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You searched for subject:(Film studies). Showing records 1 – 30 of 2311 total matches.

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1. James-Erickson, Luke Hunter. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.

Degree: 2017, University of Colorado at Denver

  This paper critically examines films created with smart phones and similar devices in order to discuss how these films are understood within modern society,… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

James-Erickson, L. H. (2017). Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. (Thesis). University of Colorado at Denver. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10289396

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

James-Erickson, Luke Hunter. “Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.” 2017. Thesis, University of Colorado at Denver. Accessed September 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10289396.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

James-Erickson, Luke Hunter. “Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.” 2017. Web. 21 Sep 2019.

Vancouver:

James-Erickson LH. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. [Internet] [Thesis]. University of Colorado at Denver; 2017. [cited 2019 Sep 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10289396.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

James-Erickson LH. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. [Thesis]. University of Colorado at Denver; 2017. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10289396

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Roberts, Jason Kelly. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.

Degree: 2015, Northwestern University

  This dissertation examines the rhetoric of popular and academic film criticism across moments of major technological change, focusing on the coming of sound, television… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Roberts, J. K. (2015). The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. (Thesis). Northwestern University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3741433

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberts, Jason Kelly. “The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.” 2015. Thesis, Northwestern University. Accessed September 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3741433.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberts, Jason Kelly. “The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.” 2015. Web. 21 Sep 2019.

Vancouver:

Roberts JK. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. [Internet] [Thesis]. Northwestern University; 2015. [cited 2019 Sep 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3741433.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberts JK. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. [Thesis]. Northwestern University; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3741433

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

3. Marriott, David. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.

Degree: Moving Image Archive Studies, 2014, UCLA

 While the moving image archival field has devoted considerable attention to theorizing preservation practice for traditional narrative cinema, comparatively little emphasis has been placed on… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Marriott, D. (2014). Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/80x3q0x0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marriott, David. “Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.” 2014. Thesis, UCLA. Accessed September 21, 2019. http://www.escholarship.org/uc/item/80x3q0x0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marriott, David. “Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.” 2014. Web. 21 Sep 2019.

Vancouver:

Marriott D. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. [Internet] [Thesis]. UCLA; 2014. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/80x3q0x0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marriott D. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/80x3q0x0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Goetz, Christopher James. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.

Degree: Theatre Arts, 2016, University of California – Berkeley

 This dissertation engages conversations about the meaning and function of videogames within domestic spaces in 1990s and 2000s convergence culture. The introductory chapter discusses fantasy… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Goetz, C. J. (2016). At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2xz3k527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goetz, Christopher James. “At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.” 2016. Thesis, University of California – Berkeley. Accessed September 21, 2019. http://www.escholarship.org/uc/item/2xz3k527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goetz, Christopher James. “At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.” 2016. Web. 21 Sep 2019.

Vancouver:

Goetz CJ. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/2xz3k527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goetz CJ. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/2xz3k527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

5. Kim, Anthony. Motions of Search: A Korean/American Epistemology.

Degree: Literature, 2016, University of California – San Diego

 Motions of Search: A Korean/American Epistemology is a transdisciplinary and transmedia project that presents a kinetic exploration and application of visual documentary practices through a… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Kim, A. (2016). Motions of Search: A Korean/American Epistemology. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/9rs1g6kz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Anthony. “Motions of Search: A Korean/American Epistemology.” 2016. Thesis, University of California – San Diego. Accessed September 21, 2019. http://www.escholarship.org/uc/item/9rs1g6kz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Anthony. “Motions of Search: A Korean/American Epistemology.” 2016. Web. 21 Sep 2019.

Vancouver:

Kim A. Motions of Search: A Korean/American Epistemology. [Internet] [Thesis]. University of California – San Diego; 2016. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/9rs1g6kz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim A. Motions of Search: A Korean/American Epistemology. [Thesis]. University of California – San Diego; 2016. Available from: http://www.escholarship.org/uc/item/9rs1g6kz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

6. Msumanje, Erick. Volta Volta.

Degree: Visual Arts, 2017, University of California – San Diego

This thesis paper examines the fear and anxieties of being black in White America. This is done through the lens of lm theory, black studies, and sound design. It’s further grounded in the analysis of lmmaker Erick Msumanje’s lm Volta Volta that explores the issue in a hybrid manner.

