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University: University of South Florida

You searched for subject:(Film AND Media Studies). Showing records 1 – 30 of 42 total matches.

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University of South Florida

1. Blake, Eric Michael. Genre, Justice & Quentin Tarantino.

Degree: 2015, University of South Florida

 The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on cinema studies. As such, studies on the social and… (more)

Subjects/Keywords: Cinema; Film; Film Studies; Realism; Postmodernism; Crime Film; Film and Media Studies; Theory and Criticism

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APA (6th Edition):

Blake, E. M. (2015). Genre, Justice & Quentin Tarantino. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/5911

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blake, Eric Michael. “Genre, Justice & Quentin Tarantino.” 2015. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/5911.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blake, Eric Michael. “Genre, Justice & Quentin Tarantino.” 2015. Web. 20 Nov 2019.

Vancouver:

Blake EM. Genre, Justice & Quentin Tarantino. [Internet] [Thesis]. University of South Florida; 2015. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/5911.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blake EM. Genre, Justice & Quentin Tarantino. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/5911

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

2. Morales, Matthew. Concerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology.

Degree: 2018, University of South Florida

 Since the birth of the New Hollywood blockbuster out of the Hollywood Renaissance in the 1970s, popular moving image media has continually exhibited an intense… (more)

Subjects/Keywords: gaming; media studies; Nintendo Switch; VR; Film and Media Studies

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APA (6th Edition):

Morales, M. (2018). Concerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/7343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morales, Matthew. “Concerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology.” 2018. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/7343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morales, Matthew. “Concerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology.” 2018. Web. 20 Nov 2019.

Vancouver:

Morales M. Concerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology. [Internet] [Thesis]. University of South Florida; 2018. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/7343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morales M. Concerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology. [Thesis]. University of South Florida; 2018. Available from: https://scholarcommons.usf.edu/etd/7343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

3. Butler, Christopher. Spectatorial Shock and Carnal Consumption: (Re)envisaging Historical Trauma in New French Extremity.

Degree: 2013, University of South Florida

 New French Extremity films are violent, transgressive, and break many social taboos in their narratives. However, this genre's directors are intelligent and construct these films… (more)

Subjects/Keywords: Film; France; Memory; Transgression; Violence; Film and Media Studies

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APA (6th Edition):

Butler, C. (2013). Spectatorial Shock and Carnal Consumption: (Re)envisaging Historical Trauma in New French Extremity. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Butler, Christopher. “Spectatorial Shock and Carnal Consumption: (Re)envisaging Historical Trauma in New French Extremity.” 2013. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Butler, Christopher. “Spectatorial Shock and Carnal Consumption: (Re)envisaging Historical Trauma in New French Extremity.” 2013. Web. 20 Nov 2019.

Vancouver:

Butler C. Spectatorial Shock and Carnal Consumption: (Re)envisaging Historical Trauma in New French Extremity. [Internet] [Thesis]. University of South Florida; 2013. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Butler C. Spectatorial Shock and Carnal Consumption: (Re)envisaging Historical Trauma in New French Extremity. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

4. Peng, Zhanwen. Eliminating the Uncertainty of Hong Kong in 1990s: Tsui Hark’s Once Upon a Time in China (1, 2, 3).

Degree: 2018, University of South Florida

 My argument is that the Wong Fei-hung film series, Once Upon a Time in China (Tsui Hark, Chapters 1, 2, 3), not only affirms the… (more)

Subjects/Keywords: Confucianism; Hong Kong; Kung Fu film; Modernity; Film and Media Studies

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APA (6th Edition):

Peng, Z. (2018). Eliminating the Uncertainty of Hong Kong in 1990s: Tsui Hark’s Once Upon a Time in China (1, 2, 3). (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/7214

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peng, Zhanwen. “Eliminating the Uncertainty of Hong Kong in 1990s: Tsui Hark’s Once Upon a Time in China (1, 2, 3).” 2018. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/7214.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peng, Zhanwen. “Eliminating the Uncertainty of Hong Kong in 1990s: Tsui Hark’s Once Upon a Time in China (1, 2, 3).” 2018. Web. 20 Nov 2019.

