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University: Ohio University

You searched for subject:(Film studies). Showing records 1 – 30 of 44 total matches.

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Ohio University

1. Shook, Steffi A. Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals.

Degree: MA, Film (Fine Arts), 2013, Ohio University

 The heteronormative endings that conclude American film musicals can be read as camp or ironic in light of the subversion of hegemonic relationship sanctions that… (more)

Subjects/Keywords: Film Studies; film; film musicals; camp; subversion; gender; film endings

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APA (6th Edition):

Shook, S. A. (2013). Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385387953

Chicago Manual of Style (16th Edition):

Shook, Steffi A. “Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals.” 2013. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385387953.

MLA Handbook (7th Edition):

Shook, Steffi A. “Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals.” 2013. Web. 17 Oct 2019.

Vancouver:

Shook SA. Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals. [Internet] [Masters thesis]. Ohio University; 2013. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385387953.

Council of Science Editors:

Shook SA. Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals. [Masters Thesis]. Ohio University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385387953


Ohio University

2. Gladman, Matthew J. Film Noir – Purveyor of Cold War Anxiety.

Degree: PhD, English (Arts and Sciences), 2011, Ohio University

  This dissertation is a tripartite creative writing project consisting of an essay on film noir and a feature-length screenplay (film noir) based on a… (more)

Subjects/Keywords: Film Studies; film noir; screenplay; original

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APA (6th Edition):

Gladman, M. J. (2011). Film Noir – Purveyor of Cold War Anxiety. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1293817877

Chicago Manual of Style (16th Edition):

Gladman, Matthew J. “Film Noir – Purveyor of Cold War Anxiety.” 2011. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1293817877.

MLA Handbook (7th Edition):

Gladman, Matthew J. “Film Noir – Purveyor of Cold War Anxiety.” 2011. Web. 17 Oct 2019.

Vancouver:

Gladman MJ. Film Noir – Purveyor of Cold War Anxiety. [Internet] [Doctoral dissertation]. Ohio University; 2011. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1293817877.

Council of Science Editors:

Gladman MJ. Film Noir – Purveyor of Cold War Anxiety. [Doctoral Dissertation]. Ohio University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1293817877


Ohio University

3. Briggs, Gordon. Borders in Post 9/11 Cinema.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2016, Ohio University

 This dissertation investigates four contemporary films that focus on borders and border security in the wake of 9/11. The films chosen were: Three Burials for… (more)

Subjects/Keywords: Film Studies; Motion Pictures; Borders

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APA (6th Edition):

Briggs, G. (2016). Borders in Post 9/11 Cinema. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1471478505

Chicago Manual of Style (16th Edition):

Briggs, Gordon. “Borders in Post 9/11 Cinema.” 2016. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1471478505.

MLA Handbook (7th Edition):

Briggs, Gordon. “Borders in Post 9/11 Cinema.” 2016. Web. 17 Oct 2019.

Vancouver:

Briggs G. Borders in Post 9/11 Cinema. [Internet] [Doctoral dissertation]. Ohio University; 2016. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1471478505.

Council of Science Editors:

Briggs G. Borders in Post 9/11 Cinema. [Doctoral Dissertation]. Ohio University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1471478505


Ohio University

4. Harry , Shannon A. Whose Fantasy Is This: Postfeminist America.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2013, Ohio University

 Throughout this dissertation, I argue that postfeminism is a universalized approach to the representation of gender and sexuality that most often assumes whiteness, Judeo-Christian backgrounds,… (more)

Subjects/Keywords: Film Studies; American Studies; Womens Studies; postfeminism; popular culture; feminism

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APA (6th Edition):

Harry , S. A. (2013). Whose Fantasy Is This: Postfeminist America. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884

Chicago Manual of Style (16th Edition):

Harry , Shannon A. “Whose Fantasy Is This: Postfeminist America.” 2013. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884.

MLA Handbook (7th Edition):

Harry , Shannon A. “Whose Fantasy Is This: Postfeminist America.” 2013. Web. 17 Oct 2019.

Vancouver:

Harry SA. Whose Fantasy Is This: Postfeminist America. [Internet] [Doctoral dissertation]. Ohio University; 2013. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884.

Council of Science Editors:

Harry SA. Whose Fantasy Is This: Postfeminist America. [Doctoral Dissertation]. Ohio University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884


Ohio University

5. Caabeiro, Daniel. “¿Que pinto yo aqui?:” The Construction of National Identity in Contemporary Spanish Rural Cinema.

Degree: MA, Film (Fine Arts), 2011, Ohio University

 This thesis deals with the construction of national identity as defined by post-Franco Spanish rural cinema. It takes into account issues of cultural and political… (more)

Subjects/Keywords: Film Studies; Spanish; rural cinema; rural; national identity; Spanishness.

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APA (6th Edition):

Caabeiro, D. (2011). “¿Que pinto yo aqui?:” The Construction of National Identity in Contemporary Spanish Rural Cinema. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307038043

Chicago Manual of Style (16th Edition):

Caabeiro, Daniel. ““¿Que pinto yo aqui?:” The Construction of National Identity in Contemporary Spanish Rural Cinema.” 2011. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307038043.

