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You searched for subject:(France Nineteenth Century). Showing records 1 – 30 of 51 total matches.

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University of Illinois – Urbana-Champaign

1. Grant, Jennifer. Maisons de presse, Maisons de passe: Prostitution in the Parisian Literary Market, 1830 - 1923.

Degree: PhD, French, 2016, University of Illinois – Urbana-Champaign

Nineteenth-century French novels are replete with prostitutes. These fictionalized versions of Paris’ real population of venal women and men usually possess an exceptional spirit; yet… (more)

Subjects/Keywords: French literature; Nineteenth-century France; Nineteenth-century literature; Prostitution; Publication; Literary marketplace

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APA (6th Edition):

Grant, J. (2016). Maisons de presse, Maisons de passe: Prostitution in the Parisian Literary Market, 1830 - 1923. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/90947

Chicago Manual of Style (16th Edition):

Grant, Jennifer. “Maisons de presse, Maisons de passe: Prostitution in the Parisian Literary Market, 1830 - 1923.” 2016. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed April 19, 2019. http://hdl.handle.net/2142/90947.

MLA Handbook (7th Edition):

Grant, Jennifer. “Maisons de presse, Maisons de passe: Prostitution in the Parisian Literary Market, 1830 - 1923.” 2016. Web. 19 Apr 2019.

Vancouver:

Grant J. Maisons de presse, Maisons de passe: Prostitution in the Parisian Literary Market, 1830 - 1923. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2016. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/2142/90947.

Council of Science Editors:

Grant J. Maisons de presse, Maisons de passe: Prostitution in the Parisian Literary Market, 1830 - 1923. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2016. Available from: http://hdl.handle.net/2142/90947


Temple University

2. Lehman, Erin Lizabeth. ART AND THE SPORTSMAN, SPORTING ART AND THE MAN: GUSTAVE CAILLEBOTTE AND THE LATE NINETEENTH-CENTURY MALE BODY.

Degree: PhD, 2014, Temple University

Art History

This dissertation focuses primarily on the Impressionist artist Gustave Caillebotte's paintings of rowers on the Yerres River outside Paris, created in the late… (more)

Subjects/Keywords: Art history;

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APA (6th Edition):

Lehman, E. L. (2014). ART AND THE SPORTSMAN, SPORTING ART AND THE MAN: GUSTAVE CAILLEBOTTE AND THE LATE NINETEENTH-CENTURY MALE BODY. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,288857

Chicago Manual of Style (16th Edition):

Lehman, Erin Lizabeth. “ART AND THE SPORTSMAN, SPORTING ART AND THE MAN: GUSTAVE CAILLEBOTTE AND THE LATE NINETEENTH-CENTURY MALE BODY.” 2014. Doctoral Dissertation, Temple University. Accessed April 19, 2019. http://digital.library.temple.edu/u?/p245801coll10,288857.

MLA Handbook (7th Edition):

Lehman, Erin Lizabeth. “ART AND THE SPORTSMAN, SPORTING ART AND THE MAN: GUSTAVE CAILLEBOTTE AND THE LATE NINETEENTH-CENTURY MALE BODY.” 2014. Web. 19 Apr 2019.

Vancouver:

Lehman EL. ART AND THE SPORTSMAN, SPORTING ART AND THE MAN: GUSTAVE CAILLEBOTTE AND THE LATE NINETEENTH-CENTURY MALE BODY. [Internet] [Doctoral dissertation]. Temple University; 2014. [cited 2019 Apr 19]. Available from: http://digital.library.temple.edu/u?/p245801coll10,288857.

Council of Science Editors:

Lehman EL. ART AND THE SPORTSMAN, SPORTING ART AND THE MAN: GUSTAVE CAILLEBOTTE AND THE LATE NINETEENTH-CENTURY MALE BODY. [Doctoral Dissertation]. Temple University; 2014. Available from: http://digital.library.temple.edu/u?/p245801coll10,288857


Penn State University

3. Emmer, Janalee. AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE.

Degree: PhD, Art History, 2009, Penn State University

 My dissertation presents an in-depth analysis of self-portraits produced by women artists in the latter half of nineteenth-century France. While many women artists of the… (more)

Subjects/Keywords: Nineteenth-century France; Women artists; Self-portraiture; Female Identity

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APA (6th Edition):

Emmer, J. (2009). AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/10298

Chicago Manual of Style (16th Edition):

Emmer, Janalee. “AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE.” 2009. Doctoral Dissertation, Penn State University. Accessed April 19, 2019. https://etda.libraries.psu.edu/catalog/10298.

MLA Handbook (7th Edition):

Emmer, Janalee. “AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE.” 2009. Web. 19 Apr 2019.

Vancouver:

Emmer J. AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE. [Internet] [Doctoral dissertation]. Penn State University; 2009. [cited 2019 Apr 19]. Available from: https://etda.libraries.psu.edu/catalog/10298.

Council of Science Editors:

Emmer J. AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE. [Doctoral Dissertation]. Penn State University; 2009. Available from: https://etda.libraries.psu.edu/catalog/10298


Eastern Michigan University

4. Christmas, Andrea. Masculinity in the nineteenth-century Paris opéra ballet.

Degree: MA, History and Philosophy, 2013, Eastern Michigan University

 Beginning in the first half of the nineteenth century, ballerinas overtook male dancers on the stage of the Paris Opéra Ballet and in critical writings… (more)

Subjects/Keywords: Sex; masculinity; France Nineteenth-Century; Opera de Paris; Ballet; European History

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APA (6th Edition):

Christmas, A. (2013). Masculinity in the nineteenth-century Paris opéra ballet. (Thesis). Eastern Michigan University. Retrieved from http://commons.emich.edu/theses/487

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Christmas, Andrea. “Masculinity in the nineteenth-century Paris opéra ballet.” 2013. Thesis, Eastern Michigan University. Accessed April 19, 2019. http://commons.emich.edu/theses/487.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Christmas, Andrea. “Masculinity in the nineteenth-century Paris opéra ballet.” 2013. Web. 19 Apr 2019.

