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You searched for subject:(French cinema). Showing records 1 – 30 of 72 total matches.

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The Ohio State University

1. Bazgan, Nicoleta. Irresistibly French: Female Stardom And Frenchness.

Degree: PhD, French and Italian, 2008, The Ohio State University

French actresses have exerted an endless fascination on film audiences worldwide. Brigitte Bardot, Catherine Deneuve, Juliette Binoche, and, more recently, Amelie star Audrey Tautou epitomize… (more)

Subjects/Keywords: French Canadian Literature; French cinema

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APA (6th Edition):

Bazgan, N. (2008). Irresistibly French: Female Stardom And Frenchness. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1217959177

Chicago Manual of Style (16th Edition):

Bazgan, Nicoleta. “Irresistibly French: Female Stardom And Frenchness.” 2008. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1217959177.

MLA Handbook (7th Edition):

Bazgan, Nicoleta. “Irresistibly French: Female Stardom And Frenchness.” 2008. Web. 17 Oct 2019.

Vancouver:

Bazgan N. Irresistibly French: Female Stardom And Frenchness. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1217959177.

Council of Science Editors:

Bazgan N. Irresistibly French: Female Stardom And Frenchness. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1217959177

2. Hastings, Valerie Francoise. Les formes de l'humain. Volatilite des frontieres dans le Roman Francophone autofictionnel contemporain.

Degree: 2015, State University of New York at Buffalo

  Cette étude a commencé par un intérêt et un questionnement portant sur la problématique du silence en tant qu'impossible à dire hégémonique. Le silence… (more)

Subjects/Keywords: Literature, Canadian (French); Cinema

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APA (6th Edition):

Hastings, V. F. (2015). Les formes de l'humain. Volatilite des frontieres dans le Roman Francophone autofictionnel contemporain. (Thesis). State University of New York at Buffalo. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3683039

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hastings, Valerie Francoise. “Les formes de l'humain. Volatilite des frontieres dans le Roman Francophone autofictionnel contemporain.” 2015. Thesis, State University of New York at Buffalo. Accessed October 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3683039.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hastings, Valerie Francoise. “Les formes de l'humain. Volatilite des frontieres dans le Roman Francophone autofictionnel contemporain.” 2015. Web. 17 Oct 2019.

Vancouver:

Hastings VF. Les formes de l'humain. Volatilite des frontieres dans le Roman Francophone autofictionnel contemporain. [Internet] [Thesis]. State University of New York at Buffalo; 2015. [cited 2019 Oct 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3683039.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hastings VF. Les formes de l'humain. Volatilite des frontieres dans le Roman Francophone autofictionnel contemporain. [Thesis]. State University of New York at Buffalo; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3683039

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cornell University

3. Gooch, Zachary. Dark Years, Dark Films, Long Shadows: The Occupation, Noir, And National Identity In French Film And Criticism .

Degree: 2014, Cornell University

 Although the term arises in French film criticism, "noir" has long been associated with American cinema and a certain, recognizable type of visual and thematic… (more)

Subjects/Keywords: French cinema; Noir; Occupation

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APA (6th Edition):

Gooch, Z. (2014). Dark Years, Dark Films, Long Shadows: The Occupation, Noir, And National Identity In French Film And Criticism . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/36200

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gooch, Zachary. “Dark Years, Dark Films, Long Shadows: The Occupation, Noir, And National Identity In French Film And Criticism .” 2014. Thesis, Cornell University. Accessed October 17, 2019. http://hdl.handle.net/1813/36200.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gooch, Zachary. “Dark Years, Dark Films, Long Shadows: The Occupation, Noir, And National Identity In French Film And Criticism .” 2014. Web. 17 Oct 2019.

Vancouver:

Gooch Z. Dark Years, Dark Films, Long Shadows: The Occupation, Noir, And National Identity In French Film And Criticism . [Internet] [Thesis]. Cornell University; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1813/36200.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gooch Z. Dark Years, Dark Films, Long Shadows: The Occupation, Noir, And National Identity In French Film And Criticism . [Thesis]. Cornell University; 2014. Available from: http://hdl.handle.net/1813/36200

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Dalhousie University

4. Hansen, Erin. Robert Bresson et l'absence sublime.

Degree: MA, Department of French, 2015, Dalhousie University

 This thesis asserts that the demanding body of work of French filmmaker Robert Bresson may be better understood through the notion of sublime absence which… (more)

Subjects/Keywords: French; Film; Cinema; Bresson, Robert; Sublime

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APA (6th Edition):

Hansen, E. (2015). Robert Bresson et l'absence sublime. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/56343

Chicago Manual of Style (16th Edition):

Hansen, Erin. “Robert Bresson et l'absence sublime.” 2015. Masters Thesis, Dalhousie University. Accessed October 17, 2019. http://hdl.handle.net/10222/56343.

MLA Handbook (7th Edition):

Hansen, Erin. “Robert Bresson et l'absence sublime.” 2015. Web. 17 Oct 2019.

Vancouver:

Hansen E. Robert Bresson et l'absence sublime. [Internet] [Masters thesis]. Dalhousie University; 2015. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10222/56343.

