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Dept: Design  Language: English

You searched for subject:(Fine art). Showing records 1 – 13 of 13 total matches.

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University of Kansas

1. Yakle, Danielle Nicole. Futilitarian.

Degree: M.F.A., Design, 2010, University of Kansas

 Futilitarian, an MFA Thesis Exhibition, explores the conceptualization of the body as a factory. In particular it focuses on bodily cycles related to human reproduction… (more)

Subjects/Keywords: Fine arts; Design; Body; Fiber art; Installation; Reproduction; Soft sculpture; Textiles

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APA (6th Edition):

Yakle, D. N. (2010). Futilitarian. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/7403

Chicago Manual of Style (16th Edition):

Yakle, Danielle Nicole. “Futilitarian.” 2010. Masters Thesis, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/7403.

MLA Handbook (7th Edition):

Yakle, Danielle Nicole. “Futilitarian.” 2010. Web. 12 Dec 2019.

Vancouver:

Yakle DN. Futilitarian. [Internet] [Masters thesis]. University of Kansas; 2010. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/7403.

Council of Science Editors:

Yakle DN. Futilitarian. [Masters Thesis]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/7403


University of Kansas

2. Carter-Thompson, Safiya. Core Topography.

Degree: M.F.A., Design, 2011, University of Kansas

 My vivid memory of landscape strongly influences the patterns that I use in my creative art work. I employ various dots and layering of line… (more)

Subjects/Keywords: Design; Fine arts; Abstracted; Art; California; Dots; Maps; Textiles

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APA (6th Edition):

Carter-Thompson, S. (2011). Core Topography. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/7679

Chicago Manual of Style (16th Edition):

Carter-Thompson, Safiya. “Core Topography.” 2011. Masters Thesis, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/7679.

MLA Handbook (7th Edition):

Carter-Thompson, Safiya. “Core Topography.” 2011. Web. 12 Dec 2019.

Vancouver:

Carter-Thompson S. Core Topography. [Internet] [Masters thesis]. University of Kansas; 2011. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/7679.

Council of Science Editors:

Carter-Thompson S. Core Topography. [Masters Thesis]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/7679


University of Kansas

3. Howard, Aimee M. Entelechy: Potentiality has become an actuality.

Degree: MA, Design, 2009, University of Kansas

 This body of artwork entitled Entelechy: potentiality has become an actuality, consists of two interrelated series of object based sculptures addressing different facets of medicine… (more)

Subjects/Keywords: Fine arts; Design and decorative arts; Art; Design; Entelechy; Metalsmith; Thesis

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APA (6th Edition):

Howard, A. M. (2009). Entelechy: Potentiality has become an actuality. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/5362

Chicago Manual of Style (16th Edition):

Howard, Aimee M. “Entelechy: Potentiality has become an actuality.” 2009. Masters Thesis, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/5362.

MLA Handbook (7th Edition):

Howard, Aimee M. “Entelechy: Potentiality has become an actuality.” 2009. Web. 12 Dec 2019.

Vancouver:

Howard AM. Entelechy: Potentiality has become an actuality. [Internet] [Masters thesis]. University of Kansas; 2009. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/5362.

Council of Science Editors:

Howard AM. Entelechy: Potentiality has become an actuality. [Masters Thesis]. University of Kansas; 2009. Available from: http://hdl.handle.net/1808/5362

4. Van Kampen, Saskia Gabriella. Handcraft as a Rhetorical Prop: An Investigation into What Handcraft Techniques Offer the Discipline of Graphic Design.

Degree: MDes - Master of Design, Design, 2014, York University

 This thesis paper examines how handcraft (making an item by analog means using specific materials) can be a compelling rhetorical tool for graphic designers to… (more)

Subjects/Keywords: Design; Fine arts; Materiality; Design; Handcraft; Craft; Art; Typography; Rhetoric; Feminism; Needlework; Sewing; Graphic design

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APA (6th Edition):

Van Kampen, S. G. (2014). Handcraft as a Rhetorical Prop: An Investigation into What Handcraft Techniques Offer the Discipline of Graphic Design. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/27686

Chicago Manual of Style (16th Edition):

Van Kampen, Saskia Gabriella. “Handcraft as a Rhetorical Prop: An Investigation into What Handcraft Techniques Offer the Discipline of Graphic Design.” 2014. Masters Thesis, York University. Accessed December 12, 2019. http://hdl.handle.net/10315/27686.

