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You searched for subject:(Film criticism). Showing records 1 – 30 of 261 total matches.

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Utah Valley University

1. Pyles, Jason Don. Achieving genuine movie criticism: the motive of an artist.

Degree: 2008, Utah Valley University

This thesis consists of three phases: Phase I discusses writings in film theory and the art of persuasion and argumentation, as well as guidelines compiled… (more)

Subjects/Keywords: Film criticism

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APA (6th Edition):

Pyles, J. D. (2008). Achieving genuine movie criticism: the motive of an artist. (Thesis). Utah Valley University. Retrieved from http://contentdm.uvu.edu:81/u?/UVUTheses,187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pyles, Jason Don. “Achieving genuine movie criticism: the motive of an artist.” 2008. Thesis, Utah Valley University. Accessed March 31, 2020. http://contentdm.uvu.edu:81/u?/UVUTheses,187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pyles, Jason Don. “Achieving genuine movie criticism: the motive of an artist.” 2008. Web. 31 Mar 2020.

Vancouver:

Pyles JD. Achieving genuine movie criticism: the motive of an artist. [Internet] [Thesis]. Utah Valley University; 2008. [cited 2020 Mar 31]. Available from: http://contentdm.uvu.edu:81/u?/UVUTheses,187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pyles JD. Achieving genuine movie criticism: the motive of an artist. [Thesis]. Utah Valley University; 2008. Available from: http://contentdm.uvu.edu:81/u?/UVUTheses,187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

2. Swanson, Carl Joseph. Classified by Genre: Rhetorical Genrefication in Cinema.

Degree: PhD, Film & Media Studies, 2019, University of Kansas

 This dissertation argues for a rethinking and expansion of film genre theory. As the variety of media exhibition platforms expands and as discourse about films… (more)

Subjects/Keywords: Film studies; Film Criticism; Film History; Film Theory; Genre; Rhetoric

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APA (6th Edition):

Swanson, C. J. (2019). Classified by Genre: Rhetorical Genrefication in Cinema. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29902

Chicago Manual of Style (16th Edition):

Swanson, Carl Joseph. “Classified by Genre: Rhetorical Genrefication in Cinema.” 2019. Doctoral Dissertation, University of Kansas. Accessed March 31, 2020. http://hdl.handle.net/1808/29902.

MLA Handbook (7th Edition):

Swanson, Carl Joseph. “Classified by Genre: Rhetorical Genrefication in Cinema.” 2019. Web. 31 Mar 2020.

Vancouver:

Swanson CJ. Classified by Genre: Rhetorical Genrefication in Cinema. [Internet] [Doctoral dissertation]. University of Kansas; 2019. [cited 2020 Mar 31]. Available from: http://hdl.handle.net/1808/29902.

Council of Science Editors:

Swanson CJ. Classified by Genre: Rhetorical Genrefication in Cinema. [Doctoral Dissertation]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/29902


University of Debrecen

3. Fejes, Linda. Double Indemnities .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 The consciousness of women began to develop during the Second World War, when women replaced men in employment, and reached a significant stage during the… (more)

Subjects/Keywords: cinema; women; feminist film criticism

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APA (6th Edition):

Fejes, L. (2013). Double Indemnities . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/161263

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fejes, Linda. “Double Indemnities .” 2013. Thesis, University of Debrecen. Accessed March 31, 2020. http://hdl.handle.net/2437/161263.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fejes, Linda. “Double Indemnities .” 2013. Web. 31 Mar 2020.

Vancouver:

Fejes L. Double Indemnities . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2020 Mar 31]. Available from: http://hdl.handle.net/2437/161263.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fejes L. Double Indemnities . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/161263

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

4. Denton, Patricia A. An analysis of the educational and professional background of newspaper film critics and the influence these critics wield on readers.

Degree: MA, 1976, Michigan State University

Subjects/Keywords: Film criticism

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APA (6th Edition):

Denton, P. A. (1976). An analysis of the educational and professional background of newspaper film critics and the influence these critics wield on readers. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:15791

Chicago Manual of Style (16th Edition):

Denton, Patricia A. “An analysis of the educational and professional background of newspaper film critics and the influence these critics wield on readers.” 1976. Masters Thesis, Michigan State University. Accessed March 31, 2020. http://etd.lib.msu.edu/islandora/object/etd:15791.

MLA Handbook (7th Edition):

Denton, Patricia A. “An analysis of the educational and professional background of newspaper film critics and the influence these critics wield on readers.” 1976. Web. 31 Mar 2020.

Vancouver:

Denton PA. An analysis of the educational and professional background of newspaper film critics and the influence these critics wield on readers. [Internet] [Masters thesis]. Michigan State University; 1976. [cited 2020 Mar 31]. Available from: http://etd.lib.msu.edu/islandora/object/etd:15791.

