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You searched for subject:(French music). Showing records 1 – 30 of 174 total matches.

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1. Pan, Anna. CÉSAR FRANCK AS A PIVOTAL FIGURE IN THE REVITALIZATION OF FRENCH ORGAN MUSIC AFTER THE REVOLUTION.

Degree: 2012, Southern Baptist Theological Seminary

 Though widely known as a skillful improviser and teacher in his day, César Franck has been largely overlooked concerning the pivotal role he played in… (more)

Subjects/Keywords: French Organ Music

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APA (6th Edition):

Pan, A. (2012). CÉSAR FRANCK AS A PIVOTAL FIGURE IN THE REVITALIZATION OF FRENCH ORGAN MUSIC AFTER THE REVOLUTION. (Thesis). Southern Baptist Theological Seminary. Retrieved from http://hdl.handle.net/10392/4118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pan, Anna. “CÉSAR FRANCK AS A PIVOTAL FIGURE IN THE REVITALIZATION OF FRENCH ORGAN MUSIC AFTER THE REVOLUTION.” 2012. Thesis, Southern Baptist Theological Seminary. Accessed February 18, 2020. http://hdl.handle.net/10392/4118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pan, Anna. “CÉSAR FRANCK AS A PIVOTAL FIGURE IN THE REVITALIZATION OF FRENCH ORGAN MUSIC AFTER THE REVOLUTION.” 2012. Web. 18 Feb 2020.

Vancouver:

Pan A. CÉSAR FRANCK AS A PIVOTAL FIGURE IN THE REVITALIZATION OF FRENCH ORGAN MUSIC AFTER THE REVOLUTION. [Internet] [Thesis]. Southern Baptist Theological Seminary; 2012. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/10392/4118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pan A. CÉSAR FRANCK AS A PIVOTAL FIGURE IN THE REVITALIZATION OF FRENCH ORGAN MUSIC AFTER THE REVOLUTION. [Thesis]. Southern Baptist Theological Seminary; 2012. Available from: http://hdl.handle.net/10392/4118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

2. Glick, Dorothy Ellen. Paul Taffanel and the Construction of the French Flute School.

Degree: M.M., Music, 2014, University of Kansas

 Beginning with Paul Taffanel and the introduction of the silver Boehm system flute in the mid-nineteenth century, the French Flute School refers to the use… (more)

Subjects/Keywords: Music; Flute; French; School; Taffanel

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APA (6th Edition):

Glick, D. E. (2014). Paul Taffanel and the Construction of the French Flute School. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/14871

Chicago Manual of Style (16th Edition):

Glick, Dorothy Ellen. “Paul Taffanel and the Construction of the French Flute School.” 2014. Masters Thesis, University of Kansas. Accessed February 18, 2020. http://hdl.handle.net/1808/14871.

MLA Handbook (7th Edition):

Glick, Dorothy Ellen. “Paul Taffanel and the Construction of the French Flute School.” 2014. Web. 18 Feb 2020.

Vancouver:

Glick DE. Paul Taffanel and the Construction of the French Flute School. [Internet] [Masters thesis]. University of Kansas; 2014. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/1808/14871.

Council of Science Editors:

Glick DE. Paul Taffanel and the Construction of the French Flute School. [Masters Thesis]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/14871


University of Kansas

3. Park, Song Yi. The Baroque Offertoire: Apotheosis of the French Organ Art.

Degree: DMA, Music, 2016, University of Kansas

 During the French Baroque period, the function of the organ was primarily to serve the liturgy. It was an integral part of both Mass and… (more)

Subjects/Keywords: Music; French Baroque Offertoire

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APA (6th Edition):

Park, S. Y. (2016). The Baroque Offertoire: Apotheosis of the French Organ Art. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24152

Chicago Manual of Style (16th Edition):

Park, Song Yi. “The Baroque Offertoire: Apotheosis of the French Organ Art.” 2016. Doctoral Dissertation, University of Kansas. Accessed February 18, 2020. http://hdl.handle.net/1808/24152.

MLA Handbook (7th Edition):

Park, Song Yi. “The Baroque Offertoire: Apotheosis of the French Organ Art.” 2016. Web. 18 Feb 2020.

Vancouver:

Park SY. The Baroque Offertoire: Apotheosis of the French Organ Art. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/1808/24152.

Council of Science Editors:

Park SY. The Baroque Offertoire: Apotheosis of the French Organ Art. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24152


University of Miami

4. Chinen, Paul Alan. Gilles Silvestrini and Art: A Look at French Impressionistic Artwork, Poetry, and their Influence on Virtuosic Etudes for the Solo Oboe.

Degree: DMA, Instrumental Performance (Music), 2019, University of Miami

 Gilles Silvestrini’s compositions for the oboe have been sought after because of their virtuosic nature, a good option to test advanced oboists technical abilities and… (more)

Subjects/Keywords: oboe; music; silvestrini; french; etudes

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APA (6th Edition):

Chinen, P. A. (2019). Gilles Silvestrini and Art: A Look at French Impressionistic Artwork, Poetry, and their Influence on Virtuosic Etudes for the Solo Oboe. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chinen, Paul Alan. “Gilles Silvestrini and Art: A Look at French Impressionistic Artwork, Poetry, and their Influence on Virtuosic Etudes for the Solo Oboe.” 2019. Thesis, University of Miami. Accessed February 18, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/2302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chinen, Paul Alan. “Gilles Silvestrini and Art: A Look at French Impressionistic Artwork, Poetry, and their Influence on Virtuosic Etudes for the Solo Oboe.” 2019. Web. 18 Feb 2020.

