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You searched for subject:(Film studies). Showing records 1 – 30 of 2158 total matches.

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1. James-Erickson, Luke Hunter. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.

Degree: 2017, University of Colorado at Denver

  This paper critically examines films created with smart phones and similar devices in order to discuss how these films are understood within modern society,… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

James-Erickson, L. H. (2017). Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. (Thesis). University of Colorado at Denver. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10289396

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

James-Erickson, Luke Hunter. “Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.” 2017. Thesis, University of Colorado at Denver. Accessed May 23, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10289396.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

James-Erickson, Luke Hunter. “Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.” 2017. Web. 23 May 2019.

Vancouver:

James-Erickson LH. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. [Internet] [Thesis]. University of Colorado at Denver; 2017. [cited 2019 May 23]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10289396.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

James-Erickson LH. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. [Thesis]. University of Colorado at Denver; 2017. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10289396

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Roberts, Jason Kelly. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.

Degree: 2015, Northwestern University

  This dissertation examines the rhetoric of popular and academic film criticism across moments of major technological change, focusing on the coming of sound, television… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Roberts, J. K. (2015). The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. (Thesis). Northwestern University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3741433

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberts, Jason Kelly. “The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.” 2015. Thesis, Northwestern University. Accessed May 23, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3741433.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberts, Jason Kelly. “The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.” 2015. Web. 23 May 2019.

Vancouver:

Roberts JK. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. [Internet] [Thesis]. Northwestern University; 2015. [cited 2019 May 23]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3741433.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberts JK. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. [Thesis]. Northwestern University; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3741433

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

3. Marriott, David. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.

Degree: Moving Image Archive Studies, 2014, UCLA

 While the moving image archival field has devoted considerable attention to theorizing preservation practice for traditional narrative cinema, comparatively little emphasis has been placed on… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Marriott, D. (2014). Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/80x3q0x0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marriott, David. “Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.” 2014. Thesis, UCLA. Accessed May 23, 2019. http://www.escholarship.org/uc/item/80x3q0x0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marriott, David. “Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.” 2014. Web. 23 May 2019.

Vancouver:

Marriott D. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. [Internet] [Thesis]. UCLA; 2014. [cited 2019 May 23]. Available from: http://www.escholarship.org/uc/item/80x3q0x0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marriott D. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/80x3q0x0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Goetz, Christopher James. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.

Degree: Theatre Arts, 2016, University of California – Berkeley

 This dissertation engages conversations about the meaning and function of videogames within domestic spaces in 1990s and 2000s convergence culture. The introductory chapter discusses fantasy… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Goetz, C. J. (2016). At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2xz3k527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goetz, Christopher James. “At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.” 2016. Thesis, University of California – Berkeley. Accessed May 23, 2019. http://www.escholarship.org/uc/item/2xz3k527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goetz, Christopher James. “At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.” 2016. Web. 23 May 2019.

Vancouver:

Goetz CJ. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2019 May 23]. Available from: http://www.escholarship.org/uc/item/2xz3k527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goetz CJ. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/2xz3k527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

5. Kim, Anthony. Motions of Search: A Korean/American Epistemology.

Degree: Literature, 2016, University of California – San Diego

 Motions of Search: A Korean/American Epistemology is a transdisciplinary and transmedia project that presents a kinetic exploration and application of visual documentary practices through a… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Kim, A. (2016). Motions of Search: A Korean/American Epistemology. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/9rs1g6kz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Anthony. “Motions of Search: A Korean/American Epistemology.” 2016. Thesis, University of California – San Diego. Accessed May 23, 2019. http://www.escholarship.org/uc/item/9rs1g6kz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Anthony. “Motions of Search: A Korean/American Epistemology.” 2016. Web. 23 May 2019.

