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You searched for subject:(Filmmaking). Showing records 1 – 30 of 148 total matches.

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University of Manchester

1. Lawrence, Andy Richard James. Confusion and catharsis in filmmaking for fieldwork.

Degree: PhD, 2015, University of Manchester

 This thesis provides a commentary on three films that I have made on the subjects of childbirth and death; Born (Lawrence 2008); The Lover and… (more)

Subjects/Keywords: filmmaking; anthropology

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APA (6th Edition):

Lawrence, A. R. J. (2015). Confusion and catharsis in filmmaking for fieldwork. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:267234 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664565

Chicago Manual of Style (16th Edition):

Lawrence, Andy Richard James. “Confusion and catharsis in filmmaking for fieldwork.” 2015. Doctoral Dissertation, University of Manchester. Accessed September 19, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:267234 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664565.

MLA Handbook (7th Edition):

Lawrence, Andy Richard James. “Confusion and catharsis in filmmaking for fieldwork.” 2015. Web. 19 Sep 2019.

Vancouver:

Lawrence ARJ. Confusion and catharsis in filmmaking for fieldwork. [Internet] [Doctoral dissertation]. University of Manchester; 2015. [cited 2019 Sep 19]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:267234 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664565.

Council of Science Editors:

Lawrence ARJ. Confusion and catharsis in filmmaking for fieldwork. [Doctoral Dissertation]. University of Manchester; 2015. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:267234 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664565


Baylor University

2. Oei, Robert, 1982-. The cinematography of "Closet memories." .

Degree: Communication., 2013, Baylor University

 The cinematography of a film heavily influences the audience’s mood and their perception of tension. The way a director of photography uses lights and the… (more)

Subjects/Keywords: Cinematography.; Filmmaking.

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APA (6th Edition):

Oei, Robert, 1. (2013). The cinematography of "Closet memories." . (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/8721

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oei, Robert, 1982-. “The cinematography of "Closet memories." .” 2013. Thesis, Baylor University. Accessed September 19, 2019. http://hdl.handle.net/2104/8721.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oei, Robert, 1982-. “The cinematography of "Closet memories." .” 2013. Web. 19 Sep 2019.

Vancouver:

Oei, Robert 1. The cinematography of "Closet memories." . [Internet] [Thesis]. Baylor University; 2013. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/2104/8721.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oei, Robert 1. The cinematography of "Closet memories." . [Thesis]. Baylor University; 2013. Available from: http://hdl.handle.net/2104/8721

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

3. Suppiah, Kamani. The Craft of Coffee: Creating the Perfect Cup .

Degree: 2013, University of Otago

 Coffee was supposedly discovered by goats, and subsequently thrown into a fire, because religious monks deemed its stimulatory properties evil. However, instead of being destroyed,… (more)

Subjects/Keywords: coffee; science; filmmaking

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APA (6th Edition):

Suppiah, K. (2013). The Craft of Coffee: Creating the Perfect Cup . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/3892

Chicago Manual of Style (16th Edition):

Suppiah, Kamani. “The Craft of Coffee: Creating the Perfect Cup .” 2013. Masters Thesis, University of Otago. Accessed September 19, 2019. http://hdl.handle.net/10523/3892.

MLA Handbook (7th Edition):

Suppiah, Kamani. “The Craft of Coffee: Creating the Perfect Cup .” 2013. Web. 19 Sep 2019.

Vancouver:

Suppiah K. The Craft of Coffee: Creating the Perfect Cup . [Internet] [Masters thesis]. University of Otago; 2013. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/10523/3892.

Council of Science Editors:

Suppiah K. The Craft of Coffee: Creating the Perfect Cup . [Masters Thesis]. University of Otago; 2013. Available from: http://hdl.handle.net/10523/3892


Rochester Institute of Technology

4. Dhand, Neal. Sleep Shift.

Degree: School of Film and Animation (CIAS), 2009, Rochester Institute of Technology

 An overview of the process of the proposal, attempt at production, re-proposal, and ultimate result of the live-action feature film, Sleep Shift. The goal of… (more)

Subjects/Keywords: Filmmaking; Murder mystery

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APA (6th Edition):

Dhand, N. (2009). Sleep Shift. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dhand, Neal. “Sleep Shift.” 2009. Thesis, Rochester Institute of Technology. Accessed September 19, 2019. https://scholarworks.rit.edu/theses/4381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dhand, Neal. “Sleep Shift.” 2009. Web. 19 Sep 2019.

Vancouver:

Dhand N. Sleep Shift. [Internet] [Thesis]. Rochester Institute of Technology; 2009. [cited 2019 Sep 19]. Available from: https://scholarworks.rit.edu/theses/4381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dhand N. Sleep Shift. [Thesis]. Rochester Institute of Technology; 2009. Available from: https://scholarworks.rit.edu/theses/4381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

5. Kremer, Flavia. Gendered prohibitions : using film to explore continuity and change among Bororo people in Central Brazil.