Vancouver:

Chinen PA. Gilles Silvestrini and Art: A Look at French Impressionistic Artwork, Poetry, and their Influence on Virtuosic Etudes for the Solo Oboe. [Internet] [Thesis]. University of Miami; 2019. [cited 2020 Feb 18]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chinen PA. Gilles Silvestrini and Art: A Look at French Impressionistic Artwork, Poetry, and their Influence on Virtuosic Etudes for the Solo Oboe. [Thesis]. University of Miami; 2019. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

5. Liu, Kuan-mei. A Study of Compositional Styles of Isaac Albeniz's 'Iberia', Book I.

Degree: Master, Music, 2014, NSYSU

 Iberia is the culmination of the late piano works of the Spanish composer Isaac Albéniz. The twelve pieces of Iberia were divided into four books,… (more)

Subjects/Keywords: Liszt; French music; Spanish music; Albeniz; Iberia

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APA (6th Edition):

Liu, K. (2014). A Study of Compositional Styles of Isaac Albeniz's 'Iberia', Book I. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0024114-162708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liu, Kuan-mei. “A Study of Compositional Styles of Isaac Albeniz's 'Iberia', Book I.” 2014. Thesis, NSYSU. Accessed February 18, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0024114-162708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liu, Kuan-mei. “A Study of Compositional Styles of Isaac Albeniz's 'Iberia', Book I.” 2014. Web. 18 Feb 2020.

Vancouver:

Liu K. A Study of Compositional Styles of Isaac Albeniz's 'Iberia', Book I. [Internet] [Thesis]. NSYSU; 2014. [cited 2020 Feb 18]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0024114-162708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liu K. A Study of Compositional Styles of Isaac Albeniz's 'Iberia', Book I. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0024114-162708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

6. Shannon, Eric Christopher. FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54.

Degree: DMA, 2015, University of Oklahoma

 Though written by a less well-known composer, Florent Schmitt’s Lied et Scherzo, Op. 54, is a work for double woodwind quintet featuring a principal French(more)

Subjects/Keywords: French composer; twentieth century music; chamber music; music; chamber winds; French horn; composer biography

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APA (6th Edition):

Shannon, E. C. (2015). FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/14438

Chicago Manual of Style (16th Edition):

Shannon, Eric Christopher. “FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54.” 2015. Doctoral Dissertation, University of Oklahoma. Accessed February 18, 2020. http://hdl.handle.net/11244/14438.

MLA Handbook (7th Edition):

Shannon, Eric Christopher. “FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54.” 2015. Web. 18 Feb 2020.

Vancouver:

Shannon EC. FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54. [Internet] [Doctoral dissertation]. University of Oklahoma; 2015. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/11244/14438.

Council of Science Editors:

Shannon EC. FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54. [Doctoral Dissertation]. University of Oklahoma; 2015. Available from: http://hdl.handle.net/11244/14438


UCLA

7. An, Ji Young. In Search of a Style: French Violin Performance from Franck to Ravel.

Degree: Music, 2013, UCLA

 My dissertation focuses on issues of French sound and style in late nineteenth and early twentieth-century French violin repertoire. As a violinist who studied at… (more)

Subjects/Keywords: Music; Debussy; Franck; French sound; French style; Ravel; violin

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APA (6th Edition):

An, J. Y. (2013). In Search of a Style: French Violin Performance from Franck to Ravel. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/1sz059ns

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

An, Ji Young. “In Search of a Style: French Violin Performance from Franck to Ravel.” 2013. Thesis, UCLA. Accessed February 18, 2020. http://www.escholarship.org/uc/item/1sz059ns.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

An, Ji Young. “In Search of a Style: French Violin Performance from Franck to Ravel.” 2013. Web. 18 Feb 2020.

Vancouver:

An JY. In Search of a Style: French Violin Performance from Franck to Ravel. [Internet] [Thesis]. UCLA; 2013. [cited 2020 Feb 18]. Available from: http://www.escholarship.org/uc/item/1sz059ns.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

An JY. In Search of a Style: French Violin Performance from Franck to Ravel. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/1sz059ns

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Youngs, Jennifer Marie. The Historical and Pedagogical Significance of Excerpts by André-Ernest-Modeste Grétry [1741-1813].

Degree: 2019, University of North Texas

 This collection of 9 vocal works, taken from the oœuvre of André-Ernest-Modeste Grétry (1741–1813), was chosen for their utility in teaching undergrad voice majors. This… (more)

Subjects/Keywords: Grétry; opera-comique; French vocal literature; Music

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APA (6th Edition):

Youngs, J. M. (2019). The Historical and Pedagogical Significance of Excerpts by André-Ernest-Modeste Grétry [1741-1813]. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505272/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Youngs, Jennifer Marie. “The Historical and Pedagogical Significance of Excerpts by André-Ernest-Modeste Grétry [1741-1813].” 2019. Thesis, University of North Texas. Accessed February 18, 2020. https://digital.library.unt.edu/ark:/67531/metadc1505272/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Youngs, Jennifer Marie. “The Historical and Pedagogical Significance of Excerpts by André-Ernest-Modeste Grétry [1741-1813].” 2019. Web. 18 Feb 2020.