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Msumanje, E. (2017). Volta Volta. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/99f89845

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Msumanje, Erick. “Volta Volta.” 2017. Thesis, University of California – San Diego. Accessed September 21, 2019. http://www.escholarship.org/uc/item/99f89845.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Msumanje, Erick. “Volta Volta.” 2017. Web. 21 Sep 2019.

Vancouver:

Msumanje E. Volta Volta. [Internet] [Thesis]. University of California – San Diego; 2017. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/99f89845.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Msumanje E. Volta Volta. [Thesis]. University of California – San Diego; 2017. Available from: http://www.escholarship.org/uc/item/99f89845

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

7. Carpenter, Emily Catherine. PreOccupied Territories: Polar Landscapes in the Cinema.

Degree: Rhetoric, 2011, University of California – Berkeley

 This dissertation argues against the tendency to elevate landscape as an aesthetic object over and against its function as setting and asks, instead, how landscape… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carpenter, E. C. (2011). PreOccupied Territories: Polar Landscapes in the Cinema. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6bb0254c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, Emily Catherine. “PreOccupied Territories: Polar Landscapes in the Cinema.” 2011. Thesis, University of California – Berkeley. Accessed September 21, 2019. http://www.escholarship.org/uc/item/6bb0254c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, Emily Catherine. “PreOccupied Territories: Polar Landscapes in the Cinema.” 2011. Web. 21 Sep 2019.

Vancouver:

Carpenter EC. PreOccupied Territories: Polar Landscapes in the Cinema. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/6bb0254c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter EC. PreOccupied Territories: Polar Landscapes in the Cinema. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/6bb0254c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

8. Hukku, Sanjay P. Plotting Sex: Pornography's Performatistic Screen.

Degree: Rhetoric, 2014, University of California – Berkeley

 The early 1970s witnessed the mainstreaming of feature-length, hard core pornography. Though derided by critics, this newly minted genre had two notable features: broader narratives… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hukku, S. P. (2014). Plotting Sex: Pornography's Performatistic Screen. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2rd5j4k8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hukku, Sanjay P. “Plotting Sex: Pornography's Performatistic Screen.” 2014. Thesis, University of California – Berkeley. Accessed September 21, 2019. http://www.escholarship.org/uc/item/2rd5j4k8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hukku, Sanjay P. “Plotting Sex: Pornography's Performatistic Screen.” 2014. Web. 21 Sep 2019.

Vancouver:

Hukku SP. Plotting Sex: Pornography's Performatistic Screen. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/2rd5j4k8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hukku SP. Plotting Sex: Pornography's Performatistic Screen. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/2rd5j4k8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

9. Rácsok, Gabriella. Ingmar Bergman's Concept of God in his Trilogy .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 A dolgozat Ingmar Bergman filmtrilógiájának istenfogalmát vizsgálja. A bevezetőben röviden ismerteti a trilógia műfaji sajátosságait és stílusjegyeit. Önálló fejezetekben elemzi a trilógia egyes epizódjait, mely… (more)

Subjects/Keywords: film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rácsok, G. (2013). Ingmar Bergman's Concept of God in his Trilogy . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/174242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rácsok, Gabriella. “Ingmar Bergman's Concept of God in his Trilogy .” 2013. Thesis, University of Debrecen. Accessed September 21, 2019. http://hdl.handle.net/2437/174242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rácsok, Gabriella. “Ingmar Bergman's Concept of God in his Trilogy .” 2013. Web. 21 Sep 2019.

Vancouver:

Rácsok G. Ingmar Bergman's Concept of God in his Trilogy . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/2437/174242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rácsok G. Ingmar Bergman's Concept of God in his Trilogy . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/174242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

10. Scott-Webb, Shirley. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.

Degree: 2011, University of the Arts London

 An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. This practice-based PhD comprises an original screenplay… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scott-Webb, S. (2011). An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/6515/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott-Webb, Shirley. “An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.” 2011. Thesis, University of the Arts London. Accessed September 21, 2019. http://ualresearchonline.arts.ac.uk/6515/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott-Webb, Shirley. “An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.” 2011. Web. 21 Sep 2019.

