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You searched for subject:(Fine Art). Showing records 1 – 30 of 1883 total matches.

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University of Manitoba

1. Siwicki, Breanne. Never pass a mirror without looking in it.

Degree: School of Art, 2019, University of Manitoba

 Our bodies face continuous stress throughout a lifetime, physically and mentally deteriorating and changing as we age. As humans, we each have a unique vessel… (more)

Subjects/Keywords: Art; Fine Art

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APA (6th Edition):

Siwicki, B. (2019). Never pass a mirror without looking in it. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/34253

Chicago Manual of Style (16th Edition):

Siwicki, Breanne. “Never pass a mirror without looking in it.” 2019. Masters Thesis, University of Manitoba. Accessed October 17, 2019. http://hdl.handle.net/1993/34253.

MLA Handbook (7th Edition):

Siwicki, Breanne. “Never pass a mirror without looking in it.” 2019. Web. 17 Oct 2019.

Vancouver:

Siwicki B. Never pass a mirror without looking in it. [Internet] [Masters thesis]. University of Manitoba; 2019. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1993/34253.

Council of Science Editors:

Siwicki B. Never pass a mirror without looking in it. [Masters Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/34253


University of Saskatchewan

2. Peat, Nicholas 1988-. Not4Profit.

Degree: 2019, University of Saskatchewan

Not4Profit is a thesis pertaining to the art exhibition "Not4Profit" for fulfillment of M.F.A. requirements, which was held at the Kenderdine Art Gallery, Aug 19-30, 2019. Advisors/Committee Members: Graham, John David, Norlen, Alison, Birke, Lisa, Miller, Marcus, Bradford, Lori.

Subjects/Keywords: Art; Fine art

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APA (6th Edition):

Peat, N. 1. (2019). Not4Profit. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/12347

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peat, Nicholas 1988-. “Not4Profit.” 2019. Thesis, University of Saskatchewan. Accessed October 17, 2019. http://hdl.handle.net/10388/12347.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peat, Nicholas 1988-. “Not4Profit.” 2019. Web. 17 Oct 2019.

Vancouver:

Peat N1. Not4Profit. [Internet] [Thesis]. University of Saskatchewan; 2019. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10388/12347.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peat N1. Not4Profit. [Thesis]. University of Saskatchewan; 2019. Available from: http://hdl.handle.net/10388/12347

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

3. Moodley, Nalini. Culture, politics and identity in the visual art of Indian South African graduates from the University of Durban-Westville in KwaZulu-Natal, 1962-1999.

Degree: PhD, Fine art, 2012, University of KwaZulu-Natal

 The purpose of this research is to document the visual art production of Indian South Africans who graduated from the University of Durban-Westville (UDW) with… (more)

Subjects/Keywords: Fine art.

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APA (6th Edition):

Moodley, N. (2012). Culture, politics and identity in the visual art of Indian South African graduates from the University of Durban-Westville in KwaZulu-Natal, 1962-1999. (Doctoral Dissertation). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/10724

Chicago Manual of Style (16th Edition):

Moodley, Nalini. “Culture, politics and identity in the visual art of Indian South African graduates from the University of Durban-Westville in KwaZulu-Natal, 1962-1999.” 2012. Doctoral Dissertation, University of KwaZulu-Natal. Accessed October 17, 2019. http://hdl.handle.net/10413/10724.

MLA Handbook (7th Edition):

Moodley, Nalini. “Culture, politics and identity in the visual art of Indian South African graduates from the University of Durban-Westville in KwaZulu-Natal, 1962-1999.” 2012. Web. 17 Oct 2019.

Vancouver:

Moodley N. Culture, politics and identity in the visual art of Indian South African graduates from the University of Durban-Westville in KwaZulu-Natal, 1962-1999. [Internet] [Doctoral dissertation]. University of KwaZulu-Natal; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10413/10724.

Council of Science Editors:

Moodley N. Culture, politics and identity in the visual art of Indian South African graduates from the University of Durban-Westville in KwaZulu-Natal, 1962-1999. [Doctoral Dissertation]. University of KwaZulu-Natal; 2012. Available from: http://hdl.handle.net/10413/10724


University of KwaZulu-Natal

4. Omar, Fahmeeda. Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg.

Degree: M.A, Fine art, 2012, University of KwaZulu-Natal

 The aim of this dissertation is to contextualise the use of porcelain by the South African ceramist Thelma Marcuson (1919-2009). This paper focuses on her… (more)

Subjects/Keywords: Fine art.