Vancouver:

Kim A. Motions of Search: A Korean/American Epistemology. [Internet] [Thesis]. University of California – San Diego; 2016. [cited 2019 May 23]. Available from: http://www.escholarship.org/uc/item/9rs1g6kz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim A. Motions of Search: A Korean/American Epistemology. [Thesis]. University of California – San Diego; 2016. Available from: http://www.escholarship.org/uc/item/9rs1g6kz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

6. Msumanje, Erick. Volta Volta.

Degree: Visual Arts, 2017, University of California – San Diego

This thesis paper examines the fear and anxieties of being black in White America. This is done through the lens of lm theory, black studies, and sound design. It’s further grounded in the analysis of lmmaker Erick Msumanje’s lm Volta Volta that explores the issue in a hybrid manner.

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Msumanje, E. (2017). Volta Volta. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/99f89845

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Msumanje, Erick. “Volta Volta.” 2017. Thesis, University of California – San Diego. Accessed May 23, 2019. http://www.escholarship.org/uc/item/99f89845.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Msumanje, Erick. “Volta Volta.” 2017. Web. 23 May 2019.

Vancouver:

Msumanje E. Volta Volta. [Internet] [Thesis]. University of California – San Diego; 2017. [cited 2019 May 23]. Available from: http://www.escholarship.org/uc/item/99f89845.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Msumanje E. Volta Volta. [Thesis]. University of California – San Diego; 2017. Available from: http://www.escholarship.org/uc/item/99f89845

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

7. Carpenter, Emily Catherine. PreOccupied Territories: Polar Landscapes in the Cinema.

Degree: Rhetoric, 2011, University of California – Berkeley

 This dissertation argues against the tendency to elevate landscape as an aesthetic object over and against its function as setting and asks, instead, how landscape… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Carpenter, E. C. (2011). PreOccupied Territories: Polar Landscapes in the Cinema. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6bb0254c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, Emily Catherine. “PreOccupied Territories: Polar Landscapes in the Cinema.” 2011. Thesis, University of California – Berkeley. Accessed May 23, 2019. http://www.escholarship.org/uc/item/6bb0254c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, Emily Catherine. “PreOccupied Territories: Polar Landscapes in the Cinema.” 2011. Web. 23 May 2019.

Vancouver:

Carpenter EC. PreOccupied Territories: Polar Landscapes in the Cinema. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 May 23]. Available from: http://www.escholarship.org/uc/item/6bb0254c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter EC. PreOccupied Territories: Polar Landscapes in the Cinema. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/6bb0254c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

8. Hukku, Sanjay P. Plotting Sex: Pornography's Performatistic Screen.

Degree: Rhetoric, 2014, University of California – Berkeley

 The early 1970s witnessed the mainstreaming of feature-length, hard core pornography. Though derided by critics, this newly minted genre had two notable features: broader narratives… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Hukku, S. P. (2014). Plotting Sex: Pornography's Performatistic Screen. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2rd5j4k8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hukku, Sanjay P. “Plotting Sex: Pornography's Performatistic Screen.” 2014. Thesis, University of California – Berkeley. Accessed May 23, 2019. http://www.escholarship.org/uc/item/2rd5j4k8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hukku, Sanjay P. “Plotting Sex: Pornography's Performatistic Screen.” 2014. Web. 23 May 2019.

Vancouver:

Hukku SP. Plotting Sex: Pornography's Performatistic Screen. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 May 23]. Available from: http://www.escholarship.org/uc/item/2rd5j4k8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hukku SP. Plotting Sex: Pornography's Performatistic Screen. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/2rd5j4k8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

9. Rácsok, Gabriella. Ingmar Bergman's Concept of God in his Trilogy .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 A dolgozat Ingmar Bergman filmtrilógiájának istenfogalmát vizsgálja. A bevezetőben röviden ismerteti a trilógia műfaji sajátosságait és stílusjegyeit. Önálló fejezetekben elemzi a trilógia egyes epizódjait, mely… (more)

Subjects/Keywords: film studies

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APA (6th Edition):

Rácsok, G. (2013). Ingmar Bergman's Concept of God in his Trilogy . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/174242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rácsok, Gabriella. “Ingmar Bergman's Concept of God in his Trilogy .” 2013. Thesis, University of Debrecen. Accessed May 23, 2019. http://hdl.handle.net/2437/174242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rácsok, Gabriella. “Ingmar Bergman's Concept of God in his Trilogy .” 2013. Web. 23 May 2019.