MLA Handbook (7th Edition):

Van Kampen, Saskia Gabriella. “Handcraft as a Rhetorical Prop: An Investigation into What Handcraft Techniques Offer the Discipline of Graphic Design.” 2014. Web. 12 Dec 2019.

Vancouver:

Van Kampen SG. Handcraft as a Rhetorical Prop: An Investigation into What Handcraft Techniques Offer the Discipline of Graphic Design. [Internet] [Masters thesis]. York University; 2014. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10315/27686.

Council of Science Editors:

Van Kampen SG. Handcraft as a Rhetorical Prop: An Investigation into What Handcraft Techniques Offer the Discipline of Graphic Design. [Masters Thesis]. York University; 2014. Available from: http://hdl.handle.net/10315/27686


University of Kansas

5. Freiheit, Karla. Artifacts of Experience: A Thesis Exhibition.

Degree: M.F.A., Design, 2008, University of Kansas

 Through layered cloth, devoré, bleach discharge, hand and machine embroidery, art textiles create this MFA thesis exhibition entitled Artifacts of Experience by Karla Freiheit. The… (more)

Subjects/Keywords: Fine arts; Exhibition; Fibers; Textiles; Art; Mark-making; Ritual

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APA (6th Edition):

Freiheit, K. (2008). Artifacts of Experience: A Thesis Exhibition. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/3979

Chicago Manual of Style (16th Edition):

Freiheit, Karla. “Artifacts of Experience: A Thesis Exhibition.” 2008. Masters Thesis, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/3979.

MLA Handbook (7th Edition):

Freiheit, Karla. “Artifacts of Experience: A Thesis Exhibition.” 2008. Web. 12 Dec 2019.

Vancouver:

Freiheit K. Artifacts of Experience: A Thesis Exhibition. [Internet] [Masters thesis]. University of Kansas; 2008. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/3979.

Council of Science Editors:

Freiheit K. Artifacts of Experience: A Thesis Exhibition. [Masters Thesis]. University of Kansas; 2008. Available from: http://hdl.handle.net/1808/3979

6. Fan, Michael Andrew Kar-Ho. Wanderland: Exploring Experimentation in Design Theory to Find New Ways of Working, Understanding and Interpreting Process and Outcomes.

Degree: MDes - Master of Design, Design, 2014, York University

 This paper examines experimentation in graphic design to understand how a designer might uncover new ways of working apart from the conventional solution-based approach in… (more)

Subjects/Keywords: Design; Fine arts; GLBT studies; Mistakes; Graphic design; Typography; Queer art; Experimentation; Hegemony; Capitalism; Failure; Designer; Education; Professionalism; Process; Creativity; Alternative

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APA (6th Edition):

Fan, M. A. K. (2014). Wanderland: Exploring Experimentation in Design Theory to Find New Ways of Working, Understanding and Interpreting Process and Outcomes. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/27693

Chicago Manual of Style (16th Edition):

Fan, Michael Andrew Kar-Ho. “Wanderland: Exploring Experimentation in Design Theory to Find New Ways of Working, Understanding and Interpreting Process and Outcomes.” 2014. Masters Thesis, York University. Accessed December 12, 2019. http://hdl.handle.net/10315/27693.

MLA Handbook (7th Edition):

Fan, Michael Andrew Kar-Ho. “Wanderland: Exploring Experimentation in Design Theory to Find New Ways of Working, Understanding and Interpreting Process and Outcomes.” 2014. Web. 12 Dec 2019.

