di studi specifici riguardo all’influenza di Wagner e del wagnerismo sulle arti visive in… (more)

Subjects/Keywords: L-ART/03: STORIA DELL'ARTE CONTEMPORANEA; wagnerismo, arti visive, Italia, 1880-1920, iconografia, Gesamtkunstwerk, Wagnerism, visual arts, Italy, iconography

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APA (6th Edition):

BOLPAGNI, P. (2010). L'IPOTESI DI UN'ARTE WAGNERISTA IN ITALIA 1880-1920: FORTUNA ICONOGRAFICA, UTOPIA DEL GESAMTKUNSTWERK E SUGGESTIONE MUSICALISTA. (Doctoral Dissertation). Università Cattolica del Sacro Cuore. Retrieved from http://hdl.handle.net/10280/746

Chicago Manual of Style (16th Edition):

BOLPAGNI, PAOLO. “L'IPOTESI DI UN'ARTE WAGNERISTA IN ITALIA 1880-1920: FORTUNA ICONOGRAFICA, UTOPIA DEL GESAMTKUNSTWERK E SUGGESTIONE MUSICALISTA.” 2010. Doctoral Dissertation, Università Cattolica del Sacro Cuore. Accessed January 27, 2020. http://hdl.handle.net/10280/746.

MLA Handbook (7th Edition):

BOLPAGNI, PAOLO. “L'IPOTESI DI UN'ARTE WAGNERISTA IN ITALIA 1880-1920: FORTUNA ICONOGRAFICA, UTOPIA DEL GESAMTKUNSTWERK E SUGGESTIONE MUSICALISTA.” 2010. Web. 27 Jan 2020.

Vancouver:

BOLPAGNI P. L'IPOTESI DI UN'ARTE WAGNERISTA IN ITALIA 1880-1920: FORTUNA ICONOGRAFICA, UTOPIA DEL GESAMTKUNSTWERK E SUGGESTIONE MUSICALISTA. [Internet] [Doctoral dissertation]. Università Cattolica del Sacro Cuore; 2010. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10280/746.

Council of Science Editors:

BOLPAGNI P. L'IPOTESI DI UN'ARTE WAGNERISTA IN ITALIA 1880-1920: FORTUNA ICONOGRAFICA, UTOPIA DEL GESAMTKUNSTWERK E SUGGESTIONE MUSICALISTA. [Doctoral Dissertation]. Università Cattolica del Sacro Cuore; 2010. Available from: http://hdl.handle.net/10280/746


RMIT University

7. Higgs, A. 'I didn't ask for this' Private practices in the creation of a residential architecture.

Degree: 2017, RMIT University

 My research outcomes are considered in three parts. Part One shows how personal histories contribute to my creative practice, especially through recalling the origins of… (more)

Subjects/Keywords: Fields of Research; Architectural practice; Design; Practice-based; Spatial intelligence; Gesamtkunstwerk; Ideal room; Pavilion house; Terraced townhouse

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APA (6th Edition):

Higgs, A. (2017). 'I didn't ask for this' Private practices in the creation of a residential architecture. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162080

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Higgs, A. “'I didn't ask for this' Private practices in the creation of a residential architecture.” 2017. Thesis, RMIT University. Accessed January 27, 2020. http://researchbank.rmit.edu.au/view/rmit:162080.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Higgs, A. “'I didn't ask for this' Private practices in the creation of a residential architecture.” 2017. Web. 27 Jan 2020.

Vancouver:

Higgs A. 'I didn't ask for this' Private practices in the creation of a residential architecture. [Internet] [Thesis]. RMIT University; 2017. [cited 2020 Jan 27]. Available from: http://researchbank.rmit.edu.au/view/rmit:162080.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Higgs A. 'I didn't ask for this' Private practices in the creation of a residential architecture. [Thesis]. RMIT University; 2017. Available from: http://researchbank.rmit.edu.au/view/rmit:162080

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brigham Young University

8. Vaieland, Natalie Marie. Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?.

Degree: MA, 2016, Brigham Young University

 Charlotte Salomon's Life? or Theater? is a complex compilation of painting, musical notations, autobiography, cinematic layouts, and literary text. Salomon scholars have neglected a crucial… (more)

Subjects/Keywords: Charlotte Salomon; Alfred Wolfsohn; Life or Theater?; Gesamtkunstwerk; German Expressionism; Vereinigte Staatsschulen für Freie und Angewandte Kunst; Classics

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APA (6th Edition):

Vaieland, N. M. (2016). Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7433&context=etd

Chicago Manual of Style (16th Edition):

Vaieland, Natalie Marie. “Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?.” 2016. Masters Thesis, Brigham Young University. Accessed January 27, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7433&context=etd.

MLA Handbook (7th Edition):

Vaieland, Natalie Marie. “Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?.” 2016. Web. 27 Jan 2020.