MLA Handbook (7th Edition):

Caabeiro, Daniel. ““¿Que pinto yo aqui?:” The Construction of National Identity in Contemporary Spanish Rural Cinema.” 2011. Web. 17 Oct 2019.

Vancouver:

Caabeiro D. “¿Que pinto yo aqui?:” The Construction of National Identity in Contemporary Spanish Rural Cinema. [Internet] [Masters thesis]. Ohio University; 2011. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307038043.

Council of Science Editors:

Caabeiro D. “¿Que pinto yo aqui?:” The Construction of National Identity in Contemporary Spanish Rural Cinema. [Masters Thesis]. Ohio University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307038043


Ohio University

6. Kumbalonah, Abobo. Mobility and the Representation of African Dystopian Spaces in Film and Literature.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2015, Ohio University

 This study investigates the use of mobility as a creative style used by writers and filmmakers to represent the deterioration in the socio-economic and political… (more)

Subjects/Keywords: African Literature; African Studies; Film Studies; African cinema; African literature; postcolonialism; dystopia; mobility

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APA (6th Edition):

Kumbalonah, A. (2015). Mobility and the Representation of African Dystopian Spaces in Film and Literature. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1439460633

Chicago Manual of Style (16th Edition):

Kumbalonah, Abobo. “Mobility and the Representation of African Dystopian Spaces in Film and Literature.” 2015. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1439460633.

MLA Handbook (7th Edition):

Kumbalonah, Abobo. “Mobility and the Representation of African Dystopian Spaces in Film and Literature.” 2015. Web. 17 Oct 2019.

Vancouver:

Kumbalonah A. Mobility and the Representation of African Dystopian Spaces in Film and Literature. [Internet] [Doctoral dissertation]. Ohio University; 2015. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1439460633.

Council of Science Editors:

Kumbalonah A. Mobility and the Representation of African Dystopian Spaces in Film and Literature. [Doctoral Dissertation]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1439460633


Ohio University

7. Drake, Erin R. Queer Narratives in Disco Films: Saturday Night Fever, Xanadu, and Beyond.

Degree: MA, Film Studies (Fine Arts), 2019, Ohio University

 This thesis looks at the history of disco, specifically the significant role that films played in shaping our cultural understanding of the phenomenon. Through the… (more)

Subjects/Keywords: Film Studies; Gender Studies; disco; disco films; Saturday Night Fever; Xanadu; queer theory; narratology

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APA (6th Edition):

Drake, E. R. (2019). Queer Narratives in Disco Films: Saturday Night Fever, Xanadu, and Beyond. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1564509293047689

Chicago Manual of Style (16th Edition):

Drake, Erin R. “Queer Narratives in Disco Films: Saturday Night Fever, Xanadu, and Beyond.” 2019. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1564509293047689.

MLA Handbook (7th Edition):

Drake, Erin R. “Queer Narratives in Disco Films: Saturday Night Fever, Xanadu, and Beyond.” 2019. Web. 17 Oct 2019.

Vancouver:

Drake ER. Queer Narratives in Disco Films: Saturday Night Fever, Xanadu, and Beyond. [Internet] [Masters thesis]. Ohio University; 2019. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1564509293047689.

Council of Science Editors:

Drake ER. Queer Narratives in Disco Films: Saturday Night Fever, Xanadu, and Beyond. [Masters Thesis]. Ohio University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1564509293047689


Ohio University

8. Pohlman, Laura E. Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film.

Degree: MA, Film (Fine Arts), 2016, Ohio University

 The purpose of this thesis is to elucidate the fluid conception of fat women within contemporary American culture from the early 1970s to the present.… (more)

Subjects/Keywords: Film Studies; Gender Studies; American Studies; fatness; fat representation; fat studies; Divine; carnival; fat liberation; Kathleen LeBesco; Mikhail Bakhtin; fat suits; fatphobia; fat activism; Melissa McCarthy; Rebel Wilson; body image; film; film studies; diet culture; gender; body positivity

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APA (6th Edition):

Pohlman, L. E. (2016). Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1459781168

Chicago Manual of Style (16th Edition):

Pohlman, Laura E. “Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film.” 2016. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1459781168.

MLA Handbook (7th Edition):

Pohlman, Laura E. “Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film.” 2016. Web. 17 Oct 2019.

Vancouver:

Pohlman LE. Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film. [Internet] [Masters thesis]. Ohio University; 2016. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1459781168.

Council of Science Editors:

Pohlman LE. Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film. [Masters Thesis]. Ohio University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1459781168


Ohio University

9. Parrish, Jordan G. The Undead Subject of Lost Decade Japanese Horror Cinema.

Degree: MA, Film Studies (Fine Arts), 2017, Ohio University

 This thesis argues that Japanese Horror films released around the turn of the twenty-first century define a new mode of subjectivity: “undead subjectivity.” Exploring the… (more)

Subjects/Keywords: Film Studies; Big Other; Death Drive; Gaze; J-Horror; Japanese Cinema; Lost Decade; Psychoanalysis

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APA (6th Edition):

Parrish, J. G. (2017). The Undead Subject of Lost Decade Japanese Horror Cinema. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062

Chicago Manual of Style (16th Edition):

Parrish, Jordan G. “The Undead Subject of Lost Decade Japanese Horror Cinema.” 2017. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.

