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You searched for subject:(French Harpsichord music). Showing records 1 – 4 of 4 total matches.

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University of Queensland

1. Stranger, Sarah. Capturing the Spirit of the French Clavecin School: Interpreting Couperin’s Pièces de Clavecin, vingt-cinquième ordre and Ravel’s Le Tombeau de Couperin.

Degree: School of Music, 2016, University of Queensland

 This critical commentary reports on a Performance-led research project which formed part of a Master of Philosophy in Music Performance (piano). The project involved the… (more)

Subjects/Keywords: french clavecin school; performance practice; harpsichord; françois couperin; maurice ravel; 1904 Performing Arts and Creative Writing; 190407 Music Performance; 190409 Musicology and Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stranger, S. (2016). Capturing the Spirit of the French Clavecin School: Interpreting Couperin’s Pièces de Clavecin, vingt-cinquième ordre and Ravel’s Le Tombeau de Couperin. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:386381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stranger, Sarah. “Capturing the Spirit of the French Clavecin School: Interpreting Couperin’s Pièces de Clavecin, vingt-cinquième ordre and Ravel’s Le Tombeau de Couperin.” 2016. Thesis, University of Queensland. Accessed August 21, 2019. http://espace.library.uq.edu.au/view/UQ:386381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stranger, Sarah. “Capturing the Spirit of the French Clavecin School: Interpreting Couperin’s Pièces de Clavecin, vingt-cinquième ordre and Ravel’s Le Tombeau de Couperin.” 2016. Web. 21 Aug 2019.

Vancouver:

Stranger S. Capturing the Spirit of the French Clavecin School: Interpreting Couperin’s Pièces de Clavecin, vingt-cinquième ordre and Ravel’s Le Tombeau de Couperin. [Internet] [Thesis]. University of Queensland; 2016. [cited 2019 Aug 21]. Available from: http://espace.library.uq.edu.au/view/UQ:386381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stranger S. Capturing the Spirit of the French Clavecin School: Interpreting Couperin’s Pièces de Clavecin, vingt-cinquième ordre and Ravel’s Le Tombeau de Couperin. [Thesis]. University of Queensland; 2016. Available from: http://espace.library.uq.edu.au/view/UQ:386381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

2. Ong, Nga-Hean. French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture.

Degree: PhD, Music, 2009, Washington University in St. Louis

French accompanied keyboard music published between the late 1730s and early 1760s generally contains a written-out keyboard part with one or more accompanying instruments. In… (more)

Subjects/Keywords: Music; accompanied music; French harpsichord music; goûts réunis; la belle nature; Mondonville; Rameau

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ong, N. (2009). French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture. (Doctoral Dissertation). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/etd/267

Chicago Manual of Style (16th Edition):

Ong, Nga-Hean. “French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture.” 2009. Doctoral Dissertation, Washington University in St. Louis. Accessed August 21, 2019. https://openscholarship.wustl.edu/etd/267.

MLA Handbook (7th Edition):

Ong, Nga-Hean. “French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture.” 2009. Web. 21 Aug 2019.

Vancouver:

Ong N. French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture. [Internet] [Doctoral dissertation]. Washington University in St. Louis; 2009. [cited 2019 Aug 21]. Available from: https://openscholarship.wustl.edu/etd/267.

Council of Science Editors:

Ong N. French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture. [Doctoral Dissertation]. Washington University in St. Louis; 2009. Available from: https://openscholarship.wustl.edu/etd/267


NSYSU

3. Wang, Hsin-i. A study of François Couperinâs âLâart de toucher le clavecinâ.

Degree: Master, Music, 2007, NSYSU

 At the end of nineteenth century, as a result of the revival of the early music, harpsichord, the most important instrument in the Baroque period,… (more)

Subjects/Keywords: Franç; ois Couperin; treatise; âLâart de toucher le clavecinâ; French Harpsichord music; performance practice; Baroque period

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, H. (2007). A study of François Couperinâs âLâart de toucher le clavecinâ. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0211107-210942

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Hsin-i. “A study of François Couperinâs âLâart de toucher le clavecinâ.” 2007. Thesis, NSYSU. Accessed August 21, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0211107-210942.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Hsin-i. “A study of François Couperinâs âLâart de toucher le clavecinâ.” 2007. Web. 21 Aug 2019.

Vancouver:

Wang H. A study of François Couperinâs âLâart de toucher le clavecinâ. [Internet] [Thesis]. NSYSU; 2007. [cited 2019 Aug 21]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0211107-210942.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang H. A study of François Couperinâs âLâart de toucher le clavecinâ. [Thesis]. NSYSU; 2007. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0211107-210942

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Mathis, Thierry. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.

Degree: Docteur es, Musicologie, 2013, Université de Strasbourg

La musique française pour clavecin des XVIIe et XVIIIe siècles est-elle jouée de nos jours telle qu’elle devrait l’être ? De quelles sources disposent musicologues… (more)

Subjects/Keywords: Clavecin; Organologie; Interprétation; Esthétique musicale des XVIIe et XVIIIe siècles; Agrémentation et ornementation; Doigtés français anciens de clavecin; Musique baroque; Histoire de la musique; XVIIe siècle; XVIIIe siècle; Épinette; Instruments historiques à claviers; Harpsichord; Organology; Interpretation; Aesthetics of music of the 17th and 18th centuries; Music embellishments; Historical french keyboardfingerings; Baroque music; Music history; 17th century; 18th century; Spinett; Historical keyboard instruments; 786.4; 781

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mathis, T. (2013). Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2013STRAC011

Chicago Manual of Style (16th Edition):

Mathis, Thierry. “Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.” 2013. Doctoral Dissertation, Université de Strasbourg. Accessed August 21, 2019. http://www.theses.fr/2013STRAC011.

MLA Handbook (7th Edition):

Mathis, Thierry. “Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.” 2013. Web. 21 Aug 2019.

Vancouver:

Mathis T. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2013. [cited 2019 Aug 21]. Available from: http://www.theses.fr/2013STRAC011.

Council of Science Editors:

Mathis T. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. [Doctoral Dissertation]. Université de Strasbourg; 2013. Available from: http://www.theses.fr/2013STRAC011

.