Vancouver:

Rácsok G. Ingmar Bergman's Concept of God in his Trilogy . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 May 23]. Available from: http://hdl.handle.net/2437/174242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rácsok G. Ingmar Bergman's Concept of God in his Trilogy . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/174242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Radwanski, Kazik James. Scaffold.

Degree: MFA - Master of Fine Arts, Film And Video, 2018, York University

 Scaffold is a narrative short with structuralist and documentary aspects. Filmed in fragmentary close-up, Scaffold stitches together the conversations, interactions, and people-watching that make up… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Radwanski, K. J. (2018). Scaffold. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34490

Chicago Manual of Style (16th Edition):

Radwanski, Kazik James. “Scaffold.” 2018. Masters Thesis, York University. Accessed May 23, 2019. http://hdl.handle.net/10315/34490.

MLA Handbook (7th Edition):

Radwanski, Kazik James. “Scaffold.” 2018. Web. 23 May 2019.

Vancouver:

Radwanski KJ. Scaffold. [Internet] [Masters thesis]. York University; 2018. [cited 2019 May 23]. Available from: http://hdl.handle.net/10315/34490.

Council of Science Editors:

Radwanski KJ. Scaffold. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34490


Boston University

11. Lu, Megan. Orientals in Hollywood: Asian American representation in early U.S. cinema.

Degree: MFA, Film & Television, 2017, Boston University

 Modern Asian American activists are shining a spotlight on the lack of diversity in media, and the root of this inequality traces back to the… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lu, M. (2017). Orientals in Hollywood: Asian American representation in early U.S. cinema. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/26423

Chicago Manual of Style (16th Edition):

Lu, Megan. “Orientals in Hollywood: Asian American representation in early U.S. cinema.” 2017. Masters Thesis, Boston University. Accessed May 23, 2019. http://hdl.handle.net/2144/26423.

MLA Handbook (7th Edition):

Lu, Megan. “Orientals in Hollywood: Asian American representation in early U.S. cinema.” 2017. Web. 23 May 2019.

Vancouver:

Lu M. Orientals in Hollywood: Asian American representation in early U.S. cinema. [Internet] [Masters thesis]. Boston University; 2017. [cited 2019 May 23]. Available from: http://hdl.handle.net/2144/26423.

Council of Science Editors:

Lu M. Orientals in Hollywood: Asian American representation in early U.S. cinema. [Masters Thesis]. Boston University; 2017. Available from: http://hdl.handle.net/2144/26423


University of the Arts London

12. Scott-Webb, Shirley. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.

Degree: 2011, University of the Arts London

 An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. This practice-based PhD comprises an original screenplay… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scott-Webb, S. (2011). An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/6515/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott-Webb, Shirley. “An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.” 2011. Thesis, University of the Arts London. Accessed May 23, 2019. http://ualresearchonline.arts.ac.uk/6515/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott-Webb, Shirley. “An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.” 2011. Web. 23 May 2019.

Vancouver:

Scott-Webb S. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2019 May 23]. Available from: http://ualresearchonline.arts.ac.uk/6515/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott-Webb S. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. [Thesis]. University of the Arts London; 2011. Available from: http://ualresearchonline.arts.ac.uk/6515/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

13. Ciammaroni, Stefano. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).

Degree: 2011, University of the Arts London

 This study narrates a history of Italian cinema from 1943 to 1980 by the light of its evolving imaginary of violence and death. As both… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Ciammaroni, S. (2011). The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). (Thesis). University of the Arts London. Retrieved from https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ciammaroni, Stefano. “The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).” 2011. Thesis, University of the Arts London. Accessed May 23, 2019. https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ciammaroni, Stefano. “The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).” 2011. Web. 23 May 2019.