Vancouver:

Christmas A. Masculinity in the nineteenth-century Paris opéra ballet. [Internet] [Thesis]. Eastern Michigan University; 2013. [cited 2019 Apr 19]. Available from: http://commons.emich.edu/theses/487.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Christmas A. Masculinity in the nineteenth-century Paris opéra ballet. [Thesis]. Eastern Michigan University; 2013. Available from: http://commons.emich.edu/theses/487

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

5. Onge, Ruth-Ellen St. Printed in Perfect Harmony: Publishers of Poetry in France, 1851-1900.

Degree: 2014, University of Toronto

In the second half of the nineteenth century in France, there emerged a series of publishers who were intimately tied to the genre of poetry… (more)

Subjects/Keywords: book history; poetry; publishing history; publishers; France; nineteenth century; 0313; 0582

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APA (6th Edition):

Onge, R. S. (2014). Printed in Perfect Harmony: Publishers of Poetry in France, 1851-1900. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/71815

Chicago Manual of Style (16th Edition):

Onge, Ruth-Ellen St. “Printed in Perfect Harmony: Publishers of Poetry in France, 1851-1900.” 2014. Doctoral Dissertation, University of Toronto. Accessed April 19, 2019. http://hdl.handle.net/1807/71815.

MLA Handbook (7th Edition):

Onge, Ruth-Ellen St. “Printed in Perfect Harmony: Publishers of Poetry in France, 1851-1900.” 2014. Web. 19 Apr 2019.

Vancouver:

Onge RS. Printed in Perfect Harmony: Publishers of Poetry in France, 1851-1900. [Internet] [Doctoral dissertation]. University of Toronto; 2014. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/1807/71815.

Council of Science Editors:

Onge RS. Printed in Perfect Harmony: Publishers of Poetry in France, 1851-1900. [Doctoral Dissertation]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/71815


University of Wisconsin – Milwaukee

6. Miller, Randolph A. A New Brand of Men: Masculinity in French Republican Socialist Rhetoric.

Degree: PhD, History, 2018, University of Wisconsin – Milwaukee

  Social theorist and activist, August Blanqui, used his appearance before court in 1832 to lay out an argument that condemned the present political and… (more)

Subjects/Keywords: France; Gender; Masculinity; nineteenth century; Socialism; European History

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APA (6th Edition):

Miller, R. A. (2018). A New Brand of Men: Masculinity in French Republican Socialist Rhetoric. (Doctoral Dissertation). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/2000

Chicago Manual of Style (16th Edition):

Miller, Randolph A. “A New Brand of Men: Masculinity in French Republican Socialist Rhetoric.” 2018. Doctoral Dissertation, University of Wisconsin – Milwaukee. Accessed April 19, 2019. https://dc.uwm.edu/etd/2000.

MLA Handbook (7th Edition):

Miller, Randolph A. “A New Brand of Men: Masculinity in French Republican Socialist Rhetoric.” 2018. Web. 19 Apr 2019.

Vancouver:

Miller RA. A New Brand of Men: Masculinity in French Republican Socialist Rhetoric. [Internet] [Doctoral dissertation]. University of Wisconsin – Milwaukee; 2018. [cited 2019 Apr 19]. Available from: https://dc.uwm.edu/etd/2000.

Council of Science Editors:

Miller RA. A New Brand of Men: Masculinity in French Republican Socialist Rhetoric. [Doctoral Dissertation]. University of Wisconsin – Milwaukee; 2018. Available from: https://dc.uwm.edu/etd/2000


Boston University

7. Yost, Matthew Joshua. Illusive spaces: women and the cliché of the natural in Émile Zola and Guy de Maupassant.

Degree: PhD, French Language & Literatures, 2017, Boston University

 One of the more pervasive clichés regarding women in late nineteenth-century French literature is the commonplace that treats social spaces as metaphors for the women… (more)

Subjects/Keywords: Literature; Émile Zola; France; Gardens; Gender; Guy de Maupassant; Nineteenth century

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APA (6th Edition):

Yost, M. J. (2017). Illusive spaces: women and the cliché of the natural in Émile Zola and Guy de Maupassant. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/27358

Chicago Manual of Style (16th Edition):

Yost, Matthew Joshua. “Illusive spaces: women and the cliché of the natural in Émile Zola and Guy de Maupassant.” 2017. Doctoral Dissertation, Boston University. Accessed April 19, 2019. http://hdl.handle.net/2144/27358.

MLA Handbook (7th Edition):

Yost, Matthew Joshua. “Illusive spaces: women and the cliché of the natural in Émile Zola and Guy de Maupassant.” 2017. Web. 19 Apr 2019.

Vancouver:

Yost MJ. Illusive spaces: women and the cliché of the natural in Émile Zola and Guy de Maupassant. [Internet] [Doctoral dissertation]. Boston University; 2017. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/2144/27358.

Council of Science Editors:

Yost MJ. Illusive spaces: women and the cliché of the natural in Émile Zola and Guy de Maupassant. [Doctoral Dissertation]. Boston University; 2017. Available from: http://hdl.handle.net/2144/27358


University of Cambridge

8. Sugden, Rebecca Ann. Conspiracy in Balzac and Sand's July Monarchy Fiction .

Degree: 2019, University of Cambridge

 This thesis explores the representation of conspiracy in the literature of the July Monarchy (1830–1848) and its engagement with conspiracy thinking, with particular reference to… (more)

Subjects/Keywords: conspiracy; conspiracy theory; French literature; nineteenth-century France; Balzac; George Sand; realism; idealism; French history; nineteenth-century novel; literary history

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APA (6th Edition):

Sugden, R. A. (2019). Conspiracy in Balzac and Sand's July Monarchy Fiction . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/289912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sugden, Rebecca Ann. “Conspiracy in Balzac and Sand's July Monarchy Fiction .” 2019. Thesis, University of Cambridge. Accessed April 19, 2019. https://www.repository.cam.ac.uk/handle/1810/289912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sugden, Rebecca Ann. “Conspiracy in Balzac and Sand's July Monarchy Fiction .” 2019. Web. 19 Apr 2019.

Vancouver:

Sugden RA. Conspiracy in Balzac and Sand's July Monarchy Fiction . [Internet] [Thesis]. University of Cambridge; 2019. [cited 2019 Apr 19]. Available from: https://www.repository.cam.ac.uk/handle/1810/289912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sugden RA. Conspiracy in Balzac and Sand's July Monarchy Fiction . [Thesis]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/289912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

9. Docter, K. Cruel murderers, dangerous fanatics or exotic strangers: The representation of Muslims and Islam in the French and Dutch press in the late nineteenth century.

