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You searched for subject:(French New Wave). Showing records 1 – 11 of 11 total matches.

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Université de Montréal

1. Arpin-Simonetti, Lisandro. Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français .

Degree: 2016, Université de Montréal

 Volet cinématographique d’une révolution d’ordre social, la Nouvelle Vague a cristallisé les changements qui ont bouleversé la société européenne au début des années soixante. De… (more)

Subjects/Keywords: Nouvelle Vague; French New Wave; Postmodernité; Postmodernity; Cinéma français; French cinema

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APA (6th Edition):

Arpin-Simonetti, L. (2016). Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/16138

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arpin-Simonetti, Lisandro. “Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français .” 2016. Thesis, Université de Montréal. Accessed November 19, 2019. http://hdl.handle.net/1866/16138.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arpin-Simonetti, Lisandro. “Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français .” 2016. Web. 19 Nov 2019.

Vancouver:

Arpin-Simonetti L. Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français . [Internet] [Thesis]. Université de Montréal; 2016. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/1866/16138.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arpin-Simonetti L. Pérennité du dilettantisme néo-vaguien. Rémanence et filiations des masculinités oisives dans le cinéma français . [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/16138

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

2. Inchoco, Mark Christian. The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel.

Degree: Music, 2017, University of California – Riverside

 This thesis argues that composed film music can serve a political function in the cinema. Antoine Duhamel’s film scores for Jean-Luc Godard’s films Pierrot le… (more)

Subjects/Keywords: Music history; Film studies; French literature; Film history; Film music studies; French cinema; French New Wave; Modern French history; Sound studies

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APA (6th Edition):

Inchoco, M. C. (2017). The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/4zw6k467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Inchoco, Mark Christian. “The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel.” 2017. Thesis, University of California – Riverside. Accessed November 19, 2019. http://www.escholarship.org/uc/item/4zw6k467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Inchoco, Mark Christian. “The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel.” 2017. Web. 19 Nov 2019.

Vancouver:

Inchoco MC. The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel. [Internet] [Thesis]. University of California – Riverside; 2017. [cited 2019 Nov 19]. Available from: http://www.escholarship.org/uc/item/4zw6k467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Inchoco MC. The Sound of the Nouvelle Vague: Politics and Conflict in the Film Music of Antoine Duhamel. [Thesis]. University of California – Riverside; 2017. Available from: http://www.escholarship.org/uc/item/4zw6k467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Southern Illinois University

3. Smucker, Samuel Jay. The Baadasssss and The Avant-Garde: The Radical Aesthetics and Politics of Melvin Van Peebles.

Degree: MA, Mass Communication and Media Arts, 2019, Southern Illinois University

  Melvin Van Peebles is best known for Sweet Sweetback’s Baadasssss Song (1971) and that film’s role in inspiring the Blaxploitation cycle of films of… (more)

Subjects/Keywords: French New Wave; Lumpenproletariat; Melvin Van Peebles; Sweetback; Sweet Sweetback's Baadasssss Song; Watermelon Man

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APA (6th Edition):

Smucker, S. J. (2019). The Baadasssss and The Avant-Garde: The Radical Aesthetics and Politics of Melvin Van Peebles. (Masters Thesis). Southern Illinois University. Retrieved from https://opensiuc.lib.siu.edu/theses/2530

Chicago Manual of Style (16th Edition):

Smucker, Samuel Jay. “The Baadasssss and The Avant-Garde: The Radical Aesthetics and Politics of Melvin Van Peebles.” 2019. Masters Thesis, Southern Illinois University. Accessed November 19, 2019. https://opensiuc.lib.siu.edu/theses/2530.

MLA Handbook (7th Edition):

Smucker, Samuel Jay. “The Baadasssss and The Avant-Garde: The Radical Aesthetics and Politics of Melvin Van Peebles.” 2019. Web. 19 Nov 2019.

Vancouver:

Smucker SJ. The Baadasssss and The Avant-Garde: The Radical Aesthetics and Politics of Melvin Van Peebles. [Internet] [Masters thesis]. Southern Illinois University; 2019. [cited 2019 Nov 19]. Available from: https://opensiuc.lib.siu.edu/theses/2530.