Vancouver:

Ciammaroni S. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). [Internet] [Thesis]. University of the Arts London; 2011. [cited 2019 May 23]. Available from: https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ciammaroni S. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). [Thesis]. University of the Arts London; 2011. Available from: https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

14. Drummer, Aurora. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.

Degree: Image, Centre for Film and Media Studies, 2014, University of Cape Town

 This dissertation takes theories of voice-over narration that are typically applied to fiction film and applies them to documentary film. It looks at issues of… (more)

Subjects/Keywords: Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drummer, A. (2014). Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drummer, Aurora. “Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.” 2014. Thesis, University of Cape Town. Accessed May 23, 2019. http://hdl.handle.net/11427/12877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drummer, Aurora. “Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.” 2014. Web. 23 May 2019.

Vancouver:

Drummer A. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2019 May 23]. Available from: http://hdl.handle.net/11427/12877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drummer A. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/12877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

15. Broodryk, Chris Willem. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.

Degree: Image, Centre for Film and Media Studies, 2016, University of Cape Town

 This thesis develops a conceptual and theoretical framework within which to position contemporary Afrikaans cinema as a cinema of political impotence. Afrikaans cinema is first… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Broodryk, C. W. (2016). Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Broodryk, Chris Willem. “Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.” 2016. Thesis, University of Cape Town. Accessed May 23, 2019. http://hdl.handle.net/11427/20299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Broodryk, Chris Willem. “Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.” 2016. Web. 23 May 2019.

Vancouver:

Broodryk CW. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 May 23]. Available from: http://hdl.handle.net/11427/20299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Broodryk CW. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

16. Du Plooy, Alta. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.

Degree: Image, Centre for Film and Media Studies, 2014, University of Cape Town

 South African cinemas, and Afrikaans cinemas in particular, have mostly been studied for its political, representational and socio-political value and its often-problematic furnishing in these… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Du Plooy, A. (2014). Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Du Plooy, Alta. “Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.” 2014. Thesis, University of Cape Town. Accessed May 23, 2019. http://hdl.handle.net/11427/13349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Du Plooy, Alta. “Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.” 2014. Web. 23 May 2019.

Vancouver:

Du Plooy A. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2019 May 23]. Available from: http://hdl.handle.net/11427/13349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Du Plooy A. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/13349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

17. De Villiers, Jacques. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.

Degree: Image, Centre for Film and Media Studies, 2013, University of Cape Town

 This dissertation centres on an examination of Gummo, the provocative directorial debut by filmmaking enfant terrible, Harmony Korine. While largely dismissed by critics who were… (more)

Subjects/Keywords: Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

De Villiers, J. (2013). Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/14087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

De Villiers, Jacques. “Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.” 2013. Thesis, University of Cape Town. Accessed May 23, 2019. http://hdl.handle.net/11427/14087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

De Villiers, Jacques. “Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.” 2013. Web. 23 May 2019.

Vancouver:

De Villiers J. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 May 23]. Available from: http://hdl.handle.net/11427/14087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

De Villiers J. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/14087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

18. Petousis, Simone. A death in the family: meditations on mourning in contemporary cinema.

Degree: Image, Centre for Film and Media Studies, 2012, University of Cape Town

 This thesis examines cinematic depictions of traumatic loss and mourning, with particular focus on representation. My study merges a theoretical and analytical investigation. I aim… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Petousis, S. (2012). A death in the family: meditations on mourning in contemporary cinema. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Petousis, Simone. “A death in the family: meditations on mourning in contemporary cinema.” 2012. Thesis, University of Cape Town. Accessed May 23, 2019. http://hdl.handle.net/11427/12094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Petousis, Simone. “A death in the family: meditations on mourning in contemporary cinema.” 2012. Web. 23 May 2019.

Vancouver:

Petousis S. A death in the family: meditations on mourning in contemporary cinema. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2019 May 23]. Available from: http://hdl.handle.net/11427/12094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Petousis S. A death in the family: meditations on mourning in contemporary cinema. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/12094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Bering-Porter, David. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.