Council of Science Editors:

Hansen E. Robert Bresson et l'absence sublime. [Masters Thesis]. Dalhousie University; 2015. Available from: http://hdl.handle.net/10222/56343


University of Exeter

5. Cousins, Jennie. Unstitching the 1950s film costumes : hidden designers, hidden meanings.

Degree: PhD, 2008, University of Exeter

 This thesis showcases the work of four costume designers working within the genre of costume drama during the 1950s in France, namely Georges Annenkov, Rosine… (more)

Subjects/Keywords: 791.43026; costume drama : 1950s French Cinema

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APA (6th Edition):

Cousins, J. (2008). Unstitching the 1950s film costumes : hidden designers, hidden meanings. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10036/42353

Chicago Manual of Style (16th Edition):

Cousins, Jennie. “Unstitching the 1950s film costumes : hidden designers, hidden meanings.” 2008. Doctoral Dissertation, University of Exeter. Accessed October 17, 2019. http://hdl.handle.net/10036/42353.

MLA Handbook (7th Edition):

Cousins, Jennie. “Unstitching the 1950s film costumes : hidden designers, hidden meanings.” 2008. Web. 17 Oct 2019.

Vancouver:

Cousins J. Unstitching the 1950s film costumes : hidden designers, hidden meanings. [Internet] [Doctoral dissertation]. University of Exeter; 2008. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10036/42353.

Council of Science Editors:

Cousins J. Unstitching the 1950s film costumes : hidden designers, hidden meanings. [Doctoral Dissertation]. University of Exeter; 2008. Available from: http://hdl.handle.net/10036/42353


University of Exeter

6. Birchall, Bridget. Patrick Dewaere and gender identity in Giscardian France (1974-1981).

Degree: PhD, 2007, University of Exeter

 The aim of this thesis is to analyse the configuration of gender in Giscardian France (1974-1981), as it is represented through the life and work… (more)

Subjects/Keywords: 400; Dewaere, Patrick : 1970s French Cinema

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APA (6th Edition):

Birchall, B. (2007). Patrick Dewaere and gender identity in Giscardian France (1974-1981). (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10036/49793

Chicago Manual of Style (16th Edition):

Birchall, Bridget. “Patrick Dewaere and gender identity in Giscardian France (1974-1981).” 2007. Doctoral Dissertation, University of Exeter. Accessed October 17, 2019. http://hdl.handle.net/10036/49793.

MLA Handbook (7th Edition):

Birchall, Bridget. “Patrick Dewaere and gender identity in Giscardian France (1974-1981).” 2007. Web. 17 Oct 2019.

Vancouver:

Birchall B. Patrick Dewaere and gender identity in Giscardian France (1974-1981). [Internet] [Doctoral dissertation]. University of Exeter; 2007. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10036/49793.

Council of Science Editors:

Birchall B. Patrick Dewaere and gender identity in Giscardian France (1974-1981). [Doctoral Dissertation]. University of Exeter; 2007. Available from: http://hdl.handle.net/10036/49793


University of Sydney

7. Doherty, Annabelle. Living the Past through French Heritage Film: Historical Thinking and Cinematic Cultural Memory .

Degree: 2015, University of Sydney

 This thesis examines the French heritage film, a contemporary genre of period drama and historical film in France, which like other nations’ heritage cinema has… (more)

Subjects/Keywords: French; Heritage; Film; Cinema; Adaptation; Memory

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APA (6th Edition):

Doherty, A. (2015). Living the Past through French Heritage Film: Historical Thinking and Cinematic Cultural Memory . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Doherty, Annabelle. “Living the Past through French Heritage Film: Historical Thinking and Cinematic Cultural Memory .” 2015. Thesis, University of Sydney. Accessed October 17, 2019. http://hdl.handle.net/2123/15296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Doherty, Annabelle. “Living the Past through French Heritage Film: Historical Thinking and Cinematic Cultural Memory .” 2015. Web. 17 Oct 2019.

Vancouver:

Doherty A. Living the Past through French Heritage Film: Historical Thinking and Cinematic Cultural Memory . [Internet] [Thesis]. University of Sydney; 2015. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2123/15296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doherty A. Living the Past through French Heritage Film: Historical Thinking and Cinematic Cultural Memory . [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/15296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

8. Edmunds, Hannah. Perversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2010, Massey University

 Through the use of masculinity as a visual language this research aims to unravel the divide between the role of the act and the acted.… (more)

Subjects/Keywords: French cinema; Male physiognomy; Masculinity in movies

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APA (6th Edition):

Edmunds, H. (2010). Perversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/1271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edmunds, Hannah. “Perversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2010. Thesis, Massey University. Accessed October 17, 2019. http://hdl.handle.net/10179/1271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edmunds, Hannah. “Perversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2010. Web. 17 Oct 2019.

Vancouver:

Edmunds H. Perversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2010. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10179/1271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edmunds H. Perversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2010. Available from: http://hdl.handle.net/10179/1271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

9. Noble, Caroline. Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality.

Degree: PhD, French and Italian, 2018, The Ohio State University

 Can the presence the sea in French cinema have a function other than that of a backdrop and if it is the case, what does… (more)

Subjects/Keywords: Film Studies; Mediterranean Seascapes, French Cinema

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APA (6th Edition):

Noble, C. (2018). Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1522075970995536

Chicago Manual of Style (16th Edition):

Noble, Caroline. “Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality.” 2018. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1522075970995536.