Vancouver:

Youngs JM. The Historical and Pedagogical Significance of Excerpts by André-Ernest-Modeste Grétry [1741-1813]. [Internet] [Thesis]. University of North Texas; 2019. [cited 2020 Feb 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505272/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Youngs JM. The Historical and Pedagogical Significance of Excerpts by André-Ernest-Modeste Grétry [1741-1813]. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505272/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

9. Anderson, Laura. The poetry of sound : Jean Cocteau, film and early sound design.

Degree: PhD, 2013, Royal Holloway, University of London

 Jean Cocteau's (1889-1963) involvement in the musical sphere spanned genres such as ballet, oratorio, music hall and theatre pieces, and adaptations of his poetry for… (more)

Subjects/Keywords: Jean Cocteau; Sound Design; French film music

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APA (6th Edition):

Anderson, L. (2013). The poetry of sound : Jean Cocteau, film and early sound design. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-poetry-of-sound-jean-cocteau-film-and-early-sound-design(ea68044d-4454-4a61-8b89-60f64cc2cdc7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792135

Chicago Manual of Style (16th Edition):

Anderson, Laura. “The poetry of sound : Jean Cocteau, film and early sound design.” 2013. Doctoral Dissertation, Royal Holloway, University of London. Accessed February 18, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/the-poetry-of-sound-jean-cocteau-film-and-early-sound-design(ea68044d-4454-4a61-8b89-60f64cc2cdc7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792135.

MLA Handbook (7th Edition):

Anderson, Laura. “The poetry of sound : Jean Cocteau, film and early sound design.” 2013. Web. 18 Feb 2020.

Vancouver:

Anderson L. The poetry of sound : Jean Cocteau, film and early sound design. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2013. [cited 2020 Feb 18]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-poetry-of-sound-jean-cocteau-film-and-early-sound-design(ea68044d-4454-4a61-8b89-60f64cc2cdc7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792135.

Council of Science Editors:

Anderson L. The poetry of sound : Jean Cocteau, film and early sound design. [Doctoral Dissertation]. Royal Holloway, University of London; 2013. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-poetry-of-sound-jean-cocteau-film-and-early-sound-design(ea68044d-4454-4a61-8b89-60f64cc2cdc7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792135


University of North Texas

10. Kleinsteuber, Carl. An Argument in Favor of the Saxhorn Basse (French Tuba) in the Modern Symphony Orchestra.

Degree: 2017, University of North Texas

 The French tuba was a much-needed addition to the brasswind musical instrument family, adding depth, projection and a unique color to French orchestral literature. Its… (more)

Subjects/Keywords: saxhorn; "French tuba"; Music; Musical Performances

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APA (6th Edition):

Kleinsteuber, C. (2017). An Argument in Favor of the Saxhorn Basse (French Tuba) in the Modern Symphony Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984120/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kleinsteuber, Carl. “An Argument in Favor of the Saxhorn Basse (French Tuba) in the Modern Symphony Orchestra.” 2017. Thesis, University of North Texas. Accessed February 18, 2020. https://digital.library.unt.edu/ark:/67531/metadc984120/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kleinsteuber, Carl. “An Argument in Favor of the Saxhorn Basse (French Tuba) in the Modern Symphony Orchestra.” 2017. Web. 18 Feb 2020.

Vancouver:

Kleinsteuber C. An Argument in Favor of the Saxhorn Basse (French Tuba) in the Modern Symphony Orchestra. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Feb 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984120/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kleinsteuber C. An Argument in Favor of the Saxhorn Basse (French Tuba) in the Modern Symphony Orchestra. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984120/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

11. Ties, Bo Michael. An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician.

Degree: DMA, Music, 2018, University of Iowa

  Throughout the history of music there have been numerous composers who were well-known in their lifetimes yet faded from public performance and memory after… (more)

Subjects/Keywords: french; Gabriel Dupont; impressionism; piano; romanticism; Music

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APA (6th Edition):

Ties, B. M. (2018). An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6312

Chicago Manual of Style (16th Edition):

Ties, Bo Michael. “An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician.” 2018. Doctoral Dissertation, University of Iowa. Accessed February 18, 2020. https://ir.uiowa.edu/etd/6312.

MLA Handbook (7th Edition):

Ties, Bo Michael. “An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician.” 2018. Web. 18 Feb 2020.

Vancouver:

Ties BM. An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician. [Internet] [Doctoral dissertation]. University of Iowa; 2018. [cited 2020 Feb 18]. Available from: https://ir.uiowa.edu/etd/6312.

Council of Science Editors:

Ties BM. An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician. [Doctoral Dissertation]. University of Iowa; 2018. Available from: https://ir.uiowa.edu/etd/6312


Victoria University of Wellington

12. Gerrard, Kathleen. The Livre d'Airs et de Simphonies Meslés de Quelques Fragmens d’Opéra 1697 of Pierre Gillier: An Edition and Study.

Degree: 2010, Victoria University of Wellington

 The Livre d’Airs et de Simphonies meslés de quelques fragmens d’Opéra de la Composition de P. Gillier (Book of Airs and Instrumental Pieces mixed with… (more)

Subjects/Keywords: French composers; Baroque music; 17th century music; Musical criticism

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APA (6th Edition):

Gerrard, K. (2010). The Livre d'Airs et de Simphonies Meslés de Quelques Fragmens d’Opéra 1697 of Pierre Gillier: An Edition and Study. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1663

Chicago Manual of Style (16th Edition):

Gerrard, Kathleen. “The Livre d'Airs et de Simphonies Meslés de Quelques Fragmens d’Opéra 1697 of Pierre Gillier: An Edition and Study.” 2010. Masters Thesis, Victoria University of Wellington. Accessed February 18, 2020. http://hdl.handle.net/10063/1663.

MLA Handbook (7th Edition):

Gerrard, Kathleen. “The Livre d'Airs et de Simphonies Meslés de Quelques Fragmens d’Opéra 1697 of Pierre Gillier: An Edition and Study.” 2010. Web. 18 Feb 2020.