Degree: PhD, 2015, University of Manchester

 This thesis is an ethnographic study carried out with the Bororo people in Central Brazil. It focuses on how Bororo people’s moral experiences are transformed… (more)

Subjects/Keywords: Gender; Personhood; filmmaking; film-elicitation

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APA (6th Edition):

Kremer, F. (2015). Gendered prohibitions : using film to explore continuity and change among Bororo people in Central Brazil. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:259804 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.644519

Chicago Manual of Style (16th Edition):

Kremer, Flavia. “Gendered prohibitions : using film to explore continuity and change among Bororo people in Central Brazil.” 2015. Doctoral Dissertation, University of Manchester. Accessed September 19, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:259804 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.644519.

MLA Handbook (7th Edition):

Kremer, Flavia. “Gendered prohibitions : using film to explore continuity and change among Bororo people in Central Brazil.” 2015. Web. 19 Sep 2019.

Vancouver:

Kremer F. Gendered prohibitions : using film to explore continuity and change among Bororo people in Central Brazil. [Internet] [Doctoral dissertation]. University of Manchester; 2015. [cited 2019 Sep 19]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:259804 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.644519.

Council of Science Editors:

Kremer F. Gendered prohibitions : using film to explore continuity and change among Bororo people in Central Brazil. [Doctoral Dissertation]. University of Manchester; 2015. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:259804 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.644519


University of Newcastle

6. McBratney, Stuart. Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking.

Degree: PhD, 2018, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

In this exegesis I argue that the filmmakers who have enjoyed the most success in creating ultra-low budget… (more)

Subjects/Keywords: design; film; pragmatism; bricolage; filmmaking

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APA (6th Edition):

McBratney, S. (2018). Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1383702

Chicago Manual of Style (16th Edition):

McBratney, Stuart. “Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking.” 2018. Doctoral Dissertation, University of Newcastle. Accessed September 19, 2019. http://hdl.handle.net/1959.13/1383702.

MLA Handbook (7th Edition):

McBratney, Stuart. “Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking.” 2018. Web. 19 Sep 2019.

Vancouver:

McBratney S. Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking. [Internet] [Doctoral dissertation]. University of Newcastle; 2018. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/1959.13/1383702.

Council of Science Editors:

McBratney S. Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking. [Doctoral Dissertation]. University of Newcastle; 2018. Available from: http://hdl.handle.net/1959.13/1383702


University of New Orleans

7. Ryan, Michael C. 65 Lessons Learned the Hard Way while Making The Hunter's Apprentice.

Degree: M.F.A., Drama and Communications, 2005, University of New Orleans

The following thesis describes the lessons that were learned during the process of making a short film, covering the areas of pre-production, production, and post-production. The shooting script is included in the appendix. Advisors/Committee Members: Hank, Stephen, Overton, Hamp, Benischek, Roger.

Subjects/Keywords: Filmmaking Techniques

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ryan, M. C. (2005). 65 Lessons Learned the Hard Way while Making The Hunter's Apprentice. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/284

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryan, Michael C. “65 Lessons Learned the Hard Way while Making The Hunter's Apprentice.” 2005. Thesis, University of New Orleans. Accessed September 19, 2019. https://scholarworks.uno.edu/td/284.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryan, Michael C. “65 Lessons Learned the Hard Way while Making The Hunter's Apprentice.” 2005. Web. 19 Sep 2019.

Vancouver:

Ryan MC. 65 Lessons Learned the Hard Way while Making The Hunter's Apprentice. [Internet] [Thesis]. University of New Orleans; 2005. [cited 2019 Sep 19]. Available from: https://scholarworks.uno.edu/td/284.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryan MC. 65 Lessons Learned the Hard Way while Making The Hunter's Apprentice. [Thesis]. University of New Orleans; 2005. Available from: https://scholarworks.uno.edu/td/284

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

8. Shetti, Vishwanand Venkatesh. Developing visual associations through filmmaking.

Degree: 2008, Texas A&M University

 Associations are embedded in many aspects of filmmaking. It is this artist's goal to analyze visual associations in the process and product of an original… (more)

Subjects/Keywords: movie; filmmaking; film; discretion; video; creative; process

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APA (6th Edition):

Shetti, V. V. (2008). Developing visual associations through filmmaking. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/86070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shetti, Vishwanand Venkatesh. “Developing visual associations through filmmaking.” 2008. Thesis, Texas A&M University. Accessed September 19, 2019. http://hdl.handle.net/1969.1/86070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shetti, Vishwanand Venkatesh. “Developing visual associations through filmmaking.” 2008. Web. 19 Sep 2019.

Vancouver:

Shetti VV. Developing visual associations through filmmaking. [Internet] [Thesis]. Texas A&M University; 2008. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/1969.1/86070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shetti VV. Developing visual associations through filmmaking. [Thesis]. Texas A&M University; 2008. Available from: http://hdl.handle.net/1969.1/86070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Baylor University

9. Heinrich, Philip, 1989-. In Paradise : a feature film.

Degree: Communication., 2014, Baylor University

 In Paradise is a feature length live action narrative film that I wrote, directed and produced as my masters thesis. I worked on the film… (more)

Subjects/Keywords: Film.; Cinema.; Independent filmmaking.; Film directing.

