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Dept: Rhetoric

You searched for subject:(Film studies). Showing records 1 – 19 of 19 total matches.

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University of California – Berkeley

1. Carpenter, Emily Catherine. PreOccupied Territories: Polar Landscapes in the Cinema.

Degree: Rhetoric, 2011, University of California – Berkeley

 This dissertation argues against the tendency to elevate landscape as an aesthetic object over and against its function as setting and asks, instead, how landscape… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Carpenter, E. C. (2011). PreOccupied Territories: Polar Landscapes in the Cinema. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6bb0254c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, Emily Catherine. “PreOccupied Territories: Polar Landscapes in the Cinema.” 2011. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/6bb0254c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, Emily Catherine. “PreOccupied Territories: Polar Landscapes in the Cinema.” 2011. Web. 17 Oct 2019.

Vancouver:

Carpenter EC. PreOccupied Territories: Polar Landscapes in the Cinema. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/6bb0254c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter EC. PreOccupied Territories: Polar Landscapes in the Cinema. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/6bb0254c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

2. Hukku, Sanjay P. Plotting Sex: Pornography's Performatistic Screen.

Degree: Rhetoric, 2014, University of California – Berkeley

 The early 1970s witnessed the mainstreaming of feature-length, hard core pornography. Though derided by critics, this newly minted genre had two notable features: broader narratives… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Hukku, S. P. (2014). Plotting Sex: Pornography's Performatistic Screen. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2rd5j4k8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hukku, Sanjay P. “Plotting Sex: Pornography's Performatistic Screen.” 2014. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/2rd5j4k8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hukku, Sanjay P. “Plotting Sex: Pornography's Performatistic Screen.” 2014. Web. 17 Oct 2019.

Vancouver:

Hukku SP. Plotting Sex: Pornography's Performatistic Screen. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/2rd5j4k8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hukku SP. Plotting Sex: Pornography's Performatistic Screen. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/2rd5j4k8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

3. Loutensock, Kristen Joy. Genre Disorder: Autism and Narrative in American Popular Culture.

Degree: Rhetoric, 2016, University of California – Berkeley

 Autism and empathy, as terms, both arose out of the fertile ground of American mass culture. Although both figured prominently in scientific discourse from the… (more)

Subjects/Keywords: Film studies; Autism; Disability Studies; Film Studies

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APA (6th Edition):

Loutensock, K. J. (2016). Genre Disorder: Autism and Narrative in American Popular Culture. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/26h8928h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Loutensock, Kristen Joy. “Genre Disorder: Autism and Narrative in American Popular Culture.” 2016. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/26h8928h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Loutensock, Kristen Joy. “Genre Disorder: Autism and Narrative in American Popular Culture.” 2016. Web. 17 Oct 2019.

Vancouver:

Loutensock KJ. Genre Disorder: Autism and Narrative in American Popular Culture. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/26h8928h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loutensock KJ. Genre Disorder: Autism and Narrative in American Popular Culture. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/26h8928h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

4. Baer, Nicholas Walter. Absolute Relativity: Weimar Cinema and the Crisis of Historicism.

Degree: Rhetoric, 2015, University of California – Berkeley

 This dissertation intervenes in the extensive literature within Cinema and Media Studies on the relationship between film and history. Challenging apparatus theory of the 1970s,… (more)

Subjects/Keywords: Film studies; Philosophy; History

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APA (6th Edition):

Baer, N. W. (2015). Absolute Relativity: Weimar Cinema and the Crisis of Historicism. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8w72p2qc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baer, Nicholas Walter. “Absolute Relativity: Weimar Cinema and the Crisis of Historicism.” 2015. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/8w72p2qc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baer, Nicholas Walter. “Absolute Relativity: Weimar Cinema and the Crisis of Historicism.” 2015. Web. 17 Oct 2019.