Vancouver:

Gerrard K. The Livre d'Airs et de Simphonies Meslés de Quelques Fragmens d’Opéra 1697 of Pierre Gillier: An Edition and Study. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/10063/1663.

Council of Science Editors:

Gerrard K. The Livre d'Airs et de Simphonies Meslés de Quelques Fragmens d’Opéra 1697 of Pierre Gillier: An Edition and Study. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1663


UCLA

13. Rogers, Jillian Corinne. Grieving Through Music in Interwar France: Maurice Ravel and His Circle, 1914-1934.

Degree: Musicology, 2014, UCLA

 Between 1914 and 1918, the French modernist composer Maurice Ravel was deeply affected by his experiences as a soldier in World War I, the deaths… (more)

Subjects/Keywords: Music; History; French Modernism; Maurice Ravel; Mourning; Music; World War I

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APA (6th Edition):

Rogers, J. C. (2014). Grieving Through Music in Interwar France: Maurice Ravel and His Circle, 1914-1934. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/9n40d7kk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rogers, Jillian Corinne. “Grieving Through Music in Interwar France: Maurice Ravel and His Circle, 1914-1934.” 2014. Thesis, UCLA. Accessed February 18, 2020. http://www.escholarship.org/uc/item/9n40d7kk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rogers, Jillian Corinne. “Grieving Through Music in Interwar France: Maurice Ravel and His Circle, 1914-1934.” 2014. Web. 18 Feb 2020.

Vancouver:

Rogers JC. Grieving Through Music in Interwar France: Maurice Ravel and His Circle, 1914-1934. [Internet] [Thesis]. UCLA; 2014. [cited 2020 Feb 18]. Available from: http://www.escholarship.org/uc/item/9n40d7kk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rogers JC. Grieving Through Music in Interwar France: Maurice Ravel and His Circle, 1914-1934. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/9n40d7kk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

14. McMahon, Colin. Antoinette, an Opera in One Act.

Degree: 2017, University of Western Ontario

 Antoinette is a chamber opera in one act. It is a dramatization of the events leading to the execution of Marie Antoinette and is 30… (more)

Subjects/Keywords: composition; opera; Canadian opera; chamber music; vocal music; French Revolution; Composition

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APA (6th Edition):

McMahon, C. (2017). Antoinette, an Opera in One Act. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/4522

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McMahon, Colin. “Antoinette, an Opera in One Act.” 2017. Thesis, University of Western Ontario. Accessed February 18, 2020. https://ir.lib.uwo.ca/etd/4522.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McMahon, Colin. “Antoinette, an Opera in One Act.” 2017. Web. 18 Feb 2020.

Vancouver:

McMahon C. Antoinette, an Opera in One Act. [Internet] [Thesis]. University of Western Ontario; 2017. [cited 2020 Feb 18]. Available from: https://ir.lib.uwo.ca/etd/4522.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McMahon C. Antoinette, an Opera in One Act. [Thesis]. University of Western Ontario; 2017. Available from: https://ir.lib.uwo.ca/etd/4522

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

15. Gerrard, Kathleen. The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study : a thesis submitted to the New Zealand School of Music in fulfilment of the degree of Master of Music in Musicology .

Degree: 2010, Massey University

 The Livre d’Airs et de Simphonies meslés de quelques fragmens d’Opéra de la Composition de P. Gillier (Book of Airs and Instrumental Pieces mixed with… (more)

Subjects/Keywords: Pierre Gillier; Composers; 17th century music; French songs; Music; France

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APA (6th Edition):

Gerrard, K. (2010). The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study : a thesis submitted to the New Zealand School of Music in fulfilment of the degree of Master of Music in Musicology . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2407

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gerrard, Kathleen. “The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study : a thesis submitted to the New Zealand School of Music in fulfilment of the degree of Master of Music in Musicology .” 2010. Thesis, Massey University. Accessed February 18, 2020. http://hdl.handle.net/10179/2407.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gerrard, Kathleen. “The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study : a thesis submitted to the New Zealand School of Music in fulfilment of the degree of Master of Music in Musicology .” 2010. Web. 18 Feb 2020.

Vancouver:

Gerrard K. The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study : a thesis submitted to the New Zealand School of Music in fulfilment of the degree of Master of Music in Musicology . [Internet] [Thesis]. Massey University; 2010. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/10179/2407.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gerrard K. The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study : a thesis submitted to the New Zealand School of Music in fulfilment of the degree of Master of Music in Musicology . [Thesis]. Massey University; 2010. Available from: http://hdl.handle.net/10179/2407

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Kinsey, Brandon. Identifying French Compositional Styles: Subtlety Through Familiarity.

Degree: MA, Music, 2017, U of Denver

  In this study, I examine two French berceuses for violin and piano to identify common compositional traits, specifically subtlety and familiarity in rhythm and… (more)

Subjects/Keywords: Music; French compositional style; Fauré; Ravel; Rhythm; Harmony; Music

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APA (6th Edition):

Kinsey, B. (2017). Identifying French Compositional Styles: Subtlety Through Familiarity. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/1302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kinsey, Brandon. “Identifying French Compositional Styles: Subtlety Through Familiarity.” 2017. Thesis, U of Denver. Accessed February 18, 2020. https://digitalcommons.du.edu/etd/1302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kinsey, Brandon. “Identifying French Compositional Styles: Subtlety Through Familiarity.” 2017. Web. 18 Feb 2020.