MLA Handbook (7th Edition):

Noble, Caroline. “Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality.” 2018. Web. 17 Oct 2019.

Vancouver:

Noble C. Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality. [Internet] [Doctoral dissertation]. The Ohio State University; 2018. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1522075970995536.

Council of Science Editors:

Noble C. Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality. [Doctoral Dissertation]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1522075970995536


University of Texas – Austin

10. -0064-0097. Mediated authority : portraits of the writer in the age of mechanical reproduction from Baudelaire to Beigbeder.

Degree: PhD, French, 2017, University of Texas – Austin

 Through the study of visual artefacts created around French writers between the 1850s and the present, this project seeks to examine the role of visual… (more)

Subjects/Keywords: French literature; Media; Photography; Cinema; Television

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APA (6th Edition):

-0064-0097. (2017). Mediated authority : portraits of the writer in the age of mechanical reproduction from Baudelaire to Beigbeder. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/62074

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-0064-0097. “Mediated authority : portraits of the writer in the age of mechanical reproduction from Baudelaire to Beigbeder.” 2017. Doctoral Dissertation, University of Texas – Austin. Accessed October 17, 2019. http://hdl.handle.net/2152/62074.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-0064-0097. “Mediated authority : portraits of the writer in the age of mechanical reproduction from Baudelaire to Beigbeder.” 2017. Web. 17 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-0064-0097. Mediated authority : portraits of the writer in the age of mechanical reproduction from Baudelaire to Beigbeder. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2017. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2152/62074.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-0064-0097. Mediated authority : portraits of the writer in the age of mechanical reproduction from Baudelaire to Beigbeder. [Doctoral Dissertation]. University of Texas – Austin; 2017. Available from: http://hdl.handle.net/2152/62074

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Université de Montréal

11. Arpin-Simonetti, Lisandro. Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français .

Degree: 2016, Université de Montréal

 Volet cinématographique d’une révolution d’ordre social, la Nouvelle Vague a cristallisé les changements qui ont bouleversé la société européenne au début des années soixante. De… (more)

Subjects/Keywords: Nouvelle Vague; French New Wave; Postmodernité; Postmodernity; Cinéma français; French cinema

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APA (6th Edition):

Arpin-Simonetti, L. (2016). Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/16138

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arpin-Simonetti, Lisandro. “Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français .” 2016. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/16138.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arpin-Simonetti, Lisandro. “Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français .” 2016. Web. 17 Oct 2019.

Vancouver:

Arpin-Simonetti L. Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français . [Internet] [Thesis]. Université de Montréal; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/16138.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arpin-Simonetti L. Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français . [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/16138

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

12. Branlat, Jennifer Elise. Paris, Female Stardom, and 1930s French Cinema.

Degree: PhD, French and Italian, 2012, The Ohio State University

 This study investigates Parisian femininity in 1930s French cinema in order to show how representations of women draw from city spaces, real or imagined, and… (more)

Subjects/Keywords: Film Studies; French female stars; Women and Paris; 1930s French Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Branlat, J. E. (2012). Paris, Female Stardom, and 1930s French Cinema. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1345550540

Chicago Manual of Style (16th Edition):

Branlat, Jennifer Elise. “Paris, Female Stardom, and 1930s French Cinema.” 2012. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1345550540.

MLA Handbook (7th Edition):

Branlat, Jennifer Elise. “Paris, Female Stardom, and 1930s French Cinema.” 2012. Web. 17 Oct 2019.

Vancouver:

Branlat JE. Paris, Female Stardom, and 1930s French Cinema. [Internet] [Doctoral dissertation]. The Ohio State University; 2012. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1345550540.

Council of Science Editors:

Branlat JE. Paris, Female Stardom, and 1930s French Cinema. [Doctoral Dissertation]. The Ohio State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1345550540


The Ohio State University

13. Leadston, Mackenzie M. Theorizing the Comic Object in Classical French Cinema.

Degree: PhD, French and Italian, 2019, The Ohio State University

 Film comedy as a genre is exceptionally difficult to define. As comedy scholar Gerald Mast argued in his seminal work The Comic Mind, “we pretty… (more)

Subjects/Keywords: Film Studies; film comedy; French cinema; French comedy; phenomenology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leadston, M. M. (2019). Theorizing the Comic Object in Classical French Cinema. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897

Chicago Manual of Style (16th Edition):

Leadston, Mackenzie M. “Theorizing the Comic Object in Classical French Cinema.” 2019. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897.

MLA Handbook (7th Edition):

Leadston, Mackenzie M. “Theorizing the Comic Object in Classical French Cinema.” 2019. Web. 17 Oct 2019.

Vancouver:

Leadston MM. Theorizing the Comic Object in Classical French Cinema. [Internet] [Doctoral dissertation]. The Ohio State University; 2019. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897.