Vancouver:

Vaieland NM. Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?. [Internet] [Masters thesis]. Brigham Young University; 2016. [cited 2020 Jan 27]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7433&context=etd.

Council of Science Editors:

Vaieland NM. Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?. [Masters Thesis]. Brigham Young University; 2016. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7433&context=etd


University of Debrecen

9. Csorba, Gergő. Tristan und Isolde .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

 Wir beschäftigen uns zuerst mit der Gesamtkunstwerk-Theorie, warum Wagner das Theater zu seiner Zeit reformieren wollte, was die Basis seiner Theorie war, wie seine Konzeption… (more)

Subjects/Keywords: Richard Wagner; Tristan und Isolde; Gesamtkunstwerk-Theorie

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APA (6th Edition):

Csorba, G. (n.d.). Tristan und Isolde . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/205155

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Csorba, Gergő. “Tristan und Isolde .” Thesis, University of Debrecen. Accessed January 27, 2020. http://hdl.handle.net/2437/205155.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Csorba, Gergő. “Tristan und Isolde .” Web. 27 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Csorba G. Tristan und Isolde . [Internet] [Thesis]. University of Debrecen; [cited 2020 Jan 27]. Available from: http://hdl.handle.net/2437/205155.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Csorba G. Tristan und Isolde . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/205155

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Université de Montréal

10. Lamontagne, Véronique. Échos wagnériens : musique et organicité dans Le jeu des perles de verre de Hermann Hess et Docteur Faustus de Thomas Mann .

Degree: 2007, Université de Montréal

Subjects/Keywords: Musique; Roman; Gesamtkunstwerk; Romantisme; Oeuvre d'art; Langage; Langage musical

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APA (6th Edition):

Lamontagne, V. (2007). Échos wagnériens : musique et organicité dans Le jeu des perles de verre de Hermann Hess et Docteur Faustus de Thomas Mann . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/17958

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lamontagne, Véronique. “Échos wagnériens : musique et organicité dans Le jeu des perles de verre de Hermann Hess et Docteur Faustus de Thomas Mann .” 2007. Thesis, Université de Montréal. Accessed January 27, 2020. http://hdl.handle.net/1866/17958.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lamontagne, Véronique. “Échos wagnériens : musique et organicité dans Le jeu des perles de verre de Hermann Hess et Docteur Faustus de Thomas Mann .” 2007. Web. 27 Jan 2020.

Vancouver:

Lamontagne V. Échos wagnériens : musique et organicité dans Le jeu des perles de verre de Hermann Hess et Docteur Faustus de Thomas Mann . [Internet] [Thesis]. Université de Montréal; 2007. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/1866/17958.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lamontagne V. Échos wagnériens : musique et organicité dans Le jeu des perles de verre de Hermann Hess et Docteur Faustus de Thomas Mann . [Thesis]. Université de Montréal; 2007. Available from: http://hdl.handle.net/1866/17958

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Rahm, Linda. "Allkonstverket i Svenska Baletten - en analys av verket som inte är".

Degree: Culture and Education, 2015, Södertörn University

  This essay is an attempt to analyze, understand and reconstruct the Swedish Ballet's last work Relâche (1924) based on Richard Wagner's term Gesamtkunstwerk. Gesamtkunstverk… (more)

Subjects/Keywords: The Gesamtkunstwerk; The Swedish Ballet; Paris; Modern dance; Modern art; Francis Picabia; Erik Satie; Jean Börlin; Richard Wagner

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rahm, L. (2015). "Allkonstverket i Svenska Baletten - en analys av verket som inte är". (Thesis). Södertörn University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28882

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rahm, Linda. “"Allkonstverket i Svenska Baletten - en analys av verket som inte är".” 2015. Thesis, Södertörn University. Accessed January 27, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28882.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rahm, Linda. “"Allkonstverket i Svenska Baletten - en analys av verket som inte är".” 2015. Web. 27 Jan 2020.

Vancouver:

Rahm L. "Allkonstverket i Svenska Baletten - en analys av verket som inte är". [Internet] [Thesis]. Södertörn University; 2015. [cited 2020 Jan 27]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28882.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rahm L. "Allkonstverket i Svenska Baletten - en analys av verket som inte är". [Thesis]. Södertörn University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28882

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Helsinki

12. Saarinen, Noora. Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes.

Degree: Department of Modern Languages; Helsingfors universitet, Humanistiska fakulteten, Institutionen för moderna språk, 2018, University of Helsinki

 Sergei Djagilev tunnetaan Ballets Russes -balettiseurueen perustajana, joka teki venäläistä kulttuuria ja erityisesti venäläistä balettia tunnetuksi lännessä 1900-luvun alussa. Tutkielma pyrkii muodostamaan kuvan siitä, miksi… (more)

Subjects/Keywords: Gesamtkunstwerk; Djagilev; Ballets Russes; Mir iskusstva; Russkie sezony; venäläisyys; baletti; symbolismi; Venäjän kieli ja kirjallisuus, venäjä vieraana kielenä; Russian Language and Literature, Russian as a Foreign Language; Ryska språket och litteraturen, ryska som främmande språk; Gesamtkunstwerk; Djagilev; Ballets Russes; Mir iskusstva; Russkie sezony; venäläisyys; baletti; symbolismi

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APA (6th Edition):

Saarinen, N. (2018). Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/232454

Chicago Manual of Style (16th Edition):

Saarinen, Noora. “Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes.” 2018. Masters Thesis, University of Helsinki. Accessed January 27, 2020. http://hdl.handle.net/10138/232454.