Council of Science Editors:

Denton PA. An analysis of the educational and professional background of newspaper film critics and the influence these critics wield on readers. [Masters Thesis]. Michigan State University; 1976. Available from: http://etd.lib.msu.edu/islandora/object/etd:15791


University of South Florida

5. Blake, Eric Michael. Genre, Justice & Quentin Tarantino.

Degree: 2015, University of South Florida

 The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on cinema studies. As such, studies on the social and… (more)

Subjects/Keywords: Cinema; Film; Film Studies; Realism; Postmodernism; Crime Film; Film and Media Studies; Theory and Criticism

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APA (6th Edition):

Blake, E. M. (2015). Genre, Justice & Quentin Tarantino. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/5911

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blake, Eric Michael. “Genre, Justice & Quentin Tarantino.” 2015. Thesis, University of South Florida. Accessed March 31, 2020. https://scholarcommons.usf.edu/etd/5911.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blake, Eric Michael. “Genre, Justice & Quentin Tarantino.” 2015. Web. 31 Mar 2020.

Vancouver:

Blake EM. Genre, Justice & Quentin Tarantino. [Internet] [Thesis]. University of South Florida; 2015. [cited 2020 Mar 31]. Available from: https://scholarcommons.usf.edu/etd/5911.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blake EM. Genre, Justice & Quentin Tarantino. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/5911

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

6. Jacob, Clarissa K. Women & film (1972-75) : a history of the first feminist film magazine.

Degree: PhD, 2018, Royal Holloway, University of London

 This thesis provides a cultural and critical history of Women & Film, the first ever feminist film magazine, published in California between 1972 and 1975.… (more)

Subjects/Keywords: Feminist Film Criticism; women & film; feminist film history; camera obscura; feminist film; Women's writing; California

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APA (6th Edition):

Jacob, C. K. (2018). Women & film (1972-75) : a history of the first feminist film magazine. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/women – film-197275(5dd25717-2646-4ad1-9643-819b4d1cbaca).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792814

Chicago Manual of Style (16th Edition):

Jacob, Clarissa K. “Women & film (1972-75) : a history of the first feminist film magazine.” 2018. Doctoral Dissertation, Royal Holloway, University of London. Accessed March 31, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/women – film-197275(5dd25717-2646-4ad1-9643-819b4d1cbaca).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792814.

MLA Handbook (7th Edition):

Jacob, Clarissa K. “Women & film (1972-75) : a history of the first feminist film magazine.” 2018. Web. 31 Mar 2020.

Vancouver:

Jacob CK. Women & film (1972-75) : a history of the first feminist film magazine. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2018. [cited 2020 Mar 31]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/women – film-197275(5dd25717-2646-4ad1-9643-819b4d1cbaca).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792814.

Council of Science Editors:

Jacob CK. Women & film (1972-75) : a history of the first feminist film magazine. [Doctoral Dissertation]. Royal Holloway, University of London; 2018. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/women – film-197275(5dd25717-2646-4ad1-9643-819b4d1cbaca).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792814


The Ohio State University

7. Hillwig, Jack Leonard. Film criticism : its relationship to economically successful films and an application of rhetoric to improving the critic's methods.

Degree: PhD, Graduate School, 1980, The Ohio State University

Subjects/Keywords: Education; Film criticism

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APA (6th Edition):

Hillwig, J. L. (1980). Film criticism : its relationship to economically successful films and an application of rhetoric to improving the critic's methods. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu148709229306939

Chicago Manual of Style (16th Edition):

Hillwig, Jack Leonard. “Film criticism : its relationship to economically successful films and an application of rhetoric to improving the critic's methods.” 1980. Doctoral Dissertation, The Ohio State University. Accessed March 31, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu148709229306939.

MLA Handbook (7th Edition):

Hillwig, Jack Leonard. “Film criticism : its relationship to economically successful films and an application of rhetoric to improving the critic's methods.” 1980. Web. 31 Mar 2020.

Vancouver:

Hillwig JL. Film criticism : its relationship to economically successful films and an application of rhetoric to improving the critic's methods. [Internet] [Doctoral dissertation]. The Ohio State University; 1980. [cited 2020 Mar 31]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148709229306939.

Council of Science Editors:

Hillwig JL. Film criticism : its relationship to economically successful films and an application of rhetoric to improving the critic's methods. [Doctoral Dissertation]. The Ohio State University; 1980. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148709229306939


University of California, San Diego

8. Savitsky, Matthew Port. The ManShed.

Degree: 2015, University of California, San Diego

  <i>Hot House</i> highlights the current evolution of <i>The ManShed</i>, an ongoing solo project that takes the form of a multi-screen video installation and accompanying… (more)

Subjects/Keywords: Fine arts; Art criticism; Film studies

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APA (6th Edition):

Savitsky, M. P. (2015). The ManShed. (Thesis). University of California, San Diego. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1592082

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Savitsky, Matthew Port. “The ManShed.” 2015. Thesis, University of California, San Diego. Accessed March 31, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1592082.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Savitsky, Matthew Port. “The ManShed.” 2015. Web. 31 Mar 2020.

Vancouver:

Savitsky MP. The ManShed. [Internet] [Thesis]. University of California, San Diego; 2015. [cited 2020 Mar 31]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1592082.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Savitsky MP. The ManShed. [Thesis]. University of California, San Diego; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1592082

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

9. Lindstrom, Ashley Nicole. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.

Degree: MA, Journalism (Print Journalism), 2009, University of Southern California

 2007 was a big year for accidental pregnancies carried to term in the movies. Comedic films Knocked Up, Juno, and Waitress all hinged on this… (more)

Subjects/Keywords: accidental pregnancy films; film criticism; feminist theory

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APA (6th Edition):

Lindstrom, A. N. (2009). Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1458

Chicago Manual of Style (16th Edition):

Lindstrom, Ashley Nicole. “Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.” 2009. Masters Thesis, University of Southern California. Accessed March 31, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1458.