Degree: PhD, Modern Culture and Media, 2011, Brown University

 This dissertation examines the shifts in reproduction, knowledge, and power that remap our notion of "life" in contemporary scientific and popular cultures through the uncanny… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Bering-Porter, D. (2011). Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11344/

Chicago Manual of Style (16th Edition):

Bering-Porter, David. “Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.” 2011. Doctoral Dissertation, Brown University. Accessed May 23, 2019. https://repository.library.brown.edu/studio/item/bdr:11344/.

MLA Handbook (7th Edition):

Bering-Porter, David. “Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.” 2011. Web. 23 May 2019.

Vancouver:

Bering-Porter D. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2019 May 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:11344/.

Council of Science Editors:

Bering-Porter D. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11344/


University of Kansas

20. Mwakalinga, Mona Ngusekela. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.

Degree: PhD, Film & Media Studies, 2010, University of Kansas

 This study examines the film industry in Tanzania from the 1960s to 2010 and assesses how government policies, legislation, and cultural institutions have impacted filmmaking… (more)

Subjects/Keywords: Film studies; Film industry; Tanzania

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mwakalinga, M. N. (2010). The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/7623

Chicago Manual of Style (16th Edition):

Mwakalinga, Mona Ngusekela. “The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.” 2010. Doctoral Dissertation, University of Kansas. Accessed May 23, 2019. http://hdl.handle.net/1808/7623.

MLA Handbook (7th Edition):

Mwakalinga, Mona Ngusekela. “The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.” 2010. Web. 23 May 2019.

Vancouver:

Mwakalinga MN. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 May 23]. Available from: http://hdl.handle.net/1808/7623.

Council of Science Editors:

Mwakalinga MN. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/7623


University of the Arts London

21. McGill, Genevieve. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: PhD, 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: 791.43; Film studies : Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGill, G. (2013). Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5888/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Doctoral Dissertation, University of the Arts London. Accessed May 23, 2019. http://ualresearchonline.arts.ac.uk/5888/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 23 May 2019.

Vancouver:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2019 May 23]. Available from: http://ualresearchonline.arts.ac.uk/5888/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

Council of Science Editors:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: http://ualresearchonline.arts.ac.uk/5888/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881


University of Debrecen

22. Soltész, Edina. An Overview of Film Noir from the 1940's up to Nowadays .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 In my essay I would like to give an overview of film noir, why and how it developed and what influenced it. For a better… (more)

Subjects/Keywords: film studies; film noir

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Soltész, E. (2013). An Overview of Film Noir from the 1940's up to Nowadays . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/174259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Soltész, Edina. “An Overview of Film Noir from the 1940's up to Nowadays .” 2013. Thesis, University of Debrecen. Accessed May 23, 2019. http://hdl.handle.net/2437/174259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Soltész, Edina. “An Overview of Film Noir from the 1940's up to Nowadays .” 2013. Web. 23 May 2019.

Vancouver:

Soltész E. An Overview of Film Noir from the 1940's up to Nowadays . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 May 23]. Available from: http://hdl.handle.net/2437/174259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soltész E. An Overview of Film Noir from the 1940's up to Nowadays . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/174259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Zong, Eui Yong. Until We Meet Again.

Degree: MFA - Master of Fine Arts, Film And Video, 2018, York University

 ABSTRACT Until We Meet Again is a 40-minute documentary where I, as a South-Korean Canadian filmmaker, follow a group of North Korean university students first… (more)

Subjects/Keywords: Film studies; Film; Documentary; Korea

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APA (6th Edition):

Zong, E. Y. (2018). Until We Meet Again. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34495

Chicago Manual of Style (16th Edition):

Zong, Eui Yong. “Until We Meet Again.” 2018. Masters Thesis, York University. Accessed May 23, 2019. http://hdl.handle.net/10315/34495.

MLA Handbook (7th Edition):

Zong, Eui Yong. “Until We Meet Again.” 2018. Web. 23 May 2019.

Vancouver:

Zong EY. Until We Meet Again. [Internet] [Masters thesis]. York University; 2018. [cited 2019 May 23]. Available from: http://hdl.handle.net/10315/34495.