MLA Handbook (7th Edition):

Saarinen, Noora. “Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes.” 2018. Web. 27 Jan 2020.

Vancouver:

Saarinen N. Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes. [Internet] [Masters thesis]. University of Helsinki; 2018. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10138/232454.

Council of Science Editors:

Saarinen N. Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes. [Masters Thesis]. University of Helsinki; 2018. Available from: http://hdl.handle.net/10138/232454


Brno University of Technology

13. Kořínková, Jana. Výtvarné umění v prostoru brněnských sídlišť (1945–1989) .

Degree: 2017, Brno University of Technology

 Disertační práce je zaměřena na problematiku začleňování výtvarného umění do architektury v poválečném Československu se zvláštním zřetelem k vývoji v městě Brně. Hlavní výzkumné otázky… (more)

Subjects/Keywords: výtvarné umění; architektura; socialismus; umění ve veřejném prostoru; Brno; Československo; sídliště; legislativa; socialistický realismus; normalizace; gesamtkunstwerk; visual arts; architecture; communism; public art; Brno; Czechoslovakia; housing estates; legislation; socialist realism; normalisation; Gesamtkunstwerk

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APA (6th Edition):

Kořínková, J. (2017). Výtvarné umění v prostoru brněnských sídlišť (1945–1989) . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/64753

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kořínková, Jana. “Výtvarné umění v prostoru brněnských sídlišť (1945–1989) .” 2017. Thesis, Brno University of Technology. Accessed January 27, 2020. http://hdl.handle.net/11012/64753.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kořínková, Jana. “Výtvarné umění v prostoru brněnských sídlišť (1945–1989) .” 2017. Web. 27 Jan 2020.

Vancouver:

Kořínková J. Výtvarné umění v prostoru brněnských sídlišť (1945–1989) . [Internet] [Thesis]. Brno University of Technology; 2017. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/11012/64753.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kořínková J. Výtvarné umění v prostoru brněnských sídlišť (1945–1989) . [Thesis]. Brno University of Technology; 2017. Available from: http://hdl.handle.net/11012/64753

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

14. Grigoriadou, Efthalia-Thaleia. Θεάματα, θέματα και θύματα της σύνθεσης για την εμπειρία του συνολικού έργου τέχνης: μια κονστρουκτιβιστική προσέγγιση.

Degree: 2015, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

According to the Wagnerian tradition Gesamtkunstwerk refers to the creative all-comprehensive union of the arts and various types of expertise. In a historical literature review… (more)

Subjects/Keywords: Συνολικό έργο τέχνης; Συνολική σύνθεση; Συνολικός σχεδιασμός; Κονστρουκτιβιστικό μεθοδολογικό μοντέλο (υπόδειγμα); Total work of art; Total synthesis; Total design; Constructivist research paradigm; Gesamtkunstwerk

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APA (6th Edition):

Grigoriadou, E. (2015). Θεάματα, θέματα και θύματα της σύνθεσης για την εμπειρία του συνολικού έργου τέχνης: μια κονστρουκτιβιστική προσέγγιση. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/36018

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grigoriadou, Efthalia-Thaleia. “Θεάματα, θέματα και θύματα της σύνθεσης για την εμπειρία του συνολικού έργου τέχνης: μια κονστρουκτιβιστική προσέγγιση.” 2015. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed January 27, 2020. http://hdl.handle.net/10442/hedi/36018.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grigoriadou, Efthalia-Thaleia. “Θεάματα, θέματα και θύματα της σύνθεσης για την εμπειρία του συνολικού έργου τέχνης: μια κονστρουκτιβιστική προσέγγιση.” 2015. Web. 27 Jan 2020.