MLA Handbook (7th Edition):

Parrish, Jordan G. “The Undead Subject of Lost Decade Japanese Horror Cinema.” 2017. Web. 17 Oct 2019.

Vancouver:

Parrish JG. The Undead Subject of Lost Decade Japanese Horror Cinema. [Internet] [Masters thesis]. Ohio University; 2017. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.

Council of Science Editors:

Parrish JG. The Undead Subject of Lost Decade Japanese Horror Cinema. [Masters Thesis]. Ohio University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062


Ohio University

10. Hohe, Meredith K. American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962.

Degree: MA, History (Arts and Sciences), 2010, Ohio University

 The American public's perception of the Soviet Union during the early Cold War period played a significant role in contributing to average Americans’ understanding of… (more)

Subjects/Keywords: American Studies; History; Cold War; American culture; media; Soviet Union; film; television; magazines

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APA (6th Edition):

Hohe, M. K. (2010). American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1283266257

Chicago Manual of Style (16th Edition):

Hohe, Meredith K. “American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962.” 2010. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1283266257.

MLA Handbook (7th Edition):

Hohe, Meredith K. “American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962.” 2010. Web. 17 Oct 2019.

Vancouver:

Hohe MK. American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962. [Internet] [Masters thesis]. Ohio University; 2010. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1283266257.

Council of Science Editors:

Hohe MK. American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962. [Masters Thesis]. Ohio University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1283266257

11. Roj, Wesley D. Ten Impossible Things Before Daylight: Collected Essays.

Degree: PhD, English (Arts and Sciences), 2016, Ohio University

 Ten Impossible Things Before Daylight is a collection of essays which turn on experiences with the uncanny, including premonitions, visitations, bizarre coincidences, impactful dreams, and… (more)

Subjects/Keywords: Film Studies; Cognitive Psychology; Comparative Literature; Composition; Literature; uncanny; nonfiction; haunting; dream; Freud; Henry James

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APA (6th Edition):

Roj, W. D. (2016). Ten Impossible Things Before Daylight: Collected Essays. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470999119

Chicago Manual of Style (16th Edition):

Roj, Wesley D. “Ten Impossible Things Before Daylight: Collected Essays.” 2016. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470999119.

MLA Handbook (7th Edition):

Roj, Wesley D. “Ten Impossible Things Before Daylight: Collected Essays.” 2016. Web. 17 Oct 2019.

Vancouver:

Roj WD. Ten Impossible Things Before Daylight: Collected Essays. [Internet] [Doctoral dissertation]. Ohio University; 2016. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470999119.

Council of Science Editors:

Roj WD. Ten Impossible Things Before Daylight: Collected Essays. [Doctoral Dissertation]. Ohio University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470999119


Ohio University

12. Linscott, Charles P. Sonic Overlook: Blackness between Sound and Image.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2015, Ohio University

 Proceeding from the fact that blackness is yoked to the visual, this dissertation uncovers some of the ways in which performative, expressive, and artistic uses… (more)

Subjects/Keywords: African American Studies; American Studies; Art Criticism; Black Studies; Film Studies; Music; Motion Pictures; blackness; race; sound studies; visual culture; cinema; popular music; critical theory; ontology; Miles Davis; John Akomfrah; visuality; jazz; remix; hip hop; noise; blues; Fred Moten; Symbiopsychotaxiplasm; BAFC; film sound; Killer Mike; DJ Spooky

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APA (6th Edition):

Linscott, C. P. (2015). Sonic Overlook: Blackness between Sound and Image. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1438950059

Chicago Manual of Style (16th Edition):

Linscott, Charles P. “Sonic Overlook: Blackness between Sound and Image.” 2015. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1438950059.

MLA Handbook (7th Edition):

Linscott, Charles P. “Sonic Overlook: Blackness between Sound and Image.” 2015. Web. 17 Oct 2019.

Vancouver:

Linscott CP. Sonic Overlook: Blackness between Sound and Image. [Internet] [Doctoral dissertation]. Ohio University; 2015. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1438950059.

Council of Science Editors:

Linscott CP. Sonic Overlook: Blackness between Sound and Image. [Doctoral Dissertation]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1438950059


Ohio University

13. Russell, Jayme C. Real Nightmares.

Degree: MA, English (Arts and Sciences), 2011, Ohio University

 This is a group of poems, prefaced by an attempt to explain Dario Argento's influence on me as a poet and how our approaches to… (more)

Subjects/Keywords: Families and Family Life; Film Studies; Landscape Architecture; Literature; Psychology; poetry; film; nightmares; dreams; Dario Argento; family roles; projections and reflections; Carl Jung

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APA (6th Edition):

Russell, J. C. (2011). Real Nightmares. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307128277

Chicago Manual of Style (16th Edition):

Russell, Jayme C. “Real Nightmares.” 2011. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307128277.

MLA Handbook (7th Edition):

Russell, Jayme C. “Real Nightmares.” 2011. Web. 17 Oct 2019.

Vancouver:

Russell JC. Real Nightmares. [Internet] [Masters thesis]. Ohio University; 2011. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307128277.