Degree: 2011, Universiteit Utrecht

 At the eve of the twentieth century, curiosity for the Islamic world flourished in Western Europe. According to Edward Said, the contemporary image of the… (more)

Subjects/Keywords: Geowetenschappen; Orientalism, Islam, Muslims, colonialism, imperialism, representation, newspapers, nineteenth century, France, Netherlands

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APA (6th Edition):

Docter, K. (2011). Cruel murderers, dangerous fanatics or exotic strangers: The representation of Muslims and Islam in the French and Dutch press in the late nineteenth century. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/205910

Chicago Manual of Style (16th Edition):

Docter, K. “Cruel murderers, dangerous fanatics or exotic strangers: The representation of Muslims and Islam in the French and Dutch press in the late nineteenth century.” 2011. Masters Thesis, Universiteit Utrecht. Accessed April 19, 2019. http://dspace.library.uu.nl:8080/handle/1874/205910.

MLA Handbook (7th Edition):

Docter, K. “Cruel murderers, dangerous fanatics or exotic strangers: The representation of Muslims and Islam in the French and Dutch press in the late nineteenth century.” 2011. Web. 19 Apr 2019.

Vancouver:

Docter K. Cruel murderers, dangerous fanatics or exotic strangers: The representation of Muslims and Islam in the French and Dutch press in the late nineteenth century. [Internet] [Masters thesis]. Universiteit Utrecht; 2011. [cited 2019 Apr 19]. Available from: http://dspace.library.uu.nl:8080/handle/1874/205910.

Council of Science Editors:

Docter K. Cruel murderers, dangerous fanatics or exotic strangers: The representation of Muslims and Islam in the French and Dutch press in the late nineteenth century. [Masters Thesis]. Universiteit Utrecht; 2011. Available from: http://dspace.library.uu.nl:8080/handle/1874/205910


Penn State University

10. Brookes, Nanci Christine. Translating Russia for the French Imagination, 1856-1894.

Degree: PhD, French, 2004, Penn State University

 Franco-Russian relations in the nineteenth century have been the subject of many studies on both sides of the Atlantic. Though the periods surrounding Napoleon’s invasion… (more)

Subjects/Keywords: France; Nineteenth Century; Franco-Russian relations

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APA (6th Edition):

Brookes, N. C. (2004). Translating Russia for the French Imagination, 1856-1894. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/6431

Chicago Manual of Style (16th Edition):

Brookes, Nanci Christine. “Translating Russia for the French Imagination, 1856-1894.” 2004. Doctoral Dissertation, Penn State University. Accessed April 19, 2019. https://etda.libraries.psu.edu/catalog/6431.

MLA Handbook (7th Edition):

Brookes, Nanci Christine. “Translating Russia for the French Imagination, 1856-1894.” 2004. Web. 19 Apr 2019.

Vancouver:

Brookes NC. Translating Russia for the French Imagination, 1856-1894. [Internet] [Doctoral dissertation]. Penn State University; 2004. [cited 2019 Apr 19]. Available from: https://etda.libraries.psu.edu/catalog/6431.

Council of Science Editors:

Brookes NC. Translating Russia for the French Imagination, 1856-1894. [Doctoral Dissertation]. Penn State University; 2004. Available from: https://etda.libraries.psu.edu/catalog/6431


Wilfrid Laurier University

11. Gardonyi, Natasha A. BAS BLEUS, DIVORCEUSES, DECEITFUL PROSTITUTES OR “LIVE ALLEGORIES” OF CHANGE? PARISIAN WORKING-CLASS WOMEN AND THE REVOLUTION OF 1848.

Degree: 2018, Wilfrid Laurier University

 This thesis acts as both a history of the roles that Parisian working-class women played as writers, society members and insurgents during the revolutionary year… (more)

Subjects/Keywords: Nineteenth century; Representations; History; Paris; France; Gender; Cultural History; European History; Social History; Women's History

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APA (6th Edition):

Gardonyi, N. A. (2018). BAS BLEUS, DIVORCEUSES, DECEITFUL PROSTITUTES OR “LIVE ALLEGORIES” OF CHANGE? PARISIAN WORKING-CLASS WOMEN AND THE REVOLUTION OF 1848. (Thesis). Wilfrid Laurier University. Retrieved from https://scholars.wlu.ca/etd/2087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gardonyi, Natasha A. “BAS BLEUS, DIVORCEUSES, DECEITFUL PROSTITUTES OR “LIVE ALLEGORIES” OF CHANGE? PARISIAN WORKING-CLASS WOMEN AND THE REVOLUTION OF 1848.” 2018. Thesis, Wilfrid Laurier University. Accessed April 19, 2019. https://scholars.wlu.ca/etd/2087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gardonyi, Natasha A. “BAS BLEUS, DIVORCEUSES, DECEITFUL PROSTITUTES OR “LIVE ALLEGORIES” OF CHANGE? PARISIAN WORKING-CLASS WOMEN AND THE REVOLUTION OF 1848.” 2018. Web. 19 Apr 2019.

Vancouver:

Gardonyi NA. BAS BLEUS, DIVORCEUSES, DECEITFUL PROSTITUTES OR “LIVE ALLEGORIES” OF CHANGE? PARISIAN WORKING-CLASS WOMEN AND THE REVOLUTION OF 1848. [Internet] [Thesis]. Wilfrid Laurier University; 2018. [cited 2019 Apr 19]. Available from: https://scholars.wlu.ca/etd/2087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gardonyi NA. BAS BLEUS, DIVORCEUSES, DECEITFUL PROSTITUTES OR “LIVE ALLEGORIES” OF CHANGE? PARISIAN WORKING-CLASS WOMEN AND THE REVOLUTION OF 1848. [Thesis]. Wilfrid Laurier University; 2018. Available from: https://scholars.wlu.ca/etd/2087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

12. Saarinen, Iida Maria. Making Roman Catholic priests in the nineteenth century : a prosopographical study of Scottish Mission's France-trained students and seminarian social identities, 1818-1878.

Degree: PhD, 2017, University of Edinburgh

 In the nineteenth century, Scottish Catholic priests were not simply trained; they were made. Preferably selected and intensely trained since boyhood, seminarians – prieststo- be… (more)

Subjects/Keywords: 282; Scottish; Catholic; priesthood; seminarian; prosopography; group biography; identity; nineteenth-century; education; seminary; France

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APA (6th Edition):

Saarinen, I. M. (2017). Making Roman Catholic priests in the nineteenth century : a prosopographical study of Scottish Mission's France-trained students and seminarian social identities, 1818-1878. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/22987

Chicago Manual of Style (16th Edition):

Saarinen, Iida Maria. “Making Roman Catholic priests in the nineteenth century : a prosopographical study of Scottish Mission's France-trained students and seminarian social identities, 1818-1878.” 2017. Doctoral Dissertation, University of Edinburgh. Accessed April 19, 2019. http://hdl.handle.net/1842/22987.