Vancouver:

Scott-Webb S. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2019 Sep 21]. Available from: http://ualresearchonline.arts.ac.uk/6515/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott-Webb S. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. [Thesis]. University of the Arts London; 2011. Available from: http://ualresearchonline.arts.ac.uk/6515/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

11. Ciammaroni, Stefano. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).

Degree: 2011, University of the Arts London

 This study narrates a history of Italian cinema from 1943 to 1980 by the light of its evolving imaginary of violence and death. As both… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ciammaroni, S. (2011). The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). (Thesis). University of the Arts London. Retrieved from https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ciammaroni, Stefano. “The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).” 2011. Thesis, University of the Arts London. Accessed September 21, 2019. https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ciammaroni, Stefano. “The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).” 2011. Web. 21 Sep 2019.

Vancouver:

Ciammaroni S. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). [Internet] [Thesis]. University of the Arts London; 2011. [cited 2019 Sep 21]. Available from: https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ciammaroni S. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). [Thesis]. University of the Arts London; 2011. Available from: https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

12. Drummer, Aurora. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.

Degree: Image, Centre for Film and Media Studies, 2014, University of Cape Town

 This dissertation takes theories of voice-over narration that are typically applied to fiction film and applies them to documentary film. It looks at issues of… (more)

Subjects/Keywords: Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drummer, A. (2014). Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drummer, Aurora. “Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.” 2014. Thesis, University of Cape Town. Accessed September 21, 2019. http://hdl.handle.net/11427/12877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drummer, Aurora. “Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.” 2014. Web. 21 Sep 2019.

Vancouver:

Drummer A. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/11427/12877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drummer A. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/12877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

13. Broodryk, Chris Willem. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.

Degree: Image, Centre for Film and Media Studies, 2016, University of Cape Town

 This thesis develops a conceptual and theoretical framework within which to position contemporary Afrikaans cinema as a cinema of political impotence. Afrikaans cinema is first… (more)

Subjects/Keywords: Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Broodryk, C. W. (2016). Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Broodryk, Chris Willem. “Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.” 2016. Thesis, University of Cape Town. Accessed September 21, 2019. http://hdl.handle.net/11427/20299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Broodryk, Chris Willem. “Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.” 2016. Web. 21 Sep 2019.

Vancouver:

Broodryk CW. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/11427/20299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Broodryk CW. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

14. Du Plooy, Alta. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.

Degree: Image, Centre for Film and Media Studies, 2014, University of Cape Town

 South African cinemas, and Afrikaans cinemas in particular, have mostly been studied for its political, representational and socio-political value and its often-problematic furnishing in these… (more)

Subjects/Keywords: Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Du Plooy, A. (2014). Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Du Plooy, Alta. “Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.” 2014. Thesis, University of Cape Town. Accessed September 21, 2019. http://hdl.handle.net/11427/13349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Du Plooy, Alta. “Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.” 2014. Web. 21 Sep 2019.

Vancouver:

Du Plooy A. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/11427/13349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Du Plooy A. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/13349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

15. De Villiers, Jacques. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.

Degree: Image, Centre for Film and Media Studies, 2013, University of Cape Town

 This dissertation centres on an examination of Gummo, the provocative directorial debut by filmmaking enfant terrible, Harmony Korine. While largely dismissed by critics who were… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

De Villiers, J. (2013). Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/14087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

De Villiers, Jacques. “Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.” 2013. Thesis, University of Cape Town. Accessed September 21, 2019. http://hdl.handle.net/11427/14087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

De Villiers, Jacques. “Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.” 2013. Web. 21 Sep 2019.

Vancouver:

De Villiers J. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/11427/14087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

De Villiers J. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/14087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

16. Petousis, Simone. A death in the family: meditations on mourning in contemporary cinema.

Degree: Image, Centre for Film and Media Studies, 2012, University of Cape Town

 This thesis examines cinematic depictions of traumatic loss and mourning, with particular focus on representation. My study merges a theoretical and analytical investigation. I aim… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Petousis, S. (2012). A death in the family: meditations on mourning in contemporary cinema. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Petousis, Simone. “A death in the family: meditations on mourning in contemporary cinema.” 2012. Thesis, University of Cape Town. Accessed September 21, 2019. http://hdl.handle.net/11427/12094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Petousis, Simone. “A death in the family: meditations on mourning in contemporary cinema.” 2012. Web. 21 Sep 2019.