Council of Science Editors:

Russell JC. Real Nightmares. [Masters Thesis]. Ohio University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307128277

14. Mohammed, Abdullah H. The Representation of Globalization in Films About Africa.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2012, Ohio University

  This dissertation explores how films about Africa depict contemporary economic globalization. Particular attention is paid to the ways in which narrative styles and visual… (more)

Subjects/Keywords: Film Studies; African cinema; African film; Globalization; Third Cinema

…these studies, the authors explore how the film industry infrastructure has been affected and… …political structures of a specific 13 African nation or a particular African film industry.1 In… …reference to the countries in which local film industries adapt to global changes. The present… …of film as an art form within the African context wherein art in its traditional sense is… …invention of the film apparatus. With this didactic function, African cinema in general and films… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Sample image

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APA (6th Edition):

Mohammed, A. H. (2012). The Representation of Globalization in Films About Africa. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1340130831

Chicago Manual of Style (16th Edition):

Mohammed, Abdullah H. “The Representation of Globalization in Films About Africa.” 2012. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1340130831.

MLA Handbook (7th Edition):

Mohammed, Abdullah H. “The Representation of Globalization in Films About Africa.” 2012. Web. 17 Oct 2019.

Vancouver:

Mohammed AH. The Representation of Globalization in Films About Africa. [Internet] [Doctoral dissertation]. Ohio University; 2012. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1340130831.

Council of Science Editors:

Mohammed AH. The Representation of Globalization in Films About Africa. [Doctoral Dissertation]. Ohio University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1340130831


Ohio University

15. Gontovnik, Monica. Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2015, Ohio University

 This is a feminist project that investigates the performative practices of contemporary female Colombian artists. It was guided by a main research question: Is there… (more)

Subjects/Keywords: Aesthetics; Art Criticism; Art History; Cultural Anthropology; Dance; Fine Arts; Gender Studies; Latin American Studies; Literature; Performing Arts; Philosophy; Theater; Feminism; performance studies; visual studies; Colombian artists; visual art; dance; theatre; film; performance art; poetry; myth; Latin Studies; Women Studies; Gender Studies; Contemporary Philosophy; Aesthetics, Colombia

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APA (6th Edition):

Gontovnik, M. (2015). Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106

Chicago Manual of Style (16th Edition):

Gontovnik, Monica. “Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists.” 2015. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.

MLA Handbook (7th Edition):

Gontovnik, Monica. “Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists.” 2015. Web. 17 Oct 2019.

Vancouver:

Gontovnik M. Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists. [Internet] [Doctoral dissertation]. Ohio University; 2015. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.

Council of Science Editors:

Gontovnik M. Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists. [Doctoral Dissertation]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106


Ohio University

16. Collins, Dustin L. Crossin' Somebody's Line: Gay Black Men in HBO Serial Dramas.

Degree: MA, Film Scholarship (Fine Arts), 2011, Ohio University

 This thesis examines the roles of gay black men in three HBO programs: Six Feet Under, The Wire, and True Blood. Whereas such characters have… (more)

Subjects/Keywords: African Americans; African American Studies; American Studies; Black Studies; Film Studies; Gender Studies; Mass Media; Performing Arts; queer theory; queer black studies; televisual studies; HBO; The Wire; True Blood; Six Feet Under; assemblage; queer; Omar Little, Lafayette Reynolds, Keith Charles

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APA (6th Edition):

Collins, D. L. (2011). Crossin' Somebody's Line: Gay Black Men in HBO Serial Dramas. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1314810185

Chicago Manual of Style (16th Edition):

Collins, Dustin L. “Crossin' Somebody's Line: Gay Black Men in HBO Serial Dramas.” 2011. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1314810185.

MLA Handbook (7th Edition):

Collins, Dustin L. “Crossin' Somebody's Line: Gay Black Men in HBO Serial Dramas.” 2011. Web. 17 Oct 2019.

Vancouver:

Collins DL. Crossin' Somebody's Line: Gay Black Men in HBO Serial Dramas. [Internet] [Masters thesis]. Ohio University; 2011. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1314810185.

Council of Science Editors:

Collins DL. Crossin' Somebody's Line: Gay Black Men in HBO Serial Dramas. [Masters Thesis]. Ohio University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1314810185


Ohio University

17. Naveh, Jonathan. Narratives on the Watch: Bodies, Images, & Technologies of Control in Contemporary Surveillance Cinema.

Degree: MA, Film (Fine Arts), 2014, Ohio University

 This thesis explores surveillance cinema though a body of films that thematize the increasing presence of surveillance images in social life. Suggesting a shift from… (more)

Subjects/Keywords: Film Studies; surveillance; cinema; control; power; figuration; surveillance image; surveillance society; surveillance culture; normalization; technological mediation; otherness; race, class, gender

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APA (6th Edition):

Naveh, J. (2014). Narratives on the Watch: Bodies, Images, & Technologies of Control in Contemporary Surveillance Cinema. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1407952133

Chicago Manual of Style (16th Edition):

Naveh, Jonathan. “Narratives on the Watch: Bodies, Images, & Technologies of Control in Contemporary Surveillance Cinema.” 2014. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1407952133.