Vancouver:

Baer NW. Absolute Relativity: Weimar Cinema and the Crisis of Historicism. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/8w72p2qc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baer NW. Absolute Relativity: Weimar Cinema and the Crisis of Historicism. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/8w72p2qc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

5. Young, Damon R. Making Sex Public: Cinema and the Liberal Social Body.

Degree: Rhetoric, 2013, University of California – Berkeley

 During and after the 1960s, representations of sex proliferated on French and American screens and became increasingly explicit. By bringing sexual images into the public… (more)

Subjects/Keywords: Film studies; Gender studies; LGBTQ studies; Cinema; Feminism; Film theory; Gay liberation; Liberalism; Sexuality

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APA (6th Edition):

Young, D. R. (2013). Making Sex Public: Cinema and the Liberal Social Body. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8p76n95z

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Young, Damon R. “Making Sex Public: Cinema and the Liberal Social Body.” 2013. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/8p76n95z.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Young, Damon R. “Making Sex Public: Cinema and the Liberal Social Body.” 2013. Web. 17 Oct 2019.

Vancouver:

Young DR. Making Sex Public: Cinema and the Liberal Social Body. [Internet] [Thesis]. University of California – Berkeley; 2013. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/8p76n95z.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Young DR. Making Sex Public: Cinema and the Liberal Social Body. [Thesis]. University of California – Berkeley; 2013. Available from: http://www.escholarship.org/uc/item/8p76n95z

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

6. Kim, Jisung Catherine. The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation.

Degree: Rhetoric, 2013, University of California – Berkeley

 In The Intimacy of Distance, I reconceive the historical experience of capitalism's globalization through the vantage point of South Korean cinema. According to world leaders'… (more)

Subjects/Keywords: Film studies; Asian studies; Asian American studies; capitalism; globalization; Korean film; melodrama; South Korean Cinema; Transnational film

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APA (6th Edition):

Kim, J. C. (2013). The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/42f9j7mr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Jisung Catherine. “The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation.” 2013. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/42f9j7mr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Jisung Catherine. “The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation.” 2013. Web. 17 Oct 2019.

Vancouver:

Kim JC. The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation. [Internet] [Thesis]. University of California – Berkeley; 2013. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/42f9j7mr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim JC. The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation. [Thesis]. University of California – Berkeley; 2013. Available from: http://www.escholarship.org/uc/item/42f9j7mr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

7. Malkowski, Jennifer Catherine. "Dying in Full Detail": Mortality and Duration in Digital Documentary.

Degree: Rhetoric, 2011, University of California – Berkeley

 In examining one of documentary's greatest taboos, the recording of actual death, this dissertation engages with the moving image's temporality, its potential to preserve the… (more)

Subjects/Keywords: Film studies; death; digital media; documentary; film; new media; photography

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APA (6th Edition):

Malkowski, J. C. (2011). "Dying in Full Detail": Mortality and Duration in Digital Documentary. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8km1b9xk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malkowski, Jennifer Catherine. “"Dying in Full Detail": Mortality and Duration in Digital Documentary.” 2011. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/8km1b9xk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malkowski, Jennifer Catherine. “"Dying in Full Detail": Mortality and Duration in Digital Documentary.” 2011. Web. 17 Oct 2019.

Vancouver:

Malkowski JC. "Dying in Full Detail": Mortality and Duration in Digital Documentary. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/8km1b9xk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malkowski JC. "Dying in Full Detail": Mortality and Duration in Digital Documentary. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/8km1b9xk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

8. Leimbacher, Irina Zora. More Than Talking Heads: Nonfiction Testimony and Cinematic Form.

Degree: Rhetoric, 2014, University of California – Berkeley

 This dissertation examines a body of formally and aesthetically innovative nonfiction and experimental films, videos, and installation works that have created new modes of cinematic… (more)

Subjects/Keywords: Film studies; Rhetoric; Communication; documentary film; embodiment; interview; testimony; voice; witness

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APA (6th Edition):

Leimbacher, I. Z. (2014). More Than Talking Heads: Nonfiction Testimony and Cinematic Form. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/7st8p8cr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leimbacher, Irina Zora. “More Than Talking Heads: Nonfiction Testimony and Cinematic Form.” 2014. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/7st8p8cr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leimbacher, Irina Zora. “More Than Talking Heads: Nonfiction Testimony and Cinematic Form.” 2014. Web. 17 Oct 2019.