MLA Handbook (7th Edition):

Saarinen, Iida Maria. “Making Roman Catholic priests in the nineteenth century : a prosopographical study of Scottish Mission's France-trained students and seminarian social identities, 1818-1878.” 2017. Web. 19 Apr 2019.

Vancouver:

Saarinen IM. Making Roman Catholic priests in the nineteenth century : a prosopographical study of Scottish Mission's France-trained students and seminarian social identities, 1818-1878. [Internet] [Doctoral dissertation]. University of Edinburgh; 2017. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/1842/22987.

Council of Science Editors:

Saarinen IM. Making Roman Catholic priests in the nineteenth century : a prosopographical study of Scottish Mission's France-trained students and seminarian social identities, 1818-1878. [Doctoral Dissertation]. University of Edinburgh; 2017. Available from: http://hdl.handle.net/1842/22987


University of Illinois – Urbana-Champaign

13. May, Michele A. The Republic and its children: French children's literature, 1855-1900.

Degree: PhD, 0342, 2011, University of Illinois – Urbana-Champaign

 This is a study of the unique evolution of French children???s literature during the second half of the nineteenth century. Within the turbulence of the… (more)

Subjects/Keywords: children's literature; nineteenth-century France; French republicanism; republican political culture; French Third Republic; Second Empire

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APA (6th Edition):

May, M. A. (2011). The Republic and its children: French children's literature, 1855-1900. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18379

Chicago Manual of Style (16th Edition):

May, Michele A. “The Republic and its children: French children's literature, 1855-1900.” 2011. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed April 19, 2019. http://hdl.handle.net/2142/18379.

MLA Handbook (7th Edition):

May, Michele A. “The Republic and its children: French children's literature, 1855-1900.” 2011. Web. 19 Apr 2019.

Vancouver:

May MA. The Republic and its children: French children's literature, 1855-1900. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/2142/18379.

Council of Science Editors:

May MA. The Republic and its children: French children's literature, 1855-1900. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18379


University of Michigan

14. Johnson, Monique L. An Insistent Subject: The Countess de Castiglione Facing the Lens.

Degree: PhD, History of Art, 2014, University of Michigan

 An Italian aristocrat renowned for her spectacular beauty, the Countess de Castiglione (1837-1899) arrived in Paris in 1855 and became a short-lived star in Napoleon… (more)

Subjects/Keywords: Photography; Portraiture; Law; Authorship; Countess De Castiglione; Nineteenth-Century France; Art History; Arts

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APA (6th Edition):

Johnson, M. L. (2014). An Insistent Subject: The Countess de Castiglione Facing the Lens. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/109043

Chicago Manual of Style (16th Edition):

Johnson, Monique L. “An Insistent Subject: The Countess de Castiglione Facing the Lens.” 2014. Doctoral Dissertation, University of Michigan. Accessed April 19, 2019. http://hdl.handle.net/2027.42/109043.

MLA Handbook (7th Edition):

Johnson, Monique L. “An Insistent Subject: The Countess de Castiglione Facing the Lens.” 2014. Web. 19 Apr 2019.

Vancouver:

Johnson ML. An Insistent Subject: The Countess de Castiglione Facing the Lens. [Internet] [Doctoral dissertation]. University of Michigan; 2014. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/2027.42/109043.

Council of Science Editors:

Johnson ML. An Insistent Subject: The Countess de Castiglione Facing the Lens. [Doctoral Dissertation]. University of Michigan; 2014. Available from: http://hdl.handle.net/2027.42/109043


Université Paris-Sorbonne – Paris IV

15. Minervini, Fausto. Photographie et peinture entre Italie et France dans la seconde moitié du XIXème siècle : production, édition et dynamiques de marché : Photography and painting between Italy and France in the second part of Nineteenth century : production, edition and market dynamics.

Degree: Docteur es, Histoire de l'art, 2016, Université Paris-Sorbonne – Paris IV

Dans la seconde moitié du XIXème siècle, comme dans les autres arts visuels, la France, et plus particulièrement Paris, a été une référence fondamentale quant… (more)

Subjects/Keywords: Photographie; Peinture; XIXe siècle; Ottocento; Italie; France; Edition; Marché; Photography; Painting; Nineteenth century; France; Italy; Ottocento; Edition; Market

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APA (6th Edition):

Minervini, F. (2016). Photographie et peinture entre Italie et France dans la seconde moitié du XIXème siècle : production, édition et dynamiques de marché : Photography and painting between Italy and France in the second part of Nineteenth century : production, edition and market dynamics. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040065

Chicago Manual of Style (16th Edition):

Minervini, Fausto. “Photographie et peinture entre Italie et France dans la seconde moitié du XIXème siècle : production, édition et dynamiques de marché : Photography and painting between Italy and France in the second part of Nineteenth century : production, edition and market dynamics.” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 19, 2019. http://www.theses.fr/2016PA040065.

MLA Handbook (7th Edition):

Minervini, Fausto. “Photographie et peinture entre Italie et France dans la seconde moitié du XIXème siècle : production, édition et dynamiques de marché : Photography and painting between Italy and France in the second part of Nineteenth century : production, edition and market dynamics.” 2016. Web. 19 Apr 2019.

Vancouver:

Minervini F. Photographie et peinture entre Italie et France dans la seconde moitié du XIXème siècle : production, édition et dynamiques de marché : Photography and painting between Italy and France in the second part of Nineteenth century : production, edition and market dynamics. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2019 Apr 19]. Available from: http://www.theses.fr/2016PA040065.

Council of Science Editors:

Minervini F. Photographie et peinture entre Italie et France dans la seconde moitié du XIXème siècle : production, édition et dynamiques de marché : Photography and painting between Italy and France in the second part of Nineteenth century : production, edition and market dynamics. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040065


Université Paris-Sorbonne – Paris IV

16. Simon, Clélia. Style, culture et société. La sculpture religieuse en France de la Restauration à la fin du Second Empire (1820-1870) : Style, culture and society. Religious sculpture in France from the Restauration to the end of the Second Empire (1820-1870).