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APA (6th Edition):

Omar, F. (2012). Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/10622

Chicago Manual of Style (16th Edition):

Omar, Fahmeeda. “Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg.” 2012. Masters Thesis, University of KwaZulu-Natal. Accessed October 17, 2019. http://hdl.handle.net/10413/10622.

MLA Handbook (7th Edition):

Omar, Fahmeeda. “Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg.” 2012. Web. 17 Oct 2019.

Vancouver:

Omar F. Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10413/10622.

Council of Science Editors:

Omar F. Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg. [Masters Thesis]. University of KwaZulu-Natal; 2012. Available from: http://hdl.handle.net/10413/10622


University of KwaZulu-Natal

5. Fossey, Natalie. Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge.

Degree: MA, Fine art, 2012, University of KwaZulu-Natal

 Key words: William Hogarth Exhibition; Hogarth in Johannesburg (1987-1988) Series; A Rake’s Progress, Marriage-a-la-Mode and Industry and Idleness Artists; Robert Hodgins Deborah Bell William Kentridge… (more)

Subjects/Keywords: Fine art.

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APA (6th Edition):

Fossey, N. (2012). Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/10623

Chicago Manual of Style (16th Edition):

Fossey, Natalie. “Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge.” 2012. Masters Thesis, University of KwaZulu-Natal. Accessed October 17, 2019. http://hdl.handle.net/10413/10623.

MLA Handbook (7th Edition):

Fossey, Natalie. “Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge.” 2012. Web. 17 Oct 2019.

Vancouver:

Fossey N. Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10413/10623.

Council of Science Editors:

Fossey N. Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge. [Masters Thesis]. University of KwaZulu-Natal; 2012. Available from: http://hdl.handle.net/10413/10623


University of KwaZulu-Natal

6. Motsamayi, Mathodi Freddie. The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne.

Degree: MA, Fine art, 2012, University of KwaZulu-Natal

 The thesis will focus on documenting, analysing and interpreting the motifs for the ceramics of Rorke’s Drift Art and Craft Centre Ecumenical (Evangelical) Lutheran Church… (more)

Subjects/Keywords: Fine art.

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APA (6th Edition):

Motsamayi, M. F. (2012). The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/9200

Chicago Manual of Style (16th Edition):

Motsamayi, Mathodi Freddie. “The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne.” 2012. Masters Thesis, University of KwaZulu-Natal. Accessed October 17, 2019. http://hdl.handle.net/10413/9200.

MLA Handbook (7th Edition):

Motsamayi, Mathodi Freddie. “The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne.” 2012. Web. 17 Oct 2019.

Vancouver:

Motsamayi MF. The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10413/9200.

Council of Science Editors:

Motsamayi MF. The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne. [Masters Thesis]. University of KwaZulu-Natal; 2012. Available from: http://hdl.handle.net/10413/9200


University of KwaZulu-Natal

7. Hall, Louise Gillian. Drawing as a generative medium in art making.

Degree: PhD, Fine art, 2013, University of KwaZulu-Natal

 The research of a practice led PhD in Fine Arts consists of interrelated artwork and writing (Macleod and Holdridge 2005:197). In the dual practical and… (more)

Subjects/Keywords: Fine art.

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APA (6th Edition):

Hall, L. G. (2013). Drawing as a generative medium in art making. (Doctoral Dissertation). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/9225

Chicago Manual of Style (16th Edition):

Hall, Louise Gillian. “Drawing as a generative medium in art making.” 2013. Doctoral Dissertation, University of KwaZulu-Natal. Accessed October 17, 2019. http://hdl.handle.net/10413/9225.

MLA Handbook (7th Edition):

Hall, Louise Gillian. “Drawing as a generative medium in art making.” 2013. Web. 17 Oct 2019.

Vancouver:

Hall LG. Drawing as a generative medium in art making. [Internet] [Doctoral dissertation]. University of KwaZulu-Natal; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10413/9225.