MLA Handbook (7th Edition):

Naveh, Jonathan. “Narratives on the Watch: Bodies, Images, & Technologies of Control in Contemporary Surveillance Cinema.” 2014. Web. 17 Oct 2019.

Vancouver:

Naveh J. Narratives on the Watch: Bodies, Images, & Technologies of Control in Contemporary Surveillance Cinema. [Internet] [Masters thesis]. Ohio University; 2014. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1407952133.

Council of Science Editors:

Naveh J. Narratives on the Watch: Bodies, Images, & Technologies of Control in Contemporary Surveillance Cinema. [Masters Thesis]. Ohio University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1407952133


Ohio University

18. Haak, Christopher J. Direct-to-DVD: From Syfy to the Majors.

Degree: MA, Film Scholarship (Fine Arts), 2010, Ohio University

 The direct-to-DVD market is an understudied aspect of the film industry. By focusing on Syfy, as both exhibitor and financier of direct-to-DVD movies, and the… (more)

Subjects/Keywords: Business Costs; Economics; Film Studies; Direct-to-DVD; Syfy; The Asylum; DVD economics; Made-for-TV

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APA (6th Edition):

Haak, C. J. (2010). Direct-to-DVD: From Syfy to the Majors. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1292465802

Chicago Manual of Style (16th Edition):

Haak, Christopher J. “Direct-to-DVD: From Syfy to the Majors.” 2010. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1292465802.

MLA Handbook (7th Edition):

Haak, Christopher J. “Direct-to-DVD: From Syfy to the Majors.” 2010. Web. 17 Oct 2019.

Vancouver:

Haak CJ. Direct-to-DVD: From Syfy to the Majors. [Internet] [Masters thesis]. Ohio University; 2010. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1292465802.

Council of Science Editors:

Haak CJ. Direct-to-DVD: From Syfy to the Majors. [Masters Thesis]. Ohio University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1292465802


Ohio University

19. Vouri-Richard, Derek S. A Spatial Plane of Immanence: American Cinema in Late Capitalism.

Degree: MA, Film (Fine Arts), 2015, Ohio University

 This thesis articulates the distinct ways in which American cinema in late capitalism figures a plane of immanence in which space governs movement and dominates… (more)

Subjects/Keywords: Film Studies; Plane of immanence; late capitalism; American cinema; spatial trialectic; sectoral uneven development; affect; space; Gilles Deleuze; Henri Lefebvre

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APA (6th Edition):

Vouri-Richard, D. S. (2015). A Spatial Plane of Immanence: American Cinema in Late Capitalism. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443712775

Chicago Manual of Style (16th Edition):

Vouri-Richard, Derek S. “A Spatial Plane of Immanence: American Cinema in Late Capitalism.” 2015. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443712775.

MLA Handbook (7th Edition):

Vouri-Richard, Derek S. “A Spatial Plane of Immanence: American Cinema in Late Capitalism.” 2015. Web. 17 Oct 2019.

Vancouver:

Vouri-Richard DS. A Spatial Plane of Immanence: American Cinema in Late Capitalism. [Internet] [Masters thesis]. Ohio University; 2015. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443712775.

Council of Science Editors:

Vouri-Richard DS. A Spatial Plane of Immanence: American Cinema in Late Capitalism. [Masters Thesis]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443712775


Ohio University

20. Bozic, Sonja. Transmedia Storytelling Through the Lens of Independent Filmmakers: A Study of Story Structure and Audience Engagement.

Degree: PhD, Mass Communication (Communication), 2018, Ohio University

 Transmedia is the practice of spreading content over multiple delivery channels to create a more immersive experience for the audience. In a transmedia project, the… (more)

Subjects/Keywords: Multimedia Communications; Mass Media; Film Studies; Communication; Transmedia; New Media; Story Structure; Audience Engagement; Multi-platform storytelling; Immersive; Interactive

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APA (6th Edition):

Bozic, S. (2018). Transmedia Storytelling Through the Lens of Independent Filmmakers: A Study of Story Structure and Audience Engagement. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou154152508641946

Chicago Manual of Style (16th Edition):

Bozic, Sonja. “Transmedia Storytelling Through the Lens of Independent Filmmakers: A Study of Story Structure and Audience Engagement.” 2018. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou154152508641946.

MLA Handbook (7th Edition):

Bozic, Sonja. “Transmedia Storytelling Through the Lens of Independent Filmmakers: A Study of Story Structure and Audience Engagement.” 2018. Web. 17 Oct 2019.

Vancouver:

Bozic S. Transmedia Storytelling Through the Lens of Independent Filmmakers: A Study of Story Structure and Audience Engagement. [Internet] [Doctoral dissertation]. Ohio University; 2018. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou154152508641946.

Council of Science Editors:

Bozic S. Transmedia Storytelling Through the Lens of Independent Filmmakers: A Study of Story Structure and Audience Engagement. [Doctoral Dissertation]. Ohio University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou154152508641946


Ohio University

21. Schweitzer, Dennis Christopher. <em>Ton & Traum</em> : A Critical Analysis Of The Use Of Sound Effects And Music In Contemporary Narrative Film.