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APA (6th Edition):

Heinrich, Philip, 1. (2014). In Paradise : a feature film. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/9071

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heinrich, Philip, 1989-. “In Paradise : a feature film. ” 2014. Thesis, Baylor University. Accessed September 19, 2019. http://hdl.handle.net/2104/9071.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heinrich, Philip, 1989-. “In Paradise : a feature film. ” 2014. Web. 19 Sep 2019.

Vancouver:

Heinrich, Philip 1. In Paradise : a feature film. [Internet] [Thesis]. Baylor University; 2014. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/2104/9071.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heinrich, Philip 1. In Paradise : a feature film. [Thesis]. Baylor University; 2014. Available from: http://hdl.handle.net/2104/9071

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

10. Thomas, Stephen. Reflexivity, collaboration and ethical documentary filmmaking: a practice led approach.

Degree: 2017, University of Melbourne

 This creative practice research concerns reflexivity, collaboration and ethics in authored documentary filmmaking—with a focus on the filmmaker-participant relationship. The written thesis provides a first-hand… (more)

Subjects/Keywords: documentary; ethics; filmmaking; collaboration; reflexivity; freedom stories

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APA (6th Edition):

Thomas, S. (2017). Reflexivity, collaboration and ethical documentary filmmaking: a practice led approach. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/161168

Chicago Manual of Style (16th Edition):

Thomas, Stephen. “Reflexivity, collaboration and ethical documentary filmmaking: a practice led approach.” 2017. Doctoral Dissertation, University of Melbourne. Accessed September 19, 2019. http://hdl.handle.net/11343/161168.

MLA Handbook (7th Edition):

Thomas, Stephen. “Reflexivity, collaboration and ethical documentary filmmaking: a practice led approach.” 2017. Web. 19 Sep 2019.

Vancouver:

Thomas S. Reflexivity, collaboration and ethical documentary filmmaking: a practice led approach. [Internet] [Doctoral dissertation]. University of Melbourne; 2017. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/11343/161168.

Council of Science Editors:

Thomas S. Reflexivity, collaboration and ethical documentary filmmaking: a practice led approach. [Doctoral Dissertation]. University of Melbourne; 2017. Available from: http://hdl.handle.net/11343/161168


University of Melbourne

11. Cheng, Yu Su. Each moment is the universe: filming the Tibetan Buddhist community of Yumbulakhang in China.

Degree: 2017, University of Melbourne

 This practice-based creative PhD project consists of a 135-minute PhD essay film and a context-driven dissertation, to demonstrate a research outcome for a relational, non-duality,… (more)

Subjects/Keywords: filmmaking; Buddhism; ethnographic; Tibet; film and TV

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APA (6th Edition):

Cheng, Y. S. (2017). Each moment is the universe: filming the Tibetan Buddhist community of Yumbulakhang in China. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/191271

Chicago Manual of Style (16th Edition):

Cheng, Yu Su. “Each moment is the universe: filming the Tibetan Buddhist community of Yumbulakhang in China.” 2017. Doctoral Dissertation, University of Melbourne. Accessed September 19, 2019. http://hdl.handle.net/11343/191271.

MLA Handbook (7th Edition):

Cheng, Yu Su. “Each moment is the universe: filming the Tibetan Buddhist community of Yumbulakhang in China.” 2017. Web. 19 Sep 2019.

Vancouver:

Cheng YS. Each moment is the universe: filming the Tibetan Buddhist community of Yumbulakhang in China. [Internet] [Doctoral dissertation]. University of Melbourne; 2017. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/11343/191271.

Council of Science Editors:

Cheng YS. Each moment is the universe: filming the Tibetan Buddhist community of Yumbulakhang in China. [Doctoral Dissertation]. University of Melbourne; 2017. Available from: http://hdl.handle.net/11343/191271


University of Edinburgh

12. Kohle, Friedrich Herman. Whose Documentary is it anyway? : encounters with the global digital family on social media and the rise of a participant-centric mode of documentary filmmaking.

Degree: PhD, 2018, University of Edinburgh

 This study examines the way social media changes the way documentaries are developed, produced and distributed. I want investigate how web 2.0 technologies disrupt the… (more)

Subjects/Keywords: documentary; social media; global digital family; filmmaking

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APA (6th Edition):

Kohle, F. H. (2018). Whose Documentary is it anyway? : encounters with the global digital family on social media and the rise of a participant-centric mode of documentary filmmaking. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/31426

Chicago Manual of Style (16th Edition):

Kohle, Friedrich Herman. “Whose Documentary is it anyway? : encounters with the global digital family on social media and the rise of a participant-centric mode of documentary filmmaking.” 2018. Doctoral Dissertation, University of Edinburgh. Accessed September 19, 2019. http://hdl.handle.net/1842/31426.

MLA Handbook (7th Edition):

Kohle, Friedrich Herman. “Whose Documentary is it anyway? : encounters with the global digital family on social media and the rise of a participant-centric mode of documentary filmmaking.” 2018. Web. 19 Sep 2019.

Vancouver:

Kohle FH. Whose Documentary is it anyway? : encounters with the global digital family on social media and the rise of a participant-centric mode of documentary filmmaking. [Internet] [Doctoral dissertation]. University of Edinburgh; 2018. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/1842/31426.