Vancouver:

Fan MAK. Wanderland: Exploring Experimentation in Design Theory to Find New Ways of Working, Understanding and Interpreting Process and Outcomes. [Internet] [Masters thesis]. York University; 2014. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10315/27693.

Council of Science Editors:

Fan MAK. Wanderland: Exploring Experimentation in Design Theory to Find New Ways of Working, Understanding and Interpreting Process and Outcomes. [Masters Thesis]. York University; 2014. Available from: http://hdl.handle.net/10315/27693


University of Kansas

7. Park, Bryan Christopher. Where we Are.

Degree: M.F.A., Design, 2008, University of Kansas

 The meaning of place to me is one of collection and projection. I endeavor to create works that serve as centers of meaning based on… (more)

Subjects/Keywords: Fine arts; Geography; Art; Sculpture; Place; Sense of place; Connection

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APA (6th Edition):

Park, B. C. (2008). Where we Are. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/4048

Chicago Manual of Style (16th Edition):

Park, Bryan Christopher. “Where we Are.” 2008. Masters Thesis, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/4048.

MLA Handbook (7th Edition):

Park, Bryan Christopher. “Where we Are.” 2008. Web. 12 Dec 2019.

Vancouver:

Park BC. Where we Are. [Internet] [Masters thesis]. University of Kansas; 2008. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/4048.

Council of Science Editors:

Park BC. Where we Are. [Masters Thesis]. University of Kansas; 2008. Available from: http://hdl.handle.net/1808/4048

8. Brebenel, Elena. Encoding [quiet memories].

Degree: M.F.A., Design, 2011, University of Kansas

 I go along the tramway. I am the eternal traveler throughout my own past. Each time the rails are going somewhere else. I am now… (more)

Subjects/Keywords: Design; Fine arts; Textile research; Encoding; Fiber art; Textiles; Visual art

…Reinventing Textiles vol. II. Gender and Identity. Winchester: Telos Art Publishing, 2001 McFadden… …Art Textiles of the World, The Netherlands. Winchester: Telos Art, 2001… 

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APA (6th Edition):

Brebenel, E. (2011). Encoding [quiet memories]. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/7678

Chicago Manual of Style (16th Edition):

Brebenel, Elena. “Encoding [quiet memories].” 2011. Masters Thesis, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/7678.

MLA Handbook (7th Edition):

Brebenel, Elena. “Encoding [quiet memories].” 2011. Web. 12 Dec 2019.

Vancouver:

Brebenel E. Encoding [quiet memories]. [Internet] [Masters thesis]. University of Kansas; 2011. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/7678.

Council of Science Editors:

Brebenel E. Encoding [quiet memories]. [Masters Thesis]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/7678

9. Chiou, Christine Ling. Investigating the "Blurry" Territory of Graphic Design: A Look at the Simultaneous Realities of Illusions Within the Moire Effect.

Degree: Design, 2016, York University

 This thesis examines how designed artifacts can present two simultaneous realities within static and motion typography through an investigation of motion and depth perceptual phenomena.… (more)

Subjects/Keywords: Fine arts; Graphic design; Design; Design process; Typography; Kinetic typography; Moire effect; Moire pattern; Optical illusions; Illusions; Scanimation; Moire animation; Optical art; Kinetic art; Jan van toorn; Design's delight; Haruki murakami

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APA (6th Edition):

Chiou, C. L. (2016). Investigating the "Blurry" Territory of Graphic Design: A Look at the Simultaneous Realities of Illusions Within the Moire Effect. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/32278

Chicago Manual of Style (16th Edition):

Chiou, Christine Ling. “Investigating the "Blurry" Territory of Graphic Design: A Look at the Simultaneous Realities of Illusions Within the Moire Effect.” 2016. Masters Thesis, York University. Accessed December 12, 2019. http://hdl.handle.net/10315/32278.

MLA Handbook (7th Edition):

Chiou, Christine Ling. “Investigating the "Blurry" Territory of Graphic Design: A Look at the Simultaneous Realities of Illusions Within the Moire Effect.” 2016. Web. 12 Dec 2019.