Vancouver:

Peng Z. Eliminating the Uncertainty of Hong Kong in 1990s: Tsui Hark’s Once Upon a Time in China (1, 2, 3). [Internet] [Thesis]. University of South Florida; 2018. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/7214.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peng Z. Eliminating the Uncertainty of Hong Kong in 1990s: Tsui Hark’s Once Upon a Time in China (1, 2, 3). [Thesis]. University of South Florida; 2018. Available from: https://scholarcommons.usf.edu/etd/7214

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

5. Ricci, James Anthony. Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art.

Degree: 2015, University of South Florida

 This dissertation explores the intersection of new media and narrative, as it is presented through a cinematic aesthetic. The narrative language of film is analyzed… (more)

Subjects/Keywords: New Media; Narratology; Manovich; Bakhtin; Cinema; Film and Media Studies

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APA (6th Edition):

Ricci, J. A. (2015). Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ricci, James Anthony. “Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art.” 2015. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/6021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ricci, James Anthony. “Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art.” 2015. Web. 20 Nov 2019.

Vancouver:

Ricci JA. Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art. [Internet] [Thesis]. University of South Florida; 2015. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/6021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ricci JA. Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/6021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

6. Wallace, Morgan. Cool Moms & Cool Media: Returning to.

Degree: 2018, University of South Florida

 I posit that contemporary fears about the effect electronic media has on us and our children is anything but new. Therefore, reminiscing about the "good… (more)

Subjects/Keywords: horror; motherhood; new media; nostalgia; television; Film and Media Studies

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APA (6th Edition):

Wallace, M. (2018). Cool Moms & Cool Media: Returning to. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/7241

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wallace, Morgan. “Cool Moms & Cool Media: Returning to.” 2018. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/7241.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wallace, Morgan. “Cool Moms & Cool Media: Returning to.” 2018. Web. 20 Nov 2019.

Vancouver:

Wallace M. Cool Moms & Cool Media: Returning to. [Internet] [Thesis]. University of South Florida; 2018. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/7241.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wallace M. Cool Moms & Cool Media: Returning to. [Thesis]. University of South Florida; 2018. Available from: https://scholarcommons.usf.edu/etd/7241

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

7. Szegvari, Nora. Collecting Stardust: Matter, Memory, and Trauma in Patricio Guzman's Nostalgia for the Light.

Degree: 2013, University of South Florida

 This work situates Patricio Guzmàn's Nostalgia for the Light in the broader field of essay documentary film and unveils it as a locus of discursive… (more)

Subjects/Keywords: Chilean History; Essay; Film; Metaphor; Trauma Theory; Film and Media Studies; Latin American Studies

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APA (6th Edition):

Szegvari, N. (2013). Collecting Stardust: Matter, Memory, and Trauma in Patricio Guzman's Nostalgia for the Light. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4589

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szegvari, Nora. “Collecting Stardust: Matter, Memory, and Trauma in Patricio Guzman's Nostalgia for the Light.” 2013. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4589.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szegvari, Nora. “Collecting Stardust: Matter, Memory, and Trauma in Patricio Guzman's Nostalgia for the Light.” 2013. Web. 20 Nov 2019.

Vancouver:

Szegvari N. Collecting Stardust: Matter, Memory, and Trauma in Patricio Guzman's Nostalgia for the Light. [Internet] [Thesis]. University of South Florida; 2013. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4589.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szegvari N. Collecting Stardust: Matter, Memory, and Trauma in Patricio Guzman's Nostalgia for the Light. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4589

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

8. Hearns, Charles Fred. The Birth of a Nation: The Case for a Tri-Level Analysis of Forms of Racial Vindication.

Degree: 2014, University of South Florida

 Early American film scholars often critique the relative ineffectiveness of a single literary work, protest movement or silent film to achieve racial vindication following the… (more)

Subjects/Keywords: Black; Film; Racism; Supremacy; White; African American Studies; Film and Media Studies

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APA (6th Edition):

Hearns, C. F. (2014). The Birth of a Nation: The Case for a Tri-Level Analysis of Forms of Racial Vindication. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/5366

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hearns, Charles Fred. “The Birth of a Nation: The Case for a Tri-Level Analysis of Forms of Racial Vindication.” 2014. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/5366.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hearns, Charles Fred. “The Birth of a Nation: The Case for a Tri-Level Analysis of Forms of Racial Vindication.” 2014. Web. 20 Nov 2019.