Vancouver:

Petousis S. A death in the family: meditations on mourning in contemporary cinema. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/11427/12094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Petousis S. A death in the family: meditations on mourning in contemporary cinema. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/12094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

17. Zuniga, Paolo. Exilic Conditions: Reflections of Home and the Experiential Cinema.

Degree: Visual Arts, 2019, University of California – San Diego

 Exilic Conditions: Reflections of Home and the Experiential Cinema is a collection of writings that reflect on perceptions of home and identity while examining the… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Zuniga, P. (2019). Exilic Conditions: Reflections of Home and the Experiential Cinema. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/2xh817v6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zuniga, Paolo. “Exilic Conditions: Reflections of Home and the Experiential Cinema.” 2019. Thesis, University of California – San Diego. Accessed September 21, 2019. http://www.escholarship.org/uc/item/2xh817v6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zuniga, Paolo. “Exilic Conditions: Reflections of Home and the Experiential Cinema.” 2019. Web. 21 Sep 2019.

Vancouver:

Zuniga P. Exilic Conditions: Reflections of Home and the Experiential Cinema. [Internet] [Thesis]. University of California – San Diego; 2019. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/2xh817v6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zuniga P. Exilic Conditions: Reflections of Home and the Experiential Cinema. [Thesis]. University of California – San Diego; 2019. Available from: http://www.escholarship.org/uc/item/2xh817v6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Garrity, Sean Michael James. Blind.

Degree: MFA - Master of Fine Arts, Film And Video, 2014, York University

 “Blind” tells the story of a man who quits his job and buys an RV to drive his daughter, who is losing her sight, across… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garrity, S. M. J. (2014). Blind. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/27591

Chicago Manual of Style (16th Edition):

Garrity, Sean Michael James. “Blind.” 2014. Masters Thesis, York University. Accessed September 21, 2019. http://hdl.handle.net/10315/27591.

MLA Handbook (7th Edition):

Garrity, Sean Michael James. “Blind.” 2014. Web. 21 Sep 2019.

Vancouver:

Garrity SMJ. Blind. [Internet] [Masters thesis]. York University; 2014. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10315/27591.

Council of Science Editors:

Garrity SMJ. Blind. [Masters Thesis]. York University; 2014. Available from: http://hdl.handle.net/10315/27591

19. Dillon-Davis, Julia Kate Elizabeth. Aum, She Who is Most Auspicious.

Degree: MFA - Master of Fine Arts, Film And Video, 2015, York University

 Light seekers. Familial secrets. And parentified children. AUM, SHE WHO IS MOST AUSPICIOUS is a coming-of-age screenplay about what it means to care for others… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Dillon-Davis, J. K. E. (2015). Aum, She Who is Most Auspicious. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30619

Chicago Manual of Style (16th Edition):

Dillon-Davis, Julia Kate Elizabeth. “Aum, She Who is Most Auspicious.” 2015. Masters Thesis, York University. Accessed September 21, 2019. http://hdl.handle.net/10315/30619.

MLA Handbook (7th Edition):

Dillon-Davis, Julia Kate Elizabeth. “Aum, She Who is Most Auspicious.” 2015. Web. 21 Sep 2019.

Vancouver:

Dillon-Davis JKE. Aum, She Who is Most Auspicious. [Internet] [Masters thesis]. York University; 2015. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10315/30619.

Council of Science Editors:

Dillon-Davis JKE. Aum, She Who is Most Auspicious. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30619

20. Radwanski, Kazik James. Scaffold.

Degree: MFA - Master of Fine Arts, Film And Video, 2018, York University

 Scaffold is a narrative short with structuralist and documentary aspects. Filmed in fragmentary close-up, Scaffold stitches together the conversations, interactions, and people-watching that make up… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Radwanski, K. J. (2018). Scaffold. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34490

Chicago Manual of Style (16th Edition):

Radwanski, Kazik James. “Scaffold.” 2018. Masters Thesis, York University. Accessed September 21, 2019. http://hdl.handle.net/10315/34490.

MLA Handbook (7th Edition):

Radwanski, Kazik James. “Scaffold.” 2018. Web. 21 Sep 2019.