Vancouver:

Kinsey B. Identifying French Compositional Styles: Subtlety Through Familiarity. [Internet] [Thesis]. U of Denver; 2017. [cited 2020 Feb 18]. Available from: https://digitalcommons.du.edu/etd/1302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kinsey B. Identifying French Compositional Styles: Subtlety Through Familiarity. [Thesis]. U of Denver; 2017. Available from: https://digitalcommons.du.edu/etd/1302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

17. Duke, Evan Benjamin. LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH <i>VINGT ETUDES</i>.

Degree: 2012, University of Kentucky

 The Bitsch Vingt Études are a significant part of the trumpet performers repertoire. They are taught in many university trumpet studios across the United States.… (more)

Subjects/Keywords: Marcel Bitsch; Articulation; Trumpet; French Pronunciation; Vingt Etudes; Music; Music Performance

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APA (6th Edition):

Duke, E. B. (2012). LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH <i>VINGT ETUDES</i>. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/2

Chicago Manual of Style (16th Edition):

Duke, Evan Benjamin. “LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH <i>VINGT ETUDES</i>.” 2012. Doctoral Dissertation, University of Kentucky. Accessed February 18, 2020. https://uknowledge.uky.edu/music_etds/2.

MLA Handbook (7th Edition):

Duke, Evan Benjamin. “LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH <i>VINGT ETUDES</i>.” 2012. Web. 18 Feb 2020.

Vancouver:

Duke EB. LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH <i>VINGT ETUDES</i>. [Internet] [Doctoral dissertation]. University of Kentucky; 2012. [cited 2020 Feb 18]. Available from: https://uknowledge.uky.edu/music_etds/2.

Council of Science Editors:

Duke EB. LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH <i>VINGT ETUDES</i>. [Doctoral Dissertation]. University of Kentucky; 2012. Available from: https://uknowledge.uky.edu/music_etds/2


University of Colorado

18. Ward, Michael B. Un Mélange ÉTrange: the Problem of ÉClectisme in the Early Nineteenth-Century French String Quartet.

Degree: PhD, 2017, University of Colorado

  While many French string quartets were composed between 1790 and 1848, the repertoire has generally been ignored. Some historians have stated that the period… (more)

Subjects/Keywords: chamber music; french music; pierre baillot; pierre rode; ritornello; string quartet; Music; Musicology

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APA (6th Edition):

Ward, M. B. (2017). Un Mélange ÉTrange: the Problem of ÉClectisme in the Early Nineteenth-Century French String Quartet. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/musi_gradetds/10

Chicago Manual of Style (16th Edition):

Ward, Michael B. “Un Mélange ÉTrange: the Problem of ÉClectisme in the Early Nineteenth-Century French String Quartet.” 2017. Doctoral Dissertation, University of Colorado. Accessed February 18, 2020. https://scholar.colorado.edu/musi_gradetds/10.

MLA Handbook (7th Edition):

Ward, Michael B. “Un Mélange ÉTrange: the Problem of ÉClectisme in the Early Nineteenth-Century French String Quartet.” 2017. Web. 18 Feb 2020.

Vancouver:

Ward MB. Un Mélange ÉTrange: the Problem of ÉClectisme in the Early Nineteenth-Century French String Quartet. [Internet] [Doctoral dissertation]. University of Colorado; 2017. [cited 2020 Feb 18]. Available from: https://scholar.colorado.edu/musi_gradetds/10.

Council of Science Editors:

Ward MB. Un Mélange ÉTrange: the Problem of ÉClectisme in the Early Nineteenth-Century French String Quartet. [Doctoral Dissertation]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/musi_gradetds/10


University of Colorado

19. Ward, Michael B. Un Mélange Étrange: The Problem of Éclectisme in the Early Nineteenth-Century French String Quartet.

Degree: PhD, 2017, University of Colorado

  While many French string quartets were composed between 1790 and 1848, the repertoire has generally been ignored. Some historians have stated that the period… (more)

Subjects/Keywords: chamber music; French music; Pierre Baillot; Pierre Rode; ritornello; string quartet; Music

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APA (6th Edition):

Ward, M. B. (2017). Un Mélange Étrange: The Problem of Éclectisme in the Early Nineteenth-Century French String Quartet. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/muco_gradetds/13

Chicago Manual of Style (16th Edition):

Ward, Michael B. “Un Mélange Étrange: The Problem of Éclectisme in the Early Nineteenth-Century French String Quartet.” 2017. Doctoral Dissertation, University of Colorado. Accessed February 18, 2020. https://scholar.colorado.edu/muco_gradetds/13.

MLA Handbook (7th Edition):

Ward, Michael B. “Un Mélange Étrange: The Problem of Éclectisme in the Early Nineteenth-Century French String Quartet.” 2017. Web. 18 Feb 2020.

Vancouver:

Ward MB. Un Mélange Étrange: The Problem of Éclectisme in the Early Nineteenth-Century French String Quartet. [Internet] [Doctoral dissertation]. University of Colorado; 2017. [cited 2020 Feb 18]. Available from: https://scholar.colorado.edu/muco_gradetds/13.

Council of Science Editors:

Ward MB. Un Mélange Étrange: The Problem of Éclectisme in the Early Nineteenth-Century French String Quartet. [Doctoral Dissertation]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/muco_gradetds/13


University of South Carolina

20. Kehl, Adam Gary. Critical Editions and Comparative Analysis of Three Representative Wind Band Works from the French Revolution.