Vancouver:

Leimbacher IZ. More Than Talking Heads: Nonfiction Testimony and Cinematic Form. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/7st8p8cr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leimbacher IZ. More Than Talking Heads: Nonfiction Testimony and Cinematic Form. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/7st8p8cr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

9. Chien, Irene Y. Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames.

Degree: Rhetoric, 2015, University of California – Berkeley

 Programmed Moves examines the intertwined history and transnational circulation of two major videogame genres, martial arts fighting games and rhythm dancing games. Fighting and dancing… (more)

Subjects/Keywords: Film studies; new media; video games

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APA (6th Edition):

Chien, I. Y. (2015). Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5pg3z8fg

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chien, Irene Y. “Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames.” 2015. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/5pg3z8fg.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chien, Irene Y. “Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames.” 2015. Web. 17 Oct 2019.

Vancouver:

Chien IY. Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/5pg3z8fg.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chien IY. Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/5pg3z8fg

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

10. Fallon, Kris. Where Truth Lies: Political Documentary Film & Digital Media, 2000-2010.

Degree: Rhetoric, 2013, University of California – Berkeley

 Recent scholarship treats the transition to the digital format in documentary film as a straightforward change in production practices or distribution channels, ignoring the deeper… (more)

Subjects/Keywords: Film studies; Information technology; American studies; Digital Media; Documentary Film; New Media; Political Action

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APA (6th Edition):

Fallon, K. (2013). Where Truth Lies: Political Documentary Film & Digital Media, 2000-2010. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8bn6d098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fallon, Kris. “Where Truth Lies: Political Documentary Film & Digital Media, 2000-2010.” 2013. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/8bn6d098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fallon, Kris. “Where Truth Lies: Political Documentary Film & Digital Media, 2000-2010.” 2013. Web. 17 Oct 2019.

Vancouver:

Fallon K. Where Truth Lies: Political Documentary Film & Digital Media, 2000-2010. [Internet] [Thesis]. University of California – Berkeley; 2013. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/8bn6d098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fallon K. Where Truth Lies: Political Documentary Film & Digital Media, 2000-2010. [Thesis]. University of California – Berkeley; 2013. Available from: http://www.escholarship.org/uc/item/8bn6d098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

11. Horak, Laura. Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema.

Degree: Rhetoric, 2011, University of California – Berkeley

 Recent scholars tend to describe cross-dressing as inherently transgressive. Cross-dressing, they explain, shows us that there is no natural link between physical sex and social… (more)

Subjects/Keywords: Film studies; GLBT studies; Gender studies; cross-dressing; female masculinity; male impersonation; silent film; United States; women

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Horak, L. (2011). Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5nb6m31r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Horak, Laura. “Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema.” 2011. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/5nb6m31r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Horak, Laura. “Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema.” 2011. Web. 17 Oct 2019.

Vancouver:

Horak L. Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/5nb6m31r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Horak L. Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/5nb6m31r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

12. Larkin, George. The Aesthetics and Establishment of Analog Post-Production.

Degree: Rhetoric, 2014, University of California – Berkeley

 This dissertation examines the emergence and establishment of analog post-production during the transition to sound. I analyze how the analog post-production system cannibalized the nascent… (more)

Subjects/Keywords: Film studies; aesthetics; editing; film engineers; post production; Post-production; sync sound

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Larkin, G. (2014). The Aesthetics and Establishment of Analog Post-Production. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/7379b3v2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Larkin, George. “The Aesthetics and Establishment of Analog Post-Production.” 2014. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/7379b3v2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Larkin, George. “The Aesthetics and Establishment of Analog Post-Production.” 2014. Web. 17 Oct 2019.