Vancouver:

Hearns CF. The Birth of a Nation: The Case for a Tri-Level Analysis of Forms of Racial Vindication. [Internet] [Thesis]. University of South Florida; 2014. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/5366.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hearns CF. The Birth of a Nation: The Case for a Tri-Level Analysis of Forms of Racial Vindication. [Thesis]. University of South Florida; 2014. Available from: https://scholarcommons.usf.edu/etd/5366

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

9. Brecese, Justin Alan. Out of Our Depth: Hyper-Extensionality and the Return of Three-Dimensional Media.

Degree: 2012, University of South Florida

 This work theorizes the contemporary attraction to three-dimensional media. In doing so, it reframes ongoing debates surrounding digital three-dimensional media in order to critique the… (more)

Subjects/Keywords: 3-D; Augmented Reality; Digital Media; Film; Neoliberalism; American Studies; Arts and Humanities; Film and Media Studies; Other Communication; Other Sociology

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APA (6th Edition):

Brecese, J. A. (2012). Out of Our Depth: Hyper-Extensionality and the Return of Three-Dimensional Media. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3990

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brecese, Justin Alan. “Out of Our Depth: Hyper-Extensionality and the Return of Three-Dimensional Media.” 2012. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/3990.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brecese, Justin Alan. “Out of Our Depth: Hyper-Extensionality and the Return of Three-Dimensional Media.” 2012. Web. 20 Nov 2019.

Vancouver:

Brecese JA. Out of Our Depth: Hyper-Extensionality and the Return of Three-Dimensional Media. [Internet] [Thesis]. University of South Florida; 2012. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/3990.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brecese JA. Out of Our Depth: Hyper-Extensionality and the Return of Three-Dimensional Media. [Thesis]. University of South Florida; 2012. Available from: https://scholarcommons.usf.edu/etd/3990

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

10. Phillips, Brett Michael. "You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries.

Degree: 2017, University of South Florida

 In this thesis, I outline the changing shape of the reenactment in the contemporary true crime documentary to illustrate a burgeoning crisis of epistemology and… (more)

Subjects/Keywords: True crime; Documentary; Digital; Thriller; Reenactment; Affect; Film and Media Studies; Other Film and Media Studies

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APA (6th Edition):

Phillips, B. M. (2017). "You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6743

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Phillips, Brett Michael. “"You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries.” 2017. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/6743.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Phillips, Brett Michael. “"You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries.” 2017. Web. 20 Nov 2019.

Vancouver:

Phillips BM. "You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries. [Internet] [Thesis]. University of South Florida; 2017. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/6743.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Phillips BM. "You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries. [Thesis]. University of South Florida; 2017. Available from: https://scholarcommons.usf.edu/etd/6743

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

11. Jennings, Morgan J. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.

Degree: 2017, University of South Florida

 In this project, I examine the relationship between female masochism, performance, and spectatorship in Michael Haneke’s film La Pianiste (2001). The film stages a relationship… (more)

Subjects/Keywords: psychoanalysis; masochism; courtly love; feminist film theory; French cinema; Film and Media Studies

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APA (6th Edition):

Jennings, M. J. (2017). "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jennings, Morgan J. “"There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.” 2017. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/6869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jennings, Morgan J. “"There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.” 2017. Web. 20 Nov 2019.

Vancouver:

Jennings MJ. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. [Internet] [Thesis]. University of South Florida; 2017. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/6869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jennings MJ. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. [Thesis]. University of South Florida; 2017. Available from: https://scholarcommons.usf.edu/etd/6869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

12. Taylor, K. Vivian. National Identity, Gender, and Genre: The Multiple Marginalization of Lotte Reiniger and The Adventures of Prince Achmed (1926).

Degree: 2011, University of South Florida

 Contemporary American visual culture is saturated with animation, from websites and advertisements to adult and children's television programs. Animated films have dominated the American box… (more)

Subjects/Keywords: Animation Studies; Disney Myth; Film History; Literary Adaptation; Lotte Reiniger; Weimar Cinema; American Studies; Arts and Humanities; Film and Media Studies

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APA (6th Edition):

Taylor, K. V. (2011). National Identity, Gender, and Genre: The Multiple Marginalization of Lotte Reiniger and The Adventures of Prince Achmed (1926). (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3377

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, K Vivian. “National Identity, Gender, and Genre: The Multiple Marginalization of Lotte Reiniger and The Adventures of Prince Achmed (1926).” 2011. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/3377.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, K Vivian. “National Identity, Gender, and Genre: The Multiple Marginalization of Lotte Reiniger and The Adventures of Prince Achmed (1926).” 2011. Web. 20 Nov 2019.