Degree: MA, Film (Fine Arts), 2004, Ohio University

  We often talk about the mysterious Magic of the Movies , the unique ability of the filmic medium to take the audience into another… (more)

Subjects/Keywords: Cinema; Music; Sound Effects; Sound Design; Film Studies (contemporary); Film Music; Sci-Fi Film and Television

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APA (6th Edition):

Schweitzer, D. C. (2004). <em>Ton & Traum</em> : A Critical Analysis Of The Use Of Sound Effects And Music In Contemporary Narrative Film. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1108483481

Chicago Manual of Style (16th Edition):

Schweitzer, Dennis Christopher. “<em>Ton & Traum</em> : A Critical Analysis Of The Use Of Sound Effects And Music In Contemporary Narrative Film.” 2004. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1108483481.

MLA Handbook (7th Edition):

Schweitzer, Dennis Christopher. “<em>Ton & Traum</em> : A Critical Analysis Of The Use Of Sound Effects And Music In Contemporary Narrative Film.” 2004. Web. 17 Oct 2019.

Vancouver:

Schweitzer DC. <em>Ton & Traum</em> : A Critical Analysis Of The Use Of Sound Effects And Music In Contemporary Narrative Film. [Internet] [Masters thesis]. Ohio University; 2004. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1108483481.

Council of Science Editors:

Schweitzer DC. <em>Ton & Traum</em> : A Critical Analysis Of The Use Of Sound Effects And Music In Contemporary Narrative Film. [Masters Thesis]. Ohio University; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1108483481


Ohio University

22. Azanu, Benedine. Transnational Media Articulations of Ghanaian Women: Mapping Shifting Returnee Identities in an Online Web Series.

Degree: PhD, Mass Communication (Communication), 2017, Ohio University

 This study examines returnee African women’s identity articulations in the web series An African City. Specifically, the research focuses on the appropriation of a U.S.… (more)

Subjects/Keywords: African Studies; Aesthetics; Film Studies; Gender Studies; Mass Communications; Sub Saharan Africa Studies; Womens Studies; Returnees; African women; identity articulation; web series; gender and media; in-betweeness as a framework; transnational feminism; Ghana

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APA (6th Edition):

Azanu, B. (2017). Transnational Media Articulations of Ghanaian Women: Mapping Shifting Returnee Identities in an Online Web Series. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490962935074027

Chicago Manual of Style (16th Edition):

Azanu, Benedine. “Transnational Media Articulations of Ghanaian Women: Mapping Shifting Returnee Identities in an Online Web Series.” 2017. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490962935074027.

MLA Handbook (7th Edition):

Azanu, Benedine. “Transnational Media Articulations of Ghanaian Women: Mapping Shifting Returnee Identities in an Online Web Series.” 2017. Web. 17 Oct 2019.

Vancouver:

Azanu B. Transnational Media Articulations of Ghanaian Women: Mapping Shifting Returnee Identities in an Online Web Series. [Internet] [Doctoral dissertation]. Ohio University; 2017. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490962935074027.

Council of Science Editors:

Azanu B. Transnational Media Articulations of Ghanaian Women: Mapping Shifting Returnee Identities in an Online Web Series. [Doctoral Dissertation]. Ohio University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490962935074027

23. Bambach, Nicholas D. In The Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies.

Degree: MA, Film Studies (Fine Arts), 2016, Ohio University

 This thesis discusses the increasing visibility of masculine identity in contemporary Hollywood comedies. I examine how shifting developments in economic, societal, cultural, and gender relations… (more)

Subjects/Keywords: Film Studies; Masculinity and Cinema; Contemporary Hollywood Cinema; Film Comedy; Slackers; White-Collar Office Workers; Bromances

…on masculinity, scholarship on masculinity in film studies remains undervalued. Throughout… …graduates from a Midwestern liberal arts college with an undergraduate degree in film studies… …film comedy. All the male subjects throughout the thesis are also characterized by their… …famously said “I don’t get no respect.” This phrase can be applied to the academic study of film… …comedy. As a cinematic genre, comedy gets relatively little attention from film scholars. Yet… 

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APA (6th Edition):

Bambach, N. D. (2016). In The Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1461920895

Chicago Manual of Style (16th Edition):

Bambach, Nicholas D. “In The Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies.” 2016. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1461920895.

MLA Handbook (7th Edition):

Bambach, Nicholas D. “In The Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies.” 2016. Web. 17 Oct 2019.

Vancouver:

Bambach ND. In The Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies. [Internet] [Masters thesis]. Ohio University; 2016. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1461920895.

Council of Science Editors:

Bambach ND. In The Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies. [Masters Thesis]. Ohio University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1461920895


Ohio University

24. Kim, Se Young. A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy.

Degree: MA, Film (Fine Arts), 2010, Ohio University

 This article situates the three films of Park Chan-wook’s, Sympathy for Mr. Vengeance (2002), Oldboy (2003), and Sympathy for Lady Vengeance (2005) within recent South… (more)

Subjects/Keywords: Film Studies; Park Chan-wook; Cinema of South Korea; Vengeance Trilogy; Nationalism; national identity; Class; gender inequity; Sympathy for Mr Vengeance; Oldboy; Sympathy for Lady Vengeance

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APA (6th Edition):

Kim, S. Y. (2010). A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1446645268

Chicago Manual of Style (16th Edition):

Kim, Se Young. “A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy.” 2010. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1446645268.