Council of Science Editors:

Smucker SJ. The Baadasssss and The Avant-Garde: The Radical Aesthetics and Politics of Melvin Van Peebles. [Masters Thesis]. Southern Illinois University; 2019. Available from: https://opensiuc.lib.siu.edu/theses/2530

4. Knudson, Ericka. De l’amour, des femmes et de la Nouvelle Vague : reconfigurations culturelles et création d’une modernité filmique française : On love, women and the New Wave : cultural reconfigurations and creation of a french cinematic modernity.

Degree: Docteur es, Arts du spectacle : Théâtre, 2011, Université Paris X – Nanterre

Notre recherche vise l’idée et la pratique d’une modernité filmique française intimiste, de nature autobiographique, inscrite dans une tradition culturelle où la littérature est essentielle… (more)

Subjects/Keywords: Nouvelle Vague; Cinéma français; Modernité; Littérature; Amour; Gender; New Wave; French cinema; Modernity; Literature; Love; Cultural studie; 790

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APA (6th Edition):

Knudson, E. (2011). De l’amour, des femmes et de la Nouvelle Vague : reconfigurations culturelles et création d’une modernité filmique française : On love, women and the New Wave : cultural reconfigurations and creation of a french cinematic modernity. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2011PA100024

Chicago Manual of Style (16th Edition):

Knudson, Ericka. “De l’amour, des femmes et de la Nouvelle Vague : reconfigurations culturelles et création d’une modernité filmique française : On love, women and the New Wave : cultural reconfigurations and creation of a french cinematic modernity.” 2011. Doctoral Dissertation, Université Paris X – Nanterre. Accessed November 19, 2019. http://www.theses.fr/2011PA100024.

MLA Handbook (7th Edition):

Knudson, Ericka. “De l’amour, des femmes et de la Nouvelle Vague : reconfigurations culturelles et création d’une modernité filmique française : On love, women and the New Wave : cultural reconfigurations and creation of a french cinematic modernity.” 2011. Web. 19 Nov 2019.

Vancouver:

Knudson E. De l’amour, des femmes et de la Nouvelle Vague : reconfigurations culturelles et création d’une modernité filmique française : On love, women and the New Wave : cultural reconfigurations and creation of a french cinematic modernity. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2011. [cited 2019 Nov 19]. Available from: http://www.theses.fr/2011PA100024.

Council of Science Editors:

Knudson E. De l’amour, des femmes et de la Nouvelle Vague : reconfigurations culturelles et création d’une modernité filmique française : On love, women and the New Wave : cultural reconfigurations and creation of a french cinematic modernity. [Doctoral Dissertation]. Université Paris X – Nanterre; 2011. Available from: http://www.theses.fr/2011PA100024


University of California – Berkeley

5. Haynes, Jonathan Everett. The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves.

Degree: Rhetoric, 2014, University of California – Berkeley

 AbstractThe Mid-Atlantic: Fantasmatic Genealogies of the French and American New WavesbyJonathan E. HaynesDoctor of Philosophy in Film & MediaUniversity of California, BerkeleyProfessors Kaja Silverman and… (more)

Subjects/Keywords: Film studies; Literature; Art history; American Film; Auteur theory; Edgar Allan Poe; European Film & Culture; French New Wave; Jean-Luc Godard

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APA (6th Edition):

Haynes, J. E. (2014). The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/4pj965tt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haynes, Jonathan Everett. “The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves.” 2014. Thesis, University of California – Berkeley. Accessed November 19, 2019. http://www.escholarship.org/uc/item/4pj965tt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haynes, Jonathan Everett. “The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves.” 2014. Web. 19 Nov 2019.

Vancouver:

Haynes JE. The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Nov 19]. Available from: http://www.escholarship.org/uc/item/4pj965tt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haynes JE. The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/4pj965tt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Penn State University

6. Kulkarni, Amruta. Jean-Luc Godard: The Evolution of a Radical.

Degree: PhD, French, 2007, Penn State University

 This dissertation aims to study four recent films by French filmmaker Jean-Luc Godard. Although most of Godard's early work of the 60s and 70s has… (more)

Subjects/Keywords: Jean-Luc Godard; French cinema; New Wave films; Motion pictures

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APA (6th Edition):

Kulkarni, A. (2007). Jean-Luc Godard: The Evolution of a Radical. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/8058

Chicago Manual of Style (16th Edition):

Kulkarni, Amruta. “Jean-Luc Godard: The Evolution of a Radical.” 2007. Doctoral Dissertation, Penn State University. Accessed November 19, 2019. https://etda.libraries.psu.edu/catalog/8058.