Vancouver:

Taylor KV. National Identity, Gender, and Genre: The Multiple Marginalization of Lotte Reiniger and The Adventures of Prince Achmed (1926). [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/3377.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor KV. National Identity, Gender, and Genre: The Multiple Marginalization of Lotte Reiniger and The Adventures of Prince Achmed (1926). [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3377

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

13. Lagamba, Jonette Lauren. Shaping Identity: Male and Female Interactions in Cinema.

Degree: 2012, University of South Florida

 ABSTRACT Since the inception of cinema, women have been portrayed with the typical identities of emotionally and physically weak characters; this portrayal led to their… (more)

Subjects/Keywords: film; identity; narrative; neorealism; noir; women; American Studies; Arts and Humanities; Film and Media Studies; Women's Studies

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APA (6th Edition):

Lagamba, J. L. (2012). Shaping Identity: Male and Female Interactions in Cinema. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4116

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lagamba, Jonette Lauren. “Shaping Identity: Male and Female Interactions in Cinema.” 2012. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4116.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lagamba, Jonette Lauren. “Shaping Identity: Male and Female Interactions in Cinema.” 2012. Web. 20 Nov 2019.

Vancouver:

Lagamba JL. Shaping Identity: Male and Female Interactions in Cinema. [Internet] [Thesis]. University of South Florida; 2012. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4116.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lagamba JL. Shaping Identity: Male and Female Interactions in Cinema. [Thesis]. University of South Florida; 2012. Available from: https://scholarcommons.usf.edu/etd/4116

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

14. Auger, Christine Anne. Representations of Gatsby: Ninety Years of Retrospective.

Degree: 2015, University of South Florida

 Jay Gatsby, F. Scott Fitzgerald’s most famous character, has starred in a variety of stage and screen adaptations in the ninety years since he was… (more)

Subjects/Keywords: adaptation; Fitzgerald; Gatz; Hollywood; American Literature; Film and Media Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Auger, C. A. (2015). Representations of Gatsby: Ninety Years of Retrospective. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/5638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Auger, Christine Anne. “Representations of Gatsby: Ninety Years of Retrospective.” 2015. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/5638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Auger, Christine Anne. “Representations of Gatsby: Ninety Years of Retrospective.” 2015. Web. 20 Nov 2019.

Vancouver:

Auger CA. Representations of Gatsby: Ninety Years of Retrospective. [Internet] [Thesis]. University of South Florida; 2015. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/5638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Auger CA. Representations of Gatsby: Ninety Years of Retrospective. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/5638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

15. McKenna, Kevin Thomas. The Revival Western and.

Degree: 2018, University of South Florida

 I create a dialogue between films credited with reviving the Western film genre in the early 1990’s. I examine spatial representations in a group of… (more)

Subjects/Keywords: Care; Environmentalism; Place; Relationality; Space; Time; Film and Media Studies

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APA (6th Edition):

McKenna, K. T. (2018). The Revival Western and. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/7195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McKenna, Kevin Thomas. “The Revival Western and.” 2018. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/7195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McKenna, Kevin Thomas. “The Revival Western and.” 2018. Web. 20 Nov 2019.

Vancouver:

McKenna KT. The Revival Western and. [Internet] [Thesis]. University of South Florida; 2018. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/7195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKenna KT. The Revival Western and. [Thesis]. University of South Florida; 2018. Available from: https://scholarcommons.usf.edu/etd/7195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

16. Collard, Jessica Michelle. Can You Believe She Did THAT?!:Breaking the Codes of "Good" Mothering in 1970s Horror Films.