Vancouver:

Chiou CL. Investigating the "Blurry" Territory of Graphic Design: A Look at the Simultaneous Realities of Illusions Within the Moire Effect. [Internet] [Masters thesis]. York University; 2016. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10315/32278.

Council of Science Editors:

Chiou CL. Investigating the "Blurry" Territory of Graphic Design: A Look at the Simultaneous Realities of Illusions Within the Moire Effect. [Masters Thesis]. York University; 2016. Available from: http://hdl.handle.net/10315/32278

10. Benoit, Francis Philippe. The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web.

Degree: Design, 2018, York University

 In recent years, the web browsers rendering capabilities have grown considerably. However, it remains a window through which design is seen rather than being used… (more)

Subjects/Keywords: Fine arts; Design; Graphic design; Web; Web browser; Creative process; Process; Programmatic approach; Gerstner; Karl Gerstner; Processing; p5.js; Art; Arts; Conceptual art; Logic; Web design; Rules; Rule; Parameters; Iteration; Iterative process; Content; Context; John Caserta; Caserta; Method; Methodology; Programming language; Coding; Generative design; Design tool; Conditional design; If-then; Blauvelt; Andrew Blauvelt; Browser

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APA (6th Edition):

Benoit, F. P. (2018). The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34260

Chicago Manual of Style (16th Edition):

Benoit, Francis Philippe. “The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web.” 2018. Masters Thesis, York University. Accessed December 12, 2019. http://hdl.handle.net/10315/34260.

MLA Handbook (7th Edition):

Benoit, Francis Philippe. “The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web.” 2018. Web. 12 Dec 2019.

Vancouver:

Benoit FP. The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10315/34260.

Council of Science Editors:

Benoit FP. The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34260

11. Rudnicki, Justine Caroline. The Design of Dissent: Graphic Design for Socio-Political Engagement.

Degree: Design, 2017, York University

 Design engages with the political and expresses resistance to hegemonic institutions and ideologies when it employs disruptive visual communication. In a context of contemporary visual… (more)

Subjects/Keywords: Fine arts; Graphic design; Design; Activism; Agonism; Visual rhetoric; Semiotics; Poland; Polish design; Polish politics; Politics; Political science; Political art; Political design; Visual communication; Social design; Critical design; Design activism; Dissent; Dissensus

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APA (6th Edition):

Rudnicki, J. C. (2017). The Design of Dissent: Graphic Design for Socio-Political Engagement. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/33601

Chicago Manual of Style (16th Edition):

Rudnicki, Justine Caroline. “The Design of Dissent: Graphic Design for Socio-Political Engagement.” 2017. Masters Thesis, York University. Accessed December 12, 2019. http://hdl.handle.net/10315/33601.

MLA Handbook (7th Edition):

Rudnicki, Justine Caroline. “The Design of Dissent: Graphic Design for Socio-Political Engagement.” 2017. Web. 12 Dec 2019.

Vancouver:

Rudnicki JC. The Design of Dissent: Graphic Design for Socio-Political Engagement. [Internet] [Masters thesis]. York University; 2017. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10315/33601.

Council of Science Editors:

Rudnicki JC. The Design of Dissent: Graphic Design for Socio-Political Engagement. [Masters Thesis]. York University; 2017. Available from: http://hdl.handle.net/10315/33601


Linnaeus University

12. Bager, Freja. Making a hybrid of Fraktur and Helvetica : Investigating typography's connection to power, from a historical perspective in a contemporary context.