Council of Science Editors:

Kohle FH. Whose Documentary is it anyway? : encounters with the global digital family on social media and the rise of a participant-centric mode of documentary filmmaking. [Doctoral Dissertation]. University of Edinburgh; 2018. Available from: http://hdl.handle.net/1842/31426


Rochester Institute of Technology

13. Spaull, Malcolm. Eight hundred pounds of sand, two ping pong tables and...

Degree: School of Photographic Arts and Sciences (CIAS), 1979, Rochester Institute of Technology

None provided. Advisors/Committee Members: Slutzky, Jack, Werberig, Charles.

Subjects/Keywords: Animation; Art; Filmmaking

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spaull, M. (1979). Eight hundred pounds of sand, two ping pong tables and... (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5346

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spaull, Malcolm. “Eight hundred pounds of sand, two ping pong tables and...” 1979. Thesis, Rochester Institute of Technology. Accessed September 19, 2019. https://scholarworks.rit.edu/theses/5346.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spaull, Malcolm. “Eight hundred pounds of sand, two ping pong tables and...” 1979. Web. 19 Sep 2019.

Vancouver:

Spaull M. Eight hundred pounds of sand, two ping pong tables and... [Internet] [Thesis]. Rochester Institute of Technology; 1979. [cited 2019 Sep 19]. Available from: https://scholarworks.rit.edu/theses/5346.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spaull M. Eight hundred pounds of sand, two ping pong tables and... [Thesis]. Rochester Institute of Technology; 1979. Available from: https://scholarworks.rit.edu/theses/5346

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

14. Chaffee, Rachel L. Reel science : an ethnographic study of girls' science identity development in and through film.

Degree: PhD, 2016, University of Rochester

 This dissertation study contributes to the research on filmmaking and identity development by exploring the ways that film production provided unique opportunities for a team… (more)

Subjects/Keywords: Filmmaking; Gender; Girls; Science; Girl filmmakers

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APA (6th Edition):

Chaffee, R. L. (2016). Reel science : an ethnographic study of girls' science identity development in and through film. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/30891

Chicago Manual of Style (16th Edition):

Chaffee, Rachel L. “Reel science : an ethnographic study of girls' science identity development in and through film.” 2016. Doctoral Dissertation, University of Rochester. Accessed September 19, 2019. http://hdl.handle.net/1802/30891.

MLA Handbook (7th Edition):

Chaffee, Rachel L. “Reel science : an ethnographic study of girls' science identity development in and through film.” 2016. Web. 19 Sep 2019.

Vancouver:

Chaffee RL. Reel science : an ethnographic study of girls' science identity development in and through film. [Internet] [Doctoral dissertation]. University of Rochester; 2016. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/1802/30891.

Council of Science Editors:

Chaffee RL. Reel science : an ethnographic study of girls' science identity development in and through film. [Doctoral Dissertation]. University of Rochester; 2016. Available from: http://hdl.handle.net/1802/30891


University of New South Wales

15. Di Falco, Nikki. VERAcity: an exploration of the city in cinema.

Degree: Art, 2012, University of New South Wales

 How far can filmmakers stretch the truth when they come to design of cities forfilm? Why should they? How do they? And how far can… (more)

Subjects/Keywords: Contemporary theory; Design of cities; Filmmaking

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APA (6th Edition):

Di Falco, N. (2012). VERAcity: an exploration of the city in cinema. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/55045 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36414/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Di Falco, Nikki. “VERAcity: an exploration of the city in cinema.” 2012. Masters Thesis, University of New South Wales. Accessed September 19, 2019. http://handle.unsw.edu.au/1959.4/55045 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36414/SOURCE02?view=true.

MLA Handbook (7th Edition):

Di Falco, Nikki. “VERAcity: an exploration of the city in cinema.” 2012. Web. 19 Sep 2019.

Vancouver:

Di Falco N. VERAcity: an exploration of the city in cinema. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2019 Sep 19]. Available from: http://handle.unsw.edu.au/1959.4/55045 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36414/SOURCE02?view=true.

Council of Science Editors:

Di Falco N. VERAcity: an exploration of the city in cinema. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/55045 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36414/SOURCE02?view=true


San Jose State University

16. Serpa, Lauren Elise. The Final Cut.

Degree: MFA, English and Comparative Literature, 2016, San Jose State University

  An ensemble dramedy, The Final Cut, examines the brutal and unglamorous world of independent filmmaking. The Final Cut explores themes such as betrayal, the… (more)

Subjects/Keywords: Choices; Dramedy; Ensemble; Filmmaking; Frenemies; Millennials

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APA (6th Edition):

Serpa, L. E. (2016). The Final Cut. (Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.3sf4-wxc9 ; https://scholarworks.sjsu.edu/etd_theses/4706

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Serpa, Lauren Elise. “The Final Cut.” 2016. Thesis, San Jose State University. Accessed September 19, 2019. https://doi.org/10.31979/etd.3sf4-wxc9 ; https://scholarworks.sjsu.edu/etd_theses/4706.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Serpa, Lauren Elise. “The Final Cut.” 2016. Web. 19 Sep 2019.