Degree: 2012, University of South Florida

 The threats found in horror films change with time, each decade consisting of threats that were most frightening for the time period. Horror film scholars,… (more)

Subjects/Keywords: Carnivalesque; Exaggeration; Feminism; Horror films; Performance; Transgression; Film and Media Studies; Women's Studies

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APA (6th Edition):

Collard, J. M. (2012). Can You Believe She Did THAT?!:Breaking the Codes of "Good" Mothering in 1970s Horror Films. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4301

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Collard, Jessica Michelle. “Can You Believe She Did THAT?!:Breaking the Codes of "Good" Mothering in 1970s Horror Films.” 2012. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4301.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Collard, Jessica Michelle. “Can You Believe She Did THAT?!:Breaking the Codes of "Good" Mothering in 1970s Horror Films.” 2012. Web. 20 Nov 2019.

Vancouver:

Collard JM. Can You Believe She Did THAT?!:Breaking the Codes of "Good" Mothering in 1970s Horror Films. [Internet] [Thesis]. University of South Florida; 2012. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4301.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Collard JM. Can You Believe She Did THAT?!:Breaking the Codes of "Good" Mothering in 1970s Horror Films. [Thesis]. University of South Florida; 2012. Available from: https://scholarcommons.usf.edu/etd/4301

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

17. Villot, Janine Marie. Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media.

Degree: 2013, University of South Florida

 Through an analog between film and memory, I argue contemporary Japanese visual media constantly remediates this relationship in order to develop a more inclusive, plastic… (more)

Subjects/Keywords: after life; anime; black butler; manga; millennium actress; Asian Studies; Film and Media Studies

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APA (6th Edition):

Villot, J. M. (2013). Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4603

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Villot, Janine Marie. “Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media.” 2013. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4603.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Villot, Janine Marie. “Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media.” 2013. Web. 20 Nov 2019.

Vancouver:

Villot JM. Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media. [Internet] [Thesis]. University of South Florida; 2013. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4603.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Villot JM. Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4603

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

18. O'Brien, Kelley. "He Didn't Mean It": What Kubrick's.

Degree: 2018, University of South Florida

 With Second Wave Feminism and the Women’s Rights Movement, 1970’s Americans began to see a shift in gender norms affecting how we relate to one… (more)

Subjects/Keywords: American 1970s; Feminism; Gender Politics; Horror; Patriarchy; American Studies; Film and Media Studies

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APA (6th Edition):

O'Brien, K. (2018). "He Didn't Mean It": What Kubrick's. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/7204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Brien, Kelley. “"He Didn't Mean It": What Kubrick's.” 2018. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/7204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Brien, Kelley. “"He Didn't Mean It": What Kubrick's.” 2018. Web. 20 Nov 2019.

Vancouver:

O'Brien K. "He Didn't Mean It": What Kubrick's. [Internet] [Thesis]. University of South Florida; 2018. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/7204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Brien K. "He Didn't Mean It": What Kubrick's. [Thesis]. University of South Florida; 2018. Available from: https://scholarcommons.usf.edu/etd/7204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

19. Orlando, Nicholas. Failing to Move Forward: Journalism, Media, and Affect in David Fincher's.

Degree: 2018, University of South Florida

 Zodiac (David Fincher, 2007) offers a critique of the mass media’s efforts to restore American valiance with heroic narratives of ordinary people in the aftermath… (more)

Subjects/Keywords: Failure; Indexicality; Mastery; Mediation; Procedure; Virtual; American Studies; Film and Media Studies

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APA (6th Edition):

Orlando, N. (2018). Failing to Move Forward: Journalism, Media, and Affect in David Fincher's. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/7208

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Orlando, Nicholas. “Failing to Move Forward: Journalism, Media, and Affect in David Fincher's.” 2018. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/7208.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Orlando, Nicholas. “Failing to Move Forward: Journalism, Media, and Affect in David Fincher's.” 2018. Web. 20 Nov 2019.

Vancouver:

Orlando N. Failing to Move Forward: Journalism, Media, and Affect in David Fincher's. [Internet] [Thesis]. University of South Florida; 2018. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/7208.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Orlando N. Failing to Move Forward: Journalism, Media, and Affect in David Fincher's. [Thesis]. University of South Florida; 2018. Available from: https://scholarcommons.usf.edu/etd/7208

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

20. Davie, Gavin. The Hero Soldier: Portrayals of Soldiers in War Films.

Degree: 2011, University of South Florida

 The mythos of the hero has existed within the stories of humanity for as long as we can remember. Within the last hundred years film(more)

Subjects/Keywords: film; hero; heroes; soldier; war; American Studies; Arts and Humanities; Film and Media Studies; Mass Communication

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APA (6th Edition):

Davie, G. (2011). The Hero Soldier: Portrayals of Soldiers in War Films. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3064

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davie, Gavin. “The Hero Soldier: Portrayals of Soldiers in War Films.” 2011. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/3064.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davie, Gavin. “The Hero Soldier: Portrayals of Soldiers in War Films.” 2011. Web. 20 Nov 2019.