Council of Science Editors:

Leadston MM. Theorizing the Comic Object in Classical French Cinema. [Doctoral Dissertation]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897


Pontifical Catholic University of Rio de Janeiro

14. LEONARDO GOMES ESTEVES. [en] DIALECTICS OF DECONSTRUCTION: MAY 68 AND CINEMA.

Degree: 2019, Pontifical Catholic University of Rio de Janeiro

[pt] Dialéticas da desconstrução: Maio de 68 e o cinema tem como objetivo o estudo da desconstrução do cinema francês que emerge motivado pelo Maio… (more)

Subjects/Keywords: [pt] HISTORIA DO CINEMA FRANCES; [en] HISTORY OF FRENCH CINEMA; [pt] CINEMA EXPERIMENTAL; [en] EXPERIMENTAL CINEMA; [pt] CINEMA MARXISTA; [en] MARXIST CINEMA; [pt] VANGUARDA CINEMATOGRAFICA; [en] AVANT-GARDE CINEMA

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APA (6th Edition):

ESTEVES, L. G. (2019). [en] DIALECTICS OF DECONSTRUCTION: MAY 68 AND CINEMA. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ESTEVES, LEONARDO GOMES. “[en] DIALECTICS OF DECONSTRUCTION: MAY 68 AND CINEMA.” 2019. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed October 17, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ESTEVES, LEONARDO GOMES. “[en] DIALECTICS OF DECONSTRUCTION: MAY 68 AND CINEMA.” 2019. Web. 17 Oct 2019.

Vancouver:

ESTEVES LG. [en] DIALECTICS OF DECONSTRUCTION: MAY 68 AND CINEMA. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. [cited 2019 Oct 17]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ESTEVES LG. [en] DIALECTICS OF DECONSTRUCTION: MAY 68 AND CINEMA. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

15. Campbell, Kelly Kathleen. Film, French, and <i>Foie Gras</i>: Examining the French Cultural Exception.

Degree: PhD, French and Italian, 2010, The Ohio State University

  This dissertation considers and evaluates the notion of the “French cultural exception” (<i>l’exception culturelle</i>) in three distinct domains: cinema, language, and gastronomy. Through a… (more)

Subjects/Keywords: Cultural Exception; French National Identity; Cultural Capital; Cultural Diversity; Globalization; French Gastronomy; French Cinema; French Language

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APA (6th Edition):

Campbell, K. K. (2010). Film, French, and <i>Foie Gras</i>: Examining the French Cultural Exception. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1282014046

Chicago Manual of Style (16th Edition):

Campbell, Kelly Kathleen. “Film, French, and <i>Foie Gras</i>: Examining the French Cultural Exception.” 2010. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282014046.

MLA Handbook (7th Edition):

Campbell, Kelly Kathleen. “Film, French, and <i>Foie Gras</i>: Examining the French Cultural Exception.” 2010. Web. 17 Oct 2019.

Vancouver:

Campbell KK. Film, French, and <i>Foie Gras</i>: Examining the French Cultural Exception. [Internet] [Doctoral dissertation]. The Ohio State University; 2010. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1282014046.

Council of Science Editors:

Campbell KK. Film, French, and <i>Foie Gras</i>: Examining the French Cultural Exception. [Doctoral Dissertation]. The Ohio State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1282014046


University of California – Riverside

16. Inchoco, Mark Christian. The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel.

Degree: Music, 2017, University of California – Riverside

 This thesis argues that composed film music can serve a political function in the cinema. Antoine Duhamel’s film scores for Jean-Luc Godard’s films Pierrot le… (more)

Subjects/Keywords: Music history; Film studies; French literature; Film history; Film music studies; French cinema; French New Wave; Modern French history; Sound studies

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APA (6th Edition):

Inchoco, M. C. (2017). The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/4zw6k467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Inchoco, Mark Christian. “The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel.” 2017. Thesis, University of California – Riverside. Accessed October 17, 2019. http://www.escholarship.org/uc/item/4zw6k467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Inchoco, Mark Christian. “The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel.” 2017. Web. 17 Oct 2019.

Vancouver:

Inchoco MC. The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel. [Internet] [Thesis]. University of California – Riverside; 2017. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/4zw6k467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Inchoco MC. The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel. [Thesis]. University of California – Riverside; 2017. Available from: http://www.escholarship.org/uc/item/4zw6k467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

17. Hunt, Brian Bartlett. Mobile limits and the limits of mobility in French representations of urban space.

Degree: PhD, French, 2015, University of Illinois – Urbana-Champaign

 This dissertation proposes a new approach to conceptualizing the French city through a series of readings on twentieth- and twenty-first century literature, cinema and theory.… (more)

Subjects/Keywords: Twentieth Century French Literature; French Cinema; Spatial Theory; Borderlands; Urban Fictions; Urban Studies; Critical Theory

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APA (6th Edition):

Hunt, B. B. (2015). Mobile limits and the limits of mobility in French representations of urban space. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/88989

Chicago Manual of Style (16th Edition):

Hunt, Brian Bartlett. “Mobile limits and the limits of mobility in French representations of urban space.” 2015. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed October 17, 2019. http://hdl.handle.net/2142/88989.

MLA Handbook (7th Edition):

Hunt, Brian Bartlett. “Mobile limits and the limits of mobility in French representations of urban space.” 2015. Web. 17 Oct 2019.

Vancouver:

Hunt BB. Mobile limits and the limits of mobility in French representations of urban space. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2015. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2142/88989.