Degree: Docteur es, Histoire de l'art, 2011, Université Paris-Sorbonne – Paris IV

Entre 1820 et 1870, l’État et les villes françaises mettent en œuvre, à grands renforts budgétaires, une commande massive destinée à pourvoir les lieux de… (more)

Subjects/Keywords: Sculpture religieuse; XIXe siècle; France; Style; Culture; Société; Iconographie; Eclectisme et historicisme; Religious Sculpture; Nineteenth century; France

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APA (6th Edition):

Simon, C. (2011). Style, culture et société. La sculpture religieuse en France de la Restauration à la fin du Second Empire (1820-1870) : Style, culture and society. Religious sculpture in France from the Restauration to the end of the Second Empire (1820-1870). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040206

Chicago Manual of Style (16th Edition):

Simon, Clélia. “Style, culture et société. La sculpture religieuse en France de la Restauration à la fin du Second Empire (1820-1870) : Style, culture and society. Religious sculpture in France from the Restauration to the end of the Second Empire (1820-1870).” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 19, 2019. http://www.theses.fr/2011PA040206.

MLA Handbook (7th Edition):

Simon, Clélia. “Style, culture et société. La sculpture religieuse en France de la Restauration à la fin du Second Empire (1820-1870) : Style, culture and society. Religious sculpture in France from the Restauration to the end of the Second Empire (1820-1870).” 2011. Web. 19 Apr 2019.

Vancouver:

Simon C. Style, culture et société. La sculpture religieuse en France de la Restauration à la fin du Second Empire (1820-1870) : Style, culture and society. Religious sculpture in France from the Restauration to the end of the Second Empire (1820-1870). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2019 Apr 19]. Available from: http://www.theses.fr/2011PA040206.

Council of Science Editors:

Simon C. Style, culture et société. La sculpture religieuse en France de la Restauration à la fin du Second Empire (1820-1870) : Style, culture and society. Religious sculpture in France from the Restauration to the end of the Second Empire (1820-1870). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040206

17. Ben Jemâa, Hadhami. L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre. : The invention of the French Renaissance architecture in nineteenth century's historiography : the sight of Leon Palustre.

Degree: Docteur es, Histoire de l'Art moderne, 2013, Université François-Rabelais de Tours

La littérature artistique française du XIXe siècle est bipolaire dans sa représentation de l’introduction de l’italianisme en France. Entre décadence du génie français et célébration… (more)

Subjects/Keywords: Architecture; Renaissance; Historiographie; XIXe siècle; France; Révisionnisme; Patrimoine; Attributionnisme; Architecture; Renaissance; Historiography; Nineteenth century; France; Revisionism; Patrimony; Attributionnism

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APA (6th Edition):

Ben Jemâa, H. (2013). L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre. : The invention of the French Renaissance architecture in nineteenth century's historiography : the sight of Leon Palustre. (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2013TOUR2025

Chicago Manual of Style (16th Edition):

Ben Jemâa, Hadhami. “L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre. : The invention of the French Renaissance architecture in nineteenth century's historiography : the sight of Leon Palustre.” 2013. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed April 19, 2019. http://www.theses.fr/2013TOUR2025.

MLA Handbook (7th Edition):

Ben Jemâa, Hadhami. “L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre. : The invention of the French Renaissance architecture in nineteenth century's historiography : the sight of Leon Palustre.” 2013. Web. 19 Apr 2019.

Vancouver:

Ben Jemâa H. L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre. : The invention of the French Renaissance architecture in nineteenth century's historiography : the sight of Leon Palustre. [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2013. [cited 2019 Apr 19]. Available from: http://www.theses.fr/2013TOUR2025.

Council of Science Editors:

Ben Jemâa H. L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre. : The invention of the French Renaissance architecture in nineteenth century's historiography : the sight of Leon Palustre. [Doctoral Dissertation]. Université François-Rabelais de Tours; 2013. Available from: http://www.theses.fr/2013TOUR2025

18. Lozano Cajamarca, Alba Fabiola. Innovations des techniques verrières au XIXe siècle et leurs applications dans la réalisation de vitraux. : Glass technical innovations in the nineteenth century and their applications in the production of stained glass.

Degree: Docteur es, Histoire des techniques, 2013, Paris, CNAM

Á la fin du XVIIIe siècle, la technique du vitrail est menacée de disparition en France. En réaction, les tentatives en vue de retrouver les… (more)

Subjects/Keywords: Vitraux; XIXe siècle; Brevets; France; Peintres-verriers; Stained glass; Nineteenth century; Patents; France; Stained-glassmakers; 748.5

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APA (6th Edition):

Lozano Cajamarca, A. F. (2013). Innovations des techniques verrières au XIXe siècle et leurs applications dans la réalisation de vitraux. : Glass technical innovations in the nineteenth century and their applications in the production of stained glass. (Doctoral Dissertation). Paris, CNAM. Retrieved from http://www.theses.fr/2013CNAM0911

Chicago Manual of Style (16th Edition):

Lozano Cajamarca, Alba Fabiola. “Innovations des techniques verrières au XIXe siècle et leurs applications dans la réalisation de vitraux. : Glass technical innovations in the nineteenth century and their applications in the production of stained glass.” 2013. Doctoral Dissertation, Paris, CNAM. Accessed April 19, 2019. http://www.theses.fr/2013CNAM0911.

MLA Handbook (7th Edition):

Lozano Cajamarca, Alba Fabiola. “Innovations des techniques verrières au XIXe siècle et leurs applications dans la réalisation de vitraux. : Glass technical innovations in the nineteenth century and their applications in the production of stained glass.” 2013. Web. 19 Apr 2019.

Vancouver:

Lozano Cajamarca AF. Innovations des techniques verrières au XIXe siècle et leurs applications dans la réalisation de vitraux. : Glass technical innovations in the nineteenth century and their applications in the production of stained glass. [Internet] [Doctoral dissertation]. Paris, CNAM; 2013. [cited 2019 Apr 19]. Available from: http://www.theses.fr/2013CNAM0911.