Vancouver:

Larkin G. The Aesthetics and Establishment of Analog Post-Production. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/7379b3v2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Larkin G. The Aesthetics and Establishment of Analog Post-Production. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/7379b3v2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

13. Wynter, Kevin Anthony. Feeling Absence: Horror in Cinema from Post War to Post-Wall.

Degree: Rhetoric, 2014, University of California – Berkeley

 Since the early 1990s the twin leitmotifs of the European art house, and French cinema in particular, have been images of intense graphic violence and… (more)

Subjects/Keywords: Film studies; Philosophy; American horror film; Continental Philosophy; European art cinema; Horror; New Extremism; Terror

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APA (6th Edition):

Wynter, K. A. (2014). Feeling Absence: Horror in Cinema from Post War to Post-Wall. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/39091740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wynter, Kevin Anthony. “Feeling Absence: Horror in Cinema from Post War to Post-Wall.” 2014. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/39091740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wynter, Kevin Anthony. “Feeling Absence: Horror in Cinema from Post War to Post-Wall.” 2014. Web. 17 Oct 2019.

Vancouver:

Wynter KA. Feeling Absence: Horror in Cinema from Post War to Post-Wall. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/39091740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wynter KA. Feeling Absence: Horror in Cinema from Post War to Post-Wall. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/39091740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

14. Haynes, Jonathan Everett. The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves.

Degree: Rhetoric, 2014, University of California – Berkeley

 AbstractThe Mid-Atlantic: Fantasmatic Genealogies of the French and American New WavesbyJonathan E. HaynesDoctor of Philosophy in Film & MediaUniversity of California, BerkeleyProfessors Kaja Silverman and… (more)

Subjects/Keywords: Film studies; Literature; Art history; American Film; Auteur theory; Edgar Allan Poe; European Film & Culture; French New Wave; Jean-Luc Godard

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APA (6th Edition):

Haynes, J. E. (2014). The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/4pj965tt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haynes, Jonathan Everett. “The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves.” 2014. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/4pj965tt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haynes, Jonathan Everett. “The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves.” 2014. Web. 17 Oct 2019.

Vancouver:

Haynes JE. The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/4pj965tt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haynes JE. The Mid-Atlantic: Fantasmatic Genealogies of the French and American New Waves. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/4pj965tt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

15. Rust, Amy Leigh. "Passionate Detachment": Technologies of Vision and Violence in American Cinema, 1967 - 1974.

Degree: Rhetoric, 2010, University of California – Berkeley

 My dissertation explores the emergence of graphic, corporeal violence in American films of the late 1960s and early 1970s in order to ground an approach… (more)

Subjects/Keywords: Cinema; American Studies; American cinema; authenticity; film technology; violence

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APA (6th Edition):

Rust, A. L. (2010). "Passionate Detachment": Technologies of Vision and Violence in American Cinema, 1967 - 1974. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/1kr03667

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rust, Amy Leigh. “"Passionate Detachment": Technologies of Vision and Violence in American Cinema, 1967 - 1974.” 2010. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/1kr03667.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rust, Amy Leigh. “"Passionate Detachment": Technologies of Vision and Violence in American Cinema, 1967 - 1974.” 2010. Web. 17 Oct 2019.

Vancouver:

Rust AL. "Passionate Detachment": Technologies of Vision and Violence in American Cinema, 1967 - 1974. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/1kr03667.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rust AL. "Passionate Detachment": Technologies of Vision and Violence in American Cinema, 1967 - 1974. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/1kr03667

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

16. Salamanca, Claudia Liliana. The construction of the Colombian territory: Images of the Colombian Armed Conflict 2002- 2010.

Degree: Rhetoric, 2015, University of California – Berkeley

 My dissertation, The construction of the Colombian territory: Images of the Colombian Armed Conflict 2002-2010, critically analyzes the Colombian internal conflict and its relationship with… (more)

Subjects/Keywords: Communication; Film studies; Latin American studies; geography; Globalization; Nation-state; Politics; Visuality; war

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APA (6th Edition):

Salamanca, C. L. (2015). The construction of the Colombian territory: Images of the Colombian Armed Conflict 2002- 2010. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/0cm960g2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salamanca, Claudia Liliana. “The construction of the Colombian territory: Images of the Colombian Armed Conflict 2002- 2010.” 2015. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/0cm960g2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salamanca, Claudia Liliana. “The construction of the Colombian territory: Images of the Colombian Armed Conflict 2002- 2010.” 2015. Web. 17 Oct 2019.