Degree: DMA, School of Music, 2014, University of South Carolina

  The French Revolution witnessed the greatest output of music for wind band before the twentieth century. The importance of wind bands and wind repertoire… (more)

Subjects/Keywords: Arts and Humanities; Music; Band; Catel; French National Guard Band; French Revolution; Gossec; Jadin

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APA (6th Edition):

Kehl, A. G. (2014). Critical Editions and Comparative Analysis of Three Representative Wind Band Works from the French Revolution. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/2578

Chicago Manual of Style (16th Edition):

Kehl, Adam Gary. “Critical Editions and Comparative Analysis of Three Representative Wind Band Works from the French Revolution.” 2014. Doctoral Dissertation, University of South Carolina. Accessed February 18, 2020. https://scholarcommons.sc.edu/etd/2578.

MLA Handbook (7th Edition):

Kehl, Adam Gary. “Critical Editions and Comparative Analysis of Three Representative Wind Band Works from the French Revolution.” 2014. Web. 18 Feb 2020.

Vancouver:

Kehl AG. Critical Editions and Comparative Analysis of Three Representative Wind Band Works from the French Revolution. [Internet] [Doctoral dissertation]. University of South Carolina; 2014. [cited 2020 Feb 18]. Available from: https://scholarcommons.sc.edu/etd/2578.

Council of Science Editors:

Kehl AG. Critical Editions and Comparative Analysis of Three Representative Wind Band Works from the French Revolution. [Doctoral Dissertation]. University of South Carolina; 2014. Available from: https://scholarcommons.sc.edu/etd/2578


University of Kansas

21. Buck de Bernal, Crystal Eileen. The Melodie of Jules Massenet: Settings of Female Poets.

Degree: DMA, Music, 2018, University of Kansas

 Within a collection of over 146 mélodies, Massenet explores form, style, various types of poetry, compositional techniques, tendencies derived from music history, all while infusing… (more)

Subjects/Keywords: Music; French literature; art song romantic era; French art song; Jules Massenet; Massenet; melodie

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buck de Bernal, C. E. (2018). The Melodie of Jules Massenet: Settings of Female Poets. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27105

Chicago Manual of Style (16th Edition):

Buck de Bernal, Crystal Eileen. “The Melodie of Jules Massenet: Settings of Female Poets.” 2018. Doctoral Dissertation, University of Kansas. Accessed February 18, 2020. http://hdl.handle.net/1808/27105.

MLA Handbook (7th Edition):

Buck de Bernal, Crystal Eileen. “The Melodie of Jules Massenet: Settings of Female Poets.” 2018. Web. 18 Feb 2020.

Vancouver:

Buck de Bernal CE. The Melodie of Jules Massenet: Settings of Female Poets. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/1808/27105.

Council of Science Editors:

Buck de Bernal CE. The Melodie of Jules Massenet: Settings of Female Poets. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27105


University of Kansas

22. Dexter, Anesha. “A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”.

Degree: DMA, Music, 2018, University of Kansas

 ABSTRACT The lecture-recital included selections from the following works: Trio in C from the Pièces en trio pour les flûtes, violon, et dessus de viole… (more)

Subjects/Keywords: Music; Pedagogy; Music education; Baroque Flute; Baroque Flute Repertoire; Flute Pedagogy; French Baroque Music and Performance Practice; French Baroque Ornamentation; Seventeenth and Eighteenth Century French Baroque Performance Practice

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APA (6th Edition):

Dexter, A. (2018). “A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29300

Chicago Manual of Style (16th Edition):

Dexter, Anesha. ““A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”.” 2018. Doctoral Dissertation, University of Kansas. Accessed February 18, 2020. http://hdl.handle.net/1808/29300.

MLA Handbook (7th Edition):

Dexter, Anesha. ““A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”.” 2018. Web. 18 Feb 2020.

Vancouver:

Dexter A. “A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/1808/29300.

Council of Science Editors:

Dexter A. “A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/29300


Cornell University

23. Levenson, Erica Pauline. Traveling Tunes: French Comic Opera and Theater in London, 1714-1745 .

Degree: 2017, Cornell University

 Driven from their native theaters in 1718 by heightened censorship, French actors, musicians, and dancers quickly became showstoppers in a London already crowded with international… (more)

Subjects/Keywords: English literature; Music; Anglo-French history; ballad opera; cultural exchange; eighteenth century music; French theater; London theater history; Theater history

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APA (6th Edition):

Levenson, E. P. (2017). Traveling Tunes: French Comic Opera and Theater in London, 1714-1745 . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/56929

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Levenson, Erica Pauline. “Traveling Tunes: French Comic Opera and Theater in London, 1714-1745 .” 2017. Thesis, Cornell University. Accessed February 18, 2020. http://hdl.handle.net/1813/56929.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Levenson, Erica Pauline. “Traveling Tunes: French Comic Opera and Theater in London, 1714-1745 .” 2017. Web. 18 Feb 2020.

Vancouver:

Levenson EP. Traveling Tunes: French Comic Opera and Theater in London, 1714-1745 . [Internet] [Thesis]. Cornell University; 2017. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/1813/56929.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Levenson EP. Traveling Tunes: French Comic Opera and Theater in London, 1714-1745 . [Thesis]. Cornell University; 2017. Available from: http://hdl.handle.net/1813/56929

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

24. Verbeke, Martin R J. Rappers and Linguistic Variation: A study of Non-Standard Language in Selected Francophone Rap Tracks.