MLA Handbook (7th Edition):

Lindstrom, Ashley Nicole. “Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.” 2009. Web. 31 Mar 2020.

Vancouver:

Lindstrom AN. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2020 Mar 31]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1458.

Council of Science Editors:

Lindstrom AN. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1458


University of Florida

10. Griner, Allison. Re-reading John Doe: A Descriptive Analysis of Cinematic Details.

Degree: 2011, University of Florida

 This thesis represents a series of “cinephiliac anecdotes,” derived from moments in the Frank Capra film Meet John Doe that inspired me to comment on… (more)

Subjects/Keywords: Meet John Doe (Motion picture); Film criticism

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APA (6th Edition):

Griner, A. (2011). Re-reading John Doe: A Descriptive Analysis of Cinematic Details. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00061281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Griner, Allison. “Re-reading John Doe: A Descriptive Analysis of Cinematic Details.” 2011. Thesis, University of Florida. Accessed March 31, 2020. http://ufdc.ufl.edu/AA00061281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Griner, Allison. “Re-reading John Doe: A Descriptive Analysis of Cinematic Details.” 2011. Web. 31 Mar 2020.

Vancouver:

Griner A. Re-reading John Doe: A Descriptive Analysis of Cinematic Details. [Internet] [Thesis]. University of Florida; 2011. [cited 2020 Mar 31]. Available from: http://ufdc.ufl.edu/AA00061281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Griner A. Re-reading John Doe: A Descriptive Analysis of Cinematic Details. [Thesis]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/AA00061281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Kelley, Jonathon. Web-based amateur critical reviews in comparison to traditional television counterparts.

Degree: 2015, University of Wisconsin – Whitewater

This file was last viewed in Microsoft Edge PDF viewer.

Since 1907 film criticism has been a part of the mass media. In the 1970s… (more)

Subjects/Keywords: Film criticism; Mass media – Technological innovations

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APA (6th Edition):

Kelley, J. (2015). Web-based amateur critical reviews in comparison to traditional television counterparts. (Thesis). University of Wisconsin – Whitewater. Retrieved from http://digital.library.wisc.edu/1793/77918

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kelley, Jonathon. “Web-based amateur critical reviews in comparison to traditional television counterparts.” 2015. Thesis, University of Wisconsin – Whitewater. Accessed March 31, 2020. http://digital.library.wisc.edu/1793/77918.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kelley, Jonathon. “Web-based amateur critical reviews in comparison to traditional television counterparts.” 2015. Web. 31 Mar 2020.

Vancouver:

Kelley J. Web-based amateur critical reviews in comparison to traditional television counterparts. [Internet] [Thesis]. University of Wisconsin – Whitewater; 2015. [cited 2020 Mar 31]. Available from: http://digital.library.wisc.edu/1793/77918.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kelley J. Web-based amateur critical reviews in comparison to traditional television counterparts. [Thesis]. University of Wisconsin – Whitewater; 2015. Available from: http://digital.library.wisc.edu/1793/77918

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

12. Burton, Aaron V. Jesus in the Movies: A Rhetorical Analysis of Selected Films from 1912-2004.

Degree: PhD, Communication Studies, 2008, Bowling Green State University

 The purpose of this investigation is to discuss popular film interpretations of Christ’s life and how the films’ narratives function rhetorically. These films become part… (more)

Subjects/Keywords: Speech Communication; Rhetoric; Rhetorical Criticism; Narrative Paradigm; Christ Film; Film Criticism; Religious Communication; Christianity

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APA (6th Edition):

Burton, A. V. (2008). Jesus in the Movies: A Rhetorical Analysis of Selected Films from 1912-2004. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1205087180

Chicago Manual of Style (16th Edition):

Burton, Aaron V. “Jesus in the Movies: A Rhetorical Analysis of Selected Films from 1912-2004.” 2008. Doctoral Dissertation, Bowling Green State University. Accessed March 31, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1205087180.

MLA Handbook (7th Edition):

Burton, Aaron V. “Jesus in the Movies: A Rhetorical Analysis of Selected Films from 1912-2004.” 2008. Web. 31 Mar 2020.

Vancouver:

Burton AV. Jesus in the Movies: A Rhetorical Analysis of Selected Films from 1912-2004. [Internet] [Doctoral dissertation]. Bowling Green State University; 2008. [cited 2020 Mar 31]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1205087180.

Council of Science Editors:

Burton AV. Jesus in the Movies: A Rhetorical Analysis of Selected Films from 1912-2004. [Doctoral Dissertation]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1205087180


Ryerson University

13. Alston, Thomas. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.

Degree: 2015, Ryerson University

 Single reel abridgements of commercial feature films are entering moving image archives because home movie collections that contain them are slowly increasing in archival representation.… (more)

Subjects/Keywords: Film excerpts  – History and criticism.; Film excerpts.; Amateur films  – Social aspects.