Vancouver:

Davie G. The Hero Soldier: Portrayals of Soldiers in War Films. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/3064.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davie G. The Hero Soldier: Portrayals of Soldiers in War Films. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3064

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

21. Terry, Ryan Luke. On the Convergence of Cinema and Theme Parks: Developing a Predictable Model for Creative Design.

Degree: 2015, University of South Florida

 The goal of this research study is to develop a model of information that will enable media conglomerates and other companies, with theme park investments,… (more)

Subjects/Keywords: Cinema; Entertainment; Media Conglomerates; Media Convergence; Theme Parks; Tourism; Art Practice; Film and Media Studies; Mass Communication

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APA (6th Edition):

Terry, R. L. (2015). On the Convergence of Cinema and Theme Parks: Developing a Predictable Model for Creative Design. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/5784

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Terry, Ryan Luke. “On the Convergence of Cinema and Theme Parks: Developing a Predictable Model for Creative Design.” 2015. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/5784.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Terry, Ryan Luke. “On the Convergence of Cinema and Theme Parks: Developing a Predictable Model for Creative Design.” 2015. Web. 20 Nov 2019.

Vancouver:

Terry RL. On the Convergence of Cinema and Theme Parks: Developing a Predictable Model for Creative Design. [Internet] [Thesis]. University of South Florida; 2015. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/5784.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Terry RL. On the Convergence of Cinema and Theme Parks: Developing a Predictable Model for Creative Design. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/5784

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

22. Bolich, Cecilia Madeline. _Alien_ Thoughts: Spectatorial Pleasure and Mind Reading in Ridley Scott's Horror Film.

Degree: 2011, University of South Florida

 Pleasure experienced in an unpleasant film genre, like horror, has prompted numerous discussions in film studies. Noted scholars like Carol J. Clover and Noël Carroll… (more)

Subjects/Keywords: Cognitive Studies; Cyborg; Evolutionary Psychology; Posthumanism; Theory of Mind; American Studies; Arts and Humanities; Film and Media Studies

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APA (6th Edition):

Bolich, C. M. (2011). _Alien_ Thoughts: Spectatorial Pleasure and Mind Reading in Ridley Scott's Horror Film. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3012

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bolich, Cecilia Madeline. “_Alien_ Thoughts: Spectatorial Pleasure and Mind Reading in Ridley Scott's Horror Film.” 2011. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/3012.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bolich, Cecilia Madeline. “_Alien_ Thoughts: Spectatorial Pleasure and Mind Reading in Ridley Scott's Horror Film.” 2011. Web. 20 Nov 2019.

Vancouver:

Bolich CM. _Alien_ Thoughts: Spectatorial Pleasure and Mind Reading in Ridley Scott's Horror Film. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/3012.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bolich CM. _Alien_ Thoughts: Spectatorial Pleasure and Mind Reading in Ridley Scott's Horror Film. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3012

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

23. Fawver, Kurt. The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic.

Degree: 2013, University of South Florida

 While the sublime aesthetic has a long and complex critical history, it is nonetheless a schizophrenic concept. Indeed, in the over two thousand years since… (more)

Subjects/Keywords: 2001; Kubrick; Lovecraft; sublime; theory; Arts and Humanities; Esthetics; Film and Media Studies

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APA (6th Edition):

Fawver, K. (2013). The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4482

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fawver, Kurt. “The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic.” 2013. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4482.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fawver, Kurt. “The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic.” 2013. Web. 20 Nov 2019.