Vancouver:

Grigoriadou E. Θεάματα, θέματα και θύματα της σύνθεσης για την εμπειρία του συνολικού έργου τέχνης: μια κονστρουκτιβιστική προσέγγιση. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2015. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10442/hedi/36018.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grigoriadou E. Θεάματα, θέματα και θύματα της σύνθεσης για την εμπειρία του συνολικού έργου τέχνης: μια κονστρουκτιβιστική προσέγγιση. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2015. Available from: http://hdl.handle.net/10442/hedi/36018

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

15. Mulder, A.E.M. De kapel van de kardinaal van Portugal in de San Miniato al Monte in Florence.

Degree: 2010, Universiteit Utrecht

 Deze scriptie onderzoekt wat de opdrachtgevers van dit monument ertoe dreef in Florence een grafkapel voor een Portugese kardinaal van koninklijke afkomst te bouwen. Een… (more)

Subjects/Keywords: San Miniato al Monte; de kardinaal van Portugal; Gesamtkunstwerk; Manetti; Bernardo en Antonio Rosselini; Álvaro Alonso. Schilderkunst van de Lage Landen in Florence.

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APA (6th Edition):

Mulder, A. E. M. (2010). De kapel van de kardinaal van Portugal in de San Miniato al Monte in Florence. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/191663

Chicago Manual of Style (16th Edition):

Mulder, A E M. “De kapel van de kardinaal van Portugal in de San Miniato al Monte in Florence.” 2010. Masters Thesis, Universiteit Utrecht. Accessed January 27, 2020. http://dspace.library.uu.nl:8080/handle/1874/191663.

MLA Handbook (7th Edition):

Mulder, A E M. “De kapel van de kardinaal van Portugal in de San Miniato al Monte in Florence.” 2010. Web. 27 Jan 2020.

Vancouver:

Mulder AEM. De kapel van de kardinaal van Portugal in de San Miniato al Monte in Florence. [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2020 Jan 27]. Available from: http://dspace.library.uu.nl:8080/handle/1874/191663.

Council of Science Editors:

Mulder AEM. De kapel van de kardinaal van Portugal in de San Miniato al Monte in Florence. [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/191663


Tampere University

16. Nummi, Ilari. AUDIOVISUAALINEN DRAAMA - metodina vuorovaikutus .

Degree: Näyttelijäntyön laitos - Department of Acting, 2006, Tampere University

 Elokuvaohjaaja Ilari Nummen teatteritaiteen tohtorin tutkintoon kuuluva "analyyttinen trilogia" päättyy kirjalliseen työhön Audiovisuaalinen draama ­ metodina vuorovaikutus. Tutkimustuloksia on julkistettu aikaisemmin esityksen muodossa (Väitöstilaisuus, 2000)… (more)

Subjects/Keywords: teatteri; elokuvaohjaus; kokonaistaide; vuorovaikutus; näyttelijäntyö; theatre; film director; Gesamtkunstwerk; interaction; acting

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APA (6th Edition):

Nummi, I. (2006). AUDIOVISUAALINEN DRAAMA - metodina vuorovaikutus . (Doctoral Dissertation). Tampere University. Retrieved from https://trepo.tuni.fi/handle/10024/67667

Chicago Manual of Style (16th Edition):

Nummi, Ilari. “AUDIOVISUAALINEN DRAAMA - metodina vuorovaikutus .” 2006. Doctoral Dissertation, Tampere University. Accessed January 27, 2020. https://trepo.tuni.fi/handle/10024/67667.

MLA Handbook (7th Edition):

Nummi, Ilari. “AUDIOVISUAALINEN DRAAMA - metodina vuorovaikutus .” 2006. Web. 27 Jan 2020.

Vancouver:

Nummi I. AUDIOVISUAALINEN DRAAMA - metodina vuorovaikutus . [Internet] [Doctoral dissertation]. Tampere University; 2006. [cited 2020 Jan 27]. Available from: https://trepo.tuni.fi/handle/10024/67667.

Council of Science Editors:

Nummi I. AUDIOVISUAALINEN DRAAMA - metodina vuorovaikutus . [Doctoral Dissertation]. Tampere University; 2006. Available from: https://trepo.tuni.fi/handle/10024/67667

17. Lemi - Petropoulou, Esthir. Ο επαναπροσδιορισμός του συνολικού έργου τέχνης μέσα από τις νέες τεχνολογίες.

Degree: 2012, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

The idea of the total work of art (Gesamtkunstwerk) is connecting a plethora ofcompletely independent phenomena (historical – social – philosophical ones) attributingthem a common… (more)

Subjects/Keywords: Συνολικό έργο τέχνης; Περιβάλλον εμβύθισης; Βάγκνερ, Ρίχαρντ (1813-1883); Συναισθησία; Εικαστικός ήχος; Gesamtkunstwerk; Immersive environment; Wagner, Richard (1813-1883); Synaesthesia; Visual sound

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APA (6th Edition):

Lemi - Petropoulou, E. (2012). Ο επαναπροσδιορισμός του συνολικού έργου τέχνης μέσα από τις νέες τεχνολογίες. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/33752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lemi - Petropoulou, Esthir. “Ο επαναπροσδιορισμός του συνολικού έργου τέχνης μέσα από τις νέες τεχνολογίες.” 2012. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed January 27, 2020. http://hdl.handle.net/10442/hedi/33752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lemi - Petropoulou, Esthir. “Ο επαναπροσδιορισμός του συνολικού έργου τέχνης μέσα από τις νέες τεχνολογίες.” 2012. Web. 27 Jan 2020.