Council of Science Editors:

Hall LG. Drawing as a generative medium in art making. [Doctoral Dissertation]. University of KwaZulu-Natal; 2013. Available from: http://hdl.handle.net/10413/9225


University of the Arts London

8. Christouli, Vasiliki. Site-specific art as an exploration of spatial and temporal limitations.

Degree: PhD, 2016, University of the Arts London

 This practice-based thesis examines the relationship between space, time and the human presence. It is concerned with the dialectic exchanges between my work and the… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Christouli, V. (2016). Site-specific art as an exploration of spatial and temporal limitations. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12037/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738010

Chicago Manual of Style (16th Edition):

Christouli, Vasiliki. “Site-specific art as an exploration of spatial and temporal limitations.” 2016. Doctoral Dissertation, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/12037/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738010.

MLA Handbook (7th Edition):

Christouli, Vasiliki. “Site-specific art as an exploration of spatial and temporal limitations.” 2016. Web. 17 Oct 2019.

Vancouver:

Christouli V. Site-specific art as an exploration of spatial and temporal limitations. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/12037/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738010.

Council of Science Editors:

Christouli V. Site-specific art as an exploration of spatial and temporal limitations. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/12037/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738010


University of the Arts London

9. Hewlett, Katherine. Socio-cultural investigation of visual dyslexic cognition.

Degree: PhD, 2018, University of the Arts London

 The thinking approaches of dyslexic visual artists in their creative production have been little analysed, either in isolation or in comparison with non-dyslexic artists. This… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Hewlett, K. (2018). Socio-cultural investigation of visual dyslexic cognition. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/13924/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767416

Chicago Manual of Style (16th Edition):

Hewlett, Katherine. “Socio-cultural investigation of visual dyslexic cognition.” 2018. Doctoral Dissertation, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/13924/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767416.

MLA Handbook (7th Edition):

Hewlett, Katherine. “Socio-cultural investigation of visual dyslexic cognition.” 2018. Web. 17 Oct 2019.

Vancouver:

Hewlett K. Socio-cultural investigation of visual dyslexic cognition. [Internet] [Doctoral dissertation]. University of the Arts London; 2018. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/13924/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767416.

Council of Science Editors:

Hewlett K. Socio-cultural investigation of visual dyslexic cognition. [Doctoral Dissertation]. University of the Arts London; 2018. Available from: http://ualresearchonline.arts.ac.uk/13924/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767416


University of the Arts London

10. Cope, Paul. Let me show you what I mean : changing perspectives on the artist-teacher and the classroom art demonstration.

Degree: PhD, 2018, University of the Arts London

 This research aims to develop a theoretical and practical understanding of a situated and embodied artist-teacher practice by testing multiple models of teacher demonstration and… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Cope, P. (2018). Let me show you what I mean : changing perspectives on the artist-teacher and the classroom art demonstration. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/13923/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767415

Chicago Manual of Style (16th Edition):

Cope, Paul. “Let me show you what I mean : changing perspectives on the artist-teacher and the classroom art demonstration.” 2018. Doctoral Dissertation, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/13923/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767415.

MLA Handbook (7th Edition):

Cope, Paul. “Let me show you what I mean : changing perspectives on the artist-teacher and the classroom art demonstration.” 2018. Web. 17 Oct 2019.

Vancouver:

Cope P. Let me show you what I mean : changing perspectives on the artist-teacher and the classroom art demonstration. [Internet] [Doctoral dissertation]. University of the Arts London; 2018. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/13923/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767415.

Council of Science Editors:

Cope P. Let me show you what I mean : changing perspectives on the artist-teacher and the classroom art demonstration. [Doctoral Dissertation]. University of the Arts London; 2018. Available from: http://ualresearchonline.arts.ac.uk/13923/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767415


University of the Arts London

11. Papadopoulos, Theokritos. The Aesthetics of Waste: Investigating the role of the ephemeral in the development of the avant-garde in Western Europe and Greece and its relationship to trauma.

Degree: 2013, University of the Arts London

 This research project, driven by my on-going practice, seeks to identify the role of non-traditional materials such as ephemera, debris, waste and historical archive footage… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Papadopoulos, T. (2013). The Aesthetics of Waste: Investigating the role of the ephemeral in the development of the avant-garde in Western Europe and Greece and its relationship to trauma. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/6470/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Papadopoulos, Theokritos. “The Aesthetics of Waste: Investigating the role of the ephemeral in the development of the avant-garde in Western Europe and Greece and its relationship to trauma.” 2013. Thesis, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/6470/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Papadopoulos, Theokritos. “The Aesthetics of Waste: Investigating the role of the ephemeral in the development of the avant-garde in Western Europe and Greece and its relationship to trauma.” 2013. Web. 17 Oct 2019.