Council of Science Editors:

Zong EY. Until We Meet Again. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34495


University of the Arts London

24. McGill, Genevieve. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: Film studies; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGill, G. (2013). Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Thesis, University of the Arts London. Accessed May 23, 2019. http://ualresearchonline.arts.ac.uk/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 23 May 2019.

Vancouver:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2019 May 23]. Available from: http://ualresearchonline.arts.ac.uk/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Thesis]. University of the Arts London; 2013. Available from: http://ualresearchonline.arts.ac.uk/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

25. Loutensock, Kristen Joy. Genre Disorder: Autism and Narrative in American Popular Culture.

Degree: Rhetoric, 2016, University of California – Berkeley

 Autism and empathy, as terms, both arose out of the fertile ground of American mass culture. Although both figured prominently in scientific discourse from the… (more)

Subjects/Keywords: Film studies; Autism; Disability Studies; Film Studies

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APA (6th Edition):

Loutensock, K. J. (2016). Genre Disorder: Autism and Narrative in American Popular Culture. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/26h8928h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Loutensock, Kristen Joy. “Genre Disorder: Autism and Narrative in American Popular Culture.” 2016. Thesis, University of California – Berkeley. Accessed May 23, 2019. http://www.escholarship.org/uc/item/26h8928h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Loutensock, Kristen Joy. “Genre Disorder: Autism and Narrative in American Popular Culture.” 2016. Web. 23 May 2019.

Vancouver:

Loutensock KJ. Genre Disorder: Autism and Narrative in American Popular Culture. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2019 May 23]. Available from: http://www.escholarship.org/uc/item/26h8928h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loutensock KJ. Genre Disorder: Autism and Narrative in American Popular Culture. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/26h8928h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Irvine

26. Watschke, Erik Allen. Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006.

Degree: Visual Studies, 2014, University of California – Irvine

 ABSTRACT OF THE DISSERTATIONAllegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006ByErik WatschkeDoctor of Philosophy in Visual StudiesUniversity of California, Irvine, 2014Professor Catherine… (more)

Subjects/Keywords: Film studies; Film History; Film Studies; Industry Studies; Visual Studies

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APA (6th Edition):

Watschke, E. A. (2014). Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/6xr6r3nd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watschke, Erik Allen. “Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006.” 2014. Thesis, University of California – Irvine. Accessed May 23, 2019. http://www.escholarship.org/uc/item/6xr6r3nd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watschke, Erik Allen. “Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006.” 2014. Web. 23 May 2019.

Vancouver:

Watschke EA. Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006. [Internet] [Thesis]. University of California – Irvine; 2014. [cited 2019 May 23]. Available from: http://www.escholarship.org/uc/item/6xr6r3nd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watschke EA. Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006. [Thesis]. University of California – Irvine; 2014. Available from: http://www.escholarship.org/uc/item/6xr6r3nd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Herrmann, Jacob. Post-9/11 SF Films: Terrorism, Warfare, and Dystopia.

Degree: MA, English, 2013, South Dakota State University

  The 9/11 event has had a profound impact on all forms of contemporary narratives. After 9/11, the Bush Administration waged The War on Terror… (more)

Subjects/Keywords: American Film Studies; Film and Media Studies

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APA (6th Edition):

Herrmann, J. (2013). Post-9/11 SF Films: Terrorism, Warfare, and Dystopia. (Masters Thesis). South Dakota State University. Retrieved from https://openprairie.sdstate.edu/etd/1418

Chicago Manual of Style (16th Edition):

Herrmann, Jacob. “Post-9/11 SF Films: Terrorism, Warfare, and Dystopia.” 2013. Masters Thesis, South Dakota State University. Accessed May 23, 2019. https://openprairie.sdstate.edu/etd/1418.

MLA Handbook (7th Edition):

Herrmann, Jacob. “Post-9/11 SF Films: Terrorism, Warfare, and Dystopia.” 2013. Web. 23 May 2019.