MLA Handbook (7th Edition):

Kulkarni, Amruta. “Jean-Luc Godard: The Evolution of a Radical.” 2007. Web. 19 Nov 2019.

Vancouver:

Kulkarni A. Jean-Luc Godard: The Evolution of a Radical. [Internet] [Doctoral dissertation]. Penn State University; 2007. [cited 2019 Nov 19]. Available from: https://etda.libraries.psu.edu/catalog/8058.

Council of Science Editors:

Kulkarni A. Jean-Luc Godard: The Evolution of a Radical. [Doctoral Dissertation]. Penn State University; 2007. Available from: https://etda.libraries.psu.edu/catalog/8058


Columbia University

7. Astourian, Laure Maude. Outside the Metropolitan Frame: The Nouvelle Vague and the Foreign, 1954-1968.

Degree: 2016, Columbia University

 In Outside the Metropolitan Frame: The Nouvelle Vague and the Foreign, 1954-1968 I examine the significance of the Nouvelle Vague directors’ engagement with the world… (more)

Subjects/Keywords: Decolonization – French colonies; New wave films; Romance literature; Motion pictures; Godard, Jean-Luc, 1930-; Marker, Chris, 1921-2012; Resnais, Alain, 1922-2014; Rouch, Jean

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APA (6th Edition):

Astourian, L. M. (2016). Outside the Metropolitan Frame: The Nouvelle Vague and the Foreign, 1954-1968. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D80P101R

Chicago Manual of Style (16th Edition):

Astourian, Laure Maude. “Outside the Metropolitan Frame: The Nouvelle Vague and the Foreign, 1954-1968.” 2016. Doctoral Dissertation, Columbia University. Accessed November 19, 2019. https://doi.org/10.7916/D80P101R.

MLA Handbook (7th Edition):

Astourian, Laure Maude. “Outside the Metropolitan Frame: The Nouvelle Vague and the Foreign, 1954-1968.” 2016. Web. 19 Nov 2019.

Vancouver:

Astourian LM. Outside the Metropolitan Frame: The Nouvelle Vague and the Foreign, 1954-1968. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2019 Nov 19]. Available from: https://doi.org/10.7916/D80P101R.

Council of Science Editors:

Astourian LM. Outside the Metropolitan Frame: The Nouvelle Vague and the Foreign, 1954-1968. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D80P101R


Université de Montréal

8. Morneau, Étienne. Fondation du pouvoir et représentation des "histoires" : la Révolution française d'Éric Rohmer et de Jules Michelet .

Degree: 2009, Université de Montréal

Subjects/Keywords: Fait-divers; Nouvelle-Vague; Histoire-Geschichte; Révolution française; Histoire cosmopolitique; Sublime; New items; French New Wave; Histoire-Geschichte; French Revolution; Cosmopolitic history; Sublime

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APA (6th Edition):

Morneau, . (2009). Fondation du pouvoir et représentation des "histoires" : la Révolution française d'Éric Rohmer et de Jules Michelet . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/7921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morneau, Étienne. “Fondation du pouvoir et représentation des "histoires" : la Révolution française d'Éric Rohmer et de Jules Michelet .” 2009. Thesis, Université de Montréal. Accessed November 19, 2019. http://hdl.handle.net/1866/7921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morneau, Étienne. “Fondation du pouvoir et représentation des "histoires" : la Révolution française d'Éric Rohmer et de Jules Michelet .” 2009. Web. 19 Nov 2019.