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APA (6th Edition):

Alston, T. (2015). “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A4159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alston, Thomas. ““Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.” 2015. Thesis, Ryerson University. Accessed March 31, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A4159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alston, Thomas. ““Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.” 2015. Web. 31 Mar 2020.

Vancouver:

Alston T. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. [Internet] [Thesis]. Ryerson University; 2015. [cited 2020 Mar 31]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alston T. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

14. Akcali, Elif. Discontinuity in narrative cinema.

Degree: PhD, 2014, Royal Holloway, University of London

 This thesis examines the concept of discontinuity both as a storytelling tool and a critical concept in narrative films through a range of examples from… (more)

Subjects/Keywords: discontinuity; cinema; film studies; narrative; non-linear; absence; film criticism

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APA (6th Edition):

Akcali, E. (2014). Discontinuity in narrative cinema. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/discontinuity-in-narrative-cinema(4d0169f2-ae36-402b-98c7-341a5e3883f2).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792223

Chicago Manual of Style (16th Edition):

Akcali, Elif. “Discontinuity in narrative cinema.” 2014. Doctoral Dissertation, Royal Holloway, University of London. Accessed March 31, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/discontinuity-in-narrative-cinema(4d0169f2-ae36-402b-98c7-341a5e3883f2).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792223.

MLA Handbook (7th Edition):

Akcali, Elif. “Discontinuity in narrative cinema.” 2014. Web. 31 Mar 2020.

Vancouver:

Akcali E. Discontinuity in narrative cinema. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2014. [cited 2020 Mar 31]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/discontinuity-in-narrative-cinema(4d0169f2-ae36-402b-98c7-341a5e3883f2).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792223.

Council of Science Editors:

Akcali E. Discontinuity in narrative cinema. [Doctoral Dissertation]. Royal Holloway, University of London; 2014. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/discontinuity-in-narrative-cinema(4d0169f2-ae36-402b-98c7-341a5e3883f2).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792223


Georgia State University

15. Stoehr, Elizabeth A. Mobilizing Agency: Cultural Spaces, Female Bodies, and Transformation in Late Nineteenth-Century American Literature and the 1940s Woman's Film.

Degree: PhD, English, 2013, Georgia State University

  ABSTRACT This dissertation analyzes the spatial relationships present in the late nineteenth-century literary narratives of Edith Wharton and Theodore Dreiser. Utilizing a Foucaultian theoretical… (more)

Subjects/Keywords: Foucault; Dreiser; Wharton; Woman's Film; Film Criticism; Panoptic

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APA (6th Edition):

Stoehr, E. A. (2013). Mobilizing Agency: Cultural Spaces, Female Bodies, and Transformation in Late Nineteenth-Century American Literature and the 1940s Woman's Film. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_diss/103

Chicago Manual of Style (16th Edition):

Stoehr, Elizabeth A. “Mobilizing Agency: Cultural Spaces, Female Bodies, and Transformation in Late Nineteenth-Century American Literature and the 1940s Woman's Film.” 2013. Doctoral Dissertation, Georgia State University. Accessed March 31, 2020. https://scholarworks.gsu.edu/english_diss/103.

MLA Handbook (7th Edition):

Stoehr, Elizabeth A. “Mobilizing Agency: Cultural Spaces, Female Bodies, and Transformation in Late Nineteenth-Century American Literature and the 1940s Woman's Film.” 2013. Web. 31 Mar 2020.

Vancouver:

Stoehr EA. Mobilizing Agency: Cultural Spaces, Female Bodies, and Transformation in Late Nineteenth-Century American Literature and the 1940s Woman's Film. [Internet] [Doctoral dissertation]. Georgia State University; 2013. [cited 2020 Mar 31]. Available from: https://scholarworks.gsu.edu/english_diss/103.

Council of Science Editors:

Stoehr EA. Mobilizing Agency: Cultural Spaces, Female Bodies, and Transformation in Late Nineteenth-Century American Literature and the 1940s Woman's Film. [Doctoral Dissertation]. Georgia State University; 2013. Available from: https://scholarworks.gsu.edu/english_diss/103


RMIT University

16. Rassell, A. Essaying from binary to complex system: the dialogue between film critics and filmmakers.

Degree: 2013, RMIT University

 This practice-led research project takes the form of a short essay film (11:45 minutes) and an accompanying exegesis (13 000 words), exploring the dialogue between… (more)

Subjects/Keywords: Fields of Research; film criticism; essay film; practice-based research; isomorphic paradigm; film

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APA (6th Edition):

Rassell, A. (2013). Essaying from binary to complex system: the dialogue between film critics and filmmakers. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rassell, A. “Essaying from binary to complex system: the dialogue between film critics and filmmakers.” 2013. Thesis, RMIT University. Accessed March 31, 2020. http://researchbank.rmit.edu.au/view/rmit:161197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rassell, A. “Essaying from binary to complex system: the dialogue between film critics and filmmakers.” 2013. Web. 31 Mar 2020.