MLA Handbook (7th Edition):

Kim, Se Young. “A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy.” 2010. Web. 17 Oct 2019.

Vancouver:

Kim SY. A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy. [Internet] [Masters thesis]. Ohio University; 2010. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1446645268.

Council of Science Editors:

Kim SY. A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy. [Masters Thesis]. Ohio University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1446645268

25. Hoffman, Sarah G. Not Just Entertainment: Hollywood Animation and the Corporate Merchandising Aesthetics and Narratives for a Children’s Audience.

Degree: MA, Film Studies (Fine Arts), 2017, Ohio University

 This thesis explores different techniques in aesthetics and narrative the Walt Disney Company, Pixar, and DreamWorks use to sell corporate ideologies to child consumers and… (more)

Subjects/Keywords: Aesthetics; Film Studies; Marketing; Animated Films; Aesthetic; Narrative; Children

…British Film Institute, 1999), 152. 9 the intellect and imagination.”2 For instance, the… …films were generally a profit drag. Instead of relying solely on film production to earn a… …of Film, Gender, and Culture, ed. Elizabeth Bell, Lynda Haas, and Laura Sells (… …courageous adventures incite the consumer’s desire to accomplish the same feats. Using Marxist film… …in From Mouse to Mermaid: The Politics of Film, Gender, and Culture that the construction… 

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APA (6th Edition):

Hoffman, S. G. (2017). Not Just Entertainment: Hollywood Animation and the Corporate Merchandising Aesthetics and Narratives for a Children’s Audience. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490966620486322

Chicago Manual of Style (16th Edition):

Hoffman, Sarah G. “Not Just Entertainment: Hollywood Animation and the Corporate Merchandising Aesthetics and Narratives for a Children’s Audience.” 2017. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490966620486322.

MLA Handbook (7th Edition):

Hoffman, Sarah G. “Not Just Entertainment: Hollywood Animation and the Corporate Merchandising Aesthetics and Narratives for a Children’s Audience.” 2017. Web. 17 Oct 2019.

Vancouver:

Hoffman SG. Not Just Entertainment: Hollywood Animation and the Corporate Merchandising Aesthetics and Narratives for a Children’s Audience. [Internet] [Masters thesis]. Ohio University; 2017. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490966620486322.

Council of Science Editors:

Hoffman SG. Not Just Entertainment: Hollywood Animation and the Corporate Merchandising Aesthetics and Narratives for a Children’s Audience. [Masters Thesis]. Ohio University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490966620486322

26. Sutandio, Anton. Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2014, Ohio University

 This dissertation investigates six contemporary Indonesian terror-evoking films that address the historical trauma of the New Order regime under Soeharto. The films chosen were: Rizal… (more)

Subjects/Keywords: Film Studies; Indonesian-ness; Indonesian Horror Films; Historical Trauma

…as it provokes such responses. Numerous studies of the Hollywood/American horror film are… …through film studies with an emphasis on the cultural, psychological and historical. His notion… …sake of profit. This is apparent in the almost nonexistent studies on the Indonesian film… …the repressive regime resulted in numerous and diverse critiques of the regime’s strict film… …of the New Order may answer why there are not many post-1998 film productions that… 

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APA (6th Edition):

Sutandio, A. (2014). Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1395861044

Chicago Manual of Style (16th Edition):

Sutandio, Anton. “Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films.” 2014. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1395861044.

MLA Handbook (7th Edition):

Sutandio, Anton. “Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films.” 2014. Web. 17 Oct 2019.

Vancouver:

Sutandio A. Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films. [Internet] [Doctoral dissertation]. Ohio University; 2014. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1395861044.

Council of Science Editors:

Sutandio A. Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films. [Doctoral Dissertation]. Ohio University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1395861044

27. Bauer, Shad A. Film, Music, and the Narrational Extra Dimension.

Degree: MA, Philosophy (Arts and Sciences), 2013, Ohio University

 This thesis addresses the role of so called nondiegetic film music, also known as background or score music, as it pertains to the overall structure… (more)

Subjects/Keywords: Aesthetics; Philosophy; Film Studies; Film Narration; Philosophy of Film; narrative significance; narrational significance; Film; music; narration; narrative; extra dimension; Levinson; narrative agency; indefinite narrator; narrator; ubiquitous narrators

…advantageous. Ultimately, this framework will provide new ways of considering film 8… …music, film narration, the role of cinematic narrators, and will help to ground the work of… …capability is one that film narrative regularly exploits. The second basic component in our picture… …here, given the present framework. What do we mean when we do say that a film is… …stylistically “film noir” or a “crime drama”? In other words, is there a place for film style, as… 

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APA (6th Edition):

Bauer, S. A. (2013). Film, Music, and the Narrational Extra Dimension. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365444831

Chicago Manual of Style (16th Edition):

Bauer, Shad A. “Film, Music, and the Narrational Extra Dimension.” 2013. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365444831.

MLA Handbook (7th Edition):

Bauer, Shad A. “Film, Music, and the Narrational Extra Dimension.” 2013. Web. 17 Oct 2019.

Vancouver:

Bauer SA. Film, Music, and the Narrational Extra Dimension. [Internet] [Masters thesis]. Ohio University; 2013. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365444831.