Vancouver:

Fawver K. The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic. [Internet] [Thesis]. University of South Florida; 2013. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4482.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fawver K. The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4482

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

24. Weidinger, Eli Benjamin. The Sopranos Experience.

Degree: 2013, University of South Florida

 My thesis explores what I call the "Sopranos Experience," which draws upon both the historical conventions of the gangster genre as well as the aesthetics… (more)

Subjects/Keywords: Arc Television; Gangster Genre; HBO; Neoliberalism; Pay-Cable Television; Psychotherapy; Film and Media Studies

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APA (6th Edition):

Weidinger, E. B. (2013). The Sopranos Experience. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4610

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weidinger, Eli Benjamin. “The Sopranos Experience.” 2013. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4610.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weidinger, Eli Benjamin. “The Sopranos Experience.” 2013. Web. 20 Nov 2019.

Vancouver:

Weidinger EB. The Sopranos Experience. [Internet] [Thesis]. University of South Florida; 2013. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4610.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weidinger EB. The Sopranos Experience. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4610

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

25. Maltezos, Chris Steve. The Return of the 1950s Nuclear Family in Films of the 1980s.

Degree: 2011, University of South Florida

 Abstract In the 1980s the cinematic nuclear family flourished again after the self-explorative 1960s and turbulent 1970s. This thesis explores the portrayal of the idealized… (more)

Subjects/Keywords: Father Figure; Insular Sphere; Intergenerational Relationships; Mother; Single-Parent Household; American Studies; Arts and Humanities; Film and Media Studies

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APA (6th Edition):

Maltezos, C. S. (2011). The Return of the 1950s Nuclear Family in Films of the 1980s. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maltezos, Chris Steve. “The Return of the 1950s Nuclear Family in Films of the 1980s.” 2011. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/3230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maltezos, Chris Steve. “The Return of the 1950s Nuclear Family in Films of the 1980s.” 2011. Web. 20 Nov 2019.

Vancouver:

Maltezos CS. The Return of the 1950s Nuclear Family in Films of the 1980s. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/3230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maltezos CS. The Return of the 1950s Nuclear Family in Films of the 1980s. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

26. Sotomayor, Hector. He_rtland: The Violence of Neoliberalism.

Degree: 2015, University of South Florida

 Perhaps, under the consciousness of today, “neoliberalism” has defined our world during the previous and current centuries more than any other socioeconomic system. But the… (more)

Subjects/Keywords: Neoliberalism; Reaganism; Gendered Violence; 1980s Cinema; Farm Crisis; Economic Theory; Feminist, Gender, and Sexuality Studies; Film and Media Studies

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APA (6th Edition):

Sotomayor, H. (2015). He_rtland: The Violence of Neoliberalism. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6027

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sotomayor, Hector. “He_rtland: The Violence of Neoliberalism.” 2015. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/6027.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sotomayor, Hector. “He_rtland: The Violence of Neoliberalism.” 2015. Web. 20 Nov 2019.

Vancouver:

Sotomayor H. He_rtland: The Violence of Neoliberalism. [Internet] [Thesis]. University of South Florida; 2015. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/6027.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sotomayor H. He_rtland: The Violence of Neoliberalism. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/6027

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

27. Mancini, Tanna Alice. When Bad Things Happen to Good Mothers: Rethinking Motherhood Through the Single Mother Image in American Films from the 1930s to the 1970s.

Degree: 2012, University of South Florida

 ABSTRACT The single-mother figure shows up in myriad American film genres, and my thesis explores three of these genres, maternal melodrama, film noir, and horror.… (more)

Subjects/Keywords: gender performance; maternal melodrama; single mothers; American Studies; Arts and Humanities; Feminist, Gender, and Sexuality Studies; Film and Media Studies; Women's Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mancini, T. A. (2012). When Bad Things Happen to Good Mothers: Rethinking Motherhood Through the Single Mother Image in American Films from the 1930s to the 1970s. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4142

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mancini, Tanna Alice. “When Bad Things Happen to Good Mothers: Rethinking Motherhood Through the Single Mother Image in American Films from the 1930s to the 1970s.” 2012. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4142.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mancini, Tanna Alice. “When Bad Things Happen to Good Mothers: Rethinking Motherhood Through the Single Mother Image in American Films from the 1930s to the 1970s.” 2012. Web. 20 Nov 2019.