Vancouver:

Rassell A. Essaying from binary to complex system: the dialogue between film critics and filmmakers. [Internet] [Thesis]. RMIT University; 2013. [cited 2020 Mar 31]. Available from: http://researchbank.rmit.edu.au/view/rmit:161197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rassell A. Essaying from binary to complex system: the dialogue between film critics and filmmakers. [Thesis]. RMIT University; 2013. Available from: http://researchbank.rmit.edu.au/view/rmit:161197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Western Kentucky University

17. Sherrill, Brenna Elizabeth. The Birth of the MPDG 2.0: The Potential for the Manic Pixie Dream Girl Trope in Independent Film.

Degree: MA, Department of English, 2016, Western Kentucky University

  This project chronicles an in-depth character study on the Manic Pixie Dream Girl trope in film. The term was coined in 2007 by a… (more)

Subjects/Keywords: film criticism; Sundance Film Festival; Male Gaze; American Film Studies; American Popular Culture

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APA (6th Edition):

Sherrill, B. E. (2016). The Birth of the MPDG 2.0: The Potential for the Manic Pixie Dream Girl Trope in Independent Film. (Masters Thesis). Western Kentucky University. Retrieved from https://digitalcommons.wku.edu/theses/1572

Chicago Manual of Style (16th Edition):

Sherrill, Brenna Elizabeth. “The Birth of the MPDG 2.0: The Potential for the Manic Pixie Dream Girl Trope in Independent Film.” 2016. Masters Thesis, Western Kentucky University. Accessed March 31, 2020. https://digitalcommons.wku.edu/theses/1572.

MLA Handbook (7th Edition):

Sherrill, Brenna Elizabeth. “The Birth of the MPDG 2.0: The Potential for the Manic Pixie Dream Girl Trope in Independent Film.” 2016. Web. 31 Mar 2020.

Vancouver:

Sherrill BE. The Birth of the MPDG 2.0: The Potential for the Manic Pixie Dream Girl Trope in Independent Film. [Internet] [Masters thesis]. Western Kentucky University; 2016. [cited 2020 Mar 31]. Available from: https://digitalcommons.wku.edu/theses/1572.

Council of Science Editors:

Sherrill BE. The Birth of the MPDG 2.0: The Potential for the Manic Pixie Dream Girl Trope in Independent Film. [Masters Thesis]. Western Kentucky University; 2016. Available from: https://digitalcommons.wku.edu/theses/1572


Boston University

18. Kriegel-Nicholas, Isadora. The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961.

Degree: PhD, French Language & Literatures, 2016, Boston University

 This dissertation documents and analyzes the reception of Japanese films in the French film journals of the 1950s, when postwar Paris was awash with cinephilia.… (more)

Subjects/Keywords: Film studies; Cahiers du cinéma; Cinephilia; Film criticism; Film festivals; History; New wave

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kriegel-Nicholas, I. (2016). The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/17742

Chicago Manual of Style (16th Edition):

Kriegel-Nicholas, Isadora. “The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961.” 2016. Doctoral Dissertation, Boston University. Accessed March 31, 2020. http://hdl.handle.net/2144/17742.

MLA Handbook (7th Edition):

Kriegel-Nicholas, Isadora. “The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961.” 2016. Web. 31 Mar 2020.

Vancouver:

Kriegel-Nicholas I. The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961. [Internet] [Doctoral dissertation]. Boston University; 2016. [cited 2020 Mar 31]. Available from: http://hdl.handle.net/2144/17742.

Council of Science Editors:

Kriegel-Nicholas I. The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961. [Doctoral Dissertation]. Boston University; 2016. Available from: http://hdl.handle.net/2144/17742


University of Adelaide

19. King, Noel. Anxieties of commentary : interpretation in recent literary, film and cultural criticism / Noel King.

Degree: 1995, University of Adelaide

Subjects/Keywords: 801.95 20; Criticism.; Film criticism.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

King, N. (1995). Anxieties of commentary : interpretation in recent literary, film and cultural criticism / Noel King. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/21525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

King, Noel. “Anxieties of commentary : interpretation in recent literary, film and cultural criticism / Noel King.” 1995. Thesis, University of Adelaide. Accessed March 31, 2020. http://hdl.handle.net/2440/21525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

King, Noel. “Anxieties of commentary : interpretation in recent literary, film and cultural criticism / Noel King.” 1995. Web. 31 Mar 2020.

Vancouver:

King N. Anxieties of commentary : interpretation in recent literary, film and cultural criticism / Noel King. [Internet] [Thesis]. University of Adelaide; 1995. [cited 2020 Mar 31]. Available from: http://hdl.handle.net/2440/21525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

King N. Anxieties of commentary : interpretation in recent literary, film and cultural criticism / Noel King. [Thesis]. University of Adelaide; 1995. Available from: http://hdl.handle.net/2440/21525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

20. Newsom, Charles R. Essential Discriminations Close Reading and Douglas Sirk.

Degree: PhD, English, 2012, University of Florida

 I argue that evaluative film criticism can be a rigorous and legitimate academic practice. Film criticism provides a written history of what film writers and… (more)

Subjects/Keywords: Christmas; Film criticism; Film editing; Film studies; Motion picture industry; Movies; Narratives; Textbooks; Value judgments; Viewers; analysis  – close  – criticism  – douglas  – evaluation  – film  – formal  – reading  – sirk

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APA (6th Edition):

Newsom, C. R. (2012). Essential Discriminations Close Reading and Douglas Sirk. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0043942

Chicago Manual of Style (16th Edition):

Newsom, Charles R. “Essential Discriminations Close Reading and Douglas Sirk.” 2012. Doctoral Dissertation, University of Florida. Accessed March 31, 2020. http://ufdc.ufl.edu/UFE0043942.