Degree: Design, 2018, Linnaeus University

  Throughout history and in today’s society, typography has been and still is without doubt a great part of communication. Behrens, an important designer from… (more)

Subjects/Keywords: Power; Typography; Fraktur; Blackletter; Textura; Helvetica; Grotesque; Type Design; Typeface; Communication; Graphic Design; Design; Type History; Calligraphy; Font; Font Design; Gothic; Typographic Communication; Propaganda; Visual Communication; Visual Communication + Change; Change; Change Agent; Agent of Change; +Change; Art; Fine Arts; Makt; Typografi; Gotik; Typsnitt; Typsnittsdesign; Typografihistoria; Kommunikation; Grafisk kommunikation; Visuell Kommunikation; Formgivning; Kalligrafi; Typografisk Kommunikation; Konst; Design; Design

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APA (6th Edition):

Bager, F. (2018). Making a hybrid of Fraktur and Helvetica : Investigating typography's connection to power, from a historical perspective in a contemporary context. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bager, Freja. “Making a hybrid of Fraktur and Helvetica : Investigating typography's connection to power, from a historical perspective in a contemporary context.” 2018. Thesis, Linnaeus University. Accessed December 12, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bager, Freja. “Making a hybrid of Fraktur and Helvetica : Investigating typography's connection to power, from a historical perspective in a contemporary context.” 2018. Web. 12 Dec 2019.

Vancouver:

Bager F. Making a hybrid of Fraktur and Helvetica : Investigating typography's connection to power, from a historical perspective in a contemporary context. [Internet] [Thesis]. Linnaeus University; 2018. [cited 2019 Dec 12]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bager F. Making a hybrid of Fraktur and Helvetica : Investigating typography's connection to power, from a historical perspective in a contemporary context. [Thesis]. Linnaeus University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Grzeskowiak, Julia. Reviving Craft in a Context of Design: Physical Practice in a Digital Culture.

Degree: Design, 2017, York University

 In the pursuit of speed and efficiency, contemporary visual communication eradicates the essence of the individual in favour of certainty. Mass production and the rational… (more)

Subjects/Keywords: Fine arts; Design; Graphic design; Design education; Graphic design education; Craft; Craftsmanship; Handcraft; Analogue production; Digital production; Aesthetics; Perception; Haptic; Visual communication; Form and representation; Semiotics; Semiology; Physical thinking; Risk; Form; Phenomenology; Reviving; Design research; Fine arts; Handmade; Bricolage; Nature; Imperfection; Visual language; Physical knowledge; Tacit; Tacit knowledge; Contemporary communication; Found object; Transformation; Hybrid methodology; Discipline of design; Craft practice; Aesthetic perception; Workmanship of risk; Workmanship of certainty; David Pye; Peter Dormer; Glenn Adamson; Production; Work of art; Design and art; Design and craft; Form and function; Print; Print design; Poster; Posters; Book; Book design; Thread; Sewing; Sewn; Sew; Abstract; Flower; Flowers; Signifier and signified; Signifier; Signified; Aesthetic philosophy; Philosophy of aesthetics; Heidegger; Deleuze; Badiou; William morris; Virilio; Content; Thinking; Making; Designer; Conceptual knowledge; Conceptual; Individual; Culture; Communication culture; Critique; Material; Physical presence; Sensitivity; Artist; Authenticity; Inquiry; Design inquiry; Language; Surprise; Uncertainty; Physical practice; Digital culture; Mdes

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APA (6th Edition):

Grzeskowiak, J. (2017). Reviving Craft in a Context of Design: Physical Practice in a Digital Culture. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/33624

Chicago Manual of Style (16th Edition):

Grzeskowiak, Julia. “Reviving Craft in a Context of Design: Physical Practice in a Digital Culture.” 2017. Masters Thesis, York University. Accessed December 12, 2019. http://hdl.handle.net/10315/33624.

MLA Handbook (7th Edition):

Grzeskowiak, Julia. “Reviving Craft in a Context of Design: Physical Practice in a Digital Culture.” 2017. Web. 12 Dec 2019.

Vancouver:

Grzeskowiak J. Reviving Craft in a Context of Design: Physical Practice in a Digital Culture. [Internet] [Masters thesis]. York University; 2017. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10315/33624.

Council of Science Editors:

Grzeskowiak J. Reviving Craft in a Context of Design: Physical Practice in a Digital Culture. [Masters Thesis]. York University; 2017. Available from: http://hdl.handle.net/10315/33624

.