Council of Science Editors:

Hunt BB. Mobile limits and the limits of mobility in French representations of urban space. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/88989


University of Iowa

18. Vonderheide, Leah. Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes.

Degree: PhD, Film Studies, 2017, University of Iowa

  This dissertation engages French-language films in the 'moraliste' tradition. The French word 'moraliste' has no exact English equivalent. It does not evoke the didactic… (more)

Subjects/Keywords: French Cinema; French Literature; Montaigne; Moralism and Ethics; Postwar France; Film and Media Studies

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APA (6th Edition):

Vonderheide, L. (2017). Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/5671

Chicago Manual of Style (16th Edition):

Vonderheide, Leah. “Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes.” 2017. Doctoral Dissertation, University of Iowa. Accessed October 17, 2019. https://ir.uiowa.edu/etd/5671.

MLA Handbook (7th Edition):

Vonderheide, Leah. “Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes.” 2017. Web. 17 Oct 2019.

Vancouver:

Vonderheide L. Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes. [Internet] [Doctoral dissertation]. University of Iowa; 2017. [cited 2019 Oct 17]. Available from: https://ir.uiowa.edu/etd/5671.

Council of Science Editors:

Vonderheide L. Inner Lives: The Moral Cinema of Bresson, Rohmer, and the Dardennes. [Doctoral Dissertation]. University of Iowa; 2017. Available from: https://ir.uiowa.edu/etd/5671


University of Miami

19. Gache, Sherry L. The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema.

Degree: PhD, Interdisciplinary Studies (Graduate), 2008, University of Miami

  This dissertation is an attempt to understand how early twenty-first century French films (2000-2002) position themselves in relation to late twentieth century feminist public… (more)

Subjects/Keywords: French Feminism; Cinema; French Studies; Film

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APA (6th Edition):

Gache, S. L. (2008). The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/168

Chicago Manual of Style (16th Edition):

Gache, Sherry L. “The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema.” 2008. Doctoral Dissertation, University of Miami. Accessed October 17, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/168.

MLA Handbook (7th Edition):

Gache, Sherry L. “The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema.” 2008. Web. 17 Oct 2019.

Vancouver:

Gache SL. The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema. [Internet] [Doctoral dissertation]. University of Miami; 2008. [cited 2019 Oct 17]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/168.

Council of Science Editors:

Gache SL. The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema. [Doctoral Dissertation]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/168

20. Gris, Fabien. Images et imaginaires cinématographiques dans le récit français (de la fin des années 1970 à nos jours) : Cinematographic images and imagineries in french contemporary narrative (from to the end of the 1970’s to today).

Degree: Docteur es, Littératures française et francophone, 2012, Saint-Etienne

Le cinéma est devenu, pour la génération d’écrivains français apparue à la fin des années 1970, un véritable référent culturel, au même titre que la… (more)

Subjects/Keywords: Littérature contemporaine française; Cinéma; Cinéphilie; French modern literature; Cinema; Cinephilia

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APA (6th Edition):

Gris, F. (2012). Images et imaginaires cinématographiques dans le récit français (de la fin des années 1970 à nos jours) : Cinematographic images and imagineries in french contemporary narrative (from to the end of the 1970’s to today). (Doctoral Dissertation). Saint-Etienne. Retrieved from http://www.theses.fr/2012STET2163

Chicago Manual of Style (16th Edition):

Gris, Fabien. “Images et imaginaires cinématographiques dans le récit français (de la fin des années 1970 à nos jours) : Cinematographic images and imagineries in french contemporary narrative (from to the end of the 1970’s to today).” 2012. Doctoral Dissertation, Saint-Etienne. Accessed October 17, 2019. http://www.theses.fr/2012STET2163.

MLA Handbook (7th Edition):

Gris, Fabien. “Images et imaginaires cinématographiques dans le récit français (de la fin des années 1970 à nos jours) : Cinematographic images and imagineries in french contemporary narrative (from to the end of the 1970’s to today).” 2012. Web. 17 Oct 2019.

Vancouver:

Gris F. Images et imaginaires cinématographiques dans le récit français (de la fin des années 1970 à nos jours) : Cinematographic images and imagineries in french contemporary narrative (from to the end of the 1970’s to today). [Internet] [Doctoral dissertation]. Saint-Etienne; 2012. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2012STET2163.

Council of Science Editors:

Gris F. Images et imaginaires cinématographiques dans le récit français (de la fin des années 1970 à nos jours) : Cinematographic images and imagineries in french contemporary narrative (from to the end of the 1970’s to today). [Doctoral Dissertation]. Saint-Etienne; 2012. Available from: http://www.theses.fr/2012STET2163


University of Adelaide

21. Emerson, John James. The representation of the colonial past in French and Australian cinema, from 1970 to 2000.

Degree: 2003, University of Adelaide

 France and Australia possess such distinctive national traits that they are not habitually compared in relation to their history, identity and culture. However, their national… (more)

Subjects/Keywords: France; Australia; cinema; colonial past; Australian films; Australian cinema; French films; French cinema; landscape and cinema; indigenous Australians; French colonies

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APA (6th Edition):

Emerson, J. J. (2003). The representation of the colonial past in French and Australian cinema, from 1970 to 2000. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/42129

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Emerson, John James. “The representation of the colonial past in French and Australian cinema, from 1970 to 2000.” 2003. Thesis, University of Adelaide. Accessed October 17, 2019. http://hdl.handle.net/2440/42129.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Emerson, John James. “The representation of the colonial past in French and Australian cinema, from 1970 to 2000.” 2003. Web. 17 Oct 2019.