Vancouver:

Serpa LE. The Final Cut. [Internet] [Thesis]. San Jose State University; 2016. [cited 2019 Sep 19]. Available from: https://doi.org/10.31979/etd.3sf4-wxc9 ; https://scholarworks.sjsu.edu/etd_theses/4706.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Serpa LE. The Final Cut. [Thesis]. San Jose State University; 2016. Available from: https://doi.org/10.31979/etd.3sf4-wxc9 ; https://scholarworks.sjsu.edu/etd_theses/4706

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. -9923-7395. Soft reboot : the making of Hard Reset.

Degree: MFA, Radio-Television-Film, 2015, University of Texas – Austin

 Director, Writer and MFA Candidate Deepak Chetty will discuss his history as a filmmaker from an early age up until present day as well as… (more)

Subjects/Keywords: Filmmaking; Stereoscopic

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APA (6th Edition):

-9923-7395. (2015). Soft reboot : the making of Hard Reset. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/32454

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-9923-7395. “Soft reboot : the making of Hard Reset.” 2015. Masters Thesis, University of Texas – Austin. Accessed September 19, 2019. http://hdl.handle.net/2152/32454.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-9923-7395. “Soft reboot : the making of Hard Reset.” 2015. Web. 19 Sep 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-9923-7395. Soft reboot : the making of Hard Reset. [Internet] [Masters thesis]. University of Texas – Austin; 2015. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/2152/32454.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-9923-7395. Soft reboot : the making of Hard Reset. [Masters Thesis]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/32454

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Texas – Austin

18. O'Hearn, Mitchell James. Mattress.

Degree: MFA, Radio-Television-Film, 2016, University of Texas – Austin

 This report chronicles some of the incredible and not-so-incredible moments that happened while creating my thesis film, Mattress. The report does not conform to a… (more)

Subjects/Keywords: Short film; Filmmaking; Mattress; Graduate student film; Thesis film; Young filmmakers; Filmmaking experience

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

O'Hearn, M. J. (2016). Mattress. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/72810

Chicago Manual of Style (16th Edition):

O'Hearn, Mitchell James. “Mattress.” 2016. Masters Thesis, University of Texas – Austin. Accessed September 19, 2019. http://hdl.handle.net/2152/72810.

MLA Handbook (7th Edition):

O'Hearn, Mitchell James. “Mattress.” 2016. Web. 19 Sep 2019.

Vancouver:

O'Hearn MJ. Mattress. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/2152/72810.

Council of Science Editors:

O'Hearn MJ. Mattress. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/72810

19. Perry Schrank, Rachel Tamsen. The Spirit of Stuff: What I Learned When I Sold (Almost) Everything.

Degree: MA, Mass Communications, 2009, U of Denver

  The following document is a report submitted in conjunction with a video project. The video is a personal documentary, filmed in Denver, Colorado and… (more)

Subjects/Keywords: Documentary; Film; Filmmaking Process; Material Culture; Religion; Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perry Schrank, R. T. (2009). The Spirit of Stuff: What I Learned When I Sold (Almost) Everything. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Perry Schrank, Rachel Tamsen. “The Spirit of Stuff: What I Learned When I Sold (Almost) Everything.” 2009. Thesis, U of Denver. Accessed September 19, 2019. https://digitalcommons.du.edu/etd/507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Perry Schrank, Rachel Tamsen. “The Spirit of Stuff: What I Learned When I Sold (Almost) Everything.” 2009. Web. 19 Sep 2019.

Vancouver:

Perry Schrank RT. The Spirit of Stuff: What I Learned When I Sold (Almost) Everything. [Internet] [Thesis]. U of Denver; 2009. [cited 2019 Sep 19]. Available from: https://digitalcommons.du.edu/etd/507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Perry Schrank RT. The Spirit of Stuff: What I Learned When I Sold (Almost) Everything. [Thesis]. U of Denver; 2009. Available from: https://digitalcommons.du.edu/etd/507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan Technological University

20. Boldt, Kelsey. ALTERNATIVE YOOPERS: THE MAKING OF A DOCUMENTARY FILM.

Degree: MS, Department of Humanities, 2012, Michigan Technological University

  This master's project takes the form of a documentary film called Alternative Yoopers. The film follows three different subjects who are separated by generations… (more)

Subjects/Keywords: Yooper; Documentary film; Interview-oriented approach; Filmmaking; Rhetoric and Composition

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APA (6th Edition):

Boldt, K. (2012). ALTERNATIVE YOOPERS: THE MAKING OF A DOCUMENTARY FILM. (Masters Thesis). Michigan Technological University. Retrieved from http://digitalcommons.mtu.edu/etd-restricted/151

Chicago Manual of Style (16th Edition):

Boldt, Kelsey. “ALTERNATIVE YOOPERS: THE MAKING OF A DOCUMENTARY FILM.” 2012. Masters Thesis, Michigan Technological University. Accessed September 19, 2019. http://digitalcommons.mtu.edu/etd-restricted/151.

MLA Handbook (7th Edition):

Boldt, Kelsey. “ALTERNATIVE YOOPERS: THE MAKING OF A DOCUMENTARY FILM.” 2012. Web. 19 Sep 2019.