Vancouver:

Papadopoulos T. The Aesthetics of Waste: Investigating the role of the ephemeral in the development of the avant-garde in Western Europe and Greece and its relationship to trauma. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/6470/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Papadopoulos T. The Aesthetics of Waste: Investigating the role of the ephemeral in the development of the avant-garde in Western Europe and Greece and its relationship to trauma. [Thesis]. University of the Arts London; 2013. Available from: http://ualresearchonline.arts.ac.uk/6470/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

12. Hart, Emma. How To Do Things With Cameras.

Degree: 2013, University of the Arts London

 The primary site for this research is artistic production, through exhibitions and performances presented in galleries between 2008-2012. The written thesis closely examines the large… (more)

Subjects/Keywords: Fine Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hart, E. (2013). How To Do Things With Cameras. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/8744/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hart, Emma. “How To Do Things With Cameras.” 2013. Thesis, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/8744/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hart, Emma. “How To Do Things With Cameras.” 2013. Web. 17 Oct 2019.

Vancouver:

Hart E. How To Do Things With Cameras. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/8744/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hart E. How To Do Things With Cameras. [Thesis]. University of the Arts London; 2013. Available from: http://ualresearchonline.arts.ac.uk/8744/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

13. Kassianidou, Marina. Between Marks and Surfaces: Indiscernibility, Subjectivity, and Otherness.

Degree: 2015, University of the Arts London

 This practice-based research examines the notion of the in-between of mark and surface within visual art. Drawing on Bracha L. Ettinger’s Matrixial theory, I approach… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Kassianidou, M. (2015). Between Marks and Surfaces: Indiscernibility, Subjectivity, and Otherness. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/8935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kassianidou, Marina. “Between Marks and Surfaces: Indiscernibility, Subjectivity, and Otherness.” 2015. Thesis, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/8935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kassianidou, Marina. “Between Marks and Surfaces: Indiscernibility, Subjectivity, and Otherness.” 2015. Web. 17 Oct 2019.

Vancouver:

Kassianidou M. Between Marks and Surfaces: Indiscernibility, Subjectivity, and Otherness. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/8935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kassianidou M. Between Marks and Surfaces: Indiscernibility, Subjectivity, and Otherness. [Thesis]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/8935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

14. Edwardes, Christian. Peregrinations With Maps And Landscapes: Narrating the Spaces of Practice in Fine Art.

Degree: 2016, University of the Arts London

 For some art historians the notion of geography has never had as much importance in art as in recent years. At the same time numerous… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Edwardes, C. (2016). Peregrinations With Maps And Landscapes: Narrating the Spaces of Practice in Fine Art. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/9192/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edwardes, Christian. “Peregrinations With Maps And Landscapes: Narrating the Spaces of Practice in Fine Art.” 2016. Thesis, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/9192/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edwardes, Christian. “Peregrinations With Maps And Landscapes: Narrating the Spaces of Practice in Fine Art.” 2016. Web. 17 Oct 2019.

Vancouver:

Edwardes C. Peregrinations With Maps And Landscapes: Narrating the Spaces of Practice in Fine Art. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/9192/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwardes C. Peregrinations With Maps And Landscapes: Narrating the Spaces of Practice in Fine Art. [Thesis]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/9192/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

15. Christouli, Vasiliki. Site-Specific Art as an Exploration of Spatial and Temporal Limitations.

Degree: 2016, University of the Arts London

 This practice-based thesis examines the relationship between space, time and the human presence. It is concerned with the dialectic exchanges between my work and the… (more)

Subjects/Keywords: Fine Art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Christouli, V. (2016). Site-Specific Art as an Exploration of Spatial and Temporal Limitations. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12037/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Christouli, Vasiliki. “Site-Specific Art as an Exploration of Spatial and Temporal Limitations.” 2016. Thesis, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/12037/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Christouli, Vasiliki. “Site-Specific Art as an Exploration of Spatial and Temporal Limitations.” 2016. Web. 17 Oct 2019.

Vancouver:

Christouli V. Site-Specific Art as an Exploration of Spatial and Temporal Limitations. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/12037/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Christouli V. Site-Specific Art as an Exploration of Spatial and Temporal Limitations. [Thesis]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/12037/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

16. Hartley, John. The Thalassocentric Apparatus: Connected art processes from the sea showing multi-scale changes through their own emergence and collapse.