Degree: PhD, 2015, University of Stirling

 This thesis examines the use of non-standard language, more specifically non-standard vocabulary (i.e. slang, verlan, colloquialisms, vulgarities, foreign borrowings, and abbreviations), in a corpus of… (more)

Subjects/Keywords: Linguistics; sociolinguistics; cultural studies; French rap; Francophone rap; linguistic variation; non-standard language; slang; verlan; lexicography; Belgian rap; French rap vocabulary; French rappers; French language Slang; Rap (Music); Rap musicians

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APA (6th Edition):

Verbeke, M. R. J. (2015). Rappers and Linguistic Variation: A study of Non-Standard Language in Selected Francophone Rap Tracks. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/22915

Chicago Manual of Style (16th Edition):

Verbeke, Martin R J. “Rappers and Linguistic Variation: A study of Non-Standard Language in Selected Francophone Rap Tracks.” 2015. Doctoral Dissertation, University of Stirling. Accessed February 18, 2020. http://hdl.handle.net/1893/22915.

MLA Handbook (7th Edition):

Verbeke, Martin R J. “Rappers and Linguistic Variation: A study of Non-Standard Language in Selected Francophone Rap Tracks.” 2015. Web. 18 Feb 2020.

Vancouver:

Verbeke MRJ. Rappers and Linguistic Variation: A study of Non-Standard Language in Selected Francophone Rap Tracks. [Internet] [Doctoral dissertation]. University of Stirling; 2015. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/1893/22915.

Council of Science Editors:

Verbeke MRJ. Rappers and Linguistic Variation: A study of Non-Standard Language in Selected Francophone Rap Tracks. [Doctoral Dissertation]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/22915


University of Alabama

25. Bender, Sharla Ann. A pedogogical discussion of five french twentieth-century piano pieces for progressive study.

Degree: 2014, University of Alabama

 This document provides a pedagogical study of five works for younger pianists by twentieth-century French composers. The works are Jeu by Darius Milhaud, Petite suite… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Music; French; Modern; Music; Pedagogy; Piano; Twentieth-century

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APA (6th Edition):

Bender, S. A. (2014). A pedogogical discussion of five french twentieth-century piano pieces for progressive study. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/105109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bender, Sharla Ann. “A pedogogical discussion of five french twentieth-century piano pieces for progressive study.” 2014. Thesis, University of Alabama. Accessed February 18, 2020. http://purl.lib.ua.edu/105109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bender, Sharla Ann. “A pedogogical discussion of five french twentieth-century piano pieces for progressive study.” 2014. Web. 18 Feb 2020.

Vancouver:

Bender SA. A pedogogical discussion of five french twentieth-century piano pieces for progressive study. [Internet] [Thesis]. University of Alabama; 2014. [cited 2020 Feb 18]. Available from: http://purl.lib.ua.edu/105109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bender SA. A pedogogical discussion of five french twentieth-century piano pieces for progressive study. [Thesis]. University of Alabama; 2014. Available from: http://purl.lib.ua.edu/105109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

26. Chu, Ju-fung. Lili Boulanger's Secular Choral Works: Analysis and Interpretation.

Degree: Master, Music, 2012, NSYSU

 Lili Boulanger (1893-1918) is the first female composer to win the Prix de Rome in France. She had an early death due to Crohnâs Disease… (more)

Subjects/Keywords: Lili Boulanger; French choral music; early twentieth century music; female composer; Prix de Rome

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chu, J. (2012). Lili Boulanger's Secular Choral Works: Analysis and Interpretation. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0217112-102842

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chu, Ju-fung. “Lili Boulanger's Secular Choral Works: Analysis and Interpretation.” 2012. Thesis, NSYSU. Accessed February 18, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0217112-102842.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chu, Ju-fung. “Lili Boulanger's Secular Choral Works: Analysis and Interpretation.” 2012. Web. 18 Feb 2020.

Vancouver:

Chu J. Lili Boulanger's Secular Choral Works: Analysis and Interpretation. [Internet] [Thesis]. NSYSU; 2012. [cited 2020 Feb 18]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0217112-102842.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chu J. Lili Boulanger's Secular Choral Works: Analysis and Interpretation. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0217112-102842

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

27. Dillon, Teressa. Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre .

Degree: 2010, Massey University

 C. de La Serre was a composer, copyist and maître de musique. His known compositions are all airs sérieux and airs à boire, appearing in… (more)

Subjects/Keywords: C. de La Serre; French songs; Serious airs (Music); Drinking songs; France; 18th century music

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APA (6th Edition):

Dillon, T. (2010). Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dillon, Teressa. “Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre .” 2010. Thesis, Massey University. Accessed February 18, 2020. http://hdl.handle.net/10179/2176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dillon, Teressa. “Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre .” 2010. Web. 18 Feb 2020.

Vancouver:

Dillon T. Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre . [Internet] [Thesis]. Massey University; 2010. [cited 2020 Feb 18]. Available from: http://hdl.handle.net/10179/2176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dillon T. Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre . [Thesis]. Massey University; 2010. Available from: http://hdl.handle.net/10179/2176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

28. Hehrer, Karen Fox. A history of the virelai from its origin to the mid-fifteenth century.

Degree: PhD, Graduate School, 1975, The Ohio State University

Subjects/Keywords: Music; Virelai; French poetry

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APA (6th Edition):

Hehrer, K. F. (1975). A history of the virelai from its origin to the mid-fifteenth century. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486995009102945

Chicago Manual of Style (16th Edition):

Hehrer, Karen Fox. “A history of the virelai from its origin to the mid-fifteenth century.” 1975. Doctoral Dissertation, The Ohio State University. Accessed February 18, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486995009102945.

MLA Handbook (7th Edition):

Hehrer, Karen Fox. “A history of the virelai from its origin to the mid-fifteenth century.” 1975. Web. 18 Feb 2020.

Vancouver:

Hehrer KF. A history of the virelai from its origin to the mid-fifteenth century. [Internet] [Doctoral dissertation]. The Ohio State University; 1975. [cited 2020 Feb 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486995009102945.