Vancouver:

Mancini TA. When Bad Things Happen to Good Mothers: Rethinking Motherhood Through the Single Mother Image in American Films from the 1930s to the 1970s. [Internet] [Thesis]. University of South Florida; 2012. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4142.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mancini TA. When Bad Things Happen to Good Mothers: Rethinking Motherhood Through the Single Mother Image in American Films from the 1930s to the 1970s. [Thesis]. University of South Florida; 2012. Available from: https://scholarcommons.usf.edu/etd/4142

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

28. Turner, James Lloyd. Monstrous Dialogues: THE HOST and South Korean Inverted Exile.

Degree: 2012, University of South Florida

 Bong Joon-ho‟s monster movie blockbuster, The Host (Gweomul, 2006), is the most commercially successful film in South Korean cinema history. The film‟s popularity and significance… (more)

Subjects/Keywords: aesthetic dialogue; ambivalence; Bong Joon-ho; Korean blockbuster; New Korean Cinema; American Studies; Arts and Humanities; Asian Studies; Feminist, Gender, and Sexuality Studies; Film and Media Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Turner, J. L. (2012). Monstrous Dialogues: THE HOST and South Korean Inverted Exile. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4244

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Turner, James Lloyd. “Monstrous Dialogues: THE HOST and South Korean Inverted Exile.” 2012. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4244.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Turner, James Lloyd. “Monstrous Dialogues: THE HOST and South Korean Inverted Exile.” 2012. Web. 20 Nov 2019.

Vancouver:

Turner JL. Monstrous Dialogues: THE HOST and South Korean Inverted Exile. [Internet] [Thesis]. University of South Florida; 2012. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4244.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Turner JL. Monstrous Dialogues: THE HOST and South Korean Inverted Exile. [Thesis]. University of South Florida; 2012. Available from: https://scholarcommons.usf.edu/etd/4244

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

29. Green, Jr., Alan Edward. the post- 9/11 aesthetic: repositioning the zombie film in the horror genre.

Degree: 2013, University of South Florida

 This dissertation explores a body of films produced after the events of 9/11, and while examining this specific point of departure, the author presents the… (more)

Subjects/Keywords: 28 days later; george romero; non zombie films; post 9/11; zombie; Film and Media Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Green, Jr., A. E. (2013). the post- 9/11 aesthetic: repositioning the zombie film in the horror genre. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4798

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Green, Jr., Alan Edward. “the post- 9/11 aesthetic: repositioning the zombie film in the horror genre.” 2013. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/4798.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Green, Jr., Alan Edward. “the post- 9/11 aesthetic: repositioning the zombie film in the horror genre.” 2013. Web. 20 Nov 2019.

Vancouver:

Green, Jr. AE. the post- 9/11 aesthetic: repositioning the zombie film in the horror genre. [Internet] [Thesis]. University of South Florida; 2013. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/4798.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Green, Jr. AE. the post- 9/11 aesthetic: repositioning the zombie film in the horror genre. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4798

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

30. Ekblad, Rachel Christine. The Dislocated Spectator's Relationship to Enchanted Objects in Early Film and Modernist Poetry.

Degree: 2017, University of South Florida

 In the early 1900s, industry and new technologies dislocated our sense of selfhood. Since the Industrial Revolution, the world had become increasingly crammed with material… (more)

Subjects/Keywords: French Impressionism; Intersubjectivity; Jean Epstein; Magic; Radio; T.S. Eliot; Arts and Humanities; Film and Media Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ekblad, R. C. (2017). The Dislocated Spectator's Relationship to Enchanted Objects in Early Film and Modernist Poetry. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6697

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ekblad, Rachel Christine. “The Dislocated Spectator's Relationship to Enchanted Objects in Early Film and Modernist Poetry.” 2017. Thesis, University of South Florida. Accessed November 20, 2019. https://scholarcommons.usf.edu/etd/6697.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ekblad, Rachel Christine. “The Dislocated Spectator's Relationship to Enchanted Objects in Early Film and Modernist Poetry.” 2017. Web. 20 Nov 2019.

Vancouver:

Ekblad RC. The Dislocated Spectator's Relationship to Enchanted Objects in Early Film and Modernist Poetry. [Internet] [Thesis]. University of South Florida; 2017. [cited 2019 Nov 20]. Available from: https://scholarcommons.usf.edu/etd/6697.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ekblad RC. The Dislocated Spectator's Relationship to Enchanted Objects in Early Film and Modernist Poetry. [Thesis]. University of South Florida; 2017. Available from: https://scholarcommons.usf.edu/etd/6697

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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