Degree: 2015, University of the Arts London

 The sea changes in many ways and on many levels. These changes are complex and highly connected and as a result are hard to predict… (more)

Subjects/Keywords: Fine Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hartley, J. (2015). The Thalassocentric Apparatus: Connected art processes from the sea showing multi-scale changes through their own emergence and collapse. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/13332/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hartley, John. “The Thalassocentric Apparatus: Connected art processes from the sea showing multi-scale changes through their own emergence and collapse.” 2015. Thesis, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/13332/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hartley, John. “The Thalassocentric Apparatus: Connected art processes from the sea showing multi-scale changes through their own emergence and collapse.” 2015. Web. 17 Oct 2019.

Vancouver:

Hartley J. The Thalassocentric Apparatus: Connected art processes from the sea showing multi-scale changes through their own emergence and collapse. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/13332/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hartley J. The Thalassocentric Apparatus: Connected art processes from the sea showing multi-scale changes through their own emergence and collapse. [Thesis]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/13332/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

17. Locke, Lana. The Feral, the Art Object and the Social.

Degree: 2017, University of the Arts London

 This practice-based research explores the nature of the feral, as manifested in an object-based installation practice of contemporary art that scavenges - physically, socially and… (more)

Subjects/Keywords: Fine Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Locke, L. (2017). The Feral, the Art Object and the Social. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/13476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Locke, Lana. “The Feral, the Art Object and the Social.” 2017. Thesis, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/13476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Locke, Lana. “The Feral, the Art Object and the Social.” 2017. Web. 17 Oct 2019.

Vancouver:

Locke L. The Feral, the Art Object and the Social. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/13476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Locke L. The Feral, the Art Object and the Social. [Thesis]. University of the Arts London; 2017. Available from: http://ualresearchonline.arts.ac.uk/13476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

18. Hewlett, Katherine. Socio - cultural investigation of visual dyslexic cognition.

Degree: 2018, University of the Arts London

 The thinking approaches of dyslexic visual artists in their creative production have been little analysed, either in isolation or in comparison with non-dyslexic artists. This… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Hewlett, K. (2018). Socio - cultural investigation of visual dyslexic cognition. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/13924/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hewlett, Katherine. “Socio - cultural investigation of visual dyslexic cognition.” 2018. Thesis, University of the Arts London. Accessed October 17, 2019. http://ualresearchonline.arts.ac.uk/13924/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hewlett, Katherine. “Socio - cultural investigation of visual dyslexic cognition.” 2018. Web. 17 Oct 2019.

Vancouver:

Hewlett K. Socio - cultural investigation of visual dyslexic cognition. [Internet] [Thesis]. University of the Arts London; 2018. [cited 2019 Oct 17]. Available from: http://ualresearchonline.arts.ac.uk/13924/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hewlett K. Socio - cultural investigation of visual dyslexic cognition. [Thesis]. University of the Arts London; 2018. Available from: http://ualresearchonline.arts.ac.uk/13924/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

19. Duncan, Suzanne. Dust imagined : a creative reflection on mortality, anxiety and process.

Degree: Image, Michaelis School of Fine Art, 2014, University of Cape Town

 Why do skin, hair and fingernails that are desirable objects, belonging to a whole body and adding to its decoration, cause disgust and become markers… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Duncan, S. (2014). Dust imagined : a creative reflection on mortality, anxiety and process. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13074

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Duncan, Suzanne. “Dust imagined : a creative reflection on mortality, anxiety and process.” 2014. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/13074.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Duncan, Suzanne. “Dust imagined : a creative reflection on mortality, anxiety and process.” 2014. Web. 17 Oct 2019.

Vancouver:

Duncan S. Dust imagined : a creative reflection on mortality, anxiety and process. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/13074.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duncan S. Dust imagined : a creative reflection on mortality, anxiety and process. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/13074

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

20. Mahashe, George. Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III.

Degree: Image, Michaelis School of Fine Art, 2012, University of Cape Town

 How, and in what ways, might a visually - and artistically - inclined person gain knowledge from a body of ethnographic photographic objects? I approach… (more)

Subjects/Keywords: Fine Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mahashe, G. (2012). Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/14569

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mahashe, George. “Dithugula tÅ¡a Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III.” 2012. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/14569.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mahashe, George. “Dithugula tÅ¡a Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III.” 2012. Web. 17 Oct 2019.