Council of Science Editors:

Hehrer KF. A history of the virelai from its origin to the mid-fifteenth century. [Doctoral Dissertation]. The Ohio State University; 1975. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486995009102945


University of Tasmania

29. Fraser, ABG (nee Badcock). Interpreting the flute works of Jean Francaix (1912-1997).

Degree: 2011, University of Tasmania

 There is surprisingly little written about French composer Jean Françaix (1912-1997), considering his prolific output of around 200 works. In addition to his numerous compositions,… (more)

Subjects/Keywords: Jean Francaix; twentieth century; French flute; intrepretation; music

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APA (6th Edition):

Fraser, A. (. B. (2011). Interpreting the flute works of Jean Francaix (1912-1997). (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/12441/1/Whole_Fraser.pdf ; https://eprints.utas.edu.au/12441/2/Interpreting_the_Flute_Works_of_Jean_Fran%C3%A7aix_-Fraser.pdf ; https://eprints.utas.edu.au/12441/3/Fraser-disc_1.zip ; https://eprints.utas.edu.au/12441/4/fraser-disc_2.zip ; https://eprints.utas.edu.au/12441/5/fraser-disc_3.zip ; https://eprints.utas.edu.au/12441/6/fraser-disc_4.zip ; https://eprints.utas.edu.au/12441/7/fraser-disc_5.zip ; https://eprints.utas.edu.au/12441/8/fraser-disc_6.zip ; https://eprints.utas.edu.au/12441/9/fraser-disc_7.zip ; https://eprints.utas.edu.au/12441/10/fraser-disc_8.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fraser, ABG (nee Badcock). “Interpreting the flute works of Jean Francaix (1912-1997).” 2011. Thesis, University of Tasmania. Accessed February 18, 2020. https://eprints.utas.edu.au/12441/1/Whole_Fraser.pdf ; https://eprints.utas.edu.au/12441/2/Interpreting_the_Flute_Works_of_Jean_Fran%C3%A7aix_-Fraser.pdf ; https://eprints.utas.edu.au/12441/3/Fraser-disc_1.zip ; https://eprints.utas.edu.au/12441/4/fraser-disc_2.zip ; https://eprints.utas.edu.au/12441/5/fraser-disc_3.zip ; https://eprints.utas.edu.au/12441/6/fraser-disc_4.zip ; https://eprints.utas.edu.au/12441/7/fraser-disc_5.zip ; https://eprints.utas.edu.au/12441/8/fraser-disc_6.zip ; https://eprints.utas.edu.au/12441/9/fraser-disc_7.zip ; https://eprints.utas.edu.au/12441/10/fraser-disc_8.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fraser, ABG (nee Badcock). “Interpreting the flute works of Jean Francaix (1912-1997).” 2011. Web. 18 Feb 2020.

Vancouver:

Fraser A(B. Interpreting the flute works of Jean Francaix (1912-1997). [Internet] [Thesis]. University of Tasmania; 2011. [cited 2020 Feb 18]. Available from: https://eprints.utas.edu.au/12441/1/Whole_Fraser.pdf ; https://eprints.utas.edu.au/12441/2/Interpreting_the_Flute_Works_of_Jean_Fran%C3%A7aix_-Fraser.pdf ; https://eprints.utas.edu.au/12441/3/Fraser-disc_1.zip ; https://eprints.utas.edu.au/12441/4/fraser-disc_2.zip ; https://eprints.utas.edu.au/12441/5/fraser-disc_3.zip ; https://eprints.utas.edu.au/12441/6/fraser-disc_4.zip ; https://eprints.utas.edu.au/12441/7/fraser-disc_5.zip ; https://eprints.utas.edu.au/12441/8/fraser-disc_6.zip ; https://eprints.utas.edu.au/12441/9/fraser-disc_7.zip ; https://eprints.utas.edu.au/12441/10/fraser-disc_8.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fraser A(B. Interpreting the flute works of Jean Francaix (1912-1997). [Thesis]. University of Tasmania; 2011. Available from: https://eprints.utas.edu.au/12441/1/Whole_Fraser.pdf ; https://eprints.utas.edu.au/12441/2/Interpreting_the_Flute_Works_of_Jean_Fran%C3%A7aix_-Fraser.pdf ; https://eprints.utas.edu.au/12441/3/Fraser-disc_1.zip ; https://eprints.utas.edu.au/12441/4/fraser-disc_2.zip ; https://eprints.utas.edu.au/12441/5/fraser-disc_3.zip ; https://eprints.utas.edu.au/12441/6/fraser-disc_4.zip ; https://eprints.utas.edu.au/12441/7/fraser-disc_5.zip ; https://eprints.utas.edu.au/12441/8/fraser-disc_6.zip ; https://eprints.utas.edu.au/12441/9/fraser-disc_7.zip ; https://eprints.utas.edu.au/12441/10/fraser-disc_8.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

30. Yen, Ying-Fang. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.

Degree: Master, Music, 2016, NSYSU

 This study is an extension of the authorâs lecture recital which focuses on the piano solo work âSuite Bergamasqueâ consisting of the "Prelude," "Minuet," "Clair… (more)

Subjects/Keywords: Impressionism; Symbolism; French Piano Music; Claude Debussy; Suite Bergamasque

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yen, Y. (2016). A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yen, Ying-Fang. “A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.” 2016. Thesis, NSYSU. Accessed February 18, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yen, Ying-Fang. “A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.” 2016. Web. 18 Feb 2020.

Vancouver:

Yen Y. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. [Internet] [Thesis]. NSYSU; 2016. [cited 2020 Feb 18]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yen Y. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] [6]

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