Vancouver:

Emerson JJ. The representation of the colonial past in French and Australian cinema, from 1970 to 2000. [Internet] [Thesis]. University of Adelaide; 2003. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2440/42129.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Emerson JJ. The representation of the colonial past in French and Australian cinema, from 1970 to 2000. [Thesis]. University of Adelaide; 2003. Available from: http://hdl.handle.net/2440/42129

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

22. Badaröh, Henri. Of Mothers and Others: Decoding Queer Discourses in the Cinema of Xavier Dolan.

Degree: 2019, Leiden University

 This thesis analyses French-Canadian filmmaker Xavier Dolan’s body of work, particularly the films Laurence Anyways (2012), Tom at the Farm (2013), and Mommy (2014). Starting… (more)

Subjects/Keywords: Queer Studies; Gender Studies; French-Canadian Cinema; Xavier Dolan; Representation; New Queer Cinema; Film Analysis; Queerness

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APA (6th Edition):

Badaröh, H. (2019). Of Mothers and Others: Decoding Queer Discourses in the Cinema of Xavier Dolan. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/68611

Chicago Manual of Style (16th Edition):

Badaröh, Henri. “Of Mothers and Others: Decoding Queer Discourses in the Cinema of Xavier Dolan.” 2019. Masters Thesis, Leiden University. Accessed October 17, 2019. http://hdl.handle.net/1887/68611.

MLA Handbook (7th Edition):

Badaröh, Henri. “Of Mothers and Others: Decoding Queer Discourses in the Cinema of Xavier Dolan.” 2019. Web. 17 Oct 2019.

Vancouver:

Badaröh H. Of Mothers and Others: Decoding Queer Discourses in the Cinema of Xavier Dolan. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1887/68611.

Council of Science Editors:

Badaröh H. Of Mothers and Others: Decoding Queer Discourses in the Cinema of Xavier Dolan. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/68611


University of Iowa

23. Kupfer, Stephanie. Female auteurs in evolution: the filmmaking of Claire Denis and Catherine Breillat.

Degree: PhD, French and Francophone World Studies, 2018, University of Iowa

  According to the latest Celluloid Ceiling Report, conducted by the Center for the Study of Women in Television and Film at San Diego State… (more)

Subjects/Keywords: Auteur; Breillat; Catherine; Denis; Claire; Feminine filmmaking; French Cinema; Women filmmakers; French and Francophone Language and Literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kupfer, S. (2018). Female auteurs in evolution: the filmmaking of Claire Denis and Catherine Breillat. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6452

Chicago Manual of Style (16th Edition):

Kupfer, Stephanie. “Female auteurs in evolution: the filmmaking of Claire Denis and Catherine Breillat.” 2018. Doctoral Dissertation, University of Iowa. Accessed October 17, 2019. https://ir.uiowa.edu/etd/6452.

MLA Handbook (7th Edition):

Kupfer, Stephanie. “Female auteurs in evolution: the filmmaking of Claire Denis and Catherine Breillat.” 2018. Web. 17 Oct 2019.

Vancouver:

Kupfer S. Female auteurs in evolution: the filmmaking of Claire Denis and Catherine Breillat. [Internet] [Doctoral dissertation]. University of Iowa; 2018. [cited 2019 Oct 17]. Available from: https://ir.uiowa.edu/etd/6452.

Council of Science Editors:

Kupfer S. Female auteurs in evolution: the filmmaking of Claire Denis and Catherine Breillat. [Doctoral Dissertation]. University of Iowa; 2018. Available from: https://ir.uiowa.edu/etd/6452


Penn State University

24. McLaughlin, Noah James. Strategies of the French War Film.

Degree: PhD, French, 2007, Penn State University

 The relationship of French national identity to its cinema is a well-established field. Yet, most studies have so far either taken a broad historical approach… (more)

Subjects/Keywords: War Film; Modern History; French; Cinema

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APA (6th Edition):

McLaughlin, N. J. (2007). Strategies of the French War Film. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/7959

Chicago Manual of Style (16th Edition):

McLaughlin, Noah James. “Strategies of the French War Film.” 2007. Doctoral Dissertation, Penn State University. Accessed October 17, 2019. https://etda.libraries.psu.edu/catalog/7959.

MLA Handbook (7th Edition):

McLaughlin, Noah James. “Strategies of the French War Film.” 2007. Web. 17 Oct 2019.

Vancouver:

McLaughlin NJ. Strategies of the French War Film. [Internet] [Doctoral dissertation]. Penn State University; 2007. [cited 2019 Oct 17]. Available from: https://etda.libraries.psu.edu/catalog/7959.

Council of Science Editors:

McLaughlin NJ. Strategies of the French War Film. [Doctoral Dissertation]. Penn State University; 2007. Available from: https://etda.libraries.psu.edu/catalog/7959


University of Tennessee – Knoxville

25. Flamenbaum, Beatrice. LA CRITIQUE DE L’ARISTOCRATIE ET DU LIBERTINAGE DANS LES ROMANS SENTIMENTAUX DES AUTEURES DE L’ÂGE CLASSIQUE AU DÉBUT DU ROMANTISME.