Vancouver:

Radwanski KJ. Scaffold. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10315/34490.

Council of Science Editors:

Radwanski KJ. Scaffold. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34490


Boston University

21. Lu, Megan. Orientals in Hollywood: Asian American representation in early U.S. cinema.

Degree: MFA, Film & Television, 2017, Boston University

 Modern Asian American activists are shining a spotlight on the lack of diversity in media, and the root of this inequality traces back to the… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Lu, M. (2017). Orientals in Hollywood: Asian American representation in early U.S. cinema. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/26423

Chicago Manual of Style (16th Edition):

Lu, Megan. “Orientals in Hollywood: Asian American representation in early U.S. cinema.” 2017. Masters Thesis, Boston University. Accessed September 21, 2019. http://hdl.handle.net/2144/26423.

MLA Handbook (7th Edition):

Lu, Megan. “Orientals in Hollywood: Asian American representation in early U.S. cinema.” 2017. Web. 21 Sep 2019.

Vancouver:

Lu M. Orientals in Hollywood: Asian American representation in early U.S. cinema. [Internet] [Masters thesis]. Boston University; 2017. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/2144/26423.

Council of Science Editors:

Lu M. Orientals in Hollywood: Asian American representation in early U.S. cinema. [Masters Thesis]. Boston University; 2017. Available from: http://hdl.handle.net/2144/26423


UCLA

22. Seros, Alexandra. The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968.

Degree: Film & TV, 2019, UCLA

 ABSTRACT OF THE DISSERTATIONThe Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968by Alexandra SerosDoctor of Philosophy in Film and TelevisionUniversity of California,… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Seros, A. (2019). The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/7v33406g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seros, Alexandra. “The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968.” 2019. Thesis, UCLA. Accessed September 21, 2019. http://www.escholarship.org/uc/item/7v33406g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seros, Alexandra. “The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968.” 2019. Web. 21 Sep 2019.

Vancouver:

Seros A. The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968. [Internet] [Thesis]. UCLA; 2019. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/7v33406g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seros A. The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968. [Thesis]. UCLA; 2019. Available from: http://www.escholarship.org/uc/item/7v33406g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Bering-Porter, David. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.

Degree: PhD, Modern Culture and Media, 2011, Brown University

 This dissertation examines the shifts in reproduction, knowledge, and power that remap our notion of "life" in contemporary scientific and popular cultures through the uncanny… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Bering-Porter, D. (2011). Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11344/

Chicago Manual of Style (16th Edition):

Bering-Porter, David. “Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.” 2011. Doctoral Dissertation, Brown University. Accessed September 21, 2019. https://repository.library.brown.edu/studio/item/bdr:11344/.

MLA Handbook (7th Edition):

Bering-Porter, David. “Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.” 2011. Web. 21 Sep 2019.

Vancouver:

Bering-Porter D. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2019 Sep 21]. Available from: https://repository.library.brown.edu/studio/item/bdr:11344/.

Council of Science Editors:

Bering-Porter D. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11344/


The Ohio State University

24. Gobel, Alper. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.

Degree: MA, Film Studies, 2019, The Ohio State University

 This thesis focuses on two documentaries: Kirsten Johnson’s Cameraperson (2016) and Sarah Polley’s Stories We Tell (2012). By proposing the term affective listening, it foregrounds… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Gobel, A. (2019). Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041

Chicago Manual of Style (16th Edition):

Gobel, Alper. “Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.” 2019. Masters Thesis, The Ohio State University. Accessed September 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041.

MLA Handbook (7th Edition):

Gobel, Alper. “Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.” 2019. Web. 21 Sep 2019.

Vancouver:

Gobel A. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. [Internet] [Masters thesis]. The Ohio State University; 2019. [cited 2019 Sep 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041.

Council of Science Editors:

Gobel A. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. [Masters Thesis]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041


University of Kansas

25. Mwakalinga, Mona Ngusekela. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.

Degree: PhD, Film & Media Studies, 2010, University of Kansas

 This study examines the film industry in Tanzania from the 1960s to 2010 and assesses how government policies, legislation, and cultural institutions have impacted filmmaking… (more)

Subjects/Keywords: Film studies; Film industry; Tanzania

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APA (6th Edition):

Mwakalinga, M. N. (2010). The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/7623

Chicago Manual of Style (16th Edition):

Mwakalinga, Mona Ngusekela. “The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.” 2010. Doctoral Dissertation, University of Kansas. Accessed September 21, 2019. http://hdl.handle.net/1808/7623.