MLA Handbook (7th Edition):

Newsom, Charles R. “Essential Discriminations Close Reading and Douglas Sirk.” 2012. Web. 31 Mar 2020.

Vancouver:

Newsom CR. Essential Discriminations Close Reading and Douglas Sirk. [Internet] [Doctoral dissertation]. University of Florida; 2012. [cited 2020 Mar 31]. Available from: http://ufdc.ufl.edu/UFE0043942.

Council of Science Editors:

Newsom CR. Essential Discriminations Close Reading and Douglas Sirk. [Doctoral Dissertation]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/UFE0043942


University of California – Berkeley

21. Bayraktar, Nilgun. Moving Images Against The Current: The Aesthetics and Geopolitics of (Im)mobility in Contemporary Europe.

Degree: Performance Studies, 2011, University of California – Berkeley

 This dissertation investigates the historical and contemporary tensions around mobility and identity in Europe since WWII, with particular emphasis on their contemporary configurations. Drawing on… (more)

Subjects/Keywords: Film studies; European studies; Art criticism; Europe; film; migration; mobility; moving image art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bayraktar, N. (2011). Moving Images Against The Current: The Aesthetics and Geopolitics of (Im)mobility in Contemporary Europe. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/96c286qp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bayraktar, Nilgun. “Moving Images Against The Current: The Aesthetics and Geopolitics of (Im)mobility in Contemporary Europe.” 2011. Thesis, University of California – Berkeley. Accessed March 31, 2020. http://www.escholarship.org/uc/item/96c286qp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bayraktar, Nilgun. “Moving Images Against The Current: The Aesthetics and Geopolitics of (Im)mobility in Contemporary Europe.” 2011. Web. 31 Mar 2020.

Vancouver:

Bayraktar N. Moving Images Against The Current: The Aesthetics and Geopolitics of (Im)mobility in Contemporary Europe. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2020 Mar 31]. Available from: http://www.escholarship.org/uc/item/96c286qp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bayraktar N. Moving Images Against The Current: The Aesthetics and Geopolitics of (Im)mobility in Contemporary Europe. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/96c286qp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

22. MARGOLIS,MITCHELL D. Barthes, Surrealism, and Classical Continuity Cinema.

Degree: MA, English, 2011, University of Florida

 Although much has been written on the Surrealist movement and Roland Barthes as individual entities, scholars have conducted much less research on the theoretical links… (more)

Subjects/Keywords: Commodities; Film criticism; Film editing; Images; Motion picture industry; Movies; Narratives; Photographs; Surrealism; Viewers

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APA (6th Edition):

D, M. (2011). Barthes, Surrealism, and Classical Continuity Cinema. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0043002

Chicago Manual of Style (16th Edition):

D, MARGOLIS,MITCHELL. “Barthes, Surrealism, and Classical Continuity Cinema.” 2011. Masters Thesis, University of Florida. Accessed March 31, 2020. http://ufdc.ufl.edu/UFE0043002.

MLA Handbook (7th Edition):

D, MARGOLIS,MITCHELL. “Barthes, Surrealism, and Classical Continuity Cinema.” 2011. Web. 31 Mar 2020.

Vancouver:

D M. Barthes, Surrealism, and Classical Continuity Cinema. [Internet] [Masters thesis]. University of Florida; 2011. [cited 2020 Mar 31]. Available from: http://ufdc.ufl.edu/UFE0043002.

Council of Science Editors:

D M. Barthes, Surrealism, and Classical Continuity Cinema. [Masters Thesis]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/UFE0043002

23. Patterson, Hannah McGhee. We Are All In This To Get Here.

Degree: 2014, University of Washington

 I was raised practicing Hinduism from birth in the unlikely environment of the Bible Belt of the South East. Eventually my art practice became an… (more)

Subjects/Keywords: Beyoncé; Film; Performance; Photography; Pop Culture; Video; Art criticism; Film studies; Fine arts; fine arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Patterson, H. M. (2014). We Are All In This To Get Here. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/26381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Thesis, University of Washington. Accessed March 31, 2020. http://hdl.handle.net/1773/26381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Web. 31 Mar 2020.

Vancouver:

Patterson HM. We Are All In This To Get Here. [Internet] [Thesis]. University of Washington; 2014. [cited 2020 Mar 31]. Available from: http://hdl.handle.net/1773/26381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson HM. We Are All In This To Get Here. [Thesis]. University of Washington; 2014. Available from: http://hdl.handle.net/1773/26381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Patterson, Hannah McGhee. We Are All In This To Get Here.

Degree: 2014, University of Washington

 I was raised practicing Hinduism from birth in the unlikely environment of the Bible Belt of the South East. Eventually my art practice became an… (more)

Subjects/Keywords: Beyoncé; Film; Performance; Photography; Pop Culture; Video; Art criticism; Film studies; Fine arts; fine arts

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Patterson, H. M. (2014). We Are All In This To Get Here. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/26737

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Thesis, University of Washington. Accessed March 31, 2020. http://hdl.handle.net/1773/26737.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Web. 31 Mar 2020.