Council of Science Editors:

Bauer SA. Film, Music, and the Narrational Extra Dimension. [Masters Thesis]. Ohio University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365444831

28. Chang, Hsin-Ning. Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2017, Ohio University

 This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema.… (more)

Subjects/Keywords: Asian Studies; Film Studies; Fine Arts; Social Research; Contemporary Malaysia, Independent Film, National Cinema, Experimental Film, Postcolonialism, Postmodernity, Ethnic Chinese, Southeast Asia, Film Festival, Time in Film, New Malaysian Cinema

…following section, I first review criticisms of the framework of national cinema in film studies… …These studies mostly come from researches of film historians, who usually bound a collection… …studies of national cinema classify films since film practices constantly cross geo-political… …film studies today. Treating national cinema as an analytic framework, Choi suggests the… …instead of asking 22 what national cinema is, studies on national cinema look for how film… 

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APA (6th Edition):

Chang, H. (2017). Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490956487498085

Chicago Manual of Style (16th Edition):

Chang, Hsin-Ning. “Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema.” 2017. Doctoral Dissertation, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490956487498085.

MLA Handbook (7th Edition):

Chang, Hsin-Ning. “Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema.” 2017. Web. 17 Oct 2019.

Vancouver:

Chang H. Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema. [Internet] [Doctoral dissertation]. Ohio University; 2017. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490956487498085.

Council of Science Editors:

Chang H. Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema. [Doctoral Dissertation]. Ohio University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490956487498085


Ohio University

29. Chang, Ellen Y. Cinematic Remapping of the Taiwanese Sense of Self: On the Transitions in Treatments of History and Memory from "The Taiwanese Experience" to "The Taipei Experience".

Degree: MA, Film (Fine Arts), 2012, Ohio University

  This thesis, with the particular focus on Taiwanese films set in Taipei, investigates how the Taiwanese cinema, through its diverse treatments of history and… (more)

Subjects/Keywords: Asian Studies; Film Studies; Fine Arts; History; Motion Pictures; Taiwanese cinema; Taiwanese New Cinema; Post Taiwan New Cinema; The Taiwanese Experience; The Taipei Experience; Taiwan; Taipei; Taiwanese; urban cinema; history; memory; historiography; national identity; postcolonial; transnational

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chang, E. Y. (2012). Cinematic Remapping of the Taiwanese Sense of Self: On the Transitions in Treatments of History and Memory from "The Taiwanese Experience" to "The Taipei Experience". (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1345130562

Chicago Manual of Style (16th Edition):

Chang, Ellen Y. “Cinematic Remapping of the Taiwanese Sense of Self: On the Transitions in Treatments of History and Memory from "The Taiwanese Experience" to "The Taipei Experience".” 2012. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1345130562.

MLA Handbook (7th Edition):

Chang, Ellen Y. “Cinematic Remapping of the Taiwanese Sense of Self: On the Transitions in Treatments of History and Memory from "The Taiwanese Experience" to "The Taipei Experience".” 2012. Web. 17 Oct 2019.

Vancouver:

Chang EY. Cinematic Remapping of the Taiwanese Sense of Self: On the Transitions in Treatments of History and Memory from "The Taiwanese Experience" to "The Taipei Experience". [Internet] [Masters thesis]. Ohio University; 2012. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1345130562.

Council of Science Editors:

Chang EY. Cinematic Remapping of the Taiwanese Sense of Self: On the Transitions in Treatments of History and Memory from "The Taiwanese Experience" to "The Taipei Experience". [Masters Thesis]. Ohio University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1345130562

30. Zhang, Qian. Women's Time and Reproductive Anxiety in Contemporary Horror Films.

Degree: MA, Film Studies (Fine Arts), 2018, Ohio University

 In the contemporary capitalist society, the demand for social reproduction generates a “timeline” for women, which specifies what a woman should so at a certain… (more)

Subjects/Keywords: Film Studies; Gender Studies; contemporary horror films; time; social reproduction; reproductive body

…127 9 List of Figures Page Figure 1. From the film Modern Times (Chaplin, 1936)… …The Last Shot in the Film Raw… …108 Figure 21. A shot from the film Hereditary (2018)… …that the horror film makes the experience of women’s time accessible to more audiences in… …cinema, her view on the intangibility of time sheds some light on understanding why more film… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, Q. (2018). Women's Time and Reproductive Anxiety in Contemporary Horror Films. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1532349287122159

Chicago Manual of Style (16th Edition):

Zhang, Qian. “Women's Time and Reproductive Anxiety in Contemporary Horror Films.” 2018. Masters Thesis, Ohio University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1532349287122159.

MLA Handbook (7th Edition):

Zhang, Qian. “Women's Time and Reproductive Anxiety in Contemporary Horror Films.” 2018. Web. 17 Oct 2019.

Vancouver:

Zhang Q. Women's Time and Reproductive Anxiety in Contemporary Horror Films. [Internet] [Masters thesis]. Ohio University; 2018. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1532349287122159.

Council of Science Editors:

Zhang Q. Women's Time and Reproductive Anxiety in Contemporary Horror Films. [Masters Thesis]. Ohio University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1532349287122159

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