MLA Handbook (7th Edition):

Mwakalinga, Mona Ngusekela. “The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.” 2010. Web. 21 Sep 2019.

Vancouver:

Mwakalinga MN. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/1808/7623.

Council of Science Editors:

Mwakalinga MN. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/7623


University of the Arts London

26. McGill, Genevieve. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: PhD, 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: 791.43; Film studies : Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGill, G. (2013). Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5888/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Doctoral Dissertation, University of the Arts London. Accessed September 21, 2019. http://ualresearchonline.arts.ac.uk/5888/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 21 Sep 2019.

Vancouver:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2019 Sep 21]. Available from: http://ualresearchonline.arts.ac.uk/5888/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

Council of Science Editors:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: http://ualresearchonline.arts.ac.uk/5888/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881


University of Debrecen

27. Soltész, Edina. An Overview of Film Noir from the 1940's up to Nowadays .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 In my essay I would like to give an overview of film noir, why and how it developed and what influenced it. For a better… (more)

Subjects/Keywords: film studies; film noir

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Soltész, E. (2013). An Overview of Film Noir from the 1940's up to Nowadays . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/174259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Soltész, Edina. “An Overview of Film Noir from the 1940's up to Nowadays .” 2013. Thesis, University of Debrecen. Accessed September 21, 2019. http://hdl.handle.net/2437/174259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Soltész, Edina. “An Overview of Film Noir from the 1940's up to Nowadays .” 2013. Web. 21 Sep 2019.

Vancouver:

Soltész E. An Overview of Film Noir from the 1940's up to Nowadays . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/2437/174259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soltész E. An Overview of Film Noir from the 1940's up to Nowadays . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/174259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

28. McGill, Genevieve. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: Film studies; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGill, G. (2013). Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Thesis, University of the Arts London. Accessed September 21, 2019. http://ualresearchonline.arts.ac.uk/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 21 Sep 2019.

Vancouver:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2019 Sep 21]. Available from: http://ualresearchonline.arts.ac.uk/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Thesis]. University of the Arts London; 2013. Available from: http://ualresearchonline.arts.ac.uk/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Paz, Maya. Slumber Party.

Degree: MFA - Master of Fine Arts, Film and Video, 2015, York University

 Slumber Party is a short film about the constant struggle between expectation and reality. Over the course of one, meaningful night, Libby realizes that everything… (more)

Subjects/Keywords: Film studies; Fine arts; film

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Paz, M. (2015). Slumber Party. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30724

Chicago Manual of Style (16th Edition):

Paz, Maya. “Slumber Party.” 2015. Masters Thesis, York University. Accessed September 21, 2019. http://hdl.handle.net/10315/30724.

MLA Handbook (7th Edition):

Paz, Maya. “Slumber Party.” 2015. Web. 21 Sep 2019.

Vancouver:

Paz M. Slumber Party. [Internet] [Masters thesis]. York University; 2015. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10315/30724.

Council of Science Editors:

Paz M. Slumber Party. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30724

30. Zong, Eui Yong. Until We Meet Again.

Degree: MFA - Master of Fine Arts, Film And Video, 2018, York University

 ABSTRACT Until We Meet Again is a 40-minute documentary where I, as a South-Korean Canadian filmmaker, follow a group of North Korean university students first… (more)

Subjects/Keywords: Film studies; Film; Documentary; Korea

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zong, E. Y. (2018). Until We Meet Again. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34495

Chicago Manual of Style (16th Edition):

Zong, Eui Yong. “Until We Meet Again.” 2018. Masters Thesis, York University. Accessed September 21, 2019. http://hdl.handle.net/10315/34495.

MLA Handbook (7th Edition):

Zong, Eui Yong. “Until We Meet Again.” 2018. Web. 21 Sep 2019.

Vancouver:

Zong EY. Until We Meet Again. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10315/34495.

Council of Science Editors:

Zong EY. Until We Meet Again. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34495

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