Vancouver:

Lemi - Petropoulou E. Ο επαναπροσδιορισμός του συνολικού έργου τέχνης μέσα από τις νέες τεχνολογίες. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2012. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10442/hedi/33752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lemi - Petropoulou E. Ο επαναπροσδιορισμός του συνολικού έργου τέχνης μέσα από τις νέες τεχνολογίες. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2012. Available from: http://hdl.handle.net/10442/hedi/33752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Powell, Kristie. “The Artist Couple:” Collectivism in Margaret Macdonald‘s and Charles Rennie Mackintosh‘s Modern Interior Designs of 1900-1906.

Degree: MA, Design, Architecture, Art and Planning : Art History, 2010, University of Cincinnati

 Margaret Macdonald (1864-1933) was a Scottish artist and designer whose marriage to the internationally renowned architect and designer, Charles Rennie Mackintosh (1868-1928), has partly obscured… (more)

Subjects/Keywords: Art History; Margaret Macdonald; Charles Rennie Mackintosh; collectivism; Gesamtkunstwerk; modern design

…designs
were
especially
praised
for
their
creation
of
the
 Gesamtkunstwerk,
or
total
work
of
art… …Mackintosh’s
interiors
were
especially
praised
for
their
 creation
of
the
Gesamtkunstwerk,
or
total… …revolutionary
 nature
of
their
work
in
terms
of
the
Gesamtkunstwerk: The
new
element
that
the
Scots… …I
explore
the
 
 8
 Gesamtkunstwerk
in
modern
design
and
how
the
Gesamtkunstwerk… 

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APA (6th Edition):

Powell, K. (2010). “The Artist Couple:” Collectivism in Margaret Macdonald‘s and Charles Rennie Mackintosh‘s Modern Interior Designs of 1900-1906. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277497691

Chicago Manual of Style (16th Edition):

Powell, Kristie. ““The Artist Couple:” Collectivism in Margaret Macdonald‘s and Charles Rennie Mackintosh‘s Modern Interior Designs of 1900-1906.” 2010. Masters Thesis, University of Cincinnati. Accessed January 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277497691.

MLA Handbook (7th Edition):

Powell, Kristie. ““The Artist Couple:” Collectivism in Margaret Macdonald‘s and Charles Rennie Mackintosh‘s Modern Interior Designs of 1900-1906.” 2010. Web. 27 Jan 2020.

Vancouver:

Powell K. “The Artist Couple:” Collectivism in Margaret Macdonald‘s and Charles Rennie Mackintosh‘s Modern Interior Designs of 1900-1906. [Internet] [Masters thesis]. University of Cincinnati; 2010. [cited 2020 Jan 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277497691.

Council of Science Editors:

Powell K. “The Artist Couple:” Collectivism in Margaret Macdonald‘s and Charles Rennie Mackintosh‘s Modern Interior Designs of 1900-1906. [Masters Thesis]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277497691


Universitat de Girona

19. Faxedas, M. Lluïsa (Maria Lluïsa). Del Simbolisme a l'abstracció: l'ideal de la unitat de les arts en l'obra de Kandinsky i Mondrian, 1886-1936.

Degree: Departament de Geografia, Història i Història de l'Art, 2007, Universitat de Girona

 This thesis explores the origins of abstract painting from a predominantly conceptual point of view. It begins with the hypothesis that abstraction may be considered… (more)

Subjects/Keywords: Gesamtkunstwerk; Total work of art; Obra d'art total; Vassily Kandinsky; Abstracción; Abstraction; Abstracció; Piet Mondrian; Simbolismo; Symbolism; Simbolisme; 75

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APA (6th Edition):

Faxedas, M. L. (. L. (2007). Del Simbolisme a l'abstracció: l'ideal de la unitat de les arts en l'obra de Kandinsky i Mondrian, 1886-1936. (Thesis). Universitat de Girona. Retrieved from http://hdl.handle.net/10803/7848

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Faxedas, M Lluïsa (Maria Lluïsa). “Del Simbolisme a l'abstracció: l'ideal de la unitat de les arts en l'obra de Kandinsky i Mondrian, 1886-1936.” 2007. Thesis, Universitat de Girona. Accessed January 27, 2020. http://hdl.handle.net/10803/7848.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Faxedas, M Lluïsa (Maria Lluïsa). “Del Simbolisme a l'abstracció: l'ideal de la unitat de les arts en l'obra de Kandinsky i Mondrian, 1886-1936.” 2007. Web. 27 Jan 2020.