Vancouver:

Salamanca CL. The construction of the Colombian territory: Images of the Colombian Armed Conflict 2002- 2010. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/0cm960g2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salamanca CL. The construction of the Colombian territory: Images of the Colombian Armed Conflict 2002- 2010. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/0cm960g2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

17. Belisle, Brooke. The Bigger Picture: The Panoramic Image and the Global Imagination.

Degree: Rhetoric, 2012, University of California – Berkeley

 Critiquing contemporary elisions of the digital and the global, this dissertation traces how the imagination of a "total view" has been mediated through the mutable… (more)

Subjects/Keywords: Film studies; Art history; Rhetoric; cinema; digital media; Muybridge; panorama; photography; stereoscope

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APA (6th Edition):

Belisle, B. (2012). The Bigger Picture: The Panoramic Image and the Global Imagination. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/3rt962dr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Belisle, Brooke. “The Bigger Picture: The Panoramic Image and the Global Imagination.” 2012. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/3rt962dr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Belisle, Brooke. “The Bigger Picture: The Panoramic Image and the Global Imagination.” 2012. Web. 17 Oct 2019.

Vancouver:

Belisle B. The Bigger Picture: The Panoramic Image and the Global Imagination. [Internet] [Thesis]. University of California – Berkeley; 2012. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/3rt962dr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Belisle B. The Bigger Picture: The Panoramic Image and the Global Imagination. [Thesis]. University of California – Berkeley; 2012. Available from: http://www.escholarship.org/uc/item/3rt962dr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Dizon, Michelle Yap. Vision in Ruins.

Degree: Rhetoric, 2011, University of California – Berkeley

 Vision in Ruins explores the practice of art, video, and visuality in an era of globalization. In contrast to past writings on video beholden to… (more)

Subjects/Keywords: Aesthetics; Ethnic studies; Film studies; art; diaspora; globalization; race; video; visuality

…Theresa Hak Kyung Cha, White Dust for Magnolia (unfinished film), 1980 Figure 33… …Theresa Hak Kyung Cha, White Dust From Magnolia (unfinished film), 1980 Figure 34… …one that expands contemporary visual studies in five distinct ways. First, by developing its… …argument across film, media, art, and visual culture, it offers an expanded sense of 'the… …Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. Film and Culture. New York… 

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APA (6th Edition):

Dizon, M. Y. (2011). Vision in Ruins. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6c97w2mk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dizon, Michelle Yap. “Vision in Ruins.” 2011. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/6c97w2mk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dizon, Michelle Yap. “Vision in Ruins.” 2011. Web. 17 Oct 2019.

Vancouver:

Dizon MY. Vision in Ruins. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/6c97w2mk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dizon MY. Vision in Ruins. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/6c97w2mk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Navitski, Rielle Edmonds. Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930.

Degree: Rhetoric, 2013, University of California – Berkeley

 This dissertation examines the role of new visual reproduction technologies in forging public cultures of sensationalized violence in two rapidly modernizing nations on the periphery… (more)

Subjects/Keywords: Film studies; Latin American studies; adventure films; crime films; early cinema; illustrated press; sensationalism; serial films

…thesis” developed in the scholarship emerging from Film Studies’ “historical turn,” beginning… …with whom I have had the pleasure of discussing Brazilian silent film on several occasions on… …2008, and for sending dispatches from the frontlines of academia, filmmaking and film… …of film—, exploring how they rendered spectacularly visible the social tensions of… …developments in film production and consumption in two Latin American countries with divergent… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Navitski, R. E. (2013). Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/9mv8w2t2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Navitski, Rielle Edmonds. “Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930.” 2013. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/9mv8w2t2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Navitski, Rielle Edmonds. “Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930.” 2013. Web. 17 Oct 2019.

Vancouver:

Navitski RE. Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930. [Internet] [Thesis]. University of California – Berkeley; 2013. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/9mv8w2t2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Navitski RE. Sensationalism, Cinema and the Popular Press in Mexico and Brazil, 1905-1930. [Thesis]. University of California – Berkeley; 2013. Available from: http://www.escholarship.org/uc/item/9mv8w2t2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.