Vancouver:

Patterson HM. We Are All In This To Get Here. [Internet] [Thesis]. University of Washington; 2014. [cited 2020 Mar 31]. Available from: http://hdl.handle.net/1773/26737.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson HM. We Are All In This To Get Here. [Thesis]. University of Washington; 2014. Available from: http://hdl.handle.net/1773/26737

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Patterson, Hannah McGhee. We Are All In This To Get Here.

Degree: 2014, University of Washington

 I was raised practicing Hinduism from birth in the unlikely environment of the Bible Belt of the South East. Eventually my art practice became an… (more)

Subjects/Keywords: Beyoncé; Film; Performance; Photography; Pop Culture; Video; Art criticism; Film studies; Fine arts; fine arts

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Patterson, H. M. (2014). We Are All In This To Get Here. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/26881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Thesis, University of Washington. Accessed March 31, 2020. http://hdl.handle.net/1773/26881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Web. 31 Mar 2020.

Vancouver:

Patterson HM. We Are All In This To Get Here. [Internet] [Thesis]. University of Washington; 2014. [cited 2020 Mar 31]. Available from: http://hdl.handle.net/1773/26881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson HM. We Are All In This To Get Here. [Thesis]. University of Washington; 2014. Available from: http://hdl.handle.net/1773/26881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

26. Madella, Alessandra. The woman condition: love and technology in Hiroshima mon amour.

Degree: PhD, Communication Studies, 2011, University of Iowa

  This dissertation is a rhetorical study of the critical reception of the French film Hiroshima mon amour (1959; dir.: Alain Resnais; screenplay: Marguerite Duras).… (more)

Subjects/Keywords: Alain Resnais; film criticism; film theory; Hiroshima mon amour; Marguerite Duras; rhetorical situation; Communication

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APA (6th Edition):

Madella, A. (2011). The woman condition: love and technology in Hiroshima mon amour. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1245

Chicago Manual of Style (16th Edition):

Madella, Alessandra. “The woman condition: love and technology in Hiroshima mon amour.” 2011. Doctoral Dissertation, University of Iowa. Accessed March 31, 2020. https://ir.uiowa.edu/etd/1245.

MLA Handbook (7th Edition):

Madella, Alessandra. “The woman condition: love and technology in Hiroshima mon amour.” 2011. Web. 31 Mar 2020.

Vancouver:

Madella A. The woman condition: love and technology in Hiroshima mon amour. [Internet] [Doctoral dissertation]. University of Iowa; 2011. [cited 2020 Mar 31]. Available from: https://ir.uiowa.edu/etd/1245.

Council of Science Editors:

Madella A. The woman condition: love and technology in Hiroshima mon amour. [Doctoral Dissertation]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/1245

27. Hallé, Esther. Antonio Pietrangeli, critique et création (1940-1965). : pensées du réalisme cinématographique : Antonio Pietrangeli, film criticism and Filmmaking (1940-1965). : conceptions of cinematographic realism.

Degree: Docteur es, Arts plastiques, musicologie, 2017, Normandie

Antonio Pietrangeli (1919-1968) est une figure incontournable du paysage cinématographique italien, en tant que critique tout au long des années 1940, puis comme réalisateur à… (more)

Subjects/Keywords: Cinéma italien; Modernité; Comédie; Mélodrame; Esthétique; Italian cinema; Neorealism; Film criticism; Filmmaking and film criticism, modernism; Melodrama; Comedy; Aesthetics

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APA (6th Edition):

Hallé, E. (2017). Antonio Pietrangeli, critique et création (1940-1965). : pensées du réalisme cinématographique : Antonio Pietrangeli, film criticism and Filmmaking (1940-1965). : conceptions of cinematographic realism. (Doctoral Dissertation). Normandie. Retrieved from http://www.theses.fr/2017NORMC042

Chicago Manual of Style (16th Edition):

Hallé, Esther. “Antonio Pietrangeli, critique et création (1940-1965). : pensées du réalisme cinématographique : Antonio Pietrangeli, film criticism and Filmmaking (1940-1965). : conceptions of cinematographic realism.” 2017. Doctoral Dissertation, Normandie. Accessed March 31, 2020. http://www.theses.fr/2017NORMC042.

MLA Handbook (7th Edition):

Hallé, Esther. “Antonio Pietrangeli, critique et création (1940-1965). : pensées du réalisme cinématographique : Antonio Pietrangeli, film criticism and Filmmaking (1940-1965). : conceptions of cinematographic realism.” 2017. Web. 31 Mar 2020.

Vancouver:

Hallé E. Antonio Pietrangeli, critique et création (1940-1965). : pensées du réalisme cinématographique : Antonio Pietrangeli, film criticism and Filmmaking (1940-1965). : conceptions of cinematographic realism. [Internet] [Doctoral dissertation]. Normandie; 2017. [cited 2020 Mar 31]. Available from: http://www.theses.fr/2017NORMC042.