Vancouver:

Boldt K. ALTERNATIVE YOOPERS: THE MAKING OF A DOCUMENTARY FILM. [Internet] [Masters thesis]. Michigan Technological University; 2012. [cited 2019 Sep 19]. Available from: http://digitalcommons.mtu.edu/etd-restricted/151.

Council of Science Editors:

Boldt K. ALTERNATIVE YOOPERS: THE MAKING OF A DOCUMENTARY FILM. [Masters Thesis]. Michigan Technological University; 2012. Available from: http://digitalcommons.mtu.edu/etd-restricted/151


University of Manchester

21. Wake, Shotaro. Looking at Life through a Mask: An Autoethnographic Journey into the Worlds of Cancer.

Degree: 2017, University of Manchester

 This thesis explores the intersection of observational filmmaking with auto-ethnographic writing, a combination not used very often but with great potential for visual anthropologists. I… (more)

Subjects/Keywords: Cancer; Continuous liminality; Japan; Ma; Silence; Autoethnography; Observational filmmaking

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APA (6th Edition):

Wake, S. (2017). Looking at Life through a Mask: An Autoethnographic Journey into the Worlds of Cancer. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:309944

Chicago Manual of Style (16th Edition):

Wake, Shotaro. “Looking at Life through a Mask: An Autoethnographic Journey into the Worlds of Cancer.” 2017. Doctoral Dissertation, University of Manchester. Accessed September 19, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:309944.

MLA Handbook (7th Edition):

Wake, Shotaro. “Looking at Life through a Mask: An Autoethnographic Journey into the Worlds of Cancer.” 2017. Web. 19 Sep 2019.

Vancouver:

Wake S. Looking at Life through a Mask: An Autoethnographic Journey into the Worlds of Cancer. [Internet] [Doctoral dissertation]. University of Manchester; 2017. [cited 2019 Sep 19]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:309944.

Council of Science Editors:

Wake S. Looking at Life through a Mask: An Autoethnographic Journey into the Worlds of Cancer. [Doctoral Dissertation]. University of Manchester; 2017. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:309944


University of Manchester

22. Wake, Shotaro. Looking at life through a mask : an autoethnographic journey into the worlds of cancer.

Degree: PhD, 2017, University of Manchester

 This thesis explores the intersection of observational filmmaking with auto-ethnographic writing, a combination not used very often but with great potential for visual anthropologists. I… (more)

Subjects/Keywords: 300; Autoethnography; Observational filmmaking; Silence; Continuous liminality; Japan; Cancer; Ma

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wake, S. (2017). Looking at life through a mask : an autoethnographic journey into the worlds of cancer. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/looking-at-life-through-a-mask-an-autoethnographic-journey-into-the-worlds-of-cancer(a387c604-ead6-4138-b4dc-89247d845691).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756814

Chicago Manual of Style (16th Edition):

Wake, Shotaro. “Looking at life through a mask : an autoethnographic journey into the worlds of cancer.” 2017. Doctoral Dissertation, University of Manchester. Accessed September 19, 2019. https://www.research.manchester.ac.uk/portal/en/theses/looking-at-life-through-a-mask-an-autoethnographic-journey-into-the-worlds-of-cancer(a387c604-ead6-4138-b4dc-89247d845691).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756814.

MLA Handbook (7th Edition):

Wake, Shotaro. “Looking at life through a mask : an autoethnographic journey into the worlds of cancer.” 2017. Web. 19 Sep 2019.

Vancouver:

Wake S. Looking at life through a mask : an autoethnographic journey into the worlds of cancer. [Internet] [Doctoral dissertation]. University of Manchester; 2017. [cited 2019 Sep 19]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/looking-at-life-through-a-mask-an-autoethnographic-journey-into-the-worlds-of-cancer(a387c604-ead6-4138-b4dc-89247d845691).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756814.

Council of Science Editors:

Wake S. Looking at life through a mask : an autoethnographic journey into the worlds of cancer. [Doctoral Dissertation]. University of Manchester; 2017. Available from: https://www.research.manchester.ac.uk/portal/en/theses/looking-at-life-through-a-mask-an-autoethnographic-journey-into-the-worlds-of-cancer(a387c604-ead6-4138-b4dc-89247d845691).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756814


University of Adelaide

23. Offler, Naomi Robyn. An exploration of collaboration: Aboriginal and non-Aboriginal relationships in ethnographic filmmaking.

Degree: 2018, University of Adelaide

 This doctoral project explores the collaborative process and relationships formed between anthropologists and/or filmmakers and the Aboriginal people they work with. I use the making… (more)

Subjects/Keywords: collaboration; ethnographic filmmaking; Aboriginal and non-Aboriginal relationships; anthropology

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APA (6th Edition):

Offler, N. R. (2018). An exploration of collaboration: Aboriginal and non-Aboriginal relationships in ethnographic filmmaking. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/112441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Offler, Naomi Robyn. “An exploration of collaboration: Aboriginal and non-Aboriginal relationships in ethnographic filmmaking.” 2018. Thesis, University of Adelaide. Accessed September 19, 2019. http://hdl.handle.net/2440/112441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Offler, Naomi Robyn. “An exploration of collaboration: Aboriginal and non-Aboriginal relationships in ethnographic filmmaking.” 2018. Web. 19 Sep 2019.