Council of Science Editors:

Lozano Cajamarca AF. Innovations des techniques verrières au XIXe siècle et leurs applications dans la réalisation de vitraux. : Glass technical innovations in the nineteenth century and their applications in the production of stained glass. [Doctoral Dissertation]. Paris, CNAM; 2013. Available from: http://www.theses.fr/2013CNAM0911

19. Margrave, Christie L. Women and nature in the works of French female novelists, 1789-1815 .

Degree: 2015, University of St. Andrews

 On account of their supposed link to nature, women in post-revolutionary France were pigeonholed into a very restrictive sphere that centred around domesticity and submission… (more)

Subjects/Keywords: Women; Nature; France; Novel; Eighteenth century; Nineteenth century; Gender; Landscape; Space; Death; Bereavement; Intertextuality; Motherhood; Madness; Marriage

Page 1

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APA (6th Edition):

Margrave, C. L. (2015). Women and nature in the works of French female novelists, 1789-1815 . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/6391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Margrave, Christie L. “Women and nature in the works of French female novelists, 1789-1815 .” 2015. Thesis, University of St. Andrews. Accessed April 19, 2019. http://hdl.handle.net/10023/6391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Margrave, Christie L. “Women and nature in the works of French female novelists, 1789-1815 .” 2015. Web. 19 Apr 2019.

Vancouver:

Margrave CL. Women and nature in the works of French female novelists, 1789-1815 . [Internet] [Thesis]. University of St. Andrews; 2015. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/10023/6391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Margrave CL. Women and nature in the works of French female novelists, 1789-1815 . [Thesis]. University of St. Andrews; 2015. Available from: http://hdl.handle.net/10023/6391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

20. Lampron, Eve-Marie. Entre cohésions et divisions : les relations entre femmes auteures en France et en Italie (1770-1840) .

Degree: 2012, Université de Montréal

 Cette thèse documente, répertorie et analyse les relations entre les femmes auteures en France, en Italie, et entre Françaises et Italiennes, de 1770 à 1840,… (more)

Subjects/Keywords: Femmes; Écrivaines; Relations; Féminisme; France; Italie; XVIIIe siècle; XIXe siècle; Sociabilité; Stratégies; Women; Women writers; Relationships; Feminism; France; Italy; Eighteenth century; Nineteenth century; Sociability; Strategies

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APA (6th Edition):

Lampron, E. (2012). Entre cohésions et divisions : les relations entre femmes auteures en France et en Italie (1770-1840) . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/9120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lampron, Eve-Marie. “Entre cohésions et divisions : les relations entre femmes auteures en France et en Italie (1770-1840) .” 2012. Thesis, Université de Montréal. Accessed April 19, 2019. http://hdl.handle.net/1866/9120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lampron, Eve-Marie. “Entre cohésions et divisions : les relations entre femmes auteures en France et en Italie (1770-1840) .” 2012. Web. 19 Apr 2019.

Vancouver:

Lampron E. Entre cohésions et divisions : les relations entre femmes auteures en France et en Italie (1770-1840) . [Internet] [Thesis]. Université de Montréal; 2012. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/1866/9120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lampron E. Entre cohésions et divisions : les relations entre femmes auteures en France et en Italie (1770-1840) . [Thesis]. Université de Montréal; 2012. Available from: http://hdl.handle.net/1866/9120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Durham University

21. Dousteyssier-Khoze, Catherine. Les parodies de la littérature naturaliste.

Degree: PhD, 2000, Durham University

 The purpose of this thesis is to analyse the different ways in which naturalist fiction was parodied in France at the end of the nineteenth(more)

Subjects/Keywords: 800; France; Nineteenth century; Parody; Zola; Fumisme

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APA (6th Edition):

Dousteyssier-Khoze, C. (2000). Les parodies de la littérature naturaliste. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/4327/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322309

Chicago Manual of Style (16th Edition):

Dousteyssier-Khoze, Catherine. “Les parodies de la littérature naturaliste.” 2000. Doctoral Dissertation, Durham University. Accessed April 19, 2019. http://etheses.dur.ac.uk/4327/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322309.

MLA Handbook (7th Edition):

Dousteyssier-Khoze, Catherine. “Les parodies de la littérature naturaliste.” 2000. Web. 19 Apr 2019.

Vancouver:

Dousteyssier-Khoze C. Les parodies de la littérature naturaliste. [Internet] [Doctoral dissertation]. Durham University; 2000. [cited 2019 Apr 19]. Available from: http://etheses.dur.ac.uk/4327/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322309.

Council of Science Editors:

Dousteyssier-Khoze C. Les parodies de la littérature naturaliste. [Doctoral Dissertation]. Durham University; 2000. Available from: http://etheses.dur.ac.uk/4327/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322309


Loughborough University

22. Prichard, Alex. Justice, order and anarchy : the international political theory of Pierre-Joseph Proudhon (1809-1865).

Degree: PhD, 2008, Loughborough University

 This thesis provides a contextualised exegesis and re-evaluation of the anarchist Pierre- Joseph Proudhon's writings on war and peace. The thesis has two claims to… (more)

Subjects/Keywords: 327; Anarchism : Balance of power : Federalism : International relations : International political theory : Pierre-Joseph Proudhon : Political theory : Mutualism : Nineteenth-century France

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APA (6th Edition):

Prichard, A. (2008). Justice, order and anarchy : the international political theory of Pierre-Joseph Proudhon (1809-1865). (Doctoral Dissertation). Loughborough University. Retrieved from https://dspace.lboro.ac.uk/2134/12162 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503334

Chicago Manual of Style (16th Edition):

Prichard, Alex. “Justice, order and anarchy : the international political theory of Pierre-Joseph Proudhon (1809-1865).” 2008. Doctoral Dissertation, Loughborough University. Accessed April 19, 2019. https://dspace.lboro.ac.uk/2134/12162 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503334.

MLA Handbook (7th Edition):

Prichard, Alex. “Justice, order and anarchy : the international political theory of Pierre-Joseph Proudhon (1809-1865).” 2008. Web. 19 Apr 2019.

Vancouver:

Prichard A. Justice, order and anarchy : the international political theory of Pierre-Joseph Proudhon (1809-1865). [Internet] [Doctoral dissertation]. Loughborough University; 2008. [cited 2019 Apr 19]. Available from: https://dspace.lboro.ac.uk/2134/12162 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503334.

Council of Science Editors:

Prichard A. Justice, order and anarchy : the international political theory of Pierre-Joseph Proudhon (1809-1865). [Doctoral Dissertation]. Loughborough University; 2008. Available from: https://dspace.lboro.ac.uk/2134/12162 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503334


University of Cambridge

23. Dickson, Polly Letitia. The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac.

Degree: PhD, 2017, University of Cambridge

 My project offers a set of comparative close readings of texts by E.T.A. Hoffmann and Honoré de Balzac. Balzac’s early fiction, I contend, grapples with… (more)

Subjects/Keywords: E. T. A. Hoffmann; Honore´ de Balzac; mimesis; narrative; narrative lines; Realism; Romanticism; representation; imitation; comparative literature; nineteenth century; France; Germany

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APA (6th Edition):

Dickson, P. L. (2017). The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/269768 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744332

Chicago Manual of Style (16th Edition):

Dickson, Polly Letitia. “The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac.” 2017. Doctoral Dissertation, University of Cambridge. Accessed April 19, 2019. https://www.repository.cam.ac.uk/handle/1810/269768 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744332.