Vancouver:

Herrmann J. Post-9/11 SF Films: Terrorism, Warfare, and Dystopia. [Internet] [Masters thesis]. South Dakota State University; 2013. [cited 2019 May 23]. Available from: https://openprairie.sdstate.edu/etd/1418.

Council of Science Editors:

Herrmann J. Post-9/11 SF Films: Terrorism, Warfare, and Dystopia. [Masters Thesis]. South Dakota State University; 2013. Available from: https://openprairie.sdstate.edu/etd/1418


University of the Arts London

28. Chesher, Andrew. Seeing connections : documentary as an intervention in the social world.

Degree: PhD, 2007, University of the Arts London

 This thesis examines the nature of the relationship between documentary and social practices. In particular it seeks to develop and theorise a mode of documentary… (more)

Subjects/Keywords: 700; Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chesher, A. (2007). Seeing connections : documentary as an intervention in the social world. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/2303/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485468

Chicago Manual of Style (16th Edition):

Chesher, Andrew. “Seeing connections : documentary as an intervention in the social world.” 2007. Doctoral Dissertation, University of the Arts London. Accessed May 23, 2019. http://ualresearchonline.arts.ac.uk/2303/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485468.

MLA Handbook (7th Edition):

Chesher, Andrew. “Seeing connections : documentary as an intervention in the social world.” 2007. Web. 23 May 2019.

Vancouver:

Chesher A. Seeing connections : documentary as an intervention in the social world. [Internet] [Doctoral dissertation]. University of the Arts London; 2007. [cited 2019 May 23]. Available from: http://ualresearchonline.arts.ac.uk/2303/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485468.

Council of Science Editors:

Chesher A. Seeing connections : documentary as an intervention in the social world. [Doctoral Dissertation]. University of the Arts London; 2007. Available from: http://ualresearchonline.arts.ac.uk/2303/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485468

29. Maillet, Adam Michael. The Theory of Narrative Balance and its Application to High Stakes Fiction.

Degree: 2016, University of Louisiana at Lafayette

  This dissertation seeks to create a theory of narrative balance based upon the connection between economics and literary narrative, and to apply that theory… (more)

Subjects/Keywords: Economics; Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maillet, A. M. (2016). The Theory of Narrative Balance and its Application to High Stakes Fiction. (Thesis). University of Louisiana at Lafayette. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10002462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maillet, Adam Michael. “The Theory of Narrative Balance and its Application to High Stakes Fiction.” 2016. Thesis, University of Louisiana at Lafayette. Accessed May 23, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10002462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maillet, Adam Michael. “The Theory of Narrative Balance and its Application to High Stakes Fiction.” 2016. Web. 23 May 2019.

Vancouver:

Maillet AM. The Theory of Narrative Balance and its Application to High Stakes Fiction. [Internet] [Thesis]. University of Louisiana at Lafayette; 2016. [cited 2019 May 23]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10002462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maillet AM. The Theory of Narrative Balance and its Application to High Stakes Fiction. [Thesis]. University of Louisiana at Lafayette; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10002462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

30. Scott-Webb, Shirley. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.

Degree: PhD, 2011, University of the Arts London

 An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. This practice-based PhD comprises an original screenplay… (more)

Subjects/Keywords: 791.43; Film studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scott-Webb, S. (2011). An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/6515/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533124

Chicago Manual of Style (16th Edition):

Scott-Webb, Shirley. “An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.” 2011. Doctoral Dissertation, University of the Arts London. Accessed May 23, 2019. http://ualresearchonline.arts.ac.uk/6515/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533124.

MLA Handbook (7th Edition):

Scott-Webb, Shirley. “An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.” 2011. Web. 23 May 2019.

Vancouver:

Scott-Webb S. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. [Internet] [Doctoral dissertation]. University of the Arts London; 2011. [cited 2019 May 23]. Available from: http://ualresearchonline.arts.ac.uk/6515/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533124.

Council of Science Editors:

Scott-Webb S. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. [Doctoral Dissertation]. University of the Arts London; 2011. Available from: http://ualresearchonline.arts.ac.uk/6515/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533124

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