Vancouver:

Mahashe G. Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/14569.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mahashe G. Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/14569

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

21. Dooley, Jeffrey. Revisiting the future.

Degree: Image, Michaelis School of Fine Art, 2013, University of Cape Town

 Revisiting the future re-examines some ideas of the Italian Futurist painters Boccioni, Balla, Carra, Russolo and Severini. These ideas included multiplied sensations and states of… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Dooley, J. (2013). Revisiting the future. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/14151

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dooley, Jeffrey. “Revisiting the future.” 2013. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/14151.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dooley, Jeffrey. “Revisiting the future.” 2013. Web. 17 Oct 2019.

Vancouver:

Dooley J. Revisiting the future. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/14151.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dooley J. Revisiting the future. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/14151

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

22. Macdonald, James. Tracing the passion of a black Christ: critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha.

Degree: Image, Michaelis School of Fine Art, 2016, University of Cape Town

 In this research I consider ways in which black South African artists working during and after apartheid have both revised and symbolically redeployed the Stations… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Macdonald, J. (2016). Tracing the passion of a black Christ: critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/23452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Macdonald, James. “Tracing the passion of a black Christ: critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha.” 2016. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/23452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Macdonald, James. “Tracing the passion of a black Christ: critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha.” 2016. Web. 17 Oct 2019.

Vancouver:

Macdonald J. Tracing the passion of a black Christ: critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/23452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Macdonald J. Tracing the passion of a black Christ: critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/23452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

23. Froneman, Nadine. Obsessive collecting : curiosity of lost objects and unknown narratives, an archive of carte de visites.

Degree: Image, Michaelis School of Fine Art, 2014, University of Cape Town

 This project is an investigation of a community of cartes de visite. Cartes de visiteare 10,5cm high by 6,5cm wide cards, which have extremely detailed… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Froneman, N. (2014). Obsessive collecting : curiosity of lost objects and unknown narratives, an archive of carte de visites. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Froneman, Nadine. “Obsessive collecting : curiosity of lost objects and unknown narratives, an archive of carte de visites.” 2014. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/13254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Froneman, Nadine. “Obsessive collecting : curiosity of lost objects and unknown narratives, an archive of carte de visites.” 2014. Web. 17 Oct 2019.

Vancouver:

Froneman N. Obsessive collecting : curiosity of lost objects and unknown narratives, an archive of carte de visites. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/13254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Froneman N. Obsessive collecting : curiosity of lost objects and unknown narratives, an archive of carte de visites. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/13254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

24. Higgins, Josephine. Seeing death : portraiture in contemporary postmortem photography.

Degree: Image, Michaelis School of Fine Art, 2013, University of Cape Town

 This thesis focuses on the aesthetics of the photographic representation of the actual dead body in Elizabeth Heyert's The Travelers (2004), Pieter Hugo's The Bereaved… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Higgins, J. (2013). Seeing death : portraiture in contemporary postmortem photography. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/14152

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Higgins, Josephine. “Seeing death : portraiture in contemporary postmortem photography.” 2013. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/14152.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Higgins, Josephine. “Seeing death : portraiture in contemporary postmortem photography.” 2013. Web. 17 Oct 2019.

Vancouver:

Higgins J. Seeing death : portraiture in contemporary postmortem photography. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/14152.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Higgins J. Seeing death : portraiture in contemporary postmortem photography. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/14152

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

25. Dickerson, Catherine. Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic.

Degree: Image, Michaelis School of Fine Art, 2010, University of Cape Town

 Inflatable sculpture is often seen as absurd, comic or light-hearted, but it can also convey a darker, more serious tone. The inflatable sculptures created in… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Dickerson, C. (2010). Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/10408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickerson, Catherine. “Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic.” 2010. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/10408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickerson, Catherine. “Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic.” 2010. Web. 17 Oct 2019.

Vancouver:

Dickerson C. Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic. [Internet] [Thesis]. University of Cape Town; 2010. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/10408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickerson C. Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic. [Thesis]. University of Cape Town; 2010. Available from: http://hdl.handle.net/11427/10408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

26. Siwani, Buhlebezwe. Imfihlo.

Degree: Image, Michaelis School of Fine Art, 2016, University of Cape Town

 The discourses of ritual, culture and ethics has, over the years, been a primarily ethnographic, philosophical and dramaturgical concern. Secrecy seems central in setting boundaries.… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Siwani, B. (2016). Imfihlo. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20623

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Siwani, Buhlebezwe. “Imfihlo.” 2016. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/20623.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Siwani, Buhlebezwe. “Imfihlo.” 2016. Web. 17 Oct 2019.