Vancouver:

Offler NR. An exploration of collaboration: Aboriginal and non-Aboriginal relationships in ethnographic filmmaking. [Internet] [Thesis]. University of Adelaide; 2018. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/2440/112441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Offler NR. An exploration of collaboration: Aboriginal and non-Aboriginal relationships in ethnographic filmmaking. [Thesis]. University of Adelaide; 2018. Available from: http://hdl.handle.net/2440/112441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

24. Horner, Lindsay Kinlock. Making the Abstract Tangible: Computer Generated Images and the Science Documentary .

Degree: 2013, University of Otago

 Documentary is an ever-developing genre and has undergone significant changes in the last two decades due to the influence of digital technologies. Advancements in these… (more)

Subjects/Keywords: documentary; filmmaking; cgi; computer generated imagery; motion graphics; science communication

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APA (6th Edition):

Horner, L. K. (2013). Making the Abstract Tangible: Computer Generated Images and the Science Documentary . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/4466

Chicago Manual of Style (16th Edition):

Horner, Lindsay Kinlock. “Making the Abstract Tangible: Computer Generated Images and the Science Documentary .” 2013. Masters Thesis, University of Otago. Accessed September 19, 2019. http://hdl.handle.net/10523/4466.

MLA Handbook (7th Edition):

Horner, Lindsay Kinlock. “Making the Abstract Tangible: Computer Generated Images and the Science Documentary .” 2013. Web. 19 Sep 2019.

Vancouver:

Horner LK. Making the Abstract Tangible: Computer Generated Images and the Science Documentary . [Internet] [Masters thesis]. University of Otago; 2013. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/10523/4466.

Council of Science Editors:

Horner LK. Making the Abstract Tangible: Computer Generated Images and the Science Documentary . [Masters Thesis]. University of Otago; 2013. Available from: http://hdl.handle.net/10523/4466


University of Melbourne

25. Warner, Christopher David. What makes a filmmaker make films? A theoretical model & analytical method for the interrogation of filmmaking practice.

Degree: 2014, University of Melbourne

 Scholarly research on filmmaking practice from a filmmaker’s point of view is rare, with existing studies mostly focusing on the making of feature films. The… (more)

Subjects/Keywords: filmmaking; filmmaking practice; film practice; filmmakers; film director; film producer; screenwriter; film performer; filmmaking analysis; Practice-Space Model; Practice Space; Private Space; Public Space; Life Space; Filmmaking Space; Project Space; Dimension; Trajectory; Single-Factor Trajectory; SFT; Bourdieu; existential phenomenology; possible worlds of production; Storper and Salais; purushartha

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Warner, C. D. (2014). What makes a filmmaker make films? A theoretical model & analytical method for the interrogation of filmmaking practice. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/42296

Chicago Manual of Style (16th Edition):

Warner, Christopher David. “What makes a filmmaker make films? A theoretical model & analytical method for the interrogation of filmmaking practice.” 2014. Doctoral Dissertation, University of Melbourne. Accessed September 19, 2019. http://hdl.handle.net/11343/42296.

MLA Handbook (7th Edition):

Warner, Christopher David. “What makes a filmmaker make films? A theoretical model & analytical method for the interrogation of filmmaking practice.” 2014. Web. 19 Sep 2019.

Vancouver:

Warner CD. What makes a filmmaker make films? A theoretical model & analytical method for the interrogation of filmmaking practice. [Internet] [Doctoral dissertation]. University of Melbourne; 2014. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/11343/42296.

Council of Science Editors:

Warner CD. What makes a filmmaker make films? A theoretical model & analytical method for the interrogation of filmmaking practice. [Doctoral Dissertation]. University of Melbourne; 2014. Available from: http://hdl.handle.net/11343/42296


University of South Florida

26. Schoen, Steven W. The Rhetoric of Evidence in Recent Documentary Film and Video.

Degree: 2012, University of South Florida

 Documentary is a genre of film that portrays "real" events using depictions that connote the objectivity and facticity implied by the processes of photorealism. Many… (more)

Subjects/Keywords: Dramatism; Filmmaking; Kenneth Burke; Scene; Communication; Mass Communication; Rhetoric

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APA (6th Edition):

Schoen, S. W. (2012). The Rhetoric of Evidence in Recent Documentary Film and Video. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schoen, Steven W. “The Rhetoric of Evidence in Recent Documentary Film and Video.” 2012. Thesis, University of South Florida. Accessed September 19, 2019. https://scholarcommons.usf.edu/etd/4399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schoen, Steven W. “The Rhetoric of Evidence in Recent Documentary Film and Video.” 2012. Web. 19 Sep 2019.