Vancouver:

Faxedas ML(L. Del Simbolisme a l'abstracció: l'ideal de la unitat de les arts en l'obra de Kandinsky i Mondrian, 1886-1936. [Internet] [Thesis]. Universitat de Girona; 2007. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10803/7848.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Faxedas ML(L. Del Simbolisme a l'abstracció: l'ideal de la unitat de les arts en l'obra de Kandinsky i Mondrian, 1886-1936. [Thesis]. Universitat de Girona; 2007. Available from: http://hdl.handle.net/10803/7848

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

20. Wassweiler, Gero Wolf. Hoffnung predigen in einer Zeit der Krise : Eine Untersuchung aus einer homiletisch-hermeneutischen Perspektive .

Degree: 2018, University of South Africa

Subjects/Keywords: Homiletics; Preaching; Crisis situations; Public theology; Liturgy; Hermeneutics; Practical theology; Contextualization; Rituals; Memorial service; Service as Gesamtkunstwerk

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APA (6th Edition):

Wassweiler, G. W. (2018). Hoffnung predigen in einer Zeit der Krise : Eine Untersuchung aus einer homiletisch-hermeneutischen Perspektive . (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/26216

Chicago Manual of Style (16th Edition):

Wassweiler, Gero Wolf. “Hoffnung predigen in einer Zeit der Krise : Eine Untersuchung aus einer homiletisch-hermeneutischen Perspektive .” 2018. Doctoral Dissertation, University of South Africa. Accessed January 27, 2020. http://hdl.handle.net/10500/26216.

MLA Handbook (7th Edition):

Wassweiler, Gero Wolf. “Hoffnung predigen in einer Zeit der Krise : Eine Untersuchung aus einer homiletisch-hermeneutischen Perspektive .” 2018. Web. 27 Jan 2020.

Vancouver:

Wassweiler GW. Hoffnung predigen in einer Zeit der Krise : Eine Untersuchung aus einer homiletisch-hermeneutischen Perspektive . [Internet] [Doctoral dissertation]. University of South Africa; 2018. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10500/26216.

Council of Science Editors:

Wassweiler GW. Hoffnung predigen in einer Zeit der Krise : Eine Untersuchung aus einer homiletisch-hermeneutischen Perspektive . [Doctoral Dissertation]. University of South Africa; 2018. Available from: http://hdl.handle.net/10500/26216

21. Collins, Bethanie. VORFREUDE, substitutes for personal fulfillment.

Degree: 2014, University of Missouri – Columbia

Subjects/Keywords: Author supplied: vorfreude; fine arts; Gesamtkunstwerk; perception; stripes; opponent process theory

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APA (6th Edition):

Collins, B. (2014). VORFREUDE, substitutes for personal fulfillment. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/44260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Collins, Bethanie. “VORFREUDE, substitutes for personal fulfillment.” 2014. Thesis, University of Missouri – Columbia. Accessed January 27, 2020. http://hdl.handle.net/10355/44260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Collins, Bethanie. “VORFREUDE, substitutes for personal fulfillment.” 2014. Web. 27 Jan 2020.

Vancouver:

Collins B. VORFREUDE, substitutes for personal fulfillment. [Internet] [Thesis]. University of Missouri – Columbia; 2014. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10355/44260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Collins B. VORFREUDE, substitutes for personal fulfillment. [Thesis]. University of Missouri – Columbia; 2014. Available from: http://hdl.handle.net/10355/44260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lund

22. Diurlin, Lars. ”Filmreformens förste avantgardist” : Experimentfilmaren Peter Kylberg.

Degree: 2017, University of Lund

 This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938). Kylberg’s nine films produced between 1959 and 1996 serves as a historical… (more)

Subjects/Keywords: Studies on Film; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk

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APA (6th Edition):

Diurlin, L. (2017). ”Filmreformens förste avantgardist” : Experimentfilmaren Peter Kylberg. (Doctoral Dissertation). University of Lund. Retrieved from https://lup.lub.lu.se/record/f890956b-070d-425c-b2b7-8e68a22c40f3 ; https://portal.research.lu.se/ws/files/35839348/_Filmreformens_fo_rste_avantgardist_.pdf

Chicago Manual of Style (16th Edition):

Diurlin, Lars. “”Filmreformens förste avantgardist” : Experimentfilmaren Peter Kylberg.” 2017. Doctoral Dissertation, University of Lund. Accessed January 27, 2020. https://lup.lub.lu.se/record/f890956b-070d-425c-b2b7-8e68a22c40f3 ; https://portal.research.lu.se/ws/files/35839348/_Filmreformens_fo_rste_avantgardist_.pdf.

MLA Handbook (7th Edition):

Diurlin, Lars. “”Filmreformens förste avantgardist” : Experimentfilmaren Peter Kylberg.” 2017. Web. 27 Jan 2020.

Vancouver:

Diurlin L. ”Filmreformens förste avantgardist” : Experimentfilmaren Peter Kylberg. [Internet] [Doctoral dissertation]. University of Lund; 2017. [cited 2020 Jan 27]. Available from: https://lup.lub.lu.se/record/f890956b-070d-425c-b2b7-8e68a22c40f3 ; https://portal.research.lu.se/ws/files/35839348/_Filmreformens_fo_rste_avantgardist_.pdf.