Vancouver:

Siwani B. Imfihlo. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/20623.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Siwani B. Imfihlo. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20623

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

27. Bolton, Ingrid. Crossing the Ecoline: a visual response to increasing levels of ocean acidification.

Degree: Image, Michaelis School of Fine Art, 2016, University of Cape Town

 This text is presented in conjunction with my exhibition Crossing the Ecoline and is a visual response to changing levels of ocean acidification. My art(more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Bolton, I. (2016). Crossing the Ecoline: a visual response to increasing levels of ocean acidification. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bolton, Ingrid. “Crossing the Ecoline: a visual response to increasing levels of ocean acidification.” 2016. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/20654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bolton, Ingrid. “Crossing the Ecoline: a visual response to increasing levels of ocean acidification.” 2016. Web. 17 Oct 2019.

Vancouver:

Bolton I. Crossing the Ecoline: a visual response to increasing levels of ocean acidification. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/20654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bolton I. Crossing the Ecoline: a visual response to increasing levels of ocean acidification. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

28. Gauld, Quanta. Desperate whispers : empathy in the context of an ecological crisis.

Degree: Image, Michaelis School of Fine Art, 2015, University of Cape Town

 In his text Invisible Cities, Italo Calvino (1974) describes the fictional city of Baucis, a land suspended in the clouds, in which humans maintain a… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Gauld, Q. (2015). Desperate whispers : empathy in the context of an ecological crisis. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gauld, Quanta. “Desperate whispers : empathy in the context of an ecological crisis.” 2015. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/13696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gauld, Quanta. “Desperate whispers : empathy in the context of an ecological crisis.” 2015. Web. 17 Oct 2019.

Vancouver:

Gauld Q. Desperate whispers : empathy in the context of an ecological crisis. [Internet] [Thesis]. University of Cape Town; 2015. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/13696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gauld Q. Desperate whispers : empathy in the context of an ecological crisis. [Thesis]. University of Cape Town; 2015. Available from: http://hdl.handle.net/11427/13696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

29. Stielau, Anna. Double agents : queer citizenship(s) in contemporary South African visual culture.

Degree: Image, Michaelis School of Fine Art, 2016, University of Cape Town

 South Africa claims the most progressive constitution on the African continent, extending protections to all citizens regardless of race, gender, ability or sexual orientation. Much… (more)

Subjects/Keywords: Fine Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stielau, A. (2016). Double agents : queer citizenship(s) in contemporary South African visual culture. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20625

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stielau, Anna. “Double agents : queer citizenship(s) in contemporary South African visual culture.” 2016. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/20625.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stielau, Anna. “Double agents : queer citizenship(s) in contemporary South African visual culture.” 2016. Web. 17 Oct 2019.

Vancouver:

Stielau A. Double agents : queer citizenship(s) in contemporary South African visual culture. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/20625.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stielau A. Double agents : queer citizenship(s) in contemporary South African visual culture. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20625

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

30. Joubert, Jill. Apple girl : ingesting and transforming Apple girl from fairy tale into sculpture and performance.

Degree: Image, Michaelis School of Fine Art, 2013, University of Cape Town

 The submission for my Master of Fine Art degree, which is devoted to the interpretation and transformation of the Italian fairy tale, Apple Girl, into… (more)

Subjects/Keywords: Fine Art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Joubert, J. (2013). Apple girl : ingesting and transforming Apple girl from fairy tale into sculpture and performance. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Joubert, Jill. “Apple girl : ingesting and transforming Apple girl from fairy tale into sculpture and performance.” 2013. Thesis, University of Cape Town. Accessed October 17, 2019. http://hdl.handle.net/11427/13098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Joubert, Jill. “Apple girl : ingesting and transforming Apple girl from fairy tale into sculpture and performance.” 2013. Web. 17 Oct 2019.

Vancouver:

Joubert J. Apple girl : ingesting and transforming Apple girl from fairy tale into sculpture and performance. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11427/13098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Joubert J. Apple girl : ingesting and transforming Apple girl from fairy tale into sculpture and performance. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/13098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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