MLA Handbook (7th Edition):

Dickson, Polly Letitia. “The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac.” 2017. Web. 19 Apr 2019.

Vancouver:

Dickson PL. The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac. [Internet] [Doctoral dissertation]. University of Cambridge; 2017. [cited 2019 Apr 19]. Available from: https://www.repository.cam.ac.uk/handle/1810/269768 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744332.

Council of Science Editors:

Dickson PL. The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac. [Doctoral Dissertation]. University of Cambridge; 2017. Available from: https://www.repository.cam.ac.uk/handle/1810/269768 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744332


Université Paris-Sorbonne – Paris IV

24. Vottero, Michaël. La peinture de genre en France sous le Second Empire et les premières années de la Troisième République 1852-1878 : Genre painting in France under the Second Empire and the early Third Republic.

Degree: Docteur es, Histoire de l’art, 2009, Université Paris-Sorbonne – Paris IV

Le Second Empire coïncide avec un moment important de transformation et de mélange des catégories picturales au Salon. La peinture d’histoire se raréfie face à… (more)

Subjects/Keywords: Second Empire; Troisième République; Peinture de genre; XIXe siècle; Formation artistique; Salons; Réalisme; Marché de l’art; Nineteenth century; France; Realism

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APA (6th Edition):

Vottero, M. (2009). La peinture de genre en France sous le Second Empire et les premières années de la Troisième République 1852-1878 : Genre painting in France under the Second Empire and the early Third Republic. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2009PA040259

Chicago Manual of Style (16th Edition):

Vottero, Michaël. “La peinture de genre en France sous le Second Empire et les premières années de la Troisième République 1852-1878 : Genre painting in France under the Second Empire and the early Third Republic.” 2009. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 19, 2019. http://www.theses.fr/2009PA040259.

MLA Handbook (7th Edition):

Vottero, Michaël. “La peinture de genre en France sous le Second Empire et les premières années de la Troisième République 1852-1878 : Genre painting in France under the Second Empire and the early Third Republic.” 2009. Web. 19 Apr 2019.

Vancouver:

Vottero M. La peinture de genre en France sous le Second Empire et les premières années de la Troisième République 1852-1878 : Genre painting in France under the Second Empire and the early Third Republic. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2009. [cited 2019 Apr 19]. Available from: http://www.theses.fr/2009PA040259.

Council of Science Editors:

Vottero M. La peinture de genre en France sous le Second Empire et les premières années de la Troisième République 1852-1878 : Genre painting in France under the Second Empire and the early Third Republic. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2009. Available from: http://www.theses.fr/2009PA040259


Université Paris-Sorbonne – Paris IV

25. Blacas, Diane de. La réception critique de la peinture de paysage en France, autour des années 1860-1880 : The critical reception of french landscape painting in the 1860’s-1880’s.

Degree: Docteur es, Histoire de l'art et archéologie, 2011, Université Paris-Sorbonne – Paris IV

Loin de se limiter à la naissance du groupe impressionniste, la période qui s’articule autour des années 1860-1880, est décisive pour la peinture de paysage.… (more)

Subjects/Keywords: Peinture; Paysage; Critique d’art; Réalisme; Naturalisme; Impressionnisme; Second Empire; Troisième République; Painting; Landscape; Nineteenth century; France

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APA (6th Edition):

Blacas, D. d. (2011). La réception critique de la peinture de paysage en France, autour des années 1860-1880 : The critical reception of french landscape painting in the 1860’s-1880’s. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040071

Chicago Manual of Style (16th Edition):

Blacas, Diane de. “La réception critique de la peinture de paysage en France, autour des années 1860-1880 : The critical reception of french landscape painting in the 1860’s-1880’s.” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 19, 2019. http://www.theses.fr/2011PA040071.

MLA Handbook (7th Edition):

Blacas, Diane de. “La réception critique de la peinture de paysage en France, autour des années 1860-1880 : The critical reception of french landscape painting in the 1860’s-1880’s.” 2011. Web. 19 Apr 2019.

Vancouver:

Blacas Dd. La réception critique de la peinture de paysage en France, autour des années 1860-1880 : The critical reception of french landscape painting in the 1860’s-1880’s. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2019 Apr 19]. Available from: http://www.theses.fr/2011PA040071.

Council of Science Editors:

Blacas Dd. La réception critique de la peinture de paysage en France, autour des années 1860-1880 : The critical reception of french landscape painting in the 1860’s-1880’s. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040071


University of Melbourne

26. Barilo von Reisberg, Eugene Arnold. Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change.

Degree: 2016, University of Melbourne

 For nearly four decades, from the early 1830s to the early 1870s, Franz Xaver Winterhalter (1805-73) was one of the most popular and renowned elite… (more)

Subjects/Keywords: Winterhalter; portraiture; portrait; painting; nineteenth century; art; royalty; nobility; middle classes; high society; Germany; German art; France; French art

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APA (6th Edition):

Barilo von Reisberg, E. A. (2016). Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/127963

Chicago Manual of Style (16th Edition):

Barilo von Reisberg, Eugene Arnold. “Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change.” 2016. Doctoral Dissertation, University of Melbourne. Accessed April 19, 2019. http://hdl.handle.net/11343/127963.

MLA Handbook (7th Edition):

Barilo von Reisberg, Eugene Arnold. “Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change.” 2016. Web. 19 Apr 2019.

Vancouver:

Barilo von Reisberg EA. Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change. [Internet] [Doctoral dissertation]. University of Melbourne; 2016. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/11343/127963.

Council of Science Editors:

Barilo von Reisberg EA. Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change. [Doctoral Dissertation]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/127963


University of Cambridge

27. Dickson, Polly Letitia. The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac .

Degree: 2017, University of Cambridge

 My project offers a set of comparative close readings of texts by E. T. A. Hoffmann and Honoré de Balzac. Balzac’s early fiction, I contend,… (more)

Subjects/Keywords: E. T. A. Hoffmann; Honoré de Balzac; mimesis; narrative; narrative lines; Realism; Romanticism; representation; imitation; comparative literature; nineteenth century; France; Germany

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APA (6th Edition):

Dickson, P. L. (2017). The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/269768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickson, Polly Letitia. “The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac .” 2017. Thesis, University of Cambridge. Accessed April 19, 2019. https://www.repository.cam.ac.uk/handle/1810/269768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickson, Polly Letitia. “The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac .” 2017. Web. 19 Apr 2019.