Council of Science Editors:

Diurlin L. ”Filmreformens förste avantgardist” : Experimentfilmaren Peter Kylberg. [Doctoral Dissertation]. University of Lund; 2017. Available from: https://lup.lub.lu.se/record/f890956b-070d-425c-b2b7-8e68a22c40f3 ; https://portal.research.lu.se/ws/files/35839348/_Filmreformens_fo_rste_avantgardist_.pdf


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

23. Μανιός, Δημήτριος. Ο αρχιτεκτονικός σχεδιασμός σε συνθήκες προηγμένης τεχνουργίας.

Degree: 2009, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 Through advanced technourgia (i. e. the transcendences of configurations by technical means) we examine architectural design, its various aspects, processes and especially its limitations, as… (more)

Subjects/Keywords: Θεωρία αρχιτεκτονικής; Αρχιτεκτονικός σχεδιασμός; Μηχανική; Τεχνική; Υψηλή τεχνολογία; Προηγμένη τεχνολογία; Προηγμένη τεχνουργία; Φιλοσοφία τεχνολογίας; Φαινομενολογία; Φαινόμενα; Αναπαραστάσεις; Ψηφιακές αναπαραστάσεις; ΠΑΡΟΥΣΙΑ; Παρόν; Αποδόμηση; Συνολικό έργο τέχνης; Μορφογένεση; Γραμμή; Όρια; Επιφάνεια; Πεδία; Δίκτυα; Χώρος; Τόπος; Ουτοπία; Τεχνοτροπία; Ακρίβεια; Architectural theory; Architectural design; Mechanics; Technique; Artifact; Artificial; High-tech; Advanced technology; Advanced technourgia; Philosophy of technology; Phenomenology; Phenomenon; Representation; Digital representations; Presence; Present; Gegenwart; Deconstruction; Gesamtkunstwerk; Morphogenesis; Line; LIMIT; Boundary; Surface; Field; Networks; Space; Locus; Utopia; Repetition; Discontinuity; Precision

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Μανιός, . . (2009). Ο αρχιτεκτονικός σχεδιασμός σε συνθήκες προηγμένης τεχνουργίας. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/26249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Μανιός, Δημήτριος. “Ο αρχιτεκτονικός σχεδιασμός σε συνθήκες προηγμένης τεχνουργίας.” 2009. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed January 27, 2020. http://hdl.handle.net/10442/hedi/26249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Μανιός, Δημήτριος. “Ο αρχιτεκτονικός σχεδιασμός σε συνθήκες προηγμένης τεχνουργίας.” 2009. Web. 27 Jan 2020.

Vancouver:

Μανιός . Ο αρχιτεκτονικός σχεδιασμός σε συνθήκες προηγμένης τεχνουργίας. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2009. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10442/hedi/26249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Μανιός . Ο αρχιτεκτονικός σχεδιασμός σε συνθήκες προηγμένης τεχνουργίας. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2009. Available from: http://hdl.handle.net/10442/hedi/26249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

24. Knijnenburg, Nicholas. What are the issues that arise in the creation and presentation of a hybrid art work?.

Degree: 2001, Queensland University of Technology

Subjects/Keywords: Arts, Modern 21st century; hybrid art; multi-art; art making issues; interdisiplinary art making; performance art; productiona rt; gesamtkunstwerk; performance as research; intention; form; amateur status; logistical context; human context; audience response; technology; thesis; masters

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Knijnenburg, N. (2001). What are the issues that arise in the creation and presentation of a hybrid art work?. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/35838/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Knijnenburg, Nicholas. “What are the issues that arise in the creation and presentation of a hybrid art work?.” 2001. Thesis, Queensland University of Technology. Accessed January 27, 2020. http://eprints.qut.edu.au/35838/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Knijnenburg, Nicholas. “What are the issues that arise in the creation and presentation of a hybrid art work?.” 2001. Web. 27 Jan 2020.

Vancouver:

Knijnenburg N. What are the issues that arise in the creation and presentation of a hybrid art work?. [Internet] [Thesis]. Queensland University of Technology; 2001. [cited 2020 Jan 27]. Available from: http://eprints.qut.edu.au/35838/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Knijnenburg N. What are the issues that arise in the creation and presentation of a hybrid art work?. [Thesis]. Queensland University of Technology; 2001. Available from: http://eprints.qut.edu.au/35838/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

25. Kloppers, Elizabeth Catharina. Liturgiese musiek as kommunikatiewe handeling in 'n post-moderne era.

Degree: 1997, University of South Africa

 Worldwide liturgical music finds itself in a crisis. Liturgical music is made the scapegoat for everything that is wrong with liturgy, whereas the problems rather… (more)