Degree: 2018, University of Tennessee – Knoxville

 Women’s sentimental novels, viewed as designed for “sensitive hearts,” have long been studied solely for their representations of virtue, if not for their “pathological” lack… (more)

Subjects/Keywords: French literature; libertinism; sentimental novels; gender and women's studies; gaze; theater and cinema

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APA (6th Edition):

Flamenbaum, B. (2018). LA CRITIQUE DE L’ARISTOCRATIE ET DU LIBERTINAGE DANS LES ROMANS SENTIMENTAUX DES AUTEURES DE L’ÂGE CLASSIQUE AU DÉBUT DU ROMANTISME. (Doctoral Dissertation). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_graddiss/4970

Chicago Manual of Style (16th Edition):

Flamenbaum, Beatrice. “LA CRITIQUE DE L’ARISTOCRATIE ET DU LIBERTINAGE DANS LES ROMANS SENTIMENTAUX DES AUTEURES DE L’ÂGE CLASSIQUE AU DÉBUT DU ROMANTISME.” 2018. Doctoral Dissertation, University of Tennessee – Knoxville. Accessed October 17, 2019. https://trace.tennessee.edu/utk_graddiss/4970.

MLA Handbook (7th Edition):

Flamenbaum, Beatrice. “LA CRITIQUE DE L’ARISTOCRATIE ET DU LIBERTINAGE DANS LES ROMANS SENTIMENTAUX DES AUTEURES DE L’ÂGE CLASSIQUE AU DÉBUT DU ROMANTISME.” 2018. Web. 17 Oct 2019.

Vancouver:

Flamenbaum B. LA CRITIQUE DE L’ARISTOCRATIE ET DU LIBERTINAGE DANS LES ROMANS SENTIMENTAUX DES AUTEURES DE L’ÂGE CLASSIQUE AU DÉBUT DU ROMANTISME. [Internet] [Doctoral dissertation]. University of Tennessee – Knoxville; 2018. [cited 2019 Oct 17]. Available from: https://trace.tennessee.edu/utk_graddiss/4970.

Council of Science Editors:

Flamenbaum B. LA CRITIQUE DE L’ARISTOCRATIE ET DU LIBERTINAGE DANS LES ROMANS SENTIMENTAUX DES AUTEURES DE L’ÂGE CLASSIQUE AU DÉBUT DU ROMANTISME. [Doctoral Dissertation]. University of Tennessee – Knoxville; 2018. Available from: https://trace.tennessee.edu/utk_graddiss/4970


University of South Florida

26. Jennings, Morgan J. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.

Degree: 2017, University of South Florida

 In this project, I examine the relationship between female masochism, performance, and spectatorship in Michael Haneke’s film La Pianiste (2001). The film stages a relationship… (more)

Subjects/Keywords: psychoanalysis; masochism; courtly love; feminist film theory; French cinema; Film and Media Studies

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APA (6th Edition):

Jennings, M. J. (2017). "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jennings, Morgan J. “"There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.” 2017. Thesis, University of South Florida. Accessed October 17, 2019. https://scholarcommons.usf.edu/etd/6869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jennings, Morgan J. “"There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.” 2017. Web. 17 Oct 2019.

Vancouver:

Jennings MJ. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. [Internet] [Thesis]. University of South Florida; 2017. [cited 2019 Oct 17]. Available from: https://scholarcommons.usf.edu/etd/6869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jennings MJ. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. [Thesis]. University of South Florida; 2017. Available from: https://scholarcommons.usf.edu/etd/6869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

27. Lacroix Roy, Véronique. La Grande Guerre dans le cinéma français de 1918 à 1939 : le discours d’une génération .

Degree: 2010, Université de Montréal

 Cette étude s’intéresse au discours des anciens combattants dans le cinéma français mettant en scène la Grande Guerre entre 1918 et 1939. L’objectif est de… (more)

Subjects/Keywords: Cinéma et histoire; Cinéma français; Cinéma de guerre; Histoire de la Grande Guerre; Anciens combattants; Cinema and history; French cinema; War cinema; History of world war one; War veteran

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APA (6th Edition):

Lacroix Roy, V. (2010). La Grande Guerre dans le cinéma français de 1918 à 1939 : le discours d’une génération . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lacroix Roy, Véronique. “La Grande Guerre dans le cinéma français de 1918 à 1939 : le discours d’une génération .” 2010. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/4419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lacroix Roy, Véronique. “La Grande Guerre dans le cinéma français de 1918 à 1939 : le discours d’une génération .” 2010. Web. 17 Oct 2019.

Vancouver:

Lacroix Roy V. La Grande Guerre dans le cinéma français de 1918 à 1939 : le discours d’une génération . [Internet] [Thesis]. Université de Montréal; 2010. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/4419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lacroix Roy V. La Grande Guerre dans le cinéma français de 1918 à 1939 : le discours d’une génération . [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/4419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

28. Sanogo, Aboubakar Sidiki. The history of documentary in Africa  – The Colonial era.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 This thesis seeks to write a comprehensive history of documentary film in Africa, from the beginning of the cinema until the eve of independence in… (more)

Subjects/Keywords: history; documentary; Africa; colonialism; early cinema; Lumiere brothers; nineteenth century; Berlin Conference; British colonial cinema; French colonial cinema; Pan-Africanism; World War I and II; Presence Africaine

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APA (6th Edition):

Sanogo, A. S. (2011). The history of documentary in Africa  – The Colonial era. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6760

Chicago Manual of Style (16th Edition):

Sanogo, Aboubakar Sidiki. “The history of documentary in Africa  – The Colonial era.” 2011. Doctoral Dissertation, University of Southern California. Accessed October 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6760.