Vancouver:

Dickson PL. The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac . [Internet] [Thesis]. University of Cambridge; 2017. [cited 2019 Apr 19]. Available from: https://www.repository.cam.ac.uk/handle/1810/269768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickson PL. The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac . [Thesis]. University of Cambridge; 2017. Available from: https://www.repository.cam.ac.uk/handle/1810/269768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

28. Lezama, Nigel. Le Corps vêtu (et dévêtu) dans l’œuvre de Baudelaire et de Sue: Une approche diachronique.

Degree: 2013, University of Toronto

Cette thèse examine la problématique de l’existence du lien généalogique et thématique entre la littérature populaire et la haute littérature au XIXe siècle. À cette… (more)

Subjects/Keywords: Charles Baudelaire, Eugène Sue, French literature and journalism, fashion, dandy, prostitute, the poor, nineteenth-century France; 0298

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lezama, N. (2013). Le Corps vêtu (et dévêtu) dans l’œuvre de Baudelaire et de Sue: Une approche diachronique. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/68952

Chicago Manual of Style (16th Edition):

Lezama, Nigel. “Le Corps vêtu (et dévêtu) dans l’œuvre de Baudelaire et de Sue: Une approche diachronique.” 2013. Doctoral Dissertation, University of Toronto. Accessed April 19, 2019. http://hdl.handle.net/1807/68952.

MLA Handbook (7th Edition):

Lezama, Nigel. “Le Corps vêtu (et dévêtu) dans l’œuvre de Baudelaire et de Sue: Une approche diachronique.” 2013. Web. 19 Apr 2019.

Vancouver:

Lezama N. Le Corps vêtu (et dévêtu) dans l’œuvre de Baudelaire et de Sue: Une approche diachronique. [Internet] [Doctoral dissertation]. University of Toronto; 2013. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/1807/68952.

Council of Science Editors:

Lezama N. Le Corps vêtu (et dévêtu) dans l’œuvre de Baudelaire et de Sue: Une approche diachronique. [Doctoral Dissertation]. University of Toronto; 2013. Available from: http://hdl.handle.net/1807/68952


University of Florida

29. Bailey, Cara J. French National Education on Trial in Verite by Emile Zola and Les Deracines by Maurice Barres.

Degree: MA, French and Francophone Studies - Language, Literature and Culture, 2016, University of Florida

 Throughout the history of the French Republic, the question of education remains crucial to the construction of society. This thesis aims to study the representation… (more)

Subjects/Keywords: Catholicism; Criminals; Education; Educational reform; Journalism; Literature; Narratives; Narrators; Novels; Teachers; bildungsroman  – education  – france  – journalism  – literature  – nineteenth-century

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APA (6th Edition):

Bailey, C. J. (2016). French National Education on Trial in Verite by Emile Zola and Les Deracines by Maurice Barres. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0050478

Chicago Manual of Style (16th Edition):

Bailey, Cara J. “French National Education on Trial in Verite by Emile Zola and Les Deracines by Maurice Barres.” 2016. Masters Thesis, University of Florida. Accessed April 19, 2019. http://ufdc.ufl.edu/UFE0050478.

MLA Handbook (7th Edition):

Bailey, Cara J. “French National Education on Trial in Verite by Emile Zola and Les Deracines by Maurice Barres.” 2016. Web. 19 Apr 2019.

Vancouver:

Bailey CJ. French National Education on Trial in Verite by Emile Zola and Les Deracines by Maurice Barres. [Internet] [Masters thesis]. University of Florida; 2016. [cited 2019 Apr 19]. Available from: http://ufdc.ufl.edu/UFE0050478.

Council of Science Editors:

Bailey CJ. French National Education on Trial in Verite by Emile Zola and Les Deracines by Maurice Barres. [Masters Thesis]. University of Florida; 2016. Available from: http://ufdc.ufl.edu/UFE0050478

30. Freeman, Erik. Louis A. Bertrand’s Voyage from Icarianism to Mormonism: French Romantic Socialism and Mormon Communalism in the Nineteenth Century.

Degree: 2013, Brandeis University

 In 1851, a prominent French Romantic Socialist journalist, Louis A. Bertrand, converted to the Church of Jesus Christ of Latter Day Saints (Mormonism) in Paris.… (more)

Subjects/Keywords: Mormonism; Communalism; Socialism; France; Nineteenth Century

…socio-religious revolution and communal movement. Nineteenth-century Romantic Socialism was… …See Glen M. Leonard, “Westward the Saints: The Nineteenth-Century Mormon Migration” The… …nineteenth-century-mormonmigration?lang=eng (accessed on March, 8, 2013). This is a… …throughout the nineteenth century worked to create a society free from poverty, suffering, and… …communally would solve the rampant social problems of the Nineteenth Century. He called his… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Freeman, E. (2013). Louis A. Bertrand’s Voyage from Icarianism to Mormonism: French Romantic Socialism and Mormon Communalism in the Nineteenth Century. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/24630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Freeman, Erik. “Louis A. Bertrand’s Voyage from Icarianism to Mormonism: French Romantic Socialism and Mormon Communalism in the Nineteenth Century.” 2013. Thesis, Brandeis University. Accessed April 19, 2019. http://hdl.handle.net/10192/24630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Freeman, Erik. “Louis A. Bertrand’s Voyage from Icarianism to Mormonism: French Romantic Socialism and Mormon Communalism in the Nineteenth Century.” 2013. Web. 19 Apr 2019.

Vancouver:

Freeman E. Louis A. Bertrand’s Voyage from Icarianism to Mormonism: French Romantic Socialism and Mormon Communalism in the Nineteenth Century. [Internet] [Thesis]. Brandeis University; 2013. [cited 2019 Apr 19]. Available from: http://hdl.handle.net/10192/24630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freeman E. Louis A. Bertrand’s Voyage from Icarianism to Mormonism: French Romantic Socialism and Mormon Communalism in the Nineteenth Century. [Thesis]. Brandeis University; 2013. Available from: http://hdl.handle.net/10192/24630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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