Subjects/Keywords: Worship service; Liturgy; Liturgical music; Liturgical renewal; Symbol/ritual; Image/imagination; Metaphor; Aesthetic experience; Religious experience; Hermeneutics; Communication theory; Communicative acts; Gesamtkunstwerk; Open canon; Ecumenicity; Hymnology; Postmodernisrn; Architecture; Popmusic; Kitsch; Pluralism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kloppers, E. C. (1997). Liturgiese musiek as kommunikatiewe handeling in 'n post-moderne era. (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/17103

Chicago Manual of Style (16th Edition):

Kloppers, Elizabeth Catharina. “Liturgiese musiek as kommunikatiewe handeling in 'n post-moderne era.” 1997. Doctoral Dissertation, University of South Africa. Accessed January 27, 2020. http://hdl.handle.net/10500/17103.

MLA Handbook (7th Edition):

Kloppers, Elizabeth Catharina. “Liturgiese musiek as kommunikatiewe handeling in 'n post-moderne era.” 1997. Web. 27 Jan 2020.

Vancouver:

Kloppers EC. Liturgiese musiek as kommunikatiewe handeling in 'n post-moderne era. [Internet] [Doctoral dissertation]. University of South Africa; 1997. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10500/17103.

Council of Science Editors:

Kloppers EC. Liturgiese musiek as kommunikatiewe handeling in 'n post-moderne era. [Doctoral Dissertation]. University of South Africa; 1997. Available from: http://hdl.handle.net/10500/17103


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

26. Εφραιμίδου, Λευκοθέα. Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης.

Degree: 2004, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Καθολικό έργο τέχνης; Ταυτοχρονικές δράσεις διαφορετικών μορφών τέχνης; Ιστορικά πρωτοποριακά κινήματα; Σχολή της Νέας Υόρκης; Χρήση του τυχαίου στη δημιουργική διαδικασία; Performances ως μοντέλα κοινωνικής αναρχίας; Το τσίρκο ως εμπειρία ζωής; Ανακατασκευή της όπερας; Gesamtkunstwerk; Simultaneus and complex artactions; Avant-garde movements; New York school; Use of chance operations; Performances as model of social anarchy; Cirrcus as life experience; Reconstruction of the opera

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Εφραιμίδου, . . (2004). Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/14978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Εφραιμίδου, Λευκοθέα. “Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης.” 2004. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed January 27, 2020. http://hdl.handle.net/10442/hedi/14978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Εφραιμίδου, Λευκοθέα. “Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης.” 2004. Web. 27 Jan 2020.

Vancouver:

Εφραιμίδου . Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2004. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10442/hedi/14978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Εφραιμίδου . Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2004. Available from: http://hdl.handle.net/10442/hedi/14978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

27. Molnári, Angéla. Das russiche Theater im Wien der 1920er Jahre.

Degree: 2008, University of Vienna

 Die Arbeit beschäftigt sich mit der Wiener Theatertätigkeit von russischen Theatertruppen in den 20er Jahren. Aufgrund der Oktoberrevolution und der ersten russischen Emigrantenwelle wurde die… (more)

Subjects/Keywords: 24.10 Schauspielkunst; 24.06 Theatergeschichte; 24.23 Kleinkunst, Kabarett, Revue; 24.13 Theatergattungen, Theatersparten; 24.07 Theatereinrichtung, Bühnentechnik; 24.02 Theater: Allgemeines; 20.24 Gesellschaft, Kultur; 24.12 Regie, Dramaturgie; Emigrantentheater / Austausch von Kunstströmungen / Osten-Westen Problematik / russisches Theater im 20. Jahrhundert / Theatergeschichte / Theater in Wien / Wien-Mythos / Djagilevs Ballets russes / Gesamtkunstwerk / Reformen im Bereich des Theaters / Moskauer Künstlertheater / Kleinkunstbühnen / Der blaue Vogel / Regietheater / Ensemblekunst / Tairov / Moskauer Kammertheater / Meisterschauspieler / Retheatralisie

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Molnári, A. (2008). Das russiche Theater im Wien der 1920er Jahre. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/2603/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Molnári, Angéla. “Das russiche Theater im Wien der 1920er Jahre.” 2008. Thesis, University of Vienna. Accessed January 27, 2020. http://othes.univie.ac.at/2603/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Molnári, Angéla. “Das russiche Theater im Wien der 1920er Jahre.” 2008. Web. 27 Jan 2020.

Vancouver:

Molnári A. Das russiche Theater im Wien der 1920er Jahre. [Internet] [Thesis]. University of Vienna; 2008. [cited 2020 Jan 27]. Available from: http://othes.univie.ac.at/2603/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Molnári A. Das russiche Theater im Wien der 1920er Jahre. [Thesis]. University of Vienna; 2008. Available from: http://othes.univie.ac.at/2603/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.