MLA Handbook (7th Edition):

Sanogo, Aboubakar Sidiki. “The history of documentary in Africa  – The Colonial era.” 2011. Web. 17 Oct 2019.

Vancouver:

Sanogo AS. The history of documentary in Africa  – The Colonial era. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2019 Oct 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6760.

Council of Science Editors:

Sanogo AS. The history of documentary in Africa  – The Colonial era. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6760

29. Centorrino, Clizia. Le réel et son dépassement chez Alain Resnais et Federico Fellini : des origines aux années du rêve : The real and beyond in Alain Resnais and Federico Fellini : from origins to the years of the dream.

Degree: Docteur es, Lettres et arts spécialité Arts du spectacle -, 2018, Grenoble Alpes

Ce projet propose une étude comparée de deux cinéastes essentiels, dont l'œuvre montre un fort rapport à l'onirisme et à l'imaginaire : Alain Resnais et… (more)

Subjects/Keywords: Rêve et cinéma; Federico Fellini; Alain Resnais; Cinéma italien; Cinéma français; Dream and cinema; Federico Fellini; Alain Resnais; Italian cinema; French cinema; 791.423

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Centorrino, C. (2018). Le réel et son dépassement chez Alain Resnais et Federico Fellini : des origines aux années du rêve : The real and beyond in Alain Resnais and Federico Fellini : from origins to the years of the dream. (Doctoral Dissertation). Grenoble Alpes. Retrieved from http://www.theses.fr/2018GREAL034

Chicago Manual of Style (16th Edition):

Centorrino, Clizia. “Le réel et son dépassement chez Alain Resnais et Federico Fellini : des origines aux années du rêve : The real and beyond in Alain Resnais and Federico Fellini : from origins to the years of the dream.” 2018. Doctoral Dissertation, Grenoble Alpes. Accessed October 17, 2019. http://www.theses.fr/2018GREAL034.

MLA Handbook (7th Edition):

Centorrino, Clizia. “Le réel et son dépassement chez Alain Resnais et Federico Fellini : des origines aux années du rêve : The real and beyond in Alain Resnais and Federico Fellini : from origins to the years of the dream.” 2018. Web. 17 Oct 2019.

Vancouver:

Centorrino C. Le réel et son dépassement chez Alain Resnais et Federico Fellini : des origines aux années du rêve : The real and beyond in Alain Resnais and Federico Fellini : from origins to the years of the dream. [Internet] [Doctoral dissertation]. Grenoble Alpes; 2018. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2018GREAL034.

Council of Science Editors:

Centorrino C. Le réel et son dépassement chez Alain Resnais et Federico Fellini : des origines aux années du rêve : The real and beyond in Alain Resnais and Federico Fellini : from origins to the years of the dream. [Doctoral Dissertation]. Grenoble Alpes; 2018. Available from: http://www.theses.fr/2018GREAL034

30. Gaudenzi, Enrico. Il cinema italiano e francese sulla prima guerra mondiale : una filmografia documentata (1914-2013) : Italian and French cinema about First World War : a documented filmography (1914-2013).

Degree: Docteur es, Etudes cinématographiques, 2014, Université Paris X – Nanterre

L'objectif de ma thèse était de créer un catalogue de films de fiction relatifs à la Première Guerre mondiale produits en Italie et en France… (more)

Subjects/Keywords: Guerre mondiale (1914-1918); Cinéma italien; Cinéma français; Cinéma et guerre; Censure cinématographique; First World War (1914-1918); Italian cinema; French cinema; War and cinema; Film censorship; 790

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gaudenzi, E. (2014). Il cinema italiano e francese sulla prima guerra mondiale : una filmografia documentata (1914-2013) : Italian and French cinema about First World War : a documented filmography (1914-2013). (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2014PA100092

Chicago Manual of Style (16th Edition):

Gaudenzi, Enrico. “Il cinema italiano e francese sulla prima guerra mondiale : una filmografia documentata (1914-2013) : Italian and French cinema about First World War : a documented filmography (1914-2013).” 2014. Doctoral Dissertation, Université Paris X – Nanterre. Accessed October 17, 2019. http://www.theses.fr/2014PA100092.

MLA Handbook (7th Edition):

Gaudenzi, Enrico. “Il cinema italiano e francese sulla prima guerra mondiale : una filmografia documentata (1914-2013) : Italian and French cinema about First World War : a documented filmography (1914-2013).” 2014. Web. 17 Oct 2019.

Vancouver:

Gaudenzi E. Il cinema italiano e francese sulla prima guerra mondiale : una filmografia documentata (1914-2013) : Italian and French cinema about First World War : a documented filmography (1914-2013). [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2014. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2014PA100092.

Council of Science Editors:

Gaudenzi E. Il cinema italiano e francese sulla prima guerra mondiale : una filmografia documentata (1914-2013) : Italian and French cinema about First World War : a documented filmography (1914-2013). [Doctoral Dissertation]. Université Paris X – Nanterre; 2014. Available from: http://www.theses.fr/2014PA100092

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