Vancouver:

Schoen SW. The Rhetoric of Evidence in Recent Documentary Film and Video. [Internet] [Thesis]. University of South Florida; 2012. [cited 2019 Sep 19]. Available from: https://scholarcommons.usf.edu/etd/4399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schoen SW. The Rhetoric of Evidence in Recent Documentary Film and Video. [Thesis]. University of South Florida; 2012. Available from: https://scholarcommons.usf.edu/etd/4399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Deakin University

27. Hancock, Grady Clare. Re-visioning Australian social realism through a feminine lens.

Degree: School of Communication and Creative Arts, 2014, Deakin University

 This research explores the unique ways in which female film practitioners in Australia are utilising social realist politics in examining the stories of women in… (more)

Subjects/Keywords: social realism; Australian filmmaking; male-centric; masculine; female characters

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APA (6th Edition):

Hancock, G. C. (2014). Re-visioning Australian social realism through a feminine lens. (Thesis). Deakin University. Retrieved from http://hdl.handle.net/10536/DRO/DU:30067336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hancock, Grady Clare. “Re-visioning Australian social realism through a feminine lens.” 2014. Thesis, Deakin University. Accessed September 19, 2019. http://hdl.handle.net/10536/DRO/DU:30067336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hancock, Grady Clare. “Re-visioning Australian social realism through a feminine lens.” 2014. Web. 19 Sep 2019.

Vancouver:

Hancock GC. Re-visioning Australian social realism through a feminine lens. [Internet] [Thesis]. Deakin University; 2014. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/10536/DRO/DU:30067336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hancock GC. Re-visioning Australian social realism through a feminine lens. [Thesis]. Deakin University; 2014. Available from: http://hdl.handle.net/10536/DRO/DU:30067336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

28. Glass, Leanne. National identity, the auteur and the Greek world on film.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

Increased interest in filmic adaptations of ancient Greece has re-ignited academic interest in the ways films based on… (more)

Subjects/Keywords: auteur; national identity; Ancient Greece; film critique; filmmaking

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APA (6th Edition):

Glass, L. (2015). National identity, the auteur and the Greek world on film. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1310755

Chicago Manual of Style (16th Edition):

Glass, Leanne. “National identity, the auteur and the Greek world on film.” 2015. Doctoral Dissertation, University of Newcastle. Accessed September 19, 2019. http://hdl.handle.net/1959.13/1310755.

MLA Handbook (7th Edition):

Glass, Leanne. “National identity, the auteur and the Greek world on film.” 2015. Web. 19 Sep 2019.

Vancouver:

Glass L. National identity, the auteur and the Greek world on film. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/1959.13/1310755.

Council of Science Editors:

Glass L. National identity, the auteur and the Greek world on film. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1310755

29. McMahen, James. Duality, the Methodology of Shooting a Documentary as a One-Man Crew.

Degree: MFA, Art, 2017, Stephen F. Austin State University

  This thesis will discuss Duality, a long-form documentary about artistic nude models who also create art involving the nude female form. This thesis will… (more)

Subjects/Keywords: Art; Feminism; Photography; Modeling; Nude Art; Documentary Filmmaking; Film Production

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McMahen, J. (2017). Duality, the Methodology of Shooting a Documentary as a One-Man Crew. (Masters Thesis). Stephen F. Austin State University. Retrieved from https://scholarworks.sfasu.edu/etds/74

Chicago Manual of Style (16th Edition):

McMahen, James. “Duality, the Methodology of Shooting a Documentary as a One-Man Crew.” 2017. Masters Thesis, Stephen F. Austin State University. Accessed September 19, 2019. https://scholarworks.sfasu.edu/etds/74.

MLA Handbook (7th Edition):

McMahen, James. “Duality, the Methodology of Shooting a Documentary as a One-Man Crew.” 2017. Web. 19 Sep 2019.

Vancouver:

McMahen J. Duality, the Methodology of Shooting a Documentary as a One-Man Crew. [Internet] [Masters thesis]. Stephen F. Austin State University; 2017. [cited 2019 Sep 19]. Available from: https://scholarworks.sfasu.edu/etds/74.

Council of Science Editors:

McMahen J. Duality, the Methodology of Shooting a Documentary as a One-Man Crew. [Masters Thesis]. Stephen F. Austin State University; 2017. Available from: https://scholarworks.sfasu.edu/etds/74


Rochester Institute of Technology

30. Caldeira Mendes, Elsi. The pigeon and the mouse.

Degree: School of Film and Animation (CIAS), 2003, Rochester Institute of Technology

Thesis describes the creation of a 3D-computer animated film based on a Venezuelan folk tale. Advisors/Committee Members: Spaull, Malcolm, Lent, Tina.

Subjects/Keywords: 3D Animation; Filmmaking; Modeling; Texturing

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APA (6th Edition):

Caldeira Mendes, E. (2003). The pigeon and the mouse. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4957

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Caldeira Mendes, Elsi. “The pigeon and the mouse.” 2003. Thesis, Rochester Institute of Technology. Accessed September 19, 2019. https://scholarworks.rit.edu/theses/4957.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Caldeira Mendes, Elsi. “The pigeon and the mouse.” 2003. Web. 19 Sep 2019.

Vancouver:

Caldeira Mendes E. The pigeon and the mouse. [Internet] [Thesis]. Rochester Institute of Technology; 2003. [cited 2019 Sep 19]. Available from: https://scholarworks.rit.edu/theses/4957.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caldeira Mendes E. The pigeon and the mouse. [Thesis]. Rochester Institute of Technology; 2003. Available from: https://scholarworks.rit.edu/theses/4957

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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