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You searched for subject:(Friendly Persuasions). Showing records 1 – 3 of 3 total matches.

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Kansas State University

1. Jerko, Mitchell Steven. Exploring the songs of Tosti, Strauss, Chausson and Jake Heggie’s Friendly Persuasions: A Homage to Poulenc (2008), including a personal interview with Jake Heggie.

Degree: MM, Department of Music, Theatre, and Dance, 2018, Kansas State University

This Master’s Report extensively examines repertoire written for the lyric tenor voice. The text will explore the compositions of Francesco Paolo Tosti, Richard Strauss, Ernest Chausson, and Jake Heggie’s song cycle, Friendly Persuasions: A Homage to Poulenc. The text provides biographical information on each composer, text and translations, figures and interpretations, and some pedagogical insight. The pieces discussed are Tosti’s La Serenata, Non t’amo più, and Ideale; Strauss’s Morgen, Traum durch die Dämmerung, and Die Nacht; Chausson’s Printemps triste, Hébé, and Le temps des lilas; and Jake Heggie’s song cycle Friendly Persuasions: A Homage to Poulenc (2008). The graduate recital was presented in partial fulfillment of the requirements for the Master of Music degree in vocal performance on April 1, 2017 at Kansas State University in All Faiths Chapel. The recital featured the talents of tenor Mitchell Jerko and pianist Randall Frye. Advisors/Committee Members: Reginald L. Pittman.

Subjects/Keywords: Jake Heggie; Friendly Persuasions: A Homage to Poulenc; Ernest Chausson; Francesco Paolo Tosti; Richard Strauss

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APA (6th Edition):

Jerko, M. S. (2018). Exploring the songs of Tosti, Strauss, Chausson and Jake Heggie’s Friendly Persuasions: A Homage to Poulenc (2008), including a personal interview with Jake Heggie. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/38880

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jerko, Mitchell Steven. “Exploring the songs of Tosti, Strauss, Chausson and Jake Heggie’s Friendly Persuasions: A Homage to Poulenc (2008), including a personal interview with Jake Heggie.” 2018. Thesis, Kansas State University. Accessed November 17, 2019. http://hdl.handle.net/2097/38880.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jerko, Mitchell Steven. “Exploring the songs of Tosti, Strauss, Chausson and Jake Heggie’s Friendly Persuasions: A Homage to Poulenc (2008), including a personal interview with Jake Heggie.” 2018. Web. 17 Nov 2019.

Vancouver:

Jerko MS. Exploring the songs of Tosti, Strauss, Chausson and Jake Heggie’s Friendly Persuasions: A Homage to Poulenc (2008), including a personal interview with Jake Heggie. [Internet] [Thesis]. Kansas State University; 2018. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/2097/38880.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jerko MS. Exploring the songs of Tosti, Strauss, Chausson and Jake Heggie’s Friendly Persuasions: A Homage to Poulenc (2008), including a personal interview with Jake Heggie. [Thesis]. Kansas State University; 2018. Available from: http://hdl.handle.net/2097/38880

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

2. Stein, Daniel Christopher. A Performance Guide to Friendly Persuasions: Homage to Poulenc by Jake Heggie and Gene Scheer.

Degree: DMA, Music, 2019, The Ohio State University

Jake Heggie’s song cycle <i>Friendly Persuasions: Homage to Poulenc</i> is a set of four songs with texts by Gene Scheer. Co-commissioned by pianist Malcolm Martineau for a Poulenc Festival at Wigmore Hall in London, England and the Pacific Serenades Chamber Music Festival in Los Angeles, California, it was premiered by Martineau and tenor, John Mark Ainsley in May 2008. The American premiere of a chamber version took place at the Pacific Serenades Chamber Music Festival, in Los Angeles, sung by tenor Nicolas Phan in May 2008. An incredibly witty and unique approach to song, this cycle warrants an in-depth look and should be considered as a wonderful addition to the American song catalog. This document will serve as an in-depth look at the cycle and can be used by vocal coaches and singers alike as they prepare to perform the songs. It will also delve into the backgrounds of Heggie and Scheer, giving a broad overview of their work together.The opening chapter provides brief biographical information of Jake Heggie and Gene Scheer and talk briefly about the collaborative efforts. The following chapter is a biographical sketch of Francis Poulenc and a look at the four influential relationships on which this song cycle is based. The third chapter focuses on the circumstances around the premieres of Friendly Persuasions, as well as an exploration of the cycle giving a deeper look at each song. The final chapter discusses performance suggestions that were received from the composer himself; Nicholas Phan, the tenor who premiered the chamber version of the cycle in California; and from the author after preparing the song cycle and performing it in recital. The appendices include a complete list of Jake Heggie’s vocal compositions as well as a complete discography to date. Advisors/Committee Members: McCoy, Scott (Advisor).