Council of Science Editors:

Hallé E. Antonio Pietrangeli, critique et création (1940-1965). : pensées du réalisme cinématographique : Antonio Pietrangeli, film criticism and Filmmaking (1940-1965). : conceptions of cinematographic realism. [Doctoral Dissertation]. Normandie; 2017. Available from: http://www.theses.fr/2017NORMC042


Brigham Young University

28. Haas, Tara Nicole. Critiquing the Critic: A Case for Journalistic Criticism in the Theatre.

Degree: MA, 2015, Brigham Young University

  This thesis suggests that journalistic theatre criticism is a necessary and vital aspect of the theatre, promoting a healthy theatre community and culture. A… (more)

Subjects/Keywords: theatre criticism; journalistic criticism; critic; review; Film and Media Studies; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haas, T. N. (2015). Critiquing the Critic: A Case for Journalistic Criticism in the Theatre. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6511&context=etd

Chicago Manual of Style (16th Edition):

Haas, Tara Nicole. “Critiquing the Critic: A Case for Journalistic Criticism in the Theatre.” 2015. Masters Thesis, Brigham Young University. Accessed March 31, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6511&context=etd.

MLA Handbook (7th Edition):

Haas, Tara Nicole. “Critiquing the Critic: A Case for Journalistic Criticism in the Theatre.” 2015. Web. 31 Mar 2020.

Vancouver:

Haas TN. Critiquing the Critic: A Case for Journalistic Criticism in the Theatre. [Internet] [Masters thesis]. Brigham Young University; 2015. [cited 2020 Mar 31]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6511&context=etd.

Council of Science Editors:

Haas TN. Critiquing the Critic: A Case for Journalistic Criticism in the Theatre. [Masters Thesis]. Brigham Young University; 2015. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6511&context=etd


Latrobe University

29. Neo, David. The Cosmopolitics of Magical Realism in Cinema.

Degree: PhD, 2010, Latrobe University

Thesis (Ph.D.) - La Trobe University, 2010

The term 'magical realism' gained international popularity with the boom in Latin American literary fiction in the 1950s… (more)

Subjects/Keywords: Film criticism.; Magic realism (Literature).; Motion pictures  – Political aspects.; Kusturica, Emir  – Criticism and interpretation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neo, D. (2010). The Cosmopolitics of Magical Realism in Cinema. (Doctoral Dissertation). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/513774

Chicago Manual of Style (16th Edition):

Neo, David. “The Cosmopolitics of Magical Realism in Cinema.” 2010. Doctoral Dissertation, Latrobe University. Accessed March 31, 2020. http://hdl.handle.net/1959.9/513774.

MLA Handbook (7th Edition):

Neo, David. “The Cosmopolitics of Magical Realism in Cinema.” 2010. Web. 31 Mar 2020.

Vancouver:

Neo D. The Cosmopolitics of Magical Realism in Cinema. [Internet] [Doctoral dissertation]. Latrobe University; 2010. [cited 2020 Mar 31]. Available from: http://hdl.handle.net/1959.9/513774.

Council of Science Editors:

Neo D. The Cosmopolitics of Magical Realism in Cinema. [Doctoral Dissertation]. Latrobe University; 2010. Available from: http://hdl.handle.net/1959.9/513774


Cleveland State University

30. Buehner, R James. “I WARN YOU MING, STAY AWAY FROM MY FRIENDS!”:THE LANGUAGE OF SUPERHERO MYTHOLOGY IN FLASH GORDON.

Degree: Master of Applied Communication Theory and Methodology, College of Liberal Arts and Social Sciences, 2016, Cleveland State University

 The Flash Gordon (Stephani, 1936) serial is a profoundly important, indeed seminal superhero film that has not been granted the critical attention that it deserves… (more)

Subjects/Keywords: Cultural Anthropology; Communication; Film Studies; Superheroes, language, criticism, popular culture, mythology, textual analysis, film serials, film history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buehner, R. J. (2016). “I WARN YOU MING, STAY AWAY FROM MY FRIENDS!”:THE LANGUAGE OF SUPERHERO MYTHOLOGY IN FLASH GORDON. (Masters Thesis). Cleveland State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=csu1462995644

Chicago Manual of Style (16th Edition):

Buehner, R James. ““I WARN YOU MING, STAY AWAY FROM MY FRIENDS!”:THE LANGUAGE OF SUPERHERO MYTHOLOGY IN FLASH GORDON.” 2016. Masters Thesis, Cleveland State University. Accessed March 31, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=csu1462995644.

MLA Handbook (7th Edition):

Buehner, R James. ““I WARN YOU MING, STAY AWAY FROM MY FRIENDS!”:THE LANGUAGE OF SUPERHERO MYTHOLOGY IN FLASH GORDON.” 2016. Web. 31 Mar 2020.

Vancouver:

Buehner RJ. “I WARN YOU MING, STAY AWAY FROM MY FRIENDS!”:THE LANGUAGE OF SUPERHERO MYTHOLOGY IN FLASH GORDON. [Internet] [Masters thesis]. Cleveland State University; 2016. [cited 2020 Mar 31]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=csu1462995644.

Council of Science Editors:

Buehner RJ. “I WARN YOU MING, STAY AWAY FROM MY FRIENDS!”:THE LANGUAGE OF SUPERHERO MYTHOLOGY IN FLASH GORDON. [Masters Thesis]. Cleveland State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=csu1462995644

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