Vancouver:

Morneau . Fondation du pouvoir et représentation des "histoires" : la Révolution française d'Éric Rohmer et de Jules Michelet . [Internet] [Thesis]. Université de Montréal; 2009. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/1866/7921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morneau . Fondation du pouvoir et représentation des "histoires" : la Révolution française d'Éric Rohmer et de Jules Michelet . [Thesis]. Université de Montréal; 2009. Available from: http://hdl.handle.net/1866/7921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

9. Rowlins, James. Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave.

Degree: PhD, French, 2012, University of Southern California

 This dissertation develops a comprehensive study of the influence exerted by Hollywood “genre” cinema, in particular the B-series film noir, on the French New Wave.… (more)

Subjects/Keywords: French new wave; film noir; Hollywood; political aesthetics; genre film theory; 1960s France; Jean-Luc Godard; Franç; ois Truffaut; Eric Rohmer; Agnè; s Varda; Louis Malle; Jean Rouch; Jules Dassin; Jean-Pierre Melville

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APA (6th Edition):

Rowlins, J. (2012). Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/11413/rec/1784

Chicago Manual of Style (16th Edition):

Rowlins, James. “Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 19, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/11413/rec/1784.

MLA Handbook (7th Edition):

Rowlins, James. “Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave.” 2012. Web. 19 Nov 2019.

Vancouver:

Rowlins J. Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 19]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/11413/rec/1784.

Council of Science Editors:

Rowlins J. Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/11413/rec/1784


University of Southern California

10. Lee, Nam. Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 My dissertation examines the work of French director Agnès Varda in the context of French feminism and its theory/practice of "feminine writing"(écriture féminine). By demonstrating… (more)

Subjects/Keywords: Agnè; s Varda; feminine writing; feminist cinema; auteur; French New Wave; women'; s filmmaking; textuality

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APA (6th Edition):

Lee, N. (2008). Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/192695/rec/5569

Chicago Manual of Style (16th Edition):

Lee, Nam. “Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine.” 2008. Doctoral Dissertation, University of Southern California. Accessed November 19, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/192695/rec/5569.

MLA Handbook (7th Edition):

Lee, Nam. “Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine.” 2008. Web. 19 Nov 2019.

Vancouver:

Lee N. Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2019 Nov 19]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/192695/rec/5569.

Council of Science Editors:

Lee N. Rethinking feminist cinema: Agnès Varda and filmmaking in the feminine. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/192695/rec/5569

11. Duda, Paulina. Between Auteur and Advocate: Polish Film and the Legacy of Romantic Nation Building.

Degree: PhD, Slavic Languages & Literatures, 2017, University of Michigan

 This dissertation investigates how the question of national responsibility under Communism in Polish culture interrogates the Western notion of the auteur. Whereas in the 1950s… (more)

Subjects/Keywords: Auteur theory; Polish film and literature; French New Wave; Tadeusz Konwicki and Andrzej Wajda; Romantic nation-building; Artist's role in society; Slavic Languages and Literature; Humanities

…222 Fig. 5.8: Bored group of youngsters reminiscent of the French New Wave films . . . 225… …Bazin, compared with the rather harsh criticism of the French New Wave directors, sheds 5… …95 Birth of the Auteur: French Auteur… …96 Poles on French Auteurs: Too Bourgeois… …109 Suspicious French Morality… 

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APA (6th Edition):

Duda, P. (2017). Between Auteur and Advocate: Polish Film and the Legacy of Romantic Nation Building. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/137039

Chicago Manual of Style (16th Edition):

Duda, Paulina. “Between Auteur and Advocate: Polish Film and the Legacy of Romantic Nation Building.” 2017. Doctoral Dissertation, University of Michigan. Accessed November 19, 2019. http://hdl.handle.net/2027.42/137039.

MLA Handbook (7th Edition):

Duda, Paulina. “Between Auteur and Advocate: Polish Film and the Legacy of Romantic Nation Building.” 2017. Web. 19 Nov 2019.

Vancouver:

Duda P. Between Auteur and Advocate: Polish Film and the Legacy of Romantic Nation Building. [Internet] [Doctoral dissertation]. University of Michigan; 2017. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/2027.42/137039.

Council of Science Editors:

Duda P. Between Auteur and Advocate: Polish Film and the Legacy of Romantic Nation Building. [Doctoral Dissertation]. University of Michigan; 2017. Available from: http://hdl.handle.net/2027.42/137039

.