Subjects/Keywords: Music; Friendly Persuasions; Jake Heggie; Gene Scheer; Performance Guide; Francis Poulenc; Tenor

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stein, D. C. (2019). A Performance Guide to Friendly Persuasions: Homage to Poulenc by Jake Heggie and Gene Scheer. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1562192040691227

Chicago Manual of Style (16th Edition):

Stein, Daniel Christopher. “A Performance Guide to Friendly Persuasions: Homage to Poulenc by Jake Heggie and Gene Scheer.” 2019. Doctoral Dissertation, The Ohio State University. Accessed November 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1562192040691227.

MLA Handbook (7th Edition):

Stein, Daniel Christopher. “A Performance Guide to Friendly Persuasions: Homage to Poulenc by Jake Heggie and Gene Scheer.” 2019. Web. 17 Nov 2019.

Vancouver:

Stein DC. A Performance Guide to Friendly Persuasions: Homage to Poulenc by Jake Heggie and Gene Scheer. [Internet] [Doctoral dissertation]. The Ohio State University; 2019. [cited 2019 Nov 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1562192040691227.

Council of Science Editors:

Stein DC. A Performance Guide to Friendly Persuasions: Homage to Poulenc by Jake Heggie and Gene Scheer. [Doctoral Dissertation]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1562192040691227

3. Tripp, Scott T. Selected Repertoire for the Tenor Voice.

Degree: MM, Music, 2012, Florida International University

This thesis presents extended program notes for a seventy-minute vocal graduate recital consisting of the following repertoire for tenor: Johann Sebastian Bach’s cantata Ich armer Mensch ich Sündenknecht; two songs from the eighteenth-century Spanish collection Tonadillas Escénicas; Gaetano Donizetti's song La derniére nuit d'un novice; Francis Poulenc's song cycle Tel jour telle nuit; Jake Heggie's song cycle Friendly Persuasions; and John Corigliano's Three Irish Folk Songs for Flute and Tenor. Spanning four centuries of music and representing four different language traditions, these works are sufficiently representative of the tenor repertoire. The content of this thesis features detailed information on these works through historical study, and musical analysis. Advisors/Committee Members: Kathleen Wilson, John Augenblick, Robert Dundas, Joel Galand.

Subjects/Keywords: Tenor; Recital; Bach; Ich armer Mensch; Tonadilla; Rosales; Bustos; Corigliano; Three Irish Folksong Settings; Poulenc; Tel jour; telle nuit; Heggie; Friendly Persuasions; Donizetti; La dernière nuit d'un novice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tripp, S. T. (2012). Selected Repertoire for the Tenor Voice. (Thesis). Florida International University. Retrieved from http://digitalcommons.fiu.edu/etd/629 ; 10.25148/etd.FI12050235 ; FI12050235

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tripp, Scott T. “Selected Repertoire for the Tenor Voice.” 2012. Thesis, Florida International University. Accessed November 17, 2019. http://digitalcommons.fiu.edu/etd/629 ; 10.25148/etd.FI12050235 ; FI12050235.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tripp, Scott T. “Selected Repertoire for the Tenor Voice.” 2012. Web. 17 Nov 2019.

Vancouver:

Tripp ST. Selected Repertoire for the Tenor Voice. [Internet] [Thesis]. Florida International University; 2012. [cited 2019 Nov 17]. Available from: http://digitalcommons.fiu.edu/etd/629 ; 10.25148/etd.FI12050235 ; FI12050235.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tripp ST. Selected Repertoire for the Tenor Voice. [Thesis]. Florida International University; 2012. Available from: http://digitalcommons.fiu.edu/etd/629 ; 10.25148/etd.FI